2 10 136 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Location The location Hartford, Connecticut Venue Where the speech was given City Hotel Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18420207 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. Gentlemen, to say that I thank you for the earnest manner in which you have drunk the toast just now so eloquently proposed to you; to say that I give you back your kind wishes and good feelings with more than compound interest, and that I feel how dumb and powerless the best acknowledgements would be beside such genial hospitality as yours–is nothing. To say that in this winter season, flowers have sprung up in every footstep’s length of the path which has brought me here, that no country ever smiled more pleasantly than yours has smiled on me, and that I have rarely looked upon a brighter summer prospect than that which now lies before me now – is nothing. But it is something to be no stranger in a strange place; to feel, sitting at a board for the first time, the ease and affection of an old guest, to be at once on such intimate terms with the family as to have a homely, genuine interest in its every member; it is, I say, something to be in this novel and happy frame of mind. And as it is of your creation, and owes its being to you, I have no reluctance in urging it as a reason why, in addressing you, I should not so much consult the form and fashion of my speech, as I should employ the universal language of the heart which you, and such as you, best teach and best can understand. Gentlemen, in that universal language–common to you in America, and to us in England, as that younger mother tongue which, by means of, and through the happy union of our two great countries, shall be spoken ages hence, by land and sea, over the wide surface of the glove–I thank you. I had occasion, gentlemen, to say the other night in Boston, as I have more than once had occasion to remark before, that it is not easy for an author to speak of his own books. If the task be a difficult one at any time, its difficult certainly is not diminished when a frequent occurrence to the same theme has left one nothing new to say. Still I feel that, in a company like this, and especially after what has been said by the President, that I ought not to pass over those labours of love which, if they have no other merit, have been the happy means of bringing us together. It has been observed that you cannot judge of an author’s personal character from his writings. It may be that you cannot–I think it very likely, for many reasons, that you cannot–but, at least, a reader will rise from the perusal of a book with some defined and tangible idea of the writer’s moral creed and broad purposes, if he has any at all; and it is probably enough that he may like to have this idea confirmed from the author’s lips, or dissipated by his explanation. Gentlemen, my moral creed–which is a very wide and comprehensive one, and includes all sects and parties–is very easily summed up. I have faith, and I wish to diffuse faith in the existence–yes, of beautiful things, even in those conditions of society which are so degenerate, degraded, and forlorn that, at first sight, it would seem as though they could not be described but by a strange and terrible reversal of the words of Scripture – God said, Let there be light, and there was none. I take it that we are born and that we hold our sympathies, hopes, and energies in trust for the many, and not for the few. That we cannot hold in too strong a light of disgust and contempt, before the view of others, all meanness, falsehood, cruelty, and oppression, of every grade and kind. Above all, that nothing is high, because it is in a high place; and that nothing is low, because it is in a low one. [Loud applause.] This is a lesson taught us in the great book of nature. This is the lesson which may be read, alike in the bright track of the stars, and in the dusty course of the poorest thing that drags its tiny length upon the ground. This is the lesson every uppermost in the thoughts of that inspired man, who tells us that there are Tongues in tress, books in the running brooks Sermons in stones, and good in everything. Gentlemen, keeping these objects steadily before me, I am at no loss to refer your favour and your generous hospitality back to the right source. While I know, on the one hand, that if, instead of being what it is, this were a land of tyranny and wrong, I should care very little for your smiles or frowns, so I am sure upon the other, that if, instead of being what I am, I were the greatest genius that every trod the earth, and had exerted myself for the oppression and degradation of mankind, you would despise and reject me. I hope you will, whenever, through such means, I give you the opportunity. Trust me that whenever you give me the like occasion, I will return the compliment with interest. Gentlemen, as I have no secrets from you, in the spirit of confidence you have engendered between us, and as I have made a kind of compact with myself that I never will, while I remain in America, omit an opportunity of referring to a topic in which I and all others of my class on both sides of the water are equally interested–equally interested, there is no difference between us–I would beg leave to whisper in your ear two words, International Copyright. I use them in no sordid sense, believe me, and those that know me best, best know that. For myself, I would rather that my children coming after me, trudged in the mud, and knew by the general feeling of society that their father was beloved, and had been of some use, that I would have them ride in their carriages, and know by their banker’s books that he was rich. But I do not see, I confess, why one should be obliged to make the choice, or why fame, besides playing that delightful reveille for which she is so justly celebrated, should not blow out of her trumpet a few notes of a different kind from those with which she has hitherto contented herself. It was well observed the other night by a beautiful speaker, whose words went to the heart of every man who heard him, that if there had existed any law in this respect, Scott might not have sunk beneath the mighty pressure on his brain, but might have lived to add new creatures of his fancy to the crowd which swarm about you in your summer walks and gather round your winter evening hearths. As I listened to his words there came back fresh upon me, that touching scene in the great man’s life, when he lay upon his couch surrounded by his family and listened, for the last time, to the rippling of the river he had so well loved, over its stony bed. I pictured him to myself, faint, wan, dying, crushed both in his mind and body by his honourable struggle, and hovering round him the ghosts of his own imagination–Waverley, Ravenswood, Jeannie Deans, Rob Roy, Caleb Balderstone, Dominie Sampson–all the familiar throng – with cavaliers, and Puritans, and Highland chiefs innumerable overflowing the chamber, and fading away in the dim distance beyond. I pictured them, fresh from traversing the world, and hanging down their heads in shame and sorrow that, from all those lands into which they had carried gladness, instruction, and delight for millions, they had brought him now one friendly hand to help to raise him from that sad, sad bed. No, nor brought him from that land in which his own language was spoken, and in every house and hut of which his own books were read in his own tongue, one grateful dollar-piece to buy a garland for his grave. Oh! if every man who goes from here, as many do, to look upon that tomb in Dryburgh Abbey, would but remember this, and bring the recollection home! Gentlemen I thank you again, and once again, and many times to that. You have given me a new reason for remembering this day, which is already one of the mark of my calendar, it being my birthday; and you have given those who are nearest and dearest to me a new reason for recollection it with pride and interest. Heaven knows that, although I should grow ever so grey, I shall need nothing to remind me of this epoch in my life. But I am glad to think that from this time you are inseparably connected with every recurrence of this day; and, that on its periodical return, I shall always, in imagination, have the unfading pleasure of entertaining you as my guests in return for the gratification you have afforded me tonight. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Banquet at Hartford Description An account of the resource Speech at a banquet in his honour in Hartford, Connecticut (7 February 1842). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1842-02-07 Identifier An unambiguous reference to the resource within a given context 1842-02-07_Speech_Banquet-at-Hartford Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Speech at Hartford' (7 February 1842). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1842-02-07_Speech_1842-02-07_Speech_Banquet-at-Hartford">https://dickenssearch.com/speeches/1842-02-07_Speech_1842-02-07_Speech_Banquet-at-Hartford</a>. Scripto Transcription A written representation of a document. Gentlemen, to say that I thank you for the earnest manner in which you have drunk the toast just now so eloquently proposed to you; to say that I give you back your kind wishes and good feelings with more than compound interest, and that I feel how dumb and powerless the best acknowledgements would be beside such genial hospitality as yours–is nothing. To say that in this winter season, flowers have sprung up in every footstep’s length of the path which has brought me here, that no country ever smiled more pleasantly than yours has smiled on me, and that I have rarely looked upon a brighter summer prospect than that which now lies before me now – is nothing. But it is something to be no stranger in a strange place; to feel, sitting at a board for the first time, the ease and affection of an old guest, to be at once on such intimate terms with the family as to have a homely, genuine interest in its every member; it is, I say, something to be in this novel and happy frame of mind. And as it is of your creation, and owes its being to you, I have no reluctance in urging it as a reason why, in addressing you, I should not so much consult the form and fashion of my speech, as I should employ the universal language of the heart which you, and such as you, best teach and best can understand. Gentlemen, in that universal language–common to you in America, and to us in England, as that younger mother tongue which, by means of, and through the happy union of our two great countries, shall be spoken ages hence, by land and sea, over the wide surface of the glove–I thank you. I had occasion, gentlemen, to say the other night in Boston, as I have more than once had occasion to remark before, that it is not easy for an author to speak of his own books. If the task be a difficult one at any time, its difficult certainly is not diminished when a frequent occurrence to the same theme has left one nothing new to say. Still I feel that, in a company like this, and especially after what has been said by the President, that I ought not to pass over those labours of love which, if they have no other merit, have been the happy means of bringing us together. It has been observed that you cannot judge of an author’s personal character from his writings. It may be that you cannot–I think it very likely, for many reasons, that you cannot–but, at least, a reader will rise from the perusal of a book with some defined and tangible idea of the writer’s moral creed and broad purposes, if he has any at all; and it is probably enough that he may like to have this idea confirmed from the author’s lips, or dissipated by his explanation. Gentlemen, my moral creed–which is a very wide and comprehensive one, and includes all sects and parties–is very easily summed up. I have faith, and I wish to diffuse faith in the existence–yes, of beautiful things, even in those conditions of society which are so degenerate, degraded, and forlorn that, at first sight, it would seem as though they could not be described but by a strange and terrible reversal of the words of Scripture – God said, Let there be light, and there was none. I take it that we are born and that we hold our sympathies, hopes, and energies in trust for the many, and not for the few. That we cannot hold in too strong a light of disgust and contempt, before the view of others, all meanness, falsehood, cruelty, and oppression, of every grade and kind. Above all, that nothing is high, because it is in a high place; and that nothing is low, because it is in a low one. [Loud applause.] This is a lesson taught us in the great book of nature. This is the lesson which may be read, alike in the bright track of the stars, and in the dusty course of the poorest thing that drags its tiny length upon the ground. This is the lesson every uppermost in the thoughts of that inspired man, who tells us that there are Tongues in tress, books in the running brooks Sermons in stones, and good in everything. Gentlemen, keeping these objects steadily before me, I am at no loss to refer your favour and your generous hospitality back to the right source. While I know, on the one hand, that if, instead of being what it is, this were a land of tyranny and wrong, I should care very little for your smiles or frowns, so I am sure upon the other, that if, instead of being what I am, I were the greatest genius that every trod the earth, and had exerted myself for the oppression and degradation of mankind, you would despise and reject me. I hope you will, whenever, through such means, I give you the opportunity. Trust me that whenever you give me the like occasion, I will return the compliment with interest. Gentlemen, as I have no secrets from you, in the spirit of confidence you have engendered between us, and as I have made a kind of compact with myself that I never will, while I remain in America, omit an opportunity of referring to a topic in which I and all others of my class on both sides of the water are equally interested–equally interested, there is no difference between us–I would beg leave to whisper in your ear two words, International Copyright. I use them in no sordid sense, believe me, and those that know me best, best know that. For myself, I would rather that my children coming after me, trudged in the mud, and knew by the general feeling of society that their father was beloved, and had been of some use, that I would have them ride in their carriages, and know by their banker’s books that he was rich. But I do not see, I confess, why one should be obliged to make the choice, or why fame, besides playing that delightful reveille for which she is so justly celebrated, should not blow out of her trumpet a few notes of a different kind from those with which she has hitherto contented herself. It was well observed the other night by a beautiful speaker, whose words went to the heart of every man who heard him, that if there had existed any law in this respect, Scott might not have sunk beneath the mighty pressure on his brain, but might have lived to add new creatures of his fancy to the crowd which swarm about you in your summer walks and gather round your winter evening hearths. As I listened to his words there came back fresh upon me, that touching scene in the great man’s life, when he lay upon his couch surrounded by his family and listened, for the last time, to the rippling of the river he had so well loved, over its stony bed. I pictured him to myself, faint, wan, dying, crushed both in his mind and body by his honourable struggle, and hovering round him the ghosts of his own imagination–Waverley, Ravenswood, Jeannie Deans, Rob Roy, Caleb Balderstone, Dominie Sampson–all the familiar throng – with cavaliers, and Puritans, and Highland chiefs innumerable overflowing the chamber, and fading away in the dim distance beyond. I pictured them, fresh from traversing the world, and hanging down their heads in shame and sorrow that, from all those lands into which they had carried gladness, instruction, and delight for millions, they had brought him now one friendly hand to help to raise him from that sad, sad bed. No, nor brought him from that land in which his own language was spoken, and in every house and hut of which his own books were read in his own tongue, one grateful dollar-piece to buy a garland for his grave. Oh! if every man who goes from here, as many do, to look upon that tomb in Dryburgh Abbey, would but remember this, and bring the recollection home! Gentlemen I thank you again, and once again, and many times to that. You have given me a new reason for remembering this day, which is already one of the mark of my calendar, it being my birthday; and you have given those who are nearest and dearest to me a new reason for recollection it with pride and interest. Heaven knows that, although I should grow ever so grey, I shall need nothing to remind me of this epoch in my life. But I am glad to think that from this time you are inseparably connected with every recurrence of this day; and, that on its periodical return, I shall always, in imagination, have the unfading pleasure of entertaining you as my guests in return for the gratification you have afforded me tonight. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Location The location New York Venue Where the speech was given City Hotel Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18420218 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. Mr. President and Gentlemen, I don’t know how to thank you – I really don’t know how. You might, perhaps, suppose that by the dint of custom and from the experience your kindness has heaped upon me since my arrival in this country, that the difficult would have been somewhat diminished or dwindled into nothing but I do assure you the fact is exactly the reverse. Unlike that rolling stone which gathers no moss, I have, in my progress to your city, collected around me such a heap of obligation and weight of acknowledgement, that in my power of expressing it I have grown more and more unwieldy every hour! I picked up such a quantity of fresh moss – so to speak – at a certain brilliant scene on Monday night, that I thought I never could, by any possibility, grow any bigger. But crowded upon that, there comes again tonight a new accumulation of such extent and magnitude, that I am fairly at a standstill and can roll no more! Gentlemen, we know from all the authorities, that whenever a fairy stone, or ball, or reel of thread, stopped of its own accord–which I do not–some catastrophe was sure to be at hand. Its precedent, however, holds good in my case. For, remembering the short time I have before me in this land of mighty interest, and the poor opportunities I can have at best of acquiring a knowledge of, and making myself acquainted with it, I have felt it almost a duty to decline the honours which my generous friends elsewhere would heap upon me, and henceforth to pass through the country more quietly. Argus himself, though he had but one mouth for his hundred eyes, would have found the reception of a public entertainment once a week somewhat relaxing to his vigilance and activity. And as I would lose no scrap or jot from the rich mines of gratification and instruction which await me, I know, on every hand–and of which I have already derived no small instalment from your hospitals and common jails–I have resolved to take up my staff, and go upon my way rejoicing, and for the future to shake hands with Americans not at parties, but at home. And therefore, gentlemen, I say tonight, with a full heart and an honest purpose and grateful feelings, that I bear with me, and shall ever bear with me, a deeper sense of your kind, affectionate and noble greeting, than it is possible to convey in words; that no European sky without, and no cheerful home or well-warmed room within shall every shut out this land from my vision; that I shall often hear your words of welcome in my quiet room, oftenest when it is most quiet, and shall see your aces in the winter evening fire; that if I should live to grow old, the light of this hall and others like it will shine as brightly to my dull eyes fifty years hence as it does tonight and that when my course is run the sympathy you have shown to me shall be well remembered and paid back, so please God, in my undying love and honest endeavours for the good of my race. Gentlemen, one other word with reference to this tiresome first person, and I close that theme. I came here in an open, honest, and confiding spirit, if ever man did, and because I heartily inclined toward you; had I felt otherwise I should have kept away. As I came here, and am here, without the least admixture of the hundredth portion of a grain of base alloy, without the faintest unworthy reference to self in any word I have ever addressed to you, or in any sentiment I have ever interchanged with you, I assert my right tonight, in regard to the past for the last time, my right in reason, truth, and justice, to appeal to you, as I have done on two former occasions, on a question of universal literary interest in both countries. And, gentlemen, I claim this justice: that I have made the appeal as one who has a most righteous claim to speak and to be heard; and that I have done so in a frank, and courteous, and good-humoured spirit of deference to those who frankly, courteously, and good humouredly differed from me in any or every respect. For myself, gentlemen, I have only to add that I will ever be as true to you as you have been to me. I recognise in your enthusiastic approval of the creations of my fancy, as in a glass, your enlightened care for the happiness of the many, your tender and gentle regard for the afflicted and helpless, your sympathy for the downcast, your plans for the correction and improvement of the bad, and the encouragement and solace of the good–the education and advancement of every member of society. My constant and increasing devotion to the end of my life to these ends, and to every other object to the extent of my humble capacity, having the common good in view, shall prove to you that in this you do not mistake me, and that the light you have shed around my path was not unworthily bestowed. And now that I have said this much in reference to myself, let me have the gratification I have long expected of saying a few words in reference to somebody else. There is in this city a gentleman who, at the conclusion of one of my books–I well remember it was the Old Curiosity Shop – wrote to me in England a letter so generous, so affectionate, and so manly, that if I had written the book under every circumstance of disadvantage, discouragement, and difficult, instead of with everything to cheer and urge me on, I should have found in the receipt of that letter my best and happiest reward. I answered him, and he answered me, and so we kept shaking hands autobiographically, as if no ocean rolled between us, until I came here on Saturday night, longing and eager to see him. And here he sits! And I I need not tell you that it is the crowning circumstance to me of the night, that he is here in this capacity. Why, gentlemen, I don’t go upstairs to bed two nights out of seven, as I have a credible witness very near at hand to testify,–I say, gentlemen, I do not go to bed two nights out of seven without taking Washington Irving under my arm upstairs to bed with me; and when I don’t take him I take his next of kin – his own brother – Oliver Goldsmith. Washington Irving! Why, who but he was in my thoughts the other day as I approached your city in the steamboat from New Haven, when I was looking out for the Hog’s Back, the Frying Pan, and Hell Gate and all those horrible places of renown that were a terror to the Dutch navigators? Washington Irving! Why, when I visited Shakespeare’s birthplace not long ago, and went beneath the roof where he first saw light, whose name but his was the first that was pointed out with pride upon the wall?– Washington Irving! – Diedrich Knickerbocker, Geoffrey Crayon! Why, where can we go that they have not been before us? In the English farmhouse, in the crowded city, along the beautiful lanes, across the pleasant fields of England, and amidst her blessed, happy homes, his name above every name rises up with hallowed recollections of his virtues and talents, and like his memory will continue to be hallowed in those bright and innocent sanctuaries, until the last tick of the clock of Time! If we go into the country are there no Bracebridge Halls in existence? If we visit the crowded city, has Little Britain never had a chronicler? Is there no Boar’s Head in Eastcheap? Why, gentlemen, when Mr. Crayon left England he left sitting in the small back parlour of a certain public house near that same Boar’s Head, a man of infinite wisdom, with a red nose and an oilskin hat, who was sitting there when I came away. Yes, gentlemen, it was the same man – not a man that was very like him, but the self-same man–his nose in an immortal redness, and his hat in an undying glaze. Why, Mr. Crayon was also on terms of intimacy, in a certain village near that same Bracebridge Hall, with a certain radical fellow, who used to go about very much out at elbow, with his hat full of old newspapers. Gentlemen, I knew the man. He’s there to this very hour, with the newspapers in his hat, very much to the dissatisfaction of Mr. Tibbets the elder. And he has not changed a hair; and when I came away he charged me to give his best respects to Washington Irving! Gentlemen, leaving the town and ‘Rural Life in England,’ and forgetting for a moment, if anybody can, ‘The Pride of the Village,’ and ‘The Broken Heart’, let us cross the water again and ask who has associated himself most closely with the Italian Post-House, and the Bandits of the Pyrenees? When the traveller beyond the Alps is lighted to his little chamber, along dark, echoing, and spacious corridors, damp, gloomy, and cold; when he has sat down by the fire to watch the gradual change of his room from misery to comfort; when he has drawn his curtains, such as they are, moth-eaten and mouldy, and hearts the tempest beating with fury against his window; and when all the ghost stories that ever were told crowd around and I upon him – amid all his thick-coming fancies – who is it he thinks of at such a time? Why, Washington Irving! Go further away still, to the Moorish fountain, sparkling full in the moonlight, with a few water carriers and village gossips lingering about it still, as in days of old, for its refreshing coolness, and the voices of others going to the village dying away in the