2
10
82
-
https://dickenssearch.com/files/original/3/Duet_Lucy_and_Squire_Norton/1836-The_Village_Coquettes_Duet_Lucy_SquireNorton.pdf
34ea0451407ce57f12d8c81dd0a96437
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Verse
Description
An account of the resource
<h4>This collection brings together the most complete set of Dickens's verse to date, supplementing the work of existing editions with previously uncollected poems Dickens contributed to albums, or wrote anonymously.</h4>
Though such productions receive scant attention from scholars interested in his fiction and journalism, Dickens composed a surprising amount of verse. It was a genre in which he evidently felt much less at home (and financially rewarded) than when writing in prose. However, several poems gained popular favour during his lifetime; that so many were <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">written to be set to music</a> indicates the permeable boundary between metered verse functioning as poem or song in the nineteenth century, and may explain why some of Dickens’s poems were more enduringly popular than others. Notably, <a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green">'The Ivy Green'</a> from <em>Pickwick Papers</em> (1837), a story of time’s inexorable passing, was frequently republished in newspapers.<br /><br />Several poems written to young ladies of Dickens’s acquaintance are released on <em>Dickens Search</em> as part of the author’s poetic output for the first time, testifying to the author’s ability to write impromptu poetry and gallantly turn a phrase. Since keeping <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album&collection=&type=&tags=&date_search_term=&submit_search=Search+For+Items">autograph albums</a> was a popular pastime for women in the Victorian era, it is possible that further examples of such activity remain to be discovered in various archives and private collections.<br /><br />When writing <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter&collection=3&type=&tags=&date_search_term=&submit_search=Search+For+Items">letters</a> to friends, Dickens occasionally included comedic poems for the recipient. Several of these are included. Considering the enormity of Dickens’s correspondence, likely more instances of this sort of poetic humour will result over time.<br /><br /><a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaphs</a> Dickens wrote for friends and family, whether used or not, are included with Dickens's other verse for the first time. Users can also browse <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">verse from Dickens's plays</a>, including songs removed from <em>The Strange Gentleman </em>and <em>Is She His Wife? Or, Something Singular! </em>before performance.<br /><br />Care is necessary when verifying the accuracy of these poems, as some are misattributed to Dickens. Widespread reprintings of 'Dickens poems' in nineteenth-century newspapers are insufficient evidence for authorial attribution, owing to the mistakes intentionally or inadvertently made in ascribing authorship.<br /><br />An unusual example of a poem that is and is not by Dickens, the lines of 'Little Nell’s Funeral' are taken, with minimal alterations, from Chapter 72 of <em>The Old Curiosity Shop</em>. An instance of the strikingly lyrical quality of Dickens’s sentimental prose, they were divided into metered, unrhymed verse by M.A.H. for the 1849 collection <em>Echoes of Infant Voices</em>. Because Dickens did not intend for this passage to be structured in verse form, the poem is not included in the poetry collection of <em>Dickens Search</em>. <a href="https://dickenssearch.com/poetry-dickens-didnt-write">Read our blog post for more on poetry Dickens <em>didn't </em>write.</a><br /><br />Occasionally, Dickens will quote a poem by another author, as in his burlesque <em>Is She his Wife? Or, Something Singular!</em> (1836). The character Mr Felix Tapkins launches into a short hunting song beginning 'The wife around her husband throws/Her arms to make him stay'. As William Chappell noted in 1840, this is a well-known variant of 'A Hunting We Will Go' (1777), by Thomas Arne, though he misattributes its composition to Henry Fielding.<br /><br />Previous notable collections of some of Dickens's poetry include <em>The Plays and Poems of Charles Dickens</em> (1882) edited by Richard Herne Shepherd and <em>The Poems and Verses of Charles Dickens</em> (1903) edited by Frederic G. Kitton.<br /><br />Caution has been taken when ascertaining that each poem is indeed by Dickens. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or other poems written by Dickens.<br /><br />1. Robert Butterworth. 'The Hymn of the Wiltshire Labourers.' <em>The Dickensian</em> 516.118.1 (Spring 2022): pp. 43-56; Eva-Charlotta Mebius. 'Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens.' <em>Dickens Quarterly</em> 34.3 (September 2017): pp. 256-261; Robert C. Hanna. 'Before Boz; The Juvenilia and Early Writings of Charles Dickens, 1820-1833'. <em>Dickens Studies Annual</em> 40 (2009): pp. 231-364.
Identifier
An unambiguous reference to the resource within a given context
verse
Contributor
An entity responsible for making contributions to the resource
Emily Bell; Lydia Craig
Poem
Ngram Date
Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.
18360101
Ngram Text
Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.
Squire. In rich and lofty station shine, Before his jealous eyes; In golden splendour, lady mine, This peasant youth despise. Lucy (Apart-the Squire regarding her attentively). Oh! it would be revenge indeed, With scorn his glance to meet. I, I, his humble pleading heed! I’d spurn him from my feet. Squire. With love and rage her bosom’s torn, And rash the choice will be; Lucy. With love and rage my bosom’s torn, And rash the choice will be. Squire. From hence she quickly must be borne, Her home, her home, she’ll flee. Lucy. Oh! long shall I have cause to mourn My home, my home, for thee!
Publication Type
E.g. newspaper/serial
Play
Publication
The title of the newspaper/serial (if applicable)
The Village Coquettes, An Operatic Burletta in Two Acts
TEI File
Link to TEI file
<a href="https://dickenssearch.com/teibp/dist/content/1836_The_Village_Coquettes_Duet_The_Squire_and_Lucy.xml" target="_blank" rel="noopener">'Duet: Lucy and Squire Norton.' <em>The Village Coquettes, An Operatic Burletta in Two Acts</em> (1836).</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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'Duet: Lucy and Squire Norton'
Creator
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Dickens, Charles
Source
A related resource from which the described resource is derived
<p class="p1"><i>The Village Coquettes, An Operatic Burletta in Two Acts </i>(1836). London: John Dicks.<span class="Apple-converted-space"> </span></p>
Internet Archive, <a href="https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater" target="_blank" rel="noopener">https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater</a>.
Date
A point or period of time associated with an event in the lifecycle of the resource
1836
Contributor
An entity responsible for making contributions to the resource
Hullah, John
Rights
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<p class="p1"><i>Internet</i><span> <em>Archive</em>: Access to the Archive’s Collections is provided at no cost and is granted for scholarship and research purposes only (</span><span class="s1"><a href="https://archive.org/about/terms.php" target="_blank" rel="noopener">https://archive.org/about/terms.php</a>).</span></p>
Type
The nature or genre of the resource
Song
Identifier
An unambiguous reference to the resource within a given context
1836-The_Village_Coquettes_Duet_Lucy_SquireNorton
Bibliographic Citation
A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.
<p class="p1">Dickens, Charles. 'Duet: Lucy and Squire Norton.' <i>The Village Coquettes </i>(1836): pp. 9-10. <i>Dickens Search. </i>Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836-The_Village_Coquettes_Duet_Lucy_SquireNorton">https://dickenssearch.com/verse/1836-The_Village_Coquettes_Duet_Lucy_SquireNorton</a>.<span class="Apple-converted-space"></span></p>
Description
An account of the resource
From <em>The Village Coquettes, An Operatic Burletta in Two Acts </em>(1836). Music by John Hullah, pp. 9-10.
Scripto
Transcription
A written representation of a document.
<p><span style="font-weight: 400;"><em>Squire.</em> In rich and lofty station shine,</span></p>
<p><span style="font-weight: 400;">Before his jealous eyes;</span></p>
<p><span style="font-weight: 400;">In golden splendour, lady mine,</span></p>
<p><span style="font-weight: 400;">This peasant youth despise.</span></p>
<br />
<p><span style="font-weight: 400;"><em>Lucy</em> <em>(Apart-the Squire regarding her attentively).</em></span></p>
<p><span style="font-weight: 400;">Oh! it would be revenge indeed, </span></p>
<p><span style="font-weight: 400;">With scorn his glance to meet.</span></p>
<p><span style="font-weight: 400;">I, I, his humble pleading heed!</span></p>
<p><span style="font-weight: 400;">I’d spurn him from my feet. </span></p>
<br />
<p><span style="font-weight: 400;"><em>Squire.</em> With love and rage her bosom’s torn,</span></p>
<p><span style="font-weight: 400;">And rash the choice will be;</span></p>
<p><span style="font-weight: 400;"><em>Lucy.</em> With love and rage my bosom’s torn,</span></p>
<p><span style="font-weight: 400;">And rash the choice will be.</span></p>
<br />
<p><span style="font-weight: 400;"><em>Squire.</em> From hence she quickly must be borne,</span></p>
<p><span style="font-weight: 400;">Her home, her home, she’ll flee.</span></p>
<p><span style="font-weight: 400;"><em>Lucy.</em> Oh! long shall I have cause to mourn</span></p>
<p><span style="font-weight: 400;">My home, my home, for thee!</span></p>
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Verse
Description
An account of the resource
<h4>This collection brings together the most complete set of Dickens's verse to date, supplementing the work of existing editions with previously uncollected poems Dickens contributed to albums, or wrote anonymously.</h4>
Though such productions receive scant attention from scholars interested in his fiction and journalism, Dickens composed a surprising amount of verse. It was a genre in which he evidently felt much less at home (and financially rewarded) than when writing in prose. However, several poems gained popular favour during his lifetime; that so many were <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">written to be set to music</a> indicates the permeable boundary between metered verse functioning as poem or song in the nineteenth century, and may explain why some of Dickens’s poems were more enduringly popular than others. Notably, <a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green">'The Ivy Green'</a> from <em>Pickwick Papers</em> (1837), a story of time’s inexorable passing, was frequently republished in newspapers.<br /><br />Several poems written to young ladies of Dickens’s acquaintance are released on <em>Dickens Search</em> as part of the author’s poetic output for the first time, testifying to the author’s ability to write impromptu poetry and gallantly turn a phrase. Since keeping <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album&collection=&type=&tags=&date_search_term=&submit_search=Search+For+Items">autograph albums</a> was a popular pastime for women in the Victorian era, it is possible that further examples of such activity remain to be discovered in various archives and private collections.<br /><br />When writing <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter&collection=3&type=&tags=&date_search_term=&submit_search=Search+For+Items">letters</a> to friends, Dickens occasionally included comedic poems for the recipient. Several of these are included. Considering the enormity of Dickens’s correspondence, likely more instances of this sort of poetic humour will result over time.<br /><br /><a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaphs</a> Dickens wrote for friends and family, whether used or not, are included with Dickens's other verse for the first time. Users can also browse <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">verse from Dickens's plays</a>, including songs removed from <em>The Strange Gentleman </em>and <em>Is She His Wife? Or, Something Singular! </em>before performance.<br /><br />Care is necessary when verifying the accuracy of these poems, as some are misattributed to Dickens. Widespread reprintings of 'Dickens poems' in nineteenth-century newspapers are insufficient evidence for authorial attribution, owing to the mistakes intentionally or inadvertently made in ascribing authorship.<br /><br />An unusual example of a poem that is and is not by Dickens, the lines of 'Little Nell’s Funeral' are taken, with minimal alterations, from Chapter 72 of <em>The Old Curiosity Shop</em>. An instance of the strikingly lyrical quality of Dickens’s sentimental prose, they were divided into metered, unrhymed verse by M.A.H. for the 1849 collection <em>Echoes of Infant Voices</em>. Because Dickens did not intend for this passage to be structured in verse form, the poem is not included in the poetry collection of <em>Dickens Search</em>. <a href="https://dickenssearch.com/poetry-dickens-didnt-write">Read our blog post for more on poetry Dickens <em>didn't </em>write.</a><br /><br />Occasionally, Dickens will quote a poem by another author, as in his burlesque <em>Is She his Wife? Or, Something Singular!</em> (1836). The character Mr Felix Tapkins launches into a short hunting song beginning 'The wife around her husband throws/Her arms to make him stay'. As William Chappell noted in 1840, this is a well-known variant of 'A Hunting We Will Go' (1777), by Thomas Arne, though he misattributes its composition to Henry Fielding.<br /><br />Previous notable collections of some of Dickens's poetry include <em>The Plays and Poems of Charles Dickens</em> (1882) edited by Richard Herne Shepherd and <em>The Poems and Verses of Charles Dickens</em> (1903) edited by Frederic G. Kitton.<br /><br />Caution has been taken when ascertaining that each poem is indeed by Dickens. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or other poems written by Dickens.<br /><br />1. Robert Butterworth. 'The Hymn of the Wiltshire Labourers.' <em>The Dickensian</em> 516.118.1 (Spring 2022): pp. 43-56; Eva-Charlotta Mebius. 'Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens.' <em>Dickens Quarterly</em> 34.3 (September 2017): pp. 256-261; Robert C. Hanna. 'Before Boz; The Juvenilia and Early Writings of Charles Dickens, 1820-1833'. <em>Dickens Studies Annual</em> 40 (2009): pp. 231-364.
