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64https://dickenssearch.com/items/show/64'<em>Scenes and Characters</em>, No. 1, Seven Dials'Published in <em>Bell's Life in London </em>(27 September 1835).Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0000355/18350927/001/0001" class="waffle-rich-text-link" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0000355/18350927/001/0001</a>.<span></span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-09-27">1835-09-27</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-09-27_Bells_Life_in_London_Scenes_and_Characters_No1_Seven_DialsDickens, Charles. 'Scenes and Characters, No. 1, Seven Dials' (27 September 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1835-09-27_Bells_Life_in_London_Scenes_and_Characters_No1_Seven_Dials">https://www.dickenssearch.com/short-stories/1835-09-27_Bells_Life_in_London_Scenes_and_Characters_No1_Seven_Dials</a>.<a href="https://dickenssearch.com/teibp/dist/content/1835-09-27_Bells_Life_in_London_Scenes_and_Characters_No1_Seven_Dials.xml" target="_blank" rel="noopener">'Scenes and Characters, No. 1, Seven Dials.' <em>Bell's Life in London </em>(27 September 1835).</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EBell%27s+Life+in+London%3C%2Fem%3E"><em>Bell's Life in London</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=TIBBS">TIBBS</a>SEVEN DIALS.—We have always been of opinion that if Tom King and the Frenchman had not immortalised Seven Dials, Seven Dials would have immortalised itself. Seven Dials! the region of song and poetry—first effusions, and last dying speeches: hallowed by the names of Catnac and of Pitts—names that will entwine themselves with costermongers, and barrel organs, when penny magazines shall have superseded penny yards of song, and capital punishment be unknown! Look at the construction of the place. The gordian knot was all very well in its way: so was the maze of Hampton Court: so is the maze at the Beulah Spa: so were the ties of stiff white neckcloths, when the difficulty of getting one on was only to be equalled by the apparent impossibility of ever getting it off again. But what involutions can compare with those of Seven Dials—where is there such another maze of streets, courts, lanes, and alleys—where such a pure mixture of Englishmen and Irishmen, as in this complicated part of London? We boldly aver that we doubt the veracity of the legend to which we have adverted. We can suppose a man rash enough to inquire at random—at a house with lodgers too—for a Mr. Thompson, with all but the certainty before his eyes, of finding at least two or three Thompsons in any house of moderate dimensions; but a Frenchman—a Frenchman—in Seven Dials! Pooh! He was an Irishman. Tom King&#039;s education had been neglected in his infancy, and as he couldn&#039;t understand half the man said, he took it for granted he was talking French. The stranger who finds himself in &quot;The Dials&quot; for the first time, and stands Belzoni-like, at the entrance of seven obscure passages, uncertain which to take, will see enough around him to keep his curiosity and attention awake for no inconsiderable time. From the irregular square into which he has emerged, streets and courts dart in all directions, until they are lost in the unwholesome vapour which hangs over the house-tops, and renders the dirty perspective uncertain and confined; and lounging at every corner, as if they came there to take a few gasps of such fresh air as has found its way so far, but is too much exhausted already to be enabled to force itself into the narrow alleys around, are groups of people, whose appearance and dwellings would fill any mind but a regular Londoner&#039;s with astonishment. On one side a little crowd has collected round a couple of ladies, who having imbibed the contents of various &quot;three-outs&quot; of gin and cloves in the course of the morning, have at length differed on some point of domestic arrangement, and are on the eve of settling the quarrel satisfactorily by an appeal to blows, greatly to the interest of other ladies who live in the same house, and tenements adjoining, and who are all partisans on one side or other. &quot;Vy don&#039;t you pitch into her Sarah?&quot; exclaims one half-dressed matron, by way of encouragement. &quot;S&#039;elp me God, if my &#039;usband had treated her vith a drain last night, unbeknown to me, I&#039;d tear her precious eyes out—a wixen!&quot; &quot;What&#039;s the matter, ma&#039;am?&quot; inquires another old woman, who has just bustled up to the spot. &quot;Matter!&quot; replies the first speaker, talking at the obnoxious combatant, &quot;matter! Here&#039;s poor dear Mrs. Sulliwin, as has five blessed children of her own, can&#039;t go out a charing for one arternoon, but what hussies must be a comin and ticing avay her oun &#039;usband, as she&#039;s been married to twelve year come next Easter Monday, for I see the certificate ven I was a drinkin a cup o&#039; tea vith her only the wery last blessed Ven&#039;sday as ever vos sent. I appen&#039;d to say promiscuously &#039;Mrs Sulliwin,&#039; says I—&quot; &quot;What do you mean by hussies?&quot; interrupts a champion of the other party, who has evinced a strong inclination throughout to get up a branch fight on her own account (&quot;Hoo-roar,&quot; ejaculates a pot-boy in a parenthesis, &#039;put the kye-bosh on her, Mary.&quot;) &quot;What do you mean by hussies?&quot; reiterates the champion. &quot;Niver mind,&quot; replies the opposition expressively, &quot;niver mind; you go home, and, ven you&#039;re quite sober, mend your stockings.&quot; This somewhat personal allusion, not only to the lady&#039;s habits of intemperance, but also to the state of her wardrobe, rouses her utmost ire, and she accordingly complies with the urgent request of the by-standers to &quot;pitch in,&quot; with considerable alacrity. The scuffle became general, and terminates, in minor play-bill phraseology, with &quot;arrival of the policemen—interior of the station-house, and impressive denouement.&quot; In addition to the numerous groups who are idling about the gin shops, and squabbling in the centre of the road, every post in the open space has its occupant, who leans against it for hours, with listless perseverance. It is odd enough that one class of men in London appear to have no enjoyment beyond leaning against posts. We never saw a regular bricklayer&#039;s labourer take any other recreation—fighting excepted. Pass through St. Giles&#039;s in the evening of a week day—there they are in their fustian dresses, spotted with brick-dust and whitewash—leaning against posts. Walk through Seven Dials on Sunday morning: there they are again—drab or light corduroy trousers, blucher boots, blue coats, and great yellow waistcoats—leaning against posts. The idea of a man dressing himself in his best clothes, to lean against a post all day! The peculiar character of these streets, and the close resemblance each one bears to its neighbour, by no means tends to decrease the bewilderment in which the unexperienced wayfarer through &quot;the Dials&quot; finds himself involved. He traverses streets of dirty, straggling houses, with here and there an unexpected court, composed of buildings as ill-proportioned and deformed as the half naked children that wallow in the kennels. Now and then, is a little dark chandler&#039;s shop, with a cracked bell hung up behind the door, to announce the entrance of a customer, or betray the presence of some young gentleman in whom a passion for shop tills has developed itself at an early age. Handsome, lofty buildings usurp the places of low dingy public-houses; long rows of broken and patched windows expose plants that may have flourished when &quot;the Dials&quot; were built, in vessels as dirty as &quot;the Dials&quot; themselves; and shops for the purchase of rags, bones, old iron, and kitchen stuff, vie in cleanliness with the bird-fanciers&#039; and rabbit-dealers&#039;, which one might fancy so many arks, but for the irresistible conviction that no bird in its proper senses, who was permitted to leave one of them, would ever come back again. Brokers&#039; shops, which would seem to have been established by humane individuals as refuges for destitute bugs, interspersed with announcements of day schools, penny theatres, petition-writers, mangles, and music for balls or routs, complete the &quot;still life&quot; of the subject; and dirty men, filthy women, squalid children, fluttering shuttlecocks, noisy battledores, reeking pipes, bad fruit, more than doubtful oysters, attenuated cats, depressed dogs, and anatomical fowls, are its cheerful accompaniments. If the external appearance of the houses, or a glance at their inhabitants, presents but few attractions, a closer acquaintance with either is little calculated to alter one&#039;s first impression. Every room has its separate tenant, and every tenant is—by the same mysterious dispensation which causes a country curate to &quot;increase and multiply&quot; most marvellously—generally the head of a numerous family. The man in the shop, perhaps, is in the baked &quot;jemmy&quot; line, or the fire-wood and hearth-stone line, or any other line which requires a floating capital of eighteen-pence or thereabouts; and he and his family live in the shop, and the small back parlour behind it. Then there is an Irish labourer and his family in the back kitchen; and a jobbing man—carpet-beater and so forth—with his family in the front one. In the front one-pair there&#039;s another man with another wife and family, and in the back one-pair, there&#039;s &quot;a young ooman as takes in tambour-work, and dresses quite genteel,&quot; who talks a good deal about &quot;my friend,&quot; and &quot;can&#039;t abear anything low.&quot; The second floor front, and the rest of the lodgers, are just a second edition of the people below, except a shabby-genteel man in the back attic, who has his half-pint of coffee every morning from the coffee-shop next door but one, which boasts a little front den called a coffee-room, with a fire-place, over which is an inscription, politely requesting that, &quot;to prevent mistakes,&quot; customers will &quot;please to pay on delivery.&quot; The shabby-genteel man is an object of some mystery, but as he leads a life of seclusion, and never was known to buy anything beyond an occasional pen, except half-pints of coffee, penny loaves, and ha&#039;porths of ink, his fellow-lodgers very naturally suppose him to be an author; and rumours are current in the Dials, that he writes poems—for Mr Warren. Now anybody who passed through the Dials on a hot summer&#039;s evening, and saw the different women in the house gossiping on the steps, would be apt to think that all was harmony among them, and that a more primitive set of people than the native Diallers could not be imagined. Alas! the man in the shop ill-treats his family; the carpet-beater extends his professional pursuits to his wife; the one-pair front has an undying feud with the two pair front, in consequence of the two-pair front persisting in dancing over his (the one-pair front&#039;s) head, when he and his family have retired for the night; the two-pair back will interfere with the front kitchen&#039;s children; the Irishman comes home drunk every other night, and attacks everybody; and the one-pair back screams at everything. Animosities spring up between floor and floor; the very cellar asserts his equality. Mrs A. smacks Mrs B.&#039;s child for &quot;making faces.&quot; Mrs B. forthwith throws cold water over Mrs A.&#039;s child for &quot;calling names.&quot; The husbands are embroiled—the quarrel becomes general—an assault is the consequence, and a police-office the result.18350927https://dickenssearch.com/files/original/5/Scenes_and_Characters_No._1_Seven_Dials/1835-09-27_Bells_Life_in_London_Scenes_and_Characters_No1__Seven_Dials.pdf
104https://dickenssearch.com/items/show/104'<em>Scenes and Characters</em>, No. 10, Christmas Festivities'Published in <em>Bell's Life in London</em> (27 December 1835).Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351227/001/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351227/001/0001</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-12-27">1835-12-27</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-12-27_Bells_Life_in_London_Scenes_and_Characters_No10_Christmas_FestivitiesDickens, Charles. '<em>Scenes and Characters</em>, No. 10, Christmas Festivities' (27 December 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-12-27_Bells_Life_in_London_Scenes_and_Characters_No10_Christmas_Festivities">https://dickenssearch.com/short-stories/1835-12-27_Bells_Life_in_London_Scenes_and_Characters_No10_Christmas_Festivities</a>.<a href="https://dickenssearch.com/teibp/dist/content/1835-12-27_Bells_Life_in_London_Scenes_and_Characters_No10_Christmas_Festivities.xml" target="_blank" rel="noopener">'Scenes and Characters, No. 10, Christmas Festivities.' <em>Bell's Life in London</em> (27 December 1835).</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EBell%27s+Life+in+London%3C%2Fem%3E"><em>Bell's Life in London</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=TIBBS">TIBBS</a>Christmas time! That man must be a misanthrope indeed in whose breast something like a jovial feeling is not roused—in whose mind some pleasant associations are not awakened—by the recurrence of Christmas. There are people who will tell you that Christmas is not to them what it used to be—that each succeeding Christmas has found some cherished hope or happy prospect of the year before dimmed or passed away —and that the present only serves to remind them of reduced circumstances and straitened incomes—of the feasts they once bestowed on hollow friends, and of the cold looks that meet them now, in adversity and misfortune. Never heed such dismal reminiscences. There are few men who have lived long enough in the world who cannot call up such thoughts any day in the year. Then do not select the merriest of the three hundred and sixty-five for your doleful recollections, but draw your chair nearer the blazing fire—till the glass, aud send round the song—and, if your room be smaller than it was a dozen years ago, or if your glass is filled with reeking punch instead of sparkling wine, put a good face on the matter, and empty it off-hand, and fill another, and troll off the old ditty you used to sing, and thank God it&#039;s no worse. Look on the merry faces of your children as they sit round the fire. One little seat may be empty—one slight form that gladdened the father&#039;s heart and rouse the mother&#039;s pride to look upon may not be there. Dwell not upon the past—think not that, one short year ago, the fair child now fast resolving into dust sat before you, with the bloom of health upon its cheek, and the gay unconsciousness of infancy in its joyous eye. Reflect upon your present blessings—of which all man have some. Fill your glass again, with a merry face and a contented heart. Our life on it but your Christmas shall be merry, and your new year a happy one. Who can be insensible to the outpourings of good feeling, and the honest interchange of affectionate attachment, which abound at this season of the year? A Christmas family party! We know nothing in nature more delightful! There seems a magic in the very name of Christmas. Petty jealousies and discords are forgotten: social feelings are awakened in bosoms to which they have long been strangers; father and son, or brother and sister, who have met and passed with averted gaze, or a look of cold recognition for months before, proffer and return the cordial embrace, and bury their past animosities in their present happiness. Kindly hearts that have yearned towards each other but have been withheld by false notions of pride and self dignity, are again united, and all is kindness and benevolence! Would that Christmas lasted the whole year through, and that the prejudices and passions which deform our better nature were never called into action among those to whom, at least, they should ever be strangers! The Christmas Family Party that we mean is not a mere assemblage of relations, got up at a week or two&#039;s notice, originating this year, having no family precedent in the last, and not likely to be repeated in the next. It is an annual gathering of all the accessible members of the family, young or old, rich or poor, and all the children look forward to it for some two months beforehand in a fever of anticipation. Formerly it was always held at grandpapa&#039;s, but grandpapa getting old, and grandmamma getting old too, and rather infirm, they have given up housekeeping, and domesticated themselves with uncle George: so the party always takes place at uncle George&#039;s house, but grandmamma sends in most of the good things, and grandpapa always will toddle down all the way to Newgate-market to buy the turkey, which he engages a porter to bring home behind him in triumph, always insisting on the man&#039;s being rewarded with a glass of spirits, over and above his hire, to drink &quot;a merry Christmas and a happy new year&quot; to aunt George; as to grandma she is very secret and mysterious for two or three days beforehand, but not sufficiently so to prevent rumours getting afloat that she has purchased a beautiful new cap with pink ribbons for each of the servants, together with sundry books, and penknives, and pencil-cases for the young branches—to say nothing of divers secret additions to the order originally given by aunt George at the pastry-cook&#039;s, such as another dozen of mince pies for the dinner, and a large plum-cake for the children. On Christmas-eve, grandma is always in excellent spirits, and after employing all the children during the day in stoning the plumbs and all that, insists regularly every year on uncle George coming down into the kitchen, taking off his coat, and stirring the pudding for half an hour or so, which uncle George good humouredly does, to the vociferous delight of the children and servants; and the evening concludes with a glorious game of blind man&#039;s buff, in an early stage of which grandpa takes great care to be caught, in order that he may have an opportunity of displaying his dexterity. On the following morning the old couple, with as many of the children as the pew will hold, go to church in great state, leaving aunt George at home dusting decanters and filling castors, and uncle George carrying bottles into the dining parlour, and calling for corkscrews, and getting into everybody&#039;s way. When the church party return to lunch, grandpapa produces a small spring of mistletoe from his pocket, and temps the boys to kiss their little cousins under it —a proceeding which affords both the boys and the old gentleman unlimited satisfaction, but which rather outrages grandma&#039;s ideas of decorum, until grandpa says that when he was just thirteen years and three months old he kissed grandma under a mistletoe too, on which the children clap their hands and laugh very heartily, as do aunt George and uncle George; and grandma looks pleased, and says with a benevolent smile that grandpa always was an impudent dog, on which the children laugh very heartily again, and grandpa more heartily than any of them. But all these diversions are nothing to the subsequent excitement, when grandmamma in a high cap and slate-coloured silk gown, and grandpapa with a beautifully plaited shirt frill and white neckerchief, seat themselves on one side of the drawing-room fire with uncle George&#039;s children and little cousins innumerable, seated in the front, waiting the arrival of the anxiously-expected visitors. Suddenly a hackney coach is heard to stop, and uncle George, who has been looking out of the window, exclaims &quot;Here&#039;s Jane!&quot; on which the children rush to the door, and scamper helter-skelter down stairs; and uncle Robert and aunt Jane, and the dear little baby and the nurse, and the whole party, are ushered up stairs amidst tumultuous shouts of &quot;Oh, my!&quot; from the children, and frequently repeated warnings not to hurt baby from the nurse; and grandpapa takes the child, and grandmamma kisses her daughter, and the confusion of this first entry has scarcely subsided, when some other aunts and uncles with more cousins arrive, and the grown-up cousins flirt with each other, and so do the little cousins too for that matter, and nothing is to be heard but a confused din of talking, laughing, and merriment. A hesitating double knock at the street door, heard during a momentary pause in the conversation, excites a general inquiry of &quot;Who&#039;s that?&quot; and two or three children, who have been standing at the window, announce in a low voice, that it&#039;s &quot;poor aunt Margaret.&quot; Upon which aunt George leaves the room to welcome the new comer and grandmamma draws herself up rather stiff and stately, for Margaret married a poor man without her consent, and poverty not being a sufficiently weighty punishment for her offence has been discarded by her friends, and debarred the society of her dearest relatives. But Christmas has come round, and the unkind feelings that have struggled against better dispositions during the year, have melted away before its genial influence, like half-formed ice beneath the morning sun. It is not difficult in a moment of angry feeling for a parent to denounce a disobedient child; but to banish her at a period of general good-will and hilarity from the hearty, round which she has sat on so many anniversaries of the same day; expanding by slow degrees from infancy to girlhood, and then bursting, almost imperceptibly, into the high-spirited and beautiful woman, is widely different. The air of conscious rectitude and cold forgiveness, which the old lady has assumed, sits ill upon her; and when the poor girl is led in by her sister—pale in looks and broken in spirit—not from poverty, for that she could bear; but from the consciousness of undeserved neglect, and unmerited unkindness—it is easy to see how much of it is assumed. A momentary pause succeeds; the girl breaks suddenly from her sister, and throws herself, sobbing, on her mother&#039;s neck. The father steps hastily forward, and grasps her husband&#039;s hand. Friends crowd round to offer their hearty congratulations, and happiness and harmony again prevail. As to the dinner, its perfectly delightful—nothing goes wrong, and everybody is in the very best of spirits, and disposed to please and be pleased. Grandpapa relates a circumstantial account of the purchase of the turkey, with a slight digression relative to the purchase of previous turkeys on former Christmas Days, which grandmamma corroborates in the minutest particular: Uncle George tells stories, and carves poultry, and takes wine, and jokes with the children at the side-table, and winks at the cousins that are making love, or being made love to, and exhilarates everybody with his good humour and hospitality; and when at last a stout servant staggers in with a gigantic pudding, with a sprig of holly in the top, there is such a laughing, and shouting, and clapping of little chubby hands, and kicking up of fat dumpy legs, as can only be equalled by the applause with which the astonishing feat of pouring lighted brandy into mince pies is received by the younger visitors. Then the dessert!—and the wine!—and the fun! Such beautiful speeches, and such songs, from Aunt Margaret&#039;s husband, who turns out to be such a nice man, and so attentive to grandmamma! Even grandpapa not only sings his annual song with unprecedented vigour, but, on being honoured with an unanimous encore, according to annual custom; actually comes out with a new one, which nobody but grandmamma ever heard before, and a young scape-grace of a cousin, who has been in some disgrace with the old people, for certain heinous sins of omission and commission—neglecting to call, and persisting in drinking Burton ale—astonishes everybody into convulsions of laughter by volunteering the most extraordinary comic songs that were ever heard. And thus the evening passes in a strain of national good-will and cheerfulness, doing more to awaken the sympathies of every member of the party in behalf of his neighbour, and to perpetuate their good feeling during the ensuing year, than all the homilies that have ever been written, by all the Divines that have ever lived. There are a hundred associations connected with Christmas which we should very much like to recall to the minds of our readers; there are a hundred comicalities inseparable from the period, on which it would give us equal pleasure to dilate. We have attained our ordinary limits, however, and cannot better conclude than by wishing each and all of them, individually &amp; collectively, &quot;a merry Christmas happy new year.&quot;18351227https://dickenssearch.com/files/original/5/Scenes_and_Characters_No._10_Christmas_Festivities/1835-12-27_Bells_Life_in_London_Scenes_and_Characters_No10_Christmas_Festivities.pdf
105https://dickenssearch.com/items/show/105'<em>Scenes and Characters</em>, No. 11, The New Year'Published in <em>Bell's Life in London</em> (3 January 1836).Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18360103/001/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18360103/001/0001</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836-01-03">1836-01-03</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1836-01-03_Bells_Life_in_London_Scenes_and_Characters_No11_The_New_YearDickens, Charles. '<em>Scenes and Characters</em>, No.11, The New Year' (3 January 1836). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1836-01-03_Bells_Life_in_London_Scenes_and_Characters_No11_The_New_Year">https://dickenssearch.com/short-stories/1836-01-03_Bells_Life_in_London_Scenes_and_Characters_No11_The_New_Year</a>.<a href="https://dickenssearch.com/teibp/dist/content/1836-01-03_Bells_Life_in_London_Scenes_and_Characters_No11_The_New_Year.xml" target="_blank" rel="noopener">'Scenes and Characters, No. 11, The New Year.' <em>Bell's Life in London</em> (3 January 1836).</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EBell%27s+Life+in+London%3C%2Fem%3E"><em>Bell's Life in London</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=TIBBS">TIBBS</a>Next to Christmas-day, the most pleasant annual epoch in existence is the advent of the New Year. There are a lachrymose set of people who usher in the New Year with watching and fasting, as if they were bound to attend as chief mourners at the obsequies of the old one. Now, we cannot but think it a great deal more complimentary, both to the old year that has rolled away, and to the new year that is just beginning to dawn upon us, to see the old fellow out, and the new one in, with gaiety and glee. There must have been some few occurrences in the past year to which we can look back, with a smile of cheerful recollection, if not with a feeling of heartfelt thankfulness; and we are bound by every rule of justice and equity to give the new year credit for being a good one, until he proves himself unworthy the confidence we repose in him. This is our view of the matter; and entertaining it, notwithstanding our respect for the old year, one of the few remaining moments of whose existence passes away with every word we write, here we are, seated by our fireside on this last night of the old year, one thousand eight hundred and thirty-five, penning this article, and drinking our grog with as jolly a face as if nothing extraordinary had happened, or was about to happen, to disturb our equanimity. Hackney coaches and carriages keep rattling up the street and down the street in rapid succession, conveying, doubtless, smartly-dressed coachfulls to crowded parties; loud and repeated double knocks at the house with green blinds opposite, announce to the whole neighbourhood that there&#039;s one large party in the street at all events; and we saw through the window—and through the fog too, till it grew so thick that we rung for candles, and drew our curtains—pastry-cooks&#039; men with green boxes on their heads, and rout furniture—warehouse carts, with cane seats and French lamps, hurrying to the numerous houses where an annual festival is held in honour of the occasion. We can fancy one of these parties, we think, as well as if we were duly dress-coated and pumped, and had just been announced at the drawing-room door. Take the house with the green blinds for instance. We know its a quadrille party, because we saw some men taking up the front drawing-room carpet while we sat at breakfast this morning; and if further evidence be required, and we must tell the truth, we just now saw one of the young ladies &quot;doing&quot; another of the young ladies&#039; hair, near one of the bedroom windows, in an unusual style of splendour, which nothing less than a quadrille party could possibly justify. The master of the house with the green blinds is in a public office—we know the fact by the cut of his coat, the tie of his neckcloth, and the self-satisfaction of his gait—the very green blinds themselves have a Somerset-house air about them. Hark!—a cab! That&#039;s a junior clerk in the same office—a tidy sort of young man, with a tendency to cold and corns, who comes with a pair of boots with black cloth fronts, and his shoes in his coat pocket, which shoes he is at this very moment putting on in the hall. Now he is announced by the man in the passage to another man in a blue coat—who is a disguised messenger from the office—on the first landing; and the man on the first landing precedes him to the drawing-room door. &quot;Mr. Winkles!&quot;shouts the messenger. &quot;How are you, Winkles?&quot; says the master of the house, advancing from the fire, before which he has been standing, talking politics and airing himself. &quot;My dear, this is Mr Winkles (a courteous salute from the lady of the house). &quot;Winkles, my eldest daughter Julia, my dear, Mr. Winkles; Mr. Winkles, my other daughters—my son, Sir;&quot; and Winkles rubs his hands very hard, and smiles as if it were all capital fun, and keeps constantly bowing and turning himself round, till the whole family have been introduced, when he glides into a chair at the corner of the sofa, and opens a miscellaneous conversation with the young ladies upon the weather and the theatres, and the old year and its lions—Captain Ross and the silent system—O&#039;Connell and Mr. Balfe—the voluntary principle and the comet—the Jewess and the Orange Lodges. More double knocks! What an extensive party! what an incessant hum of conversation and general sipping of coffee! We see Winkles now in our mind&#039;s eye, in the height of his glory. He has just handed that stout old lady&#039;s cup to the servant, and now, he dives among the crowd of young men by the door, to intercept the other servant, and secure the muffin-plate for the old lady&#039;s daughter, before he leaves the room; and now, as he passes the sofa on his way back, he bestows a glance of recognition and patronage upon the young ladies, as condescending and familiar as if he had known them from infancy. Charming person that Mr. Winkles —perfect ladies&#039; man. Such a delightful companion, too! Laugh!—nobody ever understood Pa&#039;s jokes half so well as Mr. Winkles, who laughs himself into convulsions at every fresh burst of facetiousness. Most delightful partner!—talks through the whole set; and although he does seem at first rather gay and frivolous, so romantic and with so much feeling!—quite a love. No great favourite with the young men, certainly, who sneer at, and affect to despise him; but everybody knows that&#039;s only envy, and they needn&#039;t give themselves the trouble of attempting to depreciate his merits at any rate; for Ma says he shall be asked to every future dinner-party, if it&#039;s only to talk to people between the courses, and distract their attention when there&#039;s any unexpected delay in the kitchen. At supper, Mr Winkles shows to still greater advantage than he has done throughout the evening, and when Pa requests every one to fill their glasses for the purpose of drinking happiness throughout the year, Mr. Winkles is so droll, insisting on all the young ladies having their glasses filled, notwithstanding their repeated assurances that they never can, by any possibility, think of emptying them and subsequently begging permission to say a few words on the sentiment which has just been uttered by Pa, when he makes one of the most brilliant and poetical speeches that can possibly be imagined, about the old year and the new one. After the toast has been drunk, and when the ladies have retired, Mr. Winkles requests that every gentleman will do him the favour of filling his glass, for he has a toast to propose; on which all the gentlemen cry &quot;hear! hear!&quot; and pass the decanters accordingly, and Mr. Winkles being informed by the master of the house that they are all charged, and waiting for his toast, rises, and begs to remind the gentlemen present how much they have been delighted by the dazzling array of elegance and beauty which the drawing-room has exhibited that night, and how their senses have been charmed, and their hearts captivated by the bewitching concentration of female loveliness which that very room has so recently displayed [loud cries of hear!]. Much as he (Winkles) would be disposed to deplore the absence of the ladies, on other grounds, he cannot but derive some consolation from the reflection that the very circumstance of their not being present enables him to propose a toast which he would have otherwise been prevented from giving—that toast he begs to say is—&quot;The Ladies!&#039;&quot;[great applause].—The ladies, among whom the fascinating daughters of their excellent host are alike conspicuous for their beauty, their accomplishments, and their elegance. He begs them to drain a bumper to &quot;The Ladies,&quot; and a happy new year to them [prolonged approbation, above which the noise of the ladies dancing the Spanish dance among themselves, over head, is distinctly audible]. The applause consequent on this toast has scarcely subsided when a young gentleman in a pink under waistcoat, towards the bottom of the table, is observed to grow very restless and fidgetty, and to evince strong indications of some latent desire to give vent to his feelings in a speech, which the wary Winkles at once perceiving determines to forestal by speaking himself. He, therefore, rises again, with an air of solemn importance, and trusts he may be permitted to propose another toast [unqualified approbation, and Mr. Winkles proceeds]. He is sure they must all be deeply impressed with the hospitality—he may say the splendour—with which they have been that night received by their worthy host and hostess [unbounded applause]. Although this is the first occasion on which he has had the pleasure and delight of sitting at that board, he has known his friend Dobble long and intimately; he has been connected with him in business—he wishes everybody present knew Dobble as well as he does [a cough from the host]. He (Winkles) can lay his hand upon his (Winkles) heart, and declare his confident belief that a better man, a better husband, a better father, a better brother, a better son, a better relation in any relation of life, than Dobble, never existed [loud cries of &quot;Hear!&quot;]. They have seen him to-night in the peaceful bosom of his family; they should see him in the morning, in the trying duties of his office. Calm in the perusal of the Morning Paper, uncompromising in the signature of his name, dignified in his replies to the inquiries of stranger applicants, deferential in his behaviour to his superiors—majestic in his deportment to the messengers [cheers]. When he bears this merited testimony to the excellent qualities of his friend Dobble, what can he say in approaching such a subject as Mrs Dobble? Is it requisite for him to expatiate on the qualities of that amiable woman? No; he will spare his friend Dobble&#039;s feelings; he will spare the feelings of his friend—if he will allow him to have the honour of calling him so—Mr Dobble, Junior. [Here Mr Dobble Junior, who has been previously distending his mouth to a considerable width, by thrusting a particularly fine orange into that feature, suspends operations, and assumes a proper appearance of intense melancholy]. He will simply say—and he is quite certain it is a sentiment in which all who hear him will readily concur—that his friend Dobble is as superior to any man he ever knew, as Mrs. Dobble is far beyond any woman he ever saw (except her daughters), and he will conclude by proposing their &quot;worthy host and hostess, and may they live to enjoy many more new years.&quot; The toast is drunk with acclamation—Dobble returns thanks—and the whole party rejoin the ladies in the drawing-room. Young men who were too bashful to dance before supper, find tongues and partners; the musicians exhibit unequivocal symptoms of having drunk the new year in, while the company were out; and dancing is kept up until far in the first morning of the new year. We have scarcely written the last word of the previous sentence, when the first stroke of twelve peals from the neighbouring churches; there is something awful in the sound. Strictly speaking, it may not be more impressive now than at any other time, for the hours steal as swiftly on at other periods, and their flight is little heeded. But, we measure man&#039;s life by years, and it is a solemn knell that warns us we have passed another of the boundaries which stand between us and the grave; disguise it as we may, the reflection will force itself on our minds that when next that bell announces the arrival of a new year, we may be insensible alike of the timely warning we have so often neglected, and of all the warm feelings that glow within us now. But twelve has struck, and the bells ring merrily out which welcome the new year. Away with all gloomy reflections. We were happy and merry in the last one, and will be, please God, in this. So as we are alone, and can neither dance it in, nor sing it in, here goes our glass to our lips, and a hearty welcome to the year one thousand eight hundred and thirty-six say we.18360103https://dickenssearch.com/files/original/5/Scenes_and_Characters_No._11_The_New_Year/1836-01-03_Bells_Life_in_London_Scenes_and_Characters_No.11_The_New_Year.pdf
106https://dickenssearch.com/items/show/106'<em>Scenes and Characters</em>, No. 12, The Streets at Night'Published in <em>Bell's Life in London</em> (17 January 1836).Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18360117/001/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18360117/001/0001</a>. <em>Source is faded and illegible in places.</em><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836-01-17">1836-01-17</a><em>The British Newspaper Archive.</em> Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1836-01-17_Bells_Life_in_London_Scenes_and_Characters_No12_The_Streets_at_NightDickens, Charles. '<em>Scenes and Characters</em>, No. 12, The Streets at Night' (17 January 1836). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1836-01-17_Bells_Life_in_London_Scenes_and_Characters_No12_The_Streets_at_Night">https://dickenssearch.com/short-stories/1836-01-17_Bells_Life_in_London_Scenes_and_Characters_No12_The_Streets_at_Night</a>.<a href="https://dickenssearch.com/teibp/dist/content/1836-01-17_Bells_Life_in_London_Scenes_and_Characters_No12_The_Streets_at_Night.xml" target="_blank" rel="noopener">'Scenes and Characters, No. 12, The Streets at Night.' Published in <em>Bell's Life in London</em> (17 January 1836).</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EBell%27s+Life+in+London%3C%2Fem%3E"><em>Bell's Life in London</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=TIBBS">TIBBS</a>The streets of London, to be beheld in the very height of their glory, should be seen on a dark, dull, murky, winter’s night, when there is just enough damp gently stealing down to make the pavement greasy, without cleaning it of any of its impurities, and when the heavy lazy mist, which hangs over every object around makes the gas lamps look brighter, and the brilliantly lighted shops more splendid, from the contrast they present. Everybody who is in-doors on such a night as this, seem disposed to make themselves as snug and comfortable as possible. In the larger and better kind of streets dining parlour curtains are closely drawn, kitchen fires blaze brightly up, and savoury steams of hot dinners salute the nostrils of the hungry wayfarer, as he plods wearily by the area railings. In the suburbs, the muffin-boy rings his way down the little street much more slowly than he is wont to do, for Mrs. Macklin at number four has no sooner opened her little street-door and screamed out &quot;Muffins!&quot; with all her might, than Mrs. Walker at number five puts her head out of the parlour window, and screams &quot;Muffins!&quot; too, and Mrs. Walker has scarcely got the word out of her lips, than Mrs. Peplow over the way lets loose Master Peplow, who darts down the street with a velocity which nothing but buttered muffins in perspective could possibly inspire, and drags the boy back by main force, whereupon Mrs. Macklin and Mrs. Walker, just to save the boy trouble, and to say a few neighbourly words to Mrs. Peplow at the same time, run over the way and buy their muffins at Mrs. Peplow’s door, when it appears from the voluntary statement of Mrs. Walker, that her kittle’s just a-biling, and the cups and sarsers ready laid, and that, as it was such a wretched night out o’ doors, she’d made up her mind to have a nice hot comfortable cup o’ tea—a determination at which, by the most singular coincidence, the other two ladies had simultaneously arrived. After a little conversation about the wretchedness of the weather and the merits of tea, with a digression relative to the viciousness of boys as a rule, and the amiability of Master Peplow as an exception, Mrs. Walker sees her husband coming down the street, and as he must want his tea, poor man, after his dirty walk from the docks, she instantly runs across, muffins in hand, and Mrs. Macklin does the same, and after a few words to Mrs. Walker, they all pop into their little houses, and slam their little street-doors, which are not opened again for the remainder of the evening, except to the nine o’clock beer, who comes round with a lantern in front of his tray, and says, as he lends Mrs. Walker &quot;yesterday’s &#039;Tiser,&quot; that he’s blessed if he can hardly hold the pot, much less feel the paper, for it’s one of the bitterest nights he ever felt, ’cept the night when the man was frozen to death in the Brick-field. After a little prophetic conversation with the policeman at the street-corner, touching a probable change in the weather, and the setting-in of a hard frost, the nine o’clock beer returns to his master’s house, and employs himself for the remainder of the evening, in assiduously stirring the tap-room fire, and deferentially taking part in the conversation of the worthies assembled round it. The streets in the vicinity of the Marsh-gate and Victoria Theatre present an appearance of dirt and discomfort on such a night, which the groups who lounge about them in no degree tend to diminish. Even the little block-tin temple sacred to &quot;baked &#039;taturs,&quot; surmounted by a splendid design in variegated lamp, looks less gay than usual; and as to the kidney-pie stand, its glory has quite departed, for the candle in the transparent lamp, manufactured of oiled paper, embellished with &quot;characters,&quot; has been blown out fifty times, so the kidney-pie merchant, tired with running backwards and forwards to the next wine-vaults to get a light, has given up the idea of illumination in despair, and the only signs of his whereabout are the bright sparks, of which, a long irregular train is whirled down the street every time he opens his portable oven to hand a hot kidney-pie to a customer. Flat-fish, oyster, and fruit-vendors linger hopelessly in the kennel, in vain endeavouring to attract customers; and the ragged boys who usually disport themselves about the streets, stand crouched in little knots in some projecting door-way, or under the canvass window-blind of a cheesemonger’s, where great flaring gas lights, unshaded by any glass, display huge piles of bright red, and pale yellow cheeses, mingled with little fivepenny dabs of dingy bacon, various tubs of weekly Dorset, and cloudy rolls of &quot;best fresh.&quot; Here they amuse themselves with theatrical converse arising out of their last half-price visit to the Victoria gallery, admire the terrific combat which is nightly encored, and expatiate on the inimitable manner in which Bill Thompson can come the double monkey, or go through the mysterious involutions of a sailor’s hornpipe. It is nearly eleven o’clock, and the cold thin rain which has been drizzling so long, is beginning to pour down in good earnest; the baked-&#039;tatur man has departed—the kidney-pie man has just taken his warehouse on his arm with the same object—the cheesemonger has drawn in his blind—&amp;amp; the boys have dispersed. The constant clicking of pattens on the slippy and uneven pavement, &amp;amp; the rustling of umbrellas as the wind blows against the shop windows, bear testimony to the inclemency of the night; and the policeman, with his oil skin cape butoned closely round him, seems, as he holds his hat on his head, and turns round to avoid the gust of wind and rain which drives against him at the street corner, to be very far from congratulating himself on the prospect before him. The little chandler’s shop, with the cracked bell behind the door, whose melancholy tinkling has been regulated by the demand for quarterns of sugar, and half ounces of coffee, is shutting up; the crowds which have been passing to and fro during the whole day, are rapidly dwindling away; and the noise of shouting and quarrelling which issues from the public-houses, is almost the only sound that breaks the melancholy stillness. There was another, but it has ceased. That wretched woman with the infant in her arms, round whose meagre form the remnant of her own scanty shawl is carefully wrapped, has been attempting to sing some popular ballad, in the hope of wringing a few pence from the compassionate passer by—a brutal laugh at her weak voice is all she has gained. The tears fall thick and fast down her worn pale face; the child is cold and hungry, and its low half-stifled wailing adds to the misery of its wretched mother, as she moans aloud, and sinks despairingly down on a cold damp door-step. Singing! How few of those who pass such a miserable creature as this think of the anguish of heart, the sinking of soul and spirit, which the very effort of singing produces. What a bitter mockery! Disease, neglect, and starvation, faintly articulating the words of the joyous ditty that has enlivened your hours of feasting and merriment, God knows how often! It is no subject for jeering. The weak tremulous voice tells a fearful tale of want and famishing, and the feeble singer of this roaring song may turn away only to die of cold and hunger. One o’clock! Parties returning from the different theatres foot it through the muddy streets; cabs, hackney coaches, carriages, and theatre-omnibuses, roll swiftly by; watermen, with dim dirty lanterns in their hands, and large brass plates upon their breasts, who have been shouting and rushing about for the last two hours, retire to their watering-houses, to solace themselves with the creature comforts of pipes and purl; the half-price pit and box frequenters of the theatres throng to the different houses of refreshment; and chops, kidneys, rabbits, oysters, stout, cigars, and &quot;goes&quot; innumerable, are served up amidst a noise and confusion of smoking, running, knife-clattering, and waiter-chattering, perfectly indescribable. The more musical portion of the play-going community betake themselves to some harmonic meeting; and, as a matter of curiosity, we will follow them thither for a few moments. In a lofty room, of spacious dimensions, sit some eighty or a hundred guests, knocking little pewter measures on the tables, and hammering away with the handles of their knives, as if they were so many trunk makers. They are applauding a glee, which has just been executed by the three &quot;professional gentlemen&quot; at the top of the centre table, one of whom is in the chair—the little pompous man, with the bald head just emerging from the collar of his green coat. The others are seated on either side of him—the stout man with the small voice, and the thin-faced dark man in black. The little man in the chair is a most amusing personage—such condescending grandeur, and such a voice! &quot;Bass!&quot; as the young gentleman near us with the blue stock forcibly remarks to his companion, &quot;bass! I b’lieve you. He can go down lower than any man: so low sometimes that you can’t hear him.&quot; And so he does. To hear him growling away, gradually lower and lower down, till he can’t get back again, is the most delightful thing in the world, and it is quite impossible to witness unmoved the impressive solemnity with which he pours forth his soul in &quot;My ’Art’s in the Ilands,&quot;’ or &quot;The Brave Old Hoak.&quot; The stout man is also addicted to sentimentality, and warbles &quot;Fly fly from the World, my Bessy with me,&quot; or some such song, with lady-like sweetness, and in the most seductive tones imaginable. &quot;Pray give your orders gen’l’m’n—pray give your orders&quot;—says a pale-faced man with a red-head; and demands for &quot;goes&quot; of gin, and &quot;goes&quot; of brandy, and pints of stout, and cigars of peculiar mildness, are vociferously made from all parts of the room. The &quot;professional gentlemen&quot; are in the very height of their glory, and bestow condescending nods, or even a word or two of recognition on the better-known frequenters of the room, in the most bland and patronising manner possible. The little round-faced man with the small brown surtout, white stockings, and shoes, is in the comic line; the mixed air of self denial, and mental consciousness of his own powers with which he acknowledges the call of the chair, is particularly gratifying.—&quot;Gentlemen,&quot; says the little pompous man, accompanying the word with a knock of the president’s hammer on the table—&quot;‘Gentlemen, allow me to claim your attention—Our friend Mr. Smuggins will oblige.&quot;— &quot;Bravo!&quot; shout the company; and Smuggins, after a considerable quantity of coughing, by way of symphony, and a most facetious sniff or two, which afford general delight, sings a comic song with a fal-de-ral tol-de-ral chorus at the end of every verse, much longer than the verse itself. It is received with unbounded applause, and after some aspiring genius has volunteered a recitation, and failed dismally therein, the little pompous man gives another knock, and says &quot;Gentlemen, we will attempt a glee, if you please.&quot; This announcement calls forth tumultuous applause, and the more energetic spirits express the unqualified approbation it affords them by knocking one or two stout glasses off their legs—a humorous device, but one which frequently occasions some slight altercation when the form of paying the damage is proposed to be gone through by the waiter. Scenes like these are continued until three or four o’clock in the morning; and even when they close, fresh ones open to the inquisitive novice. But as a description of all of them, however slight, would require a volume, we make our bow and drop the curtain.18360117https://dickenssearch.com/files/original/5/Scenes_and_Characters_No._12_The_Streets_at_Night/1836-01-17_Bells_Life_in_London_Scenes_and_Characters_No12_The_Streets_at_Night.pdf
65https://dickenssearch.com/items/show/65'<em>Scenes and Characters</em>, No. 2, Miss Evans and "The Eagle"'Published in <em>Bell's Life in London</em> (4 October 1835).Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351004/009/0001?browse=true" class="waffle-rich-text-link" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351004/009/0001.</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-10-04">1835-10-04</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-10-04_Bells_Life_in_London_Scenes_and_Characters_No2_Miss_Evans_and_The_EagleDickens, Charles. 'Scenes and Characters, No. 2, Miss Evans and The Eagle (04 October 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1835-10-04_Bells_Life_in_London_Scenes_and_Characters_No2_Miss_Evans_and_The_Eagle">https://www.dickenssearch.com/short-stories/1835-10-04_Bells_Life_in_London_Scenes_and_Characters_No2_Miss_Evans_and_The_Eagle</a>.<a href="https://dickenssearch.com/teibp/dist/content/1835-10-04_Bells_Life_in_London_Scenes_and_Characters_No2_Miss_Evans_and_The_Eagle.xml" target="_blank" rel="noopener"><span>'Scenes and Characters, No. 2, Miss Evans and "The Eagle".' <em>Bell's Life in London</em> (4 October 1835).</span></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EBell%27s+Life+in+London%3C%2Fem%3E"><em>Bell's Life in London</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=TIBBS">TIBBS</a>Mr. Samuel Wilkins was a carpenter—a journeyman carpenter, of small dimensions; decidedly below the middle size—bordering perhaps upon the dwarfish. His face was round and shiny, &amp; his hair carefully twisted into the outer corner of each eye, till it formed a variety of that description of semi-curls, usually known as &quot;haggerawators.&quot; His earnings were all-sufficient for his wants—varying from eighteen shillings to one pound five, weekly; his manner undeniable—his sabbath waistcoats dazzling. No wonder that with these qualifications Samuel Wilkins found favour in the eyes of the other sex; many women have been captivated by far less substantial qualifications. But Samuel was proof against their blandishments, until at length his eyes rested on those of a being for whom from that time forth he felt fate had destined him. He came and conquered—proposed and was accepted —loved and was beloved. Mr. Wilkins &quot;kept company&quot; with Jemima Evans. Miss Evans (or Ivins, to adopt the pronunciation most in vogue with her circle of acquaintance) had adopted in early life the harmless pursuit of shoe-binding, to which she had afterwards superadded the occupation of a straw-bonnet maker. Herself, her maternal parent, and two sisters, formed an harmonious quartett in the most secluded portion of Camden-town; and here it was that Mr. Wilkins presented himself one Monday afternoon in his best attire, with his face more shiny and his waistcoat more bright than either had ever appeared before. The family were just going to tea, and were so glad to see him. It was quite a little feast; two ounces of seven and sixpenny green, and a quarter of a pound of the best fresh; and Mr. Wilkins had brought a pint of shrimps, neatly folded up in a clean belcher, to give a zest to the meal, and propitiate Mrs. Ivins. Jemima was &quot;cleaning herself&quot; up-stairs: so Mr. Samuel Wilkins sat down, and talked domestic economy with Mrs. Ivins, whilst the two youngest Miss Ivins&#039;s poked bits of lighted brown paper between the bars, under the kettle, to make the water boil for tea. &quot;I vos thinkin&#039;&quot; said Mr. Samuel Wilkins, during a pause in the conversation, &quot;I vos a thinkin&#039; of takin&#039; J’mima to the Eagle to-night.&quot; &quot;O my!&quot; exclaimed Mrs. Ivins. &quot;Lor! how nice!&quot; said the youngest Miss Ivins. &quot;Well; I declare!&quot; added the youngest Miss Ivins but one. &quot;Tell J’mima to put on her white muslin, Tilly,&quot; screamed Mrs. Ivins, with motherly anxiety; and down came J’mima herself soon afterwards in a white muslin gown, carefully hook-and-eyed, and little red shawl plentifully pinned, and white straw bonnet trimmed with red ribbons, and a small necklace and large pair of bracelets, and Denmark satin shoes, and open-work stockings, white cotton gloves on her fingers, and a cambric pocket-handkerchief carefully folded up in her hand—all quite genteel and ladylike. And away went Miss Jemima Ivins, and Mr. Samuel Wilkins, and a dress cane, with a gilt knob at the top, to the admiration and envy of the street in general, and to the high gratification of Mrs. Ivins, and the two youngest Miss Ivinses in particular. They had no sooner turned into the Pancras-road, than who should Miss Jemima Ivins stumble upon by the most fortunate accident in the world, but a young lady as she knew, with her young man, and—it is so strange how things do turn out sometimes—they were actually going to the Eagle too. So Mr. Samuel Wilkins was introduced to Miss Jemima Ivins’s friend’s young man, and they all walked on together, talking, and laughing and joking away like anything; and when they got as far as Pentonville, Miss Ivins’s friend’s young man would have the ladies go into the Crown to taste some shrub, which, after a great blushing and giggling, and hiding of faces in elaborate pocket-handkerchiefs, they consented to do. Having tasted it once, they were easily prevailed upon to taste it again; and they sat out in the garden tasting shrub, and looking at the Busses alternately &#039;till it was just the proper time to go to the Eagle; and then they resumed their journey, and walked on very fast, for fear they should lose the beginning of the concert in the Rotunda.<br /> <br /> &quot;How ev’nly!&quot; said Miss J’mima Ivins and Miss J’mima Ivins’s friend both at once, when they had passed the gate, and were fairly inside the gardens. There were the walks beautifully gravelled and planted; and the refreshment boxes painted and ornamented like so many snuff-boxes, and the variegated lamps shedding their rich light upon the company’s heads, and the place for dancing ready chalked for the company’s feet, and a Moorish band playing at one end of the gardens, and an opposition military band playing away at the other. Then the waiters were rushing to and fro with glasses of negus, and glasses of brandy and water, and bottles of ale and bottles of stout; and ginger-beer was going off in one place, and practical jokes were going on in another; and people were crowding to the door of the rotunda, and in short the whole scene was, as Miss J’mima Ivins, inspired by the novelty, or the shrub, or both, observed— &quot;one of dazzlin excitement.&quot; As to the concert room, never was anything half so splendid. There was an orchestra for the singers, all paint, gilding, and plate glass; and such an organ! Miss J’mima Ivins’s friend’s young man whispered it had cost &quot;four hundred pound,&quot; which Mr. Samuel Wilkins said was &quot;not dear neither&quot;—an opinion in which the ladies perfectly coincided. The audience were seated on elevated benches round the room, and crowded into every part of it, and every body was eating and drinking as comfortably as possible. Just before the concert commenced, Mr. Samuel Wilkins ordered two glasses of rum-and-water &quot;warm with,&quot; and two slices of lemon, for himself and the other young man, together with &quot;a pint o’ sherry wine for the ladies, and some sweet carraway-seed biscuits;&quot; and they would have been quite comfortable and happy, only one gentleman with large whiskers would stare at Miss J’mima Ivins, and another gentleman in a plaid waistcoat would wink at Miss J’mima Ivins’s friend; on which Miss Jemima Ivins’s friend’s young man exhibited symptoms of boiling over, and began to mutter about &quot;people’s imperence&quot; and &quot;swells out o’ luck,&quot; and to intimate in oblique terms a vague intention of knocking somebody’s head off, which he was only prevented from announcing more emphatically by both Miss J’mima Ivins and her friend, threatening to faint away on the spot if he said another word. The concert commenced—overture on the organ. &quot;How solemn!&quot; exclaimed Miss J’mima Ivins, glancing, perhaps unconsciously, at the gentleman with the whiskers. Mr. Samuel Wilkins, who had been muttering apart for some time past, as if he were holding a confidential conversation with the gilt knob of the dress-cane, breathed very hard;—breathing vengeance perhaps, but said nothing. &quot;The Soldier tired,&quot; Miss somebody, in white satin. &quot;Ancore!&quot; cried Miss J’mima Ivins’s friend. &quot;Ancore!&#039; shouted the gentleman in the plaid waistcoat immediately, hammering the table with a stout bottle. Miss J’mima Ivins’s friend’s young man eyed the man behind the waistcoat from head to foot, and cast a look of interrogative contempt towards Mr. Samuel Wilkins. Comic song, accompanied on the organ. Miss J’mima Ivins was convulsed with laughter—so was the man with the whiskers. Everything the ladies did, the plaid waistcoat and whiskers did, by way of expressing a unity of sentiment and congeniality of soul; and Miss J’mima Ivins, and Miss J’mima Ivins’s friend grew lively and talkative, as Mr. George Wilkins and Miss J’mima Ivins’s friend’s young man grew morose, and surly in inverse proportion.<br /> <br /> Now, if the matter had ended here, the little party might soon have recovered their former equanimity; but Mr. Samuel Wilkins and his friend began to throw looks of defiance upon the waistcoat and whiskers; and the waistcoat and whiskers, by way of intimating the slight degree in which they were affected by the looks aforesaid, bestowed glances of increased admiration on Miss J’mima Ivins and friend. The concert and vaudeville concluded—they promenaded the gardens. The waistcoat and whiskers did the same, and made divers remarks complimentary to the ancles of Miss J’mima Ivins and friend, in an audible tone. At length, not satisfied with these numerous atrocities, they actually came up, and asked Miss J’mima Ivins and Miss J’mima Ivins’s friend to dance, without taking no more notice of Mr. Samuel Wilkins and Miss J’mima Ivins’s friend’s young man, than if they was nobody! &quot;What do you mean by that, scoundrel?&quot; exclaimed Mr. Samuel Wilkins, grasping the gilt-knobbed dress cane firmly in his right hand. &quot;What’s the devil&#039;s the matter with you, you little humbug?&quot; replied the whiskers. &quot;How dare you insult me and my friend?&quot; inquired the friend’s young man. &quot;You and your friend be damned,&quot; responded the waistcoat. &quot;Take that!&quot; exclaimed Mr. Samuel Wilkins. The ferrule of the gilt-knobbed dress cane was visible for an instant, and then the light of the variegated lamps shone brightly upon it, as it whirled into the air, cane and all. &quot;Give it him,&quot; said the waistcoat. &quot;Luller-li-e-te,&quot; shouted the whiskers. &quot;Horficer!&quot; screamed the ladies. It was too late. Miss J’mima Ivins’s beau and the friend’s young man, lay gasping on the gravel, and the waistcoat and whiskers were seen no more. Miss J’mima Ivins and friend, being conscious that the affray was in no slight degree attributable to themselves, of course went into hysterics forthwith; declared themselves the most injured of women; exclaimed, in incoherent ravings, that they had been suspected—wrongfully suspected—oh, that they should ever have lived to see the day, &amp;c.; suffered a relapse every time they opened their eyes, and saw their unfortunate little admirers; and were carried to their respective abodes in a hackney-coach in a state of insensibility, compounded of shrub, sherry, and excitement.18351004https://dickenssearch.com/files/original/5/Scenes_and_Characters_No._2_Miss_Evans_and_The_Eagle/1835-10-04_Bells_Life_in_London_Scenes_and_Characters_No2_Miss_Evans_and_The_Eagle.pdf
66https://dickenssearch.com/items/show/66'<em>Scenes and Characters</em>, No. 3, The Dancing Academy'Published in <em>Bell's Life in London</em> (11 October 1835).Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351011/001/0001" class="waffle-rich-text-link" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351011/001/0001</a>.<span></span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-10-11">1835-10-11</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-10-11_Bells_Life_in_London_Scenes_and_Characters_No3_The_Dancing_AcademyDickens, Charles. 'Scenes and Characters, No. 3, The Dancing Academy' (11 October 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1835-10-04_Bells_Life_in_London_Scenes_and_Characters_No2_Miss_Evans_and_The_Eagle">https://www.dickenssearch.com/short-stories/1835-10-11_Bells_Life_in_London_Scenes_and_Characters_No3_The_Dancing_Academy</a>.<a href="https://dickenssearch.com/teibp/dist/content/1835-10-11_Bells_Life_in_London_Scenes_and_Characters_No3_The_Dancing_Academy.xml" target="_blank" rel="noopener"><span>'Scenes and Characters, No. 3, The Dancing Academy.' <em>Bell's Life in London</em> (11 October 1835).</span></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EBell%27s+Life+in+London%3C%2Fem%3E"><em>Bell's Life in London</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=TIBBS">TIBBS</a>Of all the dancing academies that ever were established, there never was one more popular in its immediate vicinity than Signor Billsmethi’s, of the &quot;King’s Theatre.&quot; It wasn&#039;t in Spring Gardens, or Newman-street, or Berner&#039;s-street, or Gower-street, or Charlotte-street, or Percy street, or any other of the numerous streets which have been devoted time out of mind to professional people, dispensaries, and boarding-houses; it was not in the West-end at all, it rather approximated to the eastern portion of London, being situated in the populous and improving neighbourhood of Gray’s-inn-lane. &quot;It wasn&#039;t a dear dancing academy—four and sixpence a quarter is decidedly cheap upon the whole. It was very select, the number of pupils being strictly limited to seventy-five; and a quarter’s payment in advance being rigidly exacted. There was public tuition and private tuition—an assembly-room and a parlour. Signor Billsmethi’s family were always thrown in with the parlour, and included in parlour price; that is to say, a private pupil had Signor Billsmethi’s parlour to dance in, and Signor Billsmethi’s family to dance with; and when he had been sufficiently broken in, in the parlour, he began to run in couples in the Assembly-room. Such was the dancing academy of Signor Billsmethi when Mr. Augustus Cooper of Fetter-lane, first saw an unstamped advertisement, walking leisurely down Holborn-hill, announcing to the world that Signor Billsmethi of the King’s Theatre intended opening for the season with a Grand Ball. Now, Mr. Augustus Cooper was in the oil and colour line—just of age, with a little money, a little business, and a little mother, who having managed her husband and his business in his lifetime, took to managing her son and his business after his decease; and so somehow or other he had been cooped up in the little back parlour behind the shop on week days, and in a little deal box without a lid (called by courtesy a pew) at Bethel Chapel on Sundays; and had seen no more of the world than if he had been an infant all his days, whereas Young White, at the Gas Fitter’s over the way, three years younger than him, had been flaring away like winkin’—going to the theatre—supping at harmonic meetings—eating oysters by the barrel, drinking stout by the gallon—even stopping out all night, and coming home as cool in the morning as if nothing had happened. So Mr. Augustus Cooper made up his mind that he would not stand it any longer, and had that very morning expressed to his mother a firm determination to be blowed, in the event of his not being instantly provided with a street door key. And he was walking down Holborn-hill thinking about all these things, and wondering how he could manage to get introduced into genteel society for the first time, when his eyes rested on Signor Billsmethi’s announcement, which it immediately struck him was just the very thing he wanted; for he should not only be able to select a genteel circle of acquaintance at once, out of the five and seventy pupils, at four and sixpence a quarter, but should qualify himself at the same time to go through a hornpipe in private society, with perfect ease to himself, and great delight to his friends. So he stopped the unstamped advertisement—an animated sandwich, composed of a boy between two boards—and having procured a very small card, with the Signor’s address indented thereon, walked straight at once to the Signor’s house—and very fast he walked too, for fear the list should be filled up, and the five and seventy completed, before he got there. The Signor was at home, and what was still more gratifying, he was an Englishman! Such a nice man—so polite; really so much more than one has any right to expect from a perfect stranger! The list wasn&#039;t full, but it was a most extraordinary circumstance that there was only just one vacancy, and even that one would have been filled up that very morning, only Signor Billsmethi was dissatisfied with the reference, and being very much afraid that the lady wasn’t select, wouldn’t take her. &quot;And very much delighted I am, Mr. Cooper,&quot; said Signor Billsmethi, &quot;that I did not take her. I assure you, Mr. Cooper,—I don’t say it to flatter you, for I know you’re above it;—that I consider myself extremely fortunate in having a gentleman of your manners and appearance, Sir.&quot; &quot;I am very glad of it too, Sir,&quot; said Augustus Cooper. &quot;And I hope we shall be better acquainted, Sir,&quot; said Signor Billsmethi. &quot;And I’m sure I hope we shall too, Sir,&quot; responded Augustus Cooper; and just then the door opened, and in came a young lady with her hair curled in a crop all over her head, and her shoes tied in sandals all over her legs. &quot;Don’t run away my dear,&quot; said Signor Billsmethi;&quot; for the young lady didn’t know Mr. Cooper was there when she ran in, and was going to run out again in her modesty, all in confusion-like. &quot;Don’t run away, my dear,&quot; said Signor Billsmethi, &quot;this is Mr. Cooper. Mr. Cooper, of Fetter-lane. Mr. Cooper, my daughter, Sir, Miss Billsmethi, Sir, who, I hope, will have the pleasure of dancing many a quadrille, reel, minuet, gavotte, country dance, fandango, double hornpipe, and farinagholkajingo with you, Sir. She dances them all, Sir; and so shall you, Sir, before you’re a quarter older,&quot; Sir &amp;amp; Signor Bellsmethi slapped Mr. Augustus Cooper on the back, as if he had known him a dozen years, so friendly; and Mr. Cooper bowed to the young lady, and the young lady curtseyed to him; and Signor Billsmethi said they were as handsome a pair as ever he’d wish to see, upon which the young lady exclaimed, &quot;Lor, Pa!&quot; and blushed as red as Mr. Cooper himself—you might have thought they were both standing under a red lamp at a chemist’s shop; and before Mr. Cooper went away it was settled that he should join the family circle that very night—taking &#039;em just as they were: no ceremony, nor nonsense of that kind—and learn his positions, in order that he might lose no time, and be able to come out at the forthcoming ball. Well, Mr. Augustus Cooper went away to one of the cheap shoemakers’ shops in Holborn, where gentlemen’s dress-pumps are seven and sixpence, and men’s strong walking just nothing at all, and bought a pair of the regular seven-and-sixpenny, long-quartered, town-mades, in which he astonished himself quite as much as his mother, and sallied forth to Signor Billsmethi’s. There were four other private pupils in the parlour, two ladies and two gentlemen. Such nice people! Not a bit of pride about &#039;em. One of: he ladies in particular, who was in training for a Columbine, was remarkably affable, and she and Miss Billsmethi took such an interest in Mr. Augustus Cooper, and joked, and smiled, and looked so bewitching, that he got quite at home, and learnt his steps in no time. After the practising was over Signor Billsmethi and Miss Billsmethi, and Master Billsmethi, and a young lady, and the two ladies and the two gentlemen, danced a quadrille—none of your slipping and sliding about, but regular warm work; flying into corners, and diving among chairs, and shooting out at the door, something like dancing. Signor Billsmethi in particular, notwithstanding his having a little fiddle to play all the time, was out on the landing every figure; and Master Billsmethi, when everybody else was breathless, danced a hornpipe with a cane in his hand, and a cheese-plate on his head, to the unqualified admiration of the whole company. Then Signor Billsmethi insisted, as they were so happy, that they should all stay to supper; and proposed sending Master Billsmethi for the beer and spirits, whereupon the two gentlemen swore, &quot;strike ’em wulgar if they’d stand that;&quot; and they were just going to quarrel who should pay for it, when Mr. Augustus Cooper said he would, if they’d have the kindness to allow him—and they had the kindness to allow him; and Master Billsmethi brought the beer in a can, and the rum in a quart pot; they had a regular night of it; and Miss Billsmethi squeezed Mr. Augustus Cooper’s hand under the table; and Mr. Augustus Cooper returned the squeeze, and returned home too, at something to six o’clock in the morning, when he was put to bed by main force by the apprentice, after repeatedly expressing an uncontroullable desire to pitch his revered parent out of the second-floor window, and to throttle the apprentice with his own neck-handkerchief. Weeks had worn on, and the seven-and-sixpenny town-mades had nearly worn out, when the night arrived for the grand dress-ball, at which the whole of the five-and-seventy pupils were to meet together for the first time that season, and to take out some portion of their respective four-and-sixpences in lamp-oil and fiddlers. Mr. Augustus Cooper had ordered a new coat for the occasion—a two-pound-tenner from Turnstile. It was his first appearance in public; and after a grand Sicilian shawl-dance by fourteen young ladies in character, he was to open the quadrille department with Miss Billsmethi herself, with whom he had become quite intimate since his first introduction. It was a night! Everything was admirably arranged. The Sandwich boy took the hats and bonnets at the street-door; there was a turn-up bedstead in the back parlour, on which Miss Billsmethi made tea and coffee for such of the gentlemen as chose to pay for it, and such of the ladies as the gentlemen treated; red port wine negus and lemonade were handed round at eighteen-pence a head; and in pursuance of a previous engagement with the public-house at the corner of the street, an extra pot-boy was laid on for the occasion. In short nothing could exceed the arrangements, except the company. Such ladies! Such pink silk stockings! Such artificial flowers! Such a number of cabs! No sooner had one cab set down a couple of ladies, than another cab drove up, and set down another couple of ladies, and they all knew, not only one another but the majority of the gentlemen into the bargain, which made it all as pleasant and lively as could be. Signor Billsmethi in black tights, with a large blue bow in his button-hole, introduced the ladies to such of the gentlemen as were strangers; and the ladies talked away - and laughed they did—it was delightful to see &#039;em. As to the shawl-dance, it was the most exciting thing that ever was beheld. Such a whisking, and rustling, and fanning, and getting ladies into a tangle with artificial flowers, &amp;amp; then disentangling &#039;em again; and as to Mr. Augustus Cooper’s share in the quadrille, he got through it admirably; he was missing from his partner now and then certainly, and discovered on such occasions to be either dancing with laudable perseverance in another set, or sliding about in perspective, apparently without any definite object; but, generally speaking, they managed to shove him through the figure, till he turned up in the right place. Be this as it may, when he had finished, a great many ladies and gentlemen came up and complimented him very much, and said they had never seen a beginner do anything like it before; and Mr. Augustus Cooper was perfectly satisfied with himself, and everybody else into the bargain, and &quot;stood&quot; considerable quantities of spirits and water, negus, and compounds, for the use and behoof of two or three dozen very particular friends, selected from the select circle of five-and-seventy pupils. Now, whether it was the strength of the compounds, or the beauty of the ladies, or what not, it did so happen that Mr. Augustus Cooper encouraged rather than repelled the very flattering attentions of a young lady in brown gauze over white calico, who had appeared particularly struck with him from the first; and when the encouragements had been prolonged for some time, Miss Billsmethi betrayed her spite and jealousy thereat, by calling the young lady in brown gauze a &quot;creeter,&quot; which induced the young lady in brown gauze to retort, in certain sentences containing a taunt founded on the payment of four-and-sixpence a quarter, and some indistinct reference to a &quot;fancy man,&quot; which reference Mr. Augustus Cooper, being then and there in a state of considerable bewilderment, expressed his entire concurrence in. Miss Billsmethi, thus renounced, forthwith began screaming in the loudest key of her voice, at the rate of fourteen screams a minute; and being unsuccessful, in an onslaught on the eyes and face, first of the lady in gauze, and then of Mr. Augustus Cooper, called distractedly on the other three-and-seventy pupils to furnish her with oxalic acid for her own private drinking, and, the call not being honoured, made another rush at Mr. Cooper, and then had her stay-lace cut, and was carried off to bed. Mr. Augustus Cooper, not being remarkable for quickness of apprehension, was at a loss to understand what all this meant, till Signor Billsmethi explained it in a most satisfactory manner, by stating to the pupils that Mr. Augustus Cooper had made and confirmed divers promises of marriage to his daughter on divers occasions, and had now basely deserted her, on which, the indignation of the pupils became universal; and as several chivalrous gentlemen inquired rather pressingly of Mr. Augustus Cooper, whether he required anything for his own use, or, in other words, whether he &quot;wanted anything for himself,&quot; he deemed it prudent to make a precipitate retreat. And the upshot of the matter was, that a lawyer’s letter came next day, and an action was commenced next week; and that Mr. Augustus Cooper, after walking twice to the Serpentine for the purpose of drowning himself, and coming twice back without doing it, made a confidante of his mother, who compromised the matter with twenty pounds from the till, which made twenty pounds four shillings and sixpence paid to Signor Billsmethi, exclusive of treats and pumps: and Mr. Augustus Cooper went back and lived with his mother, and there he lives to this day; and as he has lost his ambition for society, and never goes into the world, he will never see this account of himself, and will never be any the wiser.18351011https://dickenssearch.com/files/original/5/Scenes_and_Characters_No._3_The_Dancing_Academy/1835-10-11_Bells_Life_in_London_Scenes_and_Characters_No3_The_Dancing_Academy.pdf
67https://dickenssearch.com/items/show/67'<em>Scenes and Characters</em>, No. 4, Making a Night of It'Published in <em>Bell's Life in London</em> (18 October 1835).Dickens, Charles<em>The British Newspaper Archive,<br /></em><a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351018/001/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351018/001/0001</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-10-18">1835-10-18</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-10-18_Bells_Life_in_London_Scenes_and_Characters_No4_Making_a_Night_of_ItDickens, Charles. 'Scenes and Characters, No. 4, Making a Night of It' (18 October 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1835-10-18_Bells_Life_in_London_Scenes_and_Characters_No4_Making_a_Night_of_It">https://www.dickenssearch.com/short-stories/1835-10-18_Bells_Life_in_London_Scenes_and_Characters_No4_Making_a_Night_of_It</a>.<a href="https://dickenssearch.com/teibp/dist/content/1835-10-18_Bells_Life_in_London_Scenes_and_Characters_No4_Making_a_Night_of_It.xml" target="_blank" rel="noopener">'Scenes and Characters, No. 4, Making a Night of It.' Published in <em>Bell's Life in London</em> (18 October 1835).</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EBell%27s+Life+in+London%3C%2Fem%3E"><em>Bell's Life in London</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=TIBBS">TIBBS</a>Damon and Pythias were undoubtedly very good fellows in their way: the former for his extreme readiness to put in special bail for a friend, and the latter for a certain trump-like punctuality in turning up just in the very nick of time, scarcely less remarkable. Many points in their character have now obsolete. Damons are rather hard to find, in these days of imprisonment for debt (except for sham ones, and they cost half a crown); and, as to the Pythiases, the few that have existed in these degenerate times have had an unfortunate knack of making themselves scarce, at the very moment when their appearance would have been strictly classical. If the actions of these heroes, however, can find no parallel in modern times, their friendship can. We have Damon and Pythias on the one hand—Potter and Smithers on the other; and lest the two last-mentioned names should never have reached the ears of our unenlightened readers, we can do no better than make them acquainted with the owners thereof. Mr. Thomas Potter, then, was a clerk in the city, and Mr. Robert Smithers was a ditto in the same; their incomes were limited, but their friendship was unbounded. They lived in the same street, walked into town every morning at the same hour, dined at the same slap-bang every day, and revelled in each other’s company very night. They were knit together by the closest ties of intimacy and friendship; or, as Mr. Thomas Potter touchingly observed, they were &quot;thick-and-thin pals, and nothing but it.&quot; There was a spice of romance in Mr. Smithers’s disposition—a ray of poetry—a gleam of misery;—a sort of consciousness of he didn’t exactly know what coming across him, he didn’t precisely know why—which stood out in fine relief against the off hand, dashing, &quot;come up to the scratch&quot; kind of manner, which distinguished Mr. Potter in an eminent degree. The peculiarity of their respective dispositions, extended itself to their individual costume. Mr. Smithers generally appeared in public in a surtout and shoes, with a narrow black neckerchief, and a brown hat, very much turned up at the sides—peculiarities which Mr. Potter wholly eschewed: for it was his ambition to do something in the celebrated &quot;kiddy&quot; or stage-coach way, and he had even gone so far as to invest capital in the purchase of a rough blue coat with wooden buttons, made upon the fireman’s principle, in which, with the addition of a low-crowned, flower-pot, saucer-shaped hat, he had created no inconsiderable sensation at the Albion, and divers other places of public resort. Mr. Potter and Mr. Smithers had mutually agreed that, on the receipt of their quarter’s salary, they would jointly and in company &quot;spend the evening&quot;—an evident misnomer—the spending applying, as everybody knows, not to the evening itself, but to all the money the individual may chance to be possessed of on the occasion to which reference is made; and they had likewise agreed that, on the evening aforesaid, they would &quot;make a night of it&quot;—an expressive term, implying the borrowing of several hours from to-morrow morning, adding them to the night before, and manufacturing a compound night of the whole. The quarter-day arrived at last—we say at last, because quarter-days are as eccentric as comets, moving wonderfully quick when you&#039;ve a good deal to pay, and marvellously slow when you have a little to receive: and Mr. Thomas Potter and Mr. Robert Smithers met by appointment to begin the evening with a dinner, and a nice, snug, comfortable dinner they had, consisting of a little procession of four chops and four kidneys, following each other, supported on either side by a pot of the real draught stout, and attended by divers cushions of bread, and wedges of cheese. When the cloth was removed, Mr. Thomas Potter ordered the waiter to bring in two goes of his best Scotch whiskey, with warm water and sugar, and a couple of his very mildest Havannahs, which the waiter did. Mr. Thomas Potter mixed his grog, and lit his cigar; Mr. Robert Smithers did the same; and then Mr. Thomas Potter jocularly proposed as the first toast, &quot;the abolition of all offices whatsomever&quot; (not sinecures, but counting-houses), which was immediately drank by Mr. Robert Smithers, with enthusiastic applause; and then they went on talking politics, puffing cigars, and sipping whiskey and water, until the &quot;goes&quot;—most appropriately so called—were both gone, which Mr. Robert Smithers forthwith perceiving, immediately ordered in two more goes of the best Scotch whiskey, and two more of the very mildest Havannahs; and the goes kept coming in, and the mild Havannahs kept going out, until what with the drinking, and lighting, and puffing, and the stale ashes on the table, and the tallow-grease on the cigars, Mr. Robert Smithers began to doubt the mildness of the Havannahs, and to feel very much as if he had been sitting in a hackney-coach, with his back to the horses. As to Mr. Thomas Potter, he would keep laughing out loud, and volunteering inarticulate declarations that he was &quot;all right,&quot; in proof of which he feebly bespoke the evening paper after the next gentleman, but finding it a matter of some difficulty to discover any news in its columns, or to ascertain distinctly whether it had any columns at all, he walked slowly out to look for the comet, and after coming back quite pale with looking up at the sky so long, and attempting to express mirth at Mr. Robert Smithers having fallen asleep, by various galvanic chuckles, he laid his head on his arm, and went to sleep also; and when he awoke again, Mr. Robert Smithers woke too, and they both very gravely agreed that it was extremely unwise to eat so many pickled walnuts with the chops, as it was a notorious fact that they always made people queer and sleepy; indeed, if it hadn&#039;t been for the whiskey and cigars, there was no knowing what harm they mightn’t have done ’em. So they took some coffee, and after paying the bill, twelve and two-pence the dinner, and the odd ten-pence for the waiter, thirteen shillings, started out on their expedition to manufacture a night. It was just half-past eight, so they thought they couldn’t do better than go half-price to the slips at the City Theatre, which they did, accordingly. Mr. Robert Smithers, who had become extremely poetical after the settlement of the bill, enlivening the walk by informing Mr. Thomas Potter, in confidence, that he felt an inward presentiment of approaching dissolution, and subsequently embellishing the theatre by falling asleep with his head and both arms gracefully drooping over the front of the boxes. Such was the quiet demeanour of the unassuming Smithers, and such were the happy effects of Scotch whiskey and Havannahs on that interesting person; but Mr. Thomas Potter, whose great aim it was to be considered as a &quot;knowing card,&quot; a &quot;fast-goer,&quot; and so forth, conducted himself in a very different manner, and commenced going very fast indeed—rather too fast at last for the patience of the audience to keep pace with. On his first entry he contented himself by earnestly calling upon the gentlemen in the gallery to &quot;flare up,&quot; accompanying the demand with another request expressive of his wish that they would instantaneously &quot;form a union,&quot; both which requisitions were responded to in the manner most in vogue on such occasions. &quot;Give that dog a bone,&quot; cried one gentleman in his shirt sleeves. &quot;Vere have you been having half a pint of intermediate?&quot; cried a second. &quot;Tailor!&quot; screamed a third. &quot;Barber’s clerk!&quot; shouted a fourth. &quot;Throw him o-ver,&quot; roared a fifth, while numerous voices concurred in desiring Mr. Thomas Potter to return to the arms of his maternal parent, or in common parlance to &quot;go home to his mother.&quot; All these taunts Mr. Thomas Potter received with supreme contempt, cocking the low-crowned hat a little more on one side, whenever any reference was made to his personal appearance; and standing up with his arms a-kimbo, expressing defiance most melodramatically. The overture—to which these various sounds had been an ad libitum accompaniment—concluded: the second piece began, and Mr. Thomas Potter emboldened by impunity, proceeded to behave in a most unprecedented and outrageous manner. First of all he imitated the shake of the principal female singer; then, groaned at the blue fire, then affected to be frightened into convulsions of terror at the appearance of the ghost; and lastly, not only made a running commentary in an audible voice upon the dialogue on the stage, but actually woke Mr. Robert Smithers, who hearing his companion making a noise, and having a very indistinct notion of where he was, or what was required of him, immediately by way of imitating a good example, set up the most unearthly, unremitting, and appalling howling that ever audience heard. It was too much. &quot;Turn &#039;em out,&quot; was the general cry. A noise as if shuffling of feet, and men being knocked up with violence against wainscoting, was heard: a hurried dialogue of &quot;come out&quot;—&quot;I won’t&quot;—&quot;You shall&quot;—&quot;I shan’t&quot;—&quot;Give me your card Sir&quot;—&quot;Punch his head,&quot; and so forth succeeded; a round of applause betokened the approbation of the audience; and Mr. Robert Smithers and Mr. Thomas Potter found themselves shot with astonishing swiftness into the road without having had the trouble of once putting foot to ground during the whole progress of their rapid descent. Mr. Robert Smithers being constitutionally one of the slow-goers, and having had quite enough of fast going, in the course of his recent expulsion, to last &#039;til the quarter-day then next ensuing at the very least, had no sooner emerged with his companion from the precincts of Milton-street, than he proceeded to indulge in circuitous references to the beauties of sleep, mingled with distant allusions to the propriety of returning to Islington, and testing the influence of their patent Bramahs over the street door locks to which they respectively belonged. Mr. Thomas Potter, however, was valorous and peremptory. They had come out to make a night of it; and a night must be made. So Mr. Robert Smithers, who was three parts dull and the other dismal, despairingly assented: and they went into a wine-vaults to get materials for assisting them in making a night, where they found a good many young ladies, and various old gentlemen, &amp;amp; a plentiful sprinkling of hackney-coachmen &amp;amp; cab-drivers, all drinking &amp;amp; talking together; &amp;amp; Mr. Thomas Potter and Mr. Robert Smithers drank small glasses of brandy, and large glasses of soda, till they began to have a very confused idea either of things in general or anything in particular, and when they had done treating themselves they began to treat everybody else; and the rest of the entertainment was a confused mixture of heads and heels, black eyes and blue uniforms, mud and gas-lights, thick doors, and stone paving. Then, as standard novelists expressively inform us—&quot;all was a blank,&quot; and in the morning the blank was filled up with the words &quot;Station-house,&quot; and the station-house was filled up with Mr. Thomas Potter, Mr. Robert Smithers, and the major part of their wine-vault companions of the preceding night, with a comparatively small portion of clothing of any kind. And it was disclosed at the Police-office, to the indignation of the Bench, and the astonishment of the spectators, how one Robert Smithers, aided and abetted by one Thomas Potter, had knocked down and beaten, in divers streets at different times, five men, four boys, &amp;amp; three women; how the said Thomas Potter had feloniously obtained possession of five door-knockers, two bell-handles, and a bonnet; how Robert Smithers, his friend, had sworn, at least forty pounds’ worth of oaths at the rate of five shillings apiece, terrified whole streets-full of his Majesty’s liege subjects with awful shrieks, and alarms of fire, destroyed the uniforms of five policemen, and committed various other atrocities too numerous to recapitulate; and the Magistrates after an appropriate reprimand of considerable length, fined Mr. Thomas Potter and Mr. Thomas Smithers five shillings each for being, what the law vulgarly terms &quot;drunk,&quot; with the trifling addition of thirty-four pounds for seventeen assaults, at forty shillings a-head, with leave to speak to the prosecutors. The prosecutors were spoken to; and Messrs. Potter and Smithers lived on credit for a quarter as best they could; and although the prosecutors expressed their readiness to be assaulted twice a week on the same terms, they have never since been detected &quot;making a night of it.&quot;18351018https://dickenssearch.com/files/original/5/Scenes_and_Characters_No._4_Making_a_Night_of_It/1835-10-18_Bells_Life_in_London_Scenes_and_Characters_No4_Making_a_Night_of_It.pdf
