1 10 136 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. He spoke unaffectedly, he said, when he declared that his feelings were overpowered by receiving such an honour from such a company. He felt peculiarly embarrassed in acknowledging the toast, from the language in which it was couched. Wherever he looked around him he saw many more distinguished for ability than he could ever hope to be, to whom that honour might with far more justice have been awarded. He was proud to receive so friendly a shake of the hand from the old stagers, who sought to raise him up to their own level. The great discrepancy in the toast that had been drunk would have been in coupling them with ‘the rising authors of the day’. Now, the difference was that they had risen, while he at the most was only rising. He hoped that the rising authors would all feel it an honour to be connected with that institution, and that should he ever leave any literary work that should carry his name to posterity (a circumstance the least likely to happen) that it would also be known that the flattering encouragement he had that night received from his literary brethren had nerved him to future exertions, smoothed his path to the station he had gained, and animated his endeavour not to do other than justice to their kind praise. Location The location London Venue Where the speech was given Freemasons' Hall Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18370503 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Literary Fund Anniversary Festival 1837 Description An account of the resource Speech at the Literary Fund Anniversary Festival (3 May 1837). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1837-05-03 Identifier An unambiguous reference to the resource within a given context 1837-05-03_Speech_Literary-Fund-Anniversary-Festival Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'The Literary Fund Anniversary Festival' (3 May 1837). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1837-05-03_Speech_Literary-Fund-Anniversary-Festival">https://dickenssearch.com/speeches/1837-05-03_Speech_Literary-Fund-Anniversary-Festival</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. During the course of the evening, after the usual proceedings, one of the toasts proposed was ‘The health of the Royal Academicians’, which was acknowledged by their president, Sir Martin Archer Shee. ‘A Similar compliment to the Stewards was acknowledged by Mr. Dickens, whose presence we may add, gave no slight additional éclat to the affair, and whose name was received as a donor to the fund with such a burst of enthusiasm, again and again renewed, as we have never heard equalled in a meeting of this sort.’ Location The location London Venue Where the speech was given Freemasons' Tavern Publication Type E.g. newspaper/serial Newspaper Publication The title of the newspaper/serial (if applicable) The Examiner Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18380512 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artists' Benevolent Fund Anniversary Festival 1838 Description An account of the resource Short response to a toast at the Artists' Benevolent Fund Anniversary Festival (12 May 1838). Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived The Examiner Date A point or period of time associated with an event in the lifecycle of the resource 1838-05-12 Identifier An unambiguous reference to the resource within a given context 1838-05-12_Speech_Artists-Benevolent-Fund-Anniversary-Festival Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Artists' Benevolent Fund Anniversary Festival' (12 May 1838). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1838-05-12_Speech_Artists-Benevolent-Fund-Anniversary-Festival">https://dickenssearch.com/speeches/1838-05-12_Speech_Artists-Benevolent-Fund-Anniversary-Festival</a>. https://dickenssearch.com/files/original/6/Artists_General_Benevolent_Institution_Charity_Dinner/1839-03-24_Speech_Artists-General-Benevolent-Institution.pdf 5a95b6a95c6dbcb7988e36579f3440b8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. 'Mr. Charles Dickens said that, if he could consider the compliment as one paid to himself, unexpected as it was, he should have had great difficulty in returning thanks; but he was relieved from any such consideration, because he only recognised in it the connection which existed between the pencil and the pen, and therefore in the name of the sewards, of whom he had the honour to be one, he begged to return their sincere acknowledgments for the mark of distinction which had been paid to them. It would be bad taste in him if he were to detain them at any length, but he must at the same time say, that it gave him sincerely gratification to see around him, on an occasion of this kind, those distinguished artists, who cast lustre by their genius on the lowest subjects, and raised them by the power of their graphic pencils to the level of their own fanciful imaginations. He hoped he would be permitted to say, that it gave him pleasure and delight to be connected even for a moment with an institution which partook of the grace and beauty of the pencil, and shed its soft light upon poverty and distress, into the house of sickness and sorrow.' Location The location London Venue Where the speech was given Freemasons' Hall Publication Type E.g. newspaper/serial Newspaper Publication The title of the newspaper/serial (if applicable) The Morning Chronicle Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18390324 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artists' General Benevolent Institution Charity Dinner Description An account of the resource Toast given at the Artists' General Benevolent Institution Charity Dinner, Freemasons' Hall (24 March 1839). Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived The Morning Chronicle (25 March 1839). Date A point or period of time associated with an event in the lifecycle of the resource 1839-03-24 Identifier An unambiguous reference to the resource within a given context 1839-03-24_Speech_Artists-General-Benevolent-Institution Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Toast at the Artists' General Benevolent Institution Charity Dinner (24 March 1839). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1839-03-24_Speech_Artists-General-Benevolent-Institution">https://dickenssearch.com/speeches/1839-03-24_Speech_Artists-General-Benevolent-Institution</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. 