Identifier
An unambiguous reference to the resource within a given context
verse
Contributor
An entity responsible for making contributions to the resource
Emily Bell; Lydia Craig
Poem
Publication Type
E.g. newspaper/serial
Play
Publication
The title of the newspaper/serial (if applicable)
Is She His Wife? Or, Something Singular!
TEI File
Link to TEI file
<a href="https://dickenssearch.com/teibp/dist/content/1837-02-27_Is_She_His_Wife_Or_Something_Singular_Duet_Mr_And_Mrs_Lovetown.xml" target="_blank" rel="noopener">'Duet: Mr. and Mrs. Lovetown.' <em>Is She His Wife? Or, Something Singular!</em> (27 February 1837).</a>
Ngram Date
Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.
18370227
Ngram Text
Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.
A married life, Is not all joy; But noise & strife, Its charms alloy. Tho’ to please we do our best: Misery’ll our life infest – Nought is right we e’re can do, But all is wrong – & all is rue! Sometimes darling, Oft times snarling Now then pleasing Then there teasing Nought but care – and nought but strife Oh, who would sigh for a married life.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
'Duet: Mr. and Mrs. Lovetown'
Description
An account of the resource
From <em>Is She His Wife? Or, Something Singular!</em> (<span>Lord Chamberlain’s Copy, </span>27 February 1837).
Creator
An entity primarily responsible for making the resource
Dickens, Charles
Source
A related resource from which the described resource is derived
Lord Chamberlain’s Copy, British Library.
<span>'Duet: Mr. and Mrs. Lovetown.' <em>Is She His Wife? Or, Something Singular!</em> </span><em>The Letters of Charles Dickens. The</em><span> </span><em>Pilgrim Edition.<span> </span></em><span>Edited by Madeline House and Graham Storey. Volume 1 (1820-1839), pp. 698-699. Oxford University Press, 1965.</span>
Date
A point or period of time associated with an event in the lifecycle of the resource
1837-02-27
Type
The nature or genre of the resource
Song
Identifier
An unambiguous reference to the resource within a given context
1837-02-27_Is_She_His_Wife_Or_Something_Singular_Duet_Mr_And_Mrs_Lovetown
Bibliographic Citation
A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.
Dickens, Charles. 'Duet: Mr. and Mrs. Lovetown.' <em>Is She His Wife? Or, Something Singular!</em> (27 February 1837). <em>Dickens Search</em>. Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1837-02-27_Is_She_His_Wife_Or_Something_Singular_Duet_Mr_And_Mrs_Lovetown">https://dickenssearch.com/verse/1837-02-27_Is_She_His_Wife_Or_Something_Singular_Duet_Mr_And_Mrs_Lovetown</a>.
Scripto
Transcription
A written representation of a document.
A married life,<br />Is not all joy;<br />But noise & strife,<br />Its charms alloy.<br />Tho’ to please we do our best:<br />Misery’ll our life infest – <br />Nought is right we e’re can do,<br />But all is wrong – & all is rue!<br /><br />Sometimes darling,<br />Oft times snarling<br />Now then pleasing<br />Then there teasing<br />Nought but care – and nought but strife<br />Oh, who would sigh for a married life.
-
https://dickenssearch.com/files/original/3/Duet_Rose_and_Sparkins_Flam/1836-The_Village_Coquettes_Duet_Rose_and_Sparkins_Flam.pdf
660a303aea13e0d0c37abf3a7a2cdadd
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Verse
Description
An account of the resource
<h4>This collection brings together the most complete set of Dickens's verse to date, supplementing the work of existing editions with previously uncollected poems Dickens contributed to albums, or wrote anonymously.</h4>
Though such productions receive scant attention from scholars interested in his fiction and journalism, Dickens composed a surprising amount of verse. It was a genre in which he evidently felt much less at home (and financially rewarded) than when writing in prose. However, several poems gained popular favour during his lifetime; that so many were <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">written to be set to music</a> indicates the permeable boundary between metered verse functioning as poem or song in the nineteenth century, and may explain why some of Dickens’s poems were more enduringly popular than others. Notably, <a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green">'The Ivy Green'</a> from <em>Pickwick Papers</em> (1837), a story of time’s inexorable passing, was frequently republished in newspapers.<br /><br />Several poems written to young ladies of Dickens’s acquaintance are released on <em>Dickens Search</em> as part of the author’s poetic output for the first time, testifying to the author’s ability to write impromptu poetry and gallantly turn a phrase. Since keeping <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album&collection=&type=&tags=&date_search_term=&submit_search=Search+For+Items">autograph albums</a> was a popular pastime for women in the Victorian era, it is possible that further examples of such activity remain to be discovered in various archives and private collections.<br /><br />When writing <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter&collection=3&type=&tags=&date_search_term=&submit_search=Search+For+Items">letters</a> to friends, Dickens occasionally included comedic poems for the recipient. Several of these are included. Considering the enormity of Dickens’s correspondence, likely more instances of this sort of poetic humour will result over time.<br /><br /><a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaphs</a> Dickens wrote for friends and family, whether used or not, are included with Dickens's other verse for the first time. Users can also browse <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">verse from Dickens's plays</a>, including songs removed from <em>The Strange Gentleman </em>and <em>Is She His Wife? Or, Something Singular! </em>before performance.<br /><br />Care is necessary when verifying the accuracy of these poems, as some are misattributed to Dickens. Widespread reprintings of 'Dickens poems' in nineteenth-century newspapers are insufficient evidence for authorial attribution, owing to the mistakes intentionally or inadvertently made in ascribing authorship.<br /><br />An unusual example of a poem that is and is not by Dickens, the lines of 'Little Nell’s Funeral' are taken, with minimal alterations, from Chapter 72 of <em>The Old Curiosity Shop</em>. An instance of the strikingly lyrical quality of Dickens’s sentimental prose, they were divided into metered, unrhymed verse by M.A.H. for the 1849 collection <em>Echoes of Infant Voices</em>. Because Dickens did not intend for this passage to be structured in verse form, the poem is not included in the poetry collection of <em>Dickens Search</em>. <a href="https://dickenssearch.com/poetry-dickens-didnt-write">Read our blog post for more on poetry Dickens <em>didn't </em>write.</a><br /><br />Occasionally, Dickens will quote a poem by another author, as in his burlesque <em>Is She his Wife? Or, Something Singular!</em> (1836). The character Mr Felix Tapkins launches into a short hunting song beginning 'The wife around her husband throws/Her arms to make him stay'. As William Chappell noted in 1840, this is a well-known variant of 'A Hunting We Will Go' (1777), by Thomas Arne, though he misattributes its composition to Henry Fielding.<br /><br />Previous notable collections of some of Dickens's poetry include <em>The Plays and Poems of Charles Dickens</em> (1882) edited by Richard Herne Shepherd and <em>The Poems and Verses of Charles Dickens</em> (1903) edited by Frederic G. Kitton.<br /><br />Caution has been taken when ascertaining that each poem is indeed by Dickens. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or other poems written by Dickens.<br /><br />1. Robert Butterworth. 'The Hymn of the Wiltshire Labourers.' <em>The Dickensian</em> 516.118.1 (Spring 2022): pp. 43-56; Eva-Charlotta Mebius. 'Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens.' <em>Dickens Quarterly</em> 34.3 (September 2017): pp. 256-261; Robert C. Hanna. 'Before Boz; The Juvenilia and Early Writings of Charles Dickens, 1820-1833'. <em>Dickens Studies Annual</em> 40 (2009): pp. 231-364.
Identifier
An unambiguous reference to the resource within a given context
verse
Contributor
An entity responsible for making contributions to the resource
Emily Bell; Lydia Craig
Poem
Ngram Date
Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.