68https://dickenssearch.com/items/show/68'<em>Scenes and Characters</em>, No. 5, Love and Oysters'Published in <em>Bell's Life in London</em> (25 October 1835).Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351025/001/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351025/001/0001</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-10-25">1835-10-25</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-10-25_Bells_Life_in_London_Scenes_and_Characters_No5_Love_and_OystersDickens, Charles. 'Scenes and Characters, No. 5, Love and Oysters' (25 October 1835). <em>Dickens Search</em>. Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1835-10-25_Bells_Life_in_London_Scenes_and_Characters_No5_Love_and_Oysters">https://www.dickenssearch.com/short-stories/1835-10-25_Bells_Life_in_London_Scenes_and_Characters_No5_Love_and_Oysters</a>.<a href="https://dickenssearch.com/teibp/dist/content/1835-10-25_Bells_Life_in_London_Scenes_and_Characters_No5_Love_and_Oysters.xml" target="_blank" rel="noopener">'Scenes and Characters, No. 5, Love and Oysters.' <em>Bell's Life in London</em> (25 October 1835).</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EBell%27s+Life+in+London%3C%2Fem%3E"><em>Bell's Life in London</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=TIBBS">TIBBS</a>If we had to make a classification of society, there are a particular kind of men whom we should immediately set down under the head of &quot;Old Boys;&quot; and a column of most extensive dimensions the old boys would require. To what precise causes the rapid advance of old boy population is to be traced, we are unable to determine; it would be an interesting and curious speculation, but, as we have not sufficient space to devote to it here, we simply state the fact that the numbers of the old boys have been gradually augmenting within the last few years, and are at this moment alarmingly on the increase. Upon a general review of the subject, and without considering it minutely in detail, we should be disposed to subdivide the old boys into two distinct classes—the gay old boys, and the steady old boys; the gay old boys, are punchy old men in the disguise of young ones, who frequent the Quadrant and Regent-street in the day-time, and the theatres (especially theatres under lady management) at night, assuming all the foppishness and levity of boys, without the excuse of youth or inexperience: the steady old boys are certain stout old gentlemen of clean appearance, who are always to be seen in the same taverns, at the same hours every evening, smoking and drinking in the same company. There was once a fine collection of old boys to be seen round the circular table at Offley’s every night, between the hours of half-past eight and half-past eleven. We have lost sight of them for some time, but there are still two splendid specimens in full blossom at the Rainbow, who always sit in the box nearest the fire-place, and smoke immense long cherry-stick pipes, which go under the table, with the bowls resting upon the floor. Grand old boys these are—fat, red-faced, white-headed old fellows, always there—one on one side the table, and the other opposite—puffing and drinking away like regular good ones, and never a bit the worse for it— everybody knows &#039;em, and it is supposed by some people that they&#039;re both immortal. Mr. John Dounce was an old boy of the latter class (we don’t mean immortal, but steady)—a retired glove and brace-maker, a widower, resident with three daughters—all grown up, and all unmarried—in Cursitor-street, Chancery-lane. He was a short, round, large-faced, tubbish sort of a man with a broad-brimmed hat, and a square coat; and had that grave, but confident, kind of roll peculiar to old boys in general. Regular as clock-work—breakfast at nine—dress &amp;amp; tittivate a little—down to the Sir Somebody’s Head—glass of ale and the paper—come back again and take the daughters out for a walk—dinner at three—glass of grog and a pipe—nap—tea—little walk—Sir Somebody’s Head again—capital house;—delightful evenings! There were Mr. Harris, the law-stationer, and Mr. Jennings, the robe-maker (two jolly young fellows like himself), and Jones, the barrister’s clerk—a rum fellow that Jones—capital company—full of anecdote; and there they sat every night till just ten minutes before twelve, drinking their brandy and water, and smoking their pipes, and telling stories, and enjoying themselves with a kind of solemn joviality, particularly edifying. Sometimes Jones would propose a half-price visit to Drury Lane or Covent Garden, to see two acts of a five-act play, &amp;amp; a new farce, perhaps, or a ballet, on which occasions the whole four of them went together: none of your hurrying and nonsense, but having their brandy and water first, comfortably, and ordering a steak and some oysters for their supper against they came back, and then walking coolly into the pit, when the &quot;rush&quot; had gone in, as all sensible people do, and did when Mr. Dounce was a young man, except when the celebrated Master Betty was at the height of his popularity, and then, Sir,—then, Mr. Dounce perfectly well remembered getting a holiday from business, and going to the pit doors at eleven o’clock in the forenoon, and waiting there till six in the afternoon, with some sandwiches in a pocket-handkerchief, and some wine in a phial, and fainting after all with the heat and fatigue before the play began, in which situation he was lifted out of the pit into one of the dress boxes, Sir, by five of the finest women of that day, Sir, who compassionated his situation and administered restoratives, and sent a black servant, six foot high, in blue and silver livery, next morning with their compliments, and to know how he found himself, Sir—by God! Between the acts Mr. Dounce, and Mr. Harris, and Mr. Jennings used to stand up, and look round the house, and Jones—knowing fellow that Jones—knew every body—pointed ou the fashionable and celebrated Lady So-and-So in the boxes, at the mention of whose name Mr. Dounce, after brushing up his hair, and adjusting his neck-handkerchief, would inspect the aforesaid Lady So-and-So through an immense glass, and remark, either, that she was a &quot;fine woman—very fine woman, indeed,&quot; or that &quot;there might be a little more of her —Eh, Jones? just as the case might happen to be. When the dancing began, John Dounce, and the other old boys, were particularly anxious to see what was going forward on the stage, and Jones—wicked dog that Jones—whispered little critical remarks into the ears of John Dounce, which John Dounce retailed to Mr. Harris and Mr. Harris to Mr. Jennings; and then they all three laughed, &#039;till the tears ran out of their eyes. When the curtain fell they walked back together, two and two, to the steaks and oysters, and when they came to the second glass of brandy and water, Jones— hoaxing scamp, that Jones—used to recount how he had observed a lady in white feathers in one of the pit boxes, gazing intently on Mr. Dounce all the evening, and how he had caught Mr. Dounce, whenever he thought no one was looking at him, bestowing ardent looks of intense devotion on the lady in return; on which Mr. Harris and Mr. Jennings used to laugh very heartily, and John Dounce more heartily than either of &#039;em, acknowledging, however, that the time had been when he might have done such things; upon which Mr. Jones used to poke him in the ribs, and tell him he had been a sad dog in his time, which John Dounce, with chuckles, confessed. And after Mr. Harris and Mr. Jennings had preferred their claims to the character of having been sad dogs too, they separated harmoniously, &amp;amp; trotted home. The decrees of Fate, and the means by which they are brought about, are mysterious and inscrutable. John Dounce had led this life for twenty years and upwards, without wish for change, or care for variety, when his whole social system was suddenly upset and turned completely topsy-turvy—not by an earthquake, or some other dreadful convulsion of nature, as the reader would be inclined to suppose, but by the simple agency of an oyster, and thus it happened. Mr. John Dounce was returning one night from the Sir Somebody’s Head, to his residence in Cursitor-street—not tipsy, but rather excited, for it was Mr. Jennings’s birth-day, and they had had a brace of partridges for supper, and a brace of extra glasses afterwards, and Jones had been more than ordinarily amusing—when his eyes rested on a newly-opened oyster shop on a magnificent scale, with natives laid one deep in circular marble basins in the windows, together with little round barrels of oysters directed to Lords and Baronets, and Colonels and Captains, in every part of the habitable globe. Behind the natives were the barrels, and behind the barrels was a young lady of about five-and-twenty, all in blue, and all alone—splendid creature, charming face, and lovely figure. It is difficult to say whether Mr. John Dounce’s red countenance, illuminated as it was by the flickering gas-light in the window before which he paused, excited the lady’s risibility, or whether a natural exuberance of animal spirits proved too much for that staidness of demeanour which the forms of society rather dictatorially prescribe; certain it is, that the lady smiled, then put her finger upon her lip, with a striking recollection of what was due to herself; and finally retired, in oyster-like bashfulness to the very back of the counter. The sad-dog sort of feeling came strongly upon John Dounce: he lingered —the lady in blue made no sign. He coughed—still she came not. He entered the shop—&quot;Can you open me an oyster, my dear?&quot; said Mr. John Dounce. &quot;Dare say I can, Sir,&quot; replied the lady in blue, with enchanting playfulness. And Mr. John Dounce eat one oyster, and then looked at the young lady, and then eat another, and then squeezed the young lady’s hand as she was opening the third, and so forth, until he had devoured a dozen of those at eight-pence in less than no time. &quot;Can you open me half a dozen more, my dear?&quot; inquired Mr. John Dounce. &quot;I’ll see what I can do for you, Sir,&quot; replied the young lady in blue, even more bewitchingly than before; and Mr. John Dounce eat half-a-dozen more of those at eight-pence and felt his gallantry increasing every minute. &quot;You couldn’t manage to get me a glass of brandy and water, my dear, I suppose?&quot; said Mr. John Dounce, when he had finished the oysters, in a tone which clearly implied his supposition that she could. &quot;I’ll see, Sir,&quot; said the young lady; and away she ran out of the shop, and down the street, her long auburn ringlets shaking in the wind in the most enchanting manner; and back she came again, tripping over the coal-places like a whipping top, with a tumbler of brandy and water, which Mr. John Dounce insisted on her taking a share of, as it was regular ladies’ grog—hot, strong, sweet, and plenty of it. So the young lady sat down with Mr. John Dounce, in a little red box with a green curtain, and took a small sip of the brandy and water, and a small look at Mr. John Dounce, and then turned her head away, and went through various other serio-pantomimic fascinations, which forcibly reminded Mr. John Dounce of the first time he courted his first wife, and which, taken conjointly with the hot brandy and water and the oysters, made him feel more affectionate than ever; in pursuance of which affection, and actuated by which feeling, Mr. John Dounce sounded the young lady on her matrimonial engagements, when the young lady denied having formed any such engagements at all—she couldn’t abear the men, they were such deceivers; thereupon Mr. John Dounce inquired whether this sweeping condemnation was meant to include other than very young men; on which the young lady blushed deeply—at least she turned away her head, and said Mr. John Dounce had made her blush, so of course she did blush—and Mr. John Dounce was a long time drinking the brandy and water; and the young lady said &quot;Ha&#039; done, Sir,&quot; very often; and at last John Dounce went home to bed, and dreamt of his first wife, and his second wife, and the young lady, and partridges, and oysters, and brandy and water, and disinterested attachments. The next morning John Dounce was rather feverish with the extra brandy and water of the previous night; and, partly in the hope of cooling himself with an oyster, and partly with the view of ascertaining whether he owed the young lady anything, or not, went back to the oyster-shop. If the young lady had appeared beautiful by night, she was perfectly irresistible by day; and, from this time forward a change came over the spirit of John Dounce’s dream. He bought shirt-pins; wore a ring on his third finger; read poetry; bribed a cheap miniature-painter to perpetrate a faint resemblance to a youthful face, with a curtain over his head, six large books in the background, and an open country in the distance (this he called his portrait); &quot;went on&quot; altogether in such an uproarious manner, that the three Miss Dounces went off on small pensions, he having made the tenement in Cursitor-street too warm to contain them; and in short, comported and demeaned himself in every respect like an unmitigated old Saracen, as he was. As to his ancient friends, the other old boys, at the Sir Somebody’s Head, he dropped off from them by gradual degrees; for, even when he did go there, Jones—vulgar fellow that Jones—persisted in asking &quot;when it was to be?&quot; and &quot;whether he was to have any gloves?&quot; together with other inquiries of an equally offensive nature, at which not only Harris laughed, but Jennings too; so he cut the two altogether, and attached himself solely to the blue young lady at the smart oyster-shop. Now comes the moral of the story—for it has a moral after all. The last mentioned young lady, having derived sufficient profit and emolument from John Dounce’s attachment, not only refused, when matters came to a crisis, to take him for better for worse, but expressly declared, to use her own forcible words, that she wouldn’t have him at no price; and John Dounce, having lost his old friends, alienated his relations, and rendered himself ridiculous to every body, made offers successively to a schoolmistress, a landlady, a feminine tobacconist, and a housekeeper; and, being directly rejected by each and every of them, was accepted by his cook, with whom he lives now, a hen-pecked husband, a melancholy monument of antiquated misery, and a living warning to all uxorious old boys.18351025https://dickenssearch.com/files/original/5/Scenes_and_Characters_No._5_Love_and_Oysters/1835-10-25_Bells_Life_in_London_Scenes_and_Characters_No5_Love_and_Oysters.pdf
87https://dickenssearch.com/items/show/87'<em>Scenes and Characters</em>, No. 6, Some Account of an Omnibus Cad'Published in <em>Bell's Life in London</em> (1 November 1835).Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351101/001/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351101/001/0001</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-11-01">1835-11-01</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-11-01_Bells_Life_in_London_Scenes_and_Characters_No6_Some_Account_of_an_Omnibus_CadDickens, Charles. 'Scenes and Characters, No. 6, Some Account of an Omnibus Cad' (1 November 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1835-11-01_Bells_Life_in_London_Scenes_and_Characters_No6_Some_Account_of_an_Omnibus_Cad">https://www.dickenssearch.com/short-stories/1835-11-01_Bells_Life_in_London_Scenes_and_Characters_No6_Some_Account_of_an_Omnibus_Cad</a>.<a href="https://dickenssearch.com/teibp/dist/content/1835-11-01_Bells_Life_in_London_Scenes_and_Characters_No6_Some_Account_of_an_Omnibus_Cad.xml" target="_blank" rel="noopener">'Scenes and Characters, No. 6, Some Account of an Omnibus Cad.'&nbsp;<em>Bell's Life in London</em> (1 November 1835).</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EBell%27s+Life+in+London%3C%2Fem%3E"><em>Bell's Life in London</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=TIBBS">TIBBS</a>Mr. William Barker was born;—but why need we recount where Mr. William Barker was born, or when? Why scrutinize the entries in personal ledgers, why penetrate into the Luxinian mysteries of lying-in in hospitals? Mr. William Barker was born, or he had never been. There was a father— there is a son. There was a cause—there is an effect. Surely this is sufficient information for the most Fatima-like curiosity; and, if it be not, we regret our inability to supply any further evidence on the point. Can there be a more satisfactory, or more strictly parliamentary course? Impossible. We at once avoid a similar inability to record at what precise period, or by what particular process, this gentleman&#039;s patronymic, of William Barker, became corrupted into &quot;Bill Boorker.&quot; Mr. Barker has required a high standing, and no inconsiderable reputation among the members of that profession to which he has more peculiarly devoted his energies; and to them he is generally known, either by the familiar appellation of &quot;Bill Boorker,&quot; or the flattering designation of &quot;Aggerawatin Bill&quot;—the latter being a playful and expressive sobriquet, illustrative of Mr. Barker&#039;s great talent in &quot;aggerawatin&quot; and rendering wild such subjects of her Majesty as are conveyed from place to place, through the instrumentality of omnibuses. Of the early life of Mr. Barker little is known, and even that little is involved in considerable doubt and obscurity. A want of application, a restlessness of purpose, a thirsting after porter, a love of all that is roving and cadger-like in nature, shared in common with many other great geniuses, appear to have been his leading characteristics. The busy hum of a parochial free-school, and the shady repose of a county gaol, were alike inefficacious in producing the slightest alteration in Mr. Barker&#039;s disposition - his feverish attachment to change and variety nothing could repress; his native daring no punishment could subdue. If Mr. Barker can be fairly said to have had any weakness in his earlier years, it was an amiable one—Love; Love in its most comprehensive form—a love of ladies, liquids, and pocket-handkerchiefs. It was no selfish feeling; it was not confined to his own possessions, which but too many men regard with exclusive complacency. No: it was a nobler love—a general principle; it extended itself with equal force to the property of other people. There is something very affecting in this: it is still more affecting to know, that such philanthropy is but imperfectly rewarded. Bow street, Newgate, and Millbank, are a poor return for general benevolence, evincing itself in an irrepressible love of all created objects. Mr. Barker felt it so—after a lengthened interview with the highest legal authorities, he quitted his ungrateful country with the consent, and at the expense, of its Government, proceeded to a distant shore, and there employed himself like another Cincinnatus in clearing and cultivating the soil—a peaceful pursuit, in which a term of seven years glided almost imperceptibly away. Whether, at the expiration of the period we have just mentioned, the British Government required Mr. Barker&#039;s presence here, or did not require his residence abroad, we have no distinct means of ascertaining. We should be inclined, however, to favour the latter position, inasmuch as we do not find that he was advanced to any other public post on his return, than the post at the corner of the Haymarket, where he officiated as assistant-waterman to the hackney-coach stand. Seated, in this capacity, on a couple of tubs near the kerb-stone, with a brass plate and number suspended round his neck by a massive chain, and his ancles curiously enveloped in haybands, he is supposed to have made those observations on human nature which exercised so material an influence over all his proceedings in later life, and the results of which we shall proceed very briefly to lay before our readers. Mr. Barker had not officiated for many months in this capacity, when the appearance of the first omnibus caused the public mind to go in a new direction, and prevented a great many hackney coaches from going in any direction at all. The genius of Mr. Barker at once perceived the whole extent of the injury that would be eventually inflicted on cab and coach stands, and, by consequence, on watermen also, by the progress of the system of which the first omnibus was a part. He saw, too, the necessity of adopting the persuits of some more profitable profession, and his active mind at once perceived how much might be done in the way of enticing the youthful and unwary, and shoving the old and helpless, into the wrong buss, and carrying them off, until, reduced to despair, they ransomed themselves by the payment of six-pence a head, or, to adopt his own figurative expression in all its native beauty, &quot;till they was rig&#039;larly done over, and forked out the stumpy.&quot; An opportunity for realising his fondest anticipations soon presented itself. Rumours were rife on the hackney-coach stands, that a buss was building to run from Lisson-grove to the Bank, down Oxford-street and Holborn, and the rapid increase of busses on the Paddington-road encouraged the idea. Mr. Barker secretly and cautiously inquired in the proper quarters. The report was correct—the &quot;Royal William&quot; was to make his first journey on the following Monday. It was a crack affair altogether. An enterprising young cabman, of established reputation as a dashing whip—for he had compromised with the parents of three scrunched children, and just &quot;worked out&quot; his fine for knocking down an old lady—was the driver; and the spirited proprietor, knowing Mr. Barker&#039;s qualifications, appointed him to the vacant office of cad on the very first application. The buss began to run, and Mr. Barker entered into a new suit of clothes, and on a new sphere of action. To recapitulate all the improvements introduced by this extraordinary man into the omnibus system - gradually, indeed, but surely—would occupy a far greater space than we are enabled to devote to this imperfect memoir. To him is universally assigned the original suggestion of the practice which afterwards became so general—of the driver of a second buss keeping constantly behind the first one, and driving the pole of his vehicle either into the door of the other, every time it was opened, or through the body of any lady or gentleman who might make an attempt to get into it—a humorous and pleasant invention, exhibiting all that originality of idea, and fine bold flow of spirits, so conspicuous in every action of this great man. He has opponents of course; for what man in public life has not? but even his worst enemies cannot deny that he has taken more old ladies and gentlemen to Paddington who wanted to go to the Bank, and more old ladies and gentlemen to the Bank who wanted to go to Paddington, than any three men on the road: and however much malevolent spirits may pretend to doubt the accuracy of the statement, they well know it to be an established fact, that he has forcibly conveyed a variety of ancient persons of either sex, to both places, who had not the slightest or most distant intention of going anywhere at all. Mr. Barker was the identical cad who nobly distinguished himself, sometime since by keeping a tradesman on the step—the omnibus going at full speed all the time—till he had thrashed him to his entire satisfaction, and finally throwing him away when he had quite done with him. Mr. Barker it ought to have been who honestly indignant at being ignominiously ejected from a house of public entertainment, kicked the landlord in the knee, and thereby caused his death. We say it ought to have been Mr. Barker, because the action was not a common one, and could have emanated from no ordinary mind. We regret being compelled to state that it was not he—would, for the family credit, that we could add it was his brother! It is in the exercise of the nicer details of his profession, that Mr. Barker&#039;s knowledge of human nature is beautifully displayed. He can tell at a glance where a passenger wants to go to, and shouts the name of the place accordingly, without the slightest reference to the real destination of the buss; he knows exactly the sort of old lady that will be too much flurried by the process of pushing in, and pulling out of the caravan, to discover where she has been set down until too late; has an intuitive perception of what is passing in a passenger&#039;s mind when he inwardly resolves to &quot;pull that cad up to-morrow morning;&quot; &amp;amp; never fails to make himself agreeable to female servants whom, if he can place next the door, he talks to all the way. Human judgment is never infallible, and it has occasionally happened that Mr. Barker has experimentalised with the timidity or forbearance of the wrong sort of person, in which case a summons to a Police-office, has been the consequence, and a committal the finish. It is not for trifles such as these, however, to subdue a spirit like that which swells beneath the waistcoat of this heroic man. You may confine the body between four stone walls, or between four brick walls and a stone coping, which is much the same in effect—he cares not—you may cramp his body by confinement, or to prevent his body&#039;s getting the cramp, you may exercise his legs upon the mill—he defies your tyranny: he appeals from your oppressive enactments to the Paddington committee: and flies back to his profession with an ardour which persecution and involuntary abstinence have in no wise diminished. Like many other great men, Mr. Barker is a rigid predestinarian, or to advert once again to his own pointed and eloquent form of speech, he resons thus:—&quot;If I am to get into trouble for this here consarn, I may as vell get into trouble for somethink as for nothink.&quot;—and acting upon this logical mode of reasoning, he sacrifices at the altar of philosophy any little scruples he might otherwise entertain, and gets into trouble with great ease and coolness getting out of it as well as he can; and losing no opportunity of getting into it again. Such are a few traits in the character—such are a few incidents in the chequered life—of this remarkable man. Would that we could have conscientientiously entitled this hasty sketch a full account of his amiable existence up to the moment at which we are writing. We cannot do so. With &quot;Some Account of an Omnibus Cad&quot; we must be contented, and we hope our readers may be so too.18351101https://dickenssearch.com/files/original/5/Scenes_and_Characters_No._6_Some_Account_of_an_Omnibus_Cad/1835-11-01_Bells_Life_in_London_Scenes_and_Characters_No6_Some_Account_of_an_Omnibus_Cad.pdf
101https://dickenssearch.com/items/show/101'<em>Scenes and Characters</em>, No. 7, The Vocal Dressmaker'Published in <em>Bell's Life in London</em> (22 November 1835).<span><br /></span>Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351122/001/0001" class="waffle-rich-text-link" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351122/001/0001</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-11-22">1835-11-22</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-11-22_Bells_Life_in_London_Scenes_and_Characters_No7_The_Vocal_DressmakerDickens, Charles. 'Scenes and Characters, No. 7, The Vocal Dressmaker' (22 November 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1835-11-22_Bells_Life_in_London_Scenes_and_Characters_No.7_The_Vocal_Dressmaker">https://www.dickenssearch.com/short-stories/1835-11-22_Bells_Life_in_London_Scenes_and_Characters_No7_The_Vocal_Dressmaker.</a><a href="https://dickenssearch.com/teibp/dist/content/1835-11-22_Bells_Life_in_London_Scenes_and_Characters_No7_The_Vocal_Dressmaker.xml" target="_blank" rel="noopener">'Scenes and Characters, No. 7, The Vocal Dressmaker.' <em>Bell's Life in London</em> (22 November 1835).</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EBell%27s+Life+in+London%3C%2Fem%3E"><em>Bell's Life in London</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=TIBBS">TIBBS</a>Miss Amelia Martin was pale, tallish, thin, and two-and-thirty—what ill-natured people would call plain, and police reports interesting. She was a milliner and dressmaker, living on her business, and not above it. If you had been a young lady in service, and wanted Miss Martin, as a great many young ladies in service did, you&#039;d just have stepped up in the evening to number forty-seven, Drummond-street, George-street, Euston-square, and after casting your eye on a brass door-plate, one foot ten, by one and a half, ornamented with a great brass knob at each of the four corners, and bearing the inscription &quot;Miss Martin; millinery and dressmaking in all its branches;&quot; you’d just have knocked two loud knocks at the street door, and down would have come Miss Martin herself, in a merino gown of the newest fashion, black velvet bracelets on the genteelest principle, and other little elegancies, of the most approved description. If Miss Martin know&#039;d the young lady as called, or if the young lady as called had been recommended by any other young lady as Miss Martin knew, Miss Martin would forthwith show her up-stairs into the two-pair front, and chat she would—so kind, and so comfortable—it really wasn’t like a matter of business, she was so friendly; and, then Miss Martin, after contemplating the figure and general appearance of the young lady in service with great apparent admiration, would say how well she would look, to-be-sure, in a low dress with short sleeve, made very full in the skirts, with four tucks in the bottom, to which the young lady in service would reply in terms expressive of her entire concurrence in the notion, and the virtuous indignation with which she reflected on the tyranny of &quot;Missis,&quot; who wouldn’t allow a young girl to wear a short sleeve of an ar&#039;ternoon—no, nor nothing smart, not even a pair of ear-rings, let alone hiding people’s heads of hair under them frightful caps; at the termination of which complaint, Miss Amelia Martin would distantly suggest certain dark suspicions that some people were jealous on account of their own daughters, and was obliged to keep their servants’ charms under, for fear they should get married first, which was no uncommon circumstance—leastways she had known two or three young ladies in service as had married a great deal better than their missises, and they was not very good-looking either; and then the young lady would inform Miss Martin, in confidence, that how one of their young ladies was engaged to a young man, and was a-going to be married, and Missis was so proud about it there was no bearing her; but she needn’t hold her head quite so high neither, for, after all, he was only a clerk; and, after expressing a due contempt for clerks in general, and the engaged clerk in particular, and the highest opinion possible of themselves and each other, Miss Martin and the young lady in service would bid each other good night, in a friendly but perfectly genteel manner, and the one went back to her &quot;place,&quot; and the other to her room on the second floor front. There is no saying how long Miss Amelia Martin might have continued this course of life; how extensive a connection she might have established among young ladies in service, or what amount her demands upon their quarterly receipts might have ultimately attained, had not an unforeseen train of circumstances directed her thoughts to a sphere of action very different from dress-making or millinery. A friend of Miss Martin’s who had long been keeping company with an ornamental painter and decorator’s journeyman, at last consented (on being at last asked to do so) to name the day which would make the aforesaid journeyman a happy husband. It was a Monday that was appointed for the celebration of the nuptials, and Miss Amelia Martin was invited, among others, to honour the wedding dinner with her presence. It was a charming party; Somers-town the locality, and a front parlour the apartment. The ornamental painter and decorator’s journeyman had taken a house—no lodgings or vulgarity of that kind, but a house—four beautiful rooms and a delightful little wash-house at the end of the passage— most convenient thing in the world; for the bridesmaids could sit in the front parlour and receive the company, and then run into the little wash-house and see how the pudding and boiled pork were getting on in the copper, &amp;amp; then pop back into the parlour again as snug and comfortable as possible. And such a parlour as it was too! beautiful Kidderminster carpet–six bran new caned bottomed stained chairs—a pink shell, and three wine glasses on each sideboard—a farmer’s girl and a farmer’s boy on the mantel-piece: one tumbling over a stile and the other spitting himself on the handle of a pitch-fork—long white dimity curtains in the window—and, in short, every thing on the most genteel scale imaginable. Then, the dinner—baked leg of mutton at the top—boiled leg of mutton at the bottom—pair of fowls and leg of pork in the middle—porter pots at the corners—pepper, mustard, and vinegar in the centre—vegetables on the floor—and plum-pudding and apple-pie, and tartlets without number, to say nothing of cheese and celery and water-cresses, and all that sort of thing. As to the company! Miss Amelia Martin herself declared on a subsequent occasion, that much as she had heard of the ornamental painters&#039; journeyman’s connexion, she never could have supposed it was half so genteel. There was his father, such a funny old gentleman—and his mother, such a dear old lady—and his sister, such a charming girl—and his brother, such a manly-looking young man—with such a eye! But even all these were as nothing when compared with his musical friends, Mr. &amp;amp; Mrs. Jennings Rodolph, from White Conduit, with whom the ornamental painter’s journeyman had been fortunate enough to contract an intimacy, while engaged in decorating the concert-room of that noble institution. To hear them sing separately was divine, but when they went through the tragic duet of &quot;Red Ruffian, retire!&quot; it was, as Miss Martin afterwards remarked, &quot;thrilling;&quot; and why (as Mr. Jennings Rodolph observed) - why were they not engaged at one of the patent theatres? If he was to be told that their voices were not powerful enough to fill the house, his only reply was, that he&#039;d back himself for any amount to fill Russell-square—a statement in which the company, after hearing the duet, expressed their full belief; so they all said it was shameful treatment; and both Mr. and Mrs. Jennings Rodolph said it was shameful too, and Mr. Jennings Rodolph looked very serious, and said he knew who his malignant opponents were, but they had better take care how far they went, for if they irritated him too much, he had not quite made up his mind whether he wouldn’t bring the subject before Parliament; and they all agreed that it ”ud serve ’em quite right, and it was very proper that such people should be made an example of;&quot; and Mr. Jennings Rodolph said he’d think of it. When the conversation resumed its former tone, Mr. Jennings Rodolph claimed his right to call upon a lady, and the right being conceded, trusted Miss Martin would favour the company—a proposal which met with unanimous approbation, whereupon Miss Martin, after sundry hesitatings and coughings, with a preparatory choke or two, and an introductory declaration that she was frightened to death to attempt it before such great judges of the art, commenced a species of treble chirruping containing constant allusions to some young gentleman of the name of Hen-e-ry, with an occasional reference to madness, and broken hearts. Mr. Jennings Rodolph frequently interrupted the progress of the song, by ejaculating &quot;beautiful;&quot;—&quot;charming!&quot;— &quot;brilliant!&quot;—&quot;oh! splendid,&quot; &amp;amp;c. and at its close the admiration of himself and his lady knew no bounds. &quot;Did you ever hear so sweet a voice, my dear?&quot; inquired Mr. Jennings Rodolph of Mrs. Jennings Rodolph. &quot;Never; indeed I never did, love;&quot; replied Mrs. Jennings Rodolph. &quot;Don’t you think Miss Martin with a little cultivation would be very like Signora Marra Boni, my dear?&quot; asked Mr. Jennings Rodolph. &quot;Just exactly the very thing that struck me, my love,&quot; answered Mrs. Jennings Rodolph; and thus the time passed away; first one sang, and then another; Mr. Jennings Rodolph played tunes on a walking stick, and then went behind the parlour-door and gave his celebrated imitations of actors, edge-tools, and animals; Miss Martin sang several other songs with increased admiration every time, and even the funny old gentleman began singing; his song had properly seven verses, but as he couldn’t recollect more than the first one, he sang that over seven times, apparently very much to his own personal gratification. And then all the company sang the national anthem with national independence—each for himself, without reference to the other—and finally separated, all declaring that they never had spent so pleasant an evening; and Miss Martin inwardly resolving to adopt the advice of Mr. Jennings Rodolph, and to &quot;come out&quot; without delay. Now, &quot;coming out,&quot; either in acting, or singing, or society, or facetiousness, or anything else, is all very well, and remarkably pleasant to the individual principally concerned, if he or she can but manage to come out with a burst, and being out to keep out, and not go in again; but it does unfortunately happen that both consummations are extremely difficult to accomplish, and that the difficulties of getting out at all in the first instance, and if you surmount them of keeping out in the second, are pretty much on a par, and no slight ones either. And so Miss Amelia Martin shortly discovered. It is a singular fact (there being ladies in the case) that Miss Amelia Martin’s principal foible was vanity, and the leading characteristic of Mrs. Jennings Rodolph an attachment to dress. Dismal wailings were heard to issue from the second-floor front of number forty-seven, Drummond-street, George-street, Euston-square; it was Miss Martin practising. Half suppressed murmurs disturbed the calm dignity of the White Conduit orchestra at the commencement of the season. It was the appearance of Mrs. Jennings Rodolph in full dress that occasioned them. Miss Martin studied incessantly—the practising was the consequence. Mrs. Jennings Rodolph taught gratuitously now and then—the dresses were the result. Weeks passed away; the White Conduit season had begun, had progressed, and was more than half over. The dress-making business had fallen off from neglect, and its profits had dwindled away almost imperceptibly. A benefit-night approached; Mr. Jennings Rodolph yielded to the earnest solicitations of Miss Amelia Martin, and introduced her personally to the &quot;comic gentleman&quot; whose benefit it was. The comic gentleman was all smiles and blandness—he had composed a duet, expressly for the occasion, and Miss Martin should sing it with him. The night arrived; there was an immense room—ninety-seven goes of gin, thirty-two small glasses of brandy and water, five-and-twenty bottled ales, and forty-one neguses; and the ornamental painters&#039; journeyman with his wife, and a select circle of acquaintance were seated at one of the side-tables near the orchestra. The concert began. Song-sentimental–by a light-haired young gentleman in a blue coat, and bright basket buttons [applause]. Another song, doubtful, by another gentleman in another blue coat, and more bright basket buttons - increased applause. Duet, Mr. Jennings Rodolph and Mrs. Jennings Rodolph, &quot;Red Ruffian, retire!&quot;— [great applause.] Solo Miss Julia Montague (positively on this occasion only)—&quot;I am a Friar&quot;—[enthusiasm.] Original duet, comic—Mr. H. Taplin (the comic gentleman) and Miss Martin— &quot;The Time of Day&quot;—&quot;Brayvo!—Brayvo!&quot; cried the ornamental painter’s journeyman’s party, as Miss Martin was gracefully led in by the comic gentleman. &quot;Go to work Harry,&quot; cried the comic gentleman’s personal friends. &quot;Tap-tap-tap,&quot; went the leader’s bow on the music-desk. The symphony began, and was soon afterwards followed by a faint kind of ventriloquial chirping, proceeding apparently from the deepest recesses of the interior of Miss Amelia Martin—&quot;‘Sing out&quot;—shouted one gentleman in a white great coat. &quot;Don’t be afraid to put the steam on, old gal,&quot; exclaimed another. &quot;S-s-s-s-s-s&quot;—went the five-and-twenty bottled ales. &quot;Shame, shame!&quot; remonstrated the ornamental painter’s journeyman’s party— &quot;S-s-s&quot; went the bottled ales again, accompanied by all the gins and a majority of the brandies.—&quot;Turn them geese out,&quot; cried the ornamental painters’ journeyman’s party, with great indignation. &quot;Sing out,&quot; whispered Mr. Jennings Rodolph.—&quot;So I do,&quot; responded Miss Amelia Martin. &quot;Sing louder,&quot; said Mrs. Jennings Rodolph. &quot;I can’t,&quot; replied Miss Amelia Martin—&quot;Off, off, off,&quot; cried the rest of the audience. &quot;Bray-vo!&quot; shouted the painter’s party. It wouldn’t do—Miss Amelia Martin left the orchestra, with much less ceremony than she had entered it, and as she couldn’t sing out, never came out. The general good humour was not restored until Mr. Jennings Rodolph had become purple in the face, by imitating divers quadrupeds for half an hour without being able to render himself audible; and, to this day, neither has Miss Amelia Martin’s good humour been restored, nor the dresses made for and presented to, Mrs. Jennings Rodolph, nor the vocal abilities which Mr. Jennings Rodolph once staked his professional reputation she possessed.18351122https://dickenssearch.com/files/original/5/Scenes_and_Characters_No._7_The_Vocal_Dressmaker/1835-11-22_Bells_Life_in_London_Scenes_and_Characters_No.7_The_Vocal_Dressmaker.pdf
102https://dickenssearch.com/items/show/102'<em>Scenes and Characters</em>, No. 8, The Prisoners' Van'Published in <em>Bell's Life in London</em> (29 November 1835).Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351129/001/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351129/001/0001</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-11-29">1835-11-29</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-11-29_Bells_Life_in_London_Scenes_and_Characters_No8_The_Prisoners_VanDickens, Charles. '<em>Scenes and Characters</em>, No. 8, The Prisoners' Van (29 November 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-11-29_Bells_Life_in_London_Scenes_and_Characters_No8_The_Prisoners_Van">https://dickenssearch.com/short-stories/1835-11-29_Bells_Life_in_London_Scenes_and_Characters_No8_The_Prisoners_Van</a>.<a href="https://dickenssearch.com/teibp/dist/content/1835-11-29_Bells_Life_in_London_Scenes_and_Characters_No8_The_Prisoners_Van.xml" target="_blank" rel="noopener">'Scenes and Characters, No. 8, The Prisoners' Van.' <em>Bell's Life in London</em> (29 November 1835).</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EBell%27s+Life+in+London%3C%2Fem%3E"><em>Bell's Life in London</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=TIBBS">TIBBS</a>We have a most extraordinary partiality for lounging about the streets. Whenever we have an hour or two to spare, there is nothing we enjoy more than a little amateur vagrancy—walking up one street and down another, and staring into shop windows, and gazing about us as if, instead of being on intimate terms with every shop and house in Holburn, the Strand, Fleet-street, and Cheapside, the whole were an unknown region to our wondering mind. We revel in a crowd of any kind—a street &quot;row&quot; is our delight—even a woman in a fit is by no means to be despised, especially in a fourth-rate street, where all the female inhabitants run out of their houses, and discharge large jugs of cold water over the patient, as if she were dying of spontaneous combustion, and wanted putting out. Then a drunken man—what can be more charming than a regular drunken man, who sits in a door-way for half an hour, holding a dialogue with the crowd, of which his portion is generally limited to repeated inquiries of &quot;I say—I&#039;m all right, an&#039;t I?&quot; and then suddenly gets up, without any ostensible cause or inducement, and runs down the street with tremendous swiftness for a hundred yards or so, when he falls into another door-way, where the first feeble words he imperfectly articulates to the policeman who lifts him up are &quot;Let&#039;s av—drop—somethin&#039; to drink?&quot;—we say again, can anything be more charming than this sort of thing? And what, we ask, can be expected but popular discontent, when Temperance Societies interfere with the amusements of the people? There is one kind of street quarrel which is of very common occurrence, but infinitely amusing—we mean where a little crowd has collected round three or four angry disputants, and no one single person, not even among the parties principally concerned, appears to have a very distinct notion of what it&#039;s all about. The place is—Long-Acre, say, or Saint Martin&#039;s-lane—time, half-past eleven at night. Some twenty people have collected round a bow-legged, under-sized young gentleman, in a brown coat and bright buttons, who has upon his arm a small young woman in a straw bonnet, with one shawl on, and another folded up over her arm. Opposed to the under-sized pair is a tall young fellow, in a brownish white hat, and flash attire; and you arrive in time to hear some such dialogue as the following:—&quot;Who said anythin&#039; to you?&quot; (in a tone of great contempt, from the long gentleman, turning round with his hands in his pockets). &quot;Vy you did, Sir&quot; (from the small individual, in a towering passion). &quot;Oh! do come away, George&quot; (from the young lady, accompanied with a tug at the coat-tail, and a whimper). &quot;Never mind him, he an&#039;t worth your notice.&quot; &quot;Ah! take him home&quot;—sneers the tall gentleman as they turn away—&quot;and tell his mother to take care on him, and not let him out arter dark, fear he should catch a cold in his ed. Go on.&quot; Here the small young man breaks from the small young woman, and stepping up close to the adverse party, valourously ejaculates in an under-tone, &quot;Now, what have you got to say.&quot; &quot;Niver mind,&quot; replies the long gentleman with considerable brevity. &quot;What do you mean by insulting this &#039;ere young &#039;ooman, Sir?&quot; enquires the short man. &quot;Who insulted the young &#039;ooman,&quot; replies the long one. &quot;Vy you did, Sir,&quot; responds the short one, waxing specially wroth—&quot;You shoved again her, Sir.&quot; &quot;You&#039;re a liar,&quot; growls the long gentleman fiercely; and hereupon the short gentleman dashes his hat on the ground with a reckless disregard of expense, jerks off his coat, doubles his fists, works his arms about like a labourer warming himself; darts backwards and forwards on the pavement with the motion of an automaton, and exclaims between his set teeth—&quot;Come on, I an&#039;t afeard on you—come on,&quot;—and the long gentleman might come on, and the fight might come off, only the young lady rushed upon the small man, forces his hat over his eyes, and the tails of his coat round his neck, and screams like a peacock, till a policeman arrives. After great squabbling, considerably persuasion, and some threatening, the short man consents to go one way, and the long man another; and the answer of all the bystanders who had seen the whole, to the urgent inquiry from a new comer up, &quot;Do you know what&#039;s the matter, Sir?&quot; invariably is—&quot;No, Sir, I really can&#039;t make out.&quot; We were passing the corner of Bow-street, on our return from a lounging excursion the other afternoon, when a crowd, assembled round the door of the Police Office, attracted our attention, and we turned up the street accordingly. There were thirty or forty people standing on the pavement and half across the road, and a few stragglers were patiently stationed on the opposite side of the way—all evidently waiting in expectation of some arrival. We waited too a few minutes, but nothing occurred: so we turned round to an unshaved sallow-looking cobbler who was standing next us, with his hands under the bib of his apron, and put the usual question of &quot;What’s the matter?&quot; The cobbler eyed us from head to foot, with superlative contempt, and laconically replied &quot;Nuffin.&quot; Now we were perfectly aware that if two men stop in the street to look at any given object, or even to gaze in the air, two hundred men will be assembled in no time; but as we knew very well that no crowd of people could by possibility remain in a street for five minutes without getting up a little amusement among themselves, unless they had some absorbing object in view, the natural inquiry next in order was, &quot;What are all these people waiting here for?&quot;— &quot;His Majesty’s carriage,&quot; replied the cobbler. This was still more extraordinary. We couldn&#039;t imagine what earthly business his Majesty’s carriage could have at the Public Office, Bow-street, and we were beginning to ruminate on the possibility of the Duke of Cumberland being brought up on a warrant for assaulting the Princess Victoria, when a general exclamation from all the boys in the crowd of &quot;Here’s the wan!&quot; caused us to raise our head and look up the street. The covered vehicle, in which prisoners are conveyed from the police offices to the different prisons, was coming along at full speed, and it then occurred to us for the first time that his Majesty’s carriage was merely another name for the prisoners’ van, conferred upon it not only by reason of the superior gentility of the term, but because the aforesaid van is maintained at his Majesty’s expence, having been originally started for the exclusive accommodation of ladies and gentlemen under the necessity of visiting the various houses of call known by the general denomination of &quot;his Majesty’s Gaols.&quot; The van drew up at the office door: the people thronged round the steps, just leaving a little alley for the prisoners to pass through. Our friend the cobbler and the other stragglers crossed over, and we followed their example. The driver, and another man who had been seated by his side in front of the vehicle, dismounted, and were admitted into the office. The office door was closed after them, and the crowd were on the tip-toe of expectation. After a few minutes delay, the door again opened, and the two first prisoners appeared. They were a couple of girls, of whom the elder could not be more than sixteen, and the younger of whom had certainly not attained her fourteenth year. That they were sisters was evident from the resemblance which still subsisted between them, though two additional years of depravity had fixed their brand upon the elder girl’s features as legibly as if a red-hot iron had seared them. They were both gaudily dressed, the younger one especially, and although there was a strong similarity between them in both respects, which was rendered the more obvious by their being handcuffed together, it is impossible to conceive a greater contrast than the demeanour of the two presented. The younger girl was weeping bitterly—not for display or in the hope of producing effect, but for very shame; her face was buried in her handkerchief, and her whole manner was but too expressive of bitter and unavailing sorrow. &quot;How long are you for, Emily?&quot; screamed a red-faced woman in the crowd. &quot;Six weeks, and labour,&quot; replied the elder girl, with a flaunting laugh; &quot;and that’s better than the Stone Jug any how; the mill’s a d—d sight better than the Sessions; and here’s Bella a-going too for the first time. Hold up your head, you chicken,&quot; she continued, boisterously tearing the other girl’s handkerchief away; &quot;Hold up your head, and show ’em your face. I an’t jealous, but I’m blessed if I an’t game!&quot;— &quot;That’s right, old gal,&quot; exclaimed a man in a paper cap, who, in common with the greater part of the crowd, had been inexpressibly delighted with this little incident.—&quot;Right!&quot; replied the girl; &quot;ah, to be sure; what’s the odds, so long as you&#039;re happy.&quot;—&quot;Come, in with you,&quot; interrupted the driver.— &quot;Don’t you be in a hurry, Coachman,&quot; replied the girl; &quot;and recollect I want to be set down in Cold-Bath Fields—large house with a high garden wall in front; you can’t mistake it. Hallo, Belle, where are you going to—you’ll pull my precious arm off?&quot; This was addressed to the younger girl, who, in her anxiety to hide herself in the caravan, had ascended the steps first, and forgotten the strain upon the handcuff. &quot;Come down, and let’s show you the way.&quot; And after jerking the miserable girl down with a force which made her stagger on the pavement, she got into the vehicle, and was followed by her wretched companion. These two girls had been thrown upon London streets, their vices and debauchery, by a sordid and rapacious mother. What the younger girl was then the elder had been once; and what the elder then was, she must soon become. A melancholy prospect, but how surely to be realised; a tragic drama, but how often acted! Turn to the prisons and police-offices of London—nay, look into the very streets themselves. These things pass before our eyes, day after day, and hour after hour—they have become such matters of course, that they are utterly disregarded. The progress of these girls in crime will be as rapid as the flight of a pestilence, resembling it too in its baneful influence and wide-spreading infection. Step by step how many wretched females, within the sphere of every man’s observation, have become involved in a career of vice frightful to contemplate: hopeless at its commencement, loathsome and repulsive in its course, friendless, forlorn, and unpitied, at its miserable conclusion! There were other prisoners—boys of ten, as hardened in vice as men of fifty—a houseless vagrant going joyfully to prison as a place of food and shelter handcuffed to a man whose prospects were ruined, character lost, and family rendered destitute by his first offence.—Our curiosity, however, was satisfied. The first group had left an impression on our mind we would gladly have avoided, and would willingly have effaced. The crowd dispersed—the vehicle rolled away with its load of guilt and misfortune, and we saw no more of the Prisoner&#039;s Van.18351129https://dickenssearch.com/files/original/5/Scenes_and_Characters_No._8_The_Prisoners_Van/1835-11-29_Bells_Life_in_London_Scenes_and_Characters_No8_The_Prisoners_Van.pdf
103https://dickenssearch.com/items/show/103'<em>Scenes and Characters</em>, No. 9, The Parlour'Published in <em>Bell's Life in London</em> (13 December 1835).Dickens, Charles<em>The British Newspaper Archive</em>, <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351213/001/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351213/001/0001</a>. <em>Source is faded and illegible in places.</em><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-12-13">1835-12-13</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-12-13_Bells_Life_in_London_Scenes_and_Characters_No9_The_ParlourDickens, Charles. '<em>Scenes and Characters</em>, No. 9, The Parlour' (13 December 1835). <em>Dickens Search</em>. Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-12-13_Bells_Life_in_London_Scenes_and_Characters_No9_The_Parlour">https://dickenssearch.com/short-stories/1835-12-13_Bells_Life_in_London_Scenes_and_Characters_No9_The_Parlour</a>.<a href="https://dickenssearch.com/teibp/dist/content/1835-12-13_Bells_Life_in_London_Scenes_and_Characters_No9_The_Parlour.xml" target="_blank" rel="noopener">'Scenes and Characters, No. 9, The Parlour.' <em>Bell's Life in London</em> (13 December 1835).</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EBell%27s+Life+in+London%3C%2Fem%3E"><em>Bell's Life in London</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=TIBBS">TIBBS</a>A snug parlour in winter, with a sofa on one side the blazing fire, an easy chair on the other, and a table in the centre, bearing a liquor-stand, glasses, and cigars, the whole seen to the greatest advantage by the soft light of a French lamp, which falls delicately on the curtains you have carefully drown to exclude the wind, and enable you to eye your damask with great complacency—a snug parlour under such circumstances is a temporary Elysium, and well deserves to be lauded by an abler pen than ours. A pair of parlours &quot;genteelly furnished&quot; for a single gentleman, with a French bedstead for one in the back parlour, and cane-bottomed chairs for six in the front—all for twelve shilllings a week and attendance included, have their charms also. A breakfast parlour&#039;s no bad thing, when you&#039;re spending a week with a pleasant family in the country; and an hour or two may be passed very agreeably in a dining parlour in town. But though each and every of the parlours we have just enumerated has its own peculiar merits and attractions, to no one among them are we about to make any further allusion. The question then very naturally arises, what kind of parlour do we mean?—and that question we will resolve at once. We had been lounging, the other evening, down Oxford-strewet, Holburn, Cheapside, Coleman-street, Finsbury-square, and so on, with the intention of returning by Petonville and the New-road, when we began to feel rather thirsty, and disposed to rest for five or ten minutes; so we turned back to a quiet decent public house, which we remembered to have passed but a moment before (near the City-road), for the purpose of solacing ourselves with a glass of ale. The house was none of your stuccoed, French-polished, illuminated palaces, but a modest public-house of the old school, with a little old bar, and a little old landlord, who, with a wife and daughter of the same pattern, was comfortably seated in the bar aforesaid—a snug little room, with a cheerful fire, protected by a large screen, from behind which the young lady emerged, on our representing our inclincation for a glass of ale. &quot;Won&#039;t you walk into the parlour, Sir?&quot; said the young lady in seductie tones. &quot;You&#039;d better walk into the parlour, Sir,&quot; said the little old landlord, throwing his chair back, and looking round one side of the screen, to survey our appearance. &quot;You&#039;d much better step into the parlour, Sir,&quot; said the little old lady, popping her head out at the other side of the screen. And on our looking slightly round, as if in ignorance of the locality so much recommended, the little old landlord bustled out at the small door of the small bar, and forthwith ushured us into the parlour itself. It was an ancient dark-looking room, with a sanded floor and high mantel-piece, over which was an old coloured print of some naval engagement, representing two men-of-war banding away at each other most vigorously, with another vessel or two oblowing up in the distance, and an interesting foreground of broken masts and blue legs sticking out of the water. Depending from the ceiling, in the centre of the room, were a gas-light and bell-pull, and on each side were three or four long narrow tables, behind which was a thickly planted row of those slippy shiny looking wooden chairs peculiar to places of this description. The monstrous appearance of the sanded boards was relieved by an occasional spittoon, and a triangular pile of these useful articles adored the two upper corners of the apartment. At the further table, nearest the fire, with his face towards the door at the bottom of the room, sat a stoutish man of about forty, whose short stiff black hair, curled closely round a broad high forehead and face to which something besides water and exercise had communicated a rather inflamed appearance. He was smoking a cigar, with his eyes fixed on the ceiling, and had that confident, orucular air, which marked him as the leading politician, general authority, and universal anecdote relator of the place. He had evidently just delivered himself of something veay weighty, for the remainder of the company were puffing away at their respective pipes and cigars, in a kind of solemn abstraction, as if quite overwhelmed with the magnitude of the subject recently under discussion. On his right sat an elderly man, with a white head and broad-brimmed brown hat, and on his left a sharp-nosed light-haired man, in a brown surtout reaching nearly to his heels, who took a whiff at his pipe and an admiring glance at the red-faced man alternately.—&quot;Very extraordinary!&quot; said the light haired man, after a pause of five minutes; a murmur of assent ran through the company. &quot;Not at all extraordinary—not at all,&quot; said the red faced man, awakening suddenly from his reverie; and turning upon the light-haired man, the moment he had spoken. &quot;Why should it be extraordinary?—why is it extraordinary?—Prove it to be extraordinary.&quot; &quot;Oh, if you come to that—&quot; said the light-haired man. &quot;Come to that!&quot; ejaculated the man with the red face; &quot;but we must come to that. We stand in these times upon a calm elevation of intellectual attainment, and not in the dark recess of mental deprivation. Proof is what I require—proof, and not assertions in these stirring times. Every gen’lem’n that knows me knows what was the nature and effect of my observations, when it was in the contemplation of the Old-street Suburban Representative Discovery Society to recommend a candidate for that place in Cornwall there—I forget the name of it.&quot; “Mr. Snobee, (said Mr. Wilson) is a fit and proper person to represent the borough in Parliament.” “Prove it,” says I. “He is a friend to Reform,” says Mr. Wilson. “Prove it,” says I. “The abolitionist of the national debt, the unflinching opponent of pensions, the uncompromising advocate of the negro, the reducer of sinecures and the duration of Parliaments, the extender of nothing but the suffrages of the people,” says Mr. Wilson. “Prove it,” says I. “His acts prove it,” says he. “Prove them,” says I. &quot;And he could not prove them (said the red-faced man, looking round triumphantly) &quot;and the borough didn’t have him; and if you carried this principle to the full extent, you’d have no debt, no pensions, no sinecures, no negroes, no nothing; and then, standing upon an elevation of intellectual attainment, and having reached the summit of popular prosperity, you might bid defiance to the nations of the earth, and erect yourselves in the proud confidence of wisdom and superiority. This is my argument—this always has been my argument—and if I was a Member of the House of Commons to-morrow, I’d make ’em shake in their shoes with it &quot;—and the red-faced man hit the table very hard with his clenched fist, by way of adding weight to the declaration, and then smoked away like a brewery. &quot;Well!&quot; said the sharp-nosed man, in a very slow and soft voice, addressing the company in general, &quot;I always do say that, of all the gentlemen I have the pleasure of meeting in this room, there is not one whose conversation I like to hear so much as Mr. Rogers’s, or who is such improving company.&quot; &quot;Improving company! (said Mr. Rogers, for that was the name of the red-faced man). Damme, you may say I&#039;m improving company, for I’ve improved you all to some purpose; though as to my conversation being as my friend Mr. Ellis here describes it, that&#039;s not for me to say anything about; you, gentlemen, are the best judges on that point; but this I will say, when I came into this parish, and first used this room, ten years ago, I don’t believe there was one man in it who knew he was a slave, and now you all know it, and writhe under it. Inscribe that upon my tomb, and I&#039;m satisfied.&quot; &quot;Why, as to inscribing it on your tea-chest,&quot; said a little dirty green-grocer, with a rather dirty face, &quot;of course you can have anything chalked up as you likes to pay for, so far as it relates to yourself and your affairs; but when you come to talk about slaves and that there gammon, you’d better keep it in the family, ’cos I, for one, don’t like to be called them names night after night.&quot; &quot;You are a slave,&quot; said the red-faced man, &quot;and the most pitiable of all slaves.&quot;Wery hard if I am,&quot; interrupted the green-grocer, &quot;for I got no good out of the twenty millions, anyhow.&quot; &quot;A willing slave,&quot; ejaculated the red-faced man, getting more red with eloquence, and contradiction, &quot;resigning the dearest birth-right of your children, neglecting the sacred call of Liberty, who standing imploringly before you, appeals to the warmest feelings of your heart, and points to your helpless infants but in vain.&quot; &quot;Prove it,&quot; said the green-grocer. &quot;Prove it,&quot; ejaculated the man with the red face. &quot;Bending beneath the yoke of an insolent and factious oligarchy: bowed down before the domination of cruel laws, groaning beneath tyranny and oppression on every hand, at every side, and in every corner. Prove it!&quot; And the red-faced man sneered melo-dramatically, and buried his indignation in a quart pot. &quot;Very true, Mr. Rogers, very true,&quot; said a stout broker in a large waistcoat. &quot;That&#039;s the pint, Sir.&quot; &quot;Ah to be sure,&quot; acquiesced divers other members of the company. &quot;You&#039;d better let him alone, Tommy,&quot; said the broker, by way of advice to the little green-grocer. &quot;He can tell wot’s o’clock by an eight-day, without looking at the minute-hand, he can. Try it on, on some other suit, you won&#039;t score nothing here, old feller.&quot; &quot;What is a man,&quot; said the red-faced specimen of the species, jerking his hat from its peg on the wall—&quot;what is an Englishman? Is he to be trampled upon by every oppressor? is he to be knocked down at any body’s bidding?&quot; (&quot;Decidedly not,&quot; from the broker). &quot;What is freedom?—Not a standing army.—What is a standing army? Not freedom.—What is general happiness? Not universal misery. Liberty is not the window tax, nor the Lords the people.&quot; And the red-faced man gradually bursting into a radiating sentence, in which the words &quot;oppression,&quot; tyranny,&quot; &quot;violence,&quot; &quot;misrule,&quot; &quot;dastardly Whigs,&quot; &quot;sanguinary Tories,&quot; &quot;Mr. Roebuck,&quot; &quot;depreciation of the currency,&quot; and &quot;voluntary principle,&quot; were most conspicuous, and finally left the room with an indignant bounce. &quot;Wonderful man!&quot; said he of the sharp nose. &quot;Splendid speaker!&quot; added the broker. &quot;Great power!&quot; said everybody but the green-grocer. &quot;Great ass,&quot; thought we—&quot;a very common character, and in no degree exaggerated. Empty-headed bullies, who by their ignorance and presumption bring into contempt whatever cause they are connected with: equally mischievous in any assembly from the highest to the lowest, and disgusting in all. There is a red-faced man in every &#039;parlour.&#039;&quot;18351213https://dickenssearch.com/files/original/5/Scenes_and_Characters_No._9_The_Parlour/1835-12-13_Bells_Life_in_London_Scenes_and_Characters_No9_The_Parlour.pdf
44https://dickenssearch.com/items/show/44'<em>Sketches of London,</em> No. V, The House'Published in <em>The Evening Chronicle</em> (7 March 1835).Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350307/019/0003">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350307/019/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-03-07">1835-03-07</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-03-07_The_Evening_Chronicle_Sketches_of_London_NoV_The_HouseDickens, Charles. 'Sketches of London, No. V, The House' (7 March 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-03-07_The_Evening_Chronicle_Sketches_of_London_NoV_The_House">https://dickenssearch.com/short-stories/1835-03-07_The_Evening_Chronicle_Sketches_of_London_NoV_The_House</a>.<a href="https://dickenssearch.com/teibp/dist/content/1835-03-07_The_Evening_Chronicle_Sketches_of_London_NoV_The_House.xml" target="_blank" rel="noopener">'Sketches of London, No. V, The House.' <em>The Evening Chronicle</em> (7 March 1835).</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Evening+Chronicle%3C%2Fem%3E"><em>The Evening Chronicle</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a>We hope our readers will not be alarmed at the rather ominous title we have chosen for our fifth sketch. We assure them that we are not about to become political, neither have we the slightest intention of being more prosy than usual—if we can help it. It has occurred to us that a slight sketch of the general aspect of &quot;the House&quot; and the crowds that resort to it on the night of an important debate would be productive of some amusement; and as we have made some few calls at the aforesaid house in our time—have attended it quite often enough for our purpose, and a great deal too often for our own personal peace and comfort—we have determined to accept the description. Dismissing from our minds, therefore, all that feeling of awe which vague ideas of breaches of privilege, Sergeants at Arms, heavy denunciations, and still heavier feeds, are calculated to awaken, we enter at once, into the building, and upon our subject. Half-past four o&#039;clock, and at five the mover of the Address will be &quot;on his legs,&quot; as the newspaper announce sometimes by way of novelty, as if speakers were occasionally in the habit of standing on their heads. What a scene of bustle and excitement! The members are pouring in one after the other in shoals. The few spectators who can obtain standing-room in the passages scrutinize them as they pass with the utmost interest, and the man who can identify a member occasionally becomes a person of great importance. Every now and then you hear earnest whispers of &quot;That&#039;s Sir John Thompson.&quot; &quot;Which? him with the gilt order round his neck?&quot; &quot;No, no; that&#039;s one of the messengers—that other with the yellow gloves, is Sir John Thomson.&quot; &quot;Here&#039;s Mr. Smith.&quot; &quot;Lor! Yes, how dy&#039;e do, sir?—(He is our new member)—How do you do, sir?&quot; Mr. Smith stops; turns round with an air of enchanting urbanity (for the rumour of an intended dissolution has been very extensively circulated this morning), seizes both the hands of his gratified constituent, and after greeting him with the most enthusiastic warmth, rushes into the lobby with an extraordinary display of ardour in the public cause, leaving an immense impression in his favour on the mind of his &quot;fellow townsman.&quot; The arrivals increase in number, and the heat and noise increase in very unpleasant proportion. The livery servants form a complete lane on either side of the passage, and you reduce yourself into the smallest possible space to avoid being turned out. You see that stout man with the hoarse voice, in the blue coat, queer crowned, broad brimmed hat, white corderoy breeches and great boots, who has been talking incessantly for half an hour past, and whose importance has occasioned no small quantity of mirth among the strangers. That&#039;s the great conservator of the peace of Westminster. You cannot fail to have remarked the grace with which he saluted the noble Lord who passed just now, or the excessive dignity of his air, as he expostulates with the crowd. He is rather out of temper now, in consequence of the very irreverent behaviour of those two young fellows behind him, who have done nothing but laugh all the time they&#039;ve been here. &quot;Will they divide to-night, do you think, Mr.—?&quot; timidly inquires a little thin man in the crowd, hoping to conciliate the man of office. &quot;How can you ask such questions, sir?&quot; replies the functionary, in an incredibly loud key, and pettishly grasping the thick stick he carries in his right hand. &quot;Pray do not, sir, I beg of you; pray do not, sir.&quot; Here the little man looks remarkably out of his element, and the uninitiated part of the throng are in positive convulsions of laughter. Just as this moment, some unfortunate individual appears, with a very smirking air, at the bottom of the long passage. He has managed to elude the vigilance of the special constable down stairs, and is evidently congratulating himself on having made his way so far. &quot;Go back sir—you must not come here!&quot; shouts the hoarse one, with tremendous emphasis of voice and gesture, the moment the offender catches his eye. The stranger pauses. &quot;Do you hear, sir—will you go back?&quot; continues the official dignitary, gently pushing the intruder some dozen yards. &quot;Come, don&#039;t push me,&quot; replies the stranger, turning angrily round. &quot;I will, sir;&quot; &quot;You won&#039;t, sir;&quot; &quot;Go out, sir:&quot; &quot;Take your hands off me, sir;&quot; &quot;Go out of the passage, sir.&quot; &quot;You&#039;re a Jack-in-office, sir.&quot; &quot;A what?&quot; ejaculates he of the boots. &quot;A Jack-in-office, sir, and a very insolent fellow,&quot; reiterates the stranger, now completely in a passion. &quot;Pray do not force me to put you out, sir,&quot; retorts the other— &quot;pray do not—my instructions are to keep this passage clear—it&#039;s the Speaker&#039;s orders, sir.&quot; &quot;D—n the Speaker, sir,&quot; shouts the intruder. &quot;Here, Wilson!—Collins!&quot; gasps the officer, actually paralysed at this insulting expression, which in his mind is all but high treason; &quot;take this man out— take him out, I say! How dare you, sir?&quot; &amp;amp;c., and down goes the unfortunate man five stairs at a time, turning round at every stoppage, to come back again, and denouncing bitter vengeance against the Commander-in-Chief and his supernumeraries. &quot;Make way, gentlemen, —pray make way for the Members, I beg of you;&quot; shouts the zealous officer, turning back, and preceding a whole string of the liberal and independent. You see this ferocious-looking personage, with a complexion almost as sallow as his linen, and whose large black mustaches would give him the appearance of a figure in a hair-dresser&#039;s window, if his countenance possessed one ray of the intelligence communicated to those waxen caricatures of the human face divine. He is a militia-man, with a brain slightly damaged, and (quite unintentionally) the most amusing person in the House. Can anything be more exquisitely absurd than the burlesque grandeur of his air, as he strides up to the lobby, his eyes rolling like those of a Turk&#039;s head in a cheap Dutch clock? He never appears without that bundle of dirty papers which he carries under his left arm—they are generally supposed to be the miscellaneous estimates for 1804, or some equally important documents. You must often have seen him in the box-lobbies of the theatres during the vacation. He is very punctual in his attendance at the house, and his self-satisfied &quot;He-ar-He-ar,&quot; is not unfrequently the signal for a general titter. This is the man who once actually sent a messenger up to the Strangers&#039; Gallery in the old House of Commons to inquire the name of a gentleman who was using an eye-glass, in order that he (the Militia-man) might complain to the Speaker that the individual in question was quizzing him! On another occasion he repaired to Bellamy&#039;s kitchen—a refreshment room where persons who are not members are admitted on sufferance, as it were—and perceiving two or three gentlemen at supper who he was aware were not Members, and could not in that place very well resent his insolence, he indulged in the exquisite pleasantry and gentlemanly facetiousness of sitting with his booted leg on the table at which they were supping! Poor creature! he is generally harmless, and his absurdities are amusing enough. By dint of patience, and some little interest with our friend the constable, we have contrived to make our way to the Lobby, and you can just manage to catch an occasional glimpse of the house, as the door is opened for the admission of Members. It is tolerably full already, and little groups of Members are congregated together here, discussing the interesting topic of the day. That smart looking fellow in the black coat with velvet facing and cuffs, who wears his D&#039;Orsay hat so rakishly, is &quot;Honest Tom,&quot; a metropolitan representative; and the large man in the cloak with the white lining—not the man by the pillar; the other with the light hair hanging over his coat collar behind—is his colleague. That quiet gentlemanly-looking man in the blue surtout, grey trousers, white neckerchief and gloves, whose closely buttoned coat displays his manly figure and broad chest to great advantage, is a very well known character. He has fought a great many battles in his time, and conquered like the heroes of old, with no other arms than those the gods gave him. The elderly man with the bald head and thin face, who is leaning against the wall perusing the leading articles of the soi-disant &quot;Leading Journal,&quot; is the identical &quot;old country gentleman&quot; who has lived for two-thirds of his whole existence exactly one minute and a quarter&#039;s walk from Black-friars&#039;-bridge. The old hard-featured man who is standing near him, is really a good specimen of that class of men—now nearly extinct. He is also a county member, and has been from time whereof the memory of man is not to the contrary. Look at his loose wide brown coat, with capacious pockets on each side; the knee breeches and boots, the immensely long waistcoat, and silver-watch-chain dangling below it, the wide-brimmed brown hat, and white handkerchief tied in a great bow with straggling ends sticking out beyond his shirt frill. It is a costume one seldom sees now-a-days, and when the few who wear it have died off, it will be extinct too. He can tell you long stories of Fox, Pitt, Sheridan, and Canning, and how much better the House was managed in those times, when they used to get up at eight or nine o-clock except on regular field days, of which everybody was apprized before-hand. He has a great contempt for all young members of Parliament, and thinks it quite impossible that a man can say anything worth hearing, unless he has sat in the house for fifteen years at least, without saying anything at all. He is of opinion that &quot;That young Macaulay&quot; was a regular imposter; he allows that Lord Stanley may do something one of these days, but he&#039;s too young Sir—too young. He is an excellent authority on points of precedent, and when he grows talkative, after his wine, will tell you how Sir Somebody Something, when he was whipper-in for the Government, brought four men out of their beds to vote in the majority, three of whom died on their way home again; how the house once divided on the question, that fresh candles be new brought in; how the Speakers was once upon a time left in the chair by accident, at the conclusion of business, and was obliged to sit in the House by himself for three hours, till some member could be knocked up, and brought back again to move the adjournment—and a great many other anecdotes of a similar description. There he stands, leaning on his stick; looking at the throng of Exquisites around him with most profound contempt, and conjuring up before his mind&#039;s eye, the scenes he beheld in the old house in days gone by, when his own feelings were fresher and brighter, and when, as he imagines, wit, talent, and patriotism, flourished more brightly too. You are curious to know who that young man in the rough great coat is, who has accosted every member who has entered the House since we have been standing here. He is not a member; he is only an &quot;hereditary bondsman,&quot; or, in other words, an Irish correspondent of an Irish newspaper, who had just procured his forty-second frank from a member whom he never saw in his life before. There he goes again—another! Bless the man, he has got his hat and pockets full already. We&#039;ll try our fortune at the Strangers&#039; Gallery, though the nature of the debate encourages very little hope of success. What on earth are you about? Holding up your order as if it were a talisman at whose command the wicket would fly open? Nonsense. Just preserve the order for an autograph, if its worth keeping at all, and make your appearance at the door with your thumb and fore-finger expressively inserted in your waistcoat-pocket. This tall stout man in black is the door-keeper. &quot;Any room?&quot; &quot;Not an inch—two or three dozen gentlemen waiting downstairs on the chance of somebody&#039;s going out.&quot; Pull out your purse—&quot;Are you quite sure there&#039;s no room?&quot;—I&#039;ll go and look,&quot; replies the door-keeper, with a wishful glance at your purse, &quot;but I&#039;m afraid there&#039;s not.&quot; He returns, and with real feeling, assures you that it&#039;s morally impossible to get near the gallery. It&#039;s no use waiting. When you are refused admission into the Stranger&#039;s Gallery at the House of Commons, under such circumstances, you may return home thoroughly satisfied that the place must be re-markably full indeed. Retracing our steps through the long passage, descending the stairs, and crossing Palace-yard, we halt at a small temporary door-way adjoining the King&#039;s entrance to the House of Lords. We will endeavour to smuggle you into the Reporters&#039; gallery, from whence you may peep into the House for one instant, but not longer, for its against orders our being there at all. Take care of the stairs, they are none of the best: through this little wicket—there. As soon as your eyes become a little used to the mist of the place, and the glare of the chandeliers below you, you will see that some unimportant personage on the Ministerial side of the House (to your right hand) is speaking, amidst a hum of voices and confusion which would rival Babel but for the circumstance of its being all in one language. You heard the &quot;hear, hear,&quot; which occasioned that laugh; it proceaded from our warlike friend in the mustachios; he is sitting on the back seat against the wall, behind the Member who is speaking, looking as ferocious and intellectual as usual. Take one look round you, and retire; the body of the House and the side galleries are full of Members, some with their legs on the back of the opposite seat; some with theirs stretched out to their utmost length on the floor; some going out, others coming in; all of them talking, laughing, lounging, coughin, o-ing, questioning, or groaning; presenting a conglomeration of noise and confusion to be met with in no other place in existence. There are a few more portraits—some in the body of the house—others in one of the galleries—which we should like to lay before our readers. We have exhausted our space, and most therefore reserve them for our next sketch, which will be entitled &quot;Bellamy&#039;s.&quot;18350307https://dickenssearch.com/files/original/5/Sketches_of_London_No._V_The_House/1835-03-07_Sketches_of_London_No.V_The_House.pdf