'most earnest, eloquent, and touching, It took a review of my enterprise at Covent Garden, and summed up with an eulogy of me that quite overpowered me.' Location The location London Venue Where the speech was given Piazza Coffee House, Covent Garden Publication Type E.g. newspaper/serial Diary Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18390330 Publication The title of the newspaper/serial (if applicable) The Diaries of William Charles Macready Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Shakespeare Club Dinner Description An account of the resource Speech given at the Shakespeare Club dinner, London (30 March 1839). Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived Macready, William Charles. The Diaries of William Charles Macready 1833-1851. Vol. 1. Ed. William Toynbee. New York: Putnam's, 1912. pp. 504-505. Date A point or period of time associated with an event in the lifecycle of the resource 1839-03-30 Type The nature or genre of the resource Speech Identifier An unambiguous reference to the resource within a given context 1839-03-30_Speech_Shakespeare_Club_Dinner Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Shakespeare Club Dinner' (30 March 1839). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1839-03-30_Speech_Shakespeare_Club_Dinner">https://dickenssearch.com/speeches/1839-03-30_Speech_Shakespeare_Club_Dinner</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. Mr C. Dickens now rose, and was received with reiterated bursts of cheering. In a speech which gracefully blended seriousness with pleasantry, he proposed: Location The location London Venue Where the speech was given Freemasons' Hall Publication Type E.g. newspaper/serial Newspaper Publication The title of the newspaper/serial (if applicable) The Examiner Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18390720 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. The Members of the late Company of Covent Garden Theatre. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Banquet in Honour of William Macready Description An account of the resource Toast at a banquest in honour William Macready (20 July 1839). Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived The Examiner (28 July 1839, iss. 1643), p. 475 Date A point or period of time associated with an event in the lifecycle of the resource 1839-07-20 Identifier An unambiguous reference to the resource within a given context 1839-07-20_Speech_Banquet-in-Honour-of-William-Macready Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Toast at a banquest in Honour William Macready' (20 July 1839). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1839-07-20_Speech_Banquet-in-Honour-of-William-Macready">https://dickenssearch.com/speeches/1839-07-20_Speech_Banquet-in-Honour-of-William-Macready</a>. Scripto Transcription A written representation of a document. The Members of the late Company of Covent Garden Theatre. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. 'Dickens was not as good as he usually is. He stated that Nickleby had been to him a diary of the last two years: the various papers preserving to him the recollection of the events and feelings connected with their production.' Location The location London Venue Where the speech was given Albion Hotel Publication Type E.g. newspaper/serial Diary Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18391005 Publication The title of the newspaper/serial (if applicable) The Diaries of William Charles Macready Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dinner to Celebrate the Completion of Nicholas Nickleby Description An account of the resource Speech given at the dinner to celebrate the completion of Nicholas Nickleby (5 October 1839). Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived Macready, William Charles. The Diaries of William Charles Macready 1833-1851. Vol. 2. Ed. William Toynbee. New York: Putnam's, 1912. p. 25. Date A point or period of time associated with an event in the lifecycle of the resource 1839-10-05 Type The nature or genre of the resource Speech Identifier An unambiguous reference to the resource within a given context 1839-10-05_Speech_Nickleby_Dinner Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Dinner to Celebrate the Completion of Nicholas Nickleby (5 October 1839). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1839-10-05_Speech_Nickleby_Dinner">https://dickenssearch.com/speeches/1839-10-05_Speech_Nickleby_Dinner</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. He was, he said, so confused by the warmth of the reception which he had met with, that he should have felt considerable difficulty in addressing a few words to them, if he were not relieved by the nature and subject of the toast which had been entrusted to him. The subject of the toast had been, indeed, exhausted by the chairman, The toast was ‘success to the Southwark Literary and Scientific Institution’, and although there were many gentlemen in that room who could more ably advocate the interests of that society, there was no one, however, no individual in Southwark – no one in London – no one in all England, more devoted to the success of Literary and Scientific Institutions, or who more desired to promote the welfare of the association to sustain which they were that day assembled. For he felt assured that such societies tended not only to enlarge the mind and awaken the best energies of our natures, but to improve and ameliorate the hearts of mankind. The chairman had alluded to the laying of the foundation stone of their building; but he would say, if they had never laid that stone – if they had met in a shed – nay, in the open fields – not only if the had no laid a foundation stone, but if they had not laid a single brick, nor an atom of straw, as the commencement of their edifice, still they had laid a moral foundation calculated to promote the best uses amongst what was styled the ‘many-headed’, but which by the aid of such institutions would soon be designated the ‘many-thoughted, monster’. The Revered Professor near him had adverted to the opinions of Lord Bacon. He also remembered a doctrine of that illustrious man, which was by no means inapplicable to the present subject, on the present occasion. He stated that the qualities of the loadstone were discovered by the test of the needles formed from the rod of iron – not of the bar itself. So in that and the like institutions, the few bright and brilliant individuals who originated them, drawn from the multitude, were those who ultimately consolidated their paramount utility as regarded the multitude itself. Had institutions similar to this existed long since, that one disgraceful leaf of dedication which formed the blot upon the literature of past ages, would have been torn from its pages. That huckstering, peddling, pandering to patronage for the sale of a book, the offspring of intellect and genius, would not now remain a stain upon their most brilliant