18360101
Ngram Text
Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.
Flam. ‘Tis true I’m caressed by the witty, The envy of all the fine beaux, The pet of the court and the city, But still, I’m the lover of Rose. Rose. Country sweethearts, oh, how I despise! And oh! How delighted I am To think that I shine in the eyes Of the elegant – sweet – Mr. Flam. Flam. Allow me. (Offers to kiss her) Rose. Pray don’t be so bold, sir (Kisses her.) Flam. What sweets on that honied lip hang! Rose. Your presumption, I know, I should scold, sir, But I really can’t scold Mr. Flam. Both. Then let us be happy together, Content with the world as it goes, An unchangeable couple for ever, Mr. Flam and his beautiful Rose.
Publication Type
E.g. newspaper/serial
Play
Publication
The title of the newspaper/serial (if applicable)
<em>The Village Coquettes, An Operatic Burletta in Two Acts</em>
TEI File
Link to TEI file
<a href="https://dickenssearch.com/teibp/dist/content/1836_The_Village_Coquettes_Duet_Rose_and_Sparkins_Flam.xml" target="_blank" rel="noopener">'Duet: Rose and Sparkins Flam.' <em>The Village Coquettes, An Operatic Burletta in Two Acts</em> (1836).</a>
Dublin Core
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Title
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'Duet: Rose and Sparkins Flam'
Creator
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Dickens, Charles
Source
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<p class="p1"><i>The Village Coquettes, An Operatic Burletta in Two Acts </i>(1836). London: John Dicks.<span class="Apple-converted-space"> </span></p>
Internet Archive, <a href="https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater" target="_blank" rel="noopener">https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater</a>.
Date
A point or period of time associated with an event in the lifecycle of the resource
1836
Contributor
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Hullah, John
Rights
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<p class="p1"><i>Internet</i><span> <em>Archive</em>: Access to the Archive’s Collections is provided at no cost and is granted for scholarship and research purposes only (</span><span class="s1"><a href="https://archive.org/about/terms.php" target="_blank" rel="noopener">https://archive.org/about/terms.php</a>).</span></p>
Type
The nature or genre of the resource
Song
Identifier
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1836-The_Village_Coquettes_Duet_Rose_and_Sparkins_Flam
Bibliographic Citation
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<p class="p1">Dickens, Charles. 'Duet: Rose and Sparkins Flam.' <i>The Village Coquettes </i>(1836): p.7. <i>Dickens Search. </i>Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836-The_Village_Coquettes_Duet_Rose_and_Sparkins_Flam">https://dickenssearch.com/verse/1836-The_Village_Coquettes_Duet_Rose_and_Sparkins_Flam</a>.</p>
Description
An account of the resource
From <em>The Village Coquettes, An Operatic Burletta in Two Acts </em>(1836). Music by John Hullah.
Scripto
Transcription
A written representation of a document.
<p><span style="font-weight: 400;"><em>Flam.</em> ‘Tis true I’m caressed by the witty,</span></p>
<p><span style="font-weight: 400;">The envy of all the fine beaux,</span></p>
<p><span style="font-weight: 400;">The pet of the court and the city,</span></p>
<p><span style="font-weight: 400;">But still, I’m the lover of Rose.</span></p>
<p><span style="font-weight: 400;"><em>Rose.</em> Country sweethearts, oh, how I despise!</span></p>
<p><span style="font-weight: 400;">And oh! How delighted I am</span></p>
<p><span style="font-weight: 400;">To think that I shine in the eyes</span></p>
<p><span style="font-weight: 400;">Of the elegant – sweet – Mr. Flam.</span></p>
<br />
<p><span style="font-weight: 400;"><em>Flam.</em> Allow me. <em>(Offers to kiss her)</em></span></p>
<br />
<p><span style="font-weight: 400;"><em>Rose.</em> Pray don’t be so bold, sir <em>(Kisses her.)</em></span></p>
<p><span style="font-weight: 400;"><em>Flam.</em> What sweets on that honied lip hang!</span></p>
<p><span style="font-weight: 400;"><em>Rose.</em> Your presumption, I know, I should scold, sir,</span></p>
<p><span style="font-weight: 400;">But I really can’t scold Mr. Flam.</span></p>
<p><span style="font-weight: 400;"><em>Both.</em> Then let us be happy together,</span></p>
<p><span style="font-weight: 400;">Content with the world as it goes,</span></p>
<p><span style="font-weight: 400;">An unchangeable couple for ever,</span></p>
<p><span style="font-weight: 400;">Mr. Flam and his beautiful Rose.</span></p>
-
https://dickenssearch.com/files/original/3/Duet/1838-The_Lamplighter_Duet.pdf
3e144f4d9b114e36a4483fbee6e77403
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Verse
Description
An account of the resource
<h4>This collection brings together the most complete set of Dickens's verse to date, supplementing the work of existing editions with previously uncollected poems Dickens contributed to albums, or wrote anonymously.</h4>
Though such productions receive scant attention from scholars interested in his fiction and journalism, Dickens composed a surprising amount of verse. It was a genre in which he evidently felt much less at home (and financially rewarded) than when writing in prose. However, several poems gained popular favour during his lifetime; that so many were <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">written to be set to music</a> indicates the permeable boundary between metered verse functioning as poem or song in the nineteenth century, and may explain why some of Dickens’s poems were more enduringly popular than others. Notably, <a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green">'The Ivy Green'</a> from <em>Pickwick Papers</em> (1837), a story of time’s inexorable passing, was frequently republished in newspapers.<br /><br />Several poems written to young ladies of Dickens’s acquaintance are released on <em>Dickens Search</em> as part of the author’s poetic output for the first time, testifying to the author’s ability to write impromptu poetry and gallantly turn a phrase. Since keeping <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album&collection=&type=&tags=&date_search_term=&submit_search=Search+For+Items">autograph albums</a> was a popular pastime for women in the Victorian era, it is possible that further examples of such activity remain to be discovered in various archives and private collections.<br /><br />When writing <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter&collection=3&type=&tags=&date_search_term=&submit_search=Search+For+Items">letters</a> to friends, Dickens occasionally included comedic poems for the recipient. Several of these are included. Considering the enormity of Dickens’s correspondence, likely more instances of this sort of poetic humour will result over time.<br /><br /><a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaphs</a> Dickens wrote for friends and family, whether used or not, are included with Dickens's other verse for the first time. Users can also browse <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">verse from Dickens's plays</a>, including songs removed from <em>The Strange Gentleman </em>and <em>Is She His Wife? Or, Something Singular! </em>before performance.<br /><br />Care is necessary when verifying the accuracy of these poems, as some are misattributed to Dickens. Widespread reprintings of 'Dickens poems' in nineteenth-century newspapers are insufficient evidence for authorial attribution, owing to the mistakes intentionally or inadvertently made in ascribing authorship.<br /><br />An unusual example of a poem that is and is not by Dickens, the lines of 'Little Nell’s Funeral' are taken, with minimal alterations, from Chapter 72 of <em>The Old Curiosity Shop</em>. An instance of the strikingly lyrical quality of Dickens’s sentimental prose, they were divided into metered, unrhymed verse by M.A.H. for the 1849 collection <em>Echoes of Infant Voices</em>. Because Dickens did not intend for this passage to be structured in verse form, the poem is not included in the poetry collection of <em>Dickens Search</em>. <a href="https://dickenssearch.com/poetry-dickens-didnt-write">Read our blog post for more on poetry Dickens <em>didn't </em>write.</a><br /><br />Occasionally, Dickens will quote a poem by another author, as in his burlesque <em>Is She his Wife? Or, Something Singular!</em> (1836). The character Mr Felix Tapkins launches into a short hunting song beginning 'The wife around her husband throws/Her arms to make him stay'. As William Chappell noted in 1840, this is a well-known variant of 'A Hunting We Will Go' (1777), by Thomas Arne, though he misattributes its composition to Henry Fielding.<br /><br />Previous notable collections of some of Dickens's poetry include <em>The Plays and Poems of Charles Dickens</em> (1882) edited by Richard Herne Shepherd and <em>The Poems and Verses of Charles Dickens</em> (1903) edited by Frederic G. Kitton.<br /><br />Caution has been taken when ascertaining that each poem is indeed by Dickens. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or other poems written by Dickens.<br /><br />1. Robert Butterworth. 'The Hymn of the Wiltshire Labourers.' <em>The Dickensian</em> 516.118.1 (Spring 2022): pp. 43-56; Eva-Charlotta Mebius. 'Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens.' <em>Dickens Quarterly</em> 34.3 (September 2017): pp. 256-261; Robert C. Hanna. 'Before Boz; The Juvenilia and Early Writings of Charles Dickens, 1820-1833'. <em>Dickens Studies Annual</em> 40 (2009): pp. 231-364.
Identifier
An unambiguous reference to the resource within a given context
verse
Contributor
An entity responsible for making contributions to the resource
Emily Bell; Lydia Craig
Poem
Ngram Date
Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.
18380101
Ngram Text
Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.
Air – ‘The Young May-moon’ Tom. There comes a new moon twelve times a year. Betsy. And when there is none, all is dark and drear. Tom. In which I espy – Betsy. And so, too, do I – Both. A resemblance to womankind very clear – Both. There comes a new moon twelve times a year; And when there is none, all is dark and drear. Tom. In which I espy – Betsy. And so do I Both. A resemblance to womankind very clear. Tom: She changes, she’s fickle, she drives men mad. Betsy. She comes to bring light, and leaves them sad. Tom. So restless wild – Betsy. But so sweetly wild – Both. That no better companion could be had. Both. There comes a new moon twelve times a year; And when there is none, all is dark and drear. Tom. In which I espy – Betsy. And so do I – Both. A resemblance to womankind very clear.