55https://dickenssearch.com/items/show/55'<em>Sketches of London,</em> No. XVI, Our Parish' (III) Published in <em>The Evening Chronicle</em> (14 July 1835).Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350714/012/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350714/012/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-07-14">1835-07-14</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-07-14_The_Evening_Chronicle_Sketches_of_London_NoXVI_Our_ParishIIIDickens, Charles. 'Sketches of London, No. XVI, Our Parish' (III) (14 July 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-07-14_The_Evening_Chronicle_Sketches_of_London_NoXVI_Our_ParishIII">https://dickenssearch.com/short-stories/1835-07-14_The_Evening_Chronicle_Sketches_of_London_NoXVI_Our_ParishIII</a>.<a href="https://dickenssearch.com/teibp/dist/content/1835-07-14_The_Evening_Chronicle_Sketches_of_London_NoXVI_Our_ParishIII.xml" target="_blank" rel="noopener"><span>'Sketches of London No. XVI, Our Parish' (III). <em>The Evening Chronicle</em> (14 July 1835).</span></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Evening+Chronicle%3C%2Fem%3E"><em>The Evening Chronicle</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a>An event has recently occurred in our parish which for the moment completely absorbs every other consideration, and throws even the Miss Willises entirely into the shade. We have had an election—an election for beadle: a contest of paramount interest has just terminated; a parochial convulsion has taken place. It has been succeeded by a glorious triumph, which the country—or at least the parish—its no great matter which—will long remember. The supporters of the old beadle system have been defeated in their strong-hold, and the advocates of the great new beadle principles have achieved a proud victory. Our parish—which, like all other parishes, is a little world of its own—has long been divided into two parties, whose contentions slumbering for a while, have never failed to burst forth with unabated vigour on any occasion on which they could by possibility be renewed. Watching rates, lighting rates, paving rates, sewer&#039;s rates, church rates, poor&#039;s rates—all sorts of rates, have been in their turn the subjects of a grand struggle; and as to questions of patronage, the asperity and determination with which they have been contested is scarcely credible. The leader of the official party - the steady advocate of the churchwardens and the unflinching supporter of the overseers—is an old gentleman who lives in our row. He owns some half-dozen houses in it, and always walks on the opposite side of the way so that he may be able to take in a view of the whole of his property at once. He is a tall, thin, bony man, with an interrogative nose, and little restless perking eyes, which appear to have been given him for the sole purpose of peeping into other people&#039;s affairs with. He is deeply impressed with the importance of our parish business, and prides himself not a little on his style of addressing the parishioners in vestry assembled. His views are rather confined than extensive; his principles more narrow than liberal. He has been heard to declaim very loudly in favour of the liberty of the press, and advocates the repeal of the stamp duty on newspapers, because the daily journals, who now have a monopoly of the public, never give verbatim reports of vestry meetings. He wouldn&#039;t appear egotistical for the world; but at the same time he must say, that there are speeches—that celebrated speech of his own on the emoluments of the Sexton, and the duties of the office, for instance—which might be communicated to the public, greatly to their improvement and advantage. His great opponent in public life is Captain Purday, the old naval officer of half-pay, to whom we introduced our readers a sketch or two back. The Captain being a determined opponent of the constituted authorities, whoever they may chance to be—and our other friend being their steady supporter, with an equal disregard of their individual merits—it will readily be supposed that occasions for their coming into direct collision are neither few nor far between. They divided the vestry fourteen times on a motion for heating the Church with warm water instead of coals, and made speeches about liberty and expenditure, and prodigality and hot water, which threw the whole parish into a state of excitement. Then the Captain, when he was on the visiting committee, and his opponent overseer brought forward certain distinct and specific charges relative to the management of the workhouse, boldly expressed his total want of confidence in the existing authorities, and moved for &quot;a copy of the recipe by which the paupers&#039; soup was prepared, together with any documents relating thereto.&quot; This the overseer steadily resisted; he fortified himself by precedent, appealed to the established usage, and declined to produce the papers, on the ground of the injury that would be done to the public service, if documents of a strictly private nature, passing between the master of the workhouse and the cook, were to be thus dragged to light on the motion of any individual member of the vestry. The motion was lost by a majority of two; and then the Captain, who never allows himself to be defeated, moved for a committee of inquiry into the whole subject. The affair grew serious; the question was discussed at meeting after meeting, and vestry after vestry; speeches were made, attacks repudiated, personal defiances exchanged, explanations received, and the greatest excitement prevailed, until at last, just as the question was going to be finally decided, the vestry found that somehow or other they had become entangled in a point of form from which it was impossible to escape with propriety. So the motion was dropped, and everybody looked extremely important, and seemed quite satisfied with the meritorious nature of the whole proceeding. This was the state of affairs in our parish a week or two since, when Simmons, the beadle, suddenly died. The lamented deceased had over-exerted himself a day or two previously, in conveying an aged female, highly intoxicated, to the strong room of the work house. The excitement thus occasioned, added to a severe cold, which this indefatigable officer had caught in his capacity of director of the parish-engine, by inadvertently playing over himself instead of a fire, proved too much for a constitution already enfeebled by age; and the intelligence was conveyed to the Board one evening that Simmons had died, and left his respects. The breath was scarcely out of the body of the deceased functionary when the field was filled with competitors for the vacant office, each of whom rested his claims to public support entirely on the number and extent of his family, as if the office of beadle were originally instituted as an encouragement for the propagation of the human species. &quot;Bung for Beadle. Five small children!&quot; &quot;Hopkins for Beadle. Seven small children!!&quot; &quot;Timkins for Beadle. Nine small children!!!&quot; Such were the placards in large black letters on a white ground, which were plentifully pasted on the walls and posted in the windows of the principal shops. Timkins’s success was considered certain: several mothers of families half promised their votes, and the nine small children would have run over the course but for the production of another placard announcing the appearance of a still more meritorious candidate. &quot;Spruggins for Beadle. Ten small children (two of them twins) and a wife!!!&quot; There was no resisting this; ten small children would have been almost irresistible in themselves, without the twins; but the touching parenthesis about that interesting production of nature, and the still more touching allusion to Mrs. Spruggins must ensure success. Spruggins was the favourite at once; and the appearance of his lady, as she went about to solicit votes (which encouraged confident hopes of a still further addition to the house of Spruggins at no remote period), increased the general prepossession in his favour. The other candidates, Bung alone excepted, resigned in despair; the day of election was fixed; and the canvas proceeded with briskness and perseverance on both sides. The members of the vestry could not be supposed to escape the contagious excitement inseparable from the occasion. The majority of the lady inhabitants of the parish declared at once for Spruggins, and the quondam overseer took the same side, on the ground that men with large families always had been elected to the office, and that, although he must admit, that, in other respects, Spruggins was the least qualified candidate of the whole; still it was an old practice, and he saw no reason why an old practice should be departed from. This was enough for the Captain. He immediately sided with Bung; canvassed for him personally in all directions, wrote squibs on Spruggins, and got his butcher to skewer them up on conspicuous joints in his shop-front; frightened his neighbour, the old lady, into a palpitation of the heart by his awful denunciations of Spruggins’s party; and bounced in and out, and up and down, and backwards and forwards, until all the sober inhabitants of the parish thought it inevitable that he must die of a brain fever long before the election began. The day of election arrived; it was no longer an individual struggle but a party contest between the ins and outs; the question was, whether the withering influence of the overseers, the domination of the churchwardens, and the blighting despotism of the vestry clerk should be allowed to render the election of beadle a form—a nullity; whether they should impose a vestry elected beadle on the parish, to do their bidding and forward their views, or whether the parishioners, fearlessly asserting their undoubted rights, should elect an independent beadle of their own. The nomination was fixed to take place in the vestry, but so great was the throng of anxious spectators, that it was found necessary to adjourn to the church, where the ceremony commenced with due solemnity. The appearance of the churchwardens and overseers, and the ex-churchwardens and ex-overseers, with Spruggins in the rear, excited general attention. Spruggins was a little thin man in rusty black with a long pale face, and a countenance expressive of care and fatigue, which might either be attributed to the extent of his family or the anxiety of his feelings. His opponent appeared in a cast-off coat of the Captain’s - a blue coat with bright buttons, white trousers, and that description of shoes familiarly known by the appellation of &quot;high-lows.&quot; There was a serenity in the open countenance of Bung—a kind of moral dignity in his confident air—an &quot;I wish you may get it&quot; sort of expression in his eye—which infused animation into his supporters, and evidently dispirited his opponents. The ex-churchwarden rose to propose Thomas Spruggins for beadle. He had known him long; he had had his eye upon him closely for years; he had watched him with twofold vigilance for months. [A parishioner here suggested that this might be termed &quot;taking a double sight;&quot; but the observation was drowned in loud cries of &quot;order!&quot;]. He would repeat that he had had his eye upon him for years, and this he would say, that a more well-conducted, a more well-behaved, a more sober, a more quiet man, with a more well regulated mind, he had never met with. A man with a larger family he had never known [cheers]. The parish required a man who could be depended on [hear! from the Spruggins side, answered by ironical cheers from the Bung party]. Such a man he now proposed [&quot;No,&quot; &quot;yes&quot;]. He would not allude to individuals [the ex-churchwarden continued in the celebrated negative style adopted by great speakers]. He would not advert to a gentleman who had once held a high rank in the service of his Majesty; he would not say that that gentleman was no gentleman; he would not assert that that man was no man; he would not say, that he was a turbulent parishioner; he would not say that he had grossly misbehaved himself, not only on this, but on all former occasions; he would not say that he was one of those discontented and treasonable spirits, who carried confusion and disorder wherever they went; he would not say that he harboured in his heart envy, and hatred, and malice, and all uncharitableness. No! He wished to have everything comfortable and pleasant; and therefore, he would say—nothing about him [cheers]. The Captain replied in a similar parliamentary style. He would not say he was astonished at the speech they had just heard; he would not say he was disgusted [cheers]; he would not retort the epithets which had been hurled against him [renewed cheering]; he would not allude to men once in office, but now happily out of it, who had mismanaged the work-house, ground the paupers, diluted the beer, slack-baked the bread, boned the meat, heightened the work, and lowered the soup [tremendous cheers]. He would not ask what such men deserved [a voice, &quot;Nothing a day, and find themselves!&quot;]. He would not say that one burst of general indignation should drive them from the parish they polluted with their presence [&quot;Give it him!&quot;]. He would not allude to the unfortunate man who had been proposed—he would not say, as the Vestry’s tool, but as Beadle. He would not advert to that individual’s family; he would not say that nine children, twins, and a wife, were very bad examples for pauper imitation [loud cheers]. He would not advert in detail to the qualifications of Bung. The man stood before him, and he would not say in his presence what he might be disposed to say of him, if he were absent. [Here Mr. Bung telegraphed to a friend near him under cover of his hat, by contracting his left eye, and applying his right thumb to the tip of his nose]. It had been objected to Bung that he had only five children [&quot;Hear, hear!&quot; from the opposition]. Well, he had yet to learn that the Legislature had affixed any precise amount of infantine qualification to the office of beadle; but taking it for granted that an extensive family were a great requisite, he entreated them to look to facts and compare data, about which there could be no mistake. Bung was 35 years of age. Spruggins—of whom he wished to speak with all possible respect—was 50. Was it not more than possible—was it not very probable—that by the time Bung attained the latter age, he might see around him a family, even exceeding in number and extent, that to which Spruggins at present laid claim [deafening cheers and waving of handkerchiefs]? The Captain concluded amidst loud applause by calling upon the parishioners to sound the tocsin, rush to the poll, free themselves from dictation, or be slaves for ever. On the following day the polling began, and we never have had such a bustle in our parish since we got up our famous anti-slavery petition, which was such an important one that the House of Commons ordered it to be printed, on the motion of the Member for the district. The Captain engaged two hackney coaches and a cab for Bung’s people—the cab for the drunken voters, and the two coaches for the old ladies, the greater portion of whom, owing to the Captain’s impetuosity, were driven up to the poll and home again, before they recovered from their flurry sufficiently to know with any degree of clearness what they had been doing; the opposite party wholly neglected these precautions, and the consequence was, that a great many ladies who were walking leisurely up to the church—for it was a very hot day—to vote for Spruggins, were artfully decoyed into the coaches, and voted for Bung. The Captain’s arguments, too, had produced considerable effect: the attempted influence of the vestry produced a greater. A threat of exclusive dealing was clearly established against the vestry-clerk—a case of heartless and profligate atrocity. It appeared that the delinquent had been in the habit of purchasing six penn’orth of muffins weekly from an old woman who rents a small house in our parish, and resides among the original settlers; on her last weekly visit a message was conveyed to her through the medium of the cook, couched in mysterious terms, but indicating with sufficient clearness, that the vestry-clerk’s appetite for muffins in future depended entirely on her vote on the beadleship. This was sufficient; the stream had been turning previously, and the impulse thus administered directed its final course. The Bung party ordered one shillingsworth of muffins weekly for the remainder of the old woman’s natural life; the parishioners were loud in their exclamations; and the fate of Spruggins was sealed. It was in vain that the twins were exhibited in dresses of the same pattern, and night-caps to match at the church door; the boy in Mrs. Spruggins’s right arm and the girl in her left—even Mrs. Spruggins herself failed to be an object of sympathy any longer. The majority attained by Bung on the gross poll was four hundred and twenty-eight, and the cause of the parishioners triumphed. (To be continued.)18350714https://dickenssearch.com/files/original/5/Sketches_of_London_No._XVI_Our_Parish_[III]/1835-07-14_The_Evening_Chronicle_Sketches_of_London_No._XVI_Our_Parish_III.pdf
40https://dickenssearch.com/items/show/40'<em>Sketches of London</em>, No. I, Hackney-Coach Stands'Published in <em>The Evening Chronicle </em>(31 January 1835).Dickens, Charles <em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350131/036/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350131/036/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-01-31">1835-01-31</a><em>British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-01-31_The_Evening_Chronicle_Sketches_of_London_NoI_Hackney_Coach_StandsDickens, Charles. 'Sketches of London, No. I, Hackney-Coach Stands' (31 January 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-01-31_The_Evening_Chronicle_Sketches_of_London_NoI_Hackney_Coach_Stands">https://dickenssearch.com/short-stories/1835-01-31_The_Evening_Chronicle_Sketches_of_London_NoI_Hackney_Coach_Stands</a>.<a href="https://dickenssearch.com/teibp/dist/content/1835-01-31_The_Evening_Chronicle_Sketches_of_London_NoI_Hackney_Coach_Stands.xml" target="_blank" rel="noopener">'Sketches of London, No. I, Hackney-Coach Stands.' <em>The Evening Chronicle</em> (31 January 1835).</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Evening+Chronicle%3C%2Fem%3E"><em>The Evening Chronicle</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a>We commence our &quot;London Sketches&quot; with this subject, because we maintain that hackney-coach stands—properly so called—belong solely to the metropolis. We may be told that there are hackney-coach stands in Edinburgh; and not to go quite so far for a contradiction to our position, we may be reminded that Liverpool, Manchester, &quot;and other large towns&quot; (as the Parliamentary phrase goes), have their hackney-coach stands. We readily concede to these places the possession of certain vehicles which may look almost as dirty, and even go almost as slowly, as London hackney-coaches; but that they have the slightest claim to compete with the metropolis, either in point of stands, drivers, or cattle, we indignantly deny. Take a regular, ponderous, ricketty, London hackney-coach of the old school, and let any man have the boldness to assert, if he can, that he ever beheld any object on the face of the earth which at all resembled it—unless, indeed, it were another hackney-coach of the same date. We have recently observed on certain stands—and we say it with deep regret—rather dapper green chariots, and coaches of polished yellow, with four wheels of the same colour as the coach; whereas it is perfectly notorious to every one who has studied the subject, that every wheel ought to be of a different colour, and a different size. These are innovations, and, like other mis-called improvements, awful signs of the restlessness of the public mind, and the little respect paid to our time-honoured institutions. Why should hackney-coaches be clean?—our ancestors found them dirty, and left them so. Why should we, with a feverish wish to &quot;keep moving,&quot; desire to roll along at the rate of six miles an hour, while they were content to rumble over the stones at four? These are solemn considerations. Hackney-coaches are part and parcel of the law of the land—they were settled by the Legislature—plated and numbered by the wisdom of Parliament. Then why have they been swamped by cabs and omnibuses? —or why should people be allowed to ride quickly for eight-pence a mile, after Parliament had come to the solemn decision that they should pay a shilling a mile for riding slowly? We pause for a reply;—and, having no chance of getting one, begin a fresh paragraph. Our acquaintance with hackney-coach stands is of long standing. We are a walking book of fares, feeling ourselves half bound, as it were, to be always in the right on contested points. We know all the regular watermen within three miles of Covent-garden by sight, and should be almost tempted to believe that all the hackney-coach horses in that district knew us by sight too, if one-half of them were not blind. We take great interest in hackney-coaches; but we seldom drive, having a knack of turning ourselves over when we attempt to do so. We are as great friends to horses— hackney-coach and otherwise—as the renowned Mr. Martin, of costermonger notoriety, and yet we never ride. We keep no horse, but a clothes-horse—enjoy no saddle so much as a saddle of mutton— and, following our own inclinations, have never followed the hounds. Leaving these fleeter means of getting over the ground, or of depositing one&#039;s-self upon it, to those who like them, by hackney-coach stands we take our stand. There is a hackney-coach stand under the very window at which we are writing; there is only one coach on it now, but it is a fair specimen of the class of vehicles to which we have alluded—a great, lumbering, square concern of a dingy-yellow colour (like a bilious brunette), with very small glasses, but very large frames; the panels are ornamented with a faded coat of arms, in shape something like a dissected bat; the axle-tree is red, and the majority of the wheels are green. The box is partially covered by an old great-coat, with a multiplicity of capes, and some extraordinary-looking cloths; and the straw, with which the canvas cushion is stuffed, is sticking up in several places, as if in rivalry of the hay which is peeping through the chinks in the boot. The horses, with drooping heads, and each with a mane and tail as scanty and straggling as those of a worn-out rocking-horse, are standing patiently on some damp straw, occasionally wincing, and rattling the harness; and, now and then, one of them lifts his mouth to the ear of his companion, as if he were saying, in a whisper, that he should like to assassinate the coachman. The coachman himself is in the watering-house; and the waterman, with his hands forced into his pockets as far as they can possibly go, is dancing the &quot;double shuffle&quot; in front of the pump, to keep his feet warm. The smart servant-girl, with the pink ribbons, at No. 5, opposite, suddenly opens the street-door, and four small children forthwith rush out, and scream &quot;coach!&quot; with all their might and main. The waterman darts from the pump, seizes the horses by their respective bridles, and drags them, and the coach too, round to the house, shouting all the time for the coachman at the very top, or rather bottom of his voice—for its a deep bass growl. A response is heard from the tap-room—the coachman, in his wooden-soled shoes, makes the street echo again as he runs across it—and then there is such a struggling, and backing, and grating of the kennel, to get the coach-door opposite the house-door, that the children are in perfect extasies of delight. What a commotion! The old lady, who has been stopping there for the last month, is going back to the country. Out comes box after box, and one side of the vehicle is filled with luggage in no time; the children get into everybody’s way, and the youngest, who has upset himself in his attempts to carry an umbrella, is borne off wounded, and kicking. The youngsters disappear, and a short pause ensues, during which the old lady is no doubt kissing them all round in the back-parlour. She appears at last, followed by her married daughter, all the children, and both the servants, who, with the joint assistance of the coachman and waterman, manage to get her safely into the coach. A cloak is handed in, and a little basket, which we could almost swear contains a small black bottle and a paper of sandwiches. Up go the steps—bang goes the door—&quot;Golden-cross, Charing-cross, Tom,&quot; says the waterman—&quot;Good bye, Grandma,&quot; cry the children—off jingles the coach at the rate of three miles an hour—and the mamma and children retire into the house, with the exception of one little villain, who runs up the street at the top of his speed, pursued by the smart servant, not ill-pleased to have such an opportunity of displaying her attractions. She brings him back, and, after casting two or three gracious glances across the way, which are either intended for us or the pot-boy (we are not quite certain which), shuts the door—and the hackney-coach stand is again at a stand still. We have been frequently amused with the intense delight with which &quot;a servant of all work,&quot; who is sent for a coach, deposits herself inside; and the unspeakable gratification which boys, who have been despatched on a similar errand, appear to derive from mounting the box. But we never recollect to have been more amused with a hackney-coach party than one we saw early the other morning in Tottenham-court-road. It was a wedding-party, and emerged from one of the inferior streets near Fitzroy-square. There were the bride, with a thin white dress, and a great red face; and the bridesmaid, a little, dumpy, good-humoured young woman, dressed of course in the same appropriate costume; and the bridegroom and his chosen friend, in blue coats, yellow waistcoats, white trousers, and Berlin gloves to match. They stopped at the corner of the street, and called a coach with an air of indescribable dignity. The moment they were in, the bridesmaid threw a red shawl, which she had no doubt brought on purpose, negligently over the number on the door, evidently to delude pedestrians into the belief that the hackney-coach was a private carriage; and away they went, perfectly satisfied that the imposition was successful, and quite unconscious that there was a great staring number stuck up behind, on a plate as large as a schoolboy’s slate. A shilling a mile!—the ride was worth five, at least, to them. What an interesting book a hackney-coach might produce, if it could carry as much in its head as it does in its body. The auto-biography of a broken-down hackney-coach would surely be as amusing as the autobiography of a broken-down hacknied dramatist; and it might tell as much of its travels with the pole, as others have of their expeditions to it. How many stories might be related of the different people it had conveyed on matters of business or profit—pleasure or pain! And how many melancholy tales of the same people at different periods! The country-girl—the showy, over-dressed woman—the drunken prostitute! The raw apprentice—the dissipated spendthrift—the thief! Talk of cabs! Cabs are all very well in cases of expedition; when it’s a matter of neck or nothing— life or death—your temporary home or your long one. But, besides a cab’s lacking that gravity of deportment which so peculiarly distinguishes a hackney-coach, let it never be forgotten that a cab is a thing of yesterday, and that he never was anything better. A hackney-cab has always been a hackney-cab from his first entry into public life, whereas a hackney-coach is a remnant of past gentility—a victim to fashion—a hanger-on of an old English family, wearing their arms, and, in days of yore, escorted by men wearing their livery—stripped of his finery, and thrown upon the world, like a once-smart footman when he is no longer sufficiently juvenile for his office—progressing lower and lower in the scale of four-wheeled degradation, until at last it comes to—a stand!18350131https://dickenssearch.com/files/original/5/Sketches_of_London_No._I_Hackney-Coach_Stands/1835-01-31_The_Evening_Chronicle_Sketches_of_London_No.1__Hackney_Coach_Stands.pdf
41https://dickenssearch.com/items/show/41'<em>Sketches of London</em>, No. II, Gin Shops'Published in <em>The Evening Chronicle</em> (7 February 1835).Dickens, Charles <em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350207/028/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350207/028/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-02-07">1835-02-07</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-02-07_The_Evening_Chronicle_Sketches_of_London_NoII_Gin_ShopsDickens, Charles. "Sketches of London, No. II." <em>The Evening Chronicle</em> (7 February 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-02-07_The_Evening_Chronicle_Sketches_of_London_NoII_Gin_Shops">https://dickenssearch.com/short-stories/1835-02-07_The_Evening_Chronicle_Sketches_of_London_NoII_Gin_Shops</a>.<a href="https://dickenssearch.com/teibp/dist/content/1835-02-07_The_Evening_Chronicle_Sketches_of_London_NoII_Gin_Shops.xml" target="_blank" rel="noopener">'Sketches of London, No. II, Gin Shops.' <em>The Evening Chronicle</em> (7 February 1835).</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Evening+Chronicle%3C%2Fem%3E"><em>The Evening Chronicle</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a>It is a very remarkable circumstance that different trades appear to partake of the disease to which elephants and dogs are especially liable: and to run stark, staring, raving mad, periodically. The great distinction between the animals and the the trades is, that the former run mad with a certain degree of propriety - they are very regular in their irregularities. You know the period at which the emergency will arise, and provide against it accordingly. If an elephant run mad you are all ready for him - kill or cure - pills or bullets - calomel in conserve of roses, or lead in a musket barrel. If a dog happen to look unpleasantly warm in the summer months, and to trot about the shady side of the streets with a quarter of a yard of tongue out of his mouth, a thick leather muzzle, which has been previously prepared in compliance with the thoughtful injunctions of the Legislature, is instantly clapped over his head, by way of making him cooler, and he either looks remarkably unhappy for the next six weeks, or becomes legally insane, and goes mad, as it were, by act of Parliament. But these trades are as eccentric as comets; nay, worse; for no one can calculate on the recurrence of the strange appearances which betoken the disease; moreover, the contagion is general, and the quickness with which it diffuses itself almost incredible. We will cite two or three cases in illustration of our meaning. Six or eight years ago, the epidemic began to display itself among the linen-drapers and haberdashers. The primary symptoms were, an inordinate love of plate glass, and a passion for gas-lights and gilding. The disease gradually progressed, and at last attained a fearful height. Quiet, dusty old shops, in different parts of town, were pilled down; spacious premises, with stuccoed fronts, and gold letters, were erected instead; floors were covered with Turkey carpets, roofs supported by massive pillars, doors knocked into windows, a dozen squares of glass into one, one shopman into a dozen - and there is no knowing what would have been done, if it had not been fortunately discovered, just in time, that the Commissioners of Bankrupt were as competent to decide such cases as the Commissioners of Lunacy, and that a little confinement, and gentle examination did wonders. The disease abated; it died away; and a year or two of comparative tranquility ensued. Suddenly it burst out again among the chemists; the symptoms were the same with the addition of a strong desire to stick the royal arms over the shop-door, and a great rage for mahogany varnish, and expensive floor-cloth; then the hoslers were infected and began to pill down their shop-fronts with frantic recklessness. The mania again died away, and the public began to congratulate themselves upon its entire disappearance when it burst forth with tenfold violence among the publicans and keepers of &quot;wine vaults;&quot; from that moment it has spread among them with unprecedented rapidity, exhibiting a concatenation of all the previous symptoms; and onward it has rushed to every part of town, knocking down all the old public houses, and depositing splendid mansions, stone balustrades, rose-wood fittings, immense lamps, and illuminated clocks at the corner of every street. The extensive scale on which these places are established, and the ostentatious manner in which the business of even the smallest among them is divided into branches, is most amusing. A handsome plate of ground glass in one door directs you &quot;To the Counting-House,&quot; another to the &quot;Bottle Department,&quot; a third to the &quot;Wholesale Department,&quot; a fourth to &quot;The Wine Promenade,&quot; and so fourth, until we are in daily expectation of meeting with a &quot;Brandy Bell,&quot; or a &quot;Whiskey Entrance.&quot; Then ingenuity is exhausted in devising attractive titles for the different descriptions of gin; and the dram-drinking portion of the community, as they gaze upon the gigantic black and white announcements, which are only to be equalled in size by the figures beneath them, are left in a state of pleasing hesitation between &quot;The cream of the valley,&quot; &quot;The out and out,&quot; &quot;The no mistake,&quot; &quot;The good for mixing,&quot; &quot;The real knock-me-down,&quot; &quot;The celebrated butter gin,&quot; &quot;The regular flare up,&quot; and a dozen other equally inviting and wholesome liqueurs. Although places of this description are to be met with in every second street, they are invariably numerous and splendid in precise proportion to the dirt and poverty of the surrounding neighbourhood. The gin shops in and near Drury-lane, Holborn, St. Giles&#039;, Covent-garden, and Clare-market, are the handsomest in London - there is more of filth and squalid misery near those great thoroughfares than in any part of this mighty city. We will endeavour to sketch the bar of a large gin-shop, and its ordinary customers, for the edification of such of our readers as may not have had opportunities of observing such scenes; and on the chance of finding one well suited to our purpose, we will make for Drury-lane through the narrow streets and dirty courts which divide it from Oxford-street, and that classical spot adjoining the brewery at the bottom of Tottenham-court-road, best known to the initiated as the &quot;Rookery.&quot; The filthy and miserable appearance of this part of London can hardly be imagined by those (and there are many such) who have not witnessed it. Wretched houses with broken windows patched with rags and paper, every room let out to a different family, and in many instances to two, or even three; fruit and &quot;sweet-stuff&quot; manufacturers in the cellars, barbers and red-herring vendors in the front parlors, cobblers in the back; a bird-fancier in the first floor, three families on the second, starvation in the attics, Irishmen in the passage, a &quot;musician&quot; in the front kitchen, and a charwoman and five hungry children in the back one - filth everywhere - a gutter before the houses and a drain behind them - clothes drying at the windows, slops emptying from the ditto; girls of 14 or 15, with matted hair, walking about bare-footed, and in old white great-coats, almost their only covering; boys of all ages, in coats of all sizes, and no coats at all; men and women, in every variety of scanty and dirty apparel, lounging about, scolding, drinking, smoking, squabbling, fighting, and swearing. You turn the corner. What a change! All is light and brilliancy. The hum of many voices issues from that splendid gin-shop which forms the commencement of the two streets opposite; and the gay building with the fantastically ornamented parapet, the illuminated clock, the plate-glass windows surrounded by stucco rosettes, and its profusion of gas-lights in richly-gilt burners, is perfectly dazzling when contrasted with the darkness and dirt we have just left. The interior is even gayer than the exterior. A bar of French-polished mahogany, elegantly carved, extends the whole width of the place; and there are two side-aisles of great casks, painted green and gold, enclosed within a light brass rail, and bearing such inscriptions, as &quot;Old Tom, 549;&quot; &quot;Young Tom, 360;&quot; &quot;Samson, 1421.&quot; Behind the bar is a lofty and spacious saloon, full of the same enticing vessels, with a gallery running round it, equally well furnished. On the counter, in addition to the usual spirit apparatus, are two or three little baskets of cakes and biscuits, which are carefully secured at top with wicker-work, to prevent their contents being unlawfully abstracted. Behind it, are two showily-dressed damsels with large necklaces, dispensing the spirits and &quot;compounds.&quot; They are assisted by the ostensible proprietor of the concern, a stout, coarse fellow in a fur cap, put on very much on one side to give him a knowing air, and display his sandy whiskers to the best advantage. Look at the groups of customers and observe the different air with which they call for what they want, as they are more or less struck by the grandeur of the establishment. The two old washerwomen, who are seated on the little bench to the left of the bar, are rather overcome by the head-dresses and haughty demeanour of the young ladies who officiate; and receive their half-quarters of gin and peppermint with considerable deference, prefacing a request for &quot;one of them soft biscuits,&quot; with a &quot;Just be good enough, ma&#039;am,&quot; &amp;c. They are quite astonished at the impudent air of the young fellow in the brown-coat and bright buttons, who ushering in his two companions, and walking up to the bar in as careless a manner as if he had been used to green and gold ornaments all his life, winks at one of the young ladies with singular coolness, and calls for a &quot;kervorten and a three-out glass,&quot; just as if the place were his own. &quot;Gin for you, sir?&quot; says the young lady when she has drawn it, carefully looking every way but the right one to show that the wink had no effect upon her. &quot;For me, Mary, my dear,&quot; replies the gentleman in brown. &quot;My name an&#039;t Mary as it happens,&quot; says the young girl in a most insinuating manner as she delivers the change. &quot;Vell, if it an&#039;t, it ought to be,&quot; responds the irresistible one; &quot;all the Marys as ever I see was handsome gals.&quot; Here the young lady, not precisely remembering how blushes are managed in such cases, abruptly ends the flirtation by addressing the female in the faded feathers who has just entered, and who, after stating explicitly, to prevent any subsequent misunderstanding that &quot;this gentleman pays,&quot; calls for &quot;a glass of port wine and a bit of sugar,&quot; the drinking which, and sipping another, accompanied by sundry whisperings to her companion, and no small quantity of giggling, occupies a considering time. Observe the group on the other side: those two old men who came in &quot;just to have a drain,&quot; finished their third quartern a few seconds ago; they have made themselves crying drunk, and the fat, comfortable-looking elderly women, who had &quot;a glass of rum-srub&quot; each, having chimed in with their complaints on the hardness of the times, one of the women has agreed to stand a glass round, jocularly observing that &quot;grief never mended no broken bones, and as good people&#039;s wery scarce, what I says is, make the most on&#039;em, and that&#039;s all about it;&quot; a sentiment which appears to afford unlimited satisfaction to those who have nothing to pay. It is growing late, and the throng of men, women, and children, who have been constantly going in and out, dwindles down to two or three occasional stragglers - cold wretched-looking creatures, in the last stage of emaciation and disease. The knot of Irish labourers at the lower end of the place, who have been alternately shaking hands with, and threatening the life of, each other for the last hour, become furious in their disputes; and finding it impossible to silence one man, who is particularly anxious to adjust the difference, they resort to the infallible expedient of knocking him down and jumping on him afterwards. Out rush the man in the fur cap, and the potboy; a scene of riot and confusion ensues; half the Irishmen get shut out, and the other half get shut in; the potboy is knocked among the tubs in no time; the landlord hits everybody, and everybody hits the landlord; the barmaids scream; in come the police; and the rest is a confused mixture of arms, legs, staves, torn coats, shouting, and struggling. Some of the party are borne off to the station-house, and the remainder slink home to beat their wives for complaining, and kick the children for daring to be hungry. We have sketched this subject very slightly, not only because our limits compel us to do so, but because if it were pursued farther it would be painful and repulsive. Well-disposed gentlemen and charitable ladies would alike turn with coldness and disgust from a description of the drunken, besotted men, and wretched, broken-down, miserable women, who form no inconsiderable portion of the frequenters of these haunts; - forgetting, in the pleasant consciousness of their own rectitude, the poverty of the one, and the temptation of the other. Gin-drinking is a great vice in England, but poverty is a greater; and until you can cure it, or persuade a half-famished wretch, not to seek relief in the temporary oblivion of his own misery, with the pittance which, divided among his family, would just furnish a morsel of bread for each, gin-shops will increase in number and splendour. If Temperance Societies could suggest an antidote against hunger and distress, or establish dispensaries for the gratuitous distribution of bottles of Lethe water, gin-palaces would be numbered among the things that were. Until then, we almost despair of their decrease.18350207https://dickenssearch.com/files/original/5/Sketches_of_London_No._II_Gin_Shops/1835-02-07_Sketches_of_London_No.2_Gin_Shops.pdf
42https://dickenssearch.com/items/show/42'<em>Sketches of London</em>, No. III, Early Coaches'Published in <em>The Evening Chronicle </em>(19 February 1835).Dickens, Charles<em>The British Newspaper Archive, </em><a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0001315/18350219/008/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0001315/18350219/008/0001</a><em>.&nbsp;</em><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-02-19">1835-02-19</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-02-19_Sketches_of_London_NoIII_Early_CoachesDickens, Charles. 'Sketches of London, No. III, Early Coaches' (19 February 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-02-19_Sketches_of_London_NoIII_Early_Coaches">https://dickenssearch.com/short-stories/1835-02-19_Sketches_of_London_NoIII_Early_Coaches</a>.<a href="https://dickenssearch.com/teibp/dist/content/1835-02-19_Sketches_of_London_NoIII_Early_Coaches.xml" target="_blank" rel="noopener">'Sketches of London, No. III, Early Coaches.' <em>The Evening Chronicle </em>(19 February 1835).</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Evening+Chronicle%3C%2Fem%3E"><em>The Evening Chronicle</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a>We have often wondered how many months&#039; incessant travelling in a post-chaise it would take to kill a man; and wondering by analogy, we should very much like to know how many months of constant travelling in a succession of early coaches an unfortunate mortal could endure. Breaking a man alive upon the wheel would be nothing to breaking his rest, his peace, his heart—everything but his fast—between four and five; and the punishment of Ixion (the only practical person, by the bye, who has discovered the secret of the perpetual motion) would sink into utter insignificance before the one we have suggested. If we had been a powerful Churchman in those good times when blood was shed as freely as water, and men were mowed down like grass, in the sacred cause of religion, we would have lain by very quietly till we got hold of some especially obstinate miscreant, who positively refused to be converted to our faith, and then we would have booked him for an inside place in a small coach, which travelled day and night; and securing the remainder of the places for stout men with a slight tendency to coughing and spitting, we would have started him forth on his last travels, leaving him mercilessly to all the tortures which the waiters, landlords, coachmen, guards, boots, chambermaids, and other familiars on his line of road, might think proper to inflict. Who has not experienced the miseries inevitably consequent upon a summons to undertake a hasty journey? You receive an intimation from your place of business—wherever that may be, or whatever you may be—that it will be necessary to leave town without delay. You and your family are forthwith thrown into a state of tremendous excitement; an express is immediately dispatched to the washer-woman’s; everybody is in a bustle; and you, yourself, with a feeling of dignity which you cannot altogether conceal, sally forth to the booking office to secure your place. Here a painful consciousness of your own unimportance first rushes on your mind—the people are as cool and collected as if nobody were going out of town, or as if a journey of a hundred odd miles were a mere nothing. You enter a mouldy-looking room, ornamented with large posting-bills, the greater part of the place enclosed behind a huge lumbering rough counter, and fitted up with recesses that look like the dens of the smaller animals in a travelling menagerie, without the bars. Some half-dozen people are &quot;booking&quot; brown paper parcels, which one of the clerks flings into the aforesaid recesses with an air of recklessness, which you, remembering the new carpet-bag you bought in the morning, feel considerably annoyed at; porters, looking like so many Atlas&#039;s, keep rushing in and out with large packages on their shoulders; and while you are waiting to make the necessary inquiries, you wonder what on earth the booking office clerks can have been before they were booking office clerks; one of them with his pen behind his ear, and his hands behind him, is standing in front of the fire, like a full-length portrait of Napoleon; the other with his hat half off his head, enters the passengers’ names in the books with a coolness which is inexpressibly provoking; and the villain whistles—actually whistles—while a man asks him what the fare is outside, all the way to Holyhead!— In frosty weather, too! They are clearly an isolated race, evidently possessing no sympathies or feelings in common with the rest of mankind. Your turn comes at last, and having paid the fare, you tremblingly inquire—&quot;What time will it be necessary for me to be here in the morning?&quot;—&quot;Six o’clock,&quot; replies the whistler, carelessly pitching the sovereign you have just parted with, into a wooden bowl on the desk. &quot;Rather before than arter,&quot; adds the man with the semi-roasted unmentionables, with just as much ease and complacency as if the whole world got out of bed at five. You turn into the street, ruminating, as you bend your steps homewards, on the extent to which men become hardened in cruelty by custom. If there be one thing in existence more miserable than another, it most unquestionably is the being compelled to rise by candle-light. If you ever doubted the fact, you are painfully convinced of your error, on the morning of your departure. You left strict orders, over night, to be called at half-past four, and you have done nothing all night but doze for five minutes at a time, and start up suddenly from a terrific dream of a large church-clock with the small-hand running round, with astonishing rapidity, to every figure on the dial-plate. At last, completely exhausted, you fall gradually into a refreshing sleep—your thoughts grow confused—the stage-coaches, which have been &quot;going off&quot; before your eyes all night, become less and less distinct, until they go off altogether&quot; one moment you are driving with all the skill and smartness of an experienced whip—the next you are exhibiting à la Ducrow, on the off-leader: anon you are closely muffled up, inside, and have just recognised in the person of the guard, an old school-fellow, whose funeral, even in your dream, you remember to have attended eighteen years ago. At last you fall into a state of complete oblivion, from which you are aroused, as if into a new state of existence by a singular illusion. You are apprenticed to a trunk-maker; how, or why, or when, or wherefore, you don’t take the trouble to inquire; but there you are, pasting the lining in the lid of a portmanteau. Confound that other apprentice in the back shop, how he is hammering! —rap, rap, rap—what an industrious fellow he must be; you have heard him at work for half an hour past, and he has been hammering incessantly the whole time. Rap, rap, rap, again—he’s talking now—what’s that he said? Five o’clock! You make a violent exertion, and start up in bed as if you were rehearsing the tent scene in Richard. The vision is at once dispelled; the trunk-maker’s shop is your own bedroom, and the other apprentice your shivering servant, who has been vainly endeavouring to wake you for the last quarter of an hour, at the imminent risk of breaking either his own knuckles, or the pannels of the door. You proceed to dress yourself with all possible dispatch. The flaring flat candle with the long snuff, gives light enough to show that the things you want are not where they ought to be, and you undergo a trifling delay in consequence of having carefully packed up one of your boots in your over-anxiety of the preceding night. You soon complete your toilette, however, for you are not particular on such an occasion, and you shaved yesterday evening; so mounting your Petersham great coat, and green travelling shawl, and grasping your carpet bag in your right hand, you walk lightly down stairs lest you should awake any of the family; and after pausing in the sitting-room for one moment just to have a cup of coffee (the said common sitting-room looking remarkably comfortable, with everything out of its place, and strewed with the crumbs of last night’s supper), you undo the chain and bolts of the street door, and find yourself fairly in the street. A thaw, by all that&#039;s miserable! The frost is completely broken up. You look down the long perspective of Oxford-street, the gas-lights mournfully reflected on the wet pavement, and can discern no speck in the road to encourage the belief that there is a cab or a coach to be had—the very coachmen have gone home in despair. The cold sleet is drizzling down with that gentle regularity which betokens a duration of four-and-twenty hours at least; the damp hangs upon the house-tops and lamp-posts, and clings to you like an invisible cloak. The water is &quot;coming in&quot; in every area—the pipes have burst—the water butts are running over—the kennels seem to be doing matches against time—pump-handles descend of their own accord—horses in market-carts fall down, and there’s no one to help them up again— policemen look as if they had been carefully sprinkled with powdered glass—here and there a milk woman trudges slowly along, with a bit of list round each foot to keep her from slipping—boys who &quot;don’t sleep in the house,&quot; and an&#039;t allowed much sleep out of it, can’t wake their masters by thundering at the shop-door, and cry with the cold—the compound of ice, snow, and water on the pavement, is a couple of inches thick—nobody ventures to walk fast to keep himself warm, and nobody could succeed in keeping himself warm if he did. It strikes a quarter-past five as you trudge down Waterloo-place on your way to the Golden-cross, and you discover for the first time that you were called about an hour too early. You have not time to go back; there is no place open to go into, and you have therefore no resource but to go forward, which you do, feeling remarkably satisfied with yourself, and everything about you. You arrive at the office, and look wistfully up the yard for the Birmingham High-flyer, which, for aught you can see, may have flown away altogether; for no preparations appear to be on foot for the departure of any vehicle in the shape of a coach. You wander into the booking-office, which, with the gas-lights and blazing fire, looks quite comfortable by contrast—that is to say, if any place can look comfortable at half-past five on a winter’s morning. There stands the identical book-keeper in the same position as if he had not moved since you saw him yesterday. As he informs you, that the coach is up the yard, and will be brought round in about a quarter of an hour, you leave your bag, and repair to &quot;The Tap&quot;—not with any absurd idea of warming yourself, because you feel such a result to be utterly hopeless, but for the purpose of procuring some hot brandy-and-water, which you do,—when the kettle boils; an event which occurs exactly two minutes and a half before the time fixed for the starting of the coach. The first stroke of six peals from St. Martin’s church steeple just as you take the first sip of the boiling liquid. You find yourself at the booking-office in two seconds, and the tap-waiter finds himself much comforted by your brandy and water in about the same period. The coach is out; the horses are in, and the guard and two or three porters are stowing the luggage away, and running up the steps of the booking-office, and down the steps of the booking-office with breathless rapidity. The place which a few minutes ago was so still and quiet, is now all bustle; the early vendors of the morning papers have arrived, and you are assailed on all sides with shouts of &quot;Times, gen’lm’n, Times,&quot; &quot;Here’s Chron—Chron—Chron,&quot; &quot;Herald, ma’am,&quot; &quot;Highly interesting murder, gen’lm’n,&quot; &quot;Curious case o’ breach o’ promise, ladies,&quot; &amp;amp;.c &amp;amp;c. The inside passengers are already in their dens, and the outsides, with the exception of yourself, are pacing up and down the pavement to keep themselves warm; they consist of two young men with very long hair, to which the sleet has communicated the appearance of chrystallized rats tails, one thin young woman cold and peevish, one old gentleman ditto ditto, and something in a cloak and cap, intended to represent a military officer; every member of the party with a large stiff shawl over his chin, looking exactly as if he were playing a set of Pan’s pipes. &quot;Take off the cloths, Bob,&quot; says the coachman, who now appears for the first time, in a rough blue great coat, of which the buttons behind are so far apart that you can’t see them both at the same time. &quot;Now, gen’lm’n,&quot; cries the guard, with the way-bill in his hand. &quot;Five minutes behind time already!&quot; Up jump the passengers—the two young men smoking like lime-kilns, and the old gentleman grumbling audibly. The thin young woman is got upon the roof by dint of a great deal of pulling, and pushing, and helping, and trouble, which she repays by expressing her solemn conviction that she&#039;ll never be able to get down again. &quot;All right,&quot; sings out the guard at last, jumping up as the coach starts, and blowing his horn directly afterwards in proof of the soundness of his wind. &quot;Let ’em go, Harry, give &#039;em their heads,&quot; cries the coachman—and off we start as briskly as if the morning were &quot;all right,&quot; as well as the coach, and looking forward as anxiously to the termination of our journey, as we fear our readers will have done long since, to the conclusion of our article.18350219https://dickenssearch.com/files/original/5/Sketches_of_London_No._III_Early_Coaches/1835-02-19_Sketches_of_London_No.III_Early_Coaches.pdf
43https://dickenssearch.com/items/show/43'<em>Sketches of London</em>, No. IV, The Parish'Published in <em>The Evening Chronicle</em> (28 February 1835).Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350228/029/0004" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350228/029/0004</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-02-28">1835-02-28</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-02-28_The_Evening_Chronicle_Sketches_of_London_NoIV_The_ParishDickens, Charles. 'Sketches of London, No. IV, The Parish' (28 February 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-02-28_The_Evening_Chronicle_Sketches_of_London_NoIV_The_Parish">https://dickenssearch.com/short-stories/1835-02-28_The_Evening_Chronicle_Sketches_of_London_NoIV_The_Parish</a>.<a href="https://dickenssearch.com/teibp/dist/content/1835-02-28_The_Evening_Chronicle_Sketches_of_London_NoIV_The_Parish.xml" target="_blank" rel="noopener">'Sketches of London, No. IV, The Parish.' <em>The Evening Chronicle</em> (28 February 1835).</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Evening+Chronicle%3C%2Fem%3E"><em>The Evening Chronicle</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a>How much is conveyed is those two short words—the parish; and with how many tales of distress and misery; of broken fortune and ruined hopes—too often of unrelieved wretchedness and successful knavery—are they associated! A poor man, with small earnings and a large family, just manages to live on from hand to mouth, and to procure food from day to day: he has barely enough for the present, and can take no heed of the future; his taxes are in arrear; quarter-day passes by; another quarter-day arrives—he can procure no more quarter for himself, and is summoned by—the parish. His goods are distrained; his very bed is taken from under him; his children are crying with cold and hunger, and his wife is both figurative and literally speaking in the straw. What can he do? To whom is he to apply for relief? To private charity? To benevolent individuals? Certainly not; hasn&#039;t he —the parish?  There&#039;s the parish vestry, the parish infirmary, the parish surgeon, the parish officers, the parish beadle. Excellent institutions, and gentle, kind-hearted men. The woman dies—she is buried by the parish. The children have no protector—they are taken care of by the parish. The man first neglects, and afterwards cannot obtain, work—he is relieved by the parish; and when distress and drunkenness have done their work upon him, he is maintained, a harmless babbling idiot, in the parish asylum.<br /> <br /> The parish beadle is one of the most, perhaps the most, important member of the local administration. He is not so well off as the churchwardens, certainly, nor is he as learned as the vestry clerk, nor does he order things quite so much his own way as either of them. But his power is very great, notwithstanding; and the dignity of his office is never impaired by the absence of efforts on his part to maintain it. The beadle of our parish is a splendid fellow. Its quite delightful to hear him, as he explains the state of the existing poor laws to the deaf old women in the board-room passage on business nights; and to hear what he said to the senior churchwarden, and what the senior churchwarden said to him; and what &quot;we&quot; (the beadle and the other gentlemen) came to the determination of doing. A miserable looking woman is called into the board-room, and represents a case of extreme destitution, affecting herself—a widow, with six small children. &quot;Where do you live?&quot; inquires one of the overseers. &quot;I rents a two-pair back, gentlemen, at Mrs. Brown&#039;s, Number 3, Little King William’s-alley, which has lived there this fifteen year, and knows me to be very hard-working and industrious, and when my poor husband was alive, gentlemen, as died in the hospital&quot;—&quot;Well, well,&quot; interrupts the overseer, taking a note of the address, &quot;I’ll send Simmons, the beadle, to-morrow morning to ascertain whether your story is correct; and if so, I suppose you must have an order into the house—Simmons, go to this woman’s the first thing to-morrow morning, will you?&quot; Simmons bows assent, and ushers the woman out. Her previous admiration of &quot;the board&quot; (who all sit behind great books, and with their hats on) fades into nothing before her respect for her lace-trimmed conductor; and her account of what has passed inside, increases—if that be possible—the marks of respect shown by the assembled crowd to that solemn functionary. As to taking out a summons, its quite a hopeless case if Simmons attends it on behalf of the parish. He knows all the titles of the Lord Mayor by heart; states the case without a single stammer, and it is even reported that on one occasion he ventured to make a joke, which the Lord Mayor’s head footman (who happened to be present) afterwards told an intimate friend confidentially was almost equal to one of Mr. Hobler’s! See him again on Sunday in his state-coat, and cocked-hat, with a large-headed staff for show in his left-hand, and a small cane for use in his right. How pompously he marshals the children into their places, and how demurely the little urchins look at him askance as he surveys them when they are all seated, with a glare of the eye peculiar to beadles. The churchwardens and overseers being duly installed in their curtain&#039;d pews, he seats himself on a mahogany bracket, erected expressly for him at the top of the aisle, and divides his attention between his prayer-book and the boys.  Suddenly, just at the commencement of the Communion Service, when the whole congregation is hushed into a profound silence, broken only by the voice of the officiating clergyman, a penny is heard to ring on the stone floor of the aisle with astounding clearness. Observe the generalship of the beadle.  His involuntary look of horror is instantly changed into one of perfect indifference, as if he were the only person present who had not heard the noise.  The artifice succeeds. After putting forth his right leg now and then, as a feeler, the victim who dropped the money ventures to make one or two distinct dives after it; and the beadle, gliding softly round, salutes his little round head, when it again appears above the seat, with divers double knocks, administered with the cane before noticed, to the intense delight of three young men in an adjacent pew, who cough violently at intervals until the conclusion of the sermon.<br /> <br /> Such are a few traits of the importance and gravity of a parish beadle—a gravity which has never been disturbed in any case that has come under our observation, except indeed where the services of that particularly useful machine, a parish fire-engine, are required: then indeed all is bustle.  Two little boys run to the beadle as fast as their legs will carry them, and report from their own personal observation that some neighbouring chimney is on fire; the engine is hastily got out, and a plentiful supply of boys being obtained, and harnessed to it with ropes, away they rattle over the pavement, the beadle, running—we do not exaggerate—running at the side, until they arrive at some house smelling strongly of soot, at the door of which the beadle knocks with considerable gravity for half an hour. No attention being paid to these manual applications, and the turncock having turned on the water, the engine turns off amidst the shouts of the boys; it pulls up once more at the work-house, and the beadle &quot;pulls up&quot; the unfortunate householder next day, for the amount of his legal reward. We never saw a parish engine at a regular fire but once.  It came up in gallant style—three miles and a half an hour, at least; there was a capital supply of water, and it was first on the spot. Bang went the pumps—the people cheered—the beadle perspired profusely; but it was unfortunately discovered, just as they were going to put the fire out, that nobody understood the process by which the engine was filled with water; and that eighteen boys and a man had exhausted themselves in pumping for twenty minutes, without producing the slightest effect.<br /> <br /> The personages next in importance to the beadle, are the master of the workhouse and the parish schoolmaster. The vestry-clerk, as everybody knows, is a short, pudgy little man in black, with a thick gold watch-chain, of considerable length, terminating in two large seals and a key. He is an attorney, and generally in a bustle; at no time more so than when he is hurrying to some parochial meeting, with his gloves crumpled up in one hand, and a large red book under the other arm. As to the churchwardens and overseers we exclude them altogether, because all we know of them is that they are usually respectable tradesmen who wear hats with brims inclined to flatness, and who occasionally testify in gilt letters on a blue ground in some conspicuous part of the church, to the important fact of a gallery having being enlarged and beautified, or an organ rebuilt.<br /> <br /> The master of the workhouse is not, in our parish-nor is he usually in any other - one of that class of men the better part of whose existence has passed away, and who drag out the remainder in some inferior situation, with just enough thought of the past, to feel degraded by, and discontented with, the present. We are unable to guess precisely to our own satisfaction what station the man can have occupied before; we should think he had been an inferior sort of attorney’s clerk, or else the master of a national school—whatever he was, it is clear his present position is a change for the better. His income is small certainly, as the rusty black coat and threadbare velvet collar demonstrate; but then he lives free of house-rent, has a limited allowance of coals and candles, and an almost unlimited allowance of authority in his petty kingdom. He is a tall, thin, bony man; always wears shoes and black cotton stockings with his surtout; and eyes you, as you pass his parlour-window, as if he wished you were a pauper, just to give you a specimen of his power.  He is a sort of Emperor Nicholas on a small scale, with this difference—that he never seeks to extend his power beyond the limits of his own workhouse. He is an admirable specimen of a small tyrant; morose, brutish, and ill-tempered; bullying to his inferiors, cringing to his superiors, and jealous of the influence and authority of the beadle. Our schoolmaster is just the very reverse of this amiable official. He has been one of those men one occasionally hears of, on whom misfortune seems to have set her mark; nothing he ever did, or was concerned in, appears to have prospered. A rich old relation who had brought him up, and openly announced his intention of providing for him, left him 10,000l. in his will—and reversed it in his codicil. Thus unexpectedly reduced to the necessity of providing for himself he procured a situation in a public office. The young clerks below him, died off as if there were a plague among them; but the old fellows over his head, for the reversion of whose places he was anxiously waiting, lived on and on as if they were immortal. He speculated and lost. He speculated again and won—but never got his money. His talents were great; his disposition, easy, generous and liberal. His friends profited by the one, and abused the other. Loss succeeded loss; misfortune crowded on misfortune; each successive day brought him nearer the verge of hopeless penury, and the quondam friends who had been warmest in their professions, grew strangely cold and indifferent. He had children whom he loved, and a wife on whom he doted; The former turned their backs on him; the latter died broken-hearted. He went with the stream—it had ever been his failing, and he had not courage sufficient to bear up against so many shocks—he had never cared for himself, and the only being who had cared for him, in his poverty and distress, was spared to him no longer. It was at this period that he applied for parochial relief. Some kind-hearted man who had known him in happier times, chanced to be churchwarden that year, and through his interest he was appointed to his present situation. He is an old man now. Of the many who once crowded round him in all the hollow friendship of boon-companionship, some have died, some have fallen like himself, some have prospered—all have forgotten him. Time and misfortune have mercifully been permitted to impair his memory, and use has habituated him to his present condition. Meek, uncomplaining, and zealous in the discharge of his duties, he has been allowed to hold his situation long beyond the usual period; and he will no doubt continue to hold it, until infirmity renders him incapable, or death releases him. As the grey-headed old man feebly paces up and down the sunny side of the little court-yard between school hours, it would be difficult, indeed, for the most intimate of his former friends to recognise their once gay and happy associate, in the person of the Pauper Schoolmaster.<br /> <br /> It was our original intention to have sketched, in a few words more, such fragments of the little history of some other of our parishioners as have happened to come under our observation. Our space, however, is limited; and, as an editor&#039;s mandate is a wholesome check upon an author&#039;s garrulity, we have no wish to occupy more than the space usually assigned to us. It is generally allowed that parochial affairs possess little beyond local interest. But, should we be induced to imagine that the favour of our readers disposes them to make an exception of the present case, we shall vary our future numbers, by seeking materials for another sketch in &quot;our parish.&quot;18350228https://dickenssearch.com/files/original/5/Sketches_of_London_No._IV_The_Parish/1835-02-28_The_Evening_Chronicle_Sketches_of_London_No.4_The_Parish.pdf
48https://dickenssearch.com/items/show/48'<em>Sketches of London</em>, No. IX, Greenwich Fair'Published in <em>The Evening Chronicle</em> (16 April 1835).Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350416/020/0003">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350416/020/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-04-16">1835-04-16</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-04-16_The_Evening_Chronicle_Sketches_of_London_NoIX_Greenwich_FairDickens, Charles. 'Sketches of London, No. IX, Greenwich Fair' (16 April 1835).<em> Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-04-16_The_Evening_Chronicle_Sketches_of_London_NoIX_Greenwich_Fair">https://dickenssearch.com/short-stories/1835-04-16_The_Evening_Chronicle_Sketches_of_London_NoIX_Greenwich_Fair</a>.<a href="https://dickenssearch.com/teibp/dist/content/1835-04-16_The_Evening_Chronicle_Sketches_of_London_NoIX_Greenwich_Fair.xml" target="_blank" rel="noopener">'Sketches of London, No. IX, Greenwich Fair.' <em>The Evening Chronicle</em> (16 April 1835).</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Evening+Chronicle%3C%2Fem%3E"><em>The Evening Chronicle</em></a>If the Parks be &quot;the lungs of London,&quot; we wonder what Greenwich fair is—a periodical breaking out, we suppose:—a sort of spring-rash—a three days&#039; fever, which cools the blood for six months afterwards; and, at the expiration of which, London is restored to its old habits of plodding industry, as suddenly and completely as if nothing had ever happened to disturb them. In our earlier days, we were a constant frequenter of Greenwich fair for years. We have proceeded to, and returned from it, in almost every description of vehicle. We cannot conscientiously deny the charge of having once made the passage in a spring van, accompanied by thirteen gentlemen, fourteen ladies, an unlimited number of children, and a barrel of beer; and we have a vague recollection of having in later days found ourself the eighth outside no the top of a hackney-coach at something past four o-clock in the morning, with a rather confused idea of our own name, or place of residence. We have grown older since then, and quiet and steady: liking nothing better than to spend our Easter, and all our other holidays in some quiet nook, with people of whom we shall never tire; but we think we remember enough of Greenwich Fair, and those who resort to it, to make a sketch of at this seasonable period. <br /> <br /> <br /> <br /> The road to Greenwich during the whole of Easter Monday presents a scene of animated bustle, which cannot fail to amuse the most indifferent observer. <br /> Cabs, hackney-coaches, &quot;shay&quot; carts, coal-waggons, stages, omnibuses, sociables, gigs, donkey-chaises—all crammed with people (for the question never is what the horse can draw, but what the vehicle will hold), roll along at their utmost speed—the dust flies in clouds—ginger-beer corks go off in vollies—the balcony of every public-house is crowded with people, smoking and drinking—half the private-houses are turned into tea-shops—fiddles are in great request—every little fruit-shop displays its stall of gilt gingerbread and penny toys—turnpike-men are in despair—horses won’t go on, and wheels will come off—ladies in &quot;carawans&quot; scream with fright at every fresh concussion, and their admirers find it necessary to sit remarkably close to them, by way of encouragement—servants of all work who are not allowed to have followers, and have got a holiday for the day, make the most of their time with the faithful admirer who waits for a stolen interview at the corner of the street every night, when they go to fetch the beer—apprentices grow sentimental, and straw-bonnet makers kind; everybody is anxious to get on, and actuated by the common wish to be at the fair or in the park as soon as possible. Pedestrians linger in groups at the road-side, unable to resist the allurements of the stout proprietress of the &quot;Jack-in-the-box—three shys a penny,&quot; or the more splendid offers of the man with three thimbles and a pea on a little round board, who astonishes the bewildered crowd with some such address as, &quot;Here’s the sort o’ game to make you laugh seven years arter you’re dead, and turn ev’ry air on your ed grey vith delight! Three thimbles and vun little pea—with a vun, two, three, and a two, three, vun: catch him who can, look on, keep your eyes open, and niver say die; niver mind the change, and damn the expense: all fair and above board: them as don’t play can’t vin, and luck attend the ryal sportsman. Bet any gen’lm’n any sum of money, from arf-a-crown up to a suverin, as he doesn’t name the thimble as kivers the pea.’ Here some greenhorn whispers his friend that he distinctly saw the pea roll under the middle thimble —an impression which is immediately confirmed by a gentleman in top boots who is standing by, and who in a low tone regrets his own inability to bet in consequence of having unfortunately left his purse at home, but strongly urges the stranger not to neglect such a golden opportunity. The &quot;plant&quot; is successful; the bet is made; the stranger of course loses, and the gentleman with the thimbles consoles him as he pockets the money, with an assurance that it’s all &quot;the fortin of war: this time I vin, next time you vin: niver mind the loss of two bob and a bender! do it up in a small parcel and break out in a fresh place. Here’s the sort o’ game,’ &amp;c.—and the eloquent harangue with such variations as the speaker’s exuberant fancy suggests, is again repeated to the gaping crowd, reinforced by the accession of several new comers.<br /> <br /> The chief place of resort in the day-time, after the public-houses, is the park, in which the principal amusement is to drag young ladies up the steep hill which leads to the observatory, and then drag them down again at the very top of their speed, greatly to the derangement of their curls and bonnet-caps, and much to the edification of lookers on from below. &quot;Kiss in the ring,&quot; and &quot;Threading my Grandmother’s Needle,&quot; too, are sports which receive their full share of patronage. Love-sick swains, under the influence of gin and water, and the tender passion, become violently affectionate: and the fair objects of their regard enhance the value of stolen kisses, by a vast deal of struggling, and holding down of heads, and cries of &quot;Oh! Ha’ done, then, George—Oh, do tickle him for me, Mary —Well, I never!&quot; and similar Lucretian ejaculations. Little old men and women, with a small basket under one arm, and a wine-glass without a foot, in the other hand, tender &quot;a drop o’ the right sort&quot; to the different groups; and young ladies, who are persuaded to indulge in a drop of the aforesaid right sort, display a pleasing degree of reluctance to taste it, and cough afterwards with great propriety.<br /> <br /> The old pensioners, who for the moderate charge of a penny, exhibit the mast-house, the Thames, and shipping, the place where the men used to hang in chains, and other interesting sights through a telescope, are asked questions about objects within the range of the glass which it would puzzle a Solomon to answer; and requested to find out particular houses in particular streets, which it would have been a task of some difficulty for Mr. Horner (not the young gentleman who eat mince pies with his thumb, but the man of Colosseum notoriety) to discover. Here and there, where some three or four couple are sitting on the grass together, you will see a sun-burnt woman in a red cloak &quot;telling fortunes&quot; and prophesying husbands which it requires no extraordinary observation to describe, for the originals are before her. Thereupon, the lady concerned laughs and blushes, and ultimately buries her face in an imitation-cambric handkerchief, and the gentleman described looks extremely foolish, and squeezes her hand, and fees the gipsey liberally; and the gipsey goes away perfectly satisfied herself, and leaving those behind her perfectly satisfied also, and the prophecy, like many other prophecies of greater importance, fulfils itself in time. But it grows dark: the crowd has gradually dispersed, and only a few stragglers are left behind. The light in the direction of the church shows that the fair is illuminated; and the distant noise proves it to be filling fast. The spot, which half an hour ago was ringing with the shouts of boisterous mirth is as calm and quiet as if nothing could ever disturb its serenity: the fine old trees, the majestic building at their feet, with the noble river beyond, glistening in the moon light, appear in all their beauty, and under their most favourable aspect; the voices of the boys, singing their evening hymn, are borne gently on the air; and the humblest mechanic who has been lingering on the grass so pleasant to the feet that beat the same dull round from week to week in the paved streets of London, feels proud to think as he surveys the scene before him, that he belongs to the country which has selected such a spot as a retreat for its oldest and best defenders in the decline of their lives.<br /> <br /> Five minutes’ walking brings you to the fair; a scene calculated to awaken very different feelings from those inspired by the place you have just left. The entrance is occupied on either side by the venders of gingerbread and toys: the stalls are gaily lighted up, the most attractive goods profusely disposed, and unbonneted young ladies, in their zeal for the interest of their employers, seize you by the coat, and use all the blandishments of &quot;Do, dear&quot;—&quot;There’s a love&quot;— &quot;Don’t be cross, now,&quot; &amp;c., to induce you to purchase half a pound of the real spice nuts, of which the majority of the regular fair-goers carry a pound or two as a present supply, tied up in a cotton pocket handkerchief. Occasionally, you pass a deal table, on which are exposed pen’orths of pickled salmon (fennel included), in little white saucers: oysters, with shells as large as cheese-plates, and divers specimens of a species of snail (wilks, we think they are called), floating in a somewhat bilious looking green liquid. Cigars, too, are in great demand; gentlemen must smoke, of course, and here they are, two a penny, in a regular authentic cigar box, with a lighted tallow candle in the centre. Imagine yourself in an extremely dense crowd, which swings you to and fro and in and out, and every way but the right one; add to this the screams of women, the shouts of boys, the clanging of gongs, the firing of pistols, the ringing of bells, the bellowings of speaking trumpets, the squeaking of penny dittos, the noise of a dozen bands, with three drums in each, all playing different tunes at the same time, the hallooing of showmen, and an occasional roar from the wild-beast shows, and you are in the very centre and heart of the fair. This immense booth, with the large stage in front, so brightly illuminated with variegated lamps, and pots of burning fat, is &quot;Richardson’s,&quot; where you have a melo-drama (with three murders and a ghost), a pantomime, a comic song, an overture, and some incidental music, all done in five and twenty minutes. The company are now promenading outside in all the dignity of wigs, spangles, red-ochre, and whitning. See with what a ferocious air the gentleman who personates the Mexican Chief paces up and down, and with what an eye of calm dignity the principal tragedian gazes on the crowd below, or converses confidentially with the harlequin! The four clowns, who are engaged in a mock broadsword combat may be all very well for the low-minded holiday-makers; but these are the people for the reflective portion of the community. They look so noble in those Roman dresses, with their yellow legs and arms, long black curly heads, bushy eyebrows, and scowl expressive of assassination and vengeance, and everything else that&#039;s grand and solemn. Then, the ladies—were there ever such innocent and awful-looking beings as they walk up and down the platform in twos and threes, with their arms round each other’s waists, or leaning for support on one of those majestic men! Their spangled muslin dresses and blue satin shoes and sandals (a leetle the worse for wear) are the admiration of all beholders; and the playful manner in which they check the advances of the clown is perfectly enchanting.<br /> <br /> &quot;Just a-going to begin! Pray come for’erd, come for’erd,&quot; exclaims the man in the countryman’s dress, for the seventieth time, and people force their way up the steps in crowds. The band suddenly strikes up; the harlequin and columbine set the example; reels are formed in less than no time; the Roman heroes place their arms a-kimbo and dance with considerable agility: and the leading tragic actress, and the gentleman who enacts the &quot;swell&quot; in the pantomime, foot it to perfection. &quot;All in to begin&quot; shouts the manager, when no more people can be induced to &quot;come for’erd,&quot; and away rush the leading members of the company to do the dreadful in the first piece. A change of performance takes place every day during the fair, but the story of the tragedy is always pretty much the same. There is a rightful heir, who loves a young lady, and is beloved by her; and a wrongful heir, who loves her too, and isn’t beloved by her; and the wrongful heir gets hold of the rightful heir, and throws him into a dungeon, just to kill him off when convenient, for which purpose he hires a couple of assassins—a good one and a bad one—who, the moment they are left alone, get up a little murder on their own account, the good one killing the bad one, and the bad one wounding the good one. Then the rightful heir is discovered in prison, carefully holding a long chain in his hands, and seated despondingly in a large arm-chair; and the young lady comes in to two bars of soft music, and embraces the rightful heir; and then the wrongful heir comes in to two bars of quick music, and goes on in the most shocking manner, throwing the young lady about as if she was nobody, and calling the rightful heir &quot;Ar-recreant—ar-wretch!&quot; in a very loud voice, which answers the double purpose of displaying his passion, and preventing the sound being deadened by the saw-dust. The interest becomes intense; the wrongful heir draws his sword, and rushes on the rightful heir; a blue smoke is seen, a gong is heard, and a tall white figure (who has been all this time, behind the arm-chair, covered over with a table cloth), slowly rises to the tune of, &quot;Oft in the stilly night.&quot; This is no other than the ghost of the rightful heir’s father, who was killed by the wrongful heir’s father; at sight of which the wrongful heir becomes apoplectic, and is literally &quot;struck all of a heap,&quot; the stage not being large enough to admit of his falling down at full length. Then the good assassin staggers in, and says he was hired, in conjunction with the bad assassin, by the wrongful heir, to kill the rightful heir; and he’s killed a good many people in his time, but he’s very sorry for it, and won’t do so any more—a promise which he immediately redeems by dying off hand without any nonsense about it. Then the rightful heir throws down his chain; and then two men, a sailor, and a young woman (the tenantry of the rightful heir) come in; and the ghost makes dumb motions to them, which they, by supernatural interference, understand—for no one else can; and the ghost (who can’t do anything without blue fire) blesses the rightful heir, and the young lady, by half-suffocating them with smoke, and then a muffin-bell rings, and the curtain drops.<br /> <br /> The exhibitions next in popularity to these itinerant theatres are the travelling menageries, or, to speak more intelligibly, the &quot;Wild-beast shows,&quot; where a military band in beef-eater’s costume, with leopard-skin caps, play incessantly; and where large highly-coloured representations of tigers tearing men’s heads open, and a lion being burnt with red-hot irons to induce him to drop his victim, are hung up outside, by way of attracting visitors. The principal officer at these places is generally a very tall, hoarse, man, in a scarlet coat, with a cane in his hand, with which he occasionally raps the pictures we have just noticed, by way of illustrating his description—something in this way, &quot;Here, here, here; the lion, the lion (tap), exactly as he is represented on the canvass outside (three taps); no waiting, remember; no deception. The fe-ro-cious lion (tap, tap) who bit off the gentleman’s head last Cambervel vos a twelvemonth, and has killed on the awerage three keepers a-year ever since he arrived at matuority. No extra charge on this account recollect; the price of admission is only sixpence.&quot; This address never fails to produce a considerable sensation, and sixpences flow into the treasury with wonderful rapidity. The dwarfs are also objects of great curiosity: and as a dwarf, a giantess, a living skeleton, a wild Indian, &quot;a young lady of singular beauty, with perfectly white hair and pink eyes,&quot; and two or three other natural curiosities, are usually exhibited together for the small charge of a penny, they attract very numerous audiences. The best thing about a dwarf is, that he has always a little box, about two feet six inches high, into which, by long practice, he can just manage to get, by doubling himself up like a boot-jack; this box is painted outside like a six-roomed house, and as the crowd see him ring a bell, or fire a pistol out of the first-floor window, they verily believe that it is his ordinary town residence, divided like other mansions into drawing-rooms, dining-parlour, and bed-chambers. Shut up in this case, the unfortunate little object is brought out to delight the throng by holding a facetious dialogue with the proprietor: in the course of which, the dwarf (who is always particularly drunk) pledges himself to sing a comic song inside, and pays various compliments to the ladies, which induce them to &quot;come for’erd&quot; with great alacrity. As a giant is not so easily moved, a pair of indescribables of most capacious dimensions and a huge shoe are usually brought out, into which two or three stout men get all at once, to the enthusiastic delight of the crowd, who are quite satisfied with the solemn assurance that these habiliments form part of the giant’s every-day costume. The grandest and most numerously-frequented booth in the whole fair, however, is &quot;The Crown and Anchor&quot;—a temporary ball-room—we forget how many hundred feet long, the price of admission to which is one shilling. Immediately on your right hand as you enter, after paying your money, is a refreshment place, at which cold beef, roast and boiled—French rolls—stout—wine—tongue—ham—even fowls, if we recollect right, are displayed in tempting array. There is a raised orchestra, and the place is boarded all the way down in patches, just wide enough for a country dance. There is no master of the ceremonies in this artificial Eden—all is primitive, unreserved, and unstudied. The dust is blinding, the heat insupportable, the company somewhat noisy, and in the highest spirits possible: the ladies, in the height of their innocent animation, dancing in the gentlemen’s hats, and the gentlemen promenading &quot;the gay and festive scene&quot; in the ladies’ bonnets, or with the more expensive ornaments of false noses; and low-crowned, tinder-box looking hats: playing children’s drums, and accompanied by ladies on the penny trumpet. The noise of these various instruments, the orchestra, the shouting, the &quot;scratchers,&quot; and the dancing, is perfectly bewildering. The dancing, itself, beggars description —every figure lasts about an hour, and the ladies bounce about with a degree of spirit which is quite indescribable. As to the gentlemen, they stamp their feet against the ground, every time &quot;hands four round&quot; begins; go down the middle and up again, with cigars in their mouths and silk handkerchiefs in their hands, and whirl their partners round, nothing loth, scrambling and falling, and embracing, and knocking up against the other couples until they are fairly tired out, or half undressed, and can move no longer. The same scene is repeated again and again (slightly varied by an occasional &quot;row&quot;) until a late hour at night: and a great many clerks and ’prentices find themselves next morning with aching heads, empty pockets, damaged hats, and a very imperfect recollection of how it was they didn&#039;t get home.<br /> <br /> Our present sketch has encroached considerably on a second column. Fortunately, perhaps, for our readers, we have even now omitted many points we had originally intended to notice. As we purpose continuing our series until it reaches something under its two hundredth number, however, we shall watch an opportunity of including them under some other head. 18350416https://dickenssearch.com/files/original/5/Sketches_of_London_No._IX_Greenwich_Fair/1835-04-16_The_Evening_Chronicle_Sketches_of_London_No.IX_Greenwich_Fair.pdf
45https://dickenssearch.com/items/show/45'<em>Sketches of London</em>, No. VI, London Recreations'Published in <em>The Evening Chronicle</em> (17 March 1835).Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350317/033/0003" class="waffle-rich-text-link" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350317/033/0003</a>. <em>Source is faded and illegible in places.</em><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-03-17">1835-03-17</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+story">Short story</a>1835-03-17_The_Evening_Chronicle_Sketches_of_London_NoVI_London_RecreationsDickens, Charles. '<em>Sketches of London</em>, No. VI, London Recreations' (17 March 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-03-17_The_Evening_Chronicle_Sketches_of_London_NoVI_London_Recreations">https://dickenssearch.com/short-stories/1835-03-17_The_Evening_Chronicle_Sketches_of_London_NoVI_London_Recreations</a>.<a href="https://dickenssearch.com/teibp/dist/content/1835-03-17_The_Evening_Chronicle_Sketches_of_London_NoVI_London_Recreations.xml" target="_blank" rel="noopener">'Sketches of London, No. VI, London Recreations.' <em>The Evening Chronicle</em> (17 March 1835).</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Evening+Chronicle%3C%2Fem%3E"><em>The Evening Chronicle</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a>The wish of persons in the humbler classes of life, to ape the manners and customs of those whom fortune has placed above them, is often the subject of remark, and not unfrequently of complaint. The inclination may, and no doubt does, exist to a great extent among the small gentility—the would-be aristocrats—of the middle classes. Tradesmen and clerks, with Court Journal-reading families, and circulating-library-subscribing daughters, get up tavern assemblies in humble imitation of Almack’s, and promenade the dingy &quot;large room&quot; of some second rate hotel with as much complacency as the enviable few who are privileged to exhibit their magnificence in that exclusive haunt of fashion and foolery. Aspiring young ladies, who read flaming accounts of some &quot;fancy fair in high life,&quot; suddenly grow desperately charitable; visions of admiration and matrimony float before their eyes; some wonderfully meritorious institution, which, by the strangest accident in the world, has never been heard of before, is discovered to be in a languishing condition; Thomson’s great room, or Johnson’s nursery ground, is forthwith engaged, and the aforesaid young ladies, from mere charity, exhibit themselves for three days, from twelve to four, for the small charge of one shilling per head! With the exception of these classes of society, however, and a few other weak and insignificant persons, we do not think the contemptible attempt at imitation, to which we have alluded, prevails in any great degree. The different character of the recreations of different classes, has often afforded us amusement in our walks and musings; and we have chosen it for the subject of our present sketch, in the hope that it may possess some amusement for our readers. If the regular City man, who leaves Lloyd’s at five o’clock, and drives home to Hackney, Clapton, Stamford-hill, or elsewhere, can be said to have any daily recreation beyond his dinner, it is his garden. He never does anything to it with his own hands; but he takes a great pride in it notwithstanding; and if you are desirous of paying your addresses to the youngest daughter, be sure to be in raptures with every flower and shrub it contains. If your poverty of expression compel you to make any distinction between the two, we would certainly recommend your bestowing more admiration on his garden than his wine. He always takes a walk round it before he starts for town in the morning, and is particularly anxious that the fish-pond should be kept specially neat. If you call on him on Sunday in summer time, about an hour before dinner, you will find him sitting in an arm-chair, on the lawn behind the house, with a straw hat on, reading a Sunday paper. A short distance from him you will most likely observe a handsome paroquet in a large brass-wire cage; ten to one but the two eldest girls are loitering in one of the side walks accompanied by a couple of young fellows, who are holding parasols over them - of course only to keep the sun off, while the younger children, with the under nursery-maid, are strolling listlessly about in the shade. Beyond these occasions, his delight in his garden appears to arise more from the consciousness of possession than actual enjoyment of it. When he drives you down to dinner on a week day he is rather fatigued with the occupations of the morning, and tolerably cross into the bargain; but when the cloth is removed, and he has drank three or four glasses of his favourite port, he orders the French windows of the dining room (which of course look into the garden) to be opened, and throwing a silk handkerchief over his head, and leaning back in his arm chair, descants at considerable length upon its beauty, and the cost of maintaining it. This is to impress you - who are a young friend of the family - with a due sense of the excellence of the garden, and the wealth of its owner; and when he has exhausted the subject he goes to sleep. There is another and a very different class of men, whose recreation is their garden. An individual of this class, resides some short distance from town - say in the Hampstead-road, or the Kilburn-road, or any other road where the houses are small and neat, and have little slips of back garden. He and his wife - who is as clean and compact a little body as himself - have occupied the same house ever since he retired from business twenty years ago. They have no family. They once had a son, who died at about five years old. The child’s portrait hangs over the mantel-piece in the best sitting-room, and a little cart he used to draw about is carefully preserved as a relic. In fine weather the old gentleman is almost constantly in the garden; and when it is too wet to go into it, he will look out of the window at it by the hour together. He has always something to do in it, and you will see him digging, and sweeping, and cutting, and messing about, with manifest delight. In spring time, there is no end to the sowing of seeds, and sticking little bits of wood over them, with labels, which look like epitaphs to their memory; and in the evening, when the sun has gone down, the perseverance with which he lugs a great watering-pot about is perfectly astonishing. The only other recreation he has is the newspaper, which he peruses every day, from beginning to end, generally reading the most interesting pieces of intelligence to his wife, during breakfast. The old lady is very fond of flowers, as the hyacinth-glasses in the parlour window, and geranium-pots in the little front court testify. She takes a great pride in the garden too, and when one of the four fruit-trees produces a rather larger gooseberry than usual, it is carefully preserved under a wine-glass, on the sideboard, for the edification of visitors, who are duly informed that Mr. So-and-so planted the tree which produced it with his own hands. On a summer’s evening, when the large watering-pot has been filled and emptied some fourteen times, and the old couple have quite exhausted themselves by trotting about, you will see them sitting happily together in the little summer-house, enjoying the calm and peace of the twilight, and watching the shadows as they fall upon the garden, and gradually growing thicker and more sombre, obscure the tints of their gayest flowers - No bad emblem of the years that have silently rolled over their heads, deadening in their course the brightest hues of early hopes and feelings which have long since faded away. These are their only recreations, and they require no more. They have within themselves the materials of comfort and content; and the only anxiety of each is to die before the other. This is no ideal sketch; there used to be many old people of this description; their numbers may have diminished, and may decrease still more. Whether the course female education has taken of late days - whether the pursuit of giddy frivolities, and empty nothings - has tended to unfit women for that quiet domestic life, in which they show far more beautifully than in the most crowded assembly, is a question we should feel little gratification in discussing - we hope not. Let us turn, now, to another portion of the London population, whose recreations present about as strong a contrast as can well be conceived - we mean the Sunday pleasurers; and let us beg our readers to imagine themselves stationed by our side in some well-known rural &quot;Tea-gardens.&quot; The heat is intense this afternoon, and the people, of whom there are additional parties arriving every moment, look as warm as the tables which have been recently painted, and have the appearance of being red-hot. What a dust and noise! Men and women - boys and girls - sweethearts and married people - babies in arms, and children in chaises - pipes and shrimps - cigars and perriwinkles - tea and tobacco. Gentlemen, in alarming waistcoats, and steel watch-guards, promenading about, three abreast, with surprising dignity (or as the gentleman in the next box facetiously observes, &quot;cutting it uncommon fat!&quot;) - ladies, with great, long, white pocket-handkerchiefs like small table-cloths, in their hands, chasing one another on the grass, in the most playful and interesting manner, with the view of attracting the attention of the aforesaid gentlemen - husbands in perspective ordering bottles of ginger-beer for the objects of their affections, with a lavish disregard of expense; and the said objects washing down huge quantities of &quot;srimps&quot; and &quot;winkles,&quot; with an equal disregard of their own bodily health and subsequent comfort - boys, with great silk hats just balanced on the top of their heads, smoking cigars, and trying to look as if they liked &#039;em - gentlemen in pink shirts and blue waistcoats, occasionally upsetting either themselves, or somebody else, with their own canes - and children of every age and size in incredible numbers, from the boy of one in a straw hat and lace cockade, to the girl of twelve in a little scanty spencer, with a beaver bonnet and green veil. Some of the finery of these people provokes a smile; but they are all clean, and happy, and disposed to be good-natured and sociable. Those two motherly-looking women in the smart pelisses, who are chatting so confidentially, inserting a &quot;ma’am&quot; at every fourth word, scraped an acquaintance about a quarter of an hour ago: it originated in admiration of the little boy who belongs to one of them - that diminutive specimen of mortality in the three-cornered pink satin hat with black feathers. The two men in the blue coats and drab trousers, who are walking up and down, smoking their pipes, are their husbands. The party in the opposite box are a pretty fair specimen of the generality of the visitors. These are the father and mother, and old grandmother, a young man and woman, and an individual addressed by the euphonious title of &quot;Uncle Bill,&quot; who is evidently the wit of the party. They have some half dozen children with them, but it is scarcely necessary to notice the fact, for it&#039;s a matter of course here. Every woman in &quot;the gardens&quot; who has been married for any length of time, must have had twins on two or three occasions; it&#039;s impossible to account for the extent of juvenile population in any other way. Observe the inexpressible delight of the old grandmother at Uncle Bill’s splendid joke of &quot;tea for four: bread and butter for forty;&quot; and the loud explosion of mirth which follows his wafering a paper &quot;pigtail&quot; on the waiter’s collar. The young man is evidently &quot;keeping company&quot; with Uncle Bill’s niece: and Uncle Bill’s hints - such as &quot;Don’t forget me at the dinner, you know.&quot; &quot;I shall look out for the cake, Sally.&quot; &quot;I’ll be godfather to your first—wager it’s a boy&quot; and so forth, are equally embarrassing to the young people and delightful to the elder ones. As to the old grandmother, she&#039;s in perfect ecstacies, and does nothing but laugh herself into fits of coughing, until they have finished the &quot;gin-and-water warm with,&quot; of which Uncle Bill ordered &quot;glasses round&quot; after tea, &quot;jist to keep the night air out, and do it up comfortable and riglar arter sitch a day, which certainly was &#039;rayther warm,&#039; as the child said when it fell into the fire.&quot; It&#039;s getting dark, and the people begin to move: the field leading to town is quite full of them; the little hand-chaises are dragged wearily along: the children are tired, and amuse themselves and the company generally by crying, or resort to the much more pleasant expedient of going to sleep - the mothers begin to wish they were at home again - sweethearts grow more sentimental than ever, as the time for parting arrives - the gardens look mournful enough by the light of the two lanterns which hang against the trees for the convenience of smokers - and the waiters, who have been running about incessantly for the last six hours, think they feel a little tired, as they count their glasses and their gains. There are many other classes who regularly pursue the same round of reaction. The better description of clerks form rowing clubs, and dress themselves like sailors at fancy balls; others resort to the billiard table. Some people think the greatest enjoyment of existence is to stew in an unwholesome vault for a whole night, drinking bad spirits and hearing worse singing; and others go half-price to the theatre regularly every evening. A certain class of donkeys think the chief happiness of human existence is to knock at doors and run away again; and there are other men whose only recreation is leaning against the posts at street-corners, and not moving at all. Whatever be the class, or whatever the recreation, so long as it does not render a man absurd himself, or offensive to others, we hope it will never be interfered with, either by a misdirected feeling of propriety on the one hand, or detestable cant on the other. (Footnote): On consideration, we postpone for a week or two the sketch we announced in our last. We have various reasons for doing so, among which the inevitable sameness of the subject is not the least.18350317https://dickenssearch.com/files/original/5/Sketches_of_London_No._VI_London_Recreations/1835-03-17_Sketches_of_London_No._VI_London_Recreations.pdf