productions. Oh! it was sickening to see a man whom God had made a poet, crouching to those whose only title to eminence was derived from the achievements of the great great grandfather of those little, little sons. The poet – for it was his natural avocation – was entitled to worship the stars; but when they contemplated him paying his adoration to stars and garters too, that was indeed a very different thing. If such institutions had existed in times gone by, Milton might have been appreciated in the age which he adorned, Otway might have lived and dined a few years longer, and he knew not but that even Wordsworth might have been drawn from the dust of those shelves where until lately he had lain unnoticed and unmarked. Nay, many of the illustrious dead, whose works were destined to illuminate posterity, might not have died the wretched inmates of the madhouse, or the asylum for the destitute. For these, and for many other reasons, he hailed with sincere gratification the brilliant prospects of their institution – for brilliant they were, despite the paltry, pitiful incumbrance of £1,000. Those prospects were still more encouraging, when looking around him he perceived gentlemen who entertained the most opposite views upon political questions joining together to sustain and support a society constituted for such objects. It was gratifying to find that this was a neutral ground upon which all shades of political opinions might mingle without a political compromise, proving satisfactorily – and a gratifying circumstance it was – the desire of those gentlemen rather to be elected by an enlightened constituency than to be representatives of ignorance and grovelling stupidity. It was also gratifying to see amongst them so many ladies, they who on all occasions bestowed a grace and charm upon society, but who, upon the present occasion, lent to it an additional lustre. They came there to advocate claims of the highest and purest order – they came there not only to promote the demands of society for increased means for the dissipation of knowledge and the advancement of literature, but also by such means to cement more closely the dearest bonds by which society was united – in bestowing an additional charm upon the hearth and fireside of all, and giving to their household gods an additional claim to their worship and adoration. Thus a new spirit would be infused into the heart of society – a new soul would be breathed into the huge brick and mortar body of the metropolis; and if they wanted a spur to their exertions – if they energies required excitement – let them but recollect that in the churchyard not far distant from that place our Chaucer was entombed, and that not a stone’s throw from that room Shakespeare’s own theatre once stood. He would not say another word, but would conclude by proposing ‘Success to the Southwark Literary and Scientific Institution’. Location The location Southwark London Venue Where the speech was given Bridge House Hotel Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18401202 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. He was, he said, so confused by the warmth of the reception which he had met with, that he should have felt considerable difficulty in addressing a few words to them, if he were not relieved by the nature and subject of the toast which had been entrusted to him. The subject of the toast had been, indeed, exhausted by the chairman, The toast was ‘success to the Southwark Literary and Scientific Institution’, and although there were many gentlemen in that room who could more ably advocate the interests of that society, there was no one, however, no individual in Southwark – no one in London – no one in all England, more devoted to the success of Literary and Scientific Institutions, or who more desired to promote the welfare of the association to sustain which they were that day assembled. For he felt assured that such societies tended not only to enlarge the mind and awaken the best energies of our natures, but to improve and ameliorate the hearts of mankind. The chairman had alluded to the laying of the foundation stone of their building; but he would say, if they had never laid that stone – if they had met in a shed – nay, in the open fields – not only if the had no laid a foundation stone, but if they had not laid a single brick, nor an atom of straw, as the commencement of their edifice, still they had laid a moral foundation calculated to promote the best uses amongst what was styled the ‘many-headed’, but which by the aid of such institutions would soon be designated the ‘many-thoughted, monster’. The Revered Professor near him had adverted to the opinions of Lord Bacon. He also remembered a doctrine of that illustrious man, which was by no means inapplicable to the present subject, on the present occasion. He stated that the qualities of the loadstone were discovered by the test of the needles formed from the rod of iron – not of the bar itself. So in that and the like institutions, the few bright and brilliant individuals who originated them, drawn from the multitude, were those who ultimately consolidated their paramount utility as regarded the multitude itself. Had institutions similar to this existed long since, that one disgraceful leaf of dedication which formed the blot upon the literature of past ages, would have been torn from its pages. That huckstering, peddling, pandering to patronage for the sale of a book, the offspring of intellect and genius, would not now remain a stain upon their most brilliant productions. Oh! it was sickening to see a man whom God had made a poet, crouching to those whose only title to eminence was derived from the achievements of the great great grandfather of those little, little sons. The poet – for it was his natural avocation – was entitled to worship the stars; but when they contemplated him paying his adoration to stars and garters too, that was indeed a very different thing. If such institutions had existed in times gone by, Milton might have been appreciated in the age which he adorned, Otway might have lived and dined a few years longer, and he knew not but that even Wordsworth might have been drawn from the dust of those shelves where until lately he had lain unnoticed and unmarked. Nay, many of the illustrious dead, whose works were destined to illuminate posterity, might not have died the wretched inmates of the madhouse, or the asylum for the destitute. For these, and for many other reasons, he hailed with sincere gratification the brilliant prospects of their institution – for brilliant they were, despite the paltry, pitiful incumbrance of £1,000. Those prospects were still more encouraging, when looking around