Publication Type
E.g. newspaper/serial
Play
Publication
The title of the newspaper/serial (if applicable)
The Lamplighter
TEI File
Link to TEI file
<a href="https://dickenssearch.com/teibp/dist/content/1838_The_Lamplighter_Duet.xml" target="_blank" rel="noopener">'Duet.' <em>The Lamplighter </em>(1838). </a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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'Duet'
Creator
An entity primarily responsible for making the resource
Dickens, Charles
Source
A related resource from which the described resource is derived
<em>The Poems and Verses of Charles Dickens</em> (1903). Ed. Frederic George Kitton. London: Chapman and Hall, pp. 31-32,<br /><a href="https://www.google.com/books/edition/The_Poems_and_Verses_of_Charles_Dickens/lLs_AQAAMAAJ?hl=en&gbpv=1&bsq=Duet%20from%20the%20lamplighter" target="_blank" rel="noopener">https://www.google.com/books/edition/The_Poems_and_Verses_of_Charles_Dickens/lLs_AQAAMAAJ?hl=en&gbpv=1&bsq=Duet%20from%20the%20lamplighter</a>
Date
A point or period of time associated with an event in the lifecycle of the resource
1838
Type
The nature or genre of the resource
Song
Identifier
An unambiguous reference to the resource within a given context
1838-The_Lamplighter_Duet
Bibliographic Citation
A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.
<p class="p1">Dickens, Charles. 'Duet.' <i>The Lamplighter </i>(1838): pp. 31-32. <i>Dickens Search. </i>Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1838-The_Lamplighter_Duet">https://dickenssearch.com/verse/1838-The_Lamplighter_Duet</a>.</p>
Description
An account of the resource
From <i>The Lamplighter </i>(1838).
Rights
Information about rights held in and over the resource
<em>Google Books,</em> <a href="https://www.google.com/googlebooks/about/">https://www.google.com/googlebooks/about/</a>. Google's free books are made available to read through careful consideration of and respect for copyright law globally: they are public-domain works, made free on request of the copyright owner, or copyright-free.
Scripto
Transcription
A written representation of a document.
<p><span style="font-weight: 400;">Air – ‘The Young May-moon’</span></p>
<br />
<p><span style="font-weight: 400;"><em>Tom</em>. There comes a new moon twelve times a year.</span></p>
<p><span style="font-weight: 400;"><em>Betsy.</em> And when there is none, all is dark and drear.</span></p>
<p><span style="font-weight: 400;"><em>Tom.</em> In which I espy – </span></p>
<p><span style="font-weight: 400;"><em>Betsy.</em> And so, too, do I – </span></p>
<p><span style="font-weight: 400;"><em>Both.</em> A resemblance to womankind very clear – </span></p>
<p><span style="font-weight: 400;"><em>Both.</em> There comes a new moon twelve times a year;</span></p>
<p><span style="font-weight: 400;">And when there is none, all is dark and drear.</span></p>
<p><span style="font-weight: 400;"><em>Tom.</em> In which I espy – </span></p>
<p><span style="font-weight: 400;"><em>Betsy.</em> And so do I</span></p>
<p><span style="font-weight: 400;"><em>Both.</em> A resemblance to womankind very clear.</span></p>
<br />
<p><span style="font-weight: 400;"><em>Tom</em>: She changes, she’s fickle, she drives men mad.</span></p>
<p><span style="font-weight: 400;"><em>Betsy</em>. She comes to bring light, and leaves them sad.</span></p>
<p><span style="font-weight: 400;"><em>Tom</em>. So restless wild – </span></p>
<p><span style="font-weight: 400;"><em>Betsy</em>. But so sweetly wild – </span></p>
<p><span style="font-weight: 400;"><em>Both</em>. That no better companion could be had.</span></p>
<p><span style="font-weight: 400;"><em>Both</em>. There comes a new moon twelve times a year;<br /><br /></span><span style="font-weight: 400;">And when there is none, all is dark and drear. </span></p>
<p><span style="font-weight: 400;"><em>Tom.</em> In which I espy – </span></p>
<p><span style="font-weight: 400;"><em>Betsy.</em> And so do I – </span></p>
<p><span style="font-weight: 400;"><em>Both.</em> A resemblance to womankind very clear. </span></p>
-
https://dickenssearch.com/files/original/3/Duett_Squire_Edmunds_and_Norton/1836-The_Village_Coquettes_Duett_Squire_Edmunds_and_Norton.pdf
63ddab5654e641ec77b83098bb7cf8a0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Verse
Description
An account of the resource
<h4>This collection brings together the most complete set of Dickens's verse to date, supplementing the work of existing editions with previously uncollected poems Dickens contributed to albums, or wrote anonymously.</h4>
Though such productions receive scant attention from scholars interested in his fiction and journalism, Dickens composed a surprising amount of verse. It was a genre in which he evidently felt much less at home (and financially rewarded) than when writing in prose. However, several poems gained popular favour during his lifetime; that so many were <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">written to be set to music</a> indicates the permeable boundary between metered verse functioning as poem or song in the nineteenth century, and may explain why some of Dickens’s poems were more enduringly popular than others. Notably, <a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green">'The Ivy Green'</a> from <em>Pickwick Papers</em> (1837), a story of time’s inexorable passing, was frequently republished in newspapers.<br /><br />Several poems written to young ladies of Dickens’s acquaintance are released on <em>Dickens Search</em> as part of the author’s poetic output for the first time, testifying to the author’s ability to write impromptu poetry and gallantly turn a phrase. Since keeping <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album&collection=&type=&tags=&date_search_term=&submit_search=Search+For+Items">autograph albums</a> was a popular pastime for women in the Victorian era, it is possible that further examples of such activity remain to be discovered in various archives and private collections.<br /><br />When writing <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter&collection=3&type=&tags=&date_search_term=&submit_search=Search+For+Items">letters</a> to friends, Dickens occasionally included comedic poems for the recipient. Several of these are included. Considering the enormity of Dickens’s correspondence, likely more instances of this sort of poetic humour will result over time.<br /><br /><a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaphs</a> Dickens wrote for friends and family, whether used or not, are included with Dickens's other verse for the first time. Users can also browse <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">verse from Dickens's plays</a>, including songs removed from <em>The Strange Gentleman </em>and <em>Is She His Wife? Or, Something Singular! </em>before performance.<br /><br />Care is necessary when verifying the accuracy of these poems, as some are misattributed to Dickens. Widespread reprintings of 'Dickens poems' in nineteenth-century newspapers are insufficient evidence for authorial attribution, owing to the mistakes intentionally or inadvertently made in ascribing authorship.<br /><br />An unusual example of a poem that is and is not by Dickens, the lines of 'Little Nell’s Funeral' are taken, with minimal alterations, from Chapter 72 of <em>The Old Curiosity Shop</em>. An instance of the strikingly lyrical quality of Dickens’s sentimental prose, they were divided into metered, unrhymed verse by M.A.H. for the 1849 collection <em>Echoes of Infant Voices</em>. Because Dickens did not intend for this passage to be structured in verse form, the poem is not included in the poetry collection of <em>Dickens Search</em>. <a href="https://dickenssearch.com/poetry-dickens-didnt-write">Read our blog post for more on poetry Dickens <em>didn't </em>write.</a><br /><br />Occasionally, Dickens will quote a poem by another author, as in his burlesque <em>Is She his Wife? Or, Something Singular!</em> (1836). The character Mr Felix Tapkins launches into a short hunting song beginning 'The wife around her husband throws/Her arms to make him stay'. As William Chappell noted in 1840, this is a well-known variant of 'A Hunting We Will Go' (1777), by Thomas Arne, though he misattributes its composition to Henry Fielding.<br /><br />Previous notable collections of some of Dickens's poetry include <em>The Plays and Poems of Charles Dickens</em> (1882) edited by Richard Herne Shepherd and <em>The Poems and Verses of Charles Dickens</em> (1903) edited by Frederic G. Kitton.<br /><br />Caution has been taken when ascertaining that each poem is indeed by Dickens. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or other poems written by Dickens.<br /><br />1. Robert Butterworth. 'The Hymn of the Wiltshire Labourers.' <em>The Dickensian</em> 516.118.1 (Spring 2022): pp. 43-56; Eva-Charlotta Mebius. 'Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens.' <em>Dickens Quarterly</em> 34.3 (September 2017): pp. 256-261; Robert C. Hanna. 'Before Boz; The Juvenilia and Early Writings of Charles Dickens, 1820-1833'. <em>Dickens Studies Annual</em> 40 (2009): pp. 231-364.
Identifier
An unambiguous reference to the resource within a given context
verse
Contributor
An entity responsible for making contributions to the resource
Emily Bell; Lydia Craig
Poem
Ngram Date
Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.
18360101
Ngram Text
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Squire. Listen, though I do not fear you, Listen to me, ere we part. Edmunds. List to you! Yes, I will hear you. Squire. Yours alone is Lucy’s heart, I swear it, by that heav’n above me. Edmunds. What! can I believe my ears! Could I hope that she still loves me. Squire. Banish all these doubts and fears, If a love were e’er worth gaining, If love were ever fond and true, No disguise or passion feigning, Such is her young love for you. Squire. Listen, though I do not fear you, Listen to me, ere we part. Edmunds. List to you! yes, I will hear you. Mine alone is her young heart.
Publication Type
E.g. newspaper/serial
Play
Publication
The title of the newspaper/serial (if applicable)
The Village Coquettes, An Operatic Burletta in Two Acts
TEI File
Link to TEI file
<a href="https://dickenssearch.com/teibp/dist/content/1836_The_Village_Coquettes_Duett_Squire_Edmonds_and_Norton.xml" target="_blank" rel="noopener">'Duett: Squire, Edmunds, and Norton.' <em>The Village Coquettes, An Operatic Burletta in Two Acts</em> (1836).</a>
Dublin Core
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Title
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'Duett: Squire, Edmunds, and Norton'
Creator
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Dickens, Charles
Source
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<p class="p1"><i>The Village Coquettes, An Operatic Burletta in Two Acts </i>(1836). London: John Dicks, p.15.</p>
Internet Archive, <a href="https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater" target="_blank" rel="noopener">https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater</a>.
Date
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1836
Contributor
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Hullah, John
Rights
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<p class="p1"><i>Internet</i><span> <em>Archive</em>: Access to the Archive’s Collections is provided at no cost and is granted for scholarship and research purposes only (</span><span class="s1"><a href="https://archive.org/about/terms.php" target="_blank" rel="noopener">https://archive.org/about/terms.php</a>).</span></p>
Type
The nature or genre of the resource
Song
Identifier
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1836-The_Village_Coquettes_Duett_Squire_Edmunds_and_Norton
Bibliographic Citation
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<p class="p1">Dickens, Charles. 'Duett: Squire, Edmunds, and Norton.' <i>The Village Coquettes </i>(1836): p. 15. <i>Dickens Search. </i>Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836-The_Village_Coquettes_Duett_Squire_Edmunds_and_Norton">https://dickenssearch.com/verse/1836-The_Village_Coquettes_Duett_Squire_Edmunds_and_Norton</a>.</p>
Description
An account of the resource
From <em>The Village Coquettes, An Operatic Burletta in Two Acts </em>(1836). Music by John Hullah.