46https://dickenssearch.com/items/show/46'<em>Sketches of London</em>, No. VII, Public Dinners'Published in <em>The Evening Chronicle</em> (7 April 1835).Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350407/010/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350407/010/0001</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-04-07">1835-04-07</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-04-07_The_Evening_Chronicle_Sketches_of_London_NoVII_Public_DinnersDickens, Charles. 'Sketches of London, No. VII, Public Dinners' (7 April 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-04-07_The_Evening_Chronicle_Sketches_of_London_NoVII_Public_Dinners">https://dickenssearch.com/short-stories/1835-04-07_The_Evening_Chronicle_Sketches_of_London_NoVII_Public_Dinners</a>.<a href="https://dickenssearch.com/teibp/dist/content/1835-04-07_The_Evening_Chronicle_Sketches_of_London_NoVII_Public_Dinners.xml" target="_blank" rel="noopener">'Sketches of London, No. VII, Public Dinners.' <em>The Evening Chronicle</em> (7 April 1835).</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Evening+Chronicle%3C%2Fem%3E"><em>The Evening Chronicle</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a>All public dinners in London—from the Lord Mayor&#039;s annual banquet at Guildhall, to the chimney-sweepers&#039; &quot;hanniversary&quot; at White Conduit-house; from the Goldsmiths&#039; to the Butchers&#039;; from the Sheriffs&#039; to the Licensed Victuallers—are amusing scenes. Of all entertainments of this description, however, we think the annual dinner of some public charity is the most amusing. At a Company&#039;s dinner the people are nearly all alike—regular old stagers who make it a matter of business, and a thing not to be laughed at; at a political dinner everybody is disagreeable and inclined to speechify—much the same thing, by the bye; but at a charity dinner you see people of all sorts, kinds, and descriptions: the wine may not be remarkably special, to be sure, and we have heard some hard-hearted monsters grumble at the collection; but we really think the amusement to be derived from the occasion sufficient to counterbalance even these disadvantages. Let us suppose you are induced to attend a dinner of this description—&quot;Indigent Orphans&#039; Friends&#039; Benevolent Institution,&quot; we think it is. The name of the charity is a line or two longer, but you have forgotten the rest. You have a distinct recollection, however, that you purchased a ticket at the solicitation of some charitable friend, and you deposit yourself in a hackney-coach, the driver of which—no doubt that you may do the thing in style —turns a deaf ear to your earnest entreaties to be set down at the corner of Great Queen-street, and persists in carrying you to the very door of the Freemasons&#039;, round which crowded people are assembled to witness the entrance of the indigent orphans&#039; friends. You hear great speculations, as you pay the fare, on the possibility of your being the Noble Lord who is announced to fill the chair on the occasion, and are highly gratified to hear it eventually decided that you are only a &quot;wocalist.&quot; The first thing that strikes you on your entrance is the astonishing importance of the committee. You observe a door on the first landing, carefully guarded by two waiters, in and out of which stout gentlemen, with very red faces, keep running with a degree of speed highly unbecoming the gravity of persons of their years and corpulency. You pause, quite alarmed at the bustle; and thinking, in your innocence, that two or three people must have been carried out of the dining-room in fits at the very least. You are immediately undeceived by the waiter—&quot;Up stairs, if you please, sir; this is the committee room.&quot; Up stairs you go, accordingly; wondering as you mount, what the duties of the committee can be and whether they ever do anything beyond confusing each other, and running over the waiters. Having deposited your hat and cloak, and received a remarkably small scrap of pasteboard in exchange (which as a matter of course you lose before you require it again), you enter the hall, down which there are four long tables for the less distinguished guests, with a cross table on a raised platform at the upper end for the reception of the very particular friends of the indigent orphans. Being fortunate enough to find a plate without anybody’s card in it, you wisely seat yourself at once, and have a little leisure to look about you. Waiters, with wine-baskets in their hands, are placing decanters of Sherry down the tables, at very respectable distances. Melancholy-looking salt-cellars, and decayed vinegar-cruets, which might have belonged to the parents of the indigent orphans in their time, are scattered at distant intervals on the cloth, and the knives and forks look as if they had done duty at every public dinner in London since the accession of George the First; the musicians are scraping and grating and screwing tremendously—playing no notes but notes of preparation; and several gentlemen are gliding along the sides of the tables, looking into plate after plate with frantic eagerness, the expression of their countenances growing more and more dismal as they meet with everybody’s card but their own. You turn round to take a look at the table behind you, and—not being in the habit of attending public dinners—are somewhat struck by the appearance of the party on which your eye rests. One of its principal members appears to be a little man, with a long and rather inflamed face, and grey hair brushed bolt upright in front; he wears a wisp of black silk round his neck, without any stiffener, as an apology for a neck-kerchief, and is addressed by his companions by the familiar appellation of—&quot;Fitz.&quot; Near him is a stout man in a white neck-kerchief and buff waistcoat; with shiny dark hair, cut very short in front, and a great, round, healthy-looking face, on which he studiously preserves a half sentimental simper. Next him, again, is a large-headed man, with black hair and bushy whiskers; and opposite them are two or three others, one of whom is a little round-faced person, in a dress-stock and blue under-waistcoat. There is something peculiar in their air and manner, though you could hardly describe what it is; you cannot divest yourself of the idea that they have come for some other purpose than mere eating and drinking. You have no time to debate the matter, however, for the waiters (who have been arranged in lines down the room, placing the dishes on table) retire to the lower end; the dark man in the blue coat and bright buttons, who has the direction of the music, looks up to the gallery, and calls out &quot;band&quot; in a very loud voice; out burst the orchestra, up rise the visitors; in march fourteen stewards, each with a long wand in his hand, like the evil genius in a pantomime; then the Chairman, then the titled visitors; they all make their way up the room, as fast as they can, bowing, and smiling, and smirking, and looking remarkably amiable. The applause ceases; grace is said; the clatter of plates and dishes begins; and every one appears highly gratified either with the presence of the distinguished visitors, or the commencement of the anxiously-expected dinner. As to the dinner itself—the mere dinner—it goes off much the same everywhere. Tureens of soup are emptied with awful rapidity—waiters take plates of turbot away to get lobster-sauce, and bring back plates of lobster-sauce without turbot. People who can carve poultry are great fools if they own it, and people who can’t have no wish to learn—the knives and forks form a pleasing accompaniment to Auber’s music, and Auber’s music would form a pleasing accompaniment to the dinner, if you could hear anything besides the violoncello—the substantials disappear—moulds of jelly vanish like lightning—hearty eaters wipe their foreheads, and appear rather overcome by their recent exertions— people who have looked very cross hitherto, become remarkably bland, and ask you to take wine in the most friendly manner possible—old gentlemen direct your attention to the ladies’ gallery, and take great pains to impress you with the fact that the charity is always peculiarly favoured in this respect—every one appears disposed to become talkative—and the hum of conversation is loud and general. &quot;Pray, silence, gentlemen, if you please, for Non nobis,&quot; shouts the toast-master with stentorian lungs—a toast-master’s shirt-front, waistcoat, and neck-kerchief, by-the-bye, always exhibit three distinct shades of cloudy-white.—&quot;Pray, silence, gentlemen, for Non nobis.&quot; The singers, whom you discover to be no other than the very party that excited your curiosity at first, after &quot;pitching&quot; their voices immediately begin too tooing most dismally, on which the regular old stagers burst into occasional cries of—&quot;Sh Sh-waiters! Silence— waiters.&quot; &quot;Stand still, waiters—keep back, waiters.&quot; and other exorcisms, delivered in a tone of indignant remonstrance. The grace is soon concluded, and the company resume their seats. The uninitiated portion of the guests applaud Non nobis as vehemently as if it were a capital comic song, greatly to the scandal and indignation of the regular diners, who immediately attempt to quell this sacrilegious approbation, by cries of &quot;Hush, hush,&quot; whereupon the others, mistaking these sounds for hisses, applaud more tumultuously than before, and, by way of placing their approval beyond the possibility of doubt, shout &quot;Encore!&quot; most vociferously. The moment the noise ceases, up starts the toast-master:—&quot;Gentlemen, charge your glasses, if you please.&quot; Decanters having been handed about, and glasses filled, the toast-master proceeds, in a regular, ascending scale:—&quot;Gentlemen—air—you—all charged? Pray—silence —gentlemen—for—the cha-i-r.&quot; The Chairman rises, and, after stating that he feels it quite unnecessary to preface the toast he is about to propose with any observations whatever, wanders into a maze of sentences, and flounders about in the most extraordinary manner, presenting a lamentable spectacle of mystified humanity, until he arrives at the words, &quot;constitutional sovereign of these realms,&quot; at which elderly gentlemen exclaim &quot;Bravo!&quot; and hammer the table tremendously with their knife-handles. &quot;Under any circumstances, it would give him the greatest pride, it would give him the greatest pleasure—he might almost say, it would afford him satisfaction [cheers] to propose that toast. What must be his feelings, then, when he has the gratification of announcing, that he has received her Majesty’s commands to apply to the Treasurer of her Majesty’s Household, for her Majesty’s annual donation of 25l. in aid of the funds of this charity.&quot; This announcement (which has been regularly made by every chairman since the first foundation of the charity forty-two years ago) calls forth the most vociferous applause; the toast is drunk with a great deal of cheering and knocking; and &quot;God save the King&quot; is sung by the &quot;professional gentlemen;&quot; the unprofessional Gentlemen joining in the chorus, and giving the national anthem an effect which the newspapers, with great justice, describe as &quot;perfectly electrical.&quot; The other &quot;loyal and patriotic&quot; toasts having been drunk with all due enthusiasm, a comic song having been sung by the man with the small neckerchief, and a sentimental ditto by the second of the party, we come to the most important toast of the evening—&quot;Prosperity to the Charity.&quot; Here again we are compelled to adopt newspaper phraseology, and express our regret at being &quot;precluded from giving even the substance of the Noble Lord’s observations.&quot; Suffice it to say, that the speech, which is somewhat of the longest, is rapturously received, and the toast having been drunk, the stewards (looking more important than ever) leave the room, and presently return, heading a procession of indigent orphans, boys and girls, who walk round the room, curtseying, and bowing, and treading on each other’s heels, and looking very much as if they would like a glass of wine apiece, to the high gratification of the company generally, and especially of the Lady Patronesses in the gallery. Exeunt children, and re-enter stewards, each with a blue plate in his hand. The band plays a lively air; the majority of the company put their hands in their pockets, and look rather serious; and the noise of sovereigns rattling on crockery, is heard from all parts of the room. After a short interval, occupied in singing and toasting, the Secretary puts on his spectacles, and proceeds to read the report and list of subscriptions the latter being listened to with great attention. &quot;Mr. Smith, one guinea; Mr. Tompkins one guinea— Mr. Wilson one guinea—Mr. Hickson one guinea—Mr. Nixon, one guinea—Mr. Charles Nixon one guinea—[hear, hear!]—Mr. James Nixon one guinea —Mr. Thomas Nixon, one pound one [tremendous applause]. Lord Fitz Winkle, the chairman of the day, in addition to an annual donation of fifteen pounds—thirty guineas [prolonged knocking; several gentlemen knock the stems off their wine-glasses in the vehemence of their approbation]. Lady Fitz Winkle, in addition to an annual donation of ten pound—twenty pound&quot; [protracted knocking and shouts of &quot;Bravo!&quot;]. The list being at length concluded, the chairman rises, and proposes the health of the secretary, than whom he knows no more zealous or estimable individual. The secretary, in returning thanks, observes that he knows no more excellent individual than the chairman—except the senior officer of the charity, whose health he begs to propose. The senior officer, in returning thanks, observes that he knows no more worthy man than the secretary—except Mr. Walker, the auditor, whose health he begs to propose. Mr. Walker, in returning thanks, discovers some other estimable individual, to whom alone the senior officer is inferior—and so they go on toasting and lauding and thanking: the only other toast of importance being &quot;The Lady Patronesses now present,&quot; on which all the gentlemen turn their faces towards the ladies’ gallery, shouting tremendously; and little priggish men, who have imbibed more wine than usual, kiss their hands and exhibit distressing contortions of visage, supposed to be intended for ogling. We have protracted our dinner to so great a length, that we have hardly time to add one word by way of grace. We can only entreat our readers not to imagine because we have attempted to extract some amusement from a charity dinner, that we are at all disposed to underrate either the excellence of the Benevolent Institutions, with which London abounds, or the estimable motives of those who support them. (Footnote) The sketch entitled &quot;Bellamy&#039;s,&quot; which we announced as a continuation of &quot;The House,&quot; shall form the next number of our series.18350407https://dickenssearch.com/files/original/5/Sketches_of_London_No._VII_Public_Dinners/1835-04-07_Sketches_of_London_No.VII_Public_Dinners.pdf
47https://dickenssearch.com/items/show/47'<em>Sketches of London</em>, No. VIII, Bellamy's'Published in <em>The Evening Chronicle</em> (11 April 1835).Dickens, Charles<em>The British Newspaper Archive, </em><a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350411/031/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350411/031/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-04-11">1835-04-11</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-04-11_The_Evening_Chronicle_Sketches_of_London_NoVIII_BellamysDickens, Charles. 'Sketches of London, No. VIII, Bellamy's' (11 April 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-04-11_The_Evening_Chronicle_Sketches_of_London_NoVIII_Bellamys">https://dickenssearch.com/short-stories/1835-04-11_The_Evening_Chronicle_Sketches_of_London_NoVIII_Bellamys</a>.<a href="https://dickenssearch.com/teibp/dist/content/1835-04-11_The_Evening_Chronicle_Sketches_of_London_NoVIII_Bellamys.xml" target="_blank" rel="noopener">'Sketches of London, No. VIII, Bellamy's.' <em>The Evening Chronicle</em> (11 April 1835).</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Evening+Chronicle%3C%2Fem%3E"><em>The Evening Chronicle</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a>In redemptions of the promise which we appended to the last number of our series, we now propose to introduce our readers to Bellamy&#039;s kitchen, or in other words, to the refreshment room, common to both houses of Parliament, where Ministerialists and Oppositionists, Whigs and Tories, Radicals and Destructives, Peers and Reporters, strangers from the gallery, and the more favoured strangers from below the bar, are alike at liberty to resort; where divers honourable members prove their perfect independence by remaining during the whole of a heavy debate, solacing themselves with the creature comforts; and from whence they are summoned by whippers-in, when the House is on the point of dividing; either to give their &quot;conscientious votes&quot; on questions of which they are conscientiously innocent of knowing anything whatever, or to find a vent for the playful exuberance of their wine-inspired fancies in boisterous shorts of &quot;Divide,&quot; occasionally varied with a little howling, barking and crowing, or other ebullitions of senatorial pleasantry. <br /> <br /> When you have ascended the narrow staircase which, in the present temporary House of Commons leads to the place we are describing, you will probably observe a couple of rooms on your right hand with tables spread for dining, neither of these is the kitchen, although they are both devoted to the same purpose; the kitchen is further on to your left, up these half-dozen stairs. Before we ascend the staircase, however, we must request you to pause in front of this little bar-place with the sash-windows; and beg your particular attention to the steady, honest-looking old fellow in black, who is its sole occupant. Nicholas (we do not mind mentioning the old fellow&#039;s name, for if Nicholas isn&#039;t a public man, who is?—and public men&#039;s names are public property). Nicholas is the butler of Bellamy&#039;s, and had held the same place, dressed exactly in the same mannor, and said precisely the same things ever since the oldest of its present visitors can remember. An excellent servant Nicholas is—an unrivaled compounder of salad-dressing—an admirable preparer of soda-water and lemon—a special mixer of cold grog and punch, and, above all, an unequalled judge of cheese. If the old man have such a thing as vanity in his composition, this is certainly his pride; and if it be possible to imagine that anything in this world could disturb his impenetrable calmness, we should say it would be the doubting his judgement on this important point. We needn&#039;t tell you all this however, for if you have an atom of observation, one glance at his sleek knowing-looking head and face—his prim, white neck-kerchief, with the wooden tie into which it has been regularly folded for twenty years past, merging by imperceptible degrees into a small-plaited shirt-frill, and his comfortable-looking form encased in a well-brushed suit of black—would give you a better idea of his real character than a column of our poor description could convey. Nicholas is rather out of his element now; he can&#039;t see the kitchen as he used to do in the old house; there, one window of his glass-case used to open into the room, and many a time, long after day-break on a summer&#039;s morning, have we amused ourself in drawing the cautious old man out by asking deferential questions about Sheridan, and Percival, and Castlereagh, and Heaven knows who beside, which he would answer with manifest delight, always inserting a &quot;Mister&quot; before every name. Nicholas, like all men of his age and standing, has a great idea of the degeneracy of the times. He seldom expresses any political opinions, but we managed to ascertain, just before the passing of the Reform Bill, that Nicholas was a thorough Reformer. What was our astonishment to discover, shortly after the meeting of the first reformed Parliament, that he was a most inveterate and decided Tory! &#039;Twas very odd: some men change their opinions from necessity, other from expediency, others from inspiration; but that Nicholas should undergo any change in that respect, was an event we had never contemplated, and should have considered impossible. His strong opinion against the clause which empowered the metropolitan districts to return Members to Parliament, too, was perfectly unaccountable. We discovered the secret at last; the metropolitan Members always dined at home. The Rascals! As for giving additional Members to Ireland, it was even worse—decidedly unconstitutional. Why, sir, an Irish Member would go up there, and eat more dinner than three English Members put together. He took no wine; drank table beer by the half-gallon; and went home to Manchester-buildings, or Milbank-street, for his whiskey and water, and what was the consequence? Why the concern lost—actually lost by their patronage. A queer old fellow is Nicholas, and as completely a part of the building as the house itself. We wonder he ever left the old place, and fully expected to see in the papers, the morning after the fire, a pathetic account of an old gentleman in black, of decent appearance, who was seen at one of the upper windows when the flames were at their height, and declared his resolution intention of falling with the floor. He must have been got out by force. However, he was got out— here he is again, looking, as he always does, as if he had been in a band box ever since last session. There he is at his old post every night, just as we have described him: and as characters are scarce, and faithful servants scarcer, long may he be there say we. <br /> <br /> The two persons who are seated at the table in the corner, at the further end of the room, have been constant guests here for many years past, and one of them has feasted within these walls many a time with the most brilliant characters of a brilliant period. He has gone up to the other house since then: the greater part of his boon companions have shared Yorick&#039;s fate, and his visits to Bellamy&#039;s are comparatively few. If he really be eating his supper now, at what hour can he possibly have dined? A second solid mass of rump-steak has disappeared, and he eat the first in four minutes and three-quarters by the clock over the window. Was there ever such a perfect personification of Falstaff? Mark the air with which he gloats over this Stilton as he removes the napkin which has been placed beneath his chin to catch the superfluous gravy of the steak, and with what gusto he imbibes the porter which has been fetched expressly for him in the pewter pot. Listen to the hoarse sound of that voice kept down as it is by layers of solids, and deep draughts of rich wine, and tell us if you ever saw such a perfect picture of a regular gourmond; and whether he is not exactly the man whom you would pitch upon as having been tho partner of Sheridan&#039;s Parliamentary carouses, the volunteer driver of the hackney coach that took him home, and the Involuntary upsetter of the whole party? What an amusing contrast between his voice and appearance, and that of the spare, squeaking old man, who sits at the same table, and who, elevating a little cracked bantum sort of voice to its highest pitch, invokes damnation upon his own eyes or somebody else&#039;s at the commencement of every sentence he utters. &quot;The Captain,&quot; as they call him, is a very old frequenter of Bellamy&#039;s; much addicted to stopping &quot;after the house is up&quot; (an inexpiable crime in Jane&#039;s eyes), and a complete walking reservoir of spirits and water. The old Peer—or rather, the old man; for his peerage is of recent date—has a huge tumbler of hot-punch brought him. The other damns and drinks, and drinks and damns and smokes—Members arrive every moment in a great bustle to report that &quot;The Chancellor of the Exchequer&#039;s up,&quot; and to get glasses of brandy and water to sustain them during the division—people who have ordered supper countermand it, and prepare to go down stairs, when suddenly a bell is heard to ring with tremendous violence, and a cry of &quot;Di-vi-sion&quot; is heard in the passage. This is enough; away rush the members pell-mell; the room is cleared in an instant; the noise rapidly dies away; you hear the creaking of the last boot on the last stair, and we are left alone with the Leviathan of Rump-steaks. <br /> <br /> We are sensible that we owe some apology to many of our readers for selecting for the second time, a subject involving allusions which they may not understand. If this be the case, we hope they will not object to our having written on these occasions for those who are more particularly connected with, or interested in, the scenes we have attempts to sketch, on our assurance that it always has been, and always will be, our object to sketch people and places which all our readers, in common with ourselves, have had opportunities of observing.18350411https://dickenssearch.com/files/original/5/Sketches_of_London_No._VIII_Bellamy_s/1835-04-11_Sketches_of_London_No.VIII_Bellamys.pdf
49https://dickenssearch.com/items/show/49'<em>Sketches of London</em>, No. X, Thoughts About People'Published in <em>The Evening Chronicle</em> (23 April 1835).Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350423/016/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350423/016/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-04-23">1835-04-23</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-04-23_The_Evening_Chronicle_Sketches_of_London_NoX_Thoughts_About_PeopleDickens, Charles. 'Sketches of London, No. X, Thoughts About People.' (23 April 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-04-23_The_Evening_Chronicle_Sketches_of_London_NoX_Thoughts_About_People">https://dickenssearch.com/short-stories/1835-04-23_The_Evening_Chronicle_Sketches_of_London_NoX_Thoughts_About_People</a>.<a href="https://dickenssearch.com/teibp/dist/content/1835-04-23_The_Evening_Chronicle_Sketches_of_London_NoX_Thoughts_About_People.xml" target="_blank" rel="noopener">'Sketches of London, No. X, Thoughts About People.' <em>The Evening Chronicle</em> (23 April 1835).</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Evening+Chronicle%3C%2Fem%3E"><em>The Evening Chronicle</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a>&#039;Tis strange with how little notice, good, bad, or indifferent, a man may live and die in London. He awakens no sympathy in the breast of any single person; his existence is a matter of interest to no one save himself, and he cannot be said to be forgotten when he dies, for no one remembered him when he was alive. There really are a very numerous class of people in this great metropolis who seem not to possess a single friend, and whom nobody appears to care for. Urged by imperative necessity in the first instance, they have resorted to London in search of employment and the means of subsistence. It is hard, we know, to break the ties which bind us to our homes and friends; and harder still to efface the thousand recollections of happy days and old times, which have been slumbering in our bosoms for years, and only rush upon the mind to bring before it with startling reality associations connected with the friends we have left, the scenes we have beheld, too probably for the last time, and the hopes we once cherished, but may entertain no more. These men, however, happily for themselves, have long since forgotten such thoughts, old country friends have died or emigrated, former correspondents have become lost like themselves in the crowd and turmoil of some busy city, and they have gradually settled down into mere passive creatures of habit and endurance. We were seated in the enclosure of St. James’s Park the other day, when our attention was attracted by a man whom we immediately set down in our own mind as one of this class. He was a tall thin pale person in a black coat, scanty grey trowsers, little pinched-up gaiters, and brown beaver gloves. He had an umbrella in his hand—not for use, for the day was fine; but evidently because he always carried one to the office in the morning; and he walked up and down before the little patch of grass on which the chairs are placed for hire, not as if he were doing it for pleasure or recreation, but as if it were a matter of compulsion—just as he walks to the office every morning from the back settlements of Islington. It was Monday—Easter Monday; he had escaped for four-and-twenty hours from the thraldom of the desk, and was walking here for exercise and amusement—perhaps for the first time in his life. We were inclined to think he had never had a holiday before, and that even now he didn&#039;t exactly know what to do with himself. Children were playing on the grass; groups of people were loitering about, chatting and laughing; but the man walked steadily up and down, unheeding and unheeded; his spare, pale face looking as if it were incapable of bearing the expression of curiosity or interest;—altogether there was something in his manner and appearance which told us, we fancied, his whole life, or rather his whole day, for a man of this sort has no variety. We almost saw the dingy little back office into which he walks every morning, hanging his hat on the same peg, and placing his legs beneath the same desk: first, taking off that black coat which lasts the year through, and putting on the one which did duty last year, and which he keeps in his desk to save the other. There he sits till five o’clock, only raising his head when some one enters the counting house, or when in the midst of some difficult calculation, he looks up to the ceiling as if there were inspiration in the dusty skylight with a green knot in the centre of every pane of glass; working the day through as regularly as the dial over the mantel-piece, whose loud ticking is almost as monotonous as his own existence. About five, or half-past, he slowly dismounts from his accustomed stool, and again changing his coat proceeds to his usual dining-place, somewhere near Bucklersbury. The waiter recites the bill of fare in a rather confidential manner—for he&#039;s a regular customer— and after inquiring, &quot;What’s in the best cut?&quot; and &quot;what was up last,&quot; he orders a small plate of roast beef with greens, and half a pint of porter. He has a small plate to-day because greens are a penny more than potatoes, and he had &quot;two heads&quot; yesterday, with the additional enormity of &quot;a cheese&quot; the day before. This important point being settled, he hangs up his hat—he took it off the moment he sat down—and bespeaks the paper after the next gentleman. If he can get it while he&#039;s at dinner he appears to eat it with much greater zest; balancing it against the water-bottle, and eating a bit of beef, and reading a line or two, alternately. Exactly at five minutes before the hour is up he produces a shilling, pays the reckoning, carefully deposits the change in his waistcoat pocket (first deducting a penny for the waiter) and returns to the office, from which, if it&#039;s not Foreign Post night, he again sallies forth in about half an hour. He then walks home at his usual pace to his little back room at Islington, where he has his tea; perhaps solacing himself during the meal with the conversation of his landlady’s little boy, whom he occasionally rewards with a penny for solving problems in simple addition. Sometimes there&#039;s a letter or two to take up to his employer’s in Bernard-street, Russell-square, and then the wealthy man of business hearing his voice, calls out from the dining-parlour, &quot;Come in, Mr. Smith,&quot;—and Mr. Smith, putting his hat at the feet of one of the hall chairs, walks timidly in, and being condescendingly desired to sit down, carefully tucks his legs under his chair, and sits at a considerable distance from the table while he drinks the glass of sherry which is poured out for him by the eldest boy, and after drinking which, he backs and slides out of the room in a state of nervous agitation, from which he does not perfectly recover until he finds himself once more in the Islington-road. Poor harmless creatures these men are; contented, but not happy; broken-spirited and humbled, they may feel no pain, but they never know pleasure. Compare these men with another class of beings who, like them have neither friend nor companion, but whose position in society is the result of their own choice. These are generally old fellows with white heads and red faces, addicted to port wine and Hessian boots, who, from some cause, real or imaginary—generally the former, the excellent reason being that they are rich and their relations poor—grow suspicious of everybody, and do the misanthropical in chambers, taking great delight in thinking themselves unhappy, and making everybody they come near miserable. You may see such men as these any where; you will know them at coffee-houses by their discontented exclamations and the luxury of their dinners; at theatres by their always sitting in the same place, and looking with a jaundiced eye on all the young people near them; at church by the pomposity with which they enter, and the loud tone in which they repeat the responses; at parties, by their getting cross at whist, and hating music. An old fellow of this kind will have his chambers splendidly furnished, collecting books, and plate, and pictures about him in profusion; not so much for his own gratification as to annoy those who have the desire, but not the means, to compete with him. He belongs to two or three Clubs, and is envied, and flattered, and hated by the members of them all. Sometimes he will be appealed to by a poor relation—a married nephew perhaps—for some little assistance and relief, and then he will declaim with honest indignation on the improvidence of young married people, the worthlessness of a wife, the insolence of having a family, the atrocity of getting into debt with a hundred and twenty-five pounds a year, and other unpardonable crimes; winding up his exhortation with a complacent review of his own conduct, and a delicate allusion to parochial relief. He dies, some day after dinner of apoplexy, having bequeathed his property to a Bible Society; and the Institution erects a tablet to his memory expressive of their admiration of his Christian conduct in this world, and their comfortable conviction of his happiness in the next. Next to our very particular friends, hackney-coachmen, cabmen, and cads, whom we admire in proportion to the extent of their cool impudence and perfect self-possession, there is no class of people who amuse us more than London apprentices. They are no longer an organized body, bound down by solemn compact to terrify his Majesty’s subjects whenever it pleased them to take offence in their heads, and staves in their hands. They are only bound now by indentures; and, as to their valour, it is easily restrained by the wholesome dread of the New Police, and a perspective view of a damp station-house, terminating in a police-office, and a reprimand. They are still, however, a peculiar class, and not the less pleasant for being inoffensive. Can any one fail to have noticed them in the streets on Sunday? And were there ever such beautiful attempts at the grand and magnificent as they display in their own proper persons! We walked down the Strand a Sunday or two ago, behind a little group; and they furnished food for our amusement the whole way. They had come out of some part of the city; it was between three and four o’clock in the afternoon, and they were on their way to the Park. There were four of them, all arm-in-arm, white kid gloves like so many bridegrooms, light oh-no-we-never-mention-&#039;ems, of unprecedented patterns, and coats for which the English language has as yet no name—a kind of cross between a great coat and a surtout, with the collar of the one, the skirts of the other, and pockets peculiar to themselves. Each of the gentlemen carried a thick stick with a large tassel at the top, which he occasionally twirled gracefully round, and the whole four, by way of looking easy and unconcerned, were walking with a sort of paralytic swagger irresistibly ludicrous. One of the party had got a watch about the size and shape of a Ribstone pippin, jammed into his waistcoat-pocket, which he carefully compared with the clocks at St. Clement’s and the New Church, the illuminated clock at The Chronicle office, the ditto ditto at Exeter Change, St. Martin’s Church clock, and the Horse Guards; and when they at last arrived in St. James’s-park, the member of the party who had the best made boots on, hired a second chair expressly for his feet, and flung himself on this two-pennyworth of sylvan luxury with an air which, in our mind, levelled all distinctions between Brookes’s and Snooks’s, Crockford’s and Bagnigge Wells. It may be urged that if London apprentices continue to pursue these freaks, they will no longer be the distinct class which we shall attempt to show they now are, by tracing them through the different scenes we propose sketch. We feel the whole force of the objection; and we see no reason why the same gentleman of enlarged and comprehensive views who proposes to Parliament a measure for preserving the amusements of the upper classes of society, and abolishing those of the lower, may not with equal wisdom preserve the former more completely, and mark the distinction between the two more effectively, by bringing in a Bill &quot;to limit to certain members of the hereditary peerages of this country and their families, the privilege of making fools of themselves as often as egregiously as to them shall seem meet.&quot; Precedent is a great thing in these cases, and Heaven knows he will have precedent enough to plead. There are so many classes of people in London, each one so different from the other, and each so peculiar in itself, that we find it time to bring our paper to a close before we have well brought our subject to a beginning. We are, therefore, induced to hope that we may calculate upon the permission of our readers to think about people again at some future time.18350423https://dickenssearch.com/files/original/5/Sketches_of_London_No._X_Thoughts_About_People/1835-04-23_The_Evening_Chronicle_Sketches_of_London_No.X_Thoughts_About_People.pdf
50https://dickenssearch.com/items/show/50'<em>Sketches of London</em>, No. XI, Astley's'Published in <em>The Evening Chronicle</em> (9 May 1835).Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350509/014/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350509/014/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-05-09">1835-05-09</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-05-09_The_Evening_Chronicle_Sketches_of_London_NoXI_AstleysDickens, Charles. 'Sketches of London, No. XI, Astley's' (09 May 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-05-09_The_Evening_Chronicle_Sketches_of_London_NoXI_Astleys">https://dickenssearch.com/short-stories/1835-05-09_The_Evening_Chronicle_Sketches_of_London_NoXI_Astleys</a>.<a href="https://dickenssearch.com/teibp/dist/content/1835-05-09_The_Evening_Chronicle_Sketches_of_London_NoXI_Astleys.xml" target="_blank" rel="noopener">'Sketches of London, No. XI, Astley's.' <em>The Evening Chronicle</em> (9 May 1835).</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Evening+Chronicle%3C%2Fem%3E"><em>The Evening Chronicle</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a>We never see any very large, staring, black Roman capitals in a book, or shop window, or placarded on a wall, without their immediately recalling to our mind an indistinct and confused recollection of the time when we were first initiated in the mysteries of the alphabet. We almost fancy we see the pen’s point following the letter, to impress its form more strongly on our bewildered imagination, and wince involuntarily, as we remember the hard knuckles with which the reverend old lady, who instilled into our mind the first principles of education for nine-pence per week, or ten and sixpence per quarter, was wont to poke our juvenile head occasionally by way of adjusting the confusion of ideas in which we were generally involved. The same kind of feeling pursues us in many other instances, but there is no place which recalls so strongly our recollections of childhood as Astley’s. It was not a &quot;Royal Amphitheatre&quot; in those days; nor had Ducrow arisen to shed the light of classic taste and portable gas over the saw-dust of the circus; but the whole character of the place was the same—the pieces were the same—the clown’s jokes were the same— the riding-masters were equally grand—the comic performers equally witty—the tragedians equally hoarse—and the &quot;highly-trained chargers&quot; equally spirited. Astley’s has altered for the better—we have changed for the worse. Our histrionic taste is gone; and with shame we confess, that we are far more delighted and amused with the audience, than with the pageantry we once so highly appreciated. We like to watch a regular Astley’s party in the Easter or midsummer holidays—Pa and Ma, and nine or ten children, varying from five foot six to two foot eleven; from fourteen years of age to four. We had just taken our seat in one of the boxes in the centre of the house the other night, when the next was occupied by just such a party as we should have attempted to describe, had we depicted our beau ideal of a group of Astley’s visitors. First of all, there came three little boys and a little girl, who in pursuance of Pa’s directions, issued in a very audible voice from the box-door, occupied the front row; then two more little girls were ushered in by a young lady, evidently the governess. Then came three more little boys, dressed like the first, in blue jackets and trousers, with a lay-down shirt-collar; then a child in a braided frock and high state of astonishment, with very large round eyes, opened to their utmost width, was lifted over the seats—a process which occasioned a considerable display of little pink legs —then came Ma and Pa, and then the eldest son, a boy of about fourteen years old, who was evidently trying to look as if he didn&#039;t belong to the family. The first five minutes were occupied in taking the shawls off the little girls and adjusting the bows which ornamented their hair; then it was providentially discovered that one of the little boys was seated behind a pillar and couldn&#039;t see, so the governess was stuck behind the pillar, and the boy lifted into her place; then Pa drilled the boys, and directed the stowing away of their pocket handkerchiefs; and Ma having just nodded and winked to the governess to pull the girls’ frocks a little more off their shoulders, stood up to review the little troop—an inspection which appeared to terminate much to her own satisfaction, for she looked with a complacent air at Pa, who was standing up at the other end of the seat; and Pa returned the glance, and blew his nose very emphatically; and the poor governess peeped out from behind the pillar, and timidly tried to catch Ma’s eye with a look expressive of her high admiration of the whole family. Then two of the little boys who had been discussing the point whether Astley’s was more than twice as large as Drury-Lane, agreed to refer it to &quot;George&quot; for his decision; at which &quot;George,&quot; who was no other than the young gentleman before noticed, waxed indignant, and remonstrated in no very gentle terms on the gross impropriety of having his name repeated in so loud a voice at a public place; on which all the children laughed very heartily, and one of the little boys wound up by expressing his opinion, that &quot;George began to think himself quite a man now,&quot; whereupon both Pa and Ma laughed too; and George (who carried a dress cane and was cultivating whiskers) muttered that &quot;William always was encouraged in his impertinence;&quot; and assumed a look of profound contempt, which lasted the whole evening. The play began, and the interest of the little boys knew no bounds; Pa was clearly interested too, although he very unsuccessfully endeavoured to look as if he wasn’t. As for Ma, she was perfectly overcome by the drollery of the principal comedian, and laughed till every one of the immense bows on her ample cap trembled, at which the governess peeped out from behind the pillar again; and whenever she could catch Ma’s eye, put her handkerchief to her mouth, and appeared, as in duty bound, to be in convulsions of laughter also. Then when the man in the splendid armour vowed to rescue the lady or perish in the attempt, the little boys applauded vehemently, especially one little fellow who was apparently on a visit to the family, and had been carrying on a child’s flirtation the whole evening with a small coquette of twelve years old, who looked like a model of her Mama on a reduced scale; and who, in common with the other little girls (who generally speaking have even more coquettishness about them than much older ones), looked very properly shocked when the knight’s squire kissed the princess’s confidential chambermaid. When the scenes in the circle commenced, the children were more delighted than ever, and the wish to see what was going forward completely conquering Pa’s dignity, he stood up in the box, and applauded as loudly as any of them. Between each feat of horsemanship, the governess leant across to Ma, and retailed the clever remarks of the children on that which had preceded; and Ma, in the openness of her heart, offered the governess an acidulated drop; and the governess, gratified to be taken notice of, retired behind her pillar again with a brighter countenance; and the whole party seemed quite happy except the exquisite in the back of the box, who, being to grand to take and interest in the children, and too insignificant to be taken notice of by any body else, occupied himself, from time to time in rubbing the place where the whiskers ought to be, and was completely alone in his glory. We defy any one who has been to Astley’s two or three times, and is consequently capable of appreciating the perseverance with which precisely the same jokes are repeated night after night, and season after season, not to be amused with one part of the performances at least—we mean the scenes in the circle. For ourselves, we know that when the hoop, composed of jets of gas is let down —the curtain drawn up, for the convenience of the half-price on their ejectment from the ring—the orange-peel cleared away, and the saw-dust shaken, with mathematical precision, into a complete circle—we feel as much enlivened as the youngest child present; and actually join in the laugh which follows the clown’s shrill shout of &quot;Here we are!&quot; just for old acquaintance sake. We can&#039;t even quite divest ourself of our old feeling of reverence for the riding-master, who follows the clown with a long whip in his hand, and bows to the audience with graceful dignity. We don&#039;t mean any of your second-rate riding-masters in nankeen dressing-gowns with brown frogs, but the regular gentleman attendant on the principal riders, who always wears a military uniform with a table-cloth inside the breast of the coat; in which costume he forcibly reminds one of a fowl trussed for roasting. He is—but why should we attempt to describe that of which no description can convey an adequate idea? Everybody knows the man, and everybody remembers his polished boots, his graceful demeanour stiff, as some misjudging persons have in their jealousy considered it, and the splendid head of black hair, parted high on the forehead, to impart to the countenance an appearance of deep thought and poetic melancholy. His soft and pleasing voice, too, is in perfect unison with his noble bearing, as he humours the clown by indulging in a little badinage, and the striking recollection of his own dignity, with which he exclaims, &quot;Now, sir, if you please, inquire for Miss Woolford, sir,&quot; can never be forgotten. Again, the graceful air with which he introduces Miss Woolford into the arena, and after assisting her on to the saddle, follows her fairy courser round the circle, can never fail to create a deep impression in the bosom of every female servant present. When Miss Woolford and the horse, and the orchestra, all stop together to take breath, he urbanely takes part in some such dialogue as the following (commenced by the clown): &quot;I say, sir!&quot;—&quot;Well, sir.&quot; (it’s always conducted in the politest manner.) &quot;Did you ever happen to hear I was in the army, sir?&quot;—&quot;No, sir.&quot;— &quot;Oh, yes, sir—I can go through my exercise, sir.&quot;— &quot;Indeed, sir!&quot;—&quot;Shall I do it now, sir?&quot;—&quot;If you please, sir, come, Sir—make haste&quot; (a cut with the long whip, and &quot;Ha’ done now—I don’t like it, from the clown). Here the clown throws himself on the ground, and goes through a variety of gymnastic convulsions, doubling himself up and untying himself again, and making himself look very like a man in the most hopeless extreme of human agony, to the vociferous delight of the gallery, until he is interrupted by a second cut from the long whip, and a request to see &quot;what Miss Woolford’s stopping for?&quot; On which, to the inexpressible mirth of the gallery, he exclaims, &quot;Now Miss Woolford, what can I come for to go for to fetch, for to bring, for to carry, for to do, for you, ma’am?&quot; On the lady’s announcing with a sweet smile, that she wants the two flags, they are with sundry grimaces procured and handed up; the clown facetiously observing after the performance of the latter ceremony—&quot;He, he, oh! I say sir, Miss Woolford knows me; she smiled at me.&quot; Another cut from the whip—a burst from the orchestra—a start from the horse, and round goes Miss Woolford again on her graceful performance, to the delight of every member of the audience, young or old. The next pause affords an opportunity for similar witticisms, the only additional fun being that of the clown making ludicrous grimaces at the riding-master every time his back is turned; and finally quitting the circle by jumping over his head, having previously directed his attention another way. Did any of our readers ever notice the class of people, who hang about the stage doors of our minor theatres in the day time? You will rarely pass one of these entrances without seeing a group of three or four men conversing on the pavement, with an indescribable public-house-parlour-swagger, and a kind of conscious air peculiar to people of this description. They always seem to think they are exhibiting; the lamps are ever before them. That young fellow in the faded brown coat, and very full light green trowsers, pulls down the wristbands of his check shirt as ostentatiously as if it were of the finest linen, and cocks the white hat of the summer before last as knowingly over his right eye as if it were a purchase of yesterday. Look at the dirty white berlin gloves, and the cheap silk handkerchief stuck in the bosom of his seedy coat. Is it possible to see him for an instant and not come to the conclusion that he is the walking gentleman who wears a blue surtout, clean collar, and white trowsers, for half an hour, and then shrinks into his worn-out scanty clothes; who has to boast night after night of his splendid fortune, with the painful consciousness of a pound a week and his boots to find; to talk of his father’s mansion in the country, with the dreary recollection of his own two-pair back, in the New Cut; and to be envied and flattered as the favoured lover of a rich heiress, remembering all the while that the ex-dancer at home, is in the family way, and out of an engagement! Next to him, perhaps, you will see a thin pale man, with a very long face, in a suit of shining black, thoughtfully knocking that part of his boot which once had a heel, with an ash stick. He is the man who does the heavy business, such as prosy fathers, virtuous servants, curates, landlords, and so forth. By-the-bye, talking of fathers, we should very much like to see some piece in which all the dramatis personae were orphans. Fathers are invariably great nuisances on the stage, and always have to give the hero or heroine a long explanation of what was done before the curtain rose, usually commencing with &quot;It is now nineteen years, my dear child, since your blessed mother (here the old villain’s voice faulters) confided you to my charge. You were then an infant,&quot; &amp;amp;c., &amp;amp;c. Or else they have to discover, all of a sudden, that somebody, whom they have been in constant communication with during three long acts, without the slightest suspicion, is their own child, in which case they exclaim, &quot;Ah! what do I see! This bracelet! That smile! These documents! Those eyes! Can I believe my senses? It must be!—Yes—it is—it is—my child!&quot; &quot;My father!&quot; exclaims the child, and they fall into each other’s arms, and look over each other’s shoulders; and the audience give three rounds of applause. To return from this digression; we were about to say that these are the sort of people whom you see talking, and attitudinizing outside the stage-doors of our minor theatres. At Astley’s they are always more numerous than at any other place; there is generally a groom or two sitting on the window-sill, and two or three dirty shabby-genteel men in checked neckerchiefs, and sallow linen, lounging about, and carrying, perhaps, under one arm a pair of stage shoes badly wrapped up in a piece of old newspaper. Some years ago we used to stand looking, open-mouthed, at these men with a feeling of mysterious curiosity, the very recollection of which provokes a smile at the moment we are writing. We could not believe that the beings of light and elegance, in milk-white tunics, salmon-coloured legs, and blue scarfs, who flitted on sleek cream-coloured horses before our eyes at night, with all the aid of lights, music, and artificial flowers, could be the pale, dissipated-looking creatures we beheld by day. We can hardly believe it now. Of the lower class of actors we have seen something, and it requires no great exercise of imagination to identify the walking gentleman with the &quot;dirty swell,&quot; the comic singer with the public-house chairman, or the leading tragedian with drunkenness and distress, but the other men are mysterious beings, never seen out of the ring, never beheld but in the costume of gods and sylphs. With the exception of Ducrow, who can scarcely be classed among them—who ever knew a rider at Astley’s, or saw him, but on horseback? Can our friend in the military uniform ever appear in threadbare attire, or descend to the comparatively un-wadded costume of every-day life? Impossible! We cannot—we will not—believe it. It is to us matter of positive wonder and astonishment that the infectious disease commonly known by the name of &quot;stage-struck,&quot; has never been eradicated, unless people really believe that the privilege of wearing velvet and feathers for an hour or two at night, is sufficient compensation for a life of wretchedness and misery. It is stranger still, that that denizens of attorneys&#039; offices, merchants&#039; counting-houses, haberdashers&#039; shops, and coal sheds, should squander their own resources to enrich some wily vagabond by paying—actually paying, and dearly too—to make unmitigated and unqualified asses of themselves at a Private Theatre. Private theatres, so far as we know, are peculiar to London; they flourish just now, for we have half a dozen at our fingers&#039; ends. We will take an early opportunity of introducing our readers to the Managers of one or two, and of sketching the interior of a Private Theatre, both before the curtain and behind it.18350509https://dickenssearch.com/files/original/5/Sketches_of_London_No._XI_Astley_s/1835-05-09_Sketches_of_London_No.XI_Astleys.pdf
51https://dickenssearch.com/items/show/51'<em>Sketches of London</em>, No. XII, Our Parish' (I)Published in <em>The Evening Chronicle</em> (19 May 1835).Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350519/021/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350519/021/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-05-19">1835-05-19</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-05-19_The_Evening_Chronicle_Sketches_of_London_NoXII_Our_ParishIDickens, Charles. 'Sketches of London, No. XII, Our Parish (I)' (19 May 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Acessed [date]. <a href="https://dickenssearch.com/short-stories/1835-05-19_The_Evening_Chronicle_Sketches_of_London_NoXII_Our_ParishI">https://dickenssearch.com/short-stories/1835-05-19_The_Evening_Chronicle_Sketches_of_London_NoXII_Our_ParishI</a>.<a href="https://dickenssearch.com/teibp/dist/content/1835-05-19_The_Evening_Chronicle_Sketches_of_London_NoXII_Our_ParishI.xml" target="_blank" rel="noopener">'Sketches of London, No. XII, Our Parish' (I). <em>The Evening Chronicle</em> (19 May 1835).</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Evening+Chronicle%3C%2Fem%3E"><em>The Evening Chronicle</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a>In a former number of our series we attempted a sketch of two or three of the worthies who hold office in our parish; and we wound up by observing that we should seek materials for another paper in that little kingdom. The promise escape our attention until a few days ago; but we now hasten to redeem it with a due sense of contrition for our negligence in not having done so before. We commenced the article to which we have referred with the beadle of our parish, deeply feeling the importance and dignity of his station. We will begin the present paper with the clergyman.—Our curate is a young gentleman of such prepossessing appearance and fascinating manners, that within one month after his first appearance in the parish half the young-lady inhabitants were melancholy with religion, and the other half desponding with love. Never were so many young ladies seen in our parish-church on Sunday before; and never had the little round angel&#039;s faces on Mr. Tomkins&#039;s monument in the side aisle, beheld such devotion on earth as they all exhibited. He was about five-and-twenty when he first came to astonish the parishioners, parted his hair on the centre of his forehead in the form of a Saxon arch, wore a brilliant of the first water on the fourth finger of his left hand (which he always applied to his left cheek when he read prayers); and had a deep sepulchral voice of unusual solemnity. Innumerable were the calls made by prudent mamas on our new curate; and innumerable the invitations with which he was assailed, and which to do him justice he readily accepted. If his manner in the pulpit had created an impression in his favour, the sensation was increased tenfold by his appearance in private circles. Pews in the immediate vicinity of the pulpit or reading desk rose in value: sittings in the centre circle were at a premium: an inch of room in the front row of the gallery could not be procured for love or money; and some people even went so far as to assert that the three Miss Browns, who had an obscure family pew just behind the churchwardens&#039;, were detected one Sunday, in the free seats by the communion-table, actually lying in wait for the curate as he passed to the vestry! He began to preach extempore sermons, and even grave papas caught the infection; he got out of bed at half-past twelve o&#039;clock one winter&#039;s night to half-baptize a washerwoman&#039;s child in a slop-basin; and the gratitude of the parishioners knew no bounds—the very churchwardens grew generous, and insisted on the parish defraying the expense of the watch-box on wheels, which the new curate had ordered for himself to perform the funeral service in, in wet weather. He sent three pints of gruel and a quarter of a pound of tea to a poor woman who had been brought to bed of four small children, all at once—the parish were charmed. He got up a subscription for her—the woman&#039;s fortune was made. He spoke for one hour and twenty-five minutes an anti-Slavery meeting at the Goat in Boots—the enthusiasm was at its height. A proposal was set on foot for presenting the Curate with a piece of plate, as a mark of esteem for his valuable services rendered to the parish. The list of subscriptions was filled up in no time; the contest was, not who should escape the contribution, but who should be the foremost to subscribe. A splendid silver ink-stand was made, and engraved with an appropriate inscription; the Curate was invited to a public breakfast, at the before-mentioned Goat in Boots: the ink-stand was presented in a neat speech by Mr. Gubbins, the ex-churchwarden, and acknowledged by the curate in terms which drew tears into the eyes of all present —the very waiters were melted. One would have supposed that by this time the theme of universal admiration was lifted to the very pinnacle of popularity. No such thing. The curate began to cough—four fits of coughing one morning between the Litany and the Epistle; and five in the afternoon service. Here was a discovery—the curate was consumptive. How interestingly melancholy! If the young ladies were energetic before, their sympathy and solicitude now knew no bounds. Such a man as the curate—such a dear—such a perfect love—to be consumptive! It was too much. Anonymous presents of black currant jam, and lozenges; elastic waistcoats, bosom friends, and warm stockings, poured in upon the curate until he was as completely fitted out with winter clothing as if he were on the verge of an expedition to the North Pole; verbal bulletins of the state of his health were circulated throughout the parish half-a-dozen times a day; and the curate was at the height, indeed, in the very zenith of his popularity. About this period, a change came over the spirit of the parish. A very quiet, respectable dozing old gentleman, who had officiated in one chapel of ease for twelve years previously, died one fine morning, without having given any notice whatever of his intention. This circumstance gave rise to counter-sensation the first; and the arrival of his successor occasioned counter-sensation the second. He was a pale, thin, cadaverous man, with large black eyes, and long straggling black hair: his dress was slovenly in the extreme; his manner ungainly; his doctrines startling; in short, he was in every respect the antipodes of the curate. Crowds of our female parishioners flocked to hear him at first, because he was so odd-looking, so expressive, then because he preached so well; and at last, because they really thought that, after all, there was something about him which it was quite impossible to describe. As to the curate, he was all very well; but certainly, after all, there was no denying that—that—in short the curate wasn&#039;t a novelty, and the other clergyman was. The inconstancy of public opinion is proverbial: the congregation migrated one by one; the curate coughed till he was black in the face—it was in vain. He respired with difficulty—it was equally ineffectual in awakening sympathy. Seats are once again to be had in any part of our parish church, and our chapel-of-ease is going to be enlarged, as it is crowded to suffocation every Sunday! The best known and most respected among our parishioners is an old lady, who resided in our parish long before our name was entered. Our parish is a sub-urban one, and the old lady lives in a neat row of houses in the most airy and pleasant part of it. The house is her own, and it, and everything about it, except the old lady herself, who looks a little older than she did ten years ago, is in just the same state as when she old gentleman was living. The little front parlour, which is the old lady&#039;s ordinary sitting-room, is a perfect picture of quiet neatness: the carpet is covered with brown Holland, the glass and picture-frames are carefully enveloped in yellow muslin; the table-covers are never taken off, except when the leaves are turpentined and bees&#039; waxes, an operation which is regularly commenced every other morning at half-past nine o&#039;clock—and the little nic nacs are always arranged in precisely the same manner. The greater part of these are presents from little girls whose parents live in the same row; but some of them, such as the two old-fashioned watches (which never keep the same time, one being always a quarter of an hour too slow, and the other a quarter of an hour too fast), the little picture of the Princess Charlotte and Prince Leopold as they appeared in the Royal box at Drury-lane Theatre, and others of the same class, have been in the old lady&#039;s possession for many years. Here the old lady sits with her spectacles on, busily engaged in needle-work—near the window in summer time; and if she sees you coming up the steps and you happen to be a favourite, she trots out to open the street door for you before you knock, and as you must be fatigued after that hot walk, insists on your swallowing two glasses of sherry before you exert yourself by talking. If you call in the evening, you will find her cheerful, but rather more serious than usual, with an open Bible on the table before her., of which &quot;Sarah,&quot; who is just as neat and methodical as her mistress, regularly reads two or three chapters in the parlour aloud. The old lady sees scarcely any company, except the little girls before noticed, each of whom has always a regular fixed day for a periodical tea drinking with her, to which she child looks forward as the greatest treat of its existence. She seldom visits at a greater distance than the next door but one on either side, and when she drinks tea here, Sarah runs out first and knocks and double knock to prevent the possibility of her Missis&#039;s catching cold by having to wait at the door. She is very scrupulous in returning these little invitations, and when she asks Mr. and Mrs. So and So to meet Mr. and Mrs. somebody else, Sarah and she dust the urn, and the best china service, and the Pope Joan board; and the visitors are received in the drawing room in great state. She has but few relations, and they are scattered about in different parts of the country, and she seldom sees them. She has a son in India, whom she always describes to you as a fine, handsome fellow—so like the profile of his poor dear father over the sideboard; but the old lady adds, with a mournful shake of the head, that he&#039;s always been one of her greatest trials, and that indeed he once almost broke her hear; but it pleased God to enable her to get the better of it, and she&#039;d prefer your never mentioning the subject to her again. She has a great number of pensioners, and on Saturday, after she comes back from market, there is a regular levee of old men and women in the passage waiting for their weekly gratuity. Her name always heads the list of any benevolent subscriptions, and her&#039;s are always the most liberal donations to the Winter Coal and Soup Distribution Society. She subscribed twenty pounds towards the erection of an organ in our parish church, and was so overcome the first Sunday the children sang to it, that she was obliged to be carried out by the pew opener. Her entrance into church on Sunday is always the signal for a little bustle in the side aisle, occasioned by a general rise among the poor people, who bow and curtsy until the pew opener has ushered the old lady unto her accustomed seat, dropped a respectful curtsy, and shut the door; and the same ceremony is repeated on her leaving church, when she walks home with the family next door but one, and talks about the sermon all the way, invariably opening the conversation by asking the youngest boy where the text was. Thus, with the annual variation of a trip to some quiet place on the sea coast, passes the old lady&#039;s life. It has rolled on in the same unvarying and benevolent course for many years now, and must at no distant period be brought to its final close. She looks forward to its termination with calmness, and without apprehension. She has every thing to hope and nothing to fear. A very different personage, but one who has rendered himself very conspicuous in our parish, is one of the old lady&#039;s next door neighbours. He is an old naval officer on half pay; and his bluff and unceremonious behaviour disturbs the old lady&#039;s domestic economy, not a little. In the first place he will smoke cigars in the front court; and when he wants something to drink with them—which is by no means an uncommon circumstance—he lifts up the old lady&#039;s knocker with his walking-stick, and demands to have a glass of table ale handed over the rails. In addition to this cool proceeding he is a bit of a Jack of all trades, or to use his own words, &quot;A regular Robinson Crusoe,&quot; and nothing delights him better than to experimentalize on the old lady&#039;s property. One morning he got up early and planted three or four roots of full-blown marygolds in every bed of her front garden to the inconceivable astonishment of the old lady, who actually thought when she got up and looked out of the window, that it was some strange eruption which had come out in the night. Another time he took to pieces the eight-day clock on the front landing, under pretence of cleaning the wors, which he put together again by some undiscovered process in so wonderful a manner that the large hand has done nothing but trip up the little one ever since. Then he took to breeding silk-worms, which he would bring in two or three times a day, in little paper boxes, to show the old lady, generally dropping a worm or two at every visit. The consequence was, that one morning a very stout silk-worm was discovered in the act of walking up stairs—probably with the view of inquiring after his friends, for on further inspection it appeared that some of his companions had already found their way to every room in the house. The old lady went to the sea-side in despair, and during her absence he completely effected the name from her brass door-plate in his attempts to polish it with aqua fortis. But all this is nothing to his seditious conduct in public life. He attends every vestry meeting that is held; always opposes the constituted authorities of the parish; denounces the profligacy of the churchwardens, contests legal points against the vestry-clerk, will make the tax-gathered call for his money till he won&#039;t call any longer, and then he sends it; finds fault with the sermon every Sunday; says that the organist ought to be ashamed of himself; offers to back himself for any amount to sing the psalms better than all the children put together, male and female; and in short, conducts himself in the most turbulent and uproarious manner. The worst of it is, that having a high regard for the old lady, he wants to make her a convert to his views, and therefore walks into her little parlour with his newspaper in his hand, and talks violent politics by the hour. He is a cheritable, open-handed old fellow at bottom after all; so, although he puts the old lady a little out occasionally, they agree very well in the main; and she laughs as much at each feat of his handy-work when its all over as anybody else.We have attained our usual limits, and must conclude our paper. We are not sufficiently acquainted with the details of the recent alteration in the Poor-laws, to know whether we have a legal settlement anywhere or not; but we hope our readers will not object, when subjects are scarce, and we distressed, to our deriving assistance from the parochial funds. We are perfectly willing to work for their amusement; but we openly avow our determination, on some future occasions, to throw ourselves again upon—&quot;Our Parish.&quot;18350519https://dickenssearch.com/files/original/5/Sketches_of_London_No._XII_Our_Parish_[I]/1835-05-19_The_Evening_Chronicle_Sketches_of_London_No.XII_Our_Parish_I.pdf
52https://dickenssearch.com/items/show/52'<em>Sketches of London</em>, No. XIII, The River'Published in <em>The Evening Chronicle</em> (6 June 1835).Dickens, Charles<em>The British Newspaper Archive</em>, <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350606/021/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350606/021/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-06-06">1835-06-06</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-06-06_The_Evening_Chronicle_Sketches_of_London_NoXIII_The_RiverDickens, Charles. 'Sketches of London, No. XIII, The River' (6 June 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-06-06_The_Evening_Chronicle_Sketches_of_London_NoXIII_The_River">https://dickenssearch.com/short-stories/1835-06-06_The_Evening_Chronicle_Sketches_of_London_NoXIII_The_River</a>.<a href="https://dickenssearch.com/teibp/dist/content/1835-06-06_The_Evening_Chronicle_Sketches_of_London_NoXIII_The_River.xml" target="_blank" rel="noopener">'Sketches of London, No. XIII, The River.' <em>The Evening Chronicle</em> (6 June 1835).</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Evening+Chronicle%3C%2Fem%3E"><em>The Evening Chronicle</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a>&quot;Are you fond of the water?&quot; is a question very frequently asked in hot summer weather by amphibious-looking young men. &quot;Very,&quot; is the general reply. &quot;An’t you?&quot;—&quot;Hardly ever off it,&quot; is the response, accompanied by sundry adjectives expressive of the speaker’s heartfelt admiration of that element. Now, with all respect for the opinion of society in general, and cutter clubs in particular, we humbly suggest that some of the most painful reminiscences in the mind of every individual who has occasionally disported himself on the Thames, must be connected with his aquatic recreations. Who ever heard of a successful water-party?—or to put the question in a still more intelligible form, who ever saw one? We have been on water excursions out of number; but we solemnly declare that we cannot call to mind one single occasion of the kind which was not marked by more miseries than any one would suppose could reasonably be crowded into the space of some eight or nine hours. Something has always gone wrong. Either the cork of the salad-dressing has come out, or the most anxiously expected member of the party has not come out, or the most disagreeable man in company would come out, or a child or two have fallen into the water, or the gentleman who undertook to steer has endangered everybody’s life all the way, or the gentlemen who volunteered to row have been &quot;out of practice,&quot; and performed very alarming evolutions, putting their oars down into the water and not being able to get them up again; or taking terrific pulls without putting them in at all; in either case, pitching over on the backs of their heads with startling violence, and exhibiting the soles of their pumps to the &quot;sitters&quot; in the boat, in a very humiliating manner. We grant that the banks of the Thames are very beautiful at Richmond and Twickenham, and other distant places, often sought though seldom reached; but from the &quot;Red-us&quot; back to Blackfriar&#039;s-bridge, the scene is wonderfully changed. The Penitentiary is a noble building no doubt, and the sportive youths who &quot;go in&quot; at that particular part of the river on a summer’s evening, may be all very well in perspective, but where you are obliged to keep in shore coming home, and the young ladies will colour up, and look perseveringly the other way, while the married dittoes cough slightly, and look at the water, you certainly feel rather awkward— especially if you happen to have been attempting the most distant approach to sentimentality for an hour or two previously. Although experience and suffering have produced in our minds the result we have just stated, we are by no means blind to a proper sense of the fun which a looker-on may extract from the amateurs of boating. What can be more amusing than Searle’s yard on a fine Sunday morning. It’s a Richmond tide, and some dozen boats are preparing for the reception of the parties who have engaged them. Two or three fellows in great rough trowsers and Guernsey shirts, are getting them ready by easy stages; now coming down the yard with a pair of sculls and a cushion—then having a chat with the &quot;jack,&quot; who, like all his tribe, seems to be wholly incapable of doing anything but lounging about—then going back again, and returning with a rudder-line and a stretcher—then solacing themselves with another chat—and then wondering, with their hands in their capacious pockets, &quot;where them gentlemen’s got to as ordered the six.&quot; One of these, the head man, with the legs of his trowsers carefully tucked up at the bottom, to admit the water, we presume—for it is an element in which he is infinitely more at home than on land—is quite a character, and shares with the defunct oyster-swallower the celebrated name of &quot;Dando.&quot; Watch him, as taking a few minutes respite from his toils, he negligently seats himself on the edge of a boat, and fans his broad bushy chest with a cap scarcely half so furry. Look at his magnificent though reddish whiskers, and mark the somewhat native humour with which he &quot;chaffs&quot; the boys and prentices, or cunningly gammons the gemmen into the gift of a glass of gin, of which we verily believe he swallows enough in a day to float a &quot;six oar&quot; without producing the slightest effect upon his scull. But the party has now arrived, and Dando relieved from his state of uncertainty starts up into activity. They approach in full aquatic costume, with round blue jackets, striped shirts, and caps of all sizes and patterns, from the velvet skull cap of Tully&#039;s lounge, to the easy head-dress familiar to the students of the old spelling-books as having on the authority of the portrait, formed part of the costume of the Reverend Mr. Dilworth. This is the most amusing time to observe a regular Cockney water-party. There has evidently been up to this period no inconsiderable degree of boasting on everybody’s part relative to his knowledge of navigation; the sight of the water rapidly cools their courage, and the air of self-denial with which each of them insists on somebody else’s taking an oar is perfectly delightful. At length, after a great deal of changing and fidgetting, consequent upon the election of a stroke-oar—the inability of one gentleman to pull on this side, of another to pull on that, and of a third to pull at all, the boat’s crew are seated. &quot;Shove her off!&quot; cries the cockswain, who looks about as easy and comfortable as if he were steering in the Bay of Biscay. The order is obeyed; the boat is immediately turned completely round, and proceeds towards Westminster-bridge, amidst such a splashing and struggling as never was seen before, except when the Royal George went down. &quot;Back wa’a&#039;ter, Sir,&quot; shouts Dando, &quot;Back wa’a&#039;ter, you, Sir, aft;&quot; upon which, everybody thinking he must be the individual referred to, they all back water, and back comes the boat, stern first, to the spot whence it started. &quot;Back water, you Sir, aft; pull round, you Sir, for’ad, can’t you?&quot; shouts Dando, in a phrenzy of excitement. &quot;Pull round, Tom, can’t you?&quot; re-echoes one of the party. &quot;Tom an’t for’ad,&quot; replies another. &quot;Yes, he is,&quot; cries a third; and the unfortunate young man, at the imminent risk of breaking a blood-vessel, pulls and pulls, until the head of the boat fairly lies in the direction of Vauxhall-bridge. &quot;That’s right—now pull all on you!&quot; shouts Dando again, adding, in an under tone, to somebody by him, &quot;Blowed if hever I see sitch a set of muffs!&quot; and away jogs the boat in a zig-zag direction, every one of the six oars dipping into the water at a different time; and the yard is once more clear, until the arrival of the next party. A well-contested rowing-match on the Thames, is a very lively and interesting scene. The water is studded with boats of all sorts, kinds, and descriptions—places in the coal-barges at the different wharfs are let to crowds of spectators—beer and tobacco flow freely about—men, women, and children wait for the start in breathless expectation—cutters of six and eight oars glide gently up and down, waiting to accompany their protégés during the race—bands of music add to the animation if not to the harmony of the scene —groups of watermen are assembled at the different stairs discussing the merits of the respective candidates—and the prize wherry which is rowed slowly about by a pair of sculls, is an object of general interest. Two o’clock strikes, and everybody looks anxiously in the direction of the bridge through which the candidates for the prize will come—half-past two, and the general attention which has been preserved so long begins to flag when suddenly a gun is heard, and the noise of distant hurra’ing along each bank of the river—every head is bent forward—the noise draws nearer and nearer—the boats which have been waiting at the bridge start briskly up the river—a well-manned galley shoots through the arch, the sitters cheering on the boats behind them, which are not yet visible —&quot;Here they are,&quot; is the general cry—and through darts the first boat, the men in her stripped to the skin, and exerting every muscle to preserve the advantage they have gained—four other boats follow close astern, there are not two boats’ length between them—the shouting is tremendous, and the interest intense. &quot;Go on, Pink&quot;—&quot;Give it her, Red&quot;—&quot;Sulliwin for ever&quot;—&quot;Brayvo! George&quot;—&quot;Now, Tom, now—now—now—why don’t your partner stretch out?&quot;—&quot;Two pots to a pint on yellow,&quot; &amp;amp;c., &amp;amp;c. Every little public-house fires its gun, and hoists its flag; and the men who win the heat, come in, amidst a splashing and shouting, and banging and confusion, which no one can imagine who has not witnessed it, and of which any description would convey a very faint idea. One of the most amusing places we know is the steam wharf of the London-bridge, or St. Katherine’s Dock Company, on a Saturday morning, when the Gravesend and Margate steamers are usually crowded to excess; and as we have just taken a glance at the river above bridge, we hope our readers will not object to accompany us on board a Gravesend packet. Coaches are every moment setting down at the entrance to the wharf, and the stare of bewildered astonishment with which the &quot;fares&quot; resign themselves and their luggage into the hands of the porters, who seize all the packages at once as a matter of course, and run away with them heaven knows where, is laughable in the extreme. A Margate boat lies alongside the wharf, the Gravesend boat (which starts first) lies alongside that again; and as a temporary communication is formed between the two, by means of a plank and hand-rail, the natural confusion of the scene is by no means diminished. &quot;Gravesend?&quot; inquires a stout father of a stout family, who follow him under the guidance of their mother and a servant, at the no small risk of two or three of them being left behind in the confusion. &quot;Gravesend.&quot; &quot;Pass on, if you please, Sir,&quot; replies the attendant—&quot;other boat, Sir,&quot; whereupon the stout father, being rather mystified, and the stout mother rather distracted by maternal anxiety, the whole party deposit themselves in the Margate boat, and after having congratulated himself on having secured very comfortable seats, the stout father sallies to the chimney to look for his luggage, which he has a faint recollection of having given some man something to take somewhere. No luggage, however, bearing the most remote resemblance to his in shape or form is to be discovered, on which the stout father calls very loudly for an officer, to whom he states the case in the presence of another father of another family—a little thin man, who entirely concurs with him (the stout father) in thinking that it’s high time something was done with these steam companies, and that as the Corporation Bill don&#039;t do it, something else must; for really people’s property is not to be sacrificed in this way; and that if the luggage isn’t restored without delay, he will take care it shall be put in the papers, for the public&#039;s not to be the victim of these great monopolies; on which the officer in his turn replies, that that company ever since it has been St. Kat’rine’s Dock Company, has protected life and property; that if it had been the London Bridge Wharf Company, indeed he shouldn’t have wondered, seeing that the morality of that company (they being the opposition) can’t be answered for, by no one; but as it is he’s convinced there must be some mistake, and he wouldn’t mind making a solemn oath afore a magistrate that the gentleman’ll find his luggage afore he gets to Margate. Here the stout father thinking he is making a capital point replies that as it happens he an&#039;t going to Margate at all, and that &quot;Passenger to Gravesend&quot; was on the luggage in letters of full two inches long, on which the officer rapidly explains the mistake, and the stout mother and the stout children and the servant are hurried with all possible despatch on board the Gravesend-boat, which they reach just in time to discover that their luggage is there, and that their comfortable seats are not. Then the bell, which is the signal for the Gravesend-boat starting, begins to ring most furiously, and people keep time to the bell by running in and out of our boat at a double quick pace: the bell stops, the boat starts: people who have been taking leave of their friends on board, are carried away against their will; and people who have been taking leave of their friends on shore, find that they have performed a very needless ceremony, in consequence of their not being carried away at all. The regular passengers, who have season tickets, go below to breakfast; people who have purchased morning papers, compose themselves to read them; and people who have not been down the river before, think that both the shipping and the water look a great deal better at a distance. When we get down about as far as Blackwall and begin to move at a quicker rate, the spirits of the passengers appear to rise in proportion. Old women who have brought large wicker hand-baskets with them, set seriously to work at the demolition of heavy sandwiches, and pass round a wine-glass, which is frequently replenished from a flat bottle like a stomach-warmer, with considerable glee, handing it first to the gentleman in the foraging-cap, who plays the harp—partly as an expression of satisfaction with his previous exertions, and partly to induce him to play &quot;Dumbledumbdeary,&quot; for &quot;Alick&quot; to dance to; which being done, Alick, who is a damp earthy-looking child, in red worsted socks, takes certain small jumps upon the deck, to the unspeakable satisfaction of his family circle. Girls who have brought the first volume of some new novel in their reticule, become extremely plaintive, and expatiate to Mr. Brown, or young Mr. O’Brien, who has been looking over them, on the blueness of the sky, and brightness of the water; on which Mr. Brown or Mr. O’Brien, as the case may be, remarks in a low voice that he has been quite insensible of late to the beauties of nature—that his whole thoughts and wishes have centered in one object alone—whereupon the young lady looks up, and failing in her attempt to appear unconscious, looks down again; and turns over the next leaf with great difficulty in order to afford opportunity for a lengthened pressure of the hand. Telescopes, sandwiches, and glasses of brandy-and-water cold-without, begin to be in great requisition; and bashful men who have been looking down the hatchway at the engine, find to their great relief, a subject on which they can converse with one another—and a copious one too—Steam— &quot;Wonderful thing steam, Sir.&quot; &quot;Ah! (a deep-drawn sigh) it is indeed, Sir&quot;—&quot;great power, Sir.&quot;— &quot;Immense—immense;&quot;—&quot;Great deal done by steam, Sir.&quot;—&quot;Ah (another sigh at the immensity of the subject, and a knowing shake of the head)! you may say that, Sir.&quot; &quot;Still in its infancy, they say Sir,&quot; and other novel remarks of this kind, are generally the commencement of a conversation which is prolonged until the conclusion of the trip—not a long one on the water; nor we hope no paper either. If the trip should have appeared tedious, our good humour returns the moment we reach the pier; and if our description should have unfortunately done so too, we hope our readers will forget it the instant they leave—The River.18350606https://dickenssearch.com/files/original/5/Sketches_of_London_No._XIII_The_River/1835-06-06_The_Evening_Chronicle_Sketches_of_London_The_River.pdf