him he perceived gentlemen who entertained the most opposite views upon political questions joining together to sustain and support a society constituted for such objects. It was gratifying to find that this was a neutral ground upon which all shades of political opinions might mingle without a political compromise, proving satisfactorily – and a gratifying circumstance it was – the desire of those gentlemen rather to be elected by an enlightened constituency than to be representatives of ignorance and grovelling stupidity. It was also gratifying to see amongst them so many ladies, they who on all occasions bestowed a grace and charm upon society, but who, upon the present occasion, lent to it an additional lustre. They came there to advocate claims of the highest and purest order – they came there not only to promote the demands of society for increased means for the dissipation of knowledge and the advancement of literature, but also by such means to cement more closely the dearest bonds by which society was united – in bestowing an additional charm upon the hearth and fireside of all, and giving to their household gods an additional claim to their worship and adoration. Thus a new spirit would be infused into the heart of society – a new soul would be breathed into the huge brick and mortar body of the metropolis; and if they wanted a spur to their exertions – if they energies required excitement – let them but recollect that in the churchyard not far distant from that place our Chaucer was entombed, and that not a stone’s throw from that room Shakespeare’s own theatre once stood. He would not say another word, but would conclude by proposing ‘Success to the Southwark Literary and Scientific Institution’. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Banquet for Foundation-Laying of the Southwark Literary and Scientific Institution Description An account of the resource Banquet for Foundation-Laying of the Southwark Literary and Scientific Institution (2 December 1840). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1840-12-02 Identifier An unambiguous reference to the resource within a given context 1840-12-02_Speech_Banquet-for-Foundation-Laying-of-the-Southwark-Literary-and-Scientific-Institution Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Banquet for Foundation-Laying of the Southwark Literary and Scientific Institution' (2 December 1840). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1840-12-02_Speech_Banquet-for-Foundation-Laying-of-the-Southwark-Literary-and-Scientific-Institution">https://dickenssearch.com/speeches/1840-12-02_Speech_Banquet-for-Foundation-Laying-of-the-Southwark-Literary-and-Scientific-Institution</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. Mr. Charles Dickens made his acknowledgements, with a warm appeal in favour of the charity, and an eloquent indication of the benevolence of the institution. Location The location London Venue Where the speech was given Freemasons' Tavern Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18410512 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Literary Fund Anniversary Festival 1841 Description An account of the resource Speech at the Literary Fund Anniversary Festival (12 May 1841). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1841-05-12 Identifier An unambiguous reference to the resource within a given context 1841-05-12_Speech_The-Literary-Fund-Anniversary-Festival Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'The Literary Fund Anniversary Festival' (12 May 1841). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1841-05-12_Speech_The-Literary-Fund-Anniversary-Festival">https://dickenssearch.com/speeches/1841-05-12_Speech_The-Literary-Fund-Anniversary-Festival</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Location The location Boston Venue Where the speech was given Tremont Theatre Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18420129 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. Ladies and gentlemen, I am assured by your presence here this morning that you have become acquainted with the nature of the welcome duty which I have to discharge, and which is most pleasantly commended to me in a double sense: firstly because it cannot fail to be gratifying to a worthy man who has established a strong claim upon my interest and esteem; and, secondly, because it affords me an opportunity of meeting you, whom I have a thousand reasons for longing to see, here, or anywhere. It may be known to you, perhaps, that passengers on board the Britannia Steamship which bore me and some four score others to these happy shores, held a meeting together the day before our arrival, the object of which to do honour to Captain Hewett, the able commander under whose guidance we had crossed the wide Atlantic. I, and two other gentlemen, (one of whom stands near me, and the other of whom is prevented by business from attending here today) had the honour to be deputed by that meeting to carry its intention into effect. In the execution of the trust reposed in us by our fellow passengers, we are most desirous to impress you with the fact that this is very far from being an ordinary or matter of course proceeding: that it is not a matter of form, but of good sound substance; that in presenting Captain Hewett with these slight and frail memorials, we are not following out a hollow custom, but are imperfectly expressing the warmest and most earnest feelings, being well assured that with God’s blessing we owe our safety and preservation under circumstances of unusual peril, to his ability, courage, and skill. You will please to understand that these tokens on the table are an acknowledgement, not in themselves, but in the feeling which dictates their presentation, of many long and weary nights of watching and fatigue, of great exertion of body, and much anxiety of mind, and of the prompt and efficient discharge of arduous duties such as do not often present themselves. In a word, this is anything but an extraordinary return for really extraordinary services; and we wish you to regard it in that light that our present may have the value which it was intended to bear, and which is far enough removed, Heaven knows, from its intrinsic worth or beauty. Captain Hewett, I am very proud and happy to have been selected as the instrument of conveying to you the heartfelt thanks of my fellow passengers on board the ship entrusted to your charge, and of entreating your acceptance of this trifling present. The ingenious artists who work in silver do not always, I find, keep their promises even in Boston. I regret that instead of two goblets, which there should be here, there is at present only one. This deficiency, however, will