Scripto
Transcription
A written representation of a document.
<p><span style="font-weight: 400;"><em>Squire.</em> Listen, though I do not fear you,</span></p>
<p><span style="font-weight: 400;">Listen to me, ere we part.</span></p>
<br />
<p><span style="font-weight: 400;"><em>Edmunds</em>. List to you! Yes, I will hear you.</span></p>
<br />
<p><span style="font-weight: 400;"><em>Squire.</em> Yours alone is Lucy’s heart,</span></p>
<p><span style="font-weight: 400;">I swear it, by that heav’n above me.</span></p>
<br />
<p><span style="font-weight: 400;"><em>Edmunds.</em> What! can I believe my ears! </span></p>
<p><span style="font-weight: 400;">Could I hope that she still loves me.</span></p>
<br />
<p><span style="font-weight: 400;"><em>Squire.</em> Banish all these doubts and fears,</span></p>
<p><span style="font-weight: 400;">If a love were e’er worth gaining,</span></p>
<p><span style="font-weight: 400;">If love were ever fond and true,</span></p>
<p><span style="font-weight: 400;">No disguise or passion feigning,</span></p>
<p><span style="font-weight: 400;">Such is her young love for you.</span></p>
<br />
<p><span style="font-weight: 400;"><em>Squire.</em> Listen, though I do not fear you,</span></p>
<p><span style="font-weight: 400;">Listen to me, ere we part.</span></p>
<p><span style="font-weight: 400;"><em>Edmunds.</em> List to you! yes, I will hear you.</span></p>
<p><span style="font-weight: 400;">Mine alone is her young heart.</span></p>
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Verse
Description
An account of the resource
<h4>This collection brings together the most complete set of Dickens's verse to date, supplementing the work of existing editions with previously uncollected poems Dickens contributed to albums, or wrote anonymously.</h4>
Though such productions receive scant attention from scholars interested in his fiction and journalism, Dickens composed a surprising amount of verse. It was a genre in which he evidently felt much less at home (and financially rewarded) than when writing in prose. However, several poems gained popular favour during his lifetime; that so many were <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">written to be set to music</a> indicates the permeable boundary between metered verse functioning as poem or song in the nineteenth century, and may explain why some of Dickens’s poems were more enduringly popular than others. Notably, <a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green">'The Ivy Green'</a> from <em>Pickwick Papers</em> (1837), a story of time’s inexorable passing, was frequently republished in newspapers.<br /><br />Several poems written to young ladies of Dickens’s acquaintance are released on <em>Dickens Search</em> as part of the author’s poetic output for the first time, testifying to the author’s ability to write impromptu poetry and gallantly turn a phrase. Since keeping <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album&collection=&type=&tags=&date_search_term=&submit_search=Search+For+Items">autograph albums</a> was a popular pastime for women in the Victorian era, it is possible that further examples of such activity remain to be discovered in various archives and private collections.<br /><br />When writing <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter&collection=3&type=&tags=&date_search_term=&submit_search=Search+For+Items">letters</a> to friends, Dickens occasionally included comedic poems for the recipient. Several of these are included. Considering the enormity of Dickens’s correspondence, likely more instances of this sort of poetic humour will result over time.<br /><br /><a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaphs</a> Dickens wrote for friends and family, whether used or not, are included with Dickens's other verse for the first time. Users can also browse <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">verse from Dickens's plays</a>, including songs removed from <em>The Strange Gentleman </em>and <em>Is She His Wife? Or, Something Singular! </em>before performance.<br /><br />Care is necessary when verifying the accuracy of these poems, as some are misattributed to Dickens. Widespread reprintings of 'Dickens poems' in nineteenth-century newspapers are insufficient evidence for authorial attribution, owing to the mistakes intentionally or inadvertently made in ascribing authorship.<br /><br />An unusual example of a poem that is and is not by Dickens, the lines of 'Little Nell’s Funeral' are taken, with minimal alterations, from Chapter 72 of <em>The Old Curiosity Shop</em>. An instance of the strikingly lyrical quality of Dickens’s sentimental prose, they were divided into metered, unrhymed verse by M.A.H. for the 1849 collection <em>Echoes of Infant Voices</em>. Because Dickens did not intend for this passage to be structured in verse form, the poem is not included in the poetry collection of <em>Dickens Search</em>. <a href="https://dickenssearch.com/poetry-dickens-didnt-write">Read our blog post for more on poetry Dickens <em>didn't </em>write.</a><br /><br />Occasionally, Dickens will quote a poem by another author, as in his burlesque <em>Is She his Wife? Or, Something Singular!</em> (1836). The character Mr Felix Tapkins launches into a short hunting song beginning 'The wife around her husband throws/Her arms to make him stay'. As William Chappell noted in 1840, this is a well-known variant of 'A Hunting We Will Go' (1777), by Thomas Arne, though he misattributes its composition to Henry Fielding.<br /><br />Previous notable collections of some of Dickens's poetry include <em>The Plays and Poems of Charles Dickens</em> (1882) edited by Richard Herne Shepherd and <em>The Poems and Verses of Charles Dickens</em> (1903) edited by Frederic G. Kitton.<br /><br />Caution has been taken when ascertaining that each poem is indeed by Dickens. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or other poems written by Dickens.<br /><br />1. Robert Butterworth. 'The Hymn of the Wiltshire Labourers.' <em>The Dickensian</em> 516.118.1 (Spring 2022): pp. 43-56; Eva-Charlotta Mebius. 'Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens.' <em>Dickens Quarterly</em> 34.3 (September 2017): pp. 256-261; Robert C. Hanna. 'Before Boz; The Juvenilia and Early Writings of Charles Dickens, 1820-1833'. <em>Dickens Studies Annual</em> 40 (2009): pp. 231-364.
Identifier
An unambiguous reference to the resource within a given context
verse
Contributor
An entity responsible for making contributions to the resource
Emily Bell; Lydia Craig
Poem
Publication Type
E.g. newspaper/serial
Play
Publication
The title of the newspaper/serial (if applicable)
The Strange Gentleman
TEI File
Link to TEI file
<a href="https://dickenssearch.com/teibp/dist/content/1836_The_Strange_Gentleman_Duett.xml" target="_blank" rel="noopener">'Duett.' <em>The Strange Gentleman </em>(Lord Chamberlain’s Copy, 1836).</a>
Ngram Date
Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.
18360101
Ngram Text
Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.
Around the feet of smiling love In Wanton Gambols Myriads play – Like Summer Zephyr’s in the Sun And scatter roses in his way. – A wreath entwine Of bays divine To Crown the boy. With songs of praise Our voice we’ll raise To sing love’s joy.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
'Duett'
Description
An account of the resource
From Act 1, Scene 1 of <em>The Strange Gentleman</em> (Lord Chamberlain’s Copy, 1836).
Creator
An entity primarily responsible for making the resource
Dickens, Charles
Source
A related resource from which the described resource is derived
Lord Chamberlain’s Copy, British Library.
<span>'Duett.' <em>The Strange</em> <em>Gentleman</em>. </span><em>The Letters of Charles Dickens. The</em><span> </span><em>Pilgrim Edition.<span> </span></em><span>Edited by Madeline House and Graham Storey. Volume 1 (1820-1839), p. 696. Oxford University Press, 1965.</span>
Date
A point or period of time associated with an event in the lifecycle of the resource
1836
Identifier
An unambiguous reference to the resource within a given context
1836_The_Strange_Gentleman_Duett
Bibliographic Citation
A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.
Dickens, Charles. 'Duett.' <em>The Strange Gentleman</em> (1836). <em>Dickens Search</em>. Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836_The_Strange_Gentleman_Duett">https://dickenssearch.com/verse/1836_The_Strange_Gentleman_Duett</a>.
Type
The nature or genre of the resource
Song
Scripto
Transcription
A written representation of a document.
Around the feet of smiling love<br />In Wanton Gambols Myriads play –<br />Like Summer Zephyr’s in the Sun<br />And scatter roses in his way. –<br />A wreath entwine<br />Of bays divine<br />To Crown the boy.<br />With songs of praise<br />Our voice we’ll raise<br />To sing love’s joy.