53https://dickenssearch.com/items/show/53'<em>Sketches of London</em>, No. XIV, Our Parish' (II)Published in <em>The Evening Chronicle</em> (18 June 1835).Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350618/019/0003">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350618/019/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-06-18">1835-06-18</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-06-18_The_Evening_Chronicle_Sketches_of_London_NoXVI_Our_ParishIIDickens, Charles. 'Sketches of London, No. XVI, Our Parish (II)' (18 June 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-06-18_The_Evening_Chronicle_Sketches_of_London_NoXVI_Our_ParishII">https://dickenssearch.com/short-stories/1835-06-18_The_Evening_Chronicle_Sketches_of_London_NoXVI_Our_ParishII</a>.<a href="https://dickenssearch.com/teibp/dist/content/1835-06-18_The_Evening_Chronicle_Sketches_of_London_NoXVI_Our_ParishII.xml" target="_blank" rel="noopener">'Sketches of London, No. XIV, Our Parish' (II). <em>The Evening Chronicle</em> (18 June 1835).</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Evening+Chronicle%3C%2Fem%3E"><em>The Evening Chronicle</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a>The row of houses in which our friends the old lady and her troublesome neighbour reside, contains, we think, within its circumscribed limits, a greater number of characters than all the rest of our parish put together. When we say that we live in the row ourselves, we have not the slightest intention to insinuate that we can lay claim to any particular characteristics. We merely mention the fact, in order that the statement may have the authority of our own personal observation and experience; and we present our readers occasionally with a slight sketch of the materials we have collected from this source, in the hope that an attempted delineation of character now and then will vary the numerous scenes we undertook to describe when we entitled these papers, &quot;Sketches of London.&quot; There is a family who live very near the old lady— two doors removed on the left-hand side—to which we must beg to introduce our readers without further delay. The four Miss Willises settled in our parish thirteen years ago: it is a melancholy reflection that the old adage, &quot;time and tide wait for no man,&quot; applies with equal force to the fairer portion of the creation; and willingly would we conceal the fact, that even thirteen years ago the Miss Willises were far from juvenile; our duty as faithful parochial chroniclers, however, is paramount to every other consideration, and we are bound to state that thirteen years since the authorities in matrimonial cases considered the youngest Miss Willis in a very precarious state, while the eldest sister was positively given over as being far beyond all human hope. Well, the Miss Willises took a lease of the house; it was fresh painted and papers from top to bottom; the paint inside was all wainscoted; the marble all cleaned; the old grates taken down and register-stoves, you could see to dress in, put up; four trees were planted in the back garden; several small baskets of gravel sprinkled over the front one; vans of elegant furniture arrived; spring blinds were fitted to the windows; carpenters who had been employed in the various preparations, alterations, and repairs, made confidential statements to the different maid servants in the row, relative to the magnificent scale on which the Miss Willises were commencing; the maid servants told their &quot;Missises;&quot; the Missises told their friends, and vague rumours were circulated throughout the parish, that No. 25, in Gordon-place, had been taken by four maiden ladies of immense property. At last the Miss Willises moved in; and then the &quot;calling&quot; began. The house was the perfection of neatness—so were the four Miss Willises. Everything was formal, stiff, and cold—so were the four Miss Willises. Not a single chair of the whole set was ever seen out of its place—not a single Miss Willis was ever seen out of her&#039;s. There they always sat, in the same places, doing precisely the same things at the same hour. The eldest Miss Willis used to knit, the second to draw, the two others to play duets on the piano. They seemed to have no separate existence, but to have made up their minds just to winter through life together. They were three long graces in drapery, with the addition—like a school-dinner—of another long grace afterwards—the three fates with another sister—the Siamese twins multiplied by two. The eldest Miss Willis grew bilious—the four Miss Willises became bilious immediately—The eldest Miss Willis grew ill-tempered and religious—The four Miss Willises were ill-tempered and religious directly. Whatever the eldest did the others did, and whatever anybody else did they all disapproved of; and thus they vegetated—living in Polar harmony among themselves; and as they sometimes went out, or saw company &quot;in a quiet-way&quot; at home, occasionally icing the neighbours. Three years passed over in this way, when an unlooked-for and extraordinary phenomenon occurred. The Miss Willises showed symptoms of summer, the frost gradually broke up; a complete thaw took place. Was it possible! one of the four Miss Willises was going to be married! Now, where on earth the husband came from, by what feelings the poor man could have been actuated, or by what process of reasoning the four Miss Willises succeeded in persuading themselves that it was possible for a man to marry one of them without marrying them all, are questions too profound for us to resolve: certain it is, however, that the visits of Mr. Robinson (a gentleman in a public office with a good salary and a little property of his own beside) were received—that the four Miss Willises were courted in due form by the said Mr. Robinson—that the neighbours were perfectly frantic to discover which of the four Miss Willises was the fortunate fair—and that the difficulty they experienced in solving the problem was not at all lessened by the announcement of Miss Willis—&quot;We are going to marry Mr. Robinson.&quot; It was very extraordinary; they were so completely identified, the one with the other, that the curiosity of the whole row—even of the old lady herself—was roused almost beyond endurance. The subject was discussed at every little card table and tea-drinking; the old gentleman of silk-worm notoriety didn&#039;t hesitate to express his decided opinion that Mr. Robinson was of Eastern descent, and contemplated marrying the whole family at once; and the row generally shook their heads with considerable gravity, and declared the business to be very mysterious. They hoped it might all end well;—it certainly had a very singular appearance, but still it would be uncharitable to express any opinion without good grounds to go upon; and certainly the Miss Willises were quite old enough to judge for themselves, and to be sure people ought to know their own business best, and so forth. At last, one fine morning, at a quarter before eight o&#039;clock, A.M., two glass coaches drove up to the Miss Willises&#039; door, at which Mr. Robinson had arrived in a cab ten minutes before, dressed in a light blue coat and a double milled kersey pantaloons, white neck-kerchief, pumps, and dress gloves, his manner denoting, as appeared from the evidence of the housemaid at No. 23, who was sweeping the door-steps at the time, a considerable degree of nervous excitement. It was also hastily reported on the same testimony, that the cook, who opened the door, wore a large white bow, of unusual dimensions, in a much smarter head-dress than the regulation cap to which the Miss Willises invariably restricted the somewhat excursive taste of female servants in general. The intelligence spread rapidly from house to house; it was quite clear that the eventful morning had at length arrived; the whole row stationed themselves behind their first and second-floor blinds, and waited the result in breathless expectation. The Miss Willises&#039; door opened; the door of the first glass coach did the same; two gentlemen, and a pair of ladies to correspond—friends of the family no doubt; up went the steps, bang went the door; off went the first glass coach, and up came the second. The street door opened again; the excitement of the whole row increased - Mr. Robinson and the eldest Miss Willis. &quot;I thought so,&quot; said the lady at No. 19, &quot;I always said it was Miss Willis!&quot; &quot;Well I never!&quot; ejaculated the young lady at No. 18, to the young lady at No. 17—&quot;Did you ever, dear!&quot; responded the young lady at No. 17, to the young lady at No. 18. &quot;It&#039;s too ridiculous!&quot; exclaimed a spinster of an uncertain age, at No. 16, joining in the conversation. But who shall pourtray the astonishment of Gordon-place when Mr. Robinson handed in all the Miss Willises, one after the other, and then squeezed himself into an acute angle of the glass coach, which forthwith proceeded at a brisk pace after the other glass-coach; which other glass coach had itself proceeded at a brisk pace in the direction of the parish church. Who shall depict the perplexity of the clergy-man when all the Miss Willises knelt down at the communion table, and repeated the responses incidental to the marriage service in an audible voice?—or who shall describe the confusion which prevailed, when—even after the difficulties thus occasioned had been adjusted—all the Miss Willises went into hysterics at the conclusion of the ceremony until the sacred edifice resounded with their united wailings! As the four sisters and Mr. Robinson continued to occupy the same house after this memorable occasion, and as the married sister, whoever she was, never appeared in public without the other three, we are not quite clear that the neighbours would ever have discovered the real Mrs. Robinson but for a circumstance of the most gratifying description. Coming events cast their shadows before, and events like that at which we hint with becoming delicacy and diffidence, will happen occasionally in the best regulated families—indeed the best regulated are usually supposed to be the most subject to such occurrences. Three quarter days elapsed, and the row, on whom a new light appeared to have been bursting for some time, began to speak with a sort of implied confidence on the subject, and to wonder how Mrs. Robinson—the youngest Miss Willis that was—got on; and servants might be seen running up the steps about nine or ten o&#039;clock every morning, with &quot;Missis&#039;s compliments, and wishes to know how Mrs. Robinson finds herself this morning?&quot; And the answer always was, &quot;Mrs. Robinson&#039;s compliments, and she&#039;s in very good spirits, and doesn&#039;t find herself any worse.&quot; The piano was heard no longer—the knitting-needles were laid aside—drawing was neglected—and mantua-making and millinery on the smallest scale imaginable, appeared to have become the favourite amusement of the whole family. The parlour wasn&#039;t quite as tidy as it used to be; and if you called in the morning, you would see lying on a table, with an old newspaper carelessly thrown over them, two or three particularly small caps—rather larger than if they had been made for a moderate-sized doll—with a small piece of lace in the shape of a horse-shoe let in behind, or perhaps a white robe, not very large in circumference, but very much out of proportion in point of length, with a little tucker round the top, and a frill round the bottom; and once when we called we saw a long white roller, with a kind of blue margin down each side, the probable use of which we were at a loss to conjecture. Then we fanced that Mr. Dawson, the surgeon, &amp;amp;c., who displays a large lamp with a different colour in every pane of glass, at the corner of the row, began to be knocked up at night oftener than he used to be; and once we were very much alarmed by hearing a hackney coach stop at Mrs. Robinson&#039;s door at half-past two o&#039;clock in the morning, out of which there emerged a fat old woman in a cloak and night cap, with a bundle in one hand and a pair of pattens in the other, who looked as if she had been suddenly knocked up out of bed for some purpose of other; and when we got up in the morning we saw the knocker was tied up in an old white kid glove, and we, in our innocence (we are in a state of bachelorship), wondered what on earth it all meant, until we heard the eldest Miss Willis, in propriá persona, say with great dignity, in answer to the next inquiry, &quot;My compliments and Mrs. Robinson&#039;s doing as well as can be expected, and the little girl thrives wonderfully.&quot; And then, in common with the rest of the row, our curiosity was satisfied, and we began to wonder it had never occurred to us what the matter was before. Official parish registers of marriages, births, christenings, and deaths, are not generally considered to possess any amusement or much interest, except for those who are personally connected with some individual record contained within their musty leaves. Our parish register will have, at least, three advantages—it will be easy of access, it will be faithfully entered up from time to time, and it will at least be penned with a humble desire to amuse those who may consult it. As we dare not occupy any greater space at this busy period, we have only to add that we must defer any further account of the four Miss Willises until another opportunity; that we propose in future publishing a parochial sketch alternately with one coming more immediately under our first heading; and that from this time forward we shall make no further apology for an abrupt conclusion to an article under the title of &quot;Our Parish,&quot; than is contained in the words &quot;To be continued.&quot;18350618https://dickenssearch.com/files/original/5/Sketches_of_London_No._XIV_Our_Parish_[II]/1835-06-18_The_Evening_Chronicle_Sketches_of_London_No._XVI_Our_Parish_II.pdf
58https://dickenssearch.com/items/show/58'<em>Sketches of London</em>, No. XIX, Private Theatres'Published in <em>The Evening Chronicle</em> (11 August 1835).Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350811/016/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350811/016/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-08-11">1835-08-11</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-08-11_The_Evening_Chronicle_Sketches_of_London_NoXIX_Private_TheatresDickens, Charles. 'Sketches of London, No. XIX, Private Theatres' (11 August 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-08-11_The_Evening_Chronicle_Sketches_of_London_NoXIX_Private_Theatres">https://dickenssearch.com/short-stories/1835-08-11_The_Evening_Chronicle_Sketches_of_London_NoXIX_Private_Theatres</a>.<a href="https://dickenssearch.com/teibp/dist/content/1835-08-11_The_Evening_Chronicle_Sketches_of_London_NoXIX_Private_Theatres.xml" target="_blank" rel="noopener"><span>'Sketches of London, No. XIX, Private Theatres.' <em>The Evening Chronicle</em> (11 August 1835).</span></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Evening+Chronicle%3C%2Fem%3E"><em>The Evening Chronicle</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a>&quot;RICHARD THE THIRD. DUKE OF GLO’STER 2l. EARL OF RICHMOND, 1l. DUKE OF BUCKINGHAM, 15s. CATESBY, 12s. TRESSEL, 10s. 6d. LORD STANLEY, 5s. LORD MAYOR OF LONDON, 2s. 6d.&quot; Such are the written placards wafered up in the gentlemen’s dressing-room or the green-room (where there is any) at a private theatre; and such are the sums extracted from the shop-till, or overcharged in the office expenditure, by the idiotic donkies who are prevailed upon to pay for permission to exhibit their lamentable ignorance and boobyism on the stage of a private theatre. This they do, in proportion to the scope afforded by the character for the display of their imbecility. For instance, the Duke of Glo’ster&#039;s well worth two pounds, because he has it all to himself, must wear a real sword, and what is better still, must draw it several times in the course of the piece. The soliloquies alone are well worth fifteen shillings; then ther&#039;s the stabbing King Henry—decidedly cheap at three and sixpence; that’s eighteen and sixpence; bullying the coffin-bearers—say eighteen pence, though it’s worth much more—that’s a pound. Then the love scene with Lady Anne, and the bustle of the fourth act can’t be dear at ten shillings more—that’s only one pound ten, including the &quot;off with his head!&quot;—which is sure to bring down the applause, and it is very easy to do—&quot;Orf with is ed&quot; (very quick and loud, then slow and sneeringly)—&quot;So much for Bu-u-u-uckingham!;&quot; lay the emphasis on the &quot;uck;&quot; get yourself gradually into a corner, and work with your right hand while your’e saying it, as if you were feeling your way; and its sure to do. The tent scene is confessedly worth half-a-sovereign, and so you have the fight in, gratis; and everybody knows what an effect may be produced by a good combat. One—two— three—four—over; then, one—two—three—four— under; then thrust; then dodge and slide about; then fall down on one knee; then get up again and stagger. You may keep on doing this, as long as it seems to take—say ten minutes—and then fall down (backwards, if you can manage it without hurting yourself), and die game. Nothing like it for producing an effect. They always do it at Astley’s and Sadler’s Wells, and if they don’t know how to do this sort of thing, who in the world does? A small child or a female in white increases the interest of a combat materially—indeed we don&#039;t think a regular legitimate terrific broad-sword combat could be done without; but it would be rather difficult, and somewhat unusual, to introduce this effect in the last scene of Richard the Third; so the only thing to be done is, just to make the best of a bad bargain, and be as long as possible fighting it out. The principal patrons of private theatres are dirty boys; low copying-clerks, in attornies’ offices; capacious headed youths from city counting-houses; Jews, whose business, as lenders of fancy dresses, is a sure passport to the amateur stage; shop-boys who now and then mistake their masters’ money for their own; and a choice miscellany of idle vagabonds. The proprietor of a private theatre may be an ex-scene painter, a low coffee-house keeper, a disappointed eighth-rate actor, a Chancery officer, a retired smuggler, or uncertificated bankrupt. The theatre itself may be in Catherine-street, Strand, the purlieus of the city, the neighbourhood of Gray’s-inn-lane, or the vicinity of Sadler’s-wells; or it may, perhaps, form the chief nuisance of some shabby street, on the Surrey side of Waterloo bridge. The lady performers pay nothing for their characters, and it is needless to add, are usually selected from one class of society; and the audiences are necessarily of much the same character as the performers, who receive in return for their contributions to the management tickets to the amount of the money they pay. All the minor theatres in London, especially the lowest, constitute the centre of a little stage-struck neighbourhood. Each of them has an audience exclusively its own, and at any you will see dropping into the pit at half-price, or swaggering into the back of a box, if the price of admission be a reduced one, divers boys of from 15 to 21 years of age, who throw back their coats, and turn up their wristbands, after the portraits of Count D’Orsay, hum tunes and whistle when the curtain is down, by way of persuading the people near them that they are not at all anxious to have it up again, and speak familiarly of the inferior performers as Bill Such-a-one, and Ned So-and-so, or tell each other how a new piece called The Unknown Bandit of the Invisible Cavern is in rehearsal; how Mister Palmer is to play The Unknown Bandit; how Charley Scarton is to take the part of an English sailor, and fight a broad-sword combat with six unknown bandits at one and the same time (one theatrical sailor is always equal to half a dozen men at least); how Mister Palmer and Charley Scarton are to go through a double hornpipe in fetters in the second act; how the interior of the invisible cavern is to occupy the whole extent of the stage, and other town—surprising theatrical announcements. These are your amateurs—these are the Richards, Shylocks, Beverleys, and Othellos—the Young Dorntons, Rovers, Captain Absolutes, and Charles Surfaces—of a private theatre. See them at the neighbouring public-house or the theatrical coffee-shop! Why, they&#039;re the kings of the place, supposing no real performers to be present; and roll-about, hats on one side, and arms a-kimbo, as if they had actually come into possession of eighteen shillings a week, and a share of a ticket night. If one of them does but know an Astley’s supernumerary he is a happy fellow. Look at that youth. You must have remarked the mingled air of envy and admiration with which his companions will regard him as he converses familiarly with the mouldy-looking man in a fancy neck-kerchief, whose partially corked eyebrows, and half rouged face, testify to the fact of his having just left the stage or the circle. Observe the indignation with which the man of mouldy appearance points to a newspaper of the day, and the perplexed air with which, after upsetting his half pint of coffee over that dirty scrap of paper, and then wiping it with his still dirtier pocket-handkerchief, his amateur friend attempts to scrawl a note, apparently to the editor. Poor creature! his visions of orthography are of the wildest; and he tortures pot-hooks into forms as distorted and unnatural as those into which his mouldy companion&#039;s unfortunate frame was twisted, when he first took lessons in the art of tumbling! With the double view of guarding against the discovery of friends or employers, and enhancing the interest of an assumed character, by attaching a high-sounding name to its representative, these geniuses assume fictitious cognomens, which are not the least amusing part of the play-bill of a private theatre. Belville, Melville, Treville, Berkeley, Randolph, Byron, St. Clair, and so forth, are among the humblest; and the less-imposing titles of Jenkins, Walker, Thompson, Huggins, Barker, Solomons, &amp;amp;c., are completely laid aside. There is something imposing in this, and it&#039;s an excellent apology for shabbiness into the bargain. A shrunken, faded coat, a decayed hat, a patched and soiled pair of trowsers—nay even a very dirty shirt (and none of these appearances are very uncommon among the members of the corps dramatique), may be worn for the purpose of disguise, and to prevent the remotest chance of recognition. Then it prevents any troublesome inquiries or explanations about employment and pursuits: everybody is a gentleman at large for the occasion, and there are none of those unpleasant and unnecessary distinctions to which even genius must occasionally succumb elsewhere. As to the ladies (God bless &#039;em) they&#039;re quite above any formal absurdities, the mere circumstance of your being behind the scenes is a sufficient introduction to their society—for of course they know that none but strictly respectable persons would be admitted into that close fellowship with them, which acting engenders. They place implicit reliance on the manager, no doubt; and, as to the manager, he is all affability when he knows you well,—or, in other words, when he has pocketed your money once, and entertains confident hopes of doing so again. A quarter before eight—There&#039;ll be a full house to-night—six parties in the boxes already; four little boys and a woman in the pit; and two fiddles and a flute in the orchestra, who have got through five overtures since seven o’clock (the hour fixed for the commencement of the performances) and have just begun the sixth. There&#039;ll be plenty of it though when it does begin, for there is enough in the bill to last six hours at least. That gentleman in the white hat and checked shirt, brown coat and brass buttons, lounging behind the stage-box on the O. P. side, is Mr. Horatio St. Julien, alias Jem Larkins. His line is genteel comedy—his father’s coal and tatur. He does Alfred Highflyer in the last piece, and very well he’ll do it—at the price. The party of gentlemen in the opposite box, to whom he has just nodded, are friends and supporters of Mr. Beverley (otherwise Loggins), the Macbeth of the night. You observe their attempts to appear easy and gentlemanly; each member of the party, with his feet cocked up on the cushion in front of the box? They let &#039;em do these things here upon the same humane principle which permits poor people’s children to knock double knocks at the door of an empty house—because they can’t do it anywhere else. The two stout men in the centre box, with an opera-glass ostentatiously placed before them, are friends of the proprietor&#039;s—opulent country managers, as he confidentially informs every individual among the crew behind the curtain— opulent country managers looking out for recruirts, a representation which Mr. Nathan the dresser, who is in the manager’s interest, and has just arrived with the costumes, offers to confirm upon oath if required—corroborative evidence, however, is quite unnecessary, for the gulls believe it at once. The stout Jewess who has just entered is the mother of the pale bony little girl with the necklace of blue glass beads, sitting by her. She is being brought up to &quot;the profession.&quot; Patomime is to be her line, and she&#039;s coming out to-night, in a hornpipe after the tragedy. The short thin man beside Mr. St. Julien, whose white face is deeply seared with the small-pox, and whose dirty shirt front is inlaid with open work, and embossed with coral studs like Lady Bird&#039;s, is the low comedian and comic singer of the establishment. The remainder of the audience—a tolerably numerous one by this time—are a motley group of dupes and blackguards. The foot-lights have just made their appearance: the wicks of the six little oil lamps round the only tier of boxes are being turned up, and the additional light thus afforded serves to show the presence of dirt and absence of paint, which forms a prominent feasure in the audience part of the house. As these preparations, however, announce the speedy commencement of the play, let us take a peep &quot;behind,&quot; previous to the ringing-up. The little narrow passages beneath the stage are neither especially clean, nor too brilliantly lighted; and the absence of any flooring, together with the damp, mildewy smell which pervades the places, does not conduce in any great degree to their comfortable appearance. Don’t fall over this plate basket—it’s one of the &quot;properties&quot;—the cauldron for the witches’ cave; and the three uncouth-looking figures with broken clothes-props in their hands, who are drinking gin and water out of a pint pot, are the weird sisters. This miserable room, lighted by candles in sconces placed at lengthened intervals round the wall, is the dressing-room common to the gentlemen performers, and the square hole in the ceiling is the trap door of the stage above. You will observe that the ceiling is ornamented with the beams that support the boards, and tastefully hung with cob-webs. The characters in the tragedy are all dressed, and their own clothes are scattered in hurried confusion over the wooden dresser which surrounds the room. That snuff-shop-looking figure in front of the glass is Banquo, and the young lady with the liberal display of legs, who is kindly painting his face with a hare’s foot, is dressed for Fleance. The large woman who is consulting the stage directions in Cumberland’s edition of Macbeth, is the Lady Macbeth of the night—she is always selected to play the part, because she&#039;s tall and stout, and looks a little like Mrs. Siddons—at a considerable distance. That stupid-looking milksop with light hair and bow legs—a kind of man whom you can warrant town-made—is fresh caught; he plays Malcolm to-night, just to accustom himself to an audience. He&#039;ll get on by degrees; he&#039;ll play Othello in a month, and in a month more will very probably be apprehended on a charge of embezzlement. The black-eyed female with whom he is talking so earnestly, is dressed for the &quot;gentlewoman.&quot; It&#039;s her first appearance, too—in that character. The boy of fourteen, who is having his eyebrows smeared with soap and whitening, is Duncan, King of Scotland; and the two dirty men with the corked countenances, in very old green tunics and dirty drab boots, are the &quot;army.&quot; &quot;Look sharp below there, gents,&quot; exclaims the dresser, a red-headed and red-whiskered Jew, calling through the trap, &quot;they’re a-going to ring up. The flute says he’ll be blowed if he plays any more, and they’re getting precious noisy in front.&quot; A general rush immediately takes place to the half dozen little steep steps leading to the stage, and the heterogeneous group are soon assembled at the side scenes in breathless anxiety and motley confusion. &quot;Now,&quot; cries the manager, consulting the written list which hangs behind the first P. S, wing, &quot;Scene 1, open country—lamps down—thunder and lightning—all ready, White?&quot; [this is addressed to one of the army]. &quot;All ready&quot;—&quot;Very well, scene 2 - front chamber; is the front chamber down?&quot; &quot;Yes.&quot; &quot;Very well—Jones.&quot;—[To the other army who is up in the flies:] &quot;Hallo! Wind up the open country when we ring up.&quot; &quot;I’ll take care,&quot; growls the elevated army.—&quot;Scene 3, back perspective with practical bridge. Bridge ready, White? Got the tressels there?&quot; &quot;All right,&quot; responds the functionary. &quot;Very well. Clear the stage,&quot; adds the manager, hastily packing every member of the company into the little space there is between the wings and the wall, and one wing and another. &quot;Places, places, now then witches—Duncan—Malcolm—bloody officer—where’s that bloody officer?&quot;—&quot;Here!&quot; replies the officer, who has been rose-pinking for the character. &quot;Get ready, then; now, White, ring the second music bell.&quot; The actors who are to be discovered are hastily arranged, and the actors who are not to be discovered place themselves, in their anxiety to peep at the house, just where the whole audience can see them. The bell rings, and the orchestra, in acknowledgment of the call, play three distinct chords. The bell rings again, the tragedy (!) opens, and our description closes.18350811https://dickenssearch.com/files/original/5/Sketches_of_London_No._XIX_Private_Theatres/1835-08-11_The_Evening_Chronicle_Sketches_of_London_No._XIX_Private_Theatres.pdf
54https://dickenssearch.com/items/show/54'<em>Sketches of London</em>, No. XV, The Pawnbroker's Shop'Published in <em>The Evening Chronicle</em> (30 June 1835).Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350630/023/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350630/023/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-06-20">1835-06-20</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-06-30_The_Evening_Chronicle_Sketches_of_London_NoXV_The_Pawnbrokers_ShopDickens, Charles. 'Sketches of London, No. XV, The Pawnbroker's Shop' (30 June 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-06-30_The_Evening_Chronicle_Sketches_of_London_NoXV_The_Pawnbrokers_Shop">https://dickenssearch.com/short-stories/1835-06-30_The_Evening_Chronicle_Sketches_of_London_NoXV_The_Pawnbrokers_Shop</a>.<a href="https://dickenssearch.com/teibp/dist/content/1835-06-30_The_Evening_Chronicle_Sketches_of_London_NoXV_The_Pawnbrokers_Shop.xml" target="_blank" rel="noopener">'Sketches of London, No. XV, The Pawnbroker's Shop.' <em>The Evening Chronicle</em> (30 June 1835).</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Evening+Chronicle%3C%2Fem%3E"><em>The Evening Chronicle</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a>Of all the numerous receptacles for misery and distress with which the streets of London unhappily abound, there are, perhaps, none which present such striking scenes of vice and poverty as the pawnbrokers&#039; shops. The very nature and description of these places prevents their being but little known, except to the unfortunate beings whose profligacy or misfortune drives them to seek the temporary relief they offer: the subject may appear, at first sight, to be anything but an inviting one, but we venture on it nevertheless, in the hope that, as far as the limits of our present paper are concerned, it will present at all events nothing to disgust even the most fastidious reader.<br /> <br /> There are some pawnbrokers&#039; shops of a very superior description. There are grades in pawning as in everything else; and distinctions must be observed even in poverty. The aristocratic Spanish cloak, and the plebeian calico shirt—the silver fork and the flat-iron—the muslin cravat and the Belcher neck-kerchief, would assort but ill together; so the better sort of pawnbroker calls himself a silversmith, and decorates his shop with handsome trinkets and expensive jewellery, while the more humble money-lender boldly advertises his calling, and invites observation. It is with pawnbrokers&#039; shops of the latter class that we have to do. We have selected one for our purpose, and will endeavour to describe it.<br /> <br /> The pawnbroker&#039;s shop is situated near Drury-lane, at the corner of a court, which affords a side-entrance for the accommodation of such customers as may be desirous of avoiding the observation of the passers-by, or the chance of recognition in the public street. It is a low, dirty-looking dusty shop, the door of which stands always doubtfully, a little way open, half-inviting, half-repelling the hesitating visitor, who, if he be as yet uninitiated, examines one of the old garnet brooches in the window for a minute or two with affected eagerness, as if he contemplated making the purchase; and then looking cautiously round to ascertain that no one watches him, hastily slinks in; the door closing of itself after him to just its former width. The shop-front and the window-frames bear evident marks of having been once painted; but what the colour was originally, or at what date it was originally laid on, are, at this remote period, questions which may be asked, but cannot be answered. Tradition states that the transparency on the front door, which displays at night three red balls on a blue ground, once bore also, inscribed in graceful waves, the words &quot;Money advanced on plate, jewels, wearing apparel, and every description of property,&quot; but a few illegible hieroglyphics are all that now remain to attest the fact. The plate and jewels would seem to have disappeared together with the announcement; for the articles of stock, which are displayed in some profusion in the window, do not include any very valuable luxuries of either kind. A few old china cups, some modern vases, adorned with paltry paintings of three Spanish cavaliers, playing three Spanish guitars, or a party of boors carousing, each boor with one leg painfully elevated in the air, by way of expressing his perfect freedom and gaiety—several sets of chess-men, two or three flutes, a few fiddles—a round-eyed portrait staring in astonishment from a very dark ground, some gaudily bound prayer-books and testaments—two rows of silver watches, quite as clumsy, and almost as large as Ferguson&#039;s first—numerous old fashioned table and tea-spoons displayed, fan-like, in half-dozens—strings of coral with great broad gilt snaps—cards of rings and brooches fastened and labelled separately like the insects in the British Museum—cheap silver penholders and snuff-boxes, with a masonic star, complete the jewellery department; while five or six beds in smeary, clouded ticks, strings of blankets and sheets, silk and cotton handkerchiefs, and wearing apparel of every description form the more useful, though even less ornamental, part of the articles exposed for sale. An extensive collection of planes, chisels, saws, and other carpenters&#039; tools, which have been pledged, and never redeemed, form the foreground of the picture; while the large frames, full of ticketted bundles which are dimly seen through the dirty casement up stairs—the squalid neighbourhood—the adjoining houses, straggling, shrunken, and rotten, with one or two filthy, unwholesome-looking heads thrust out of every window, and old red pans and stunted plants exposed on the tottering parapets, to the manifest hazard of the heads of the passers-by—the noisy men loitering under the archway at the corner of the court, or about the gin-shop next door, and their wives patiently standing on the curb-stone, with large baskets of cheap vegetables slung round them for sale, are its immediate auxiliaries.<br /> <br /> <br /> If the outside of the pawnbroker&#039;s shop be calculated to attract the attention, or excite the interest of the speculative pedestrian, its interior cannot fail to produce the same effect in a very increased degree. The front door, which we have before noticed, opens into the common shop, which is the resort of all those customers whose habitual acquaintance with such scenes render them indifferent to the observations of their companions in poverty. The side door opens into a small passage, from which some half dozen doors (which may be secured on the inside by bolts) open into a corresponding number of little dens or closets, which face the counter. Here the more timid, or respectable portion of the crowd, shroud themselves from the notice of the remainder, and patiently wait until the gentleman behind the counter, with the curly black hair, diamond ring, and double silver watch-guard, shall feel disposed to favour them with his notice—a consummation which depends considerably on the temper of the aforesaid gentleman for the time being. At the present moment this elegantly attired individual is in the act of entering the duplicate he has just made out in a thick book, a process from which he is diverted occasionally by a conversation he is carrying on with another young man similarly employed at a little distance from him, whose allusions to &quot;that last bottle of soda-water last night&quot;—and &quot;how regularly round my hat he felt himself when the young ooman gave &#039;em in charge,&quot; would appear to refer to the consequences of some stolen joviality of the preceding evening. The customers generally, however, seem rather unable to participate in the amusement derivable from this source, for an old sallow-looking woman who has been leaning with both arms on the counter, with a small bundle before her, for half-an-hour previously, suddenly interrupts the conversation by addressing the jewelled shopman - &quot;Now, Mr. Henry, do make haste, there&#039;s a good soul, for my two grand-children&#039;s a locked up at home, and I&#039;m afeer&#039;d o&#039; the fire.&quot; The shopman slightly raises his head, with an air of deep abstraction, and resumes his entry with as much deliberation as if he were engraving.—&quot;You&#039;re in a hurry, Mrs. Tatham, this ev&#039;nin&#039;—an&#039;t you?&quot; is the only notice he deigns to take after the lapse of five minutes or so. &quot;Yes, I am indeed, Mr. Henry; now do serve me next, there&#039;s a good creetur; I wouldn&#039;t worry you, only it&#039;s all along o&#039; them botherin&#039; children.&quot; &quot;Well what have you got here&quot; - inquires the shopman, unpinning the bundle—&quot;The old concern, I suppose—pair o&#039; stays and a petticut. You must look up something else, old ooman; I can&#039;t lend you any thing more upon them, they&#039;re completely worn out by this time, if it&#039;s only by putting in and taking out again, three times a week.&quot;—&quot;Oh! you are a rum &#039;un, you are,&quot; replies the old woman laughing extremely as in duty bound—&quot;I wish I&#039;d got the gift of the gab like you, see if I&#039;d be up the spout so often then? No, no; it ain&#039;t the petticut, it&#039;s a child&#039;s frock and a beautiful silk ankecher as belongs to my husband; he gave four shillin&#039; for it the wery same blessed day as he broke his arm.&quot;—&quot;What do you want upon these?&quot; inquires Mr. Henry, slightly glancing at the articles, which in all probability are old acquaintances. &quot;What do you want upon these?&quot;—&quot;Eighteenpence.&quot; —&quot;Lend you ninepence.&quot; &quot;Oh, make it a shillin&#039;— there&#039;s a dear! do now.&quot; &quot;Not another farden.&quot; &quot;Well, I suppose I must take it.&quot; The duplicate is made out; one ticket pinned on the parcel, the other given to the old woman; the parcel is flung carelessly down into a corner, and some other customer prefers his claim to be served without further delay. The choice falls upon an unshaven, dirty, sottish-looking fellow, whose tarnished paper cap, stuck negligently over one eye, communicates an additionally repulsive expression to his very uninviting countenance. He was enjoying a little relaxation from his sedentary pursuits a quarter of an hour ago, in kicking his wife up the court. He has come to redeem some tools:—probably to enable him to complete a job, on account of which he has already received some money, if his inflamed countenance and drunken stagger may be taken as evidence of the fact. Having waited some little time, he makes his presence known by venting his ill-humour on a ragged urchin, who, being unable to bring his face on a level with the counter by any other process has employed himself in climbing up and then hooking himself on with his elbows—an uneasy perch from which he has fallen at intervals, generally alighting on the toes of the person in his immediate vicinity. In the present case, the unfortunate little wretch has received a cuff which sends him reeling to the door, and the donor of the blow is immediately the object of general indignation. &quot;What do you strike the boy for, you brute?&quot; exclaims a slip-shod woman, with two flat-irons in a little basket. &quot;Do you think he&#039;s your wife you willin?&quot; &quot;Go and hang yourself,&quot; replies the gentleman addressed, with a drunken look of savage stupidity, aiming at the same time a blow at the woman, which fortunately misses its object. &quot;Go and hang yourself; and wait there till I come and cut you down.&quot;—&quot;Cut you down,&quot; rejoins the woman, &quot;I wish I had the cutting of you up, you wagabond! (loud).—oh! you precious wagabond! (rather louder).—where&#039;s your wife, you willin (louder still; women of this class are always sympathetic, and work themselves into a tremendous passion in no time)? Your poor dear wife as you uses worser nor a dog—strike a wo-man—you a man! (very shrill); I wish I had you—I&#039;d murder you, I would, if I died for it!&quot; &quot;Now be civil,&quot; retorts the man fiercely. &quot;Be civil, you wiper!&quot; ejaculates the woman contemptuously. &quot;An&#039;t it shocking,&quot; she continues, turning round and appealing to an old woman who is peeping out of one of the little closets we have before described, and who has not the slightest objection to join in the attack possessing, as she does, the comfortable conviction that she&#039;s bolted in. &quot;Ain&#039;t it shocking, ma&#039;am? (&quot;Dreadful!&quot; says the old woman in a parenthesis, not exactly knowing what the question refers to.); he&#039;s got a wife, ma&#039;am, as takes in mangling, and is as &#039;dustrious and hard working a young ooman as can be, (very fast) as lives in the back parlour of our &#039;ous, which my husband and me lives in the front one (with great rapidity)—and we hears him a beaten&#039; on her sometimes when he comes home drunk, the whole night through, and not only a beaten&#039; her, but beaten his own child too, to make her more miserable—ugh, you beast!—and she, poor creetur won&#039;t swear the peace agin him, nor do nothin&#039;, because she likes the wretch arter all—worse luck!&quot; Here as the woman has completely run herself out of breath, the pawnbroker himself, who has just appeared behind the counter in a grey dressing-gown, embraces the favourable opportunity of putting in a word:—&quot;Now I won&#039;t have none of this sort of thing on my premises,&quot; he interposes with an air of authority. &quot;Mrs. Mackin, keep yourself to yourself, or I&#039;m damned if you get four pence for a flat iron here; and, Jinkins you leave your ticket here till you&#039;re sober, and send your wife for them two planes, for I won&#039;t have you in my shop at no price; so make yourself scarce, before I make you scarcer.&quot; This eloquent address produces anything but the effect desired; the women rail in concert; the man hits about him in all directions, and is in the act of establishing an indisputable claim to gratuitous lodgings for the night, when the entrance of his wife—a wretched worn-out woman apparently in the last stage of consumption, whose face bears evident marks of recent ill-usage, and whose strength seems hardly equal to the burden—light enough, God knows—of the thin, sickly child she carries in her arms, turns his cowardly rage in a safer direction. &quot;Come home, dear,&quot; cries the miserable creature, in an imploring tone; &quot;Do come home, there&#039;s a good fellow, and go to bed.&quot; &quot;Go home yourself,&quot; rejoins the furious ruffian, accompanying an epithet we cannot repeat, with a kick we will not describe. &quot;Do come home quietly,&quot; repeats the wife, bursting into tears. &quot;Go home yourself,&quot; retorts the husband again, enforcing his argument by the application we have before hinted at. The poor creature flies out of the shop with the impetus thus administered; and her &quot;natural protector&quot; follows her up the court, alternately venting his rage in accelerating her progress, and in knocking the little scanty blue bonnet of the unfortunate child over its still more scanty and faded-looking face.<br /> <br /> The scene of which we have just attempted a slight description, is scarcely concluded, when a couple of the private boxes are occupied by persons who present so striking a contrast to each other, that we cannot resist the temptation of noticing them in our sketch as briefly as possible. In the last one which is situated in the darkest and most obscure corner of the shop considerably removed from either of the gas-lights, are a young delicate girl of about twenty and an elderly female—evidently her mother from the resemblance between them—who stand at some distance back, as if to avoid the observation even of the shopmen. It is not their first visit to a pawnbroker&#039;s shop, for they answer without a moment&#039;s hesitation the usual questions, put in a rather respectful manner, and in a much lower tone than usual, of &quot;What name shall I say?&quot; &quot;Your own property, of course?&quot; &quot;Where do you live, ma&#039;am?&quot; &quot;Housekeeper or lodger?&quot; They bargain, too, for a higher loan than the shopman is at first inclined to offer, which a perfect stranger would be little disposed to do, and the elderly female urges her daughter on in scarcely audible whispers to exert her utmost powers of persuasion to obtain an advance of the sum, and expatiate on the value of the articles they have brought to raise a present supply upon. They are a small gold chain and a &quot;Forget me not&quot; ring: the girl&#039;s property, for they are both too small for the mother; given her in better times—prized perhaps once for the giver&#039;s sake, but parted with now without a struggle; for want has hardened the mother, and her example has hardened the girl; and the prospect of receiving money, coupled with a recollection of the misery they have both endured from the want of it; the coldness of old friends—the stern refusal of some and the still more galling compassion of others—appears to  obliterate the consciousness of self humiliation which the bare idea of their present situation would once have aroused. In the next is a young female, whose attire, miserably poor but extremely gaudy, wretchedly cold but scrupulously fine, too plainly bespeaks her station in life. The rich satin gown with its faded trimmings—the worn-out thin shoes, and pink silk stockings—the summer bonnet in winter, and the sunken face where a daub of rouge only serves as an index to the ravages of squandered health never to be regained, and lost happiness never to be restored; and where the practised smile is a wretched mockery of the misery of the heart—cannot be mistaken. There is something in the glimpse she has just caught of her young neighbour, and in the sight of the little trinkets she has offered in pawn, that seems to have awakened in this woman&#039;s mind some slumbering recollection, and to have changed for an instant her whole demeanour. Her first hasty impulse was to bend forward as if to scan more minutely the appearance of her half-concealed companions; her next, on seeing them involuntarily shrink from her, to retreat to the back of the box, cover her face with her hands, and burst into an agony of tears. There are strange chords in the human heart, which will lie dormant through years of depravity and wickedness, but which will vibrate at last to some slight circumstance apparently trivial in itself, but connected by some undefined and indistinct association with past days that can never be recalled, and with bitter recollections from which the most degraded creature in existence cannot escape. There has been another spectator, in the person of a woman in the common shop; the lowest of the low; dirty, unbonnetted, flaunting, and slovenly. Her curiosity was at first attracted by the little she could see of the group; then her attention; the half- intoxicated leer changed to an expression of something like interest, and a feeling similar to that we have described, appeared for a moment, and only a moment, to extend itself even to her bosom.<br /> <br /> Who shall say how soon these women may change places? The last has but two more stages—the hospital and the grave! How many females situated as her two companions are, and as she may have been once, have terminated the same wretched course, in the same wretched manner? One is already tracing her footsteps with frightful rapidity. How soon may the other follow her example! How many have done the same!<br /> <br /> Such are a few of the sights and scenes of a Pawnbroker&#039;s Shop. We could extend this sketch much further; but we fear the subject would present few—very few—attractions. We will, therefore, only apologise for having dwelt upon it so long.18350630https://dickenssearch.com/files/original/5/Sketches_of_London_No._XV_The_Pawnbroker_s_Shop/1835-06-30_The_Evening_Chronicle_Sketches_of_London_No._XV_The_Pawnbrokers_Shop.pdf
56https://dickenssearch.com/items/show/56'<em>Sketches of London</em>, No. XVII, The Streets - Morning'Published in <em>The Evening Chronicle</em> (21 July 1835).Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0001315/18350721/013/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0001315/18350721/013/0001</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-07-21">1835-07-21</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-07-21_The_Evening_Chronicle_Sketches_of_London_NoXVII_The_Streets_MorningDickens, Charles. 'Sketches of London, No. XVII, The Streets - Morning' (21 July 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-07-21_The_Evening_Chronicle_Sketches_of_London_NoXVII_The_Streets_Morning">https://dickenssearch.com/short-stories/1835-07-21_The_Evening_Chronicle_Sketches_of_London_NoXVII_The_Streets_Morning</a>.<a href="https://dickenssearch.com/teibp/dist/content/1835-07-21_The_Evening_Chronicle_Sketches_of_London_NoXVII_The_Streets_Morning.xml" target="_blank" rel="noopener"><span>'Sketches of London, No. XVII, The Streets - Morning.' <em>The Evening Chronicle</em> (21 July 1835).</span></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Evening+Chronicle%3C%2Fem%3E"><em>The Evening Chronicle</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a>The appearance presented by the streets of London an hour before sun-rise on a summer’s morning, is most striking even to the few whose unfortunate pursuits of pleasure, or scarcely less unfortunate pursuits of business, make them well acquainted with the scene. There is an air of cold, solitary desolation about the noiseless streets we are accustomed to see thronged at other times by a busy, eager crowd, and the quiet closely shut buildings which throughout the day are swarming with life and bustle, that is very impressive. The last drunken man who shall find his way home before sunlight has just staggered heavily along, occasionally roaring out the burden of the drinking song of the previous night: the last houseless vagrant whom penury and police have left in the streets, has coiled up his chilly limbs in some paved corner, to dream of food and warmth: the drunken, the dissipated, and the wretched have disappeared: the more sober and orderly part of the population have not yet awakened to the labours of the day; and the stillness of death is over the streets; its very hue seems to be imparted to them, cold and lifeless as they look in the grey, sombre light of daybreak. The coach-stands in the larger thoroughfares are deserted; the night houses are closed; the chosen promenades of profligate misery are empty. An occasional policeman may be seen at the street corners, listlessly gazing on the deserted prospect before him; and now and then a rakish-looking cat runs stealthily across the road, and descends his own area with as much caution and slyness—bounding first on the water-butt, then on the dust-hole, and then alighting on the flag-stones —as if he were conscious that his character depended on his gallantries of the preceding night escaping public observation. A partially opened bedroom-window here and there bespeaks the heat of the weather and the uneasy slumbers of its occupant; and the dim scanty flicker of the rush-light through the window-blind denotes the chamber of watching or sickness. With these few exceptions, the streets present no signs of life, nor the houses of habitation. An hour wears away; the spires of the churches and roofs of the principal buildings are faintly tinged with the light of the rising sun, and the streets, by almost imperceptible degrees, begin to resume their bustle and animation. Market carts roll slowly along, the sleepy waggoner impatiently urging on his tired horses, or vainly endeavouring to awaken the boy, who, luxuriously stretched on the top of the fruit baskets, forgets in happy oblivion his long-cherished curiosity to behold the wonders of London. Rough, sleepy-looking animals of strange appearance, something between ostlers and hackney coachmen, begin to take down the shutters of early public-houses, and little deal tables, with the ordinary preparations for a street breakfast, make their appearance at the customary stations. Numbers of men and women (principally the latter) carrying upon their heads heavy baskets of fruit, toil down the park side of Piccadilly, on their way to Covent-garden; and following each other in rapid succession, form a long straggling line from thence to the turn of the road at Knightsbridge. Here and there a bricklayer’s labourer, with the day’s dinner tied up in a handkerchief, walks briskly to his work, and occasionally a little knot of three or four school-boys on a stolen bathing expedition, rattle merrily over the pavement; their boisterous mirth contrasting forcibly with the demeanour of the little sweep, who, having knocked and rung till his arm aches, and being interdicted by a merciful Legislature from endangering his lungs by calling out, sits patiently down on the door-step until the house maid may happen to awake. Covent-garden Market, and the avenues leading to it, are thronged with carts of all sorts, sizes, and descriptions, from the heavy lumbering waggon with its four stout horses, to the jingling costermonger’s cart with its consumptive donkey. The pavement is already strewed with decayed cabbage leaves, broken haybands, and all the indescribable litter of a vegetable market and the numerous noises are almost as multifarious. Men shouting, carts backing, horses neighing, boys fighting, basket-women talking, piemen expatiating on the excellence of their pastry, donkeys braying, and a hundred other sounds form a compound discordant enough to a Londoner’s ears, and remarkably disagreeable to those of country gentlemen, who are sleeping at the Hummums for the first time. Another hour passes away, and the day begins in good earnest. The servant of all work, who, under the plea of sleeping very soundly, has utterly disregarded &quot;Missises ringing&quot; for half an hour previously, is warned by master (whom Missis has sent up in his drapery to the landing-place for that purpose) that it’s half-past six, whereupon she awakes all of a sudden with well feigned astonishment, and goes down stairs very sulkily, wishing, while she strikes a light, that the principle of spontaneous combustion would extend itself to coals and kitchen ranges; when the fire is lit she opens the street-door to take in the milk when, by the most singular coincidence in the world, she discovers that the servant next door has just taken in her milk too, and that Mr. Todd’s young man over the way is by an equally extraordinary chance taking down his master’s shutters. The inevitable consequence is, that she just steps milk-jug in hand as far as next door just to say &quot;good morning&quot; to Betsy Clark, and that Mr. Todd’s young man just steps over the way just to say &quot;good morning&quot; to both of ’em; and as the aforesaid Mr. Todd’s young man is almost as good-looking and fascinating as the baker himself, the conversation quickly becomes very interesting, and probably would become more so, if Betsy Clark’s missis, who always will be a followin’ her about, didn’t give an angry tap at her bed-room window, on which Mr. Todd’s young man tries to whistle coolly, as he goes back to his shop much faster than he came from it; and the two girls run back to their respective places, and shut their street-doors with surprising softness, each of them poking their heads out of the front parlour-window a minute afterwards, however, ostensibly with the view of looking at the mail which just then passes by, but really for the purpose of catching another glimpse of Mr. Todd’s young man, who, being fond of mails, but more fond of females, takes a short look at the coach and a long look at the girls, much to the satisfaction of all parties concerned. The mail itself goes on to the coach-office in due course, and the passengers who are going out by the early coach stare with astonishment at the passengers who are coming in by the early coach, who look blue and dismal, and are evidently under the influence of that odd feeling produced by travelling, which makes the events of yesterday morning seem as if they had happened at least six months ago, and induces people to wonder with considerable gravity whether the friends and relations they took leave of a fortnight before, have altered much since they have left them. The coach-office is all alive, and the coaches which are just going out are surrounded by the usual crowd of Jews and nondescripts, who seem to consider, God knows why, that it&#039;s quite impossible any man can mount a coach without requiring at least sixpenn&#039;orth of oranges, a pen-knife, a pocket-book, a last year’s annual, a pencil-case, a piece of sponge, and a small series of caricatures. Half-an-hour more, and the sun darts his bright rays cheerfully down the still half-empty streets, and shines with sufficient force to rouse the diurnal laziness of the apprentice, who pauses every other minute from his task of sweeping out the shop and watering the pavement in front of it, to tell another apprentice similarly employed how hot it will be to-day, or to stand with his right hand shading his eyes and his left resting on the broom, gazing at the Wonder, or the Tally-Ho, or the Nimrod, or some other fast coach, till it&#039;s out of sight, when he re-enters the shop envying the passengers on the outside of the fast coach, and thinking of the old red brick house &quot;down in the country,&quot; where he went to school: the miseries of thin milk and water and thick bread and scrapings fading into nothing before the pleasant recollection of the green field the boys used to play in, and the green pond he was caned for presuming to fall into, and other school-boy associations. Cabs, with trunks and band-boxes between the drivers’ legs and outside the apron, rattle briskly up and down the streets on their way to the coach-offices, or steam-packet wharfs; and the cab-drivers and hackney-coachmen who are on the stand. polish up the ornamental part of their dingy vehicles—the former wondering how people can prefer &quot;them wild-beast cariwans of omnibuses to a riglar cab with a fast trotter,&quot; and the latter admiring how people can trust their necks into one of &quot;them crazy cabs, when they can have a ’spectable ackney cotche with a pair of orses as von’t run away with no vun;&quot;—a consolation unquestionably founded in fact, seeing that a hackney-coach horse never was known to run at all, &quot;except,&quot; as the smart cabman in front of the rank observes, &quot;except one, and he run back’ards!&quot; The shops are now completely opened, and apprentices and shopmen are busily engaged in cleaning and decking the windows for the day. The bakers’ shops in town are filled with servants and children waiting for the drawing of the first batch of rolls—an operation which was performed a full hour ago in the suburbs; for the early clerk population of Somers and Camdon Towns, Islington and Pentonville, are fast pouring into the City, or directing their steps towards Chancery-lane and the inns of court. Middle-aged men, whose salaries have by no means increased in the same proportion as their families, plod steadily along, apparently with no object in view but the counting-house, knowing by sight almost everybody they meet or overtake, for they have seen them every morning (Sunday excepted) during the last twenty years; but speaking to no one. If they do happen to overtake a personal acquaintance, they just exchange a hurried salutation, and keep walking on, either by his side or in front of him, as his rate of walking may chance to be. As to stopping to shake hands, or to take the friend’s arm, they seem to think that it is not included in their salary, and they have no right to do it. Small office lads in large hats, who are made men before they are boys, hurry along in pairs with their first coat carefully brushed, and the white trowsers of last Sunday plentifully besmeared with dust and ink. It evidently requires a considerable mental struggle to avoid investing part of the day’s dinner-money in the purchase of the stale tarts so temptingly exposed in dusty tins at the pastry-cooks’ doors; but a consciousness of their own importance, and the receipt of seven shillings a week, with the prospect of an early rise to eight comes to their aid, and they accordingly put their hats a little more on one side, and look under the bonnets of all the milliners’ and stay-makers’ apprentices they meet. Poor girls! The hardest worked, the worst paid; and too often the worst used, class of the community. Eleven o’clock, and a new set of people fill the streets. The goods in the shop-windows are invitingly arranged: the shopmen in their white neck-kerchiefs and spruce coats, look as if they couldn’t clean a window if their lives depended on it: the carts have disappeared from Covent Garden: the waggoners have returned and the costermongers repaired to their ordinary &quot;beats&quot; in the suburbs: clerks are at their offices, and gigs, cabs, omnibuses, and saddle-horses are conveying their masters to the same destination. The streets are thronged with a vast concourse of people - gay and shabby, rich and poor, idle and industrious; and we come to the heat, bustle, and activity of noon.18350721https://dickenssearch.com/files/original/5/Sketches_of_London_No._XVII_The_Streets_-_Morning/1835-07-21_The_Evening_Chronicle_Sketches_of_London,_No._XVII_The_Streets_Morning.pdf
57https://dickenssearch.com/items/show/57'<em>Sketches of London</em>, No. XVIII, Our Parish' (IV)Published in <em>The Evening Chronicle</em> (28 July 1835).Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0001315/18350728/018/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0001315/18350728/018/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-07-28">1835-07-28</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-07-28_The_Evening_Chronicle_Sketches_of_London_NoXVIII_Our_ParishIVDickens, Charles. 'Sketches of London, No. XVIII, Our Parish' (IV) (28 July 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-07-28_The_Evening_Chronicle_Sketches_of_London_NoXVIII_Our_ParishIV">https://dickenssearch.com/short-stories/1835-07-28_The_Evening_Chronicle_Sketches_of_London_NoXVIII_Our_ParishIV</a>.<a href="https://dickenssearch.com/teibp/dist/content/1835-07-28_The_Evening_Chronicle_Sketches_of_London_NoXVIII_Our_ParishIV.xml" target="_blank" rel="noopener"><span>'Sketches of London, No. XVIII, Our Parish' (IV). <em>The Evening Chronicle</em> (28 July 1835).</span></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Evening+Chronicle%3C%2Fem%3E"><em>The Evening Chronicle</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a>The excitement of the election for Beadle having subsided, and our parish being again restored to a state of comparative tranquility, we are enabled to continue our sketches of individual parishioners who take no share in our party contests, or in the turmoil and bustle of public life. And we feel sincere pleasure in acknowledging here, that in collecting materials for this task we have been greatly assisted by Mr. Bung himself, who has imposed on us a debt of obligation which we fear we can never repay. The life of this gentleman has been one of a very chequered description: he has undergone transitions—not from grave to gay, for he never was grave—not from lively to severe, for severity forms no part of his disposition; his fluctuations have been between poverty in the extreme &amp;amp; poverty modified, or, to use his own emphatic languages, between nothing to eat and just half enough. He is not as he forcibly remarks, &quot;One of those fortunate men who if they were to dive under one side of a barge stark-naked, would come up on the other, with a new suit of clothes on, and a ticket for soup in the waistcoat pocket:&quot; neither is he one of those, whose spirit has been broken beyond redemption by misfortune and want. He is just one of the careless, good-for-nothing, happy fellows, who float cork like on the surface, for the world to play at hockey with: knocked here and there and every where: now to the right, then to the left, again up in the air, and anon to the bottom, but always reappearing, and bounding with the stream, buoyantly and merrily along. Some few months before he was prevailed upon to stand a contested election for the office of beadle, necessity attached him to the service of a broker; and on the opportunities he here acquired of ascertaining the condition of most of the poorer inhabitants of the parish, his patron, the Captain, first grounded his claims to public support. Chance threw the man in our way a short time since. We were, in the first instance, attracted by his prepossessing impudence at the election; we were not surprised, on further acquaintance, to find him a shrewd knowing fellow, with no inconsiderable power of observation, and after conversing with him a little, were somewhat struck (as we dare say our readers have frequently been in other cases) with the power some men seem to have, not only of sympathizing with, but to all appearance of understanding feelings, to which they themselves are entire strangers. We had been expressing to the new functionary our surprise that he should ever have served in the capacity to which we have just adverted, when we gradually led him into one or two professional anecdotes. As are are induced to think on reflection that they will tell better, in nearly his own words, than with any attempted embellishments of our&#039;s, we will at once entitle them <br /> MR. BUNG&#039;S NARRATIVE. &quot;It&#039;s very true, as you say Sir,&quot; Mr. Bung commenced, &quot;that a broker&#039;s man&#039;s is not a life to envied; and in course you know as well as I do, though you don&#039;t say it, that people hate and scout &#039;em, because they&#039;re the Ministers of wretchedness, like, to poor people. But what could I do Sir? The thing was no worse, because I did it instead of somebody else, and if putting me in possession of a house, would put me in possession of three and sixpence a day, and levying a distress on another man&#039;s goods would relieve my distress and that of my family, it can&#039;t be expected but what I&#039;d take the job and go through with it. I never liked it, God knows; I always looked out for something else, and the moment I got other work to do I left it, and if there is any thing wrong in being the agent in such matters—not the principal mind you—I&#039;m sure the business, to a beginning like I was, at all events carries its own punishment along with it. I wished again and again that the people would only blow me up, or pitch into me—that I wouldn&#039;t have minded: it&#039;s all in my way: but it&#039;s the being shut up by yourself in one room for three days, without so much as an old newspaper to look at, or any thing to see out o&#039; the winder but the roofs and chimnies at the back of the house, or any thing to listen to but the ticking perhaps of an old Dutch clock, the sobbing of the missis now and then, the low talking of friends in the next room, who speak in whispers, lest &quot;the man&quot; should over-hear them, or perhaps the occasional opening of the door, as a child peeps in to look at you, and then runs half frightened away.—It&#039;s all this that makes you feel sneaking somehow, and ashamed of yourself; and then if it&#039;s winter time they just give you fire enough to make you think you&#039;d like more, and bring in your grub as if they wish it u&#039;d choke you—as I dare say they do, for the matter of that, most heartily. If they&#039;re very civil, they make you up a bed in the room at night; and if they don&#039;t, your master sends one in for you; but there you are, without being washed or shaved all the time, shunned by every body and spoken to by no one unless some one comes in at dinner time, and asks you whether you want any more, in a tone as much to say, &quot;I hope you don&#039;t;&quot; or, in the evening, to inquire whether you wouldn&#039;t rather have a candle, after you&#039;ve been sitting in the dark half the night. When I was left in this way, I used to sit think, think, thinking, till I felt as lonesome as a kitten in a wash-house copper with the lid on; but I believe the old brokers&#039; men, who are regularly trained to it, never think at all. I have heard some on &#039;em say, indeed, that they don&#039;t know how! &quot;I put in a good many distresses in my time (continued Mr. Bung), and in course I wasn&#039;t long in finding that some people are not as much to be pitied as others are, and that people with good incomes, who get into difficulties, which they keep patching up day after day, and week after week, get so used to these sorts of things in time, that at last they come scarcely to feel them at all. I remember the very first place I was put in possession of was a gentleman&#039;s house in this parish here, that every body would suppose couldn&#039;t help having money if he tried. I went with old Fixem, my old master, &#039;bout half-arter eight in the morning, rang the area-bell, servant in livery opened the door; &#039;Governor at home?&#039;—&#039;Yes, he is,&#039; says the man; &#039;but he&#039;s a breakfasting just now&#039;—&#039;Never mind,&#039; says Fixem, &#039;just you tell him there&#039;s a gentleman here as wants to speak to him partickler.&quot; So the servant he opens his eyes, and stares about him all ways—looking for the gentleman, as it struck me; for I don&#039;t think anybody but a man as was stone-blind would mistake Fixem for one; and as for me, I was as seedy as a cheap cowcumber. Hows&#039;ever he turns round and goes to the breakfast-parlour, which was a little snug sort of room at the end of the passage, and Fixem (as we always did in that profession) without waiting to be announced, walks in arter him; and before the servant could get out—&#039;Please Sir, here&#039;s a man as wants to speak to you&#039;—looks in at the door as familiar and pleasant as may be. &#039;Who the devil are you: and how dare you walk into a gentleman&#039;s house without leave?&#039;—says the master, as fierce as a bull in fits—&#039;My name,&#039; says Fixem, winking at the master to send the servant away, and putting the warrant into his hands folded up like a note, &#039;My name&#039;s Smith,&#039; says he,&#039; and I called from Johnson&#039;s about that business of Thompson&#039;s.&#039;—&#039;Oh,&#039; says the other, quite down upon him directly, &#039;How is Thompson?&#039; says he.—&#039;Pray sit down, Mr. Smith: John—leave the room.&#039;— Out went the servant, and the gentleman and Fixem looked at one another till they couldn&#039;t look any longer, and then they varied the amusement by looking at me, who had been standing on the mat all this time.—&#039;Hundred and fifty pounds, I see,&#039; said the gentleman at last.—&#039;Hundred and fifty pound,&#039; said Fixem &#039;besides cost of levy, sheriff&#039;s poundage, and all other incidental expenses.&#039; &#039;Um,&#039; says the gentleman, &#039;I shan&#039;t be able to settle this before to-morrow afternoon.&#039;—&#039;Very sorry; but I shall be obliged to leave my man here till then,&#039; replies Fixem, pretending to look very miserably over it. &#039;That&#039;s very unfortunate,&#039; said the gentleman, &#039;for I&#039;ve got a large party here to-night; and I&#039;m ruined if those fellows of mine get an inkling of the matter.—Just step here, Mr. Smith,&#039; says he, after a short pause; so Fixem walks with him up to the window, and after a good deal o&#039; whispering, and a little chinking of suverins, and looking at me, he comes back and says &#039;Bung: you&#039;re a handy fellow, and very honest I know. This gentleman wants an assistant to clean the plate and wait at table today; and if you&#039;re not particularly engaged,&#039; says old Fixem, grinning like mad, and shoving a couple of suverins into my hand, &#039;he&#039;ll be very glad to avail himself of your services.&#039; Well, I laughed, and the gentleman laughed, and we all laughed; and I went home and cleaned myself, leaving Fixem there; and when I went back, Fixem went away, and I polished up the plate, and waited at table, and gammoned the servants, and nobody had the least idea I was in possession; though it very nearly came out after all: for one of the last gentlemen who remained, came down stairs into the hall where I was sitting pretty late at night, and putting half a crown in my hand says, &#039;Here, my man,&#039; says he, &#039;run and get me a coach, will you?&#039; I thought it was a do to get me out of the house, and was just going to say so, sulkily enough, when the gentleman (who was up to every thing) came running down stairs as if he was in great anxiety. &#039;Bung,&#039; says he, pretending to be in a con-suming passion, &#039;Sir,&#039; says I. &#039;Why the devil an&#039;t you looking after that plate?&#039; says he. &#039;I was just going to send him or a coach for me,&#039; says the other gentleman. &#039;And I was just a going to say,&#039; says I,—&#039;Any body else, my dear fellow,&#039; interrupts the master of the house, pushing me down the passage to get me out of the way—&#039;anybody else; but I have put this man in possession of all the plate and valuables, and I cannot allow him on any consideration whatever to leave the house. Bung, damn you, go and count those forks in the breakfast-parlour instantly.&#039; You may be sure I went laughing pretty hearty when I found it was all right. The money was paid next day, with the addition of something else for myself, and that was the best job that I (and I suspect old Fixem too) ever got in that line.&quot; &quot;But this is the bright side of the picture, sir, after all,&quot; resumed Mr. Bung, laying aside the knowing look and flash air with which he had repeated the previous anecdote—&quot;and I&#039;m sorry to say it&#039;s the side one sees very—very seldom in comparison with the dark one. The civility which money will purchase is rarely extended to those who have none; and there&#039;s a consolation even in being able to patch up one difficulty to make way for another, to which very poor people are strangers. I was once put into a house down George&#039;s-yard—that little dirty court at the back of the gas-works; and I never shall forget the misery of them people, dear me. It was a distress for half a year&#039;s rent—two pound ten I think. There were only two rooms in the house, as there was no passage, the lodgers up stairs always went through the room of the people of the house, as they passed in and out, and every time they did so—which on average was about four times every quarter of an hour—they blowed up quite frightful: for their things had been seized too, and included in the inventory. There was a little piece of inclosed dust in front of the house, with a cinder path leading up to the door, and an open rain-water butt on one side. A dirty striped curtain on a very slack strong hung in the window, and a little triangular bit of broken looking-glass rested on the sill inside. I suppose it was meant for the people&#039;s use, but their appearance was so wretched and so miserable, that I&#039;m certain they never could have plucked up courage to look themselves in the face a second time, if they survived the fright of doing so once. There was two or three chairs, that might have been worth, in their best days, from eight-pence to a shilling a-piece; a small deal table; an old corner cupboard, with nothing in it, and one of those bedsteads which turn up half way, and leave the bottom legs sticking out for you to knock your head against, or hang your hat upon; no bed, no bedding. There was an old sack, by way of rug, before the fire-place, and four or five children were grovelling about among the sand on the floor. The execution was only put in to get &#039;em out of the house, for there was nothing to take to pay the expenses; and here I stopped for three days, though that was a mere form too: for in course I knew, and we all knew, they could never pay the money. In one of the chairs by the side of the place where the fire ought to have been, was an old &#039;ooman—the ugliest and dirtiest I ever see—who sat rocking herself backwards and forwards, backwards and forwards without once stopping, except for an instant, now and then, to clasp together the withered hands which, with these exceptions, she kept constantly rubbing upon her knees, just raising and depressing her fingers convulsively, in time to the rocking of the chair. On the other side sat the mother with an infant in her arms which cried &#039;till it cried itself to sleep, and when it woke, cried &#039;till it cried itself off again. The old &#039;ooman&#039;s voice I never heard; she seemed completely stupified; and as to the mother&#039;s, it would have been better if she had been so too; for misery changed her to a devil; if you had heard how she cursed the little naked children as was rolling on the floor, and seen how savagely she struck the infant when it cried with hunger, you&#039;d have shuddered as much as I did. There they remained all the time: the children eat a morsel of bread once or twice, and I gave &#039;em best part of the dinners my missis brought me; but the women eat nothing: they never even laid down on the bedstead, nor was the room swept or cleaned all the time. The neighbours were all too poor themselves to take any notice of &#039;em; but what I could make out from the abuse of the woman up-stairs, it seemed the husband had been transported a few weeks before. When the time was up, the landlord and old Fixem too, got rather frightened about the family; and so they made a stir about it, and got &#039;em taken to the workhouse. They sent the sick couch for the old &#039;ooman; and Simmons took the children away at night. The old &#039;ooman went into the infirmary, and very soon died. The children are all in the house to this day, and very comfortable they are in comparison; as to the mother, there was no taming her at all. She had been a quiet, hard-working woman, I believe; but her misery had actually drove her wild; so after she had been sent to the House of Correction half a dozen times, for throwing inkstands at the overseers, blaspheming the churchwardens, and smashing every body as come near her, she burst a blood vessel one mornin&#039;, and died too—and a happy release it was, both for herself and the old paupers male and female, which she used to tip over in all directions, as if they were so many skittles, and she the ball. &quot;Now this was bad enough,&quot; resumed Mr. Bung, taking a half-step towards the door, as if to intimate that he had nearly concluded. &quot;This was bad enough, but there was a sort of quiet misery—if you understand what I mean by that, Sir—about a lady at one house I was put into, as touched me a good deal more. It doesn&#039;t matter where it was exactly; indeed, I&#039;d rather not say; but it was the same sort o&#039;job. I went with Fixem in the usual way—there was a year&#039;s rent in arrear; a very small servant-girl opened the door, and three or four fine looking little children was in the front parlour we was shown into, which was very clean, but very scantily furnished, much like the children themselves. &#039;Bung,&#039; says Fixem to me in a low voice when we were left alone for a minute, &#039;I know something about this here family, and my opinion is, it&#039;s no go.&#039; &#039;Do you think they can&#039;t settle?&#039; says I, quite anxiously: for I liked the looks of them children. Fixem shook his head, and was just about to reply when the door opened, and in come a lady as white as ever I see any one in my days, except about the eyes, which were red with crying. She walked in as firm as I could have done: shut the door carefully after her, and sat herself down with a face as composed as if it was made of stone. &#039;What is the matter, gentlemen,&#039; says she, in a surprisin&#039; steady voice. &#039;Is this an execution?&#039; &#039;It is, Mum,&#039; says Fixem. The lady looked at him as steady as ever; she didn&#039;t seem to have understood him. &#039;It is, Mum,&#039; says Fixem again, &#039;this is my warrant of distress, Mum&#039; says he, handing it over as polite as if it was a newspaper which had been bespoke arter the next gentleman. The lady&#039;s lip trembled as she took the printed paper. She cast her eye over it, and old Fixem began to explain the form, but I saw she wasn&#039;t reading it, plain enough, poor thing. &#039;Oh, my God!&#039; says she, suddenly a-bursting out crying, letting the warrant fall, and hiding her fact in her hands. &#039;Oh, my God! what will become of us?&#039; The noise she made brought in a young lady of about nineteen or twenty, who, I suppose, had been a-listening at the door: she&#039;d got a little boy in her arms; she sat him down in the lady&#039;s l ap, without speaking, and she hugged the poor little fellow to her bosom and cried over him, till even old Fixem put on his blue spectacles to hide the two tears that was a trickling down, one on each side of his dirty face. &#039;Now, dear Ma,&#039; says the young lady, &#039;you know how much you have borne. For all our sakes: for Pa&#039;s sake,&#039; says the lady, &#039;don&#039;t give way to this!&#039; &#039;No, no, I won&#039;t!&#039; says the lady, gathering herself up hastily and drying her eyes; &#039;I am very foolish, but I&#039;m better now—much better.&#039; And then she roused herself up; went with us into every room while we took the inventory; opened all the drawers of her own accord; sorted the children&#039;s little clothes to make the work easier; and, except doing everything in a strange sort of hurry, seemed as calm and composed as if nothing had happened. When we came down stairs again, she hesitated a minute or two, and at last says, &#039;Gentleman,&#039; says she, &#039;I am afraid I have done wrong, and perhaps it may bring you into trouble. I secreted just now,&#039; she says, &#039;the only trinket I have left in the world— here it is.&#039; So she lays down on the table a little miniature mounted in gold. &#039;It&#039;s a miniature,&#039; she says, &#039;of my poor dear father! I little thought, once that I should ever thank God for depriving me of the original; but I do, and have done for years back, most fervently. Take it away, sir,&#039; she says, &#039;it&#039;s a face that never turned from me in sickness or distress, and I can hardly bear to turn from it now, when, God knows, I suffer both in no ordinary degree.&#039;—I couldn&#039;t say nothing, but I raised my head from the inventory which I was filling up, and looked at Fixem; the old fellow nodded to me significantly; so I ran my pen through the &#039;Mini&#039; - I had just written, and left the miniature on the table. &quot;Well, sir, to make short of a long story, I was left in possession, and in possession I remained; and though I was an ignorant man, and the master of the house a clever one, I saw what he never did, but what he would give worlds now (if he had &#039;em) to have seen in time. I saw, sir, that his wife was wasting away beneath cares of which she never complained, and griefs she never told. I saw that she was dying before his eyes: I knew that an exertion from him might have saved her; but he never made it. I don&#039;t blame him: I don&#039;t think he could rouse himself. She had for so long anticipated all his wishes, and acted for him, that he was a lost man when left to himself. I used to think when I caught sight of her, in the clothes she used to wear, which looked shabby even upon her, and would have been scarcely decent on any one else, that if I was a gentleman it would wring my very heart to see the woman that was a smart and merry girl when I courted her, so altered through her love for me. Bitter cold and damp weather it was; yet though her dress was thin, and her shoes none of the best, during the whole three days, from morning to night, she was out of doors running about to try and raise the money. The money was raised, and the execution was paid out. The whole family crowded into the room where I was when the money arrived. The father was quiet happy as the inconvenience was removed—I dare say he didn&#039;t know how—the children looks merry and cheerful again; the eldest girl was bustling about making preparations for the first comfortable meal they had had since the distress was put in—and the mother looked pleased to see them all so; but if ever I saw death in a woman&#039;s face, I saw it in her&#039;s, that night. &quot;I was right, sir,&quot; concluded Mr. Bung, hurriedly passing his coat-sleeve over his face. &quot;The family grew more prosperous, and good fortune arrived. But it was too late. Those children are motherless now, and their father would give up all that he has since gained—house, home, goods, money; all that he has, or ever can have to restore the wife he has lost. (To be continued.)18350728https://dickenssearch.com/files/original/5/Sketches_of_London_No._XVIII_Our_Parish_[IV]/1835-07-28_The_Evening_Chronicle_Sketches_of_London_No._XVIII_Our_Parish_IV.pdf