soon be supplied; and when it is, our little testimonial will be, so far, complete. You are a sailor, Captain Hewett, in the truest sense of the word; and the devoted admiration of the ladies, God bless them, is a sailor’s first boast. I need not enlarge upon the honour they have done you, I am sure, by their presence here. Judging of you by myself, I am certain that the recollection of their beautiful faces will cheer your lonely vigils upon the ocean for a long time to come. In all time to come, and in all your voyages upon the sea, I hope you will have a thought for those who wish to live in your memory by the help of these trifles. As they will often connect you with the pleasures of those homes and firesides from which they once wandered, and which, but for you, they might never have regained, so they that trust that you will sometimes associate them with your hours of festive enjoyment: and that when you drink from these cups, you will feel that the draught is commended to your lips by friends whose best wishes you have, and who earnestly and truly hope for your success, happiness, and prosperity in all the undertakings of your life. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Presentation to Captain Hewett Description An account of the resource A speech given at the presentation to Captain Hewett, Boston (29 January 1842). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1842-01-29 Identifier An unambiguous reference to the resource within a given context 1842-01-29_Speech_Presentation-to-Captain-Hewett Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Presentation to Captain Hewett (29 January 1842). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1842-01-29_Speech_Presentation-to-Captain-Hewett">https://dickenssearch.com/speeches/1842-01-29_Speech_Presentation-to-Captain-Hewett</a>. Scripto Transcription A written representation of a document. Ladies and gentlemen, I am assured by your presence here this morning that you have become acquainted with the nature of the welcome duty which I have to discharge, and which is most pleasantly commended to me in a double sense: firstly because it cannot fail to be gratifying to a worthy man who has established a strong claim upon my interest and esteem; and, secondly, because it affords me an opportunity of meeting you, whom I have a thousand reasons for longing to see, here, or anywhere.  It may be known to you, perhaps, that passengers on board the Britannia Steamship which bore me and some four score others to these happy shores, held a meeting together the day before our arrival, the object of which to do honour to Captain Hewett, the able commander under whose guidance we had crossed the wide Atlantic. I, and two other gentlemen, (one of whom stands near me, and the other of whom is prevented by business from attending here today) had the honour to be deputed by that meeting to carry its intention into effect. In the execution of the trust reposed in us by our fellow passengers, we are most desirous to impress you with the fact that this is very far from being an ordinary or matter of course proceeding: that it is not a matter of form, but of good sound substance; that in presenting Captain Hewett with these slight and frail memorials, we are not following out a hollow custom, but are imperfectly expressing the warmest and most earnest feelings, being well assured that with God’s blessing we owe our safety and preservation under circumstances of unusual peril, to his ability, courage, and skill. You will please to understand that these tokens on the table are an acknowledgement, not in themselves, but in the feeling which dictates their presentation, of many long and weary nights of watching and fatigue, of great exertion of body, and much anxiety of mind, and of the prompt and efficient discharge of arduous duties such as do not often present themselves. In a word, this is anything but an extraordinary return for really extraordinary services; and we wish you to regard it in that light that our present may have the value which it was intended to bear, and which is far enough removed, Heaven knows, from its intrinsic worth or beauty. Captain Hewett, I am very proud and happy to have been selected as the instrument of conveying to you the heartfelt thanks of my fellow passengers on board the ship entrusted to your charge, and of entreating your acceptance of this trifling present. The ingenious artists who work in silver do not always, I find, keep their promises even in Boston. I regret that instead of two goblets, which there should be here, there is at present only one. This deficiency, however, will soon be supplied; and when it is, our little testimonial will be, so far, complete. You are a sailor, Captain Hewett, in the truest sense of the word; and the devoted admiration of the ladies, God bless them, is a sailor’s first boast. I need not enlarge upon the honour they have done you, I am sure, by their presence here. Judging of you by myself, I am certain that the recollection of their beautiful faces will cheer your lonely vigils upon the ocean for a long time to come. In all time to come, and in all your voyages upon the sea, I hope you will have a thought for those who wish to live in your memory by the help of these trifles. As they will often connect you with the pleasures of those homes and firesides from which they once wandered, and which, but for you, they might never have regained, so they that trust that you will sometimes associate them with your hours of festive enjoyment: and that when you drink from these cups, you will feel that the draught is commended to your lips by friends whose best wishes you have, and who earnestly and truly hope for your success, happiness, and prosperity in all the undertakings of your life. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Location The location Boston Venue Where the speech was given Papanti's Hall Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18420201 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. Gentlemen, If you had given the splendid entertainment to anyone else in the whole wide world – if I were tonight to exult in the triumph of my dearest friend – if I stood here upon my defence to repel any unjust attack – to appeal as a stranger to your generosity and kindness as the phrase people on the earth – I could, putting some restraint upon myself, stand among you as self possessed and unmoved as I should be alone in my own room in England. But when I have the echoes of your cordial greeting ringing in my ears; when I see your kind faces beaming and welcome so warm and earnest as never man had, I feel – it is my nature – so vanquished and subdued, that I have hardly fortitude enough to thank you. If your President, instead of pouring forth that delightful mixture of humour and pathos which you have just heard with so much delight had been but a caustic, ill-natured man – if he had only been a dull one – if I could only have doubted or distrusted him or you, I should have had my wits at my fingers’ ends, and, using them, could have held you at arm’s length. But you have given me no such opportunity; you take advantage of me in the tenderest point; you give me no chance of playing at company, or holding you at a distance, but flock about me like a host of brothers, and make this place like home. Indeed, gentlemen, indeed, if it be natural and allowable for each of us, on his own hearth, to express his thoughts in the most homely fashion, and to appear in his plainest garb, I have a fair claim upon you to let me do so tonight, for you have made my house an Aladdin's Palace. You fold so tenderly within your breasts that common household lamp in which my feeble fire is all enshrined, and at which my flickering torch is lighted up, that straight my household gods take wing, and are transported here. And whereas it is written of that fairy structure that it never moved without two shocks – one when it rose, and one when it settled down – I can say of mine that, however sharp a tug it took to pluck it from its native ground, it struck at once an easy, and a deep and lasting root into this soil, and loved it as its own. I can say more of it, and say with truth, that long before it moved, or had a chance of moving, its master – perhaps from some secret sympathy between its timbers, and a certain stately tree that has its being hereabout, and spreads its broad branches far and wide – dreamed by day and night, for years, of setting foot upon this shore, and breathing this pure air. And trust me, gentlemen, that if I had wandered here unknowing and unknown, I would – if I know my own heart – have come with all my sympathies clustering richly about this land and people – with all my sense of justice as keenly alive to their high claims on every man who loves God's image – with all my energies as fully been on judging for myself, and speaking out, and telling in my sphere the truth, as I do now when you rain down your welcomes on my head. Your President has alluded to those writings which have been my occupation for some years past; and have received his allusions in a manner which assures me – if I needed any such assurance – that we are old friends in the spirit, and have been in close communion for a long time. It is not easy for a man to speak of his own books. I dare say that few persons have been more interested in mine than I; and if it be a general principle in nature the lover’s love is blind, and that a mother's love is blind, I believe it may be said of an author's attachment to the creatures of his own imagination, that it is a perfect model of constancy and devotion, and is the blindest of all. But the objects and purposes I have in view are very plain and simple, and may easily be told. I have always had, and always shall have, an earnest and true desire to contribute, as far as in me lies, to the common stock of healthful cheerfulness and enjoyment. I have always had, and always shall have, an invincible repugnance to that mole-eyed philosophy which loves the darkness, and winks and scowls in the light. I believe that Virtue shows quite as well in rags and patches as she does in purple and fine linen. I believe that she and every beautiful object in external nature, claim some sympathy in the breast of the poorest man who breaks his scanty loaf of daily bread. I believe that she goes barefoot as well as shod. I believe that she dwells rather oftener in alleys and by-ways than she does in courts and palaces, and that it is good, and pleasant, and profitable to track her out, and follow her. I believe that to lay one's hand upon some one of those rejected ones whom the world has too long forgotten, and too often misused, and to say to the proudest and most thoughtless, – these creatures have the same elements and capacities of goodness as yourselves, they are moulded in the same form, and made of the same clay; and though ten times worse than you, may, in having retained anything of their original nature amidst the trials and distresses of their condition, be really ten times better. – I believe that to do this is to pursue a worthy and not useless avocation. Gentlemen, that you think so too, your fervent greeting assures me. That this feeling is alive in the Old World as well as in the New, no man should know better than I – I, who have found such wide and ready sympathy in my own dear land. That in expressing it we are but treading in the steps of those great master-spirits who have gone before, we know by reference to all the bright examples in our literature, from Shakespeare downward. There is one other point connected with the labours (if I may call them so) that you hold in such generous team, to which I cannot help adverting. I cannot help expressing the delight, then more than happiness it was to me to find so strong interest awakened on this side of the water, in favour of that little heroine of mine, to whom your President has made allusion, who died in her youth. I had letters about that child, in England, from the dwellers in log-houses among the morasses, and swamps, and densest forests, and deepest solitudes of the Far West. Many a steady hand, hard with the axe and spade, browned by the summer's sun, has taken up the pen, and written to me a little history of domestic joy or sorrow, always coupled, I am proud to say, with something of interest in that little tale, or some comfort or happiness derived from it; and my correspondent has always addressed me, not as a writer of books for sale, resident some four or five thousand miles away, but as a friend to whom he might freely impart the joys and sorrows of his own fireside. Many a mother – I could reckon them now by dozens, not by units – has done the like, and has told me that she lost a child at such a time, and where she is buried, and how good she was, and how, in this or that respect, she resembled Nell. I do assure you that no circumstance of my life has given me a hundredth part of the gratification I have derived from this source. I was wavering at the time whether or not to wind up my Clock, and come and see this country, and this decided me. I felt as if it were a positive duty, as if I were bound to pack up my clothes, and come and see my friends; and even now I have such an odd sensation in connexion with these things, that you have no chance of spoiling me. I feel as though we were agreeing – as indeed we are, if