6 10 136 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. On a recent occasion, he said, they were informed that a respectable and active police officer had insinuated himself into the midst of an incorruptible election. This very intellectual person had reason to believe, from information he had received, that if he proceeded in a certain direction he would encounter a sage, between whom and himself a most mysterious and magnetic influence would arise if he laid his hand upon his nose. He obeyed these instructions, and in reply to the gesture alluded to, the sage observed, ‘It is all right, but there is something more’; whereupon the police officer repeated the necessarily cabalistic sign, which secured his admission into the mysterious region, and he took the chief magician into custody. If he might adapt this incident, of a not very agreeable or creditable nature, to the present very agreeable and creditable occasion, he would suggest it was all right, but there was something more. Without having applied their hands to their noses, they might be said to have placed them in grateful homage on their hearts, and also to their ears in listening to those sweet sounds produced by the musicians, and which gave delight, not only in themselves, but from the generous spirit in which they were uttered. They had used their hands in making those sounds very agreeable to the management of the fund, and in acknowledging the very admirable exposition of its claims they had heard from the Chair. In reference to the Chair, he would simply say that he hoped the ‘devil’s bird-catchers’ might always be able to lime so good a bird. He was too old a bird to be caught by chaff, whether of a celestial or infernal description. The chairman had laid the fund, under a very great obligation, and the cabalistic sign which he was advised as the next in order was, that every gentleman presented empty a wine glass in his honour. They were so fortunate in having for their president a gentleman who was the representative of a large mercantile community, and his presence afforded a graceful expression of that union of sympathy which should exist between the busy pursuits of life and its wholesome recreations. They also had in their chairman of the night one who was personally and pleasantly acquainted with the objects of their assembly. He, therefore, called up upon them to drink his health, and when they had done that, he hoped they would recollect that they were still ‘something more’. Location The location London Venue Where the speech was given London Tavern Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18530322 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Royal General Theatrical Fund Anniversary Festival 1853 Description An account of the resource Speech at the Royal General Theatrical Fund Anniversary Festival (22 March 1853). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1853-03-22 Identifier An unambiguous reference to the resource within a given context 1853-03-22_Speech_Royal-General-Theatrical-Fund-Anniversary-Festival-1853 Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Speech at the Royal General Theatrical Fund Anniversary Festival' (22 March 1853). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1853-03-22_Speech_Royal-General-Theatrical-Fund-Anniversary-Festival-1853">https://dickenssearch.com/speeches/1853-03-22_Speech_Royal-General-Theatrical-Fund-Anniversary-Festival-1853</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. After tendering his acknowledgement of the toast, and the honour done him in associating his name with it, Dickens said that those acknowledgements were not the less heartfelt because he was unable to recognize in this toast the President’s usual disinterestedness; since English literature could hardly be remembered in any place, and certainly not in a school of art, without a very distinct remembrance of his own tasteful writings, to say nothing of that other and better part of himself which, unfortunately was not visible upon these occasions. If, like the noble lord, the Commander-in-Chief, he might venture to illustrate his brief thanks with one word of reference to the noble picture painted by a very dear friend of his, which was a little eclipsed that evening by the radiant and rubicund chair which the President now so happily toned down, he would beg leave to say that, as literature could nowhere be more appropriately honoured than in that place, so he thought she could nowhere feel a higher gratification in the ties that bound her to the sister arts. He ever felt in that place that literature found, through their instrumentality, always a new expression, and in a universal language. Location The location London Venue Where the speech was given Royal Academy Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18530430 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Royal Academy Banquet 1853 Description An account of the resource Speech at the Royal Academy Banquet (30 April 1853). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1853-04-30 Identifier An unambiguous reference to the resource within a given context 1853-04-30_Speech_Royal-Academy-Banquet Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Speech at the Royal Academy Banquet' (30 April 1853). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1853-04-30_Speech_Royal-Academy-Banquet">https://dickenssearch.com/speeches/1853-04-30_Speech_Royal-Academy-Banquet</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. Referring to Mrs. Beecher Stowe, he said that in returning thanks he could not forget he was in the presence of a stranger who was the author of a noble book with a noble purpose. But he had no right to call her a stranger, for she would find a welcome in every English home. He begged to say that he was delighted to hear from Vice-Chancellor Wood that the Court of Chancery would not in the future be what it had been in the past. He had reason to hope that a suit which had been going on for some years past, and in which he was interested, might, by the learned judge's intervention, be brought to a satisfactory termination. Location The location London Venue Where the speech was given Mansion House Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18530502 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Banquet at the Mansion House 1853 Description An account of the resource Speech at the Banquet at the Mansion House (2 May 1853). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1853-05-02 Identifier An unambiguous reference to the resource within a given context 1853-05-02_Speech_Banquet-at-the-Mansion-House Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Speech at the Banquet at the Mansion House' (2 May 1853). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1853-05-02_Speech_Banquet-at-the-Mansion-House">https://dickenssearch.com/speeches/1853-05-02_Speech_Banquet-at-the-Mansion-House</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Location The location Birmingham Venue Where the speech was given Town Hall Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18531230 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. My Good Friends, When I first imparted to the Committee of the projected