distance, like bees. Who, at such an hour, takes his silent stand beside the traveller, and points with his magic wand to the walls of Alhambra? Who awakens in every cave the echoing music, the tread of many twinkling feet, the sound of cymbals, the rattling clang of armour, the tramp of mailed men, and bids legions which for centuries have slept a dreamless sleep within the earth, or watched unwinkingly for buried treasure – who bids them start up and pass in grim array before your eyes? Or, leaving this, who embarked with Colombus in his gallant ship, traversed with him the dark and mighty ocean, leaped into the main, upon the land, and planted there the flag of Spain? Who but this same man now sitting by my side. And who, to come to your coast, is a more fit companion for the buccaneers, and monder-diggers, or who more fit to accompany Rip Van Winkle in his fearful journey to the mountains, where the uncouth crew did play at ninepins on that thundery afternoon? [Roars of laughter.] What pen but his could call such spirits from the vasty deep – make them come, too, at his call – peopling those Catskill mountains until they seem as much a part of them as any crag that ever frowned, or torrent that ever darted headlong from their heights. But, gentlemen, this is a most dangerous theme for me, for I have been enchanted with these people from my boyhood, and my glass slipper is on me still. Lest I should be tempted now to talk too long about them I will, in conclusion, give you a sentiment, most appropriate in the presence of Bryant, Halleck, and – but I suppose I must not mention the ladies here – I will give you ‘The Literature of America – She well knows how to honour her own literature, and to do honour to that of other lands, when she chooses Washington Irving for her representative in the country of Cervantes!’ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Banquet in his Honour, New York Creator An entity primarily responsible for making the resource Dickens, Charles Identifier An unambiguous reference to the resource within a given context 1842-02-18_Speech_Banquet-New-York Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Speech at Hartford' (7 February 1842). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1842-02-18_Speech_Banquet-New-York">https://dickenssearch.com/speeches/1842-02-18_Speech_Banquet-New-York</a>. Date A point or period of time associated with an event in the lifecycle of the resource 1842-02-18 Description An account of the resource Speech at a banquet in his honour in New York (18 February 1842). Scripto Transcription A written representation of a document. Mr. President and Gentlemen, I don’t know how to thank you – I really don’t know how. You might, perhaps, suppose that by the dint of custom and from the experience your kindness has heaped upon me since my arrival in this country, that the difficult would have been somewhat diminished or dwindled into nothing but I do assure you the fact is exactly the reverse. Unlike that rolling stone which gathers no moss, I have, in my progress to your city, collected around me such a heap of obligation and weight of acknowledgement, that in my power of expressing it I have grown more and more unwieldy every hour! I picked up such a quantity of fresh moss – so to speak – at a certain brilliant scene on Monday night, that I thought I never could, by any possibility, grow any bigger. But crowded upon that, there comes again tonight a new accumulation of such extent and magnitude, that I am fairly at a standstill and can roll no more! Gentlemen, we know from all the authorities, that whenever a fairy stone, or ball, or reel of thread, stopped of its own accord–which I do not–some catastrophe was sure to be at hand. Its precedent, however, holds good in my case. For, remembering the short time I have before me in this land of mighty interest, and the poor opportunities I can have at best of acquiring a knowledge of, and making myself acquainted with it, I have felt it almost a duty to decline the honours which my generous friends elsewhere would heap upon me, and henceforth to pass through the country more quietly. Argus himself, though he had but one mouth for his hundred eyes, would have found the reception of a public entertainment once a week somewhat relaxing to his vigilance and activity. And as I would lose no scrap or jot from the rich mines of gratification and instruction which await me, I know, on every hand–and of which I have already derived no small instalment from your hospitals and common jails–I have resolved to take up my staff, and go upon my way rejoicing, and for the future to shake hands with Americans not at parties, but at home. And therefore, gentlemen, I say tonight, with a full heart and an honest purpose and grateful feelings, that I bear with me, and shall ever bear with me, a deeper sense of your kind, affectionate and noble greeting, than it is possible to convey in words; that no European sky without, and no cheerful home or well-warmed room within shall every shut out this land from my vision; that I shall often hear your words of welcome in my quiet room, oftenest when it is most quiet, and shall see your aces in the winter evening fire; that if I should live to grow old, the light of this hall and others like it will shine as brightly to my dull eyes fifty years hence as it does tonight and that when my course is run the sympathy you have shown to me shall be well remembered and paid back, so please God, in my undying love and honest endeavours for the good of my race. Gentlemen, one other word with reference to this tiresome first person, and I close that theme. I came here in an open, honest, and confiding spirit, if ever man did, and because I heartily inclined toward you; had I felt otherwise I should have kept away. As I came here, and am here, without the least admixture of the hundredth portion of a grain of base alloy, without the faintest unworthy reference to self in any word I have ever addressed to you, or in any sentiment I have ever interchanged with you, I assert my right tonight, in regard to the past for the last time, my right in reason, truth, and justice, to appeal to you, as I have done on two former occasions, on a question of universal literary interest in both countries. And, gentlemen, I claim this justice: that I have made the appeal as one who has a most righteous claim to speak and to be heard; and that I have done so in a frank, and courteous, and good-humoured spirit of deference to those who frankly, courteously, and good humouredly differed from me in any or every respect. For myself, gentlemen, I have only to add that I will ever be as true to you as you have been to me. I recognise in your enthusiastic approval of the creations of my fancy, as in a glass, your enlightened care for the happiness of the many, your tender and gentle regard for the afflicted and helpless, your sympathy for the downcast, your plans for the correction and improvement of the bad, and the encouragement and solace of the good–the education and advancement of every member of society. My constant and increasing devotion to the end of my life to these ends, and to every other object to the extent of my humble capacity, having the common good in view, shall prove to you that in this you do not mistake me, and that the light you have shed around my path was not unworthily bestowed. And now that I have said this much in reference to myself, let me have the gratification I have long expected of saying a few words in reference to somebody else. There is in this city a gentleman who, at the conclusion of one of my books–I well remember it was the Old Curiosity Shop – wrote to me in England a letter so generous, so affectionate, and so manly, that if I had written the book under every circumstance of disadvantage, discouragement, and difficult, instead of with everything to cheer and urge me on, I should have found in the receipt of that letter my best and happiest reward. I answered him, and he answered me, and so we kept shaking hands autobiographically, as if no ocean rolled between us, until I came here on Saturday night, longing and eager to see him. And here he sits! And I I need not tell you that it is the crowning circumstance to me of the night, that he is here in this capacity. Why, gentlemen, I don’t go upstairs to bed two nights out of seven, as I have a credible witness very near at hand to testify,–I say, gentlemen, I do not go to bed two nights out of seven without taking Washington Irving under my arm upstairs to bed with me; and when I don’t take him I take his next of kin – his own brother – Oliver Goldsmith. Washington Irving! Why, who but he was in my thoughts the other day as I approached your city in the steamboat from New Haven, when I was looking out for the Hog’s Back, the Frying Pan, and Hell Gate and all those horrible places of renown that were a terror to the Dutch navigators? Washington Irving! Why, when I visited Shakespeare’s birthplace not long ago, and went beneath the roof where he first saw light, whose name but his was the first that was pointed out with pride upon the wall?