we substitute for fictitious characters that classes from which they are drawn – about third parties, in whom we have a common interest. At every act of kindness on your part, I say to myself ‘That's for Oliver; I should not wonder if that were mean for Smike; I have no doubt that it is intended for Nell’; and so I become a much happier, certainly, but a more sober and retiring man than ever I was before. Gentlemen, talking of my friends in America, brings me back, naturally and of course, to you. Coming back to you, and being thereby reminded of the pleasure we have in store in hearing the gentleman who sit about me, I arrive by the easiest, though not by the shortest course in the world, at the end of what I have to say. But before I sit down, there is one topic on which I am desirous to lay particular stress. It has, or should have, a strong interest for us all, since to its literature every country must look for one great means of refining and improving its people, and one great source of national pride and honour. You have in America great writers – great writers – who will live in all time, and are as familiar to our lips as household words. Deriving (as they all do in a greater or lesser degree, in their several walks) their inspiration from the stupendous country which gave them birth, they diffuse a better knowledge of it, and a higher love for it, all over the civilised world. I take leave to say, in the presence of some of those gentlemen, that I hope the time is not far distant when they, in America, will receive of right some substantial profit and return in England from their labours; and when we, in England, shall receive some substantial profit and return for hours. Pray do not misunderstand me. Securing for myself from day to day the means of an honourable subsistence, I would rather have the affectionate regard of my fellow men, than I would have heaps and mines of gold. But the two things do not seem to me incompatible. They cannot be, for nothing good is incompatible with justice. There must be an international arrangement in this respect: England has done her part, and I am confident the time is not far distant when America will do hers. It becomes the character of a great country; firstly, because it is justice; secondly, because without it you never can have, and keep, a literature of your own. Gentlemen, I thank you with feelings of gratitude such as are not often awakened, and can never be expressed. As I understand it to be the pleasant custom here to finish with a toast, I would beg to give you ‘America and England – and may there never be anything but the Atlantic between them’. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Young Men of Boston Public Dinner Description An account of the resource Speech at the Young Men of Boston Public Dinner (1 February 1842). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1842-02-01 Identifier An unambiguous reference to the resource within a given context 1842-02-01_Speech_Young-Men-of-Boston-Public-Dinner Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Speech at the Young Men of Boston Public Dinner' (1 February 1842). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1842-02-01_Speech_Young-Men-of-Boston-Public-Dinner">https://dickenssearch.com/speeches/1842-02-01_Speech_Young-Men-of-Boston-Public-Dinner</a>. Scripto Transcription A written representation of a document. Gentlemen, If you had given the splendid entertainment to anyone else in the whole wide world – if I were tonight to exult in the triumph of my dearest friend – if I stood here upon my defence to repel any unjust attack – to appeal as a stranger to your generosity and kindness as the phrase people on the earth – I could, putting some restraint upon myself, stand among you as self possessed and unmoved as I should be alone in my own room in England. But when I have the echoes of your cordial greeting ringing in my ears; when I see your kind faces beaming and welcome so warm and earnest as never man had, I feel – it is my nature – so vanquished and subdued, that I have hardly fortitude enough to thank you. If your President, instead of pouring forth that delightful mixture of humour and pathos which you have just heard with so much delight had been but a caustic, ill-natured man – if he had only been a dull one – if I could only have doubted or distrusted him or you, I should have had my wits at my fingers’ ends, and, using them, could have held you at arm’s length. But you have given me no such opportunity; you take advantage of me in the tenderest point; you give me no chance of playing at company, or holding you at a distance, but flock about me like a host of brothers, and make this place like home. Indeed, gentlemen, indeed, if it be natural and allowable for each of us, on his own hearth, to express his thoughts in the most homely fashion, and to appear in his plainest garb, I have a fair claim upon you to let me do so tonight, for you have made my house an Aladdin's Palace. You fold so tenderly within your breasts that common household lamp in which my feeble fire is all enshrined, and at which my flickering torch is lighted up, that straight my household gods take wing, and are transported here. And whereas it is written of that fairy structure that it never moved without two shocks – one when it rose, and one when it settled down – I can say of mine that, however sharp a tug it took to pluck it from its native ground, it struck at once an easy, and a deep and lasting root into this soil, and loved it as its own. I can say more of it, and say with truth, that long before it moved, or had a chance of moving, its master – perhaps from some secret sympathy between its timbers, and a certain stately tree that has its being hereabout, and spreads its broad branches far and wide – dreamed by day and night, for years, of setting foot upon this shore, and breathing this pure air. And trust me, gentlemen, that if I had wandered here unknowing and unknown, I would – if I know my own heart – have come with all my sympathies clustering richly about this land and people – with all my sense of justice as keenly alive to their high claims on every man who loves God's image – with all my energies as fully been on judging for myself, and speaking out, and telling in my sphere the truth, as I do now when you rain down your welcomes on my head. Your President has alluded to those writings which have been my occupation for some years past; and have received his allusions in a manner which assures me – if I needed any such assurance – that we are old friends in the spirit, and have been in close communion for a long time. It is not easy for a man to speak of his own books. I dare say that few