59https://dickenssearch.com/items/show/59'<em>Sketches of London</em>, No. XX, Our Parish' (V)Published in <em>The Evening Chronicle</em> (20 August 1835).Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350820/022/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350820/022/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-08-20">1835-08-20</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-08-20_The_Evening_Chronicle_Sketches_of_London_NoXX_Our_ParishVDickens, Charles. 'Sketches of London, No. XX, Our Parish' (V) (20 August 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-08-20_The_Evening_Chronicle_Sketches_of_London_NoXX_Our_ParishV">https://dickenssearch.com/short-stories/1835-08-20_The_Evening_Chronicle_Sketches_of_London_NoXX_Our_ParishV</a>.<a href="https://dickenssearch.com/teibp/dist/content/1835-08-20_The_Evening_Chronicle_Sketches_of_London_NoXX_Our_ParishV.xml" target="_blank" rel="noopener"><span>'Sketches of London, No. XX, Our Parish' (V). <em>The Evening Chronicle</em> (20 August 1835).</span></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Evening+Chronicle%3C%2Fem%3E"><em>The Evening Chronicle</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a>Our Parish is very prolific in ladies’ charitable societies. In winter, when wet feet are common and colds not scarce, we have the ladies’ soup distribution society, the ladies’ coal distribution society, and the ladies’ blanket distribution society; in summer, when stone fruits flourish and stomach-aches prevail, we have the ladies’ dispensary, and the ladies’ sick visitation committee; and all the year round we have the ladies’ child’s examination society, the ladies’ bible and prayer-book circulation society, and the ladies’ child-bed linen monthly loan society. The two latter are decidedly the most important; whether they are productive of more benefit than the rest is not for us to say, but we can take upon ourselves to affirm, with the utmost solemnity, that they create a greater stir and more bustle than all the others put together. We should be disposed to say, on the first blush of the matter, that the bible and prayer-book society is not so popular as the child-bed linen society; the bible and prayer-book society has, however, considerably increased in importance within the last year or two; having derived some adventitious aid from the factious opposition of the child’s examination society, which factious opposition originated in manner following:—When the young curate was popular, and all the unmarried ladies in the parish took a serious turn, the charity children all at once became objects of peculiar and especial interest. The three Miss Browns (enthusiastic admirers of the curate) taught, and exercised, and examined, and re-examined the unfortunate children, until the boys grew pale, and the girls consumptive with study and fatigue. The three Miss Browns stood it out very well, because they relieved each other; but the children, having no relief at all, exhibited decided symptoms of weariness and care. The unthinking part of the parishioners laughed at all this, but the more reflective portion of the inhabitants abstained from expressing any opinion on the subject until that of the curate had been clearly ascertained. The opportunity was not long wanting. The curate preached a charity sermon on behalf of the charity school; and in the charity sermon aforesaid, expatiated in glowing terms on the praiseworthy and indefatigable exertions of certain estimable individuals. Sobs were heard to issue from the three Miss Browns’ pew; the pew opener of the division was seen to hurry down the centre aisle to the vestry door, and to return immediately, bearing a glass of water in her hand; a low moaning ensued; two more pew openers rushed to the spot, and the three Miss Browns, each supported by a pew opener, were led out of the church, and led in again after a lapse of five minutes with white pocket handkerchiefs to their eyes, as if they had been attending a funeral in the churchyard adjoining. If any doubt had for a moment existed, as to whom the allusion was intended to apply, it was at once removed. The wish to enlighten the charity children became universal, and the three Miss Browns were unanimously besought to divide the school into classes, and to assign each class to the superintendence of two young ladies. A little learning is a dangerous thing, but a little patronage is more so: the three Miss Browns appointed all the old maids, and carefully excluded the young ones. Maiden aunts triumphed: mammas were reduced to the lowest depths of despair; &amp;amp; there is no telling in what act of violence the general indignation against the three Miss Browns might have vented itself, had not a perfectly providential occurrence changed the tide of public feeling. Mrs. Johnson Parker, the mother of seven extremely fine girls—all unmarried—hastily reported to several other mamma&#039;s of several other unmarried families, that five old men, six old women, and children innumerable, in the free seats near her pew, were in the habit of coming to church every Sunday without either bible or prayer-book. Was this to be borne in a civilized country? Could such things be tolerated in a christian land? Never! A Ladies’ Bible and Prayer-book Distribution Society was instantly formed: President, Mrs. Johnson Parker; treasurers, auditors, and secretary, the Misses Johnson Parker: subscriptions were entered into; books were bought, all the free seat people provided therewith; and when the first lesson was given out on the first Sunday succeeding these events, there was such a dropping of books, and rustling of leaves, that it was morally impossible to hear one word of the service for five minutes afterwards. The three Miss Browns and their party saw the approaching danger, and endeavoured to avert it by ridicule and sarcasm. Neither the old men nor the old women could read their books now they had got em, said the three Miss Browns. Never mind; they could learn, replied Mrs. Johnson Parker. The children couldn’t read either, suggested the three Miss Browns. No matter; they could be taught, retorted Mrs. Johnson Parker. A balance of parties took place. The Miss Browns publicly examined—popular feeling inclined to the child’s examination society. The Miss Johnson Parkers&#039; publicly distributed—a re-action took place in favour of the prayer-book distribution. A feather would have turned the scale, and a feather did turn it. A missionary returned from the West Indies; he was to be presented to the Dissenters’ Distribution Society on his marriage with a wealthy widow. Overtures were made to the Dissenters by the Johnson Parkers. Their object was the same, and why not have a joint meeting of the two societies? The proposition was accepted. The meeting was duly heralded by public announcement, and the room was crowded to suffocation. The missionary appeared on the platform; he was hailed with enthusiasm. He repeated a dialogue he had heard between two negroes behind a hedge, on the subject of distribution societies; he approbation was tumultuous. He gave an imitation of the two negroes in broken English; the roof was rent with applause. From that period we date (with one trifling exception) a daily increase in the popularity of the Distribution Society—an increase of popularity which the feeble and impotent opposition of the examination party has only tended to augment. Now, the great points about the Child-bed Linen Monthly Loan Society are, that it is less dependent on the fluctuations of public opinion than either the distribution or the child’s examination, and that come what may, there is never any lack of objects on which to exercise its benevolence. Our parish is a very populous one, and if anything, contributes, we should be disposed to say, rather more than its due share to the aggregate amount of births in the metropolis and its environs. The consequence is, that the Monthly Loan Society flourishes, and invests its members with a most enviable amount of bustling patronage. The society (whose only notion of dividing time, would appear to be its allotment into months) holds monthly tea-drinkings, at which the monthly report is received, a secretary elected for the month ensuing, and such of the monthly boxes as may not happen to be out on loan for the month, carefully examined. We were never present at one of these meetings, from all of which it is scarcely necessary to say, gentlemen are carefully excluded; but Mr. Bung has been called before the Board once or twice; and we have his authority for stating that its proceedings are conducted with great order and regularity, not more than four members being allowed to speak at one time on any pretence whatever. The regular committee is composed exclusively of married ladies, but a vast number of young unmarried ladies of from 18 to 25 years of age, respectively, are admitted as honorary members; partly because they are very useful in replenishing the boxes, and visiting the confined; partly because it is highly desirable that they should be initiated, at an early period, into the more serious and matronly duties of after life; and partly because prudent mammas have not unfrequently been known to turn this circumstance to wonderfully good account in matrimonial speculations. In addition to the loan of the monthly boxes (which are always painted blue, with the name of the society in large white letters on the lid), the society dispense occasional grants of beef tea, and a composition of warm beer, spice, eggs, and sugar, commonly known by the name of &quot;caudle,&quot; to its patients. And here again the services of the honorary members are called into requisition, and most cheerfully conceded. Deputations of twos or threes are sent out to visit the patients, and on these occasions there is such a tasting of caudle and beef tea, such a stirring about of little messes in tiny saucepans on the hob, such a dressing and undressing of infants, such a tying and folding, and pinning, such a nursing and warming of little legs and feet before the fire, such a delightful confusion of talking and cooking, bustle, importance, and officiousness, as never can be enjoyed in its full extent but on similar occasions. In rivalry of these two institutions, and as a last expiring effort to acquire parochial popularity, the child’s examination people determined, the other day on having a grand public examination of the pupils; and the large school-room of the national seminary was, by and with the consent of the parish authorities, devoted to the purpose. Invitation circulars were forwarded to all the principal parishioners, including, of course, the heads of the other two societies, for whose especial behoof and edification the display was intended; and a large audience was confidently anticipated on the occasion. The floor was carefully scrubbed the day before, under the immediate superintendence of the three Miss Browns; forms were placed across the room for the accommodation of the visitors; specimens in writing were carefully selected, and as carefully patched and touched up, until they astonished the children who had written them, rather more than the company who read them; sums in compound addition were re-hearsed and re-hearsed until all the children had the totals by heart; and the preparations altogether were on the most laborious and most comprehensive scale. The morning arrived, the children were yellow-soaped, and flannelled, and towelled, &#039;til their faces shone again; every pupil’s hair was carefully combed into his or her eyes, as the case might be; the girls were adorned with snow-white tippets, and caps bound round the head by a single purple ribbon: the necks of the elder boys were fixed into collars of startling dimensions. The doors were thrown open and the Miss Browns and Co. were discovered in plain white muslin dresses and caps of the same —the child’s examination uniform. The room filled; the greetings of the company were loud and cordial; the distributionists trembled, for their popularity was at stake. The eldest boy fell forward, and delivered a propitiatory address from behind his collar. It was from the pen of Mr. Henry Brown; the applause was universal, and the Johnson Parkers were aghast. The examination proceeded with success, and terminated in triumph. The Child’s Examination Society gained a momentary victory, and the Johnson Parkers retreated in despair. A secret council of the distributionists was held that night—Mrs. Johnson Parker in the Chair—to consider of the best means of recovering the ground they had lost in the favour of the parish. What could be done? Another meeting! alas! who was to attend it? The Missionary would not do twice; and the slaves were emancipated. A bold step must be taken; the parish must be astonished in some way or other; but no one was able to suggest what the step should be. At length a very old lady was heard to mumble in indistinct tones, &quot;Exeter Hall.&quot; A sudden light broke in upon the meeting. It was unanimously resolved that a deputation of old ladies should wait upon Mr. Somebody O&#039;Something, a celebrated Catholic renegade and Protestant bigot, imploring his assistance, and the favour of a speech; and that the deputation should also wait on two or three other imbecile old women, not resident in the parish, and entreat their attendance. The application was successful; the meeting was held; the Irishman came: he talked of green isles - other shores—vast Atlantic—bosom of the deep—Christian charity—blood and extermination—mercy in hearts—arms in hands—altars and homes—household gods—wiped his eyes, blew his nose, and quoted Latin. The effect was tremendous—the Latin was a decided hit. Nobody knew exactly what it was about, but everybody knew it must be affecting, because even the orator was overcome. The popularity of the Distribution Society among the ladies of our parish is unprecedented; and the Child’s Examination is fast going to decay. [To be continued].18350820https://dickenssearch.com/files/original/5/Sketches_of_London_No._XX_Our_Parish_[V]/1835-08-20_The_Evening_Chronicle_Sketches_of_London_Our_Parish_No.XX.pdf
223https://dickenssearch.com/items/show/223'<em>Street Sketches</em>, No. I, Omnibuses'Published in <em>The Morning Chronicle </em>(26 September 1834), p.3.Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0000082/18340926/016/0003">https://www.britishnewspaperarchive.co.uk/viewer/bl/0000082/18340926/016/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=18340926">18340926</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+story">Short story</a>1834-09-26-Street_Sketches_No1_OmnibusesDickens, Charles. '<em>Street Sketches</em>, No. I, Omnibuses' (26 September 1834). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1834-09-26-Street_Sketches_No1_Omnibuses">https://www.dickenssearch.com/short-stories/1834-09-26-Street_Sketches_No1_Omnibuses</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Morning+Chronicle%3C%2Fem%3E"><em>The Morning Chronicle</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a>It is very generally allowed that public conveyances afford an extensive field for amusement and observation. Of all the public conveyances that have been constructed since the days of the Ark—we think that is the earliest on record—to the present time, commend us to an omnibus. A long stage is not to be despised; but there you have only six insides, and the chances are, that the same people go all the way with you—there is no change, no variety. Besides, after the first twelve hours or so people get cross and sleepy, and after you have seen a man in his nightcap you lose all respect for him—at least that it is the case with us. Then on smooth roads people frequently get prosy, and tell long stories, and even those who don&#039;t talk may have very unpleasant predilections. We once travelled four hundred miles, inside a stage-coach with a stout man who had a glass of rum and water, warm, handed in at the window at every place where we changed horses. This was decidedly unpleasant. We have also travelled occasionally with a small boy of a pale aspect with light hair, and no perceptible neck, coming up to town from school under the protection of the guard, and directed to be left at the Cross Keys till called for. This is perhaps even worse than rum and water in a close atmosphere. Then there is the whole train of evils consequent on a change of the coachman; and the misery of the discovery—which the guard is sure to make the moment you begin to doze—that he wants a brown-paper parcel, which he distinctly remembers to have deposited under the seat on which you are reposing. A great deal of bustle and groping takes place, and when you are thoroughly awakened, and severely cramped by holding your legs up by an almost supernatural exertion while he is looking behind them, it suddenly occurs to him that he put it in the fore-boot. Bang goes the door, the parcel is immediately found, off starts the coach again, and the guard plays the key-bugle as loud as he can play it, as if in mockery of your wretchedness. Now you meet with none of these afflictions in an omnibus: sameness there can never be; the passengers change as often in the course of one journey as the figures in a kaleidoscope, and though not so glittering, are far more amusing. We believe there is no instance upon record of a man&#039;s having gone to sleep in one of these vehicles. As to long stories; would any man venture to tell a long story in an omnibus? And even if he did, where would be the harm? Nobody could possibly hear what he was talking about. Again; children, though occasionally, are not often to be found in an omnibus, and even when they are, if the vehicle be full, as is generally the case, somebody sits upon them, and we are unconscious of their presence. Yes, after mature reflection, and considerable experience, we are decidedly of opinion that of all known vehicles, from the glass coach in which we were taken to be christened, to that sombre caravan in which we must one day make our last earthly journey, there is nothing like an omnibus. We will back the machine in which we make our daily peregrination from the top of Oxford-street to the City, against any &quot;bus&quot; on the road, whether it be for the gaudiness of its exterior, the perfect simplicity of its interior, or the native coolness of its cad. This young gentleman is a singular instance of self-devotion; his somewhat intemperate zeal on behalf of his employers, is constantly getting him into trouble, and occasionally into the House of Correction. He is no sooner emancipated, however, than he resumes the duties of his profession with unabated ardour. His principal distinction is his activity. His great boast is, &quot;that he can chuck an old gen&#039;lm&#039;n into the bus, shut him in, and rattle off, afore he knows where it&#039;s a-going to&quot;—a feat which he frequently performs to the infinite amusement of every one but the old gentleman concerned, who, somehow or other, never can see the joke of the thing. We are not aware that it has ever been precisely ascertained, how many passengers our omnibus will contain. The impression on the cad&#039;s mind evidently is, that it is amply sufficient for the accommodation of any number of persons that can be enticed into it. &quot;Any room?&quot; cries a very hot pedestrian. &quot;Plenty o&#039; room, sir,&quot; replies the conductor, gradually opening the door, and not disclosing the real state of the case till the wretched man is on the steps. &quot;Where?&quot; inquires the entrapped individual, with an attempt to back out again. &quot;Either side, sir,&quot; rejoins the cad, shoving him in, and slamming the door. &quot;All right, Bill.&quot; Retreat is impossible; the new comer rolls about, till he falls down somewhere, and there he stops. As we get into the city, a little before ten, four or five of our party are regular passengers. We always take them up at the same places, and they generally occupy the same seats; they are always dressed in the same manner, and invariably discuss the same topics—the increasing rapidity of cabs, and the disregard of moral obligations evinced by omnibus men. There is a little testy old man, with a powdered head, who always sits on the right-hand side of the door as you enter, with his hands folded on the top of his umbrella. He is extremely impatient, and sits there for the purpose of keeping a sharp eye on the cad, with whom he generally holds a running dialogue. He is very officious in helping people in and out, and always volunteers to give the cad a poke with his umbrella, when any one wants to alight. He usually recommends ladies to have sixpence ready to prevent delay; and if anybody puts a window down, that he can reach, he immediately puts it up again. &quot;Now, what are you stopping for?&quot; says the little man every morning, the moment there is the slightest indication of pulling up at the corner of Regent-street, when some such dialogue as the following takes place between him and the cad:—&quot;What are you stopping for?&quot; Here the cad whistles, and affects not to hear the question. &quot;I say [a poke], what are you stopping for?&quot; &quot;For passengers, sir. Ba—nk.—Ty.&quot; &quot;I know you&#039;re stopping for passengers; but you&#039;ve no business to do so. Why are you stopping?&quot; &quot;Vy, sir, it&#039;s rayther a difficult question. I think it is because we prefer stopping here to going on.&quot; &quot;Now mind,&quot; exclaims the little old man with great vehemence, &quot;I&#039;ll pull you up to-morrow; I&#039;ve often threatened to do it; now I will.&quot; &quot;Thankee, sir,&quot; replies the cad, touching his hat with a mock expression of gratitude;—&quot;werry much obliged to you indeed, sir.&quot; Here the young men in the omnibus laugh very heartily, and the old gentleman gets very red in the face, and seems highly exasperated. The stout gentleman in the white neckcloth, at the other end of the vehicle, looks very prophetic, and says that something must shortly be done with these fellows, or there&#039;s no saying where all this will end; and the shabby-genteel man with the green bag, expresses his entire concurrence in the opinion, as he has done regularly every morning for the last six months. A second omnibus now comes up, and stops immediately behind us. Another old gentleman elevates his cane in the air, and runs with all his might towards our omnibus; we watch his progress with great interest; the door is opened to receive him, he suddenly disappears—he has been spirited away by the opposition. Hereupon the driver of the opposition taunts our people with his having &quot;regularly done &#039;em out of that old swell,&quot; and the voice of the &quot;old swell&quot; is heard, vainly protesting against this unlawful detention. We rattle off, the other omnibus rattles after us, and every time we stop to take up a passenger, they stop to take him too; sometimes we get him; sometimes they get him; but whoever don&#039;t get him say they ought to have had him, and the cads of the respective vehicles abuse one another accordingly. As we arrive in the vicinity of Lincoln&#039;s Inn-fields, Bedford-row, and other legal haunts, we drop a great many of our original passengers, and take up fresh ones, who meet with a very sulky reception. It is rather remarkable, that the people already in an omnibus always look at new comers, as if they entertained some undefined idea that they have no business to come in at all. We are quite persuaded the little old man has some notion of this kind—that he considers their entry as a sort of negative impertinence. Conversation is now entirely dropped; each person gazes vacantly through the window in front of him, and everybody thinks that his opposite neighbour is staring at him. If one man gets out at Shoe-lane and another at the corner of Farringdon-street, the little old gentleman grumbles, and suggests to the latter that if he had got out at Shoo-lane too, he would have saved them the delay of another stoppage; whereupon the young men laugh again, and the old gentleman looks very solemn, and says nothing more till he gets to the Bank, when he trots off as fast as he can, leaving us to do the same, and to wish, as we walk away, that we could impart to others any portion of the amusement we have derived for ourselves.18340926https://dickenssearch.com/files/original/5/Street_Sketches_No._I_Omnibuses/1834-09-26-Street_Sketches_No1_Omnibuses.pdf
221https://dickenssearch.com/items/show/221'<em>Street Sketches</em>, No. II, Shops, and Their Tenants'Published in <em>The Morning Chronicle </em>(10 October 1834), p.3.Dickens, Charles.<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0000082/18341010/017/0003">https://www.britishnewspaperarchive.co.uk/viewer/bl/0000082/18341010/017/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1834-10-10">1834-10-10</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+story">Short story</a>1834-10-10-Street_Sketches_No2_Shops_and_Their_TenantsDickens, Charles. '<em>Street Sketches</em>, No.II, Shops, and Their Tenants' (10 October 1834). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1834-10-10-Street_Sketches_No2_Shops_and_Their_Tenants">https://www.dickenssearch.com/short-stories/1834-10-10-Street_Sketches_No2_Shops_and_Their_Tenants</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Morning+Chronicle%3C%2Fem%3E"><em>The Morning Chronicle</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a>What inexhaustible food for speculation do the streets of London afford! We never were able to agree with Sterne in pitying the man who could travel from Dan to Beersheba, and say that all was barren; we have not the slightest commiseration for the man who can take up his hat and stick, and walk from Covent-garden to St. Paul’s Church-yard, and back into the bargain, without deriving some amusement—we had almost said instruction—from his perambulation. And yet there are such beings: we meet them every day. Large black stocks and light waistcoats—jet canes and discontented countenances, are the characteristics of the race; other people brush quickly by you, steadily plodding on to business, or cheerfully running after pleasure; these men linger listlessly past, looking as happy and animated as a policeman on duty; nothing seems to make an impression on their minds: nothing short of being knocked down by a porter, or run over by a cab, will disturb their equanimity. You will meet them on a fine day in any of the leading thoroughfares: peep through the window of a west-end cigar-shop in the evening, if you can manage to get a glimpse between the blue curtains which intercept the vulgar gaze, and you see them in their only enjoyment of existence. There they are, lounging about on round tubs, and pipe-boxes, in all the dignity of whiskers, and gilt watch-guards; whispering soft nothings to the young lady in amber, with the large ear-rings, who, as she sits behind the counter in a blaze of adoration and gas-light, is the admiration of all the female servants in the neighbourhood; and the envy of every milliner’s apprentice within two miles round. One of our principal amusements is to watch the gradual progress—the rise or fall—of particular shops. We have formed an intimate acquaintance with several, in different parts of town, and are perfectly acquainted with their whole history. We could name off-hand, twenty at least, which we are quite sure have paid no taxes for the last six years. They are never inhabited for more than two months consecutively, and we verily believe have witnessed every retail trade in the directory. There is one, whose history is a sample of the rest, in whose fate we have taken especial interest, having had the pleasure of knowing it ever since it has been a shop. It is on the Surrey side of the water—a little distance beyond the Marsh-gate. It was, originally, a substantial good-looking private house enough; the landlord got into difficulties; the house got into Chancery; the tenant went away; and the house went to ruin. At this period our acquaintance with it commenced: the paint was all worn off; the windows were broken, the area was green with neglect and the overflowings of the water-butt; the butt itself was without a lid, and the street-door was the very picture of misery. The chief pastime of the children in the vicinity had been to assemble in a body on the steps, and take it in turn to knock loud double knocks at the door, to the great satisfaction of the neighbours generally, and especially of the nervous old lady next door but one. Numerous complaints were made, and several small basins of water discharged over the offenders, but without effect; in this state of things the marine-store dealer at the corner of the street, in the most obliging manner, took the knocker off, and sold it; and the unfortunate house looked more wretched than ever. We deserted our friend for a few weeks. What was our surprize, on our return, to find no trace of its existence! In its place was a handsome shop, fast approaching to a state of completion, and on the shutters were large bills, informing the public that it would shortly be opened with &quot;an extensive stock of linen-drapery and haberdashery.&quot; It opened in due course; there was the name of the proprietor &quot;and co.&quot; in gilt letters, almost too dazzling to look at. Such ribbons and shawls! and two such elegant young men behind the counter, each in a clean collar and white neck-cloth, like the lover in a farce. As to the proprietor, he did nothing but walk up and down the shop, and hand seats to the ladies, and hold important conversations with the handsomest of the young men, who was shrewdly suspected by the neighbours to be the &quot;co.&quot; We saw all this with sorrow; we felt a fatal presentiment that the shop was doomed—and so it was. Its decay was gradual, but sure. Tickets gradually appeared in the windows; then, rolls of flannel, with labels on them, were stuck outside the door; then a bill was pasted on the street-door, intimating that the first-floor was to let unfurnished; then one of the young men disappeared altogether, and the other took to a black neck-kerchief, and the proprietor took to drinking. The shop became dirty, broken panes of glass remained unmended, and the stock disappeared piecemeal. At last the Company’s man came to cut off the water, and then the linen-draper cut off himself, leaving the landlord his compliments and the key. The next occupant was a fancy stationer; the shop was more modestly painted than before, still it was neat; but somehow we always thought, as we passed, that it looked like a poor and struggling concern. We wished the man well, but we trembled for his success. He was a widower evidently, and had employment elsewhere; for he passed us every morning on his road to the city. The business was carried on by his eldest daughter. Poor girl! she needed no assistance. We occasionally caught a glimpse of two or three children, in mourning like herself, as they sat in the little parlour behind the shop; and we never passed at night without seeing the eldest girl at work, either for them, or in making some elegant little trifle for sale. We often thought, as her pale face looked more sad and pensive in the dim candle-light, that if those thoughtless females who interfere with the miserable market of poor creatures such as these, knew but one half of the misery they suffer, and the bitter privations they endure, in their honourable attempts to earn a scanty subsistence, they would, perhaps, resign even opportunities for the gratification of vanity and an unmodest love of self-display, rather than drive them to a last dreadful resource, which it would shock the delicate feelings of these charitable ladies to hear named. But we are forgetting the shop. Well, we continued to watch it; and every day showed too clearly, the increasing poverty of its inmates. The children were clean, it is true, but their clothes were threadbare and shabby; no tenant had been procured for the upper part of the house, from the letting of which, a portion of the means of paying the rent was to have been derived, and a slow, wasting consumption prevented the eldest girl from continuing her exertions. Quarter-day arrived; the landlord had suffered from the extravagance of his last tenant, and he had no compassion for the struggles of his successor; he put in an execution. As we passed one morning, the broker’s men were removing the little furniture there was in the house, and a newly posted bill informed us it was again &quot;To Let.&quot; What became of the last tenant we never could learn, we believe the girl is past all suffering, and beyond all sorrow. God help her! We hope she is. We were somewhat curious to ascertain what would be the next stage—for that the place had no chance of succeeding now, was perfectly clear. The bill was soon taken down, and some alterations were being made in the interior of the shop, we were in a fever of expectation; we exhausted conjecture—we imagined all possible trades, none of which were perfectly reconcilable with our idea of the gradual decay of the tenement. It opened, and we wondered why we had not guessed at the real state of the case before. The shop—not a large one at the best of times, had been converted into two, one was a bonnet-shape maker’s, the other was opened by a tobacconist, who also dealt in walking-sticks, and Sunday newspapers; the two were separated by a thin partition, covered with tawdry striped paper. The tobacconist remained in possession longer than any tenant within our recollection. He was a red-faced, impudent, good-for-nothing dog, evidently accustomed to take things as they came, and to make the best of a bad job. He sold as many cigars as he could, and smoked the rest. He occupied the shop as long as he could make peace with the landlord, and when he could no longer live in quiet, he very coolly locked the door, and bolted himself. From this period the two little dens have undergone innumerable changes; the tobacconist was succeeded by a theatrical hair-dresser, who ornamented the window with a great variety of &quot;characters,&quot; and terrific combats. The bonnet-shape maker gave place to a green-grocer, and the histrionic barber was succeeded in his turn by a tailor. So numerous have been the changes, that we have of late done little more than mark the peculiar but certain indications of a house being poorly inhabited; it has been progressing by almost imperceptible degrees. The occupiers of the shops have gradually given up room after room, until they have only reserved the little parlour for themselves. First there appeared a brass-plate on the private door with &quot;Ladies School&quot; legibly engraved thereon; shortly afterwards we observed a second brass-plate; then a bell, and then another bell. When we paused in front of our old friend, and observed these signs of poverty, which are not to be mistaken, we thought, as we turned away, that the house had attained its lowest pitch of degradation. We were wrong. When we last passed it, a &quot;dairy&quot; was established in the area, and a party of melancholy-looking fowls were amusing themselves by running in at the front door, and out at the back one.18341010https://dickenssearch.com/files/original/5/Street_Sketches_No._II_Shops_and_Their_Tenants/1834-10-10-Street_Sketches_No2_Shops_and_Their_Tenants.pdf
222https://dickenssearch.com/items/show/222'<em>Street Sketches</em>, No. IV, Shabby-genteel People'Published in <em>The Morning Chronicle </em>(5 November 1834), p.3.Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0000082/18341105/012/0003">https://www.britishnewspaperarchive.co.uk/viewer/bl/0000082/18341105/012/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1834-11-05">1834-11-05</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+story">Short story</a>1834-11-05-Street_Sketches_No4_Shabby-Genteel_PeopleDickens, Charles. '<em>Street Sketches</em>, No. IV, Shabby-genteel People' (5 November 1834). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1834-11-05-Street_Sketches_No4_Shabby-Genteel_People">https://www.dickenssearch.com/short-stories/1834-11-05-Street_Sketches_No4_Shabby-Genteel_People</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Morning+Chronicle%3C%2Fem%3E"><em>The Morning Chronicle</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a>There are certain descriptions of people who, oddly enough, appear to appertain exclusively to the metropolis. You meet them every day in the streets of London, but no one ever encounters them elsewhere; they seem indigenous to the soil, and to belong as exclusively to London as its own smoke, or the dingy bricks and mortar. We could illustrate the remark by a variety of examples, but in our present sketch we will only advert to one class as a specimen—that class which is so aptly and expressively designated as &quot;shabby-genteel.&quot; Now, shabby people, God knows, may be found anywhere, and genteel people are not articles of greater scarcity out of London, than in it: but this compound of the two—this shabby-gentility—is as purely local as the statue at Charing-cross, or the pump at Aldgate. It is worthy of remark, too, that only men are shabby-genteel; a woman is always either dirty and slovenly in the extreme, or neat and respectable, however poverty-stricken in appearance. A very poor man, &quot;who has seen better days,&quot; as the phrase goes, is a strange compound of dirty slovenliness and wretched attempts at a kind of faded smartness. We will endeavour to explain our conception of the term which forms the title of this paper. If you meet a man lounging up Drury-lane, or leaning with his back against a post in Long-acre, with his hands in the pockets of a pair of drab trowsers plentifully besprinkled with grease spots, the trousers made very full over the boot, and ornamented with two cords down the outside of each leg—wearing also what has been a brown coat with bright buttons, and a hat very much pinched up at the sides, cocked over his right eye—don’t pity him; he is not shabby-genteel. The &quot;harmonic meetings&quot; at some fourth-rate public-house, or the purlieus of a private theatre, are his chosen haunts; he entertains a rooted antipathy to any kind of work, and is on familiar terms with several pantomime-men at the large houses. But, if you see hurrying along a bye street, keeping as close as he can to the area railings, a man of about 50 or 50, clad in an old rusty suit of threadbare black cloth, which shines with constant wear, as if it had been bees-waxed, the trowsers tightly strapped down, partly for the look of the thing, and partly to keep his old shoes from slipping off at the heels; if you observe, too, that his yellowish-white neck-kerchief is carefully pinned down, and his waistcoat as carefully pinned up, to conceal the tattered garment underneath, and that his hands are encased in the remains of an old pair of beaver gloves, you may set him down as a shabby-genteel man. A glance at that depressed face, and timorous air of conscious poverty, will make your heart ache—always supposing that you are neither a philosopher, nor a political economist. We were once haunted by a shabby-genteel man; he was bodily present to our senses all day, and he was in our mind’s eye all night. The man of whom Walter Scott speaks in his Demonology, did not suffer half the persecution from his imaginary gentleman-usher in black velvet, that we sustained from our friend in quondam black cloth. He first attracted our notice by sitting opposite to us in the reading-room at the British Museum, and what made the man more remarkable was, that he always had before him a couple of shabby-genteel books—two old dogs-eared folios, in mouldy worm-eaten covers, which had once been smart. He was in his chair every morning just as the clock struck ten; he was always the last to leave the room in the afternoon; and when he did, he quitted it with the air of a man who knew not where else to go for warmth and quiet. There he used to sit all day, as close to the table as possible, in order to conceal the lack of buttons on his coat, with his old hat carefully deposited at his feet, where he evidently flattered himself it escaped observation. About two o’clock you would see him munching a French roll or a penny loaf—not taking it boldly out of his pocket at once, like a man who knew he was only making a lunch, but breaking off little bits in his pocket, and eating them by stealth. He knew too well it was his dinner. When we first saw this poor object, we thought it quite impossible that his attire could ever become worse. We even went so far as to speculate on the possibility of his shortly appearing in a decent second-hand suit. We knew nothing about the matter; he grew more and more shabby genteel every day. The buttons dropped off his waistcoat one by one; then he buttoned his coat; and when one side of the coat was reduced to the same condition as the waistcoat, he buttoned it over on the other side. He looked somewhat better at the beginning of the week than at the conclusion, because the neck-kerchief, though yellow, was not quite so dingy; and in the midst of all this wretchedness he never appeared without gloves and straps. He remained in this state for a week or two; at length one of the buttons on the back of the coat fell off, and then the man himself disappeared, and we thought he was dead. We were sitting at the same table about a week after his disappearance, and as our eyes rested on his vacant chair, we insensibly fell into a train of meditation on the subject of his retirement from public life. We were wondering whether he had hung himself or thrown himself off a bridge—whether he really was dead, or had only been arrested—when our conjectures were suddenly set at rest by the entry of the man himself. He had undergone some strange metamorphosis, and walked up the centre of the room with an air which showed he was fully conscious of the improvement in his appearance. It was very odd; his clothes were a fine, deep, glossy black, and yet they looked like the same suit; nay, there were the very darns, with which old acquaintance had made us familiar. The hat, too—nobody could mistake the shape of that hat, with its high crown, gradually increasing in circumference towards the top. Long service had imparted to it a reddish-brown tint, but now it was as black as the coat. The truth flashed suddenly upon us—they had been &quot;revived.&quot; &#039;Tis a deceitful liquid that black and blue reviver; we have watched its effects on many a shabby-genteel man. It betrays its victims into a temporary assumption of importance, possibly into the purchase of a new pair of gloves, or a cheap stock, or some other trifling article of dress. It elevates their spirits for a week, only to depress them, if possible, below their original level. It was so in this case; the transient dignity of the unhappy man decreased in exact proportion as the &quot;reviver&quot; wore off. The knees of the unmentionables, and the elbows of the coat, and the seams generally, soon began to get alarmingly white; the hat was once more deposited under the table, and its owner crept into his seat as quietly as ever. There was a week of incessant small rain and mist. At its expiration the &quot;reviver&quot; had entirely vanished, and the shabby-genteel man never afterwards attempted to effect any improvement in his outward appearance. It would be difficult to name any particular part of town as the principal resort of shabby-genteel men. We have met a great many persons of this description in the neighbourhood of the Inns of Court. They may be met with in Holborn, between eight and ten any morning; and whoever has the curiosity to enter the Insolvent Debtors’ Court, will observe, both among spectators and practitioners, a great variety of them. We never went on ‘Change, by any chance, without seeing some shabby-genteel men, and we have often wondered what earthly business they can have there. They will sit there for hours, leaning on great, dropsical, mildewed umbrellas, or eating Abernethy biscuits; nobody speaks to them, nor they to any one. On consideration, we remember to have occasionally seen two shabby-genteel men conversing together on ‘Change; but our experience assures us that this is an uncommon circumstance, occasioned by the offer of a pinch of snuff, or some such civility. It would be a task of equal difficulty either to assign any particular spot for the residence of these beings, or to endeavour to enumerate their general occupations. We were never engaged in business with more than one shabby-genteel man; and he was a drunken engraver, and lived in a damp back parlour, in a new row of houses at Camden-town, half street, half brick-field, somewhere near the canal. A shabby-genteel man may have no occupation at all, or he may be a corn agent, or a coal agent, or a wine agent, or a collector of debts, or a broker’s assistant, or a broken-down attorney. He may be a clerk of the lowest description, or a contributor to the press of the same grade. Whether our readers have noticed these men in their walks as often as we have, we know not; this we know—that the miserably poor man (no matter whether he owes his distresses to his own conduct, or that of others) who feels his poverty, and vainly strives to conceal it, is one of the most pitiable objects in human nature. Such objects, with few exceptions, are &quot;shabby-genteel people.&quot;18341105https://dickenssearch.com/files/original/5/Street_Sketches_No._IV_Shabby-genteel_People/1834-11-05-Street_Sketches_No4_Shabby-Genteel_People.pdf
160https://dickenssearch.com/items/show/160'<em>Street Sketches</em>. No. III. The Old Bailey'Published in <em>The Morning Chronicle</em> (23 October 1834), p. 3.Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000082/18341023/013/0003">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000082/18341023/013/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1834-10-23">1834-10-23</a><em>The British Newspaper Archive.</em> Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+story">Short story</a>1834-10-23-Street_Sketches_No3_The_Old_BaileyDickens, Charles. '<em>Street Sketches</em>. No. III. The Old Bailey' (23 October 1834). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1834-10-23-Street_Sketches_No3_The_Old_Bailey">https://www.dickenssearch.com/short-stories/1834-10-23-Street_Sketches_No3_The_Old_Bailey</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Morning+Chronicle%3C%2Fem%3E"><em>The Morning Chronicle</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a>We shall never forget the mingled feelings of awe and respect with which we used to gaze on the exterior of Newgate in our schoolboy days. How dreadful its rough, heavy walls, and low massive doors, appeared to us—the latter looking as if they were made for the express purpose of letting people in, and never letting them out again. Then the fetters over the debtors’ door, which we used to think were a bonâ fide set of irons, just hung up there, for convenience sake, ready to be taken down at a moment’s notice, and rivetted on the limbs of some refractory felon! We used to wonder how the hackney-coachmen on the opposite stand could cut jokes in the presence of such horrors, and drink pots of half-and-half so near the last drop. Often have we strayed here in sessions time, to catch a glimpse of the whipping-place, and that dark building on one side of the yard, in which is kept the gibbet, with all its dreadful apparatus, and on the door of which we half expected to see a brass plate, with the inscription &quot;Mr. Ketch;&quot; for we never imagined that the distinguished functionary could by possibility live anywhere else. The days of these childish dreams have passed away, and with them, many other boyish ideas of a gayer nature. But we still retain so much of our original feeling, that to this hour we never pass the building without something like a shudder. What London pedestrian is there who has not, at some time or other, cast a hurried glance through the wicket at which prisoners are admitted into this gloomy mansion, and surveyed the few objects he could discern, with an indescribable feeling of curiosity? The thick door, plated with iron, and mounted with spikes, just low enough to enable you to see, leaning over them, an ill-looking fellow in a broad-brimmed hat, belcher handkerchief, and top boots, with a brown coat, something between a great-coat and a &quot;sporting&quot; jacket, on his back, and an immense key in his left hand. Perhaps you are lucky enough to pass just as the gate is being opened, then, you see on the other side of the lodge another gate, the image of its predecessor, and two or three more turnkeys, who look like multiplications of the first one, seated round a fire which just lights up the whitewashed apartment sufficiently to enable you to catch a hasty glimpse of these different objects. We have a great respect for Mrs. Fry, but she certainly ought to have written more romances than Mrs. Radcliffe. We were walking leisurely down the Old Bailey, a few weeks ago, when, just as we passed this identical gate, it was opened by the officiating turnkey. We turned quickly round, as a matter of course, and saw two persons descending the steps. We could not help stopping, and observing them. They were an elderly woman, of decent appearance, though evidently poor, and a boy of about fourteen or fifteen. The woman was crying bitterly; she carried a small bundle in her hand, and the boy followed at a short distance behind her; their little history was obvious. The boy was her son, to whose early comfort she had perhaps sacrificed her own; for whose sake she had borne misery without repining, and poverty without a murmur; looking steadily forward to the time, when he who had so long witnessed her struggles for himself, might be enabled to make some exertions for their joint support. He had formed dissolute connexions; idleness had led to crime; and he had been committed to take his trial for some petty theft. He had been long in prison, and, after receiving some trifling additional punishments, had been ordered to be discharged that morning. It was his first offence, and his poor old mother, still hoping to reclaim him, had been waiting at the gate to implore him to return home. We cannot forget the boy; he descended the steps with a dogged look, shaking his head with an air of bravado, and obstinate determination. They walked a few paces, and paused. The woman put her hand upon his shoulder in an agony of entreaty; the boy sullenly raised his head as if in refusal; it was a brilliant morning, and every object looked fresh and happy in the broad, gay sun-light; he gazed around him for a few moments, bewildered with the brightness of the scene—it was long since he had beheld anything save the gloomy walls of a prison. The contrast was powerful; perhaps the wretchedness of his mother made some impression on the boy’s heart; perhaps some undefined recollection of the time when he was a happy child, and she his only friend, and best companion, crowded on him—he burst into tears; and covering his face with one hand, and hurriedly placing the other in his mother’s, they walked away together. Curiosity has occasionally led us into both Courts at the Old Bailey. Nothing is so likely to strike the person who enters them for the first time, as the calm indifference with which the proceedings are conducted; every trial seems a mere matter of business. There is a great deal of form, but no compassion; considerable interest, but no sympathy. Take the Old Court for example. There sit the Judges, with whose great dignity everybody is acquainted, and of whom therefore we need say no more. Then, there is the Lord Mayor in the centre, looking as cool as a Lord Mayor can look, with an immense bouquet before him, and habited in all the splendour of his office. We can never help thinking that a full-dressed Lord Mayor looks like a South Sea Idol, on which grateful devotees have hung a variety of georgeous ornaments without the slightest regard to the general effect of the whole. Then there are the Sheriffs, who are almost as dignified as the Lord Mayor himself; and the Barristers, who are quite dignified enough in their own opinion; and the spectators, who having paid for their admission, look upon the whole scene as if it were got up especially for their amusement. Look upon the whole group in the body of the Court—some wholly engrossed in the morning papers, others carelessly conversing in low whispers, and others, again, quietly dozing away an hour—and you can scarcely believe that the result of the trial is a matter of life or death to one wretched being present. Turn your eyes to the dock; watch the prisoner attentively for a few moments; and the fact is before you in all its painful reality. Mark how restlessly he has been engaged for the last ten minutes, in forming all sorts of fantastic figures with the herbs which are strewed upon the ledge before him; observe the ashy paleness of his face when a particular witness appears, and how he changes his position and wipes his clammy forehead, and feverish hands, when the case for the prosecution is closed, as if it were a relief to him to feel that the jury knew the worst. The defence is concluded; the judge proceeds to sum up the evidence, and the prisoner watches the countenances of the jury, as a dying man, clinging to life to the very last, vainly looks in the face of his physician for one slight ray of hope. They turn round to consult; you can almost hear the man’s heart beat, as he bites the stalk of rosemary, with a desperate effort to appear composed. They resume their places; a dead silence prevails as the foreman delivers in the verdict—&quot;Guilty!&quot; An appalling shriek bursts from a female in the gallery; the prisoner casts one bitter look of agony at the quarter from whence the noise proceeded, and is immediately hurried from the dock by the gaoler. The clerk directs one of the officers of the court to &quot;take the woman out,&quot; and fresh business is proceeded with as if nothing had occurred. No imaginary contrast to a case like this, could be as complete as that which is constantly presented in the New Court, the gravity of which is frequently disturbed in no small degree by the cunning and pertinacity of juvenile offenders. A boy of thirteen is tried, say for picking the pocket of some subject of his Majesty, and the offence is about as clearly proved as an offence can be. He is called upon for his defence, and contents himself with a little declamation about the jurymen and his country—asserts that all the witnesses have committed perjury, and hints that the police force generally have entered into a conspiracy &quot;again&quot; him. However probable this statement may be, it fails to convince the Court, and some such scene as the following then takes place:— Court: Have you any witnesses to speak to your character, boy?—Boy: Yes, my Lord; fifteen gen’lm’n is a vaten outside, and vos a vaten all day yesterday, vich they told me the night afore my trial vos a comin’ on. Court. Inquire for these witnesses.—Here, a stout beadle runs out, and vociferates for the witnesses at the very top of his voice; you hear his cry grow fainter and fainter as he descends the steps into the court-yard below. After an absence of five minutes he returns very warm, and hoarse, and informs the Court of what it was perfectly well aware of before—namely, that there are no such witnesses in attendance. Hereupon the boy sets up the most awful howling ever heard within or without the walls of a court; screws the lower part of the palms of his hands into the corners of his eyes, and endeavours to look the picture of injured innocence. The jury at once find him &quot;guilty,&quot; and his endeavours to squeeze out a tear or two are redoubled. The governor of the gaol then states, in reply to an inquiry from the bench, that the prisoner has been under his care twice before. This the urchin resolutely denies in some such terms as—&quot;S’elp me, gen’lm’n, I never vos in trouble afore—indeed, my Lord, I never vos. It’s all a howen to my having a twin brother, vich has wrongfully taken to prigging, and vich is so exactly like me, that no vun ever knows the difference atween us.&quot; This representation, like the defence, fails in producing the desired effect, and the boy is sentenced, perhaps, to seven years’ transportation. Finding it impossible to excite compassion, he gives vent to his feelings in an indignant cry of &quot;Flare up, old big vig!&quot; and as he declines to take the trouble of walking from the dock, is forthwith carried out by two men, congratulating himself on having succeeded in giving everybody as much trouble as possible.18341023https://dickenssearch.com/files/original/5/Street_Sketches._No._III._The_Old_Bailey/1834-10-23-The_Old_Bailey.pdf
161https://dickenssearch.com/items/show/161'Hunted Down', Part IPublished in <em>The New York Ledger</em> vol. 14 (20 August <span>1859), p. 5.</span>Dickens, Charles<em>The New York Public Library Digital Collections,</em> <a href="https://digitalcollections.nypl.org/collections/the-new-york-ledger?filters%5Bname%5D=Dickens%2C+Charles%2C+1812-1870&amp;keywords=#/?tab=navigation">https://digitalcollections.nypl.org/collections/the-new-york-ledger?filters%5Bname%5D=Dickens%2C+Charles%2C+1812-1870&amp;keywords=#/?tab=navigation</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1859-08-20">1859-08-20</a>All images remain the physical property of NYPL and the intellectual property of the copyright holder, if applicable.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+story">Short story</a>1859-08-20-Hunted_Down_Part1Dickens, Charles. 'Hunted Down', Part I (20 August 1859). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1859-08-20-Hunted_Down_Part1">https://www.dickenssearch.com/short-stories/1859-08-20-Hunted_Down_Part1</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+New+York+Ledger%3C%2Fem%3E"><em>The New York Ledger</em></a>I. Most of us see some romances in life. In my capacity as Chief-Manager of a Life Assurance Office, I think I have within the last thirty years seen more romances than the generality of men: however unpromising the opportunity may, at first sight, seem. As I have retired, and live at my ease, I possess the means that I used to want, of considering what I have seen, at leisure. My experiences have a more remarkable aspect, so reviewed, than they had when they were in progress. I have come home from the Play now, and can recal the scenes of the Drama upon which the curtain has fallen, free from the glare, bewilderment, and bustle of the Theatre. Let me recal one of these Romances of the real world. There is nothing truer than physiognomy, taken in connection with manner. The art of reading that book of which Eternal Wisdom obliges every human creature to present his or her own page with the individual character written on it, is a difficult one, perhaps, and is little studied. It may require some natural aptitude, and it must require (for everything does), some patience and some pains. That, these are not usually given to it—that, numbers of people accept a few stock commonplace expressions of face as the whole list of characteristics, and neither seek nor know the refinements that are truest—that You, for instance, give a great deal of time and attention to the reading of music, Greek, Latin, French, Italian, Hebrew if you please, and do not qualify yourself to read the face of the master or mistress looking over your shoulder teaching it to you—I assume to be five hundred times more probable than improbable. Perhaps, a little self-sufficiency may be at the bottom of this; facial expression requires no study from you, you think; it comes by nature to you to know enough about it, and you are not to be taken in. I confess, for my part, that I have been taken in, over and over and over again. I have been taken in by acquaintances, and I have been taken in (of course) by friends; far oftener by friends than by any other class of persons. How came I to be so deceived? Had I quite mis-read their faces? No. Believe me, my first impression of those people, founded on face and manner alone, was invariably true. My mistake was, in suffering them to come nearer to me and explain themselves away. II. The partition which separated my own office from our general outer office in the City, was of thick plate-glass. I could see through it what passed in the outer office, without hearing a word. I had it put up, in place of a wall that had been there for years—ever since the house was built. It is no matter whether I did or did not make the change, in order that I might derive my first impression of strangers who came to us on business, from their faces alone, without being influenced by anything they said. Enough to mention that I turned my glass partition to that account, and that a Life Assurance Office is at all times exposed to be practiced upon by the most crafty and cruel of the human race. It was through my glass partition that I first saw the gentleman whose story I am going to tell. He had come in, without my observing it, and had put his hat and umbrella on the broad counter, and was bending over it to take some papers from one of the clerks. He was about forty or so, dark, exceedingly well dressed in black—being in mourning—and the hand he extended with a polite air, had a particularly well-fitting, black kid glove upon it. His hair, which was elaborately brushed and oiled, was parted straight up the middle; and he presented this parting to the clerk, exactly (to my thinking) as if he had said, in so many words: &quot;You must take me, if you please, my friend, just as I show myself. Come straight up here, follow the gravel path, keep off the grass, I allow no trespassing.&quot; I conceived a very great aversion to that man, the moment I thus saw him. He had asked for some of our printed forms, and the clerk was giving them to him and explaining them. An obliged and agreeable smile was on his face, and his eyes met those of the clerk with a sprightly look. (I have known a vast quantity of nonsense talked about bad men not looking you in the face. Don’t trust that conventional idea. Dishonesty will stare honesty out of countenance, any day in the week, if there is anything to be got by it.) I saw, in the corner of his eyelash, that he became aware of my looking at him. Immediately, he turned the parting in his hair toward the glass partition, as if he said to me with a sweet smile: &quot;Straight up here, if you please. Off the grass!&quot; In a few moments he had put on his hat and taken up his umbrella, and was gone. I beckoned the clerk into my room, and asked, &quot;Who was that?&quot; He had the gentleman’s card in his hand. &quot;Mr. Julius Slinkton, Middle Temple.&quot; &quot;A barrister, Mr. Adams?&quot; &quot;I think not, sir.&quot; &quot;I should have thought him a clergyman, but for his having no Reverend here,&quot; said I. &quot;Probably, from his appearance,&quot; Mr. Adams replied, &quot;he is reading for orders.&quot; I should mention that he wore a dainty white cravat, and dainty linen altogether. &quot;What did he want, Mr. Adams?&quot; &quot;Merely a form of proposal, sir, and form of reference.&quot; &quot;Recommended here? Did he say?&quot; &quot;Yes, he said he was recommended here by a friend of yours. He noticed you, but said that as he had not the pleasure of your personal acquaintance he would not trouble you.&quot; &quot;Did he know my name?&quot; &quot;Oh yes, sir! He said, &#039;There is Mr. Sampson, I see.&#039;&quot; &quot;A well-spoken gentleman, apparently?&quot; &quot;Remarkably so, sir.&quot; &quot;Insinuating manners, apparently?&quot; &quot;Very much so, indeed, sir.&quot; &quot;Hah!&quot; said I. &quot;I want nothing at present, Mr. Adams.&quot; Within a fortnight of that day, I went to dine with a friend of mine, a merchant, a man of taste who buys pictures and books; and the first man I saw among the company was Mr. Julius Slinkton. There he was, standing before the fire, with good large eyes and an open expression of face; but still (I thought) requiring everybody to come at him by the prepared way he offered, and by no other. I noticed him ask my friend to introduce him to Mr. Sampson, and my friend did so. Mr. Slinkton was very happy to see me. Not too happy; there was no over-doing of the matter; happy in a thoroughly well-bred, perfectly unmeaning, way. &quot;I thought you had met,&quot; our host observed. &quot;No,&quot; said Mr. Slinkton. &quot;I did look in at Mr. Sampson’s office, on your recommendation; but I really did not feel justified in troubling Mr. Sampson himself, on a point in the everyday routine of an ordinary clerk.&quot; I said I should have been glad to show him any attention on our friend’s introduction. &quot;I am sure of that,&quot; said he, &quot;and am much obliged. At another time, perhaps, I may be less delicate. Only, however, if I have real business; for I know, Mr. Sampson, how precious business time is, and what a vast number of impertinent people there are in the world.&quot; I acknowledged his consideration with a slight bow. &quot;You were thinking,&quot; said I, &quot;of effecting a policy on your life.&quot; &quot;Oh dear, no! I am afraid I am not so prudent as you pay me the compliment of supposing me to be, Mr. Sampson. I merely inquired for a friend. But, you know what friends are in such matters. Nothing may ever come of it. I have the greatest reluctance to trouble men of business with inquiries for friends, knowing the probabilities to be a thousand to one that the friends will never follow them up. People are so fickle, so selfish, so inconsiderate. Don’t you, in your business, find them so every day, Mr. Sampson?&quot; I was going to give a qualified answer; but he turned his smooth, white parting on me with its &quot;Straight up here, if you please!&quot; and I answered, &quot;Yes.&quot; &quot;I hear, Mr. Sampson,&quot; he resumed, presently, for our friend had a new cook, and dinner was not so punctual as usual, &quot;that your profession has recently suffered a great loss.&quot; &quot;In money?&quot; said I. He laughed at my ready association of loss with money, and replied, &quot;No, in talent and vigour.&quot; Not at once following out his allusion, I considered for a moment. &quot;Has it sustained a loss of that kind?&quot; said I. &quot;I was not aware of it.&quot; &quot;Understand me, Mr. Sampson. I don’t imagine that you have retired. It is not so bad as that. But Mr. Meltham—&quot; &quot;Oh, to be sure!&quot; said I. &quot;Yes! Mr. Meltham, the young actuary of the &#039;Inestimable.&#039;&quot; &quot;Just so,&quot; he returned in a consoling way. &quot;He is a great loss. He was at once the most profound, the most original, and the most energetic man I have ever known connected with Life Assurance.&quot; I spoke strongly; for I had a high esteem and admiration for Meltham, and my gentleman had indefinitely conveyed to me some suspicion that he wanted to sneer at him. He recalled me to my guard by presenting that trim pathway up his head, with its internal &#039;Not on the grass, if you please—the gravel.’&quot; &quot;You knew him, Mr. Slinkton?&quot; &quot;Only by reputation. To have known him as an acquaintance, or as a friend, is an honour I should have sought if he had remained in society, though I might never have had the good fortune to attain it, being a man of far inferior mark. He was scarcely above thirty, I suppose?&quot; &quot;About thirty.&quot; &quot;Ah!&quot; He sighed in his former consoling way. &quot;What creatures we are! To break up, Mr. Sampson, and become incapable of business at that time of life!—Any reason assigned for the melancholy fact?&quot; (&quot;Humph!&quot; thought I, as I looked at him. &quot;But I WON’T go up the track, and I WILL go on the grass.&quot;) &quot;What reason have you heard assigned, Mr. Slinkton?&quot; I asked, point blank. &quot;Most likely a false one. You know what Rumour is, Mr. Sampson. I never repeat what I hear; it is the only way of paring the nails and shaving the head of Rumour. But when you ask me what reason I have heard assigned for Mr. Meltham’s passing away from among men, it is another thing. I am not gratifying idle gossip then. I was told. Mr. Sampson, that Mr. Meltham had relinquished all his avocations and all his prospects, because he was, in fact, broken-hearted. A disappointed attachment I heard—though it hardly seems probable, in the case of a man so distinguished and so attractive.&quot; &quot;Attractions and distinctions are no armour against death,&quot; said I. &quot;Oh! she died? Pray pardon me. I did not hear that. That, indeed, makes it very, very sad. Poor Mr. Meltham! She died? Ah, dear me! Lamentable, lamentable!&quot; I still thought his pity was not quite genuine, and I still suspected an unaccountable sneer under all this, until he said, as we were parted, like the other knots of talkers, by the announcement of dinner: &quot;Mr. Sampson, you are surprised to see me so moved on behalf of a man whom I have never known. I am not so disinterested as you may suppose. I have suffered, and recently too, from death myself. I have lost one of two charming nieces, who were my constant companions. She died young—barely three-and-twenty—and even her remaining sister is far from strong. The world is a grave!&quot; He said this with deep feeling, and I felt reproached for the coldness of my manner. Coldness and distrust had been engendered in me, I knew, by my bad experiences; they were not natural to me; and I often thought how much I had lost in life, losing trustfulness, and how little I had gained, gaining hard caution. This state of mind being habitual to me, I troubled myself more about this conversation than I might have troubled myself about a greater matter. I listened to his talk at dinner, and observed how readily other men responded to it, and with what a graceful instinct he adapted his subjects to the knowledge and habits of those he talked with. As, in talking with me, he had easily started the subject I might be supposed to understand best, and to be the most interested in, so, in talking with others, he guided himself by the same rule. The company was of a varied character; but, he was not at fault, that I could discover, with any member of it. He knew just as much of each man’s pursuit as made him agreeable to that man in reference to it, and just as little as made it natural in him to seek modestly for information when the theme was broached. As he talked and talked—but really not too much, for the rest of us seemed to force it upon him—I became quite angry with myself. I took his face to pieces in my mind, like a watch, and examined it in detail. I could not say much against any of his features separately; I could say even less against them when they were put together. &quot;Then is it not monstrous,&quot; I asked myself, &quot;that because a man happens to part his hair straight up the middle of his head, I should permit myself to suspect, and even to detest him?&quot; (I may stop to remark that this was no proof of my sense. An observer of men who finds himself steadily repelled by some apparently trifling thing in a stranger, is right to give it great weight. It may be the clue to the whole mystery. A hair or two will show where a lion is hidden. A very little key will open a very heavy door.) I took my part in the conversation with him after a time, and we got on remarkably well. In the drawing-room I asked the host how long he had known Mr. Slinkton? He answered, not many months; he had met him at the house of a celebrated painter then present, who had known him well when he was travelling with his nieces in Italy for their health. His plans in life being broken by the death of one of them, he was reading, with the intention of going back to college as a matter of form, taking his degree, and going into orders. I could not but argue with myself that here was the true explanation of his interest in poor Meltham, and that I had been almost brutal in my distrust on that simple head. III. On the very next day but one, I was sitting behind my glass partition, as before, when he came into the outer office, as before. The moment I saw him again without hearing him, I hated him worse than ever. It was only for a moment that I had this opportunity; for he waved his tight fitting black glove the instant I looked at him, and came straight in. &quot;Mr. Sampson, good day! I presume, you see, upon your kind permission to intrude upon you. I don’t keep my word in being justified by business, for my business here—if I may so abuse the word—is of the slightest nature.&quot; I asked, was it anything I could assist him in? &quot;I thank you, no. I merely called to inquire outside, whether my dilatory friend had been so false to himself, as to be practical and sensible. But, of course, he has done nothing. I gave him your papers with my own hand, and he was hot upon the intention, but of course he has done nothing. Apart from the general human disinclination to do anything that ought to be done, I dare say there is a specialty about assuring one’s life? You find it like will-making. People are so superstitious, and take it for granted they will die soon afterwards.&quot; Up here, if you please. Straight up here, Mr. Sampson. Neither to the right nor to the left! I almost fancied I could hear him breathe the words, as he sat smiling at me, with that intolerable parting exactly opposite the bridge of my nose. &quot;There is such a feeling sometimes, no doubt,&quot; I replied; &quot;but I don’t think it obtains to any great extent.&quot; &quot;Well!&quot; said he, with a shrug and a smile, &quot;I wish some good angel would influence my friend in the right direction. I rashly promised his mother and sister in Norfolk, to see it done, and he promised them that he would do it. But I suppose he never will.&quot; He spoke for a minute or two on indifferent topics, and went away. [TO BE CONTINUED IN OUR NEXT.] *This is the first and only story that MR. DICKENS has ever written for an American publication. It is but a short one, and will be comlpeted in two or three numbers of the LEDGER. We expect to have the pleasure of giving our readers a much longer one by-and-by.18590820https://dickenssearch.com/files/original/5/Hunted_Down_Part_I/1859-08-20-Hunted_Down_Part1.pdf
162https://dickenssearch.com/items/show/162'Hunted Down', Part IIPublished in <em>The New York Ledger</em> vol.14 (27 August 1859), p. 5.Dickens, Charles<em>The New York Public Library Digital Collections,</em> <a href="https://digitalcollections.nypl.org/collections/the-new-york-ledger?filters%5Bname%5D=Dickens%2C+Charles%2C+1812-1870&amp;keywords=#/?tab=navigation">https://digitalcollections.nypl.org/collections/the-new-york-ledger?filters%5Bname%5D=Dickens%2C+Charles%2C+1812-1870&amp;keywords=#/?tab=navigation</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1859-08-27">1859-08-27</a>All images remain the physical property of NYPL and the intellectual property of the copyright holder, if applicable.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+story">Short story</a>1859-08-27-Hunted_Down_Part2Dickens, Charles. 'Hunted Down', Part II (27 August 1859). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1859-08-27-Hunted_Down_Part2">https://www.dickenssearch.com/short-stories/1859-08-27-Hunted_Down_Part2</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+New+York+Ledger%3C%2Fem%3E"><em>The New York Ledger</em></a>I had scarcely unlocked the drawers of my writing-table next morning when he re-appeared. I noticed that he came straight to the door in the glass partition, and did not pause a single moment outside. &quot;Can you spare me two minutes, my dear Mr. Sampson?&quot; &quot;By all means.&quot; &quot;Much obliged,&quot; laying his hat and umbrella on the table; &quot;I came early, not to interrupt you. The fact is, I am taken by surprise in reference to this proposal my friend has made.&quot; &quot;Has he made one?&quot; said I. &quot;Ye-es,&quot; he answered, deliberately looking at me; and then a bright idea seemed to strike him—&quot;or he only tells me he has. Perhaps that may be a new way of evading the matter. By Jupiter, I never thought of that!&quot; Mr. Adams was opening the morning’s letters in the outer office. &quot;What is the name, Mr. Slinkton?&quot; I asked. &quot;Beckwith.&quot; I looked out at the door and requested Mr. Adams, if there were a proposal in that name, to bring it in. He had already laid it out of his hand on the counter. It was easily selected from the rest, and he gave it me. Alfred Beckwith. Proposal to effect a Policy with us for two thousand pounds. Dated yesterday. &quot;From the Middle Temple, I see, Mr. Slinkton.&quot; &quot;Yes. He lives on the same staircase with me; his door is opposite. I never thought he would make me his reference though.&quot; &quot;It seems natural enough that he should.&quot; &quot;Quite so, Mr. Sampson; but I never thought of it. Let me see.&quot; He took the printed paper from his pocket. &quot;How am I to answer all these questions!&quot; &quot;According to the truth, of course,&quot; said I. &quot;Oh! of course,&quot; he answered, looking up from the paper with a smile; &quot;I meant they were so many. But you do right to be particular. It stands to reason that you must be particular. Will you allow me to use your pen and ink?&quot; &quot;Certainly.&quot; &quot;And your desk?&quot; &quot;Certainly.&quot; He had been hovering about between his hat and his umbrella, for a place to write on. He now sat down in my chair, at my blotting paper and inkstand, with the long walk up his head in accurate perspective before me, as I stood with my back to the fire. Before answering each question, he ran over it aloud, and discussed it. How long had he known Mr. Alfred Beckwith? That he had to calculate by years upon his fingers. What were his habits? No difficulty about them; temperate in the last degree, and took a little too much exercise, if anything. All the answers were satisfactory. When he had written them all, he looked them over, and finally signed them in a very pretty hand. He supposed he had now done with the business? I told him he was not likely to be troubled any further. Should he leave the papers there? If he pleased. Much obliged. Good morning! I had had one other visitor before him; not at the office, but at my own house. That visitor had come to my bedside when it was not yet daylight, and had been seen by no one else but by my faithful confidential servant. A second reference paper (for we required always two) was sent down into Norfolk, and was duly received back by post. This, likewise, was satisfactorily answered in every respect. Our forms were all complied with; we accepted the proposal, and the premium for one year was paid. IV. For six or seven months, I saw no more of Mr. Slinkton. He called once at my house, but I was not at home; and he once asked me to dine with him in the Temple, but I was engaged. His friend’s Assurance was effected in March. Late in September or early in October, I was down at Scarborough for a breath of sea air, where I met him on the beach. It was a hot evening; he came toward me with his hat in his hand; and there was the walk I had felt so strongly disinclined to take, in perfect order again, exactly in front of the bridge of my nose. He was not alone, but had a young lady on his arm. She was dressed in mourning, and I looked at her with great interest. She had the appearance of being extremely delicate, and her face was remarkably pale and melancholy; but she was very pretty. He introduced her as his niece, Miss Niner. &quot;Are you strolling, Mr. Sampson? Is it possible you can be idle?&quot; It was possible, and I was strolling. &quot;Shall we stroll together?&quot; &quot;With pleasure.&quot; The young lady walked between us, and we walked on the cool sea sand, in the direction of Filey. &quot;There have been wheels here,&quot; said Mr. Slinkton. &quot;And now I look again, the wheels of a hand-carriage! Margaret, my love, your shadow, without doubt!&quot; &quot;Miss Niner’s shadow?&quot; I repeated, looking down at it on the sand. &quot;Not that one,&quot; Mr. Slinkton returned, laughing. &quot;Margaret, my dear, tell Mr. Sampson.&quot; &quot;Indeed,&quot; said the young lady, turning to me, &quot;there is nothing to tell—except that I constantly see the same invalid old gentleman, at all times, wherever I go. I have mentioned it to my uncle, and he calls the gentleman my shadow.&quot; &quot;Does he live in Scarborough?&quot; I asked. &quot;He is staying here.&quot; &quot;Do you live in Scarborough?&quot; &quot;No, I am staying here. My uncle has placed me with a family here, for my health.&quot; &quot;And your shadow?&quot; said I, smiling. &quot;My shadow,&quot; she answered, smiling too, &quot;is—like myself—not very robust, I fear; for, I lose my shadow sometimes, as my shadow loses me at other times. We both seem liable to confinement to the house. I have not seen my shadow, for days and days; but it does oddly happen, occasionally, that wherever I go, for many days together, this gentleman goes. We have come together in the most unfrequented nooks on this shore.&quot; &quot;Is this he?&quot; said I, pointing before us. The wheels had swept down to the water’s edge, and described a great loop on the sand in turning. Bringing the loop back towards us, and spinning it out as it came, was a hand-carriage drawn by a man. &quot;Yes,&quot; said Miss Niner, &quot;this really is my shadow, uncle!&quot; As the carriage approached us and we approached the carriage, I saw within it an old man, whose head was sunk on his breast, and who was enveloped in a variety of wrappers. He was drawn by a very quiet but very keen-looking man, with iron-grey hair, who was slightly lame. They had passed us, when the carriage stopped, and the old gentleman within putting out his arm, called to me by my name. I went back, and was absent from Mr. Slinkton and his niece for about five minutes. When I rejoined them, Mr. Slinkton was the first to speak. Indeed, he said to me in a raised voice before I came up with him: &quot;It is well you have not been longer, or my niece might have died of curiosity to know who her shadow is, Mr. Sampson.&quot; &quot;An old East India Director,&quot; said I. &quot;An intimate friend of our friend’s at whose house I first had the pleasure of meeting you. A certain Major Banks. You have heard of him?&quot; &quot;Never.&quot; &quot;Very rich, Miss Niner; but very old, and very crippled. An amiable man, sensible—much interested in you. He has just been expatiating on the affection that he has observed to exist between you and your uncle.&quot; Mr. Slinkton was holding his hat again, and he passed his hand up the straight walk, as if he himself went up it serenely, after me. &quot;Mr. Sampson,&quot; he said, tenderly pressing his niece’s arm in his, &quot;our affection was always a strong one, for we have had but few near ties. We have still fewer now. We have associations to bring us together, that are not of this world, Margaret.&quot; &quot;Dear uncle!&quot; murmured the young lady, and turned her face aside to hide her tears. &quot;My niece and I have such remembrances and regrets in common, Mr. Sampson,&quot; he feelingly pursued, &quot;that it would be strange indeed if the relations between us were cold or indifferent. If I remember a conversation we once had together, you will understand the reference I make. Cheer up, dear Margaret. Don’t droop, don’t droop. My Margaret! I cannot bear to see you droop!&quot; The poor young lady was very much affected, but controlled herself. His feelings, too, were very acute. In a word, he found himself under such great need of a restorative, that he presently went away, to take a bath of sea water, leaving the young lady and me sitting by a point of rock, and probably presuming—but that you will say was a pardonable indulgence in a luxury—that she would praise him with all her heart. She did, poor thing. With all her confiding heart, she praised him to me, for his care of her dead sister, and for his untiring devotion in her last illness. The sister had wasted away very slowly, and wild and terrible fantasies had come over her toward the end, but he had never been impatient with her, or at a loss; had always been gentle, watchful, and self-possessed. The sister had known him, as she had known him, to be the best of men, the kindest of men, and yet a man of such admirable strength of character, as to be a very tower for the support of their weak natures while their poor lives endured. &quot;I shall leave him, Mr. Sampson, very soon,&quot; said they oung lady; &quot;I know my life is drawing to an end; and when I am gone, I hope he will marry and be happy. I am sure he has lived single so long, only for my sake, and for my poor, poor sister’s.&quot; The little hand-carriage had made another great loop on the damp sand, and was coming back again, gradually spinning out a slim figure of eight, half a mile long. &quot;Young lady,&quot; said I, looking around, laying my hand upon her arm, and speaking in a low voice, &quot;time presses. You hear the gentle murmur of that sea?&quot; She looked at me with the utmost wonder and alarm, saying, &quot;Yes!&quot; &quot;And you know what a voice is in it when the storm comes?&quot; &quot;Yes!&quot; &quot;You see how quiet and peaceful it lies before us, and you know what an awful sight of power without pity it might be, this very night?&quot; &quot;Yes!&quot; &quot;But if you had never heard or seen it, or heard of it, in its cruelty, could you believe that it beats every inanimate thing in its way to pieces, without mercy, and destroys life without remorse?&quot; &quot;You terrify me, sir, by these questions!&quot; &quot;To save you, young lady, to save you! For God’s sake, collect your strength and collect your firmness! If you were here alone, and hemmed in by the rising tide on the flow to fifty feet above your head, you could not be in greater danger than the danger you are now to be saved from.&quot; The figure on the sand was spun out, and straggled off into a crooked little jerk that ended at the cliff very near us. &quot;As I am, before Heaven and the Judge of all mankind, your friend, and your dead sister’s friend, I solemnly entreat you, Miss Niner, without one moment’s loss of time, to come to this gentleman with me!&quot; If the little carriage had been less near to us, I doubt if I could have got her away; but it was so near that we were there before she had recovered the hurry of being urged from the rock. I did not remain there with her, two minutes. Certainly within five, I had the inexpressible satisfaction of seeing her—from the point we had sat on, and to which I had returned—half supported and half carried up some rude steps notched in the cliff, by the figure of an active man. With that figure beside her, I knew she was safe anywhere. I sat alone on the rock, awaiting Mr. Slinkton’s return. The twilight was deepening and the shadows were heavy, when he came round the point, with his hat hanging at his button-hole, smoothing his wet hair with one of his hands, and picking out the old path with the other and a pocket-comb. &quot;My niece not here, Mr. Sampson?&quot; he said, looking about. &quot;Miss Niner seemed to feel a chill in the air after the sun was down, and has gone home.&quot; He looked surprised, as though she were not accustomed to do anything without him: even to originate so slight a proceeding. &quot;I persuaded Miss Niner,&quot; I explained. &quot;Ah!&quot; said he. &quot;She is easily persuaded—for her good. Thank you, Mr. Sampson; she is better within doors. The bathing-place was further than I thought, to say the truth.&quot; &quot;Miss Niner is very delicate,&quot; I observed. He shook his head, and drew a deep sigh. &quot;Very, very, very. You may recollect my saying so. The time that has since intervened has not strengthened her. The gloomy shadow that fell upon her sister so early in life seems, in my anxious eyes, to gather over her, ever darker, ever darker. Dear Margaret, dear Margaret! But we must hope.&quot; The hand-carriage was spinning away before us, at a most indecorous pace for an invalid vehicle, and was making most irregular curves upon the sand. Mr. Slinkton, noticing it after he had put his handkerchief to his eyes, said: &quot;If I may judge from appearances, your friend will be upset, Mr. Sampson.&quot; &quot;It looks probable, certainly,&quot; said I. &quot;The servant must be drunk.&quot; &quot;The servants of old gentlemen will get drunk sometimes,&quot; said I. &quot;The major draws very light, Mr. Sampson.&quot; &quot;The major does draw light,&quot; said I. By this time the carriage, much to my relief, was lost in the darkness. We walked on for a little, side by side over the sand, in silence. After a short while he said, in a voice still affected by the emotion that his niece’s state of health had awakened in him: &quot;Do you stay here long, Mr. Sampson?&quot; &quot;Why, no. I am going away to-night.&quot; &quot;So soon? But business always holds you in request. Men like Mr. Sampson are too important to others, to be spared to their own need of relaxation and enjoyment.&quot; &quot;I don’t know about that,&quot; said I. &quot;However, I am going back.&quot; &quot;To London?&quot; &quot;To London.&quot; &quot;I shall be there too, soon after you.&quot; I knew that as well as he did. But I did not tell him so. Any more than I told him what defensive weapon my right hand rested on in my pocket, as I walked by his side. Any more than I told him why I did not walk on the sea-side of him with the night closing in. We left the beach, and our ways diverged. We exchanged Good night, and had parted indeed, when he said, returninG: &quot;Mr. Sampson, may I ask? Poor Meltham, whom we spoke of—Dead yet?&quot; &quot;Not when I last heard of him; but too broken a man to live long, and hopelessly lost to his old calling.&quot; &quot;Dear, dear, dear!&quot; said he, with great feeling. &quot;Sad, sad, sad! The world is a grave!&quot; And so went his way. It was not his fault if the world were not a grave; but I did not call that observation after him, any more than I had mentioned those other things just now enumerated. He went his way, and I went mine with all expedition. This happened, as I have said, either at the end of September or beginning of October. The next time I saw him, and the last time, was late in November.18590827https://dickenssearch.com/files/original/5/Hunted_Down_Part_II/1859-08-27-Hunted_Down_Part2.pdf