– Washington Irving! – Diedrich Knickerbocker, Geoffrey Crayon! Why, where can we go that they have not been before us? In the English farmhouse, in the crowded city, along the beautiful lanes, across the pleasant fields of England, and amidst her blessed, happy homes, his name above every name rises up with hallowed recollections of his virtues and talents, and like his memory will continue to be hallowed in those bright and innocent sanctuaries, until the last tick of the clock of Time! If we go into the country are there no Bracebridge Halls in existence? If we visit the crowded city, has Little Britain never had a chronicler? Is there no Boar’s Head in Eastcheap? Why, gentlemen, when Mr. Crayon left England he left sitting in the small back parlour of a certain public house near that same Boar’s Head, a man of infinite wisdom, with a red nose and an oilskin hat, who was sitting there when I came away. Yes, gentlemen, it was the same man – not a man that was very like him, but the self-same man–his nose in an immortal redness, and his hat in an undying glaze. Why, Mr. Crayon was also on terms of intimacy, in a certain village near that same Bracebridge Hall, with a certain radical fellow, who used to go about very much out at elbow, with his hat full of old newspapers. Gentlemen, I knew the man. He’s there to this very hour, with the newspapers in his hat, very much to the dissatisfaction of Mr. Tibbets the elder. And he has not changed a hair; and when I came away he charged me to give his best respects to Washington Irving! Gentlemen, leaving the town and ‘Rural Life in England,’ and forgetting for a moment, if anybody can, ‘The Pride of the Village,’ and ‘The Broken Heart’, let us cross the water again and ask who has associated himself most closely with the Italian Post-House, and the Bandits of the Pyrenees? When the traveller beyond the Alps is lighted to his little chamber, along dark, echoing, and spacious corridors, damp, gloomy, and cold; when he has sat down by the fire to watch the gradual change of his room from misery to comfort; when he has drawn his curtains, such as they are, moth-eaten and mouldy, and hearts the tempest beating with fury against his window; and when all the ghost stories that ever were told crowd around and I upon him – amid all his thick-coming fancies – who is it he thinks of at such a time? Why, Washington Irving! Go further away still, to the Moorish fountain, sparkling full in the moonlight, with a few water carriers and village gossips lingering about it still, as in days of old, for its refreshing coolness, and the voices of others going to the village dying away in the distance, like bees. Who, at such an hour, takes his silent stand beside the traveller, and points with his magic wand to the walls of Alhambra? Who awakens in every cave the echoing music, the tread of many twinkling feet, the sound of cymbals, the rattling clang of armour, the tramp of mailed men, and bids legions which for centuries have slept a dreamless sleep within the earth, or watched unwinkingly for buried treasure – who bids them start up and pass in grim array before your eyes? Or, leaving this, who embarked with Colombus in his gallant ship, traversed with him the dark and mighty ocean, leaped into the main, upon the land, and planted there the flag of Spain? Who but this same man now sitting by my side. And who, to come to your coast, is a more fit companion for the buccaneers, and monder-diggers, or who more fit to accompany Rip Van Winkle in his fearful journey to the mountains, where the uncouth crew did play at ninepins on that thundery afternoon? [Roars of laughter.] What pen but his could call such spirits from the vasty deep – make them come, too, at his call – peopling those Catskill mountains until they seem as much a part of them as any crag that ever frowned, or torrent that ever darted headlong from their heights. But, gentlemen, this is a most dangerous theme for me, for I have been enchanted with these people from my boyhood, and my glass slipper is on me still. Lest I should be tempted now to talk too long about them I will, in conclusion, give you a sentiment, most appropriate in the presence of Bryant, Halleck, and – but I suppose I must not mention the ladies here – I will give you ‘The Literature of America – She well knows how to honour her own literature, and to do honour to that of other lands, when she chooses Washington Irving for her representative in the country of Cervantes!’ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Location The location Washington, D. C. Venue Where the speech was given Boulanger's Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18420314 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. I rise to propose to you one more sentiment; it must be my last; it consists of two words – ‘Good Night!’ Since I have been seated at this table I have received the welcome intelligence that the news from the dear ones has come at last – that the long-expected letters have arrived. Among them are certain scrawls from little beings across the ocean, of great interest to me, and I thought of them for many days past, in connexion with drowned men and a noble shop, broken up and lying in fragments upon the bottom of the ocean. But they are here, and you will appreciate the anxiety I feel to read them. Permit me, in allusion to some remarks made by a gentleman near me, to say that every effort of my pen has been intended to elevate the masses of society; to give them the station they deserve among mankind. With that intention I commenced writing, and I assure you that as long as I write at all, that shall be the principal motive of my efforts. Gentlemen, since I arrived on your hospitable shore, and in my flight over your land, you have given me everything I can ask but time–that you cannot give me, and you are aware that I must devote some of it to myself. Therefore, with the assurance that this has been the most pleasant evening I have passed in the United States, I must bid you farewell, and once more repeat the words, Good Night! Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Private Dinner, Washington Description An account of the resource A speech at a private dinner, Washington (14 March 1842). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1842-03-14 Identifier An unambiguous reference to the resource within a given context 1842-03-14_Speech_Private-Dinner-Washington Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Speech at a Private Dinner, Washington' (14 March 1842). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1842-03-14_Speech_Private-Dinner-Washington">https://dickenssearch.com/speeches/1842-03-14_Speech_Private-Dinner-Washington</a>. Scripto Transcription A written representation of a document. I rise to propose to you one more sentiment; it must be my last; it consists of two words – ‘Good Night!’ Since I have been seated at this table I have received the welcome intelligence that the news from the dear ones has come at last – that the long-expected letters have arrived. Among them are certain scrawls from little beings across the ocean, of great interest to me, and I thought of them for many days past, in connexion with drowned men and a noble shop, broken up and lying in fragments upon the bottom of the ocean. But they are here, and you will appreciate the anxiety I feel to read them. Permit me, in allusion to some remarks made by a gentleman near me, to say that every effort of my pen has been intended to elevate the masses of society; to give them the station they deserve among mankind. With that intention I commenced writing, and I assure you that as long as I write at all, that shall be the principal motive of my efforts. Gentlemen, since I arrived on your hospitable shore, and in my flight over your land, you have given me everything I can ask but time–that you cannot give me, and you are aware that I must devote some of it to myself. Therefore, with the assurance that this has been the most pleasant evening I have passed in the United States, I must bid you farewell, and once more repeat the words, Good Night! Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Location The location Richmond Venue Where the speech was given Exchange Hotel Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18420318 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. Mr. President and Gentlemen, I am most truly grateful and obliged to you for the kind welcome which you have given me. I receive and acknowledge with gratitude this testimonial of your kindly feelings towards me. If it were possible to convey to you my sense and appreciation of your favours, I would indeed acknowledge, as I receive, your good wishes an hundred fold. But, as I said at a social party a few nights since at Washington – a party somewhat similar to this – it is my misfortune to be passing through this country with almost as rapid a flight as that of any bird of the air–the American Eagle excepted. I find, in my career amongst you, no little resemblance to that far-famed Sultan of the thousand-and-one nights, who was in the habit of acquiring a new friend every night and cutting his head off in the morning. I find another resemblance to what we read in the history of that Sultan. He was diverted from his bad habit by listening to the tales of one who proved a favourite above all the rest; so I am stopped in my original intention by the hospitalities of the Americans. I say that the best flag of truce between two nations having the same common origin, and speaking the same language, is a fair sheet of white paper inscribed with the literature of each. If, hereafter, I think of this night, if I remember the welcome which you have assured me, believe me, my small corner, my humble portion of that fair sheet shall be inscribed with the hospitalities I have received from the friends I have seen and made here. It has been said, gentlemen, that an after-dinner speech may be too long. If so, it may be said with more truth, that an after-supper speech cannot be too short, and especially to those with whom to listen to a speech is no novelty, and mong whom a man of few words is a rare and almost literal ‘phenomenon’. I therefore deem it only necessary to say to you that I am most deeply and sincerely obliged to you for your kindness. In reference to the admonition tendered to me by my worthy friend, your President, I will say that it has long been a thing near my heart. But I hope I shall never need the monitor of which he reminds us. My situation forbids all paralysis of my pen – as I hope you will discover from November next, when I shall resume my literary labours. The hospitalities of America can never be forgotten among them: your kindness, certainly never. Imagine me thinking of you tomorrow; imagine me on the road to Fredericksberg – on that Virginia road from Fredericksburg to the Potomac. In fact throughout all my travels in these parts I shall think of the pleasure I have enjoyed in the bosom of your society. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dinner in His Honour, Richmond Description An account of the resource A speech at a social dinner in his honour, Richmond (18 March 1842). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1842-03-18 Identifier An unambiguous reference to the resource within a given context 1842-03-18_Speech_Dinner-Richmond Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Dinner in His Honour, Richmond' (18 March 1842). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1842-03-18_Speech_Dinner-Richmond">https://dickenssearch.com/speeches/1842-03-18_Speech_Dinner-Richmond</a>. Scripto Transcription A written representation of a document. Mr. President and Gentlemen, I am most truly grateful and obliged to you for the kind welcome which you have given me. I receive and acknowledge with gratitude this testimonial of your kindly feelings towards me. If it were possible to convey to you my sense and appreciation of your favours, I would indeed acknowledge, as I receive, your good wishes an hundred fold. But, as I said at a social party a few nights since at Washington – a party somewhat similar to this – it is my misfortune to be passing through this country with almost as rapid a flight as that of any bird of the air–the American Eagle excepted. I find, in my career amongst you, no little resemblance to that far-famed Sultan of the thousand-and-one nights, who was in the habit of acquiring a new friend every night and cutting his head off in the morning. I find another resemblance to what we read in the history of that Sultan. He was diverted from his bad habit by listening to the tales of one who proved a favourite above all the rest; so I am stopped in my original intention by the hospitalities of the Americans. I say that the best flag of truce between two nations having the same common origin, and speaking the same language, is a fair sheet of white paper inscribed with the literature of each. If, hereafter, I think of this night, if I remember the welcome which you have assured me, believe me, my small corner, my humble portion of that fair sheet shall be inscribed with the hospitalities I have received from the friends I have seen and made here. It has been said, gentlemen, that an after-dinner speech may be too long. If so, it may be said with more truth, that an after-supper speech cannot be too short, and especially to those with whom to listen to a speech is no novelty, and mong whom a man of few words is a rare and almost literal ‘phenomenon’. I therefore deem it only necessary to say to you that I am most deeply and sincerely obliged to you for your kindness. In reference to the admonition tendered to me by my worthy friend, your President, I will say that it has long been a thing near my heart. But I hope I shall never need the monitor of which he reminds us. My situation forbids all paralysis of my pen – as I hope you will discover from November next, when I shall resume my literary labours. The hospitalities of America can never be forgotten among them: your kindness, certainly never. Imagine me thinking of you tomorrow; imagine me on the road to Fredericksberg – on that Virginia road from Fredericksburg to the Potomac. In fact throughout all my travels in these parts I shall think of the pleasure I have enjoyed in the bosom of your society. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. 'Well, we drank "the Boz", with a delectable clatter, which drew from him a goood warm hearted speech, in which he hinted the great advantage of going to America for the pleasure of coming back again – & pleasantly described the embarrassing attentions of the Transatlantickers, who made his private house & private cabin particularly public.' Location The location Greenwich Publication Type E.g. newspaper/serial Letter Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18420709 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource On Return from America Description An account of the resource Speech given at Greenwich (9 July 1842). Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived The Letters of Charles Dickens. The Pilgrim Edition. Edited by Madeline House, Graham Storey and Kathleen Tillotson. Volume 3 (1842-1843), p.264n. Oxford University Press, 1974. Date A point or period of time associated with an event in the lifecycle of the resource 18420709 Type The nature or genre of the resource Speech Identifier An unambiguous reference to the resource within a given context 1842-07-09_Speech_on_Return_from_America Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'On Return from America' (9 July 1842). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1842-07-09_Speech_on_Return_from_America">https://dickenssearch.com/speeches/1842-07-09_Speech_on_Return_from_America</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. It had, he observed, a more immediate reference to the object for which they were that day assembled. The Printers’ Pension Society had existed, as most them no doubt knew, about sixteen years, and was founded for the purpose of maintaining the widows of deceased printers, or decayed printers themselves. The amounts awarded in the estimation of some might be said to be small, – the good that was done was great. It afforded to many, and the most deserving persons, relief in the hour of distress, – that distress which sooner or later comes to most of us. But the printers were peculiarly liable to premature decay, to injury in their faculties when many others were still able to earn their daily bread (which was a fact known to most of them) from the character of their occupation – the late and arduous hours during which they were obliged to tax powers that were often of the most delicate nature. That peculiar liability to decay gave printers powerful claims to their sympathy and support. But that claim was largely enhanced when they recollected that by the printers’ means they were enabled to scatter throughout the world the loftiest efforts of intellect – the ‘thoughts that breathe, the words that burn’ – to send to every part of the universe the great imaginings of the most accomplished minds, to instruct and regenerate mankind. When they reflected thus – and who could avoid it? – the claims of the printers became irresistible. He felt quite assured from what took place at the last election for pensioners, and from what he saw now in that room, that everyone would promptly put his hand into whatever pocket he had, and thereby enable their Treasure to make a most favourable report. He was sure it was unnecessary to add more to arouse their