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Verse
Description
An account of the resource
<h4>This collection brings together the most complete set of Dickens's verse to date, supplementing the work of existing editions with previously uncollected poems Dickens contributed to albums, or wrote anonymously.</h4>
Though such productions receive scant attention from scholars interested in his fiction and journalism, Dickens composed a surprising amount of verse. It was a genre in which he evidently felt much less at home (and financially rewarded) than when writing in prose. However, several poems gained popular favour during his lifetime; that so many were <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">written to be set to music</a> indicates the permeable boundary between metered verse functioning as poem or song in the nineteenth century, and may explain why some of Dickens’s poems were more enduringly popular than others. Notably, <a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green">'The Ivy Green'</a> from <em>Pickwick Papers</em> (1837), a story of time’s inexorable passing, was frequently republished in newspapers.<br /><br />Several poems written to young ladies of Dickens’s acquaintance are released on <em>Dickens Search</em> as part of the author’s poetic output for the first time, testifying to the author’s ability to write impromptu poetry and gallantly turn a phrase. Since keeping <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album&collection=&type=&tags=&date_search_term=&submit_search=Search+For+Items">autograph albums</a> was a popular pastime for women in the Victorian era, it is possible that further examples of such activity remain to be discovered in various archives and private collections.<br /><br />When writing <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter&collection=3&type=&tags=&date_search_term=&submit_search=Search+For+Items">letters</a> to friends, Dickens occasionally included comedic poems for the recipient. Several of these are included. Considering the enormity of Dickens’s correspondence, likely more instances of this sort of poetic humour will result over time.<br /><br /><a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaphs</a> Dickens wrote for friends and family, whether used or not, are included with Dickens's other verse for the first time. Users can also browse <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">verse from Dickens's plays</a>, including songs removed from <em>The Strange Gentleman </em>and <em>Is She His Wife? Or, Something Singular! </em>before performance.<br /><br />Care is necessary when verifying the accuracy of these poems, as some are misattributed to Dickens. Widespread reprintings of 'Dickens poems' in nineteenth-century newspapers are insufficient evidence for authorial attribution, owing to the mistakes intentionally or inadvertently made in ascribing authorship.<br /><br />An unusual example of a poem that is and is not by Dickens, the lines of 'Little Nell’s Funeral' are taken, with minimal alterations, from Chapter 72 of <em>The Old Curiosity Shop</em>. An instance of the strikingly lyrical quality of Dickens’s sentimental prose, they were divided into metered, unrhymed verse by M.A.H. for the 1849 collection <em>Echoes of Infant Voices</em>. Because Dickens did not intend for this passage to be structured in verse form, the poem is not included in the poetry collection of <em>Dickens Search</em>. <a href="https://dickenssearch.com/poetry-dickens-didnt-write">Read our blog post for more on poetry Dickens <em>didn't </em>write.</a><br /><br />Occasionally, Dickens will quote a poem by another author, as in his burlesque <em>Is She his Wife? Or, Something Singular!</em> (1836). The character Mr Felix Tapkins launches into a short hunting song beginning 'The wife around her husband throws/Her arms to make him stay'. As William Chappell noted in 1840, this is a well-known variant of 'A Hunting We Will Go' (1777), by Thomas Arne, though he misattributes its composition to Henry Fielding.<br /><br />Previous notable collections of some of Dickens's poetry include <em>The Plays and Poems of Charles Dickens</em> (1882) edited by Richard Herne Shepherd and <em>The Poems and Verses of Charles Dickens</em> (1903) edited by Frederic G. Kitton.<br /><br />Caution has been taken when ascertaining that each poem is indeed by Dickens. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or other poems written by Dickens.<br /><br />1. Robert Butterworth. 'The Hymn of the Wiltshire Labourers.' <em>The Dickensian</em> 516.118.1 (Spring 2022): pp. 43-56; Eva-Charlotta Mebius. 'Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens.' <em>Dickens Quarterly</em> 34.3 (September 2017): pp. 256-261; Robert C. Hanna. 'Before Boz; The Juvenilia and Early Writings of Charles Dickens, 1820-1833'. <em>Dickens Studies Annual</em> 40 (2009): pp. 231-364.
Identifier
An unambiguous reference to the resource within a given context
verse
Contributor
An entity responsible for making contributions to the resource
Emily Bell; Lydia Craig
Poem
Publication Type
E.g. newspaper/serial
Letter
TEI File
Link to TEI file
<a href="https://dickenssearch.com/teibp/dist/content/1849-12-03_Letter_To_Mary_Boyle_Elegy.xml" target="_blank" rel="noopener"><span>'Elegy' (3 December 1849).</span></a>
Ngram Date
Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.
18491203
Ngram Text
Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.
Written in a country churchyard. The small dog Spitz has given a shrill bark, And gone off with her tail uprais’d in air; I don’t know where she’s gone, it is so dark, And (what is more) I don’t think that I care. Now the gloom deepens like to that thick gloom Of which the Master of the School once spoke, Which can’t be swept away by any broom, And hangs enshrouding all things, like dense smoke. Within yon Castle Walls, of old admired, Where winking tapers in the windows doze, Each to a chamber snug and warm retir’d, Toe royst’ring wights of Rockingham repose! From them no more does Lady Teazle win Applause, fit tribute to her graces quaint: For them no more Sir Peter daubs his skin And looks out from a mist of flour and paint. The modest check and mien of “the young man”, The lunatic in custody next door, The mirth which Mrs Nickleby began, No longer interrupt their low-drawn snore. No more the host, as if he dealt at cards, Smiling deals lighted candles all about: No more the Fair inclusive of the Bard’s) Persist in blowing all the candles out. No more the Fair prolong the cheerful tread Of dancing feet until the lights low burn: No more the host, when they are gone to bed, Quickly retreats, foreboding their return. Let not Convention mock the cap and bells Which certain heads are not too wise to wear, Nor loftily disdain the voice that tells How harmless trifling purifies the air! Full many an impulse, generous and good, Has sprung from a light heart in cheery hours: Full many a wounded creature has withstood The thorns of life, rememb’ring its wild flowers. And so, may conjurors within that hall Again large watches cut, from loaves of bread: Again hot puddings bring, with magic call, From the hat sacred to a rev’rend head! For him who, mindful of that honored time, Does in these lines its artless tale relate, So read his fate in very feeble rhyme Written in chalk upon the churchyard Gate! The Epitaph Here rests his head upon his native soil A Youth who lived once, in the public whim: His death occasion’d by a mortal Boil, Which settled on his brain, and settled him.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
'Elegy'
Description
An account of the resource
From a letter to Mary Boyle (3 December 1849).
Creator
An entity primarily responsible for making the resource
Dickens, Charles
Source
A related resource from which the described resource is derived
'Elegy.' <em>The Letters of Charles Dickens. The Pilgrim Edition. </em><span>Edited by Graham Storey and K. J. Fielding. Volume 5 (1847-1849), p. 708-709. Oxford University Press, 1980.</span>
Date
A point or period of time associated with an event in the lifecycle of the resource
1849-12-03
Relation
A related resource
Parody of Thomas Gray's 'Elegy Written in a Country Churchyard'.
Type
The nature or genre of the resource
Poem
Identifier
An unambiguous reference to the resource within a given context
1849-12-03_Letter_To_Mary_Boyle_Elegy
Bibliographic Citation
A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.
<span>Dickens, Charles. 'Elegy' (3 December 1849). </span><em>Dickens Search.</em><span> Eds. Emily Bell and Lydia Craig. Accessed [date]. </span><a href="https://dickenssearch.com/verse/1849-12-03_Letter_To_Mary_Boyle_Elegy" target="_blank" rel="noopener">https://dickenssearch.com/verse/1849-12-03_Letter_To_Mary_Boyle_Elegy</a>.
Scripto
Transcription
A written representation of a document.
Written in a country churchyard.<br /><br />The small dog Spitz has given a shrill bark,<br />And gone off with her tail uprais’d in air;<br />I don’t know where she’s gone, it is so dark,<br />And (what is more) I don’t think that I care.<br /><br />Now the gloom deepens like to that thick gloom<br />Of which the Master of the School once spoke,<br />Which can’t be swept away by any broom,<br />And hangs enshrouding all things, like dense smoke.<br /><br />Within yon Castle Walls, of old admired,<br />Where winking tapers in the windows doze,<br />Each to a chamber snug and warm retir’d,<br />Toe royst’ring wights of Rockingham repose!<br /><br />From them no more does Lady Teazle win<br />Applause, fit tribute to her graces quaint:<br />For them no more Sir Peter daubs his skin<br />And looks out from a mist of flour and paint.<br /><br />The modest check and mien of “the young man”,<br />The lunatic in custody next door,<br />The mirth which Mrs Nickleby began,<br />No longer interrupt their low-drawn snore.<br /><br />No more the host, as if he dealt at cards,<br />Smiling deals lighted candles all about:<br />No more the Fair inclusive of the Bard’s)<br />Persist in blowing all the candles out.<br /><br />No more the Fair prolong the cheerful tread<br />Of dancing feet until the lights low burn:<br />No more the host, when they are gone to bed,<br />Quickly retreats, foreboding their return.<br /><br />Let not Convention mock the cap and bells<br />Which certain heads are not too wise to wear,<br />Nor loftily disdain the voice that tells<br />How harmless trifling purifies the air!<br /><br />Full many an impulse, generous and good,<br />Has sprung from a light heart in cheery hours:<br />Full many a wounded creature has withstood<br />The thorns of life, rememb’ring its wild flowers.<br /><br />And so, may conjurors within that hall<br />Again large watches cut, from loaves of bread:<br />Again hot puddings bring, with magic call,<br />From the hat sacred to a rev’rend head!<br /><br />For him who, mindful of that honored time,<br />Does in these lines its artless tale relate,<br />So read his fate in very feeble rhyme<br />Written in chalk upon the churchyard Gate!<br /><br />
<h4>The Epitaph</h4>
Here rests his head upon his native soil<br />A Youth who lived once, in the public whim:<br />His death occasion’d by a mortal Boil,<br />Which settled on his brain, and settled him.