163https://dickenssearch.com/items/show/163'Hunted Down', Part IIIDickens, Charles<em>The New York Public Library Digital Collections,</em> <a href="https://digitalcollections.nypl.org/collections/the-new-york-ledger?filters%5Bname%5D=Dickens%2C+Charles%2C+1812-1870&amp;keywords=#/?tab=navigation">https://digitalcollections.nypl.org/collections/the-new-york-ledger?filters%5Bname%5D=Dickens%2C+Charles%2C+1812-1870&amp;keywords=#/?tab=navigation</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=09-03-1859">09-03-1859</a>All images remain the physical property of NYPL and the intellectual property of the copyright holder, if applicable.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+story">Short story</a>1859-09-03-Hunted_Down_Part3<span>Dickens, Charles. 'Hunted Down', Part III (3 September 1859).&nbsp;</span><em>Dickens Search.</em><span>&nbsp;Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1859-09-03-Hunted_Down_Part3">https://www.dickenssearch.com/short-stories/1859-09-03-Hunted_Down_Part3</a></span><span>.&nbsp;</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+New+York+Ledger%3C%2Fem%3E"><em>The New York Ledger</em></a>V. I had a very particular engagement to breakfast in the Temple. It was a bitter north-easterly morning, and the sleet and slush lay inches deep, in the streets. I could get no conveyance, and was soon wet to the knees; but I should have been true to that appointment though I had had to wade to it, up to my neck in the same impediments. The appointment took me to some chambers in the Temple. They were at the top of a lonely corner house overlooking the river. The name, MR. ALFRED BECKWITH was painted on the outer door. On the door opposite, on the same landing, the name MR. JULIUS SLINKTON. The doors of both sets of chambers stood open, so that anything said aloud in one set, could be heard in the other. I had never been in those chambers before. They were dismal, close, unwholesome, and oppressive; the furniture, originally good, and not yet old, was faded and dirty—the rooms were in great disorder; there was a strong prevailing smell of opium, brandy and tobacco; the grate and fire-irons were splashed all over, with unsightly blotches of rust; and on a sofa by the fire, in the room where breakfast had been prepared, lay the host, Mr. Beckwith, a man with all the appearances of the worst kind of drunkard, very far advanced upon his shameful way to death. &quot;Slinkton is not come yet,&quot; said this creature, staggering up when I went in; &quot;I’ll call him. Halloa! Julius Cæsar! Come and drink!&quot; As he hoarsely roared this out, he beat the poker and tongs together in a mad way, as if that were his usual manner of summoning his associate. The voice of Mr. Slinkton was heard through the clatter from the opposite side of the staircase, and he came in. He had not expected the pleasure of meeting me. I have seen several artful men brought to a stand, but I never saw a man so aghast as he was when his eyes rested on mine. &quot;Julius Cæsar,&quot; cried Beckwith, staggering between us, &quot;Mist’ Sampson! Mist’ Sampson, Julius Cæsar! Julius, Mist’ Sampson, is the friend of my soul. Julius keeps me plied with liquor, morning, noon, and night. Julius is a real benefactor. Julius threw the tea and coffee out of window when I used to have any. Julius empties all the water-jugs of their contents, and fills ’em with spirits. Julius winds me up and keeps me going.—Boil the brandy, Julius!&quot; There was a rusty and furred saucepan in the ashes,—the ashes looked like the accumulation of weeks—and Beckwith, rolling and staggering between us as if he were going to plunge headlong into the fire, got the saucepan out, and tried to force it into Slinkton’s hand. &quot;Boil the brandy, Julius Cæsar! Come! Do your usual office. Boil the brandy!&quot; He became so fierce in his gesticulations with the saucepan, that I expected to see him lay open Slinkton’s head with it. I therefore put out my hand to check him. He reeled back to the sofa, and sat there, panting, shaking, and red-eyed, in his rags of dressing-gown, looking at us both. I noticed then, that there was nothing to drink on the table but brandy, and nothing to eat but salted herrings, and a hot, sickly, highly peppered stew.&quot; &quot;At all events, Mr. Sampson,&quot; said Slinkton, offering me the smooth gravel path for the last time, &quot;I thank you for interfering between me and this unfortunate man’s violence. However you came here, Mr. Sampson, or with whatever motive you came here, at least I thank you for that.&quot; &quot;Boil the brandy,&quot; muttered Beckwith. Without gratifying his desire to know how I came there, I said, quietly: &quot;How is your niece, Mr. Slinkton?&quot; He looked hard at me, and I looked hard at him. &quot;I am sorry to say, Mr. Sampson, that my niece has proved treacherous and ungrateful to her best friend. She left me without a word of notice or explanation. She was misled, no doubt, by some designing rascal. Perhaps you may have heard of it.&quot; &quot;I did hear that she was misled by a designing rascal. In fact, I have proof of it.&quot; &quot;Are you sure of that?&quot; said he. &quot;Quite.&quot; &quot;Boil the brandy,&quot; muttered Beckwith. &quot;Company to breakfast, Julius Cæsar. Do your usual office—provide the usual breakfast, dinner, tea, and supper.—Boil the brandy!&quot; The eyes of Slinkton looked from him to me, and he said, after a moment’s consideration: &quot;Mr. Sampson, you are a man of the world, and so am I. I will be plain with you.&quot; &quot;Oh, no, you won’t,&quot; said I, shaking my head. &quot;I tell you, sir, I will be plain with you.&quot; &quot;And I tell you you will not,&quot; said I. &quot;I know all about you. You plain with any one? Nonsense, nonsense!&quot; &quot;I plainly tell you, Mr. Sampson,&quot; he went on, with a manner almost composed, &quot;that I understand your object. You want to save your funds, and escape from your liabilities; these are old tricks of trade with you Office-gentlemen. But you will not do it, sir; you will not succeed. You have not an easy adversary to play against, when you play against me. We shall have to inquire, in due time, when and how Mr. Beckwith fell into his present habits. With that remark, sir, I put this poor creature and his incoherent wanderings of speech, aside, and wish you a good morning and a better case next time.&quot; While he was saying this, Beckwith had filled a half pint glass with brandy. At this moment, he threw the brandy at his face, and threw the glass after it. Slinkton put his hands up, half blinded with the spirit, and cut with the glass across the forehead. At the sound of the breakage, a fourth person came into the room, closed the door, and stood at it; he was a very quiet but very keen-looking man, with iron-grey hair, and slightly lame. Slinkton pulled out his handkerchief, assuaged the pain in his smarting eyes, and dabbled the blood on his forehead. He was a long time about it, and I saw that, in the doing of it, a tremendous change came over him, occasioned by the change in Beckwith—who ceased to pant and tremble, sat upright, and never took his eyes off him. I never in my life saw a face in which abhorrence and determination were so forcibly painted, as in Beckwith’s then. &quot;Look at me, you villain,&quot; said Beckwith, &quot;and see me as I really am. I took these rooms, to make them a trap for you. I came into them as a drunkard, to bait the trap for you. You fell into the trap, and you will never leave it alive. On the morning when you last went to Mr. Sampson’s office, I had seen him first. Your plot has been known to both of us, all along, and you have been counterplotted all along. What? Having been cajoled into putting that prize of two thousand pounds in your power, I was to be done to death with brandy, and, brandy not proving quick enough, with something quicker? Have I never seen you, when you thought my senses gone, pouring from your little bottle into my glass? Why, you Murderer and Forger, alone here with you in the dead of night, as I have so often been, I have had my hand upon the trigger of a pistol, twenty times, to blow your brains out!&quot; This sudden starting up of the thing that he had supposed to be his imbecile victim into a determined man, with a settled resolution to hunt him down and be the death of him, mercilessly expressed from head to foot, was, in the first shock, too much for him. Without any figure of speech, he staggered under it. But, there is no greater mistake than to suppose that a man who is a calculating criminal, is, in any phase of his guilt, otherwise than true to himself and perfectly consistent with his whole character. Such a man commits murder, and murder is the natural culmination of his course; such a man has to outface murder, and will do it with hardihood and effrontery. It is a sort of fashion to express surprise that any notorious criminal, having such crime upon his conscience, can so brave it out. Do you think that if he had it on his conscience at all, or had a conscience to have it upon, he would ever have committed the crime? Perfectly consistent with himself, as I believe all such monsters to be, this Slinkton recovered himself, and showed a defiance that was sufficiently cold and quiet. He was white, he was haggard, he was changed; but, only as a sharper who had played for a great stake and had been outwitted and had lost the game. &quot;Listen to me, you villain,&quot; said Beckwith, &quot;and let every word you hear me say, be a stab in your wicked heart. When I took these rooms, to throw myself in your way and lead you on to the scheme that I knew my appearance and supposed character and habits would suggest to such a devil, how did I know that? Because you were no stranger to me. I knew you well. And I knew you to be the cruel wretch who, for so much money, had killed one innocent girl while she trusted him implicitly, and who was by inches, killing another.&quot; Slinkton took out a snuff-box, took a pinch of snuff, and laughed. &quot;But, see here,&quot; said Beckwith, never looking away, never raising his voice, never relaxing his face, never unclenching his hand. &quot;See what a dull wolf you have been, after all! The infatuated drunkard who never drank a fiftieth part of the liquor you plied him with, but poured it away, here, there, everywhere—almost before your eyes; who bought over the fellow you set to watch him and to ply him, by outbidding you in his bribe, before he had been at his work three days—with whom you have observed no caution, yet who was so bent on ridding the earth of you as a wild beast, that he would have defeated you if you had been ever so prudent—that drunkard whom you have, many a time, left on the floor of this room, and who has even let you go out of it, alive and undeceived, when you have turned him over with your foot—has, almost as often, on the same night, within an hour, within a few minutes, watched you awake, had his hand at your pillow when you were asleep, turned over your papers, taken samples from your bottles and packets of powder, changed their contents, rifled every secret of your life!&quot; He had had another pinch of snuff in his hand, but had gradually let it drop from between his fingers to the floor: where he now smoothed it out with his foot, looking down at it the while. &quot;That drunkard,&quot; said Beckwith, &quot;who had free access to your rooms at all times, that he might drink the strong drinks that you left in his way and be the sooner ended, holding no more terms with you than he would hold with a tiger, has had his master-key for all your locks, his test for all your poisons, his clue to your cipher writing. He can tell you, as well as you can tell him, how long it took to complete that deed, what doses there were, what intervals, what signs of gradual decay upon mind and body; what distempered fancies were produced, what observable changes, what physical pain. He can tell you, as well as you can tell him, that all this was recorded day by day, as a lesson of experience for future service. He can tell you, better than you can tell him, where that journal is at this moment.&quot; Slinkton stopped the action of his foot, and looked at Beckwith. &quot;No,&quot; said the latter, as if answering a question from him. &quot;Not in the drawer of the writing-desk that opens with a spring; it is not there, and it never will be there again.&quot; &quot;Then you are a thief!&quot; said Slinkton. Without any change whatever in the inflexible purpose which it was quite terrific even to me to contemplate, and from the power of which I had always felt convinced it was impossible for this wretch to escape, Beckwith returned: &quot;And I am your niece’s shadow, too.&quot; With an imprecation, Slinkton put his hand to his head, tore out some hair, and flung it to the ground. It was the end of the smooth walk; he destroyed it in the action, and it will soon be seen that his use for it was past. Beckwith went on: ‘Whenever you left here, I left here. Although I understood that you found it necessary to pause in the completion of that purpose, to avert suspicion, still I watched you close, with the poor confiding girl. When I had the diary, and could read it word by word—it was only about the night before your last visit to Scarborough—you remember the night? you slept with a small flat vial tied to your wrist—I sent to Mr. Sampson, who was kept out of view. This is Mr. Sampson’s trusty servant standing by the door. We three saved your niece among us.&quot; Slinkton looked at us all, took an uncertain step or two from the place where he had stood, returned to it, and glanced about him in a very curious way—as one of the meaner reptiles might, looking for a hole to hide in. I noticed at the same time, that a singular change took place in the figure of the man—as if it collapsed within his clothes, and they consequently became ill-shapen and ill-fitting. &quot;You shall know,&quot; said Beckwith, &quot;for I hope the knowledge will be bitter and terrible to you, why you have been pursued by one man, and why, when the whole interest that Mr. Sampson represents would have expended any money in hunting you down, you have been tracked to death at a single individual’s charge. I hear you have had the name of Meltham on your lips sometimes?&quot; I saw, in addition to those other changes, a sudden stoppage come upon his breathing. &quot;When you sent the sweet girl whom you murdered (you know with what artfully made-out surroundings and probabilities you sent her), to Meltham’s office, before taking her abroad to originate the transaction that doomed her to the grave, it fell to Meltham’s lot to see her and to speak with her. It did not fall to his lot to save her, though I know he would freely give his own life to have done it. He admired her;—I would say he loved her deeply, if I thought it possible that you could understand the word. When she was sacrificed, he was thoroughly assured of your guilt. Having lost her, he had but one object left in life, and that was to avenge her and destroy you.&quot; I saw the villain’s nostrils rise and fall, convulsively; but I saw no moving at his mouth. &quot;That man Meltham,&quot; Beckwith steadily pursued, &quot;was as absolutely certain that you could never elude him in this world, if he devoted himself to your destruction with his utmost fidelity and earnestness, and if he divided the sacred duty with no other duty in life, as he was certain that in achieving it he would be a poor instrument in the hands of Providence, and would do well before Heaven in striking you out from among living men. I am that man, and I thank GOD that I have done my work!&quot; If Slinkton had been running for his life from swift-footed savages, a dozen miles, he could not have shown more emphatic signs of being oppressed at heart and labouring for breath, than he showed now, when he looked at the pursuer who had so relentlessly hunted him down. &quot;You never saw me under my right name before; you see me under my right name now. You shall see me once again in the body, when you are tried for your life. You shall see me once again, in the spirit, when the cord is round your neck, and the crowd are crying against you!&quot; When Meltham had spoken these last words, the miscreant suddenly turned away his face, and seemed to strike his mouth with his open hand. At the same instant, the room was filled with a new and powerful odor, and, almost at the same instant, he broke into a crooked run, leap, start,—I have no name for the spasm,—and fell, with a dull weight that shook the heavy old doors and windows in their frames. That was the fitting end of him. When we saw that he was dead, we drew away from the room, and Meltham, giving me his hand, said, with a weary air: &quot;I have no more work on earth, my friend. But I shall see her again, elsewhere.&quot; It was in vain that I tried to rally him. He might have saved her, he said; he had not saved her, and he reproached himself; he had lost her, and he was broken-hearted. &quot;The purpose that sustained me is over, Sampson, and there is nothing now to hold me to life. I am not fit for life; I am weak and spiritless; I have no hope and no object; my day is done.&quot; In truth, I could hardly have believed that the broken man who then spoke to me was the man who had so strongly and so differently impressed me when his purpose was before him. I used such entreaties with him, as I could; but, he still said, and always said, in a patient, undemonstrative way—nothing could avail him—he was broken-hearted. He died early in the next spring. He was buried by the side of the poor young lady for whom he had cherished those tender and unhappy regrets; and he left all he had, to her sister. She lived to be a happy wife and mother; she married my sister’s son, who succeeded poor Meltham; she is living now, and her children ride about the garden on my walking-stick when I go to see her.18590903https://dickenssearch.com/files/original/5/Hunted_Down_Part_III/1859-09-03-Hunted_Down_Part3.pdf
167https://dickenssearch.com/items/show/167'Our Next-Door Neighbours'Published in <em>The Morning Chronicle</em> (18 March 1836), p. 3.Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000082/18360318/009/0003">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000082/18360318/009/0003</a>. <em>Source is faded and illegible in places.</em><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836-03-18">1836-03-18</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+story">Short story</a>1836-03-18-Our_NextDoor_NeighboursDickens, Charles. 'Our Next-Door Neighbours'. <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1836-03-18-Our_NextDoor_Neighbours">https://www.dickenssearch.com/short-stories/1836-03-18-Our_NextDoor_Neighbours</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Morning+Chronicle%3C%2Fem%3E"><em>The Morning Chronicle</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a>We are very fond of speculating as we walk through a street, on the character and pursuits of the people who inhabit it; and nothing so materially assists us in these speculations as the appearance of the house doors. The various expressions of the human countenance afford a beautiful and interesting study; but there is something in the physiognomy of street-door knockers, almost as characteristic, and nearly as infallible. Whenever we visit a man for the first time, we contemplate the features of his knocker with the greatest curiosity, for we well know, that between the man and his knocker, there will inevitably be a greater or less degree of resemblance and sympathy. For instance, there is one description of knocker that used to be common enough, but which is fast passing away—a large round one, with the jolly face of a convivial lion smiling blandly at you, as you twist the sides of your hair into a curl or pull up your shirt-collar while you are waiting for the door to be opened; we never saw that knocker on the door of a churlish man—so far as our experience is concerned, it invariably bespoke hospitality and another bottle. No man ever saw this knocker on the door of a small attorney or bill-broker; they always patronise the other lion; a heavy ferocious-looking fellow, with a countenance expressive of savage stupidity—a sort of grand master among the knockers, and a great favourite with the selfish and brutal. Then there is a little pert Egyptian knocker, with a long thin face, a pinched-up nose, and a very sharp chin; he is most in vogue with your government-office people, in light drabs and starched cravats; little spare, priggish men, who are perfectly satisfied with their own opinions, and consider themselves of paramount importance. We were greatly troubled a few years ago, by the innovation of a new kind of knocker, without any face at all, composed of a wreath depending from a hand or small truncheon. A little trouble and attention, however, enabled us to overcome this difficulty, and to reconcile the new system to our favourite theory. You will invariably find this knocker on the doors of cold and formal people, who always ask you why you don’t come, and never say do. Everybody knows the brass knocker is common to suburban villas, and extensive boarding-schools; and having noticed this genus we have recapitulated all the most prominent and strongly-defined species. Some phrenologists affirm, that the agitation of a man’s brain by different passions, produces corresponding developments in the form of his skull. Do not let us be understood as pushing our theory to the full length of asserting, that any alteration in a man’s disposition would produce a visible effect on the feature of his knocker. Our position merely is, that in such a case, the magnetism which must exist between a man and his knocker, would induce the man to remove, and seek some knocker more congenial to his altered feelings. If you ever find a man changing his habitation without any reasonable pretext, depend upon it, that, although he may not be aware of the fact himself, it is because he and his knocker are at variance. This is a new theory, but we venture to launch it, nevertheless, as being quite as ingenious and infallible as many thousands of the learned speculations which are daily broached for public good and private fortune-making. Entertaining these feelings on the subject of knockers, it will be readily imagined with what consternation we viewed the entire removal of the knocker from the door of the next house to the one we lived in, some time ago, and the substitution of a bell. This was a calamity we had never anticipated. The bare idea of anybody being able to exist without a knocker, appeared so wild and visionary, that it had never for one instant entered our imagination. We sauntered moodily from the spot, and bent our steps towards Eaton-square, then just building. What was our astonishment and indignation to find that bells were fast becoming the rule, and knockers the exception! Our theory trembled beneath the shock. We hastened home; and fancying we foresaw in the swift progress of events, its entire abolition, resolved from that day forward to vent our speculations on our next-door neighbours in person. The house adjoining ours on the left hand was uninhabited, and we had, therefore, plenty of leisure to observe our next-door neighbours on the other side. The house without the knocker was in the occupation of a city clerk, and there was a neatly-written bill in the parlour window intimating that lodgings for a single gentleman were to be let within. It was a neat, dull little house, on the shady side of the way, with new, narrow floorcloth in the passage, and new, narrow stair-carpets up to the first floor. The paper was new, and the paint was new, and the furniture was new; and all three, paper, paint, and furniture, bespoke the limited means of the tenant. There was a little red and black carpet in the drawing-room, with a border of flooring all the way round; a few stained chairs and a pembroke table. A pink shell was displayed on each of the little sideboards, which, with the addition of a tea-tray and caddy, a few more shells on the mantelpiece, and three peacock’s feathers tastefully arranged above them, completed the decorative furniture of the apartment. This was the room destined for the reception of the single gentleman during the day, and a little back room on the same floor was assigned as his sleeping apartment by night. The bill had not been long in the window, when a stout, good-humoured looking gentleman, of about five-and-thirty, appeared as a candidate for the tenancy. Terms were soon arranged, for the bill was taken down immediately after his first visit. In a day or two the single gentleman came in, and shortly afterwards his real character came out. First of all, he displayed a most extraordinary partiality for sitting up till three or four o’clock in the morning, drinking whiskey-and-water, and smoking cigars; then he invited friends home, who used to come at ten o’clock, and begin to get happy about the small hours, when they evinced their perfect contentment by singing songs with half-a-dozen verses of two lines each, and a chorus of ten, which chorus used to be shouted forth by the whole strength of the company, in the most enthusiastic and vociferous manner, to the great annoyance of the neighbours, and the special discomfort of another single gentleman overhead. Now, this was bad enough, occurring as it did three times a week on the average, but this was not all; for when the company did go away, instead of walking quietly down the street, as anybody else’s company would have done, they amused themselves by making alarming and frightful noises, and counterfeiting the shrieks of females in distress; and one night, a red-faced gentleman in a white hat knocked in the most urgent manner at the door of the powdered-headed old gentleman at No. 3, and when the powdered-headed old gentleman, who thought one of his married daughters must have been taken ill prematurely, had groped down-stairs, and after a great deal of unbolting and key-turning, opened the street door, the red-faced man in the white hat said he hoped he’d excuse his giving him so much trouble, but he’d feel obliged if he’d favour him with a glass of cold spring water, and the loan of a shilling for a cab to take him home, on which the old gentleman slammed the door and went up-stairs, and threw the contents of his water jug out of window—very straight, only it went over the wrong man; and the whole street was involved in confusion. A joke’s a joke; and even practical jests are very capital in their way, if you can only get the other party to see the fun of them; but the population of our street were so dull of apprehension, as to be quite lost to a sense of the drollery of this proceeding: and the consequence was, that our next-door neighbour was obliged to tell the single gentleman, that unless he gave up entertaining his friends at home, he really must be compelled to part with him. The single gentleman received the remonstrance with great good-humour, and promised from that time forward, to spend his evenings at a coffee-house—a determination which afforded general and unmixed satisfaction. The next night passed off very well, everybody being delighted with the change; but on the next, the noises were renewed with greater spirit than ever. The single gentleman’s friends being unable to see him in his own house every alternate night, had come to the determination of seeing him home every night; and what with the discordant greetings of the friends at parting, and the noise created by the single gentleman in his passage up-stairs, and his subsequent struggles to get his boots off, the evil was not to be borne. So, our next-door neighbour gave the single gentleman, who was a very good lodger in other respects, notice to quit; and the single gentleman went away, and entertained his friends in other lodgings. The next applicant for the vacant first floor, was of a very different character from the troublesome single gentleman who had just quitted it. He was a tall, thin, young gentleman, with a profusion of brown hair, reddish whiskers, and very slightly developed moustaches. He wore a braided surtout, with frogs behind, light grey trousers, and wash-leather gloves, and had altogether rather a military appearance. So unlike the roystering single gentleman. Such insinuating manners, and such a delightful address! So seriously disposed, too! When he first came to look at the lodgings, he inquired most particularly whether he was sure to be able to get a seat in the parish church; and when he had agreed to take them, he requested to have a list of the different local charities, as he intended to subscribe his mite to the most deserving among them. Our next-door neighbour was now perfectly happy. He had got a lodger at last, of just his own way of thinking—a serious, well-disposed man, who abhorred gaiety, and loved retirement. He took down the bill with a light heart, and pictured in imagination a long series of quiet Sundays, on which he and his lodger would exchange mutual civilities and Sunday papers. The serious man arrived, and his luggage was to arrive from the country next morning. He borrowed a clean shirt, and a prayer-book, from our next-door neighbour, and retired to rest at an early hour, requesting that he might be called punctually at ten o’clock next morning—not before, as he was much fatigued. He was called, and did not answer: he was called again, but there was no reply. Our next-door neighbour became alarmed, and burst the door open. The serious man had left the house mysteriously; carrying with him the shirt, the prayer-book, a teaspoon, and the bedclothes. Whether this occurrence, coupled with the irregularities of his former lodger, gave our next-door neighbour an aversion to single gentlemen, we know not; we only know that the next bill which made its appearance in the parlour window intimated generally, that there were furnished apartments to let on the first floor. The bill was soon removed. The new lodgers at first attracted our curiosity, and afterwards excited our interest. They were a young lad of eighteen or nineteen, and his mother, a lady of about fifty, or it might be less. The mother wore a widow’s weeds, and the boy was also clothed in deep mourning. They were poor—very poor; for their only means of support arose from the pittance the boy earned, by copying writings, and translating for booksellers. They had removed from some country place and settled in London; partly because it afforded better chances of employment for the boy, and partly, perhaps, with the natural desire to leave a place where they had been in better circumstances, and where their poverty was known. They were proud under their reverses, and above revealing their wants and privations to strangers. How bitter those privations were, and how hard the boy worked to remove them, no one ever knew but themselves. Night after night, two, three, four hours after midnight, could we hear the occasional raking up of the scanty fire, or the hollow and half-stifled cough, which indicated his being still at work; and day after day, could we see more plainly that nature had set that unearthly light in his plaintive face, which is the beacon of her worst disease. Actuated, we hope, by a higher feeling than mere curiosity, we contrived to establish, first an acquaintance, and then a close intimacy, with the poor strangers. Our worst fears were realised; the boy was sinking fast. Through a part of the winter, and the whole of the following spring and summer, his labours were unceasingly prolonged: and the mother attempted to procure needle-work, embroidery—anything for bread. A few shillings now and then, were all she could earn. The boy worked steadily on; dying by minutes, but never once giving utterance to complaint or murmur. One beautiful autumn evening we went to pay our customary visit to the invalid. His little remaining strength had been decreasing rapidly for two or three days preceding, and he was lying on the sofa at the open window, gazing at the setting sun. His mother had been reading the Bible to him, for she closed the book as we entered, and advanced to meet us. &quot;I was telling William,&quot; she said, &quot;that we must manage to take him into the country somewhere, so that he may get quite well. He is not ill, you know, but he is not very strong, and has exerted himself too much lately.&quot; Poor thing! The tears that streamed through her fingers, as she turned aside, as if to adjust her close widow’s cap, too plainly showed how fruitless was the attempt to deceive herself. We sat down by the head of the sofa, but said nothing, for we saw the breath of life was passing gently but rapidly from the young form before us. At every respiration, his heart beat more slowly. The boy placed one hand in ours, grasped his mother’s arm with the other, drew her hastily towards him, and fervently kissed her cheek. There was a pause. He sunk back upon his pillow, and looked long and earnestly in his mother’s face. &quot;William, William!&quot; murmured the mother, after a long interval, &quot;don’t look at me so—speak to me, dear!&quot; The boy smiled languidly, but an instant afterwards his features resolved into the same cold, solemn gaze. &quot;William, dear William! rouse yourself; don’t look at me so, love—pray don’t! Oh, my God! what shall I do!&quot; cried the widow, clasping her hands in agony—&quot;my dear boy! he is dying!&quot; The boy raised himself by a violent effort, and folded his hands together—&quot;Mother! dear, dear mother, bury me in the open fields—anywhere but in these dreadful streets. I should like to be where you can see my grave, but not in these close crowded streets; they have killed me; kiss me again, mother; put your arm round my neck—&quot; He fell back, and a strange expression stole upon his features; not of pain or suffering, but an indescribable fixing of every line and muscle. The boy was dead.18360318https://dickenssearch.com/files/original/5/Our_Next-Door_Neighbours/1836-03-18-Our_NextDoor_Neighbours.pdf
12https://dickenssearch.com/items/show/12'Prologue'Published in the <em>Morning Advertiser</em> (12 December 1842).Dickens, Charles<em>British Newspapers Archive</em><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1842-12-12">1842-12-12</a><em>British Newspapers Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001427/18421212/018/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001427/18421212/018/0003</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.Prologue to John Westland Marston's <em>The Patrician's Daughter</em> (1842)<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Prologue">Prologue</a>1842-12-12_Morning_Advertiser_The_Patricians_Daughter_PrologueDickens, Charles. 'Prologue.' <em>The Patrician's Daughter </em>(1842) by John Westland Marston. <em>The Morning Advertiser </em>(12 December 1842): p.3. <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1842-12-12_Morning_Advertiser_Prologue_The_Patricians_Daughter">https://dickenssearch.com/verse/1842-12-12_Morning_Advertiser_Prologue_The_Patricians_Daughter</a>.<a href="https://dickenssearch.com/teibp/dist/content/1842-12-12_Morning_Advertiser_The_Patricians_Daughter_Prologue.xml" target="_blank" rel="noopener">'Prologue.' <em>Morning Advertiser</em> (12 December 1842).</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Morning+Advertiser">Morning Advertiser</a>No tale of streaming plumes and harness bright Dwells on the poet’s maiden harp to-night; No trumpet’s clamour and no battle’s fire Breathes in the trembling accents of his lyre; Enough for him, if in his boldest word The beating heart of MAN be dimly heard. Its solemn music which, like strains that sigh Through charmèd gardens, all who hearing die; Its solemn music he does not pursue To distant ages out of human view; Nor listen to its wild and mournful chime In the dead caverns on the shore of time; But musing with a calm and steady gaze Before the crackling flames of living days, He hears it whisper through the busy roar Of what shall be and what has been before. Awake the Present! Shall no scene display The tragic passion of the passing day? Is it with Man, as with some meaner things, That out of death his single purpose springs? Can his eventful life no moral teach Until he be, for aye, beyond its reach? Obscurely shall he suffer, act, and fade, Dubb’d noble only by the sexton’s spade? Awake the Present! Though the steel-clad age Find life along within its storied page, Iron is worn, at heart by many still – The tyrant Custom binds the serf-like will; If the sharp rack, and screw, and chain be gone, These later days have tortures of their own; The guiltless writhe, while Guilt is stretch’d in sleep, And Virtues lies, too often, dungeon deep. Awake the Present! what the Past has sown Be in its harvest garner’d, reap’d, and grown! How pride breeds pride, and wrong engenders wrong, Read in the volume Truth has held so long, Assured that where life’s flowers freshest blow, The sharpest thorns and keenest briars grow, How social usage has the pow’r to change Good thoughts to evil; in its highest range To cramp the noble soul, and turn to ruth The kindling impulse of our glorious youth, Crushing the spirit in its house of clay, Learn from the lessons of the present day. Not light its import and not poor its mien; Yourselves the actors, and your homes the scene.18421212https://dickenssearch.com/files/original/3/Prologue/The_Patrician.png
3https://dickenssearch.com/items/show/3'Subjects For Painters'Published in <em>The Examiner</em> (21 August 1841).Dickens, Charles<em>British Library Newspapers</em><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1841-08-21">1841-08-21</a><em>British Library Newspapers,</em> <a href="https://link.gale.com/apps/doc/BB3200992782/BNCN?u=loughuni&amp;sid=BNCN&amp;xid=784a4802" target="_blank" rel="noopener">https://link.gale.com/apps/doc/BB3200992782/BNCN?u=loughuni&amp;sid=BNCN&amp;xid=784a4802</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Poem">Poem</a>1841-08-21_The_Examiner_Subjects_For_PaintersDickens, Charles. 'Subjects For Painters.' <em>The Examiner</em> (21 August 1841): p. 532. <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1841-08-21_The_Examiner_Subjects_For_Painters">https://dickenssearch.com/verse/1841-08-21_The_Examiner_Subjects_For_Painters</a>.<a href="https://dickenssearch.com/teibp/dist/content/1841-08-21_The_Examiner_Subjects_For_Painters.xml" target="_blank" rel="noopener">'Subjects For Painters.' <em>The Examiner</em> (21 August 1841): p. 532.</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Examiner">The Examiner</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=W.">W.</a>(After Peter Pindar.) To you, SIR MARTIN, and your co. R.A.’s, I dedicate in meek, suggestive lays, Some subjects for your academic palettes; Hoping, by dint of these my scanty jobs, To fill with novel thoughts your teeming nobs, As though I beat them in with wooden mallets. To you, MACLISE, who Eve’s fair daughters paint With Nature’s hand, and want the maudlin taint Of the sweet Chalon school of silk and ermine: To you, E. LANDSEER, who from year to year Delight in beasts and birds, and dogs and deer, And seldom give us any human vermin: – – To all who practice art, or make believe, I offer subjects they may take or leave. Great Sibthorp and his butler, in debate (Arcades ambo) on affairs of state, Not altogether ‘gone,’ but rather funny; Cursing the Whigs for leaving in the lurch Our d–d, good, pleasant, gentlemanly Church, Would make a picture – cheap at any money. Or Sibthorp as the Tory Sec.–at–War, Encouraging his mates with loud ‘Yhor! Yhor!&#039; From Treas’ry benches’ most conspicuous end; As an expectant Premier without guile, Calls him his honourable and gallant friend. Or Sibthorp travelling in foreign parts, Through that rich portion of our Eastern charts Where lies the land of popular tradition; And fairly worshipp’d by the true devout In all his comings in and goings out, Because of the old Turkish superstition. Fame with her trumpet, blowing very hard, And making earth rich with celestial lard, In puffing deeds done through Lord Chamberlain Howe; While some few thousand persons of small gains, Who give their charities without such pains, Look up, much wondering what may be the row. Behind them Joseph Hume, who turns his pate To where great Marlbro’ House in princely state Shelters a host of lacqueys, lords, and pages, And says he knows of dowagers a crowd, Who, without trumpeting so very loud, Would do so much, and more, for half the wages. Limn, sirs, the highest lady in the land, When Joseph Surface, fawning cap in hand, Delivers in his list of patriot mortals; Those gentlemen of honour, faith, and truth, Who, foul-mouthed, spat upon her maiden youth, And dog-like did defile her palace portals. Paint me the Tories, full of grief and woe, Weeping (to voters) over Frost and Co., Their suff’ring, erring, much-enduring brothers. And in the background don’t forget to pack, Each grinning ghastly from its bloody sack, The heads of Thistlewood, Despard, and others. Paint, squandering the club’s election gold, Fierce lovers of our Constitution old, Lords who’re that sacred lady’s greatest debtors; And let the law, forbidding any voice Or act of Peer to influence the choice Of English people, flourish in bright letters. Paint that same dear old lady, ill at ease, Weak in her second childhood, hard to please, Unknowing what she ails or what she wishes; With all her Carlton nephews at the door, Deaf’ning both aunt and nurses with their roar, – Fighting already, for the loaves and fishes. Leaving these hints for you to dwell upon, I shall presume to offer more anon.18410821https://dickenssearch.com/files/original/3/Subjects_For_Painters/1841-08-21_Subjects_for_Painters.jpeg
4https://dickenssearch.com/items/show/4'The British Lion'Published in the <em>Daily News</em> (24 January 1846).Dickens, Charles<em>British Newspapers Archive</em><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1846-01-24">1846-01-24</a><em>British Newspapers Archive, </em><a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0000051/18460124/061/0005">https://www.britishnewspaperarchive.co.uk/viewer/bl/0000051/18460124/061/0005</a>.&nbsp;<br />Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Poem">Poem</a>1846-01-24-Daily_News_The_British_LionDickens, Charles. 'The British Lion.' <em>Daily News</em> (21 January 1841): p. 5. <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1846-01-24-Daily_News_The_British_Lion">https://dickenssearch.com/verse/1846-01-24-Daily_News_The_British_Lion</a>.<a href="https://dickenssearch.com/teibp/dist/content/1846-01-24_Daily_News_The_British_Lion.xml" target="_blank" rel="noopener">'The British Lion.'&nbsp;<em>The Daily News </em>(24 January 1846): p. 5.</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Daily+News">Daily News</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=CATNACH">CATNACH</a>A NEW SONG, BUT AN OLD STORY TUNE. - The Great Sea-Snake. Oh, p’raps you may heard, and if not, I’ll sing, Of the British Lion free, That was constantly a-going for to make a spring Upon his en-e-me; But who, being rather groggy at the knees, Broke down, always before; And generally gave a feeble wheeze Instead of a loud roar. Right toor rol, loor rol, fee faw fum, The British Lion bold! That was always a-going for to do great things, And was always being “sold”! He was carried about, in a caravan, And was show&#039;d in country parts, And they said “Walk-up! Be in time! He can Eat Corn-Law-Leagues like tarts!” And his showmen, shouting there and then, To puff him didn’t fail; And they said, as they peep&#039;d into his den, “Oh, Don’t he wag his tail!” Now, the principal keeper of this poor old beast, WAN HUMBUG was his name, Would once ev’ry day stir him up - at least - And wasn’t that a Game! For he hadn’t a tooth, and he hadn’t a claw, In that “Struggle” so “Sublime;” And, however sharp they touch’d him on the raw, He couldn’t come up to time. And this, you will observe, was the reason why WAN HUMBUG, on weak grounds, Was forced to make believe that he heard his cry In all unlikely sounds. So there wasn’t a bleat from an Essex Calf, Or a Duke, or a Lordling slim; But he said, with a very triumphant laugh, “I’m blest if that ain’t him.” At length, wery bald in his mane and tail, This British Lion growed: He pined, and declined, and he satisfied The last debt which he owed. And when they came to examine the skin, It was a wonder sore, To find that the an-i-mal within Was nothing but a BOAR! Right toor rol, loor rol, fee faw fum, The British Lion bold! That was always a-going for to do great things, And was always being &quot;sold&quot;!18460124https://dickenssearch.com/files/original/3/The_British_Lion/1846-01-24-Daily_News_The_British_Lion.pdf
1https://dickenssearch.com/items/show/1'The Fine Old English Gentleman'Published in <em>The Examiner </em>(7 August 1841).Dickens, Charles<em>British Newspapers Archive</em><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1841-08-07">1841-08-07</a><em>British Newspapers Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0000054/18410807/001/0004">https://www.britishnewspaperarchive.co.uk/viewer/bl/0000054/18410807/001/0004</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1841-08-07_The_Examiner_The_Fine_Old_English_GentlemanDickens, Charles. 'The Fine Old English Gentleman.' <em>The Examiner&nbsp;</em>(7 August 1841): p. 500. <em>Dickens Search</em>. Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1841-08-07-The_Examiner_The_Fine_Old_English_Gentleman">https://dickenssearch.com/verse/1841-08-07-The_Examiner_The_Fine_Old_English_Gentleman</a>.<a href="https://dickenssearch.com/teibp/dist/content/1841-08-07_The_Fine_Old_English_Gentleman.xml" target="_blank" rel="noreferrer noopener">'The Fine Old English Gentleman.'&nbsp;<em>The Examiner </em>(7 August 1841): p. 500.</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Examiner%3C%2Fem%3E"><em>The Examiner</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=W.">W.</a>THE FINE OLD ENGLISH GENTLEMAN. NEW VERSION. (To be said or sung at all Conservative Dinners.) I&#039;ll sing you a new ballad, and I&#039;ll warrant it first-rate, Of the days of that old gentleman who had that old estate; When they spent the public money at a bountiful old rate On ev&#039;ry mistress, pimp, and scamp, at ev&#039;ry noble gate, In the fine old English Tory times; Soon may they come again! The good old laws were garnished well with gibbets, whips, and chains, With fine old English penalties, and fine old English pains, With rebel heads, and seas of blood once hot in rebel veins; For all these things were requisite to guard the rich old gains Of the fine old English Tory times; Soon may they come again! This brave old code, like Argus, had a hundred watchful eyes, And ev&#039;ry English peasant had his good old English spies, To tempt his starving discontent with fine old English lies, Then call the good old Yeomanry to stop his peevish cries, In the fine old English Tory times; Soon may they come again! The good old times for cutting throats that cried out in their need, The good old times for hunting men who held their fathers&#039; creed, The good old times when William Pitt, as all good men agreed, Came down direct from Paradise at more than railroad speed ... Oh the fine old English Tory times; When will they come again! In those rare days, the press was seldom known to snarl or bark, But sweetly sang of men in pow&#039;r, like any tuneful lark; Grave judges, too, to all their evil deeds were in the dark; And not a man in twenty score knew how to make his mark. Oh the fine old English Tory times; Soon may they come again! Those were the days for taxes, and for war&#039;s infernal din; For scarcity of bread, that fine old dowagers might win; For shutting men of letters up, through iron bars to grin, Because they didn&#039;t think the Prince was altogether thin, In the fine old English Tory times; Soon may they come again! But Tolerance, though slow in flight, is strong-wing&#039;d in the main; That night must come on these fine days, in course of time was plain; The pure old spirit struggled, but its struggles were in vain; A nation&#039;s grip was on it, and it died in choking pain, With the fine old English Tory days, All of the olden time. The bright old day now dawns again; the cry runs through the land, In England there shall be dear bread — in Ireland, sword and brand; And poverty, and ignorance, shall well the rich and grand. So, rally round the rulers with the gentle iron hand, Of the fine old English Tory days; Hail to the coming time! W.18410807https://dickenssearch.com/files/original/3/The_Fine_Old_English_Gentleman/1841-08-07-The_Examiner_The_Fine_Old_English_Gentleman.pdf
219https://dickenssearch.com/items/show/219'The Hospital Patient'Published in <em>The Carlton Chronicle,</em> 6 August 1836, pp. 11.Dickens, Charles<em>Newspaper Archive,</em> <a href="https://newspaperarchive.com/carlton-chronicle-aug-06-1836-p-11/">https://newspaperarchive.com/carlton-chronicle-aug-06-1836-p-11/</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836-08-06">1836-08-06</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+story">Short story</a>1836-08-06-The_Hospital_PatientA brief preface states,<em> 'LEAVES from an unpublished volume. By "BOZ," (which will be torn out once a fortnight).</em>Dickens, Charles. 'The Hospital Patient' (6 August 1836). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1836-08-06-The_Hospital_Patient">https://www.dickenssearch.com/short-stories/1836-08-06-The_Hospital_Patient</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Carlton+Chronicle%3C%2Fem%3E"><em>The Carlton Chronicle</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a>In my rambles through the streets of London after evening has set in, I have often paused beneath the windows of some public hospital, and picture to myself the gloomy and mournful scenes that were passing within. The sudden moving of a taper as its feeble ray shot from window after window, until its light gradually disappeared, as if it were carried further back into the room to the bedside of some suffering patient, has been enough to awaken a whole crowd of reflections; the mere glimmering of the low-burning lamps which when all other habitations are wrapped in darkness and slumber, denote the chamber where so many forms are writhing with pain, or wasting with disease, has been sufficient to check the most boisterous merriment. Who can tell the anguish of those weary hours, when the only sound the sick man hears, is the disjointed wanderings of some feverish slumberer near him, the low moan of pain, or perhaps the muttered, long-forgotten prayer of a dying man? Who, but they who have felt it, can imagine the sense of loneliness and desolation which must be the portion of those who in the hour of dangerous illness are left to be tended by strangers,—what hands, be they ever so gentle, can wipe the clammy brow, or smooth the restless bed, like those of mother, wife, or child? Impressed with these thoughts, I have turned away through the nearly-deserted streets; and the sight of the few miserable creatures still hovering about them, has not tended to lessen the pain which such meditations awaken. The hospital is a refuge and resting-place for hundreds, who but for such institutions must die in the streets and doorways; but what can be the feelings of outcasts like these, when they are stretched on the bed of sickness with scarcely a hope of recovery? The wretched woman who lingers about the pavement, hours after midnight, and the miserable shadow of a man—the ghastly remnant that want and drunkenness have left—which crouches beneath a window-ledge, to sleep where there is some shelter from the rain, have little to bind them to life, but what have they to look back upon, in death? What are the unwonted comforts of a roof and a bed to them, when the recollections of a whole life of debasement, stalk before them; when repentance seems a mockery, and sorrow comes too late? About a twelvemonth ago, as I was strolling through Covent Garden (I had been thinking about these things overnight), I was attracted by the very prepossessing appearance of a pickpocket, who having declined to take the trouble of walking to the Police Office, on the ground that he hadn&#039;t the slightest wish to go there at all, was being conveyed thither in a wheelbarrow, to the huge delight of a crowd, but apparently not very much to his own individual gratification. Somehow, I never can resist joining a crowd—nature certainly intended me for a vagabond—so I turned back with the mob, and entered the office, in company with my friend the pickpocket, a couple of policemen, and as many dirty-faced spectators as could squeeze their way in. There was a powerful, ill-looking young fellow at the bar, who was undergoing an examination on the very common charge of having, on the previous night, ill-treated a woman with whom he lived in some court hard by. Several witnesses bore testimony to acts of the grossest brutality, and a certificate was read from the house-surgeon of a neighbouring hospital, describing the nature of the injuries the woman had received, and intimating that her recovery was extremely doubtful. Some question appeared to have been raised about the identity of the prisoner; for when it was agreed that the two magistrates should visit the hospital at eight o&#039;clock that evening, to take her deposition, it was settled that the man should be taken there also. He turned deadly pale at this, and I saw him clench the bar very hard when the order was given. He was removed directly afterwards, and he spoke not a word. I felt an irrepressible curiosity to witness this interview, although I can hardly tell why, at this instant, for I knew it must be a painful one. It was no very difficult matter for me to gain permission, and I obtained it. The prisoner, and the officer who had him in custody, were already at the hospital when I reached it, and waiting the arrival of the magistrates in a small room below stairs. The man was handcuffed, and his hat was pulled forward over his eyes. I could tell though, by the livid whiteness of his countenance, and the constant twitching of the muscles of his face, that he dreaded what was to come. After a short interval, the magistrates and clerk were bowed in, by the house-surgeon, and a couple of young men who smelt very strongly of tobacco-smoke—&quot;dressers&quot; I think they call them&quot;—and after one magistrate had complained bitterly of the cold, and the other of the absence of any news in the evening paper, it was announced that the patient was prepared, and we were conducted to the &quot;casualty ward&quot; in which she was lying. The dim light which burnt in the spacious room, increased rather than diminished the ghastly appearance of the hapless creatures in the beds, which were ranged in two long rows on either side. In one bed, lay a child enveloped in bandages, with its body half-consumed by fire; in another, a female, rendered hideous by some dreadful accident, was wildly beating her clenched fists on the coverlet, in an agony of pain; on a third, there lay stretched a young girl, apparently in the heavy stupor which is sometimes the immediate precursor of death: her face was stained with blood, and her breast and arms were bound up in folds of linen. Two or three of the beds were empty, and their recent occupants were sitting beside them, but with faces so wan, and eyes so bright and glassy, that it was fearful to meet their gaze. On every face was stamped the expression of anguish and suffering. The object of the visit was lying at the upper end of the room. She was a fine young woman of about two or three and twenty. Her long black hair had been hastily cut from about the wounds on her head, and streamed over the pillow in jagged and matted locks. Her face bore frightful marks of the ill-usage she had received: her hand was pressed upon her side, as if her chief pain was there, her breathing was short and heavy, and it was plain to see that she was dying fast. She murmured a few words in reply to the magistrate&#039;s inquiry, whether she was in great pain: and having been raised on the pillow by the nurse, looked anxiously into the strange countenances that surrounded her bed. The magistrate nodded to the officer, to bring the man forward. He did so, and stationed him at the bedside. The girl looked on with a wild and troubled expression of face, but her sight was dim, and she did not know him. &quot;Take off his hat,&quot; said the magistrate. The officer did as he was desired, and the man&#039;s features were fully disclosed. The girl started up with an energy quite preternatural; the fire gleamed in her heavy eyes, and the blood rushed to her pale and sunken cheeks. It was a convulsive effort. She fell back upon her pillow, and covering her scarred and bruised face with her hands, burst into tears. The man cast an anxious look towards her, but otherwise appeared wholly unmoved. After a brief pause the nature of the errand was explained, and the oath tendered. &quot;Oh, no, gentlemen,&quot; said the girl, raising herself once more, and folding her hands together; &quot;no, gentlemen, for God&#039;s sake! I did it myself, it was nobody&#039;s fault, it was an accident. He didn&#039;t hurt me; he wouldn&#039;t for all the world. Jack, dear Jack, you know you wouldn&#039;t.&quot; Her sight was fast failing her, and her hand groped over the bedclothes in search of his, in vain. Brute as the man was, he was not prepared for this. He turned his face from the bed, and sobbed aloud. The girl&#039;s colour changed, and her breathing grew more difficult. She was evidently dying. &quot;We respect the feelings which prompt you to this,&quot; said the gentleman who had spoken first &quot;but let me warn you, not to persist in what you know to be untrue, until it is too late. It cannot save him.&quot; &quot;Jack,&quot; murmured the girl, laying her hand upon his arm. &quot;They shall not persuade me to swear your life away. He didn&#039;t do it, gentlemen He never hurt me.&quot; She grasped his arm tightly, and added, in a broken whisper, &quot;I hope God Almighty will forgive me all the wrong I have done, and the life I have led. God bless you, Jack. Some kind gentleman take my love to my poor old father. Five years ago, he said he wished I had died a child. Oh, I wish I had! I wish I had!&quot; We turned away; it was no sight for strangers to look upon. The nurse bent over the girl for a few seconds, and then drew the sheet over her face. It covered a corpse.18360806https://dickenssearch.com/files/original/5/The_Hospital_Patient/1836-08-06-The_Hospital_Patient.pdf
9https://dickenssearch.com/items/show/9'The Hymn of the Wiltshire Labourers'Published in the <em>Daily News </em>(14 February 1846).Dickens, Charles<em>British Library Newspapers</em><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1846-02-14">1846-02-14</a><em>British Library Newspapers,</em> <a href="https://link.gale.com/apps/doc/BA3202823099/BNCN?u=loughuni&amp;sid=BNCN&amp;xid=c30600e4" target="_blank" rel="noopener">https://link.gale.com/apps/doc/BA3202823099/BNCN?u=loughuni&amp;sid=BNCN&amp;xid=c30600e4</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Poem">Poem</a>1846-02-14_Daily_News_The_Hymn_of_the_Wiltshire_LabourersDickens, Charles. 'The Hymn of the Wiltshire Labourers.' <em>Daily News</em> (14 February 1846): p. 5. <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1846-02-14_Daily_News_The_Hymn_of_the_Wiltshire_Labourers">https://dickenssearch.com/verse/1846-02-14_Daily_News_The_Hymn_of_the_Wiltshire_Labourers</a>.<a href="https://dickenssearch.com/teibp/dist/content/1846-02-14_Daily_News_The_Hymn_of_the_Wiltshire_Labourers.xml" target="_blank" rel="noopener">'The Hymn of the Wiltshire Labourers.' <em>Daily News</em> (14 February 1846): p. 5.</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Daily+News">Daily News</a>&quot;Don&#039;t you all think that we have a great need to Cry to our God to put it in the hearst of our greacious Queen and her Members of Parlerment to grant us free bread.&quot; - LUCY SIMPKINS, AT BREMHILL. “Oh GOD, who by thy Prophet’s hand Didst smite the rocky brake, Whence water came, at thy command, They people’s thirst to slake; Strike, now, upon this granite wall, Stern, obdurate, and high; And let some drops of pity fall For us who starve and die! The GOD, who took a little child, And set him in the midst, And promised him His mercy mild, As, by Thy Son, Thou didst: Look down upon our children dear, So gaunt, so cold, so spare, And let their images appear, Where Lords and Genry are! Oh GOD, teach them to feel how we, When our poor infants droop, Are weakened in our trust in Thee, And how our spirits stoop; For, in thy rest, so bright and fair, All tears and sorrows sleep: And their young looks, so full of care, Would make Thine Angels weep! The GOD, who with His finger drew The Judgment coming on, Write, for these men, what must ensure, Ere many years be gone! Oh GOD whose bow is in the sky, Let them not brave and dare, Until they look (too late) on high, And see An Arrow there! Oh GOD remind them! In the bread They break upon the knee, Those sacred words may yet be read, “In memory of Me”! Oh GOD remind them! of His sweet Compassion for the poor, And how He gave them Bread to eat, And went from door to door! CHARLES DICKENS18460214https://dickenssearch.com/files/original/3/The_Hymn_of_the_Wiltshire_Labourers/1846-02-14_Daily_News_The_Hymn_of_the_Wiltshire_Labourers.jpeg
2https://dickenssearch.com/items/show/2'The Quack Doctor’s Proclamation'Published in <em>The Examiner</em> (14 August 1841).Dickens, Charles<em>British Newspapers Archive</em><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1841-08-14">1841-08-14</a><em>British Newspapers Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0000054/18410814/001/0005">https://www.britishnewspaperarchive.co.uk/viewer/bl/0000054/18410814/001/0005</a>.&nbsp;Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Poem">Poem</a>1841-08-14-The_Examiner_The_Quack_Doctors_ProclamationDickens, Charles. 'The Quack Doctor's Proclamation.' <em>The Examiner</em> (14 August 1841): p. 517. <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1841-08-14-The_Examiner_The_Quack_Doctors_Proclamation">https://dickenssearch.com/verse/1841-08-14-The_Examiner_The_Quack_Doctors_Proclamation</a>.<a href="https://dickenssearch.com/teibp/dist/content/1841-08-14_The_Examiner_The_Quack_Doctors_Proclamation.xml" target="_blank" rel="noopener">'The Quack Doctor's Proclamation.' <em>The Examiner<span>&nbsp;</span></em>(14 August 1841): p. 517.</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Examiner">The Examiner</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=W.">W.</a>Tune – A Cobbler there was. An astonishing doctor has just come to town, Who will do all the faculty perfectly brown: He knows all diseases, their causes, and ends; And he ‘begs to appeal to his medical friends.’ Tol de rol: Diddle doll: Tol de rol, de dol, Diddle doll Tol de rol doll. He’s a magnetic doctor, and knows how to keep The whole of a Government snoring asleep To popular clamours; till popular pins Are stuck in their midriffs – and then he begins. Tol de rol. He’s a clairvoyant subject, and readily reads His countrymen’s wishes, conditions, and needs, With many more fine things I can’t tell in rhyme – And he keeps both his eyes shut, the whole of the time. Tol de rol. You mustn’t expect him to talk; but you’ll take Most particular notice the doctor’s awake, Though for aught from his words, or his looks that you reap, he Might just as well be most confoundedly sleepy. Tol de rol. Homëopathy too, he has practiced for ages; (You’ll find his prescriptions in Luke Hansard’s pages) Just giving his patient when maddened by pain, - Of Reform the ten thousandeth part of a grain. Tol de rol. He’s a med’cine for Ireland, in portable papers; The infallible cure for political vapours; A neat label round it his ‘prentices tie – ‘Put your trust in the Lord, and keep this powder dry!’ Tol de rol. He’s a corn doctor also, of wonderful skill, – No cutting, no rooting-up, purging, or pill – You’re merely to take, ‘stead of walking or riding, The sweet schoolboy exercise – innocent sliding. Tol de rol. There’s no advice gratis. If high ladies send His legitimate fee, he’s their soft spoken friend. At the great public counter with one hand behind him, And one in his waistcoat, they’re certain to find him. Tol de rol. He has only to add he’s the real Doctor Flam, All others being purely fictitious and sham; The house is a large one, tall, slated, and white, With a lobby; and lights in the passage at night. Tol de rol: Diddle doll: Tol de rol, de doll, Diddle doll Tol de rol doll.18410814https://dickenssearch.com/files/original/3/The_Quack_Doctor_s_Proclamation/1841-08-14-The_Examiner_The_Quack_Doctors_Proclamation.pdf
137https://dickenssearch.com/items/show/137<em>'New Series</em>, No. 1, Meditations in Monmouth-Street'Published in <em>The Morning Chronicle </em>(24 September 1836), p. 3.Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000082/18360924/009/0003">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000082/18360924/009/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836-09-24">1836-09-24</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1836-09-24-Meditations_in_Monmouth_StreetDickens, Charles. <em>'New Series</em>, No. 1, Meditations in Monmouth-Street' (24 September 1836). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1836-09-24-Meditations_in_Monmouth_Street">https://www.dickenssearch.com/short-stories/1836-09-24-Meditations_in_Monmouth_Street</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Morning+Chronicle%3C%2Fem%3E"><em>The Morning Chronicle</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a>We have always entertained a particular attachment towards Monmouth-street, as the only true and real emporium for second-hand wearing apparel. Monmouth-street is venerable from its antiquity, and respectable from its usefulness. Holywell-street we despise; the red-headed and red-whiskered Jews who forcibly haul you into their squalid houses, and thrust you into a suit of clothes whether you will or not, we detest. The inhabitants of Monmouth-street are a distinct class; a peaceable and retiring race, who immure themselves for the most part in deep cellars or small back parlours, and who seldom come forth into the world, except in the dusk and coolness of evening, when they may be seen seated in chairs on the pavement, smoking their pipes or watching the gambols of their engaging children as they revel in the gutter, a happy troop of infantine scavengers. Their countenances bear a thoughtful and dirty cast—certain indications of their love of traffic; and their habitations are distinguished by that disregard of outward appearances, and neglect of personal comfort, so common among people who are constantly immersed in profound speculations, and deeply engaged in sedentary pursuits. We have hinted at the antiquity of our favourite spot. &quot;A Monmouth-street laced coat&quot; was a by-word years and years ago; and still we find Monmouth-street the same. Pilot great coats with wooden buttons, have usurped the place of the ponderous laced coats with full skirts; embroidered waistcoats with large flaps, have yielded to double-breasted checks with roll-collars; and three-cornered hats of quaint appearance have given place to the low crowns and broad brims of the coachman school; but it is the times that have changed, not Monmouth-street. Through every alteration and every change, Monmouth-street has still remained the burial-place of the fashions; and such, to judge from all present appearances, it will remain, until there are no more fashions to bury. We love to walk among these extensive groves of the illustrious dead, and to indulge in the speculations to which they give rise; now fitting a deceased coat, then a dead pair of trousers, and anon the mortal remains of a gaudy waistcoat, upon some being of our own conjuring up, and endeavouring, from the shape and fashion of the garment itself, to bring its former owner before our mind’s eye. We have gone on speculating in this way, until whole rows of coats have started from their pegs, and buttoned up, of their own accord, round the waists of imaginary wearers, lines of trousers have jumped down to meet them, waistcoats have almost burst with anxiety to put themselves on, and half an acre of shoes have suddenly found feet to fit them, and gone stumping down the street with a noise which has fairly awakened us from our pleasant reverie, and driven us slowly away, with a bewildered stare, an object of astonishment to the good people of Monmouth-street, and of no slight suspicion to the policemen at the opposite street corner. We were occupied in this manner the other day, endeavouring to fit a pair of lace-up half boots on an ideal personage, for whom, to say the truth, they were full a couple of sizes too small, when our eyes happened to alight on a few suits of clothes, ranged outside a shop-window, which it immediately struck us, must at different periods have all belonged to, and been worn by, the same individual, and had now, by one of those strange conjunctions of circumstances which will occur sometimes, come to be exposed together for sale in the same shop. The idea seemed a fantastic one, and we looked at the clothes again with a firm determination not to be easily led away. No, we were right, the more we looked the more we were convinced of the accuracy of our previous impression. There was the man’s whole life written as legibly on those clothes as if we had his autobiography engrossed on parchment before us. The first was a patched and much-soiled skeleton suit—one of those straight blue cloth cases in which small boys used to be confined, before belts and tunics had come in, and old notions had gone out: an ingenious contrivance for displaying the full symmetry of a boy’s figure, by fastening him into a very tight jacket, with an ornamental row of buttons over each shoulder, and then buttoning his trousers over it, so as to give his legs the appearance of being hooked on just under the armpits. This was the boy’s dress. It had belonged to a town boy, we could see; there was a shortness about the legs and arms of the suit, and a bagging at the knees, peculiar to the rising youth of London streets. A small day-school he had been at, evidently. If it had been a regular boys’ school they wouldn’t have let him play on the floor so much, and rub his knees so white. He had had an indulgent mother too, and plenty of halfpence, as the numerous smears of some sticky substance about the pockets, and just below the chin, which even the salesman’s skill could not succeed in disguising, sufficiently betokened. They were decent people, but not overburdened with riches, or he would not have so far outgrown the suit when he passed into those corduroys with the round jacket; in which he went to a boys’ school, however, and learnt to write—and in ink of pretty tolerable blackness too, if the place where he used to wipe his pen might be taken as evidence. A black suit, and the jacket changed into a diminutive coat. His father had died, and the mother had got the boy a message-lad’s place in some office. A long-worn suit that one; rusty and threadbare before it was laid aside, but clean and free from soil to the last. Poor woman! We could imagine her assumed cheerfulness over the scanty meal, and the refusal of her own small portion, that her hungry boy might have enough. Her constant anxiety for his welfare, her pride in his growth mingled sometimes with the thought, almost too acute to bear, that as he grew to be a man his old affection might cool, old kindnesses fade from his mind, and old promises be forgotten—the sharp pain that even then a careless word or a cold look would give her—all crowded on our thoughts as vividly as if the very scene were passing before us. These things happen every hour, and we all know it; and yet we felt as much sorrow when we saw, or fancied we saw—it makes no difference which—the change that began to take place now, as if we had just conceived the bare possibility of such a thing for the first time. The next suit, smart but slovenly; meant to be gay, and yet not half so decent as the threadbare apparel; redolent of the idle lounge, and the blackguard companions, told us, we thought, that the widow’s comfort had rapidly faded away. We could imagine that coat—imagine! we could see it; we had seen it a hundred times—sauntering in company with three or four other coats of the same cut, about some place of profligate resort at night. We dressed, from the same shop-window in an instant, half a dozen boys of from fifteen to twenty; and putting cigars into their mouths, and their hands into their pockets, watched them as they sauntered down the street, and lingered at the corner with the obscene jest, and the often-repeated oath. We never lost sight of them, till they had cocked their hats a little more on one side, and swaggered into the public-house; and then we entered the desolate house, where the mother sat, late in the night, alone; we watched her, as she paced the room in feverish anxiety, and every now and then opened the door, looked wistfully into the dark and empty street, and again returned, to be again and again disappointed. We beheld the look of patience with which she bore the brutish threat, and the drunken blow; and we heard the agony of tears that gushed from her very heart as she sunk upon her knees in her solitary and wretched chamber. A long period had elapsed, and a greater change had taken place by the time of casting off the suit that hung above. It was that of a stout, broad-shouldered, sturdy-chested man; and we knew at once, as anybody would who glanced at that broad-skirted green coat, with the large metal buttons, that its wearer seldom walked forth without a dog at his heels, and some idle ruffian, the very counterpart of himself, at his side. The vices of the boy had grown with the man, and we fancied his home then—if such a place deserved the name. The bare and miserable room, destitute of furniture, crowded with his wife and children, pale, hungry, and emaciated; the man cursing their lamentations, staggering to the tap-room, from whence he had just returned, followed by his wife and a sickly infant, clamouring for bread; and heard the street wrangle and noisy recrimination that his striking her occasioned. And then imagination led us to some metropolitan workhouse, situated in the midst of crowded streets and alleys, filled with noxious vapours, and ringing with boisterous cries, where an old and feeble woman, imploring pardon for her son, lay dying in a close dark room, with no child to clasp her hand, and no pure air from Heaven to fan her brow. A stranger closed the eyes that settled into a cold unmeaning glare, and strange ears received the words that murmured from the white and half-closed lips. A coarse round frock, with a worn cotton neckerchief, and other articles of clothing of the commonest description, completed the history. A prison, and the sentence— banishment or the gallows. What would the man have given then to be once again the contented humble drudge of his boyish years—to have been restored to life, but for a week, a day, an hour, a minute—only for so long a time as would enable him to say one word of passionate regret to, and hear one sound of heartfelt forgiveness from—the cold and ghastly form that lay rotting in the pauper’s grave? The children wild in the streets, the mother a destitute widow; both deeply tainted with the deep disgrace of the husband and father’s name, and impelled, by sheer necessity, down the precipice that had led him to a lingering death, possibly of many years’ duration, thousands of miles away. We had no clue to the end of the tale; but it was easy to guess its termination. We took a step or two further on, and by way of restoring the naturally cheerful tone of our thoughts, began fitting visionary feet and legs into a cellar-board full of boots and shoes, with a speed and accuracy that would have astonished the most expert artist in leather, living. There was one pair of boots in particular—a jolly, good-tempered, hearty-looking pair of tops—that excited our warmest regard, and we had got a fine, red-faced jovial fellow of a market-gardener into them, before we had made their acquaintance half a minute. They were just the very thing for him. There was his huge fat legs bulging over the tops, and fitting them too tight to admit of his tucking in the loops he had pulled them on by, and his knee-cords with an interval of stocking, and his blue apron tucked up round his waist, and his red neckerchief and blue coat, and a white hat stuck on one side of his head; and there he stood with a broad grin on his great red face, whistling away as if any other idea but that of being happy and comfortable had never entered his brain. This was the very man after our own heart—we knew all about him—we had seen him coming up to Covent-garden in his green chaise-cart, with the fat, tubby little horse, half a thousand times; and even while we cast an affectionate look upon his boots at that instant, the form of a coquettish servant-maid suddenly sprung into a pair of Denmark satin-shoes that stood beside them, and we at once recognised the very girl that accepted his offer of a ride, just on this side the Hammersmith suspension-bridge, the very last Tuesday morning we rode into town from Richmond. A very smart female, in a showy bonnet, stepped into a pair of grey cloth boots with black fringe and binding, that were studiously pointing out their toes on the other side of the top-boots, and seemed very anxious to engage his attention, but we didn’t observe that our friend the market-gardener appeared at all captivated with these blandishments, for beyond giving a knowing wink when they first began, as if to imply that he quite understood their end and object, he took no further notice of them. His indifference, however, was amply recompensed by the excessive gallantry of a very old gentleman with a silver-headed stick, who tottered into a pair of large list shoes, that were standing in one corner of the board, and indulged in a variety of gestures expressive of his admiration of the lady in the cloth boots, to the immeasurable amusement of a young fellow we put into a pair of long-quartered pumps, who we thought would have split the coat that slid down to meet him with laughing. We had been looking on at this little pantomime with great satisfaction for some time, when, to our unspeakable astonishment, we perceived that the whole of the characters, including a numerous corps de ballet of boots and shoes in the back-ground, into which we had been hastily thrusting as many feet as we could press into the service, were arranging themselves in order for dancing; and some music striking up at the moment, to it they went without delay. It was perfectly delightful to witness the agility of the market-gardener. Out went the boots, first on one side, then on the other, then cutting, then shuffling, then setting to the Denmark satins, then advancing, then retreating, then going round, and then repeating the whole of the evolutions again, without appearing to suffer in the least from the violence of the exercise. Nor were the Denmark satins a bit behind-hand, for they jumped and bounded about in all directions; and though they were neither so regular, nor so true to the time as the cloth boots, still, as they seemed to do it from the heart, and to enjoy it more, we candidly confess that we preferred their style of dancing to the other. But the old gentleman in the list shoes was the most amusing object in the whole party; for, besides his grotesque attempts to appear youthful, and amorous, which were sufficiently entertaining in themselves, the young fellow in the pumps managed so artfully that every time the old gentleman advanced to salute the lady in the cloth boots, he trod with his whole weight on the old fellow’s toes, which made him roar with anguish, and rendered all the others like to die of laughing. We were in the full enjoyment of these festivities when we heard a shrill, and by no means musical voice, exclaim, &quot;Hope you’ll know me agin, imperence;&quot; and on looking intently forward to see from whence the sound came, we found that it proceeded, not from the young lady in the cloth boots, as we had at first been inclined to suppose, but from a bulky lady of elderly appearance who was seated in a chair at the head of the cellar-steps, apparently for the purpose of superintending the sale of the articles arranged there. A barrel-organ, which had been in full force close behind us, ceased playing; the people we had been fitting into the shoes and boots took to flight at the interruption; and as we were conscious that in the depth of our meditations we might have been rudely staring at the old lady for half an hour without knowing it, we took to flight too, and were soon immersed in the deepest obscurity of the adjacent &quot;Dials.&quot;18360924https://dickenssearch.com/files/original/5/New_Series_No._1_Meditations_in_Monmouth-Street/1836-09-24-The-Morning_Chronicle_New_Series_I_Meditations_in_Monmouth_Street.pdf
138https://dickenssearch.com/items/show/138<em>'New Series</em>, No. 2, 'Scotland Yard'Published in <em>The Morning Chronicle</em> (4 October 1836), p.3.Dickens, Charles<em>The British Newspaper Archive, </em><a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0000082/18361004/009/0003">https://www.britishnewspaperarchive.co.uk/viewer/bl/0000082/18361004/009/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836-10-04">1836-10-04</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1836-10-04-The-Morning_Chronicle__New_Series_No2_Scotland_YardDickens, Charles. '<em>New Series</em>, No. II, Scotland Yard' (4 October 1836). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date].<a href="1836-10-04-The-Morning_Chronicle__New_Series_No2_Scotland_Yard">1836-10-04-The-Morning_Chronicle__New_Series_No2_Scotland_Yard</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Morning+Chronicle%3C%2Fem%3E"><em>The Morning Chronicle</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a>If our recollection serves us, we have more than once hinted, confidentially, to our readers that we entertain a strong partiality for the queer little old streets which yet remain in some parts of London, and that we infinitely prefer them to the modern innovations, the wide streets with broad pavements, which are every day springing up around us. The old Exeter &#039;Change, for instance, and the narrow and dirty part of the Strand immediatley adjoining, we were warmly attached to. The death of the elephant was a great shock to us; we knew him well; and, having enjoyed the honour of his intimate acquaintance for some years, felt grieved—deeply grieved—that in a paroxysm of insanity he should have so far forgotten all his estimable and companionable qualities as to exhibit a sanguinary desire to scrunch his faithful valet, and pulverize even Mrs. Cross herself, who for a long period had evinced towards him that pure and touching attachment which woman alone can feel. This was a sad blow to us. The constitution of the beef-eater at the door sunk beneath the loss of the elephant; this was another. They pulled down Exeter &#039;Change itself; this was a greater trial than either but we got over it in time. And since that period the rage for improvement has exposed us to so many melancholy trials of a similar description, that we have grown callous to suffering, and the only effect of our persecutions is to render us more attached than ever to the few old spots that are yet left us. Of these, there is no one which, having a peculiar character of its own, preserved it so tenaciously, or took an honest pride in it so long, as Scotland-yard. It is so thoroughly a little colony of itself, it is so utterly unlike any other part of London, that a slight account of its progress and history has always seemed to us to be imperatively called for. None has as yet appeared, however, and we now take pen in hand, more with the view of throwing out a few slight hints for the guidance of future historians, than with any idea of developing with the ability which such an empire demands, the past and present state of this little empire. Scotland-yard, then, is a small—a very small—tract of land, bounded on one side by the river Thames, on the other by the gardens of Northumberland-house: abutting at one end on the bottom of Northumberland-street, at the other on the back of Whitehall-place. When this territory was first accidentally discovered by a country gentleman who lost his way in the Strand some years ago, the original settlers were found to be a tailor, a publican, two eating-house-keepers, and a fruit-pie-maker; and it was also found to contain a race of strong and bulky men, who repaired to the wharfs in Scotland-yard regularly every morning about five or six o’clock, to fill heavy waggons with coal, with which they proceeded to distant places up the country, and supplied the inhabitants with fuel. When they had emptied their waggons they again returned for a fresh supply, and this trade was continued throughout the year. As the settlers derived their subsistence from ministering to the wants of these primitive traders, the articles exposed for sale, and the places where they were sold, bore strong outward marks of being expressly adapted to their tastes and wishes. The tailor displayed in his window a Lilliputian pair of leather gaiters, and a diminutive round frock, while each doorpost was appropriately garnished with a model of a coal sack. The two eating-house-keepers exhibited joints of a magnitude and puddings of a solidity which coal-heavers alone could appreciate; and the fruit-pie-maker displayed on his well-scrubbed window-board large white compositions of flour and dripping ornamented with pink stains giving rich promise of the fruit within, which made their huge mouths water, as they lingered past. But the choicest spot in all Scotland-yard, was the old public-house in the corner. Here, in a dark, wainscotted room of ancient appearance, cheered by the glow of a mighty fire, and decorated with an enormous clock, whereof the face was white, and the figures black, sat the lusty coal-heavers, quaffing large draughts of Barclay’s best, and puffing forth volumes of smoke, which wreathed heavily above their heads, and involved the room in a thick dark cloud. From this apartment might their voices be heard on a winter’s night, penetrating to the very bank of the river, as they shouted out some sturdy chorus, or roared forth the burden of a popular song; dwelling upon the last few words with a strength and length of emphasis which made the very roof tremble above them. Here, too, would they tell old legends of what the Thames was in ancient times, when the Patent Shot Manufactory wasn’t built, and Waterloo-bridge had never been thought of; and then they would shake their heads with portentous looks, to the deep edification of the rising generation of heavers, who crowded round them, and wondered where all this would end, whereat the tailor would take his pipe solemnly from his mouth, and say, how that he hoped it might end well, but he very much doubted whether it would or not, and couldn’t rightly tell what to make of it—a mysterious expression of opinion, delivered with a semi-prophetic air, which never failed to elicit the fullest concurrence of the assembled company, and so they would go on drinking and wondering till ten o’clock came, and with it the tailor’s wife to fetch him home, when the little party broke up, to meet again in the same room, and say and do precisely the same things, on the following evening, at the same hour. About this time the barges that came up the river began to bring vague rumours to Scotland-yard of somebody in the city having been heard to say, that the Lord Mayor had threatened in so many words to pull down the old London-bridge and build up a new one. At first these rumours were disregarded as idle tales, wholly destitute of foundation, for nobody in Scotland-yard doubted that if the Lord Mayor contemplated any such dark design, he would just be clapped up in the Tower for a week or two, and then killed off for high treason. By degrees, however, the reports grew stronger, and more frequent, and at last a barge laden with numerous chaldrons of the best Wallsend brought up the positive intelligence that several of the arches of the old bridge were &#039;stopped, and that preparations were actually in progress for constructing the new one. What an excitement was visible in the old tap-room on that memorable night! Each man looked into his neighbour’s face, pale with alarm and astonishment, and read therein an echo of the sentiments which filled his own breast. The oldest heaver present proved to demonstration that the moment the piers were removed all the water in the Thames would run clean off, and leave a dry gulley in its place. What was to become of the coal-barges, - of the trade of Scotland-yard,—of the very existence of its population? The tailor shook his head more sagely than usual, and grimly pointing to a knife on the table, bid them wait and see what happened. He said nothing—not he; but if the Lord Mayor didn’t fall a victim to popular indignation, why he would be rather astonished; that was all. They did wait; barge after barge arrived, and still no tidings of the assassination of the Lord Mayor. The first stone was laid: it was done by a Duke—the King’s brother. Years passed away, and the bridge was opened by the King himself. In course of time, the piers were removed; and when the people in Scotland-yard got up next morning in the confident expectation of being able to step over to Pedlar’s-acre without wetting the soles of their shoes, they found to their unspeakable astonishment that the water was just where it used to be. A result so different from that which they had anticipated from this first improvement produced its full effect upon the inhabitants of Scotland-yard. One of the eating-house-keepers began to court public opinion, and to look for customers among a new class of people. He covered his little dining-tables with white cloths, and got a painter’s apprentice to inscribe something about hot joints from twelve till two in one of the little panes of his shop window. Improvement began to march with rapid strides to the very threshold of Scotland-yard. A new market sprung up at Hungerford, and the Police Commissioners established their office in Whitehall-place. The traffic in Scotland-yard increased; fresh Members were added to the House of Commons, the Metropolitan Representatives found it a near cut, and many other foot passengers followed their example. We marked the advance of civilization, and beheld it with a sigh. The eating-house-keeper who manfully resisted the innovation of table-cloth, was losing ground every day, as his opponent gained it; a deadly feud sprung up between them, and the genteel one no longer took his evening’s pint in Scotland-yard, but drank gin and water at a &quot;parlour&quot; in Parliament-street. The fruit-pie maker still continued to visit the old room, but he took to smoking cigars, and began to call himself a pastry-cook, and to read the papers. The old heavers still assembled round the ancient fireplace, but their talk was mournful; and the loud song and the joyous shout were heard no more. And what is Scotland-yard now? How have its old customs changed; and how has the ancient simplicity of its inhabitants faded away! The old tottering public-house is converted into a spacious and lofty &quot;wine-vaults;&quot; gold leaf has been used in the construction of the letters which emblazon its exterior, and the poet’s art has been called into requisition to intimate that if you drink a certain description of ale you must hold fast by the rail. The tailor exhibits in his window the pattern of a foreign-looking brown surtout, with silk buttons, a fur collar, and fur cuffs. He wears a stripe down the outside of each leg of his trousers, and we have detected his assistants (for he has assistants now) in the act of sitting on the shop-board in the same uniform. At the other end of the little row of houses a boot-maker has established himself in a brick box, with the additional innovation of a first floor; and here he exposes for sale, boots—real Wellington boots—an article which a few years ago, none of the original inhabitants had ever seen or heard of. It was but the other day, that a dress-maker opened another little box in the middle of the row; and, when we thought that the spirit of change could produce no alteration beyond that, a jeweller appeared, and not content with exposing gilt rings and copper bracelets out of number, put up an announcement, which still sticks in his window, that ladies’ ears may be pierced, within. The dress-maker employs a young lady who wears pockets in her apron, and the tailor informs the public that gentlemen may have their own materials made up. Amidst all this change, and restlessness, and innovation, there remains but one old man who seems to mourn the downfall of this ancient place. He holds no converse with human kind, but, seated on a wooden bench at the angle of the wall which fronts the crossing from Whitehall-place, watches in silence the gambols of his sleek and well-fed dogs. He is the presiding genius of Scotland-yard. Years and years have rolled over his head; but, in fine weather or in foul, hot or cold, wet or dry, hail, rain, or snow, he is still in his accustomed spot. Misery and want are depicted in his countenance; his form is bent by age, his head is grey with length of trial, but there he sits from day to day, brooding over the past, and thither he will continue to drag his feeble limbs, until his eyes have closed upon Scotland-yard and upon the world together. A few years hence, and the antiquary of another generation, looking into some mouldy record of the strife and passions that agitated the world in these times, may glance his eye over the column we have just filled: and not all his knowledge of the history of the past—not the dry studies of a whole life—may help him to the whereabout either of Scotland-yard, or any one of the land marks we have mentioned in describing it.18361004https://dickenssearch.com/files/original/5/New_Series_No._2_Scotland_Yard/1836-10-04-The-Morning_Chronicle__New_Series_No2_Scotland_Yard.pdf