sympathies; but he could assure them that the knockings at the door of the institution were very numerous. Be it borne in mind that this institution gave no encouragement to thoughtlessness and extravagance; for every claimant must have contributed to the funds for some years before he was qualified should necessity arise to appeal for aid. Many had belonged to it from its foundation. He knew many who were so circumstanced. The institution was further valuable as generating good feeling among the workmen themselves. On every account they deserved the respect and consideration of every honest man, to the truth of which he could bear ample testimony from considerable intercourse with that valuable body of men. There was an asylum for warriors who had fought the battles of their country, and most justly and properly; but, in God’s name, let them sustain an asylum for those who suffered in struggles, in the bloodless contests, of promoting knowledge, of civilizing or of improving mankind, and of advancing the peaceful superiority of human beings. He gave them 'The Printers’ Pension Society, and prosperity to it'. He felt deeply obliged, he said, for the kindness thus shown, and the enthusiastic manner in which it had been evinced. There were few proceedings which went so home to his heart, as such testimonies of kind regards. He then continued: He had, he said, to propose another toast, and he would introduce it with a remark or two, not because they were requisite, but because such a toast on such an occasion ought not to be named without some observation. He had next to propose, he said, ‘The Stationers’ Company’. He believed that notwithstanding what had been declared by a Noble and learned Lord, ‘a friend of ours elsewhere’, the Stationers’ Company were alive and doing well, and that Stationers’ Hall still stood where it did. He gave, with great pleasure, ‘The Stationers’ Company, the steady supporters of the Printers’ Pension Society’. Location The location London Venue Where the speech was given London Tavern Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18430404 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. The Printers’ Pension Society, and prosperity to it. I now give ‘The Press’, that wonderful lever Archimedes wished for, and which has moved the world! which has impelled it onward in the path of knowledge, of mercy, and of human improvement so far that nothing in the world can ever roll it back! The mass of the people, said Dr. Johnson very truly, in any country where printing is unknown, must be barbarous; and Sir Thomas More, the best, and wisest, and the greatest of men, who, before the press was established, died what was almost the natural death of the good, and the wise and the great – Sir Thomas More so clearly saw into futurity, and descried from afar off the stupendous influence of the press, that he went out of his way to set up a printing-press in Utopia, knowing that without it even the people of that fancied land would not bear competition in the course of years with the real nations of the earth. If they looked back only for two hundred years, to that time when the Dutch citizen carved letters on the bark of the beechen tree, and took off impressions of them on paper as toys to please his grand-children – he little knew the wonderful agent which, in scarcely a century, was about to burst on mankind; what a strong engine in the course of time it must become, even in the land where the ruthless vices and crimes of the anointed ruffian who spread More’s bloody pillow were to acquire him an immortality of infamy. I thank God that it has been so; from that hour no good has been devised, no wonderful invention has been broached, no barbarism has been struck down, but that same press has had its iron grip upon it, and never once has it let it till it was done. If we look at our social and daily life, we shall see how constantly present the press is, and how essential an element it has become of civilized existence. In great houses, and even in lowly huts, in crowds, and in solitudes, in town and country, in the nursery of the children and by the old man’s elbow chair – still, in some shape or other, there it is! Now it is an alphabet, with its fat black capital letters; now in the form of whole words; now in the story of Puss in Boots; now as Robinson Crusoe; now as a tale of the Caliph Haroun al-Raschid; now as a Lindley Murray; now as a Tutor’s Assistant; then as a Virgil, a Homer, or a Milton; now in the form of the labours of the editor of a popular newspaper: in some shape or other the press is constantly present and associated with our lives, from the baptismal service to the burial of the dead. I know that to some its power is obnoxious. There are some gentlemen of a patriotism so unselfish that they would put the newspaper press of their native country on an equality of efficiency with that of another nation, which, as long ago as Benjamin Franklin wrote, was an unique, a distinct and a singular thing. But as we have means of judging for ourselves every morning and evening of the newspaper literature, it is satisfactory to know that there never was a righteous cause but the same men have hated it; and there never was a disappointed man or a discontented patriot, anxious to pass upon a people determined not to recognize him as such, but he has bemoaned the privileges of the press in the same crocodile’s tears. With regard to the influence of the press on public men, I only leave you to judge from what public men often are even with this engine in full operation, what sort of characters they would be without it. I give you then, – ‘The fountain of Knowledge and the bulwark of Freedom, the founder of free states and their preserver – the Press!’ The Stationers’ Company, the steady supporters of the Printers’ Pension Society. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Printers' Pension Society Anniversary Festival 1843 Description An account of the resource Toast at the Printers' Pension Society Anniversary Festival (4 April 1843). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1843-04-04 Identifier An unambiguous reference to the resource within a given context 1843-04-04_Speech_Printers-Pension-Society Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Printers' Pension Society Annual Dinner' (4 April 1843). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1843-04-04_Speech_Printers-Pension-Society">https://dickenssearch.com/speeches/1843-04-04_Speech_Printers-Pension-Society</a>. Scripto Transcription A written representation of a document. I now give ‘The Press’, that wonderful lever Archimedes wished for, and which has moved the world! which has impelled it onward in the path of knowledge, of mercy, and of human improvement so far that nothing in the world can ever roll it back! The mass of the people, said Dr. Johnson very truly, in any country where printing is unknown, must be barbarous; and Sir Thomas More, the best, and wisest, and the greatest of men, who, before the press was established, died what was almost the natural death of the good, and the wise and the great – Sir Thomas More so clearly saw into futurity, and descried from afar off the stupendous influence of the press, that he went out of his way to set up a printing-press in Utopia, knowing that without it even the people of that fancied land would not bear competition in the course of years with the real nations of the earth. If they looked back only for two hundred years, to that time when the Dutch citizen carved letters on the bark of the beechen tree, and took off impressions of them on paper as toys to please his grand-children – he little knew the wonderful agent which, in scarcely a century, was about to burst on mankind; what a strong engine in the course of time it must become, even in the land where the ruthless vices and crimes of the anointed ruffian who spread More’s bloody pillow were to acquire him an immortality of infamy. I thank God that it has been so; from that hour no good has been devised, no wonderful invention has been broached, no barbarism has been struck down, but that same press has had its iron grip upon it, and never once has it let it till it was done. If we look at our social and daily life, we shall see how constantly present the press is, and how essential an element it has become of civilized existence. In great houses, and even in lowly huts, in crowds, and in solitudes, in town and country, in the nursery of the children and by the old man’s elbow chair – still, in some shape or other, there it is! Now it is an alphabet, with its fat black capital letters; now in the form of whole words; now in the story of Puss in Boots; now as Robinson Crusoe; now as a tale of the Caliph Haroun al-Raschid; now as a Lindley Murray; now as a Tutor’s Assistant; then as a Virgil, a Homer, or a Milton; now in the form of the labours of the editor of a popular newspaper: in some shape or other the press is constantly present and associated with our lives, from the baptismal service to the burial of the dead. I know that to some its power is obnoxious. There are some gentlemen of a patriotism so unselfish that they would put the newspaper press of their native country on an equality of efficiency with that of another nation, which, as long ago as Benjamin Franklin wrote, was an unique, a distinct and a singular thing. But as we have means of judging for ourselves every morning and evening of the newspaper literature, it is satisfactory to know that there never was a righteous cause but the same men have hated it; and there never was a disappointed man or a discontented patriot, anxious to pass upon a people determined not to recognize him as such, but he has bemoaned the privileges of the press in the same crocodile’s tears. With regard to the influence of the press on public men, I only leave you to judge from what public men often are even with this engine in full operation, what sort of characters they would be without it. I give you then, – ‘The fountain of Knowledge and the bulwark of Freedom, the founder of free states and their preserver – the Press!’ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. The institution, he said, although at this time but a very young plant almost in the bud, had struck a deep root and taken a strong hold in the bosoms of tens of thousands of our fellow creatures. Little more than six months, according to the report just read, had passed since the hospital was open for the reception of patients, and within that short time no fewer than sixty or seventy patients had occupied its beds, while the number of out-patients – many whom they had been delighted to learn had, by the skill and timely aid they had received, been enabled to resume their accustomed occupations – amounted to no fewer than 750. If this charity had not existed, the doors of no sick house within London’s wide bounds would have been open to these poor persons. Before the hospital was founded they would have suffered, lingered, pined, and died in their poor homes, without a hand stretched out to help them in their slow decay. Remembering that the classes of suffering which the charity purposed to alleviate were of all others peculiarly the growth and produce of the country; that they were often the inheritance of the youngest, fairest, best amongst us, that they deprived fair England of those whom it could least afford to lose, struck down the objects of our dearest hopes when in their youthful prime, and when it was hardest to lose them – remembering these things who could doubt that such a charity must be munificently endowed? He now called upon them to drink ‘Prosperity’ to the institution, not as an unmeaning toast, but as a pledge that nothing on their parts should be wanting to aid and urge it onward in its prosperous course. Location The location London Venue Where the speech was given London Tavern Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18430506 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource At the Annual Dinner of the Hospital for Consumption and Diseases of the Chest Description An account of the resource Toast at the Annual Dinner of the Hospital for Consumption and Diseases of the Chest (6 May 1843). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1843-05-06 Identifier An unambiguous reference to the resource within a given context 1843-05-06_Speech_Hospital-for-Consumption Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'At the Annual Dinner of the Hospital for Consumption and Diseases of the Chest' (6 May 1843). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1843-05-06_Speech_Hospital-for-Consumption">https://dickenssearch.com/speeches/1843-05-06_Speech_Hospital-for-Consumption</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. It was, he said, with particular gratification that he had attended that celebration and witnessed its proceedings. It was a matter for just rejoicing to contemplate the healthy and promising appearance of that institution. Its objects were of the most useful and praiseworthy character; and the nobleman who presided, distinguished as he was for his amiability and usefulness, had never been engaged in a more valuable manner than on this occasion. Location The location London Venue Where the speech was given London Tavern Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18430523 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Charitable and Provident Society for the Aged and Infirm Deaf and Dumb Anniversary Festival 1843 Description An account of the resource Speeches at the Charitable and Provident Society for the Aged and Infirm Deaf and Dumb Anniversary Festival (23 May 1843). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1843-05-23 Identifier An unambiguous reference to the resource within a given context 1843-05-23_Speech_Charitable-and-Provident-Society-for-the-Aged-and-Infirm-Deaf-and-Dumb-Anniversary-Festival Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Speeches at the Charitable and Provident Society for the Aged and Infirm Deaf and Dumb Anniversary Festival' (23 May 1843). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1843-05-23_Speech_Charitable-and-Provident-Society-for-the-Aged-and-Infirm-Deaf-and-Dumb-Anniversary-Festival">https://dickenssearch.com/speeches/1843-05-23_Speech_Charitable-and-Provident-Society-for-the-Aged-and-Infirm-Deaf-and-Dumb-Anniversary-Festival</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. He had been asked to perform this duty, he said, and he did it most cheerfully. Of the merits and advantages of the institution he was fully convinced; and in his desire to promote the success of such establishments he could assure them he was second to no man. He hoped they would not deem it presumptuous in him to say that he knew something of the classes for which this institution was intended. It was to provide for those classes refuge in sickness, and to restore them to peace of mind, health of body, and reinstatement in their positions in society. Its objects were so noble and so interesting, that to be successful it only required to be known in the highest and most active classes. He then proposed the health of their chairman, for who so fit to be their president as he who had sacrificed party spirit and politics that he might advance the cause and interests of the neglected and forlon, – who had boldly stood forward among seven hundred legislators, and maintained that women should not be compelled to do the work of harnessed brutes? To Lord Ashley the most oppressed and neglected classes would have to return thanks for ages to come. – ‘Lord Ashley, the chairman of the day.’ Location The location London Venue Where the speech was given London Tavern Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18430629 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dinner for the Sanatorium Description An account of the resource Dinner for the Sanatorium (29 June 1843). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1843-06-29 Identifier An unambiguous reference to the resource within a given context 1843-06-29_Speech_Dinner-for-the-Sanatorium Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Dinner for the Sanatorium' (29 June 1843). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1843-06-29_Speech_Dinner-for-the-Sanatorium">https://dickenssearch.com/speeches/1843-06-29_Speech_Dinner-for-the-Sanatorium</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. 'Dickens proposed the only toast of the evening, my health etc., in a very feeling and elegant speech.' Location The location Richmond Publication Type E.g. newspaper/serial Diary Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18430826 Venue Where the speech was given Star and Garter Publication The title of the newspaper/serial (if applicable) The Diaries of William Charles Macready Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource On Macready Going to America Description An account of the resource Speech given at Richmond ahead of William Charles Macready's American theatrical tour (26 August 1843). Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived Macready, William Charles. The Diaries of William Charles Macready 1833-1851. Vol. 2. Ed. William Toynbee. New York: Putnam's, 1912. p. 218. Date A point or period of time associated with an event in the lifecycle of the resource 1843-08-26 Type The nature or genre of the resource Speech Identifier An unambiguous reference to the resource within a given context 1843-08-26_Speech_On_Macready_Going_to_America Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'On Macready Going to America' (26 August 1843). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1843-08-26_Speech_On_Macready_Going_to_America">https://dickenssearch.com/speeches/1843-08-26_Speech_On_Macready_Going_to_America</a>.