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Verse
Description
An account of the resource
<h4>This collection brings together the most complete set of Dickens's verse to date, supplementing the work of existing editions with previously uncollected poems Dickens contributed to albums, or wrote anonymously.</h4>
Though such productions receive scant attention from scholars interested in his fiction and journalism, Dickens composed a surprising amount of verse. It was a genre in which he evidently felt much less at home (and financially rewarded) than when writing in prose. However, several poems gained popular favour during his lifetime; that so many were <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">written to be set to music</a> indicates the permeable boundary between metered verse functioning as poem or song in the nineteenth century, and may explain why some of Dickens’s poems were more enduringly popular than others. Notably, <a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green">'The Ivy Green'</a> from <em>Pickwick Papers</em> (1837), a story of time’s inexorable passing, was frequently republished in newspapers.<br /><br />Several poems written to young ladies of Dickens’s acquaintance are released on <em>Dickens Search</em> as part of the author’s poetic output for the first time, testifying to the author’s ability to write impromptu poetry and gallantly turn a phrase. Since keeping <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album&collection=&type=&tags=&date_search_term=&submit_search=Search+For+Items">autograph albums</a> was a popular pastime for women in the Victorian era, it is possible that further examples of such activity remain to be discovered in various archives and private collections.<br /><br />When writing <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter&collection=3&type=&tags=&date_search_term=&submit_search=Search+For+Items">letters</a> to friends, Dickens occasionally included comedic poems for the recipient. Several of these are included. Considering the enormity of Dickens’s correspondence, likely more instances of this sort of poetic humour will result over time.<br /><br /><a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaphs</a> Dickens wrote for friends and family, whether used or not, are included with Dickens's other verse for the first time. Users can also browse <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">verse from Dickens's plays</a>, including songs removed from <em>The Strange Gentleman </em>and <em>Is She His Wife? Or, Something Singular! </em>before performance.<br /><br />Care is necessary when verifying the accuracy of these poems, as some are misattributed to Dickens. Widespread reprintings of 'Dickens poems' in nineteenth-century newspapers are insufficient evidence for authorial attribution, owing to the mistakes intentionally or inadvertently made in ascribing authorship.<br /><br />An unusual example of a poem that is and is not by Dickens, the lines of 'Little Nell’s Funeral' are taken, with minimal alterations, from Chapter 72 of <em>The Old Curiosity Shop</em>. An instance of the strikingly lyrical quality of Dickens’s sentimental prose, they were divided into metered, unrhymed verse by M.A.H. for the 1849 collection <em>Echoes of Infant Voices</em>. Because Dickens did not intend for this passage to be structured in verse form, the poem is not included in the poetry collection of <em>Dickens Search</em>. <a href="https://dickenssearch.com/poetry-dickens-didnt-write">Read our blog post for more on poetry Dickens <em>didn't </em>write.</a><br /><br />Occasionally, Dickens will quote a poem by another author, as in his burlesque <em>Is She his Wife? Or, Something Singular!</em> (1836). The character Mr Felix Tapkins launches into a short hunting song beginning 'The wife around her husband throws/Her arms to make him stay'. As William Chappell noted in 1840, this is a well-known variant of 'A Hunting We Will Go' (1777), by Thomas Arne, though he misattributes its composition to Henry Fielding.<br /><br />Previous notable collections of some of Dickens's poetry include <em>The Plays and Poems of Charles Dickens</em> (1882) edited by Richard Herne Shepherd and <em>The Poems and Verses of Charles Dickens</em> (1903) edited by Frederic G. Kitton.<br /><br />Caution has been taken when ascertaining that each poem is indeed by Dickens. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or other poems written by Dickens.<br /><br />1. Robert Butterworth. 'The Hymn of the Wiltshire Labourers.' <em>The Dickensian</em> 516.118.1 (Spring 2022): pp. 43-56; Eva-Charlotta Mebius. 'Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens.' <em>Dickens Quarterly</em> 34.3 (September 2017): pp. 256-261; Robert C. Hanna. 'Before Boz; The Juvenilia and Early Writings of Charles Dickens, 1820-1833'. <em>Dickens Studies Annual</em> 40 (2009): pp. 231-364.
Identifier
An unambiguous reference to the resource within a given context
verse
Contributor
An entity responsible for making contributions to the resource
Emily Bell; Lydia Craig
Poem
Publication Type
E.g. newspaper/serial
Letter
TEI File
Link to TEI file
<a href="https://dickenssearch.com/teibp/dist/content/1842-04-04_Epitaph_Charles_Irving.xml" target="_blank" rel="noopener"><span>'Epitaph of Charles Irving' (4 April 1842).</span></a>
Ngram Text
Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.
This is the Grave of A Little Child, Whom God in his goodness Called to a Bright Eternity, When he was very young. Hard as it is For Human Affection To reconcile itself To Death, In any shape; (And most of all, perhaps, At First, In This) His parents Can even now believe That it will be a consolation to them, Throughout Their Lives, And when they shall have grown old And grey, Always to think of him As a Child, In Heaven. “And Jesus called a little child unto Him, and set him in the midst of them” He was the son of A and M Thornton. Christened CHARLES IRVING He was born on the 20th day of January 1841, And he died on the 12th day of March 1842. Having lived only Thirteen Months, and nine days.
Ngram Date
Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.
18420404
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
'Epitaph of Charles Irving'
Description
An account of the resource
From a letter to Dr F. H. Deane (4 April 1842).
Creator
An entity primarily responsible for making the resource
Dickens, Charles
Source
A related resource from which the described resource is derived
'To Dr F. H. Deane.' <em>The Letters of Charles Dickens. The Pilgrim Edition. </em>Edited by Madeline House, Graham Storey and Kathleen Tillotson. Volume 3 (1842-1843), p. 187. Oxford University Press, 1974.
Date
A point or period of time associated with an event in the lifecycle of the resource
1842-04-04
Type
The nature or genre of the resource
Epitaph
Identifier
An unambiguous reference to the resource within a given context
1842-04-04_Epitaph_Charles_Irving
Bibliographic Citation
A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.
<span>Dickens, Charles. 'Epitaph of Charles Irving' (4 April 1842). </span><em>Dickens Search.</em><span> Eds. Emily Bell and Lydia Craig. Accessed [date]. </span><a href="https://dickenssearch.com/verse/1842-04-04_Epitaph_Charles_Irving">https://dickenssearch.com/verse/1842-04-04_Epitaph_Charles_Irving</a>.
Scripto
Transcription
A written representation of a document.
<div style="text-align: center;">This is the Grave</div>
<div style="text-align: center;">of</div>
<div style="text-align: center;">A Little Child,</div>
<div style="text-align: center;">Whom God in his goodness</div>
<div style="text-align: center;">Called to a Bright Eternity,</div>
<div style="text-align: center;">When he was very young.</div>
<div style="text-align: center;">Hard as it is</div>
<div style="text-align: center;">For Human Affection</div>
<div style="text-align: center;">To reconcile itself</div>
<div style="text-align: center;">To Death,</div>
<div style="text-align: center;">In any shape;</div>
<div style="text-align: center;">(And most of all, perhaps,</div>
<div style="text-align: center;">At First,</div>
<div style="text-align: center;">In This)</div>
<div style="text-align: center;">His parents</div>
<div style="text-align: center;">Can even now believe</div>
<div style="text-align: center;">That it will be a consolation to them,</div>
<div style="text-align: center;">Throughout Their Lives,</div>
<div style="text-align: center;">And when they shall have grown old</div>
<div style="text-align: center;">And grey,</div>
<div style="text-align: center;">Always to think of him</div>
<div style="text-align: center;"><em>As a Child</em>,</div>
<div style="text-align: center;">In Heaven. </div>
<div style="text-align: center;"><br /><br /></div>
<div style="text-align: center;">“And Jesus called a little child unto</div>
<div style="text-align: center;">Him, and set him in the midst of them” </div>
<div style="text-align: center;"><br /><br /></div>
<div style="text-align: center;">He was the son of A and M Thornton.</div>
<div style="text-align: center;">Christened CHARLES IRVING</div>
<div style="text-align: center;">He was born on the 20<sup>th</sup> day of January 1841,</div>
<div style="text-align: center;">And he died on the 12<sup>th</sup> day of March 1842.</div>
<div style="text-align: center;">Having lived only Thirteen Months, and nine days.</div>
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Verse
Description
An account of the resource
<h4>This collection brings together the most complete set of Dickens's verse to date, supplementing the work of existing editions with previously uncollected poems Dickens contributed to albums, or wrote anonymously.</h4>
Though such productions receive scant attention from scholars interested in his fiction and journalism, Dickens composed a surprising amount of verse. It was a genre in which he evidently felt much less at home (and financially rewarded) than when writing in prose. However, several poems gained popular favour during his lifetime; that so many were <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">written to be set to music</a> indicates the permeable boundary between metered verse functioning as poem or song in the nineteenth century, and may explain why some of Dickens’s poems were more enduringly popular than others. Notably, <a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green">'The Ivy Green'</a> from <em>Pickwick Papers</em> (1837), a story of time’s inexorable passing, was frequently republished in newspapers.<br /><br />Several poems written to young ladies of Dickens’s acquaintance are released on <em>Dickens Search</em> as part of the author’s poetic output for the first time, testifying to the author’s ability to write impromptu poetry and gallantly turn a phrase. Since keeping <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album&collection=&type=&tags=&date_search_term=&submit_search=Search+For+Items">autograph albums</a> was a popular pastime for women in the Victorian era, it is possible that further examples of such activity remain to be discovered in various archives and private collections.<br /><br />When writing <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter&collection=3&type=&tags=&date_search_term=&submit_search=Search+For+Items">letters</a> to friends, Dickens occasionally included comedic poems for the recipient. Several of these are included. Considering the enormity of Dickens’s correspondence, likely more instances of this sort of poetic humour will result over time.<br /><br /><a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaphs</a> Dickens wrote for friends and family, whether used or not, are included with Dickens's other verse for the first time. Users can also browse <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">verse from Dickens's plays</a>, including songs removed from <em>The Strange Gentleman </em>and <em>Is She His Wife? Or, Something Singular! </em>before performance.<br /><br />Care is necessary when verifying the accuracy of these poems, as some are misattributed to Dickens. Widespread reprintings of 'Dickens poems' in nineteenth-century newspapers are insufficient evidence for authorial attribution, owing to the mistakes intentionally or inadvertently made in ascribing authorship.<br /><br />An unusual example of a poem that is and is not by Dickens, the lines of 'Little Nell’s Funeral' are taken, with minimal alterations, from Chapter 72 of <em>The Old Curiosity Shop</em>. An instance of the strikingly lyrical quality of Dickens’s sentimental prose, they were divided into metered, unrhymed verse by M.A.H. for the 1849 collection <em>Echoes of Infant Voices</em>. Because Dickens did not intend for this passage to be structured in verse form, the poem is not included in the poetry collection of <em>Dickens Search</em>. <a href="https://dickenssearch.com/poetry-dickens-didnt-write">Read our blog post for more on poetry Dickens <em>didn't </em>write.</a><br /><br />Occasionally, Dickens will quote a poem by another author, as in his burlesque <em>Is She his Wife? Or, Something Singular!</em> (1836). The character Mr Felix Tapkins launches into a short hunting song beginning 'The wife around her husband throws/Her arms to make him stay'. As William Chappell noted in 1840, this is a well-known variant of 'A Hunting We Will Go' (1777), by Thomas Arne, though he misattributes its composition to Henry Fielding.<br /><br />Previous notable collections of some of Dickens's poetry include <em>The Plays and Poems of Charles Dickens</em> (1882) edited by Richard Herne Shepherd and <em>The Poems and Verses of Charles Dickens</em> (1903) edited by Frederic G. Kitton.<br /><br />Caution has been taken when ascertaining that each poem is indeed by Dickens. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or other poems written by Dickens.<br /><br />1. Robert Butterworth. 'The Hymn of the Wiltshire Labourers.' <em>The Dickensian</em> 516.118.1 (Spring 2022): pp. 43-56; Eva-Charlotta Mebius. 'Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens.' <em>Dickens Quarterly</em> 34.3 (September 2017): pp. 256-261; Robert C. Hanna. 'Before Boz; The Juvenilia and Early Writings of Charles Dickens, 1820-1833'. <em>Dickens Studies Annual</em> 40 (2009): pp. 231-364.