139https://dickenssearch.com/items/show/139<em>'New Series</em>, No. 3, Doctors' Commons'Published in <em>The Morning Chronicle</em> (11 October 1836), p.3.Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000082/18361011/005/0003">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000082/18361011/005/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836-10-11">1836-10-11</a><em>The British Newspaper Archive.</em> Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1836-10-11-The_Morning_Chronicle_New_Series_No3_Doctors_CommonsDickens, Charles. '<em>New Series</em>, No. III, Doctors' Commons' (11 October 1836). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="1836-10-11-The_Morning_Chronicle_New_Series_No3_Doctors_Commons">1836-10-11-The_Morning_Chronicle_New_Series_No3_Doctors_Commons</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Morning+Chronicle%3C%2Fem%3E"><em>The Morning Chronicle</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a>Walking, without any definite object, through St. Paul’s Church-yard, a little while ago, we happened to turn down a street entitled &quot;Paul’s-chain,&quot; and keeping straight forward for a few hundred yards, found ourself, as a natural consequence, in Doctors’ Commons. Now, Doctors’ Commons being familiar by name to everybody as the place where they grant marriage-licenses to love-sick couples, and divorces to unfaithful ones; register the wills of people who have any property to leave, and punish hasty gentlemen who call ladies by unpleasant names; we no sooner discovered that we were really within its precincts, than we felt a laudable desire to become better acquainted therewith; and as the first object of our curiosity was the Court whose decrees can even unloose the bonds of matrimony, we procured a direction to it, and bent our steps thither without delay. Crossing a quiet and shady court-yard, paved with stone, and frowned upon by old red-brick houses, on the doors of which were painted the names of sundry learned civilians, we paused before a small, green-baized, brass-headed-nailed door, which, yielding to our gentle push, at once admitted us into an old quaint-looking apartment, with sunken windows, and black carved wainscoting, at the upper end of which, seated on a raised platform, of semicircular shape, were about a dozen solemn-looking gentlemen, in crimson gowns and wigs. At a more elevated desk, in the centre, sat a very fat and red-faced gentleman, in tortoise-shell spectacles, whose dignified appearance announced the judge; and round a long green-baized table below, something like a billiard-table without the cushions and pockets, were a number of very self-important-looking personages, in stiff neckcloths and black gowns with white fur collars, whom we at once set down as proctors. At the lower end of the billiard-table was an individual in an arm-chair, and a wig, whom we afterwards discovered to be the registrar; and seated behind a little desk, near the door, were a respectable-looking man in black, of about twenty stone weight or thereabouts, and a fat-faced, smirking, civil-looking body, in a black gown, black kid gloves, knee shorts, and silks, with a shirt-frill in his bosom, curls on his head, and a silver staff in his hand, whom we had no difficulty in recognising as the officers of the Court. The latter, indeed, speedily set our mind at rest upon this point, for advancing to our elbow, and opening a conversation forthwith, he had communicated to us in less than five minutes that he was the apparitor, and the other the court-keeper; that this was the Arches Court, and therefore the counsel wore red gowns, and the proctors fur collars; and that when the other Courts sat there, they didn’t wear red gowns or fur collars either; with many other scraps of intelligence equally interesting. Besides these two officers, there was a little thin old man, with long grizzly hair, crouched in a remote corner, whose duty our communicative friend informed us was to ring a large hand-bell when the Court opened in the morning, and who, for aught his appearance betokened to the contrary, might have been similarly employed for the last two centuries at least. The red-faced gentleman in the tortoise-shell spectacles had got all the talk to himself just then, and very well he was doing it, too, only he spoke very fast, but that was habit; and rather thick, but that was good-living. So we had plenty of time to look about us. There was one individual amused us mightily. This was one of the bewigged gentlemen in the red robes, who was straddling before the fire in the centre of the Court, in the attitude of the brazen colossus, to the complete exclusion of everybody else. He had gathered up his robe behind, in much the same manner as a slovenly woman would her petticoats on a very dirty day, in order that he might feel the full warmth of the fire. His wig was put on all awry, with the tail straggling about his neck, his scanty gray trowsers and short black gaiters, made in the worst possible style, imported an additional inelegant appearance to his uncouth person; and his limp, badly-starched shirt-collar almost obscured his eyes. We shall never be able to claim any credit as a physiognomist again, for, after a careful scrutiny of this gentleman’s countenance, we had come to the conclusion that it bespoke nothing but conceit and silliness, when our friend with the silver staff whispered in our ear that he was no other than a doctor of law, an ecclesiastical dignitary in the cinque ports, a not very distant relation to a commissioner of lunacy, and heaven knows what besides. So of course we were mistaken, and he must be a very talented man. He conceals it so well though—perhaps with the merciful view of not astonishing ordinary people too much—that you would suppose him to be one of the stupidest dogs alive. The gentleman in the spectacles having concluded his judgment, and a few minutes having been allowed to elapse, to afford time for the buzz of the court to subside, the registrar called on the next cause, which was &quot;the office of the Judge promoted by Bumple against Sludberry.&quot; A general movement was visible in the court at this announcement, and the obliging functionary with silver staff whispered us that &quot;there would be some fun now, for this was a brawling case.&quot; We were not rendered much the wiser by this piece of information till we found by the opening speech of the counsel for their promoter that, under a half-obsolete statute of one of the Edwards, the court was empowered to visit with the penalty of excommunication any person who should be proved guilty of the crime of &quot;brawling&quot; or &quot;smiting&quot; in any church, or vestry adjoining thereto; and it appeared, by some eight-and-twenty affidavits, which were duly referred to, that on a certain night, at a certain vestry, meeting in a certain parish particularly set forth, Thomas Sludberry, the party appeared against in that suit, had made use of and applied to Michael Bumple, the reporter, the words &quot;You be blowed;&quot; and that on the said Michael Bumple and others remonstrating with the said Thomas Sludberry on the impropriety of his conduct, the said Thomas Sludberry repeated the aforesaid expression, &quot;You be blowed;&quot; and furthermore desired and requested to know, whether the said Michael Bumple &quot;wanted anything for himself;&quot; adding, ‘that if the said Michael Bumple did want anything for himself, he the said Thomas Sludberry &quot;was the man to give it him;&quot; at the same time making use of other heinous and sinful expressions, all of which, Bumple submitted, came within the intent and meaning of the Act; and therefore he, for the soul’s health and chastening of Sludberry, prayed for sentence of excommunication against him accordingly. Upon these facts a long argument was entered into on both sides, to the great edification of a number of persons interested in the parochial squabbles, who crowded the court; and when some very long and grave speeches had been made pro and con, the red-faced gentleman in the tortoise-shell spectacles took a review of the case, which occupied half an hour more, and then pronounced upon Sludberry the awful sentence of excommunication for a fortnight, and payment of the costs of the suit. Upon this, Sludberry, who was a little, red-faced, sly-looking, ginger-beer seller, addressed the Court, and said, if they’d be good enough to take off the costs, and excommunicate him for the term of his natural life instead, it would be much more convenient to him; for he never went to church at all. To this appeal the gentleman in the spectacles made no other reply than a look of virtuous propriety; and Sludberry and his friends retired. As the man with the silver staff informed us that the Court was on the point of rising, we retired too—pondering, as we walked away, upon the beautiful spirit of these ancient ecclesiastical laws, the kind and neighbourly feelings they are calculated to awaken, and the strong attachment to religious institutions which they cannot fail to engender. We were so lost in these meditations, that we had turned into the street and run up against a door-post, before we recollected where we were walking. On looking upwards to see what house we had stumbled upon, the words &quot;Prerogative-office,&quot; written in large characters, met our eye; and as we were in a sight-seeing humour, and the place was a public one, we walked in, without more ado. The room into which we walked, was a long, busy-looking place, partitioned off, on either side, into a variety of little boxes, in which a few clerks were engaged in copying or examining deeds. Down the centre of the room were several desks, nearly breast high, at each of which three or four people were standing, poring over large volumes. As we knew that they were searching for wills, they attracted our attention at once. It was curious to contrast the lazy indifference of the attorneys’ clerks, who were making a search for some legal purpose, with the air of earnestness and interest which distinguished the strangers to the place, who were looking up the will of some deceased relative; the former pausing every now and then with an impatient yawn, or raising their heads to look at the people who passed up and down the room; the latter stooping over the book, and running down column after column of names in the deepest abstraction. There was one little dirty-faced man in a blue apron, who after a whole morning’s search, extending some fifty years back, had just found the will to which he wished to refer, which one of the officials was reading to him in a low hurried voice from a thick vellum book with large clasps. It was perfectly evident that the more the clerk read, the less the man with the blue apron understood about the matter. When the volume was first brought down, he took off his hat, smoothed down his hair, smiled with great self-satisfaction, and looked up in the reader’s face with the air of a man who had made up his mind to recollect every word he heard. The first two or three lines were intelligible enough; but then the technicalities began, and the little man began to look rather dubious. Then came a whole string of complicated trusts, and he was regularly at sea. As the reader proceeded, it was quite apparent that it was a hopeless case, and the little man, with his mouth open and his eyes fixed upon his face, looked on with an expression of bewilderment and perplexity irresistibly ludicrous. A little further on, a hard-featured old man with a deeply-wrinkled face, was intently perusing a lengthy will with the aid of a pair of horn spectacles, occasionally pausing from his task, and slily noting down some brief memorandum of the bequests contained in it. Every wrinkle about his toothless mouth, and sharp keen eyes, told of avarice and cunning. As he leisurely closed the register, put up his spectacles, and folded his scraps of paper in a large leathern pocket-book, we thought what a nice hard bargain he was driving with some poverty-stricken legatee, who, tired of waiting year after year, until some life-interest should fall in, was selling his chance, just as it began to grow most valuable, for a twelfth part of its worth. It was a good speculation—a very safe one. The old man stowed away his pocket-book in the breast of his great-coat, and hobbled away with a leer of anticipation. That will had made him ten years younger at least. Having commenced our observations, we should certainly have extended them to another dozen of people at least, had not a sudden shutting up, and putting away of the worm-eaten old books, warned us that the time for closing the office had arrived, and thus deprived us of a pleasure, and spared our readers an infliction. We naturally fell into a train of reflection as we walked homewards upon the curious old records of likings and dislikings; of jealousies and revenges; of affection defying the power of death, and hatred pursued beyond the grave, which these depositories contain; silent but striking tokens, some of them, of excellence of heart, and nobleness of soul; melancholy examples, others, of the worst passions of human nature. In short, the subject obtained such complete possession of us, that if we fail to write a whole paper about it one of these days we shall be rather surprised.18361011https://dickenssearch.com/files/original/5/New_Series_No._3_Doctors_Commons/1836-10-11-The_Morning_Chronicle_New_Series_No3_Doctors_Commons.pdf
166https://dickenssearch.com/items/show/166<em>'New Series</em>, No. 4, Vauxhall-Gardens by Day'Published in <em>The Morning Chronicle</em> (26 October 1836), p. 3.Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000082/18361026/006/0003">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000082/18361026/006/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836-10-26">1836-10-26</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+story">Short story</a>1836-10-26-VauxhallGardens_by_DayDickens, Charles. '<em>New Series</em>, No. 4, 'Vauxhall-Gardens by Day' (26 October 1836). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1836-10-26-VauxhallGardens_by_Day">https://www.dickenssearch.com/short-stories/1836-10-26-VauxhallGardens_by_Day</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Morning+Chronicle%3C%2Fem%3E"><em>The Morning Chronicle</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a>There was a time when if a man ventured to wonder how Vauxhall-gardens would look by day, he was hailed with a shout of derision at the absurdity of the idea. Vauxhall by day-light! A porter pot without porter, the House of Commons without the Speaker, a gas lamp without the gas—pooh, nonsense, the thing was not to be thought of. It was rumoured, too, in those times, that Vauxhall-gardens by day were the scene of secret and hidden experiments; that there, carvers were exercised in the mystic art of cutting a moderate sized ham into slices thin enough to pave the whole of the grounds; that beneath the shade of the tall trees, studious men were constantly engaged in chemical experiments, with the view of discovering how much water a bowl of negus could possibly bear; and that in some retired nooks, appropriated to the study of ornithology, other sage and learned men were, by a process known only to themselves, incessantly employed in reducing fowls to a mere combination of skin and bone. Vague rumours of this kind, together with many others of a similar nature, cast over Vauxhall-gardens an air of deep mystery; and as there is a great deal in the mysterious, there is no doubt that to a good many people, at all events, the pleasure they afforded was not a little enhanced by this very circumstance. Of this class of people we confess to having made one. We loved to wander among these illuminated groves, thinking of the patient and laborious researches which had been carried on there during the day, and witnessing their results in the suppers which were served up, beneath the light of lamps, and to the sound of music at night. The temples and saloons and cosmoramas and fountains glittered and sparkled before our eyes; the beauty of the lady singers and the elegant deportment of the gentlemen captivated our hearts; a few hundred thousand of additional lamps dazzled our senses; a bowl or two of reeking punch bewildered our brains; and we were happy. In an evil hour, the proprietors of Vauxhall-gardens took to opening them by day. We regretted this as rudely and harshly disturbing that veil of mystery which had hung about the property for many years, and which none but the noon-day Sun and the late Mr. Simpson had ever penetrated. We shrunk from going; at this moment we scarcely know why. Perhaps a morbid consciousness of approaching disappointment—perhaps a fatal presentiment—perhaps the weather; whatever it was, we did not go until the second or third announcement of a race between two balloons tempted us, and we went. We paid our shilling at the gate, and then we saw, for the first time, that the entrance, if there had been any magic about it at all, was now decidedly disenchanted, being, in fact, nothing more nor less than a combination of very roughly-painted boards and saw-dust. We glanced at the orchestra and supper-room as we hurried past—we just recognised them, and that was all. We bent our steps to the firework-ground; there, at least, we should not be disappointed. We reached it, and stood rooted to the spot with mortification and astonishment. That the Moorish tower—that wooden shed with a door in the centre, and daubs of crimson and yellow all round, like a gigantic watch-case! That the place where night after night we had beheld the undaunted Mr. Blackmore make his terrific ascent, surrounded by flames of fire, and peals of artillery, and where the white garments of Madame Somebody or other, who nobly devoted her life to the manufacture of fireworks, had so often been seen fluttering in the wind, as she called up a red, blue, or party-coloured light to illumine her temple! That the—but at this moment the bell rung—the people scampered away, pell-mell, to the spot from whence the sound proceeded, and we, from the mere force of habit, found ourself running among the first, as if for very life. It was for the concert in the orchestra. A small party of dismal men in cocked hats were &quot;executing&quot; the overture to Tancredi, and a numerous assemblage of ladies and gentlemen, with their families, had rushed from their half-emptied stout mugs in the supper boxes, and crowded to the spot. Intense was the low murmur of admiration when a particularly small gentleman, in a dress coat, led on a particularly tall lady in a blue sarcenet pelisse and bonnet of the same, ornamented with large white feathers, and forthwith commenced a plaintive duet. We knew the small gentleman well; we had seen a lithographed semblance of him on many a piece of music, with his mouth wide open as if in the act of singing; a wine glass in his hand, and a table with two decanters and four pine-apples on it in the background. The tall lady, too, we had gazed on, lost in raptures of admiration, many and many a time—how different people do look by daylight and without punch, to be sure! It was a beautiful duet: first the small gentleman asked a question, and then the tall lady answered it; then the small gentleman and the tall lady sang together most melodiously; then the small gentleman went through a little piece of vehemence by himself, and got very tenor indeed in the excitement of his feelings, to which the tall lady responded in a similar manner; then the small gentleman had a shake or two, after which the tall lady had the same, and then they both merged imperceptibly into the original air, and the band wound themselves up to a pitch of fury and the small gentleman handed the tall lady out, and the applause was rapturous. The comic singer, however, was the especial favourite; we really thought that a gentleman with his dinner in a pocket handkerchief, who stood near us, would have fainted with excess of joy. A fearfully facetious old man that comic singer is; his distinguishing characteristics are, a wig approaching to the flaxen, and an aged countenance, and he bears the name of one of the English counties, if we recollect right. He sang a song about the seven ages, the first half hour of which seemed to afford the assembly the purest delight; of the rest we can make no report, as we did not stay to hear any more. We walked about, and met with a disappointment at every turn; our favourite views were mere patches of paint; the fountain that had sparkled so showily by lamp-light, presented very much the appearance of a water-pipe that had burst; all the ornaments were dingy, and all the walks gloomy. There was a spectral attempt at rope-dancing in the little open theatre; the sun shone upon the spangled dresses of the performers, and their evolutions were about as inspiriting and appropriate as a country dance in a family vault. So we retraced our steps to the firework-ground, and mingled with the little crowd of people who were contemplating Mr. Green. Some half-dozen men were restraining the impetuosity of one of the balloons, which was completely filled, and had the car already attached; and as rumours had gone abroad that a lord was &quot;going up,&quot; the crowd were more than usually anxious and talkative. There was one little man in faded black, with a dirty face and a rusty black neckerchief with a red border, tied in a narrow wisp round his neck, who entered into conversation with everybody, and had something to say upon every remark that was made within his hearing. He was standing with his arms folded, staring up at the balloon, and every now and then vented his feelings of reverence for the aeronaut, by saying, as he looked round to catch somebody’s eye, &quot;He’s a rum ’un is Green; think o’ this here being up’ards of his two hundredth ascent; by God, the man as is ekal to Green never had the tooth-ache yet, nor wo&#039;nt have within this hundred year, and that’s all about it. Wen you meets with real talent, and native, too, encourage it, that’s wot I say;&quot; and when he had delivered himself to this effect, he would fold his arms with more determination than ever, and stare at the balloon with a sort of admiring defiance of any other man alive, beyond himself and Green, that impressed the crowd with the opinion that he was an oracle. &quot;Ah, you’re very right, sir,&quot; said another gentleman, with his wife, and children, and mother, and wife’s sister, and a host of female friends, in all the gentility of white pocket-handkerchiefs, frills, and spencers, &quot;Mr. Green is a steady hand, sir, and there’s no fear about him.&quot; &quot;Fear!&quot; said the little man: &quot;ain&#039;t it a lovely thing to see him and his wife a going up in one balloon, and his own son and his wife a jostling up agin &#039;em in another, and all of &#039;em going twenty or thirty mile in three hours or so, and then coming back in po-chayses? I don’t know where this here science is to stop, mind you; that’s what bothers me.&quot; Here there was a considerable talking among the females in the spencers. &quot;What’s the ladies a laughing at, sir?&quot; inquired the little man, condescendingly. &quot;It’s only my sister Mary,&quot; said one of the girls, &quot;as says she hopes his Lordship won’t be frightened when he’s in the car, and want to come out agin.&quot; &quot;Make yourself easy about that there, my dear,&quot; replied the little man. &quot;If he was so much as to move a inch without leave, Green would jist fetch him a crack over the head with the telescope, as vid send him into the bottom of the basket in no time, and stun him till they come down again.&quot; &quot;Would he, though?&quot; inquired the other man. &quot;Yes, by God, would he,&quot; replied the little one, &#039;and think nothing of it, neither, if he was the king himself. Green’s presence of mind is wonderful.&quot; Just at this moment all eyes were directed to the preparations which were being made for starting. The car was attached to the second balloon, the two were brought pretty close together, and a military band commenced playing with a zeal and fervour which would render the most timid man in existence but too happy to accept any means of quitting that particular spot of earth on which they were stationed. Then Mr. Green, sen., and his noble companion entered one car, and Mr. Green, jun., and his companion the other; and then the balloons went up, and the aerial travellers stood up, and the crowd outside roared with delight, and the two gentlemen who had never ascended before, tried to wave their flags, as if they were not nervous, but held on very fast all the while, and the balloons were wafted gently away, our little friend solemnly protesting, long after they were reduced to mere specks in the air, that he could still distinguish the white hat of Mr. Green; the gardens disgorged their multitudes, boys ran up and down screaming &quot;bal-loon,&quot; and in all the crowded thoroughfares people rushed out of their shops into the middle of the road, and having stared up in the air at two little black objects till they almost dislocated their necks, walked slowly in again, perfectly satisfied. The next day there was a grand account of the ascent in the morning papers, and the public were informed how it was the finest day but four in Mr. Green’s remembrance; how they retained sight of the earth till they lost it behind the clouds; and how the reflection of the balloon on the undulating masses of vapour was gorgeously picturesque; together with a little science about the refraction of the sun’s rays, and some mysterious hints respecting atmospheric heat and eddying currents of air. There was also an interesting account how a man in a boat was distinctly heard by Mr. Green, jun., to exclaim, &quot;My eye!&quot; which Mr. Green, jun., attributed to his voice rising to the balloon, and the sound being thrown back from its surface into the car; and the whole concluded with a slight allusion to another ascent next Wednesday, all of which was very instructive and very amusing, as our readers will see if they look to the papers. If we have forgotten to mention the date, they have only to wait till next summer and take the account of the first ascent, and it will answer the purpose equally well.18361026https://dickenssearch.com/files/original/5/New_Series_No._4_Vauxhall-Gardens_by_Day/1836-10-26-VauxhallGardens_by_Day.pdf
220https://dickenssearch.com/items/show/220<em>'Street Sketches,</em> No. V, Brokers and Marine Store Shops'Published in <em>The Morning Chronicle</em> on 15 December 1834.Dickens, Charles<em>The British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0000082/18341215/021/0006">https://www.britishnewspaperarchive.co.uk/viewer/bl/0000082/18341215/021/0006</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1834-12-15">1834-12-15</a><p><em>The British Newspaper Archive. </em>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+story">Short story</a>1834-12-15-Street_Sketches_No5_Brokers_and_Marine_Store_ShopsDickens, Charles. '<em>Street Sketches</em>, No. V, Brokers and Marine Store Shops' (15 December 1834). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1834-12-15-Street_Sketches_No5_Brokers_and_Marine_Store_Shops">https://www.dickenssearch.com/short-stories/1834-12-15-Street_Sketches_No5_Brokers_and_Marine_Store_Shops</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Morning+Chronicle%3C%2Fem%3E"><em>The Morning Chronicle</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a>When we affirm that brokers’ shops are strange places, and that if an authentic history of their contents could be procured, it would furnish many a page of amusement, and many a melancholy tale, it is necessary to explain the class of shops to which we allude. Perhaps when we make use of the term &quot;brokers’ shops,&quot; the minds of our readers will at once picture large, handsome warehouses, exhibiting a long perspective of French-polished dining-tables, rosewood chiffoniers, and mahogany wash-hand stands, with an occasional vista of a four-post bedstead and hangings, and an appropriate fore-ground of dining-room chairs. Perhaps they will imagine that we mean an humble class of second-hand furniture repositories. Their imagination will then naturally lead them to that street at the back of Long-acre, which is composed almost entirely of brokers’ shops, where you walk through groves of deceitful, showy-looking furniture, and where the prospect is occasionally enlivened by a bright red, blue, and yellow hearth-rug, embellished with the pleasing device of a mail-coach at full speed, or a strange animal, supposed to have been originally intended for a dog, with a mass of worsted-work in his mouth, which conjecture has likened to a basket of flowers. This, by-the-bye, is a tempting article to young wives in the humbler ranks of life, who have a first-floor front to furnish; they are lost in admiration, and hardly know which to admire most. The dog is very beautiful, but they have a dog already on the best tea-tray, and two more on the mantel piece. Then there is something so genteel about that mail-coach; and the passengers outside (who are all hat) give it such an air of reality! There are some of the most beautiful looking Pembroke tables that ever were beheld: the wood as green as the trees in the Park, and the leaves almost as certain to fall off in the course of a year. There is also a most extensive assortment of tent and turn-up bedsteads, made of stained wood; and innumerable specimens of that base Imposition on society—a sofa bedstead. A turn-up bedstead is a blunt, honest piece of furniture; it may be slightly disguised with a sham drawer, and sometimes a mad attempt is even made to pass it off for a book-case; ornament it as you will, however, the turn-up bedstead seems to defy disguise, and to insist on having it distinctly understood that he is a turn-up bedstead, and nothing else; that he is indispensably necessary; and that, being so useful, he disdains to be ornamental. How different is the demeanour of a sofa-bedstead! Ashamed of its real use, it strives to appear an article of luxury and gentility, an attempt in which it miserably fails. It has neither the respectability of a sofa, nor the virtues of a bed; every man who keeps a sofa-bedstead in his house, becomes a party to a wilful and designing fraud—we question whether you could insult him more than by insinuating that you entertain the least suspicion of its real use. To return from this digression, we beg to say, that neither of these classes of brokers’ shops forms the subject of our fifth sketch. The shops to which we advert, are immeasurably inferior to those on whose outward appearance we have slightly touched. Our readers must often have observed in some bye-street in a poor neighbourhood, a small, dirty shop, exposing for sale the most extraordinary and confused jumble of old, worn-out, wretched articles, that can well be imagined. Our wonder at their ever having been bought, is only to be equalled by our astonishment at the idea of their ever being sold again. On a board, at the side of the door, are placed about twenty books—all odd volumes, and as many wine-glasses—all different patterns; several locks, an old earthen-ware pan, full of rusty keys; two or three gaudy chimney-ornaments—cracked, of course; the remains of a lustre, without any drops, a round frame like a capital O, which has once held a mirror; a flute, complete, with the exception of the middle joint; a pair of curling-irons, and a tinder-box. In front of the shop-window, are ranged some half-dozen high-backed chairs, with spinal complaints and wasted legs; a corner cupboard; two or three very dark mahogany tables, with flaps like mathematical problems; some pickle jars, some surgeons’ ditto, with gilt labels, and without stoppers; an unframed portrait of some lady who flourished about the beginning of the thirteenth century, by an artist who never flourished at all; an incalculable host of miscellanies of every description; including bottles and cabinets, rags and bones, fenders and street-door knockers, fire irons, wearing apparel and bedding, a hall-lamp, and a room-door. Imagine, in addition to this incongruous mass, a black doll in a white frock with two faces, one looking up the street, and the other looking down, swinging over the door; a board with the squeezed-up inscription &quot;Dealer in Marine Stores,&quot; in lanky white letters, whose height is strangely out of proportion to their width; and you have before you precisely the kind of shop to which we wish to direct your attention. Although the same heterogeneous mixture of things which we have attempted to describe, will be found at all these places, it is curious to observe how truly and accurately some of the minor articles which are exposed for sale—articles of wearing apparel, for instance—mark the character of the neighbourhood. Take Drury-Lane and Covent-garden for example. This is essentially a theatrical neighbourhood. There is not a pot-boy in the vicinity who is not, to a greater or less extent, a dramatic character. The errand-boys and chandler’s-shop-keepers’ sons, are all stage-struck; they &quot;get up&quot; plays in back kitchens hired for the purpose, and will stand before a shop window for hours, contemplating a great staring portrait of Mr. Somebody or other, of the Royal Coburg Theatre, &quot;as he appeared in the character of Tongo the Denouncer.&quot; The consequence is, that there is not a marine-store shop in the neighbourhood which does not exhibit for sale some faded articles of dramatic finery, such as three or four pairs of soiled buff boots with turn-over red tops, heretofore worn by a &quot;fourth robber&quot; or &quot;fifth mob;&quot; a pair of rusty broad swords, a few gauntlets, and certain resplendent ornaments, which, if they were yellow instead of white, might be taken for insurance plates of the Sun Fire-office. There are several of these shops in the narrow streets and dirty courts, of which there are so many near our national Theatres, and they all have tempting goods of this description; with the addition, perhaps, of a lady’s pink dress, covered with spangles, white wreaths, stage shoes, and a tiara like a tin lamp-reflector. They have been purchased of some wretched supernumeraries, or sixth-rate actors, and are now offered for the benefit of the rising generation, who, on condition of making certain weekly payments, amounting in the whole to about ten times their value, may avail themselves of such desirable bargains. Let us take a very different quarter, and apply it to the test. Look at a marine store-dealer’s in that reservoir of dirt, drunkenness, and drabs, thieves, oysters, baked potatoes, and pickled salmon—Ratcliff-highway. Here, the wearing-apparel is all nautical: rough blue jackets, with mother-of-pearl buttons, oilskin hats, coarse checked shirts, and large canvass trousers, that look as if they were made for a pair of bodies instead of a pair of legs, are the staple commodities. Then there are large bunches of cotton pocket-handkerchiefs, in colour and pattern unlike any one ever saw before, with the exception of those on the backs of the three young ladies without bonnets who passed just now. The furniture is much the same as elsewhere, with the addition of one or two models of ships, and some old prints of naval engagements, in still older frames. In the window are a few compasses, and a small tray containing silver watches, in clumsy thick cases, and tobacco-boxes, the lid of each ornamented with a ship or an anchor, or some such trophy. A sailor generally pawns or sells all he has before he has been long ashore; and if he does not, some favoured companion kindly saves him the trouble. In either case it is an even chance that he afterwards unconsciously re-purchases the same things at a higher price than he gave for them at first. Again; pay a visit with a similar object, to a part of London, as unlike both of these as they are to each other. Cross over to the Surrey side, and look at such shops of this description as are to be found near the King’s Bench Prison, and in &quot;The Rules.&quot; How different, and how strikingly illustrative of the decay of some of the unfortunate residents in this part of the metropolis! Imprisonment and neglect have done their work: there is contamination in the profligate denizens of a debtor’s prison; old friends have fallen off; the recollection of former prosperity has passed away, and with it all thought of the past, all care for the future. First, watches and rings, then cloaks, coats, and all the more expensive articles of dress, have found their way to the pawnbroker’s. That miserable resource has failed at last, and the sale of some trifling article at one of these shops, has been the only mode left of raising a shilling or two, to meet the urgent demands of the moment. Dressing-cases, and writing-desks, too old to pawn, but too good to keep, guns, fishing-rods, musical instruments, in the same condition, have been first sold, and the sacrifice has been but slightly felt. But hunger must be allayed, and what has already become a habit is easily resorted to when an emergency arises. Light articles of clothing, first of the ruined man, then of his wife, at last of their children, even of the youngest, have been parted with piece-meal. There they are, thrown carelessly together, until a purchaser presents himself; old and patched, and repaired, it is true, but the make and materials tell of better days; and the older they are, the greater the misery and destitution of those whom they once adorned. We had intended to sketch this subject less in outline than is customary with us. We are, however, unwilling to exceed our ordinary limits, or to trespass at greater length than usual on the patience of our readers. We have more of these imperfect sketches to submit for their perusal; and as we hope to have many opportunies—when the partial absence of matter of pressing and absorbing interest again enables us to occupy a column occasionally—of laying our pen-and-ink drawings before them, we postpone the further consideration of this subject until a future time.18341215https://dickenssearch.com/files/original/5/Street_Sketches_No._V_Brokers_and_Marine_Store_Shops/1834-12-15-Street_Sketches_No5_Brokers_and_Marine_Store_Shops.pdf
98https://dickenssearch.com/items/show/98After a Reading at Steinway HallSpeech given after a reading of <em>David Copperfield</em> and 'Mr. Bob Sawyer’s Party' (31 December 1867).Dickens, Charles'Mr. Dickens.' <em>New York Tribune</em> (1 January 1868): p. 4.; <em>Chronicling America</em>, <span><a href="https://www.loc.gov/item/sn83030214/1868-01-01/ed-1/" target="_blank" rel="noopener">https://www.loc.gov/item/sn83030214/1868-01-01/ed-1/</a>.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1867-12-31">1867-12-31</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Speech">Speech</a>1867-12-31_Speech_After_a_Reading_at_Steinway_Hall<span>Dickens, Charles. 'After a Reading at Steinway Hall' (31 December 1867).&nbsp;</span><em>Dickens Search.</em><span>&nbsp;Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;<a href="https://dickenssearch.com/speeches/1867-12-31_Speech_After_a_Reading_at_Steinway_Hall">https://dickenssearch.com/speeches/1867-12-31_Speech_After_a_Reading_at_Steinway_Hall</a></span><a href="https://dickenssearch.com/speeches/1859-10-22_Speech_Reading_in_Peterborough"></a><span>.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=97&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Steinway+Hall">Steinway Hall</a><a href="https://dickenssearch.com/teibp/dist/content/1867-12-31_Speech_After_a_Reading_at_Steinway_Hall.xml" target="_blank" rel="noopener">After a Reading at Steinway Hall (31 December 1867).</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=New+York+Tribune">New York Tribune</a>Ladies and gentlemen: I wish you, from my heart of hearts, a happy, happy New Year.18671231<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=4&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=New+York">New York</a>https://dickenssearch.com/files/original/6/After_a_Reading_at_Steinway_Hall/1867-12-31_Speech_After_a_Reading_at_Steinway_Hall.pdf
247https://dickenssearch.com/items/show/247Artists&#039; Benevolent Fund Anniversary FestivalShort response to a toast at the Artists&#039; Benevolent Fund Anniversary Festival (12 May 1838).Dickens, CharlesThe Examiner<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1838-05-12">1838-05-12</a>1838-05-12_Speech_Artists-Benevolent-Fund-Anniversary-Festival<span>Dickens, Charles. 'Artists' Benevolent Fund Anniversary Festival' </span><span>(12 May 1838). </span><em>Dickens Search</em><span>. Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;</span><a href="https://dickenssearch.com/speeches/1838-05-12_Speech_Artists-Benevolent-Fund-Anniversary-Festival">https://dickenssearch.com/speeches/1838-05-12_Speech_Artists-Benevolent-Fund-Anniversary-Festival</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=97&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Freemasons%27+Tavern">Freemasons&#039; Tavern</a><p>During the course of the evening, after the usual proceedings, one of the toasts proposed was ‘The health of the Royal Academicians’, which was acknowledged by their president, Sir Martin Archer Shee. ‘A Similar compliment to the Stewards was acknowledged by Mr. Dickens, whose presence we may add, gave no slight additional <em>éclat</em> to the affair, and whose name was received as a donor to the fund with such a burst of enthusiasm, again and again renewed, as we have never heard equalled in a meeting of this sort.’</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EThe+Examiner%3C%2Fem%3E"><em>The Examiner</em></a>18380512<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=4&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=London">London</a>
97https://dickenssearch.com/items/show/97At the School Ship, BostonSpeech at the School Ship, Boston (1 December 1867).Dickens, CharlesPayne, Edward F. <em>Dickens Days in Boston</em>. Boston and New York: Houghton Mifflin Company, 1927. p. 185.; <em>Alexandria Gazette</em> (28 August 1868).<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1867-12-01">1867-12-01</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Speech">Speech</a>1867-12-01_Speech_At_the_School_Ship<span>Dickens, Charles. 'At the School Ship, Boston' (1 December 1867). </span><em>Dickens Search</em><span>. Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;</span><a href="https://dickenssearch.com/speeches/1867-12-01_Speech_At_the_School_Ship">https://dickenssearch.com/speeches/1867-12-01_Speech_At_the_School_Ship</a>.<a href="https://dickenssearch.com/teibp/dist/content/1867-12-01_Speech_At_the_School_Ship.xml" target="_blank" rel="noopener">At the School Ship, Boston (1 December 1867).</a>‘He had not thought that he could speak, but the sight of the boys moved him to address them. His remarks were inspiring and he concluded with these words:’<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Book">Book</a>; <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Dickens+Days+in+Boston">Dickens Days in Boston</a>; <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Alexandria+Gazette">Alexandria Gazette</a>Boys, if you have ever cause to remember me, think of me as a visitor who had sincere interest in your welfare and who told you above all to tell the truth as being the best way and the only way to earn God’s blessing.; Boys, do all the good you can, and don&#039;t make any fuss about it.18671201<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=4&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Boston">Boston</a>https://dickenssearch.com/files/original/6/At_the_School_Ship_Boston/1867-12-01_Speech_At_the_School_Ship.pdf
145https://dickenssearch.com/items/show/145No. II, <em>Holiday Romance,</em> 'Romance. From the Pen of Miss Alice Rainbird'Published in <em>Our Young Folks,</em> vol. 4, no. 3 (March 1868), pp. 129-136. Edited by J.T. Trowbridge and Lucy Larcom.Dickens, Charles<em>HathiTrust,</em> <a href="https://babel.hathitrust.org/cgi/pt?id=pst.000052381508">https://babel.hathitrust.org/cgi/pt?id=pst.000052381508</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=03-1868">03-1868</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Illustrated+by+John+Gilbert">Illustrated by John Gilbert</a>Google-digitised. Digitised materials on <em>Google Books</em> published before 1922 are in the public domain.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+story">Short story</a>1868-03_No2_Holiday_Romance_Alice_RainbirdDickens, Charles. 'Romance. From the Pen of Miss Alice Rainbird' (March 1868). <em>Holiday Romance. Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;<br /><a href="https://dickenssearch.com/short-stories/1868-03_No2_Holiday_Romance_Alice_Rainbird">https://dickenssearch.com/short-stories/1868-03_No2_Holiday_Romance_Alice_Rainbird</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EOur+Young+Folks%3C%2Fem%3E"><em>Our Young Folks</em></a>PART II. ROMANCE. FROM THE PEN OF MISS ALICE RAINBIRD* There was once a King, and he had a Queen, and he was the manliest of his sex, and she was the loveliest of hers. The King was, in his private profession, Under Government. The Queen’s father had been a medical man out of town. They had nineteen children, and were always having more. Seventeen of these children took care of the baby, and Alicia, the eldest, took care of them all. Their ages varied from seven years to seven months. Let us now resume our story. One day the king was going to the Office, when he stopped at the fishmonger’s to buy a pound and a half of salmon not too near the tail, which the Queen (who was a careful housekeeper) had requested him to send home. Mr. Pickles, the fishmonger, said, &quot;Certainly, sir, is there any other article, Good morning.&quot; The King went on towards the Office in a melancholy mood; for Quarter Day was such a long way off, and several of the dear children were growing out of their clothes. He had not proceeded far, when Mr. Pickles’s errand-boy came running after him, and said, &quot;Sir, you didn’t notice the old lady in our shop.&quot; &quot;What old lady?&quot; inquired the King. &quot;I saw none.&quot; Now the King had not seen any old lady, because this old lady had been invisible to him, though visible to Mr. Pickles’s boy. Probably because he messed and splashed the water about to that degree, and flopped the pairs of soles down in that violent manner, that, if she had not been visible to him, he would have spoilt her clothes. Just then the old lady came trotting up. She was dressed in shot-silk of the richest quality, smelling of dried lavender. &quot;King Watkins the First, I believe?&quot; said the old lady. &quot;Watkins,&quot; replied the King, &quot;is my name.&quot; &quot;Papa, if I am not mistaken, of the beautiful Princess Alicia?&quot; said the old lady. &quot;And of eighteen other darlings,&quot; replied the king. &quot;Listen. You are going to the Office,&quot; said the old lady. It instantly flashed upon the King that she must be a Fairy, or how could she know that? &quot;You are right,&quot; said the old lady, answering his thoughts, &quot;I am the Good Fairy Grandmarina. Attend! When you return home to dinner, politely invite the Princess Alicia to have some of the salmon you bought just now.&quot; &quot;It may disagree with her,&quot; said the King. The old lady became so very angry at this absurd idea, that the King was quite alarmed, and humbly begged her pardon. &quot;We hear a great deal too much about this thing disagreeing and that thing disagreeing,&quot; said the old lady, with the greatest contempt it was possible to express. &quot;Don’t be greedy. I think you want it all yourself.&quot; The King hung his head under this reproof, and said he wouldn’t talk about things disagreeing, any more. &quot;Be good, then,&quot; said the Fairy Grandmarina, &quot;and don’t. When the beautiful Princess Alicia consents to partake of the salmon—as I think she will—you will find she will leave a fish-bone on her plate. Tell her to dry it, and to rub it, and to polish it till it shines like mother-of-pearl, and to take care of it as a present from me.&quot; &quot;Is that all?&quot; asked the King. &quot;Don’t be impatient, sir,&quot; returned the Fairy Grandmarina, scolding him severely. &quot;Don’t catch people short, before they have done speaking. Just the way with you grown-up persons. You are always doing it.&quot; The King again hung his head, and said he wouldn’t do so any more. &quot;Be good, then,&quot; said the Fairy Grandmarina, &quot;and don’t! Tell the Princess Alicia, with my love, that the fish-bone is a magic present which can only be used once; but that it will bring her, that once, whatever she wishes for, PROVIDED SHE WISHES FOR IT AT THE RIGHT TIME. That is the message. Take care of it.&quot; The King was beginning, &quot;Might I ask the reason—?&quot; When the Fairy became absolutely furious. &quot;Will you be good, sir?&quot; she exclaimed, stamping her foot on the ground. &quot;The reason for this, and the reason for that, indeed! You are always wanting the reason. No reason. There! Hoity toity me! I am sick of your grown-up reasons.&quot; The King was extremely frightened by the old lady’s flying into such a passion, and said he was very sorry to have offended her, and he wouldn’t ask for reasons any more. &quot;Be good, then,&quot; said the old lady, &quot;and don’t!&quot; With those words, Grandmarina vanished, and the King went on and on and on, till he came to the office. There he wrote and wrote and wrote, till it was time to go home again. Then he politely invited the Princess Alicia, as the Fairy had directed him, to partake of the salmon. And when she had enjoyed it very much, he saw the fish-bone on her plate, as the Fairy had told him he would, and he delivered the Fairy’s message, and the Princess Alicia took care to dry the bone, and to rub it, and to polish it till it shone like mother-of-pearl. And so, when the Queen was going to get up in the morning, she said, &quot;O, dear me, dear me, my head, my head!&quot; And then she fainted away. The Princess Alicia, who happened to be looking in at the chamber door, asking about breakfast, was very much alarmed when she saw her Royal Mamma in this state, and she rang the bell for Peggy, — which was the name of the Lord Chamberlain. But remembering where the smelling-bottle was, she climbed on a chair and got it, and after that she climbed on another chair by the bedside and held the smelling-bottle to the Queen’s nose, and after that she jumped down and got some water, and after that she jumped up again and wetted the Queen’s forehead, and, in short, when the Lord Chamberlain came in, that dear old woman said to the little Princess, &quot;What a Trot you are! I couldn’t have done it better myself!&quot; But that was not the worst of the good Queen’s illness. O no! She was very ill indeed, for a long time. The Princess Alicia kept the seventeen young Princes and Princesses quiet, and dressed and undressed and danced the baby, and made the kettle boil, and heated the soup, and swept the hearth, and poured out the medicine, and nursed the Queen, and did all that ever she could, and was as busy busy busy as busy could be. For there were not many servants at that Palace for three reasons; because the King was short of money, because a rise in his office never seemed to come, and because quarter-day was so far off that it looked almost as far off and as little as one of the stars. But on the morning when the Queen fainted away, where was the magic fish-bone? Why, there it was in the Princess Alicia’s pocket. She had almost taken it out to bring the Queen to life again, when she put it back, and looked for the smelling-bottle. After the Queen had come out of her swoon that morning, and was dozing, the Princess Alicia hurried up-stairs to tell a most particular secret to a most particularly confidential friend of hers, who was a Duchess. People did suppose her to be a Doll, but she was really a Duchess, though nobody knew it except the Princess. This most particular secret was the secret about the magic fish-bone, the history of which was well known to the Duchess, because the princess told her everything. The Princess kneeled down by the bed on which the Duchess was lying, full-dressed and wide awake, and whispered the secret to her. The Duchess smiled and nodded. People might have supposed that she never smiled and nodded, but she often did, though nobody knew it except the Princess. Then the Princess Alicia hurried down stairs again, to keep watch in the Queen’s room. She often kept watch by herself in the Queen’s room; but every evening, while the illness lasted, she sat there watching with the King. And every evening the King sat looking at her with a cross look, wondering why she never brought out the magic fish-bone. As often as she noticed this, she ran up stairs, whispered the secret to the Duchess over again, and said to the Duchess besides, &quot;They think we children never have a reason or a meaning!&quot; And the Duchess, though the most fashionable Duchess that ever was heard of, winked her eye. &quot;Alicia,&quot; said the King, one evening when she wished him Good Night. &quot;Yes, Papa.&quot; &quot;What is become of the magic fish-bone?&quot; &quot;In my pocket, Papa!&quot; &quot;I thought you had lost it?&quot; &quot;O no, Papa!&quot; &quot;Or forgotten it?&quot; &quot;No, indeed, Papa.&quot; And so another time the dreadful little snapping pug-dog next door made a rush at one of the young Princes as he stood on the steps coming home from school, and terrified him out of his wits, and he put his hand through a pane of glass, and bled bled bled. When the seventeen other young Princes and Princesses saw him bleed bleed bleed, they were terrified out of their wits too, and screamed themselves black in their seventeen faces all at once. But the Princess Alicia put her hands over all their seventeen mouths, one after another, and persuaded them to be quiet because of the sick Queen. And then she put the wounded Prince’s hand in a basin of fresh cold water, while they stared with their twice seventeen are thirty-four, put down four and carry three eyes, and then she looked in the hand for bits of glass, and there were fortunately no bits of glass there. And then she said to two chubby-legged Princes, who were sturdy though small, &quot;Bring me in the Royal rag-bag; I must snip and stitch and cut and contrive.&quot; So these two young Princes tugged at the Royal rag-bag and lugged it in, and the Princess Alicia sat down on the floor with a large pair of scissors and a needle and thread, and snipped and stitched and cut and contrived, and made a bandage and put it on, and it fitted beautifully, and so when it was all done, she saw the King her Papa looking on by the door. &quot;Alicia.&quot; &quot;Yes, Papa.&quot; &quot;What have you been doing?&quot; &quot;Snipping, stitching, cutting, and contriving, Papa.&quot; &quot;Where is the magic fish-bone?&quot; &quot;In my pocket, Papa.&quot; &quot;I thought you had lost it?&quot; &quot;O no, Papa!&quot; &quot;Or forgotten it?&quot; &quot;No, indeed, Papa!&quot; After that, she ran up stairs to the Duchess and told her what had passed, and told her the secret over again, and the Duchess shook her flaxen curls, and laughed with her rosy lips. Well! and so another time the baby fell under the grate. The seventeen young Princes and Princesses were used to it, for they were almost always falling under the grate or down the stairs, but the baby was not used to it yet, and it gave him a swelled face and a black eye. The way the poor little darling came to tumble was, that he was out of the Princess Alicia’s lap just as she was sitting, in a great coarse apron that quite smothered her, in front of the kitchen fire, beginning to peel the turnips for the broth for dinner; and the way she came to be doing that was, that the King’s cook had run away that morning with her own true love, who was a very tall but very tipsy soldier. Then, the seventeen young Princes and Princesses, who cried at everything that happened, cried and roared. But the Princess Alicia (who couldn’t help crying a little herself) quietly called to them to be still, on account of not throwing back the Queen up stairs, who was fast getting well, and said, &quot;Hold your tongues, you wicked little monkeys, every one of you, while I examine baby!&quot; Then she examined baby, and found that he hadn’t broken anything, and she held cold iron to his poor dear eye, and smoothed his poor dear face, and he presently fell asleep in her arms. Then she said to the seventeen Princes and Princesses, &quot;I am afraid to let him down yet, lest he should wake and feel pain, be good, and you shall all be cooks.&quot; They jumped for joy when they heard that, and began making themselves cooks’ caps out of old newspapers. So to one she gave the salt-box, and to one she gave the barley, and to one she gave the herbs, and to one she gave the turnips, and to one she gave the carrots, and to one she gave the onions, and to one she gave the spice-box, till they were all cooks, and all running about at work, she sitting in the middle, smothered in the great coarse apron, nursing baby. By and by the broth was done, and the baby woke up, smiling like an angel, and was trusted to the sedatest Princess to hold, while the other Princes and Princesses were squeezed into a far-off corner to look at the Princess Alicia turning out the saucepan-full of broth, for fear (as they were always getting into trouble) they should get splashed and scalded. When the broth came tumbling out, steaming beautifully, and smelling like a nosegay good to eat, they clapped their hands. That made the baby clap his hands; and that, and his looking as if he had a comic toothache, made all the Princes and Princesses laugh. So the Princess Alicia said, &quot;Laugh and be good, and after dinner we will make him a nest on the floor in a corner, and he shall sit in his nest and see a dance of eighteen cooks.&quot; That delighted the young Princes and Princesses, and they ate up all the broth, and washed up all the plates and dishes, and cleared away, and pushed the table into a corner, and then they in their cooks’ caps, and the Princess Alicia, in the smothering coarse apron that belonged to the cook that had run away with her own true love that was the very tall but very tipsy soldier, danced a dance of eighteen cooks before the angelic baby, who forgot his swelled face and his black eye, and crowed with joy. And so then, once more the Princess Alicia saw King Watkins the First, her father, standing in the doorway looking on, and he said: &quot;What have you been doing, Alicia?&quot; &quot;Cooking and contriving, Papa.&quot; &quot;What else have you been doing, Alicia?&quot; &quot;Keeping the children light-hearted, Papa.&quot; &quot;Where is the magic fish-bone, Alicia?&quot; &quot;In my pocket, Papa.&quot; &quot;I thought you had lost it?&quot; &quot;O no, Papa!&quot; &quot;Or forgotten it?&quot; &quot;No, indeed, Papa.&quot; The King then sighed so heavily, and seemed so low-spirited, and sat down so miserably, leaning his head upon his hand, and his elbow upon the kitchen table pushed away in the corner, that the seventeen Princes and Princesses crept softly out of the kitchen, and left him alone with the Princess Alicia and the angelic baby. &quot;What is the matter, Papa?&quot; &quot;I am dreadfully poor, my child.&quot; &quot;Have you no money at all, Papa?&quot; &quot;None, my child.&quot; &quot;Is there no way of getting any, Papa?&quot; &quot;No way,&quot; said the King. &quot;I have tried very hard, and I have tried all ways.&quot; When she heard those last words, the Princess Alicia began to put her hand into the pocket where she kept the magic fish-bone. &quot;Papa,&quot; said she, &quot;when we have tried very hard, and tried all ways, we must have done our very very best?&quot; &quot;No doubt, Alicia.&quot; &quot;When we have done our very very best, Papa, and that is not enough, then I think the right time must have come for asking help of others.&quot; This was the very secret connected with the magic fish-bone, which she had found out for herself from the good fairy Grandmarina’s words, and which she had so often whispered to her beautiful and fashionable friend, the Duchess. So she took out of her pocket the magic fish-bone, that had been dried and rubbed and polished till it shone like mother-of-pearl; and she gave it one little kiss, and wished it was quarter-day. And immediately it was Quarter-Day, and the King’s quarter’s salary came rattling down the chimney, and bounced into the middle of the floor. But this was not half of what happened, no, not a quarter, for immediately afterwards the good Fairy Grandmarina came riding in, in a carriage and four (Peacocks), with Mr. Pickles’s boy up behind, dressed in silver and gold, with a cocked-hat, powdered hair, pink silk stockings, a jewelled cane, and a nosegay. Down jumped Mr. Pickles’s boy with his cocked-hat in his hand and wonderfully polite (being entirely changed by enchantment), and handed Grandmarina out, and there she stood, in her rich shot-silk smelling of dried lavender, fanning herself with a sparkling fan. &quot;Alicia, my dear,&quot; said this charming old Fairy, &quot;how do you do, I hope I see you pretty well, give me a kiss.&quot; The Princess Alicia embraced her; and then Grandmarina turned to the King, and said rather sharply: &quot;Are you good?&quot; The King said he hoped so. &quot;I suppose you know the reason, now, why my god-Daughter here,&quot; kissing the Princess again, &quot;did not apply to the fish-bone sooner?&quot; said the Fairy. The King made her a shy bow. &quot;Ah! but you didn’t then!&quot; said the Fairy. The king made her a shyer bow. &quot;Any more reasons to ask for?&quot; said the fairy. The King said no, and he was very sorry. &quot;Be good, then,&quot; said the Fairy, &quot;and live happy ever afterwards.&quot; Then Grandmarina waved her fan, and the Queen came in most splendidly dressed, and the seventeen young Princes and Princesses, no longer grown out of their clothes, came in, newly fitted out from top to toe, with tucks in everything to admit of its being let out. After that, the Fairy tapped the Princess Alicia with her fan, and the smothering coarse apron flew away, and she appeared exquisitely dressed, like a little Bride, with a wreath of orange-flowers and a silver veil. After that, the kitchen dresser changed of itself into a wardrobe, made of beautiful woods and gold and looking-glass, which was full of dresses of all sorts, all for her and all exactly fitting her. After that, the angelic baby came in, running alone, with his face and eye not a bit the worse but much the better. Then Grandmarina begged to be introduced to the Duchess, and, when the Duchess was brought down many compliments passed between them. A little whispering took place between the Fairy and the Duchess, and then the Fairy said out loud, &quot;Yes. I thought she would have told you.&quot; Grandmarina then turned to the King and Queen, and said, &quot;We are going in search of Prince Certainpersonio. The pleasure of your company is requested at church in half an hour precisely.&quot; So she and the Princess Alicia got into the carriage, and Mr. Pickles’s boy handed in the Duchess who sat by herself on the opposite seat, and then Mr. Pickles’s boy put up the steps and got up behind, and the Peacocks flew away with their tails spread. Prince Certainpersonio was sitting by himself, eating barley-sugar and waiting to be ninety. When he saw the Peacocks followed by the carriage, coming in at the window, it immediately occurred to him that something uncommon was going to happen. &quot;Prince,&quot; said Grandmarina, &quot;I bring you your Bride.&quot; The moment the Fairy said those words, Prince Certainpersonio’s face left off being sticky, and his jacket and corduroys changed to peach-bloom velvet, and his hair curled, and a cap and feather flew in like a bird and settled on his head. He got into the carriage by the Fairy’s invitation, and there he renewed his acquaintance with the Duchess whom he had seen before. In the church were the Prince’s relations and friends, and the Princess Alicia’s relations and friends, and the seventeen Princes and Princesses, and the baby, and a crowd of the neighbors. The marriage was beautiful beyond expression. The Duchess was bridesmaid, and beheld the ceremony from the pulpit where she was supported by the cushion of the desk. Grandmarina gave a magnificent wedding feast afterwards, in which there was everything and more to eat, and everything and more to drink. The wedding cake was delicately ornamented with white satin ribbons, frosted silver and white lilies, and was forty-two yards round. When Grandmarina had drunk her love to the young couple, and Prince Certainpersonio had made a speech, and everybody had cried, Hip Hip Hip Hurrah! Grandmarina announced to the King and Queen that in future there would be eight Quarter-Days in every year, except in leap-year, when there would be ten. She then turned to Certainpersonio and Alicia, and said, &quot;My dears, you will have thirty-five children, and they will all be good and beautiful. Seventeen of your children will be boys, and eighteen will be girls. The hair of the whole of your children will curl naturally. They will never have the measles, and will have recovered from the whooping-cough before being born.&quot; On hearing such good news, everybody cried out &quot;Hip Hip Hip Hurrah!&quot; again. &quot;It only remains,&quot; said Grandmarina in conclusion, &quot;to make an end of the fish-bone.&quot; So she took it from the hand of the Princess Alicia, and it instantly flew down the throat of the dreadful little snapping pug-dog, next door and choked him, and he expired in convulsions. *Aged Seven.18680301https://dickenssearch.com/files/original/5/No._II_Holiday_Romance_Romance._From_the_Pen_of_Miss_Alice_Rainbird/1868-03_No2_Holiday_Romance_Alice_Rainbird.pdf
90https://dickenssearch.com/items/show/90Opening of the South-Eastern Railway Company Line from Minster to DealSpeech given at a dinner celebrating the opening of the South-Eastern Railway Company (SER) line from Minster to Deal, Kent (30 June 1847).Dickens, Charles'Opening of the Minster and Deal Railway.' <em>The Railway Times </em>(3 July 1847): p. 875.; <em>Google Books</em>, <a href="https://books.google.co.uk/books?id=_mI3AQAAMAAJ" target="_blank" rel="noopener">https://books.google.co.uk/books?id=_mI3AQAAMAAJ</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1847-06-30">1847-06-30</a>Google Books, Fair Use.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Speech">Speech</a>1847-06-30_Speech_Opening_of_the_SER_Company_Line_Minster_to_DealDickens, Charles. 'Opening of the South-Eastern Railway Company Line from Minster to Deal' (30 June 1847). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1847-06-30_Speech_Opening_of_the_SER_Company_Line_Minster_to_Deal">https://dickenssearch.com/speeches/1847-06-30_Speech_Opening_of_the_SER_Company_Line_Minster_to_Deal</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=97&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Town+Hall">Town Hall</a><a href="https://dickenssearch.com/teibp/dist/content/1847-06-30_Speech_Opening_of_the_SER_Company_Line_Minster_to_Deal.xml" target="_blank" rel="noopener">Opening of the South-Eastern Railway Company Line from Minster to Deal (30 June 1847).</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Railway+Times">The Railway Times</a>The allusion, at the bottom of the table, to my travels abroad, is particularly agreeable and pleasant to me at this moment, for I can assure you that I never felt more perfectly and entirely at home than your kind reception has made me. Gentlemen, I confess that I should have felt it a subject of great embarrassment to have my name connected with so great an occasion as the present, under any circumstances, but I feel it particularly so, when the hasty requisition by electric telegraph which brought me here, and which reached me about the middle of the day; but through your kindness, I am relieved of much of that embarrassment. Gentlemen, nothing which extends the happiness, intelligence, and welfare of the human race – nothing which tends to diminish prejudices – nothing which tends to cement us together as one body – nothing which tends to bring down to places such as these those great armies of invasion which my friend on my right has just spoken of, bearing, instead of warlike banners, those little fluttering flags which we have seen to-day – gentlemen, nothing of that kind can be foreign to the profession of literature or art. And nothing so agreeable and so pleasant as the faces I have seen here to-day, and the honest, earnest, and generous welcome that I have witnessed in this room, can be foreign to the breast of any man who is a man. Gentlemen, as time is wearing I will only detain you by saying that I hope and believe that so long as the broad sea rolls on this beautiful beach of Deal – so long as the men who launch their boats on that sea – so well alluded to just now – so long as they are framed for gallantry and skill throughout England and throughout the world, so long I hope and believe that you will feel the advantages of the great work which has been brought home to your doors to-day, in the persons of your sons, and sons&#039; sons&#039;, and your sons&#039; sons&#039; sons. Gentlemen, I beg to return you my most cordial thanks, and to drink all your healths in return.18470630<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=4&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Deal">Deal</a>; <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=4&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Kent">Kent</a>https://dickenssearch.com/files/original/6/Opening_of_the_South-Eastern_Railway_Company_Line_from_Minster_to_Deal/1847-06-30_Speech_Opening_of_the_SER_Company_Line_Minster_to_Deal.pdf
88https://dickenssearch.com/items/show/88Reading at Reading Literary, Scientific and Mechanics&#039; InstitutionSpeech given before a reading of <em>A Christmas Carol </em>(19 December 1854).Dickens, Charles'Mr. Charles Dickens' Visit to Reading.'<em> Berkshire Chronicle </em>(23 December 1854): p.6.; <em>British Library Newspapers,</em><span> </span><a href="https://link.gale.com/apps/doc/JA3228166379/BNCN?u=leedsuni&amp;sid=bookmark-BNCN&amp;xid=4d1a8520" target="_blank" rel="noopener">https://link.gale.com/apps/doc/JA3228166379/BNCN?u=leedsuni&amp;sid=bookmark-BNCN&amp;xid=4d1a8520</a><span>.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1854-12-19">1854-12-19</a><em>British Library Newspapers,</em><span> </span><a href="https://link.gale.com/apps/doc/JA3228166379/BNCN?u=leedsuni&amp;sid=bookmark-BNCN&amp;xid=4d1a8520" target="_blank" rel="noopener">https://link.gale.com/apps/doc/JA3228166379/BNCN?u=leedsuni&amp;sid=bookmark-BNCN&amp;xid=4d1a8520</a><span>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Speech">Speech</a>1854-12-19_Speech_Reading_at_Reading_Literary_Scientific_and_Mechanics-Institution<span>Dickens, Charles. 'Reading at Reading Literary, Scientific and Mechanics' Institution' (19 December 1854).&nbsp;</span><em>Dickens Search.</em><span>&nbsp;Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1854-12-19_Speech_Reading_at_Reading_Literary_Scientific_and_Mechanics-Institution">https://dickenssearch.com/speeches/1854-12-19_Speech_Reading_at_Reading_Literary_Scientific_and_Mechanics-Institution</a>.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=97&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Reading+Literary%2C+Scientific+and+Mechanics%27+Institution">Reading Literary, Scientific and Mechanics&#039; Institution</a><a href="https://dickenssearch.com/teibp/dist/content/1854-12-19_Speech_Reading_at_Reading_Literary_Scientific_and_Mechanics-Institution.xml" target="_blank" rel="noopener">Reading at Reading Literary, Scientific and Mechanics Institution (19 December 1854).</a>'Mr. Dickens then stated that the last time he had had the pleasure of reading his Christmas Carol, it was to an audience of three thousand, and they were kind enough to consider themselves a Christmas party listening to a Christmas story. He wished his audience so to consider themselves that evening; and to give a free and natural expression of their feelings, without entertaining any feer of disturbing him. He then proceed to give his reading.'<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Berkshire+Chronicle">Berkshire Chronicle</a>Ladies and Gentlemen, you will feel with me, I am sure, that the time is past when it would have become me to make any reference of a merely personal nature to the cause of your having so greatly honoured me in selecting me as your president – for the memory of the good is still removed to a region, in which all public life and private attachment must equally rise. Therefore you must equally agree with me that it is not my task to disturb its serenity by any reference to private grief or individual attachment. I stand here in the place of one whose name is deeply dear to all of us. He recognised as you do, in the selection of a friend to follow him, the expression of a hope that that friend my have learnt some lessons at least from the example of his gentle nature and his simple heart.18541219<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=4&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Reading">Reading</a>https://dickenssearch.com/files/original/6/Reading_at_Reading_Literary_Scientific_and_Mechanics_Institution/1854-12-19_Speech_Reading_at_Reading_Literary_Scientific_and_Mechanics-Institution.pdf
95https://dickenssearch.com/items/show/95Reading in BrightonSpeech given before a matinée reading of 'Little Dombey' (13 November 1858).Dickens, Charles<em>Brighton Gazette</em> (18 November 1858).<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1858-11-13">1858-11-13</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Speech">Speech</a>1858-11-13_Speech_Reading_in_Brighton<span>Dickens, Charles. 'Reading in Brighton' (13 November 1858).&nbsp;</span><em>Dickens Search.</em><span>&nbsp;Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;<a href="https://dickenssearch.com/speeches/1858-11-13_Speech_Reading_in_Brighton">https://dickenssearch.com/speeches/1858-11-13_Speech_Reading_in_Brighton</a>.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=97&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Town+Hall">Town Hall</a>‘Mr. Dickens, in commencing, expressed a hope that his audience would speedily forget the cold light of day and lose themselves with him amidst those childish footsteps, trusting that they would laugh if they thought proper, or cry if they thought proper, as nothing could give him greater pleasure than to see them do so unconstrainedly.’<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Brighton+Gazette">Brighton Gazette</a>18581113<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=4&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Brighton">Brighton</a>
93https://dickenssearch.com/items/show/93Reading in CliftonSpeech given before a reading of The Chimes (2 August 1858).Dickens, Charles<p><em>Clifton Chronicle</em> (4 August 1858).</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1858-08-02">1858-08-02</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Speech">Speech</a>1858-08-02_Speech_Reading_in_Clifton<span>Dickens, Charles. 'Reading in Clifton' (2 August 1858).&nbsp;</span><em>Dickens Search.</em><span>&nbsp;Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;<a href="https://dickenssearch.com/speeches/1858-08-02_Speech_Reading_in_Clifton">https://dickenssearch.com/speeches/1858-08-02_Speech_Reading_in_Clifton</a>.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=97&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Victoria+Rooms">Victoria Rooms</a>‘Mr. Dickens addressed his audience in a few prefatory words to the effect that the book which he was about to read, was written several years previously, in consequence of certain circumstances which seemed to render a few words of earnest remonstrance necessary. Though the cause for this remonstrance was now to some extent removed, and in part he hoped, by the aid of his little work, yet a plea for the poor and distressed was never out of season, and in that light he trusted his little work would be welcome to his hearers.’<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Clifton+Chronicle">Clifton Chronicle</a>18580802<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=4&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Clifton">Clifton</a>
92https://dickenssearch.com/items/show/92Reading in DublinSpeech given before a reading of <em>The Chimes</em> (24 August 1858).Dickens, Charles<em>Saunders’ News-Letter </em>(25 August 1858).<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1858-08-24">1858-08-24</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Speech">Speech</a>1858-08-24_Speech_Reading_in_Dublin<span>Dickens, Charles. 'Reading in Dublin' (24 August 1858). </span><em>Dickens Search.</em><span>&nbsp;Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1858-08-24_Speech_Reading_in_Dublin">https://dickenssearch.com/speeches/1858-08-24_Speech_Reading_in_Dublin</a>.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=97&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Rotunda">Rotunda</a><a href="https://dickenssearch.com/teibp/dist/content/1858-08-24_Speech_Reading_in_Dublin.xml" target="_blank" rel="noopener"><span>Reading in Dublin (24 August 1858).</span></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Saunders%27+News-Letter">Saunders&#039; News-Letter</a>I have been accustomed to remark in England, when reading the parts of this fancy, that it was written about a dozen years ago, at a time when I was living in Italy, and when some circumstances recorded in the home newspapers – all within the compass of a single week – appeared to me to render the utterance of a few earnest words very necessary. If there be in our United Kingdom, as I hope and believe, less direct need of such utterance now than there was then, so much the better for us all: we have only to assume to-night that a few hints for compassionate and merciful remembrance are never out of date in the Christian calendar.18580824<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=4&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Dublin">Dublin</a>
94https://dickenssearch.com/items/show/94Reading in EdinburghSpeech given before a reading of <em>The Chimes</em> (27 September 1858).Dickens, Charles<em>Edinburgh Courant</em> (28 September 1858).<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1858-09-28">1858-09-28</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Speech">Speech</a>1858-09-27_Speech_Reading_in_Edinburgh<span>Dickens, Charles. 'Reading in Edinburgh' (27 September 1858). </span><em>Dickens Search.</em><span>&nbsp;Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;<a href="https://dickenssearch.com/speeches/1858-09-27_Speech_Reading_in_Edinburgh">https://dickenssearch.com/speeches/1858-09-27_Speech_Reading_in_Edinburgh</a></span>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=97&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Queen+Street+Hall">Queen Street Hall</a>‘Mr. Dickens, who, on entering, was welcomed by prolonged and cordial applause, premised his reading by informing us that the little story he was to read was written by him in Italy about twelve years ago, and for the purpose of expressing his views on certain subjects then before the public mind. With the season the story passed away, leaving with us, however, some visionary remembrances of the ghosts of the Chimes, as well as some lingering recollections of less aerial groups hovering round the destiny of poor Toby Veck.’<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Edinburgh+Courant">Edinburgh Courant</a>18580927<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=4&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Edinburgh">Edinburgh</a>
239https://dickenssearch.com/items/show/239Reading in ManchesterSpeech before a reading of <em>A Christmas Carol</em>, Manchester (31 July 1857).Dickens, CharlesManchester Courier and Lancashire General Advertiser (1 August 1857).<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1857-07-31">1857-07-31</a>1857-07-31_Speech_Reading-in-Manchester<span>Dickens, Charles. 'Before a Reading of the&nbsp;<em>Carol</em>' </span><span>(31 July 1857). </span><em>Dickens Search</em><span>. Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;</span><a href="https://dickenssearch.com/speeches/1857-07-31_Speech_Reading-in-Manchester">https://dickenssearch.com/speeches/1857-07-31_Speech_Reading-in-Manchester</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=97&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Free-Trade+Hall">Free-Trade Hall</a>'Mr. Dickens introduced his reading by saying that on the occasions when he had the honour of repeating his "Carol" before audience he was accustomed to commence with two observations. The first was, that he should pause for five minutes half way through the story; and the second, that whenever as they proceeded the audience felt disposed to give utterance to any emotions, he frankly begged they would do so in the most natural manner possible, and without the least apprehension of disturbing him.'<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Manchester+Courier+and+Lancashire+General+Advertiser">Manchester Courier and Lancashire General Advertiser</a>I need hardly say to you that nothing can be more delightful to me than to know that you are interested, and nothing can be more agreeable to me than that the short personal relations between us may be perfectly friendly, easy, unaffected and unconstrained.18570731<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=4&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Manchester">Manchester</a>https://dickenssearch.com/files/original/6/Reading_in_Manchester/1857-07-31_Speech_Before-Reading-CarolĀ .pdf
99https://dickenssearch.com/items/show/99Reading in New HavenSpeech given before a reading of &#039;Doctor Marigold&#039;s Prescriptions&#039; and &#039;Mr. Bob Sawyer’s Party&#039; (24 March 1868).Dickens, Charles<em>New Haven Evening Register</em> (25 March 1868).<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1868-03-24">1868-03-24</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Speech">Speech</a>1868-03-24_Speech_Reading_in_New_Haven<span>Dickens, Charles. 'Reading in New Haven' (24 March 1868).&nbsp;</span><em>Dickens Search.</em><span>&nbsp;Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;<a href="https://dickenssearch.com/speeches/1868-03-24_Speech_Reading_in_New_Haven">https://dickenssearch.com/speeches/</a></span><a href="https://dickenssearch.com/speeches/1868-03-24_Speech_Reading_in_New_Haven">1868-03-24_Speech_Reading_in_New_Haven</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=97&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Music+Hall">Music Hall</a>‘The audience was large and gave Mr. Dickens their undivided attention. – His apology for the “inconvenience of which he asserted himself to have been the innocent cause” was very timely, and gave him the entire support of his audience.’ <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=New+Haven+Evening+Register">New Haven Evening Register</a>18680324<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=4&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=New+Haven">New Haven</a>
96https://dickenssearch.com/items/show/96Reading in PeterboroughSpeech given before a reading of 'Little Dombey' and 'The Pickwick Trial' (19 October 1859).Dickens, Charles<em>Peterborough Advertiser</em> (22 October 1859).<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1859-10-19">1859-10-19</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Speech">Speech</a>1859-10-19_Speech_Reading_in_Peterborough<span>Dickens, Charles. 'Reading in Peterborough' (19 October 1859). </span><em>Dickens Search.</em><span>&nbsp;Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;<a href="https://dickenssearch.com/speeches/1859-10-19_Speech_Reading_in_Peterborough">https://dickenssearch.com/speeches/</a></span><a href="https://dickenssearch.com/speeches/1859-10-19_Speech_Reading_in_Peterborough">1859-10-19_Speech_Reading_in_Peterborough</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=97&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Corn+Exchange">Corn Exchange</a>‘Mr. Dickens was warmly received, and before commencing the reading said, that some years ago he had given a reading in this place – rendered dear to him by a personal friend – for the benefit of a local institution, and it occurred to him that, as on that occasion he read the Christmas Carol, it might be the pleasure of the audience to hear The Story of Little Dombey instead of the Carol. The audience signified their approval of the proposition, and Mr. Dickens proceeded to read the work mentioned.’<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Peterborough+Advertiser">Peterborough Advertiser</a>18591019<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=4&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Peterborough">Peterborough</a>
89https://dickenssearch.com/items/show/89Royal Academy DinnerSpeech given at the Royal Academy Dinner (3 May 1862).Dickens, Charles'Banquet at the Royal Academy.' <em>The Times&nbsp;</em>(5 May 1862): p. 5.; <em>The Times Digital Archive</em>, <a href="https://link.gale.com/apps/doc/CS84056741/TTDA?u=leedsuni&amp;sid=bookmark-TTDA&amp;xid=bbfb6803" target="_blank" rel="noopener">https://l</a><span><a href="https://link.gale.com/apps/doc/CS84056741/TTDA?u=leedsuni&amp;sid=bookmark-TTDA&amp;xid=bbfb6803" target="_blank" rel="noopener">ink.gale.com/apps/doc/CS84056741/TTDA?u=leedsuni&amp;sid=bookmark-TTDA&amp;xid=bbfb6803</a>.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1862-05-03">1862-05-03</a><em>The Times Digital Archive</em>, <a href="https://link.gale.com/apps/doc/CS84056741/TTDA?u=leedsuni&amp;sid=bookmark-TTDA&amp;xid=bbfb6803" target="_blank" rel="noopener">https://l</a><span><a href="https://link.gale.com/apps/doc/CS84056741/TTDA?u=leedsuni&amp;sid=bookmark-TTDA&amp;xid=bbfb6803" target="_blank" rel="noopener">ink.gale.com/apps/doc/CS84056741/TTDA?u=leedsuni&amp;sid=bookmark-TTDA&amp;xid=bbfb6803</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Speech">Speech</a>1862-05-03_Speech_Royal_Academy_Dinner<span>Dickens, Charles. 'Royal Academy Dinner' (3 May 1862). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. </span><a href="https://dickenssearch.com/admin/speeches/1862-05-03_Speech_Royal_Academy_Dinner"><span class="citation-url">https://dickenssearch.com/admin/speeches/1862-05-03_Speech_Royal_Academy_Dinner</span></a><span>.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=97&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Royal+Academy">Royal Academy</a><a href="https://dickenssearch.com/teibp/dist/content/1862-05-03_Speech_Royal_Academy_Dinner.xml" target="_blank" rel="noopener">Royal Academy Dinner (3 May 1862).</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Times">The Times</a>It is one of the privileges of literature to speak from the walls of this room rather than from the floor, and to find expression here in the great works of painting and sculpture rather than in spoken words. From these walls, even in our own times, Shakespeare, Moliere, Le Sage, Cervantes, Goldsmith, Sterne, Fielding, Smollett, Defoe, a host of illustrious writers has been so eloquent in the masterpieces of members of this Academy that one poor writer of fiction left to his own lips may well find nothing to say in this otherwise difficult task assigned to him. However, he finds consolation in this that his own art is inseparable from the art of his entertainers, that the great magic circle of the arts is impossible to be broken, and that here at least &#039;his foot is on his native heath&#039;, even though his name is not by any means Macgregor. In the name of many distinguished gentlemen, present and absent, foreign and native, I have to thank you for your remembrance of the sister art, though I beg to say on behalf of those whom I represent that we cannot by any means hold that the present President of the Royal Academy is at all disinterested in this proposal to do honour to literature, seeing that he himself is so near akin to it. We scarcely ever open any book with a higher interest and pleasure than we open this great annual volume, of which the leaves are now spread before this company; and we certainly never open a book to which we find so graceful and appropriate a preface as that which is always delivered from the red chair which you, Sir Charles, occupy. If I might have changed the figure, supposing noble lords and right hon gentlemen to have remained, I might even in conclusion have gone so far as to say that I think we receive the annual budget of the President of the Royal Academy with almost as much interest as we receive the annual budget of the Chancellor of the Exchequer; having in addition the pleasant consideration that it is not attended with those terrific consequences which we cannot by any strength of imagination separate from the latter production.18620503<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=4&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=London">London</a>https://dickenssearch.com/files/original/6/Royal_Academy_Dinner/1862-05-03_Speech_Royal_Academy_Dinner.pdf
236https://dickenssearch.com/items/show/236Toast at the Artists&#039; General Benevolent Institution Charity DinnerToast given at the Artists&#039; General Benevolent Institution Charity Dinner, Freemasons&#039; Hall (24 March 1839).Dickens, Charles<em>The Morning Chronicle&nbsp;</em>(25 March 1839).<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1839-03-24">1839-03-24</a>1839-03-24_Speech_Artists-General-Benevolent-Institution<span>Dickens, Charles. 'Toast at the Artists' General Benevolent Institution Charity Dinner</span><span>&nbsp;(24 March 1839).&nbsp;</span><em>Dickens Search</em><span>. Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;</span><a href="https://dickenssearch.com/speeches/1839-03-24_Speech_Artists-General-Benevolent-Institution">https://dickenssearch.com/speeches/1839-03-24_Speech_Artists-General-Benevolent-Institution</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=97&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Freemasons%27+Hall">Freemasons&#039; Hall</a>&#039;Mr. Charles Dickens said that, if he could consider the compliment as one paid to himself, unexpected as it was, he should have had great difficulty in returning thanks; but he was relieved from any such consideration, because he only recognised in it the connection which existed between the pencil and the pen, and therefore in the name of the sewards, of whom he had the honour to be one, he begged to return their sincere acknowledgments for the mark of distinction which had been paid to them. It would be bad taste in him if he were to detain them at any length, but he must at the same time say, that it gave him sincerely gratification to see around him, on an occasion of this kind, those distinguished artists, who cast lustre by their genius on the lowest subjects, and raised them by the power of their graphic pencils to the level of their own fanciful imaginations. He hoped he would be permitted to say, that it gave him pleasure and delight to be connected even for a moment with an institution which partook of the grace and beauty of the pencil, and shed its soft light upon poverty and distress, into the house of sickness and sorrow.&#039;<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Morning+Chronicle">The Morning Chronicle</a>18390324<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=4&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=London">London</a>https://dickenssearch.com/files/original/6/Toast_at_the_Artists_General_Benevolent_Institution_Charity_Dinner/1839-03-24_Speech_Artists-General-Benevolent-Institution.pdf