| 71 | https://dickenssearch.com/items/show/71 | 'The Churchyard' | | From the autograph album of Maria Beadnell (November 1831). | Dickens, Charles | The Charles Dickens Museum, <a href="http://www.collections.dickensmuseum.com/object-b319--1971-1-105" target="_blank" rel="noopener">http://www.collections.dickensmuseum.com/object-b319--1971-1-105</a>.; Autograph Album of Maria Beadnell. | | <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1831-11">1831-11</a> | | | | | | <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Poem">Poem</a> | 1831-11_Autograph_Album_of_Maria_Beadnell_The_Churchyard | | | | | | | | | | | | | | | | | | | | | | | | | | <span>Dickens, Charles. 'The Churchyard.' Autograph Album of Maria Beadnell (November 1831). </span><em>Dickens Search.</em><span> Eds. Emily Bell and Lydia Craig. Accessed [date]. </span><a href="https://dickenssearch.com/verse/1831-11_Autograph_Album_of_Maria_Beadnell_The_Churchyard">https://dickenssearch.com/verse/1831-11_Autograph_Album_of_Maria_Beadnell_The_Churchyard</a><span><a href="https://dickenssearch.com/poetry/1831-11_Autograph_Album_of_Maria_Beadnell_The_Devils_Walk"></a>.</span> | | | | | | | | | | | | | | | | | | | | | <a href="https://dickenssearch.com/teibp/dist/content/1831-11_Autograph_Album_of_Maria_Beadnell_The_Churchyard.xml" target="_blank" rel="noopener"><span>'The Churchyard.' Autograph Album of Maria Beadnell (November 1831).<br /></span></a> | | | <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album+of+Maria+Beadnell.">Autograph Album of Maria Beadnell.</a> | <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=C.D.">C.D.</a> | | | | How many tales these Tombstones tell Of life's e'er changing scene, Of by gone days spent ill or well By those who gay have been; Who have been happy, rich, and vain, Who now are dead, and cold, Who've gone alike to dust again The rich, poor, young, and old. Here lies a Man who lived to save Of Wordly gain a store; – It has not saved him from the grave He ne'er can use it more. A marble Tablet tells his fame To those who shall survive; – It tells us not who blest his name While he remained alive. Now mark the contrast. – Near this mound Lie the remains of one With whom no fault was ever found, Who spotless as the sun Fulfilled his Christian duties here, Both cheerfully and well But no rich velvet deck'd his Bier No lines his virtues tell. And is it so! Is man so vain, To riches such a Slave As to take his pride of gold, and gain E'en with him to the Grave! – Why let him take it. – Let him see If 'twill avail him there, Where we must all one dread day be, Where all Men must appear. Here sleeps a girl. – A year ago Bright, beautiful, and gay, Peaceful, and happy, then but Oh! How soon such days decay: They changed to times of shame and brief And this the mournful token Death was to her a glad relief For her young heart was broken. Aye – broken. – Let the Roué smile And let him boldly speed Exulting in his shameless guile To boast of such a deed. Let him boast gaily among men – They'll hear without surprize And let him boast if he can when On his death bed he lies. In truth it is a manly deed With woman's heart to trifle, To break the bent and bruised reed And with neglect to stifle The feelings man himself has raised Which he can't prize too high. – To leave the object he has praised Alone to weep and die. But why pursue this painful theme Or longer here remain The dead sleep sound; they cannot dream Of sorrow, grief, or pain. From Man to GOD they will appeal Where no man can dissemble There will the wronged for justice kneel There will the Tyrant tremble. | 18311101 | | | | | | | | | |
| 70 | https://dickenssearch.com/items/show/70 | 'The Devil's Walk' | | From the autograph album of Maria Beadnell (November 1831). | Dickens, Charles | The Charles Dickens Museum, <a href="http://www.collections.dickensmuseum.com/object-b319--1971-1-105" target="_blank" rel="noopener">http://www.collections.dickensmuseum.com/object-b319--1971-1-105</a>.; Autograph Album of Maria Beadnell. | | <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1831-11">1831-11</a> | | | | | | <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Poem">Poem</a> | 1831-11_Autograph_Album_of_Maria_Beadnell_The_Devils_Walk | | | | | | | | | | | | | | | | | | | | | | | | | | <span>Dickens, Charles. 'The Devil's Walk.' Autograph Album of Maria Beadnell (November 1831). </span><em>Dickens Search.</em><span> Eds. Emily Bell and Lydia Craig. Accessed [date]. </span><a href="https://dickenssearch.com/verse/1831-11_Autograph_Album_of_Maria_Beadnell_The_Devils_Walk">https://dickenssearch.com/verse/</a><span><a href="https://dickenssearch.com/verse/1831-11_Autograph_Album_of_Maria_Beadnell_The_Devils_Walk">1831-11_Autograph_Album_of_Maria_Beadnell_The_Devils_Walk</a>.</span> | | | | | | | | | | | | | | | | | | | | | <a href="https://dickenssearch.com/teibp/dist/content/1831-11_Autograph_Album_of_Maria_Beadnell_The_Devils_Walk.xml" target="_blank" rel="noopener">'The Devil's Walk.' From the autograph album of Maria Beadnell (1830-1831).</a> | | <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album">Autograph Album</a> | | <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=C.D.">C.D.</a> | | | | While sitting one day in his well aired halls Of which we've often heard tell, The Devil determined to make a few calls To see if his Friends were well: So he put on his best and himself he drest In his long tailed coat of green And he buttoned it tightly o'er his chest Lest his own tail should be seen. To the House of Lords the Devil went straight To learn the state of Nations, And with mixed feelings of pleasure and hate He heard their deliberations; For he saw a few Nobles rich and proud War 'gainst the people and Prince, And he thought with pain tho' he laughed aloud Of the Wars in Heav'n long since. Then to Irving's Chapel he gaily hied To hear the new "unknown tongue" And he welcomed with great pleasure and pride The Maniacs he'd got among: For it always fills the Devil with glee To hear Religion mocked, And it pleases him very much to see Sights at which others are shocked. Then away to Bristol he quickly walked T'indulge in meditation, And he gaily laughed as he slowly stalked O'er a scene of desolation. He honored the hand that had done the deed Vowed that an "Anti" he'd be Then back to London he started with speed His old friend Sir Charles to see. The Devil was walking up Regent Street As some other great folks do When a very old friend he chanced to meet Whom it pleased him much to view. Let those describe his great pleasure who can On the Member for Preston spying He took off his hat for he envied the Man His pow'r of deceit and lying. As the Devil was passing I won't say where But not far from Lombard Street, He saw at a window a face so fair That it made him start and weep For a passing thought rushed over his brain Of days no beyond recal, He thought of the bright angelic train And of his own wretched fall. A dim cold feeling of what he had been Wrung from him a bitter groan He gazed and thought of the Angels who sing Surrounding Heaven's High Throne. He thought of the time, – the happy time, – When among them he had been And he madly cursed the impious crime Which plunged him in pain and sin. This feeling vanished as soon as it came And he turned to walk away But sought for this Album to find the name Of her he'd seen that day. He cast his eye swiftly o'er these few lines To drive away thoughts so sad And he said with glee "they're worthy of me For I'm sure they're devilish bad." | 18311101 | | | | | | | | | |