Identifier
An unambiguous reference to the resource within a given context
verse
Contributor
An entity responsible for making contributions to the resource
Emily Bell; Lydia Craig
Poem
Publication Type
E.g. newspaper/serial
Letter
TEI File
Link to TEI file
<a href="https://dickenssearch.com/teibp/dist/content/1841-11-26_Epitaph_Katherine_Thomson.xml" target="_blank" rel="noopener"><span>'Epitaph of Katherine Thomson' (26 November 1841).</span></a>
Ngram Date
Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.
18411126
Ngram Text
Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.
Sacred to the ashes of Katherine Thomson, For Sixty Years The dear Wife of George Thomson of Edinburgh. She died at Brompton on the Thirteenth of October 1841; Closing at the age of Seventy Five, a life of affectionate devotion and domestic excellence. Reader! The adjoining grave Is that of her Grandchild who died In the early bloom of womanhood. This Is the resting-place of one whose honoured head was gray. It is hard to lose Those whom we fondly love at any time; But it is a happy thing To believe That in Eternity There is perpetual youth and happiness For all. The will of God be done!
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
'Epitaph of Katherine Thomson'
Description
An account of the resource
From a letter to George Thomson (26 November 1841).
Creator
An entity primarily responsible for making the resource
Dickens, Charles.
Source
A related resource from which the described resource is derived
Sack, O. 'An Epitaph by Charles Dickens.' <em>The Dickensian</em> 10.9 (1914): 234-237.
Date
A point or period of time associated with an event in the lifecycle of the resource
1841-11-26
Type
The nature or genre of the resource
Epitaph
Identifier
An unambiguous reference to the resource within a given context
1841-11-26_Epitaph_Katherine_Thomson
Bibliographic Citation
A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.
<span>Dickens, Charles. 'Epitaph of Katherine Thomson' (26 November 1841). </span><em>Dickens Search.</em><span> Eds. Emily Bell and Lydia Craig. Accessed [date]. </span><a href="https://dickenssearch.com/verse/ 1841-11-26_Epitaph_Katherine_Thomson" target="_blank" rel="noopener">https://dickenssearch.com/verse/1841-11-26_Epitaph_Katherine_Thomson</a>.
Scripto
Transcription
A written representation of a document.
<div style="text-align: center;">Sacred to the ashes</div>
<div style="text-align: center;">of</div>
<div style="text-align: center;">Katherine Thomson,</div>
<div style="text-align: center;">For Sixty Years</div>
<div style="text-align: center;">The dear Wife</div>
<div style="text-align: center;">of</div>
<div style="text-align: center;">George Thomson</div>
<div style="text-align: center;">of Edinburgh.</div>
<div style="text-align: center;">She died at Brompton</div>
<div style="text-align: center;">on the Thirteenth of October 1841; Closing</div>
<div style="text-align: center;">at the age of Seventy Five,</div>
<div style="text-align: center;">a life</div>
<div style="text-align: center;">of affectionate devotion</div>
<div style="text-align: center;">and domestic excellence. Reader!</div>
<div style="text-align: center;">The adjoining grave</div>
<div style="text-align: center;">Is that of her Grandchild</div>
<div style="text-align: center;">who died</div>
<div style="text-align: center;">In the early bloom of womanhood.</div>
<div style="text-align: center;">This</div>
<div style="text-align: center;">Is the resting-place</div>
<div style="text-align: center;">of one</div>
<div style="text-align: center;">whose honoured head</div>
<div style="text-align: center;">was gray.</div>
<div style="text-align: center;">It is hard to lose</div>
<div style="text-align: center;">Those whom we fondly love</div>
<div style="text-align: center;">at any time;</div>
<div style="text-align: center;">But it is a happy thing</div>
<div style="text-align: center;">To believe</div>
<div style="text-align: center;">That in Eternity</div>
<div style="text-align: center;">There is perpetual youth</div>
<div style="text-align: center;">and happiness</div>
<div style="text-align: center;">For all.</div>
<div style="text-align: center;">The will of God be done!</div>
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Verse
Description
An account of the resource
<h4>This collection brings together the most complete set of Dickens's verse to date, supplementing the work of existing editions with previously uncollected poems Dickens contributed to albums, or wrote anonymously.</h4>
Though such productions receive scant attention from scholars interested in his fiction and journalism, Dickens composed a surprising amount of verse. It was a genre in which he evidently felt much less at home (and financially rewarded) than when writing in prose. However, several poems gained popular favour during his lifetime; that so many were <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">written to be set to music</a> indicates the permeable boundary between metered verse functioning as poem or song in the nineteenth century, and may explain why some of Dickens’s poems were more enduringly popular than others. Notably, <a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green">'The Ivy Green'</a> from <em>Pickwick Papers</em> (1837), a story of time’s inexorable passing, was frequently republished in newspapers.<br /><br />Several poems written to young ladies of Dickens’s acquaintance are released on <em>Dickens Search</em> as part of the author’s poetic output for the first time, testifying to the author’s ability to write impromptu poetry and gallantly turn a phrase. Since keeping <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album&collection=&type=&tags=&date_search_term=&submit_search=Search+For+Items">autograph albums</a> was a popular pastime for women in the Victorian era, it is possible that further examples of such activity remain to be discovered in various archives and private collections.<br /><br />When writing <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter&collection=3&type=&tags=&date_search_term=&submit_search=Search+For+Items">letters</a> to friends, Dickens occasionally included comedic poems for the recipient. Several of these are included. Considering the enormity of Dickens’s correspondence, likely more instances of this sort of poetic humour will result over time.<br /><br /><a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaphs</a> Dickens wrote for friends and family, whether used or not, are included with Dickens's other verse for the first time. Users can also browse <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">verse from Dickens's plays</a>, including songs removed from <em>The Strange Gentleman </em>and <em>Is She His Wife? Or, Something Singular! </em>before performance.<br /><br />Care is necessary when verifying the accuracy of these poems, as some are misattributed to Dickens. Widespread reprintings of 'Dickens poems' in nineteenth-century newspapers are insufficient evidence for authorial attribution, owing to the mistakes intentionally or inadvertently made in ascribing authorship.<br /><br />An unusual example of a poem that is and is not by Dickens, the lines of 'Little Nell’s Funeral' are taken, with minimal alterations, from Chapter 72 of <em>The Old Curiosity Shop</em>. An instance of the strikingly lyrical quality of Dickens’s sentimental prose, they were divided into metered, unrhymed verse by M.A.H. for the 1849 collection <em>Echoes of Infant Voices</em>. Because Dickens did not intend for this passage to be structured in verse form, the poem is not included in the poetry collection of <em>Dickens Search</em>. <a href="https://dickenssearch.com/poetry-dickens-didnt-write">Read our blog post for more on poetry Dickens <em>didn't </em>write.</a><br /><br />Occasionally, Dickens will quote a poem by another author, as in his burlesque <em>Is She his Wife? Or, Something Singular!</em> (1836). The character Mr Felix Tapkins launches into a short hunting song beginning 'The wife around her husband throws/Her arms to make him stay'. As William Chappell noted in 1840, this is a well-known variant of 'A Hunting We Will Go' (1777), by Thomas Arne, though he misattributes its composition to Henry Fielding.<br /><br />Previous notable collections of some of Dickens's poetry include <em>The Plays and Poems of Charles Dickens</em> (1882) edited by Richard Herne Shepherd and <em>The Poems and Verses of Charles Dickens</em> (1903) edited by Frederic G. Kitton.<br /><br />Caution has been taken when ascertaining that each poem is indeed by Dickens. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or other poems written by Dickens.<br /><br />1. Robert Butterworth. 'The Hymn of the Wiltshire Labourers.' <em>The Dickensian</em> 516.118.1 (Spring 2022): pp. 43-56; Eva-Charlotta Mebius. 'Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens.' <em>Dickens Quarterly</em> 34.3 (September 2017): pp. 256-261; Robert C. Hanna. 'Before Boz; The Juvenilia and Early Writings of Charles Dickens, 1820-1833'. <em>Dickens Studies Annual</em> 40 (2009): pp. 231-364.
Identifier
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verse
Contributor
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Emily Bell; Lydia Craig
Poem
TEI File
Link to TEI file
<a href="https://dickenssearch.com/teibp/dist/content/1837-05_Epitaph_Mary_Hogarth.xml" target="_blank" rel="noopener"><span>'Epitaph of Mary Hogarth' (May 1837).</span></a>
Ngram Date
Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.
18370512
Ngram Text
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Mary Scott Hogarth Died 7th May 1837 Young Beautiful And Good God In His Mercy Numbered Her With His Angels At the Early Age Of Seventeen
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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'Epitaph of Mary Hogarth'
Description
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Composed after the death of Mary Hogarth on 7 May 1837 (May 1837).
Creator
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Dickens, Charles
Source
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<div id="dublin-core-source" class="element">
<div class="element-text"><span>'Epitaph of Mary Hogarth.' </span><em>The Letters of Charles Dickens. The</em><span> </span><em>Pilgrim Edition.<span> </span></em><span>Edited by Madeline House and Graham Storey. Volume 1 (1820-1839), p. 259<em>n</em>. Oxford University Press, 1965.</span></div>
</div>
Date
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1837-05
Type
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Epitaph
Identifier
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1837-05_Epitaph_Mary_Hogarth
Bibliographic Citation
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<span>Dickens, Charles. 'Epitaph of Mary Hogarth' (May 1837). </span><em>Dickens Search.</em><span> Eds. Emily Bell and Lydia Craig. Accessed [date]. </span><a href="https://dickenssearch.com/verse/ 1837-05_Epitaph_Mary_Hogarth" target="_blank" rel="noopener">https://dickenssearch.com/verse/<br />1837-05_Epitaph_Mary_Hogarth</a>.
Scripto
Transcription
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<div style="text-align: center;">Mary Scott Hogarth</div>
<div style="text-align: center;">Died 7th May 1837</div>
<div style="text-align: center;">Young Beautiful And Good</div>
<div style="text-align: center;">God In His Mercy</div>
<div style="text-align: center;">Numbered Her With His Angels</div>
<div style="text-align: center;">At the Early Age Of</div>
<div style="text-align: center;">Seventeen</div>