persons have been more interested in mine than I; and if it be a general principle in nature the lover’s love is blind, and that a mother's love is blind, I believe it may be said of an author's attachment to the creatures of his own imagination, that it is a perfect model of constancy and devotion, and is the blindest of all. But the objects and purposes I have in view are very plain and simple, and may easily be told. I have always had, and always shall have, an earnest and true desire to contribute, as far as in me lies, to the common stock of healthful cheerfulness and enjoyment. I have always had, and always shall have, an invincible repugnance to that mole-eyed philosophy which loves the darkness, and winks and scowls in the light. I believe that Virtue shows quite as well in rags and patches as she does in purple and fine linen. I believe that she and every beautiful object in external nature, claim some sympathy in the breast of the poorest man who breaks his scanty loaf of daily bread. I believe that she goes barefoot as well as shod. I believe that she dwells rather oftener in alleys and by-ways than she does in courts and palaces, and that it is good, and pleasant, and profitable to track her out, and follow her. I believe that to lay one's hand upon some one of those rejected ones whom the world has too long forgotten, and too often misused, and to say to the proudest and most thoughtless, – these creatures have the same elements and capacities of goodness as yourselves, they are moulded in the same form, and made of the same clay; and though ten times worse than you, may, in having retained anything of their original nature amidst the trials and distresses of their condition, be really ten times better. – I believe that to do this is to pursue a worthy and not useless avocation. Gentlemen, that you think so too, your fervent greeting assures me. That this feeling is alive in the Old World as well as in the New, no man should know better than I – I, who have found such wide and ready sympathy in my own dear land. That in expressing it we are but treading in the steps of those great master-spirits who have gone before, we know by reference to all the bright examples in our literature, from Shakespeare downward. There is one other point connected with the labours (if I may call them so) that you hold in such generous team, to which I cannot help adverting. I cannot help expressing the delight, then more than happiness it was to me to find so strong interest awakened on this side of the water, in favour of that little heroine of mine, to whom your President has made allusion, who died in her youth. I had letters about that child, in England, from the dwellers in log-houses among the morasses, and swamps, and densest forests, and deepest solitudes of the Far West. Many a steady hand, hard with the axe and spade, browned by the summer's sun, has taken up the pen, and written to me a little history of domestic joy or sorrow, always coupled, I am proud to say, with something of interest in that little tale, or some comfort or happiness derived from it; and my correspondent has always addressed me, not as a writer of books for sale, resident some four or five thousand miles away, but as a friend to whom he might freely impart the joys and sorrows of his own fireside. Many a mother – I could reckon them now by dozens, not by units – has done the like, and has told me that she lost a child at such a time, and where she is buried, and how good she was, and how, in this or that respect, she resembled Nell. I do assure you that no circumstance of my life has given me a hundredth part of the gratification I have derived from this source. I was wavering at the time whether or not to wind up my Clock, and come and see this country, and this decided me. I felt as if it were a positive duty, as if I were bound to pack up my clothes, and come and see my friends; and even now I have such an odd sensation in connexion with these things, that you have no chance of spoiling me. I feel as though we were agreeing – as indeed we are, if we substitute for fictitious characters that classes from which they are drawn – about third parties, in whom we have a common interest. At every act of kindness on your part, I say to myself ‘That's for Oliver; I should not wonder if that were mean for Smike; I have no doubt that it is intended for Nell’; and so I become a much happier, certainly, but a more sober and retiring man than ever I was before. Gentlemen, talking of my friends in America, brings me back, naturally and of course, to you. Coming back to you, and being thereby reminded of the pleasure we have in store in hearing the gentleman who sit about me, I arrive by the easiest, though not by the shortest course in the world, at the end of what I have to say. But before I sit down, there is one topic on which I am desirous to lay particular stress. It has, or should have, a strong interest for us all, since to its literature every country must look for one great means of refining and improving its people, and one great source of national pride and honour. You have in America great writers – great writers – who will live in all time, and are as familiar to our lips as household words. Deriving (as they all do in a greater or lesser degree, in their several walks) their inspiration from the stupendous country which gave them birth, they diffuse a better knowledge of it, and a higher love for it, all over the civilised world. I take leave to say, in the presence of some of those gentlemen, that I hope the time is not far distant when they, in America, will receive of right some substantial profit and return in England from their labours; and when we, in England, shall receive some substantial profit and return for hours. Pray do not misunderstand me. Securing for myself from day to day the means of an honourable subsistence, I would rather have the affectionate regard of my fellow men, than I would have heaps and mines of gold. But the two things do not seem to me incompatible. They cannot be, for nothing good is incompatible with justice. There must be an international arrangement in this respect: England has done her part, and I am confident the time is not far distant when America will do hers. It becomes the character of a great country; firstly, because it is justice; secondly, because without it you never can have, and keep, a literature of your own. Gentlemen, I thank you with feelings of gratitude such as are not often awakened, and can never be expressed. As I understand it to be the pleasant custom here to finish with a toast, I would beg to give you ‘America and England – and may there never be anything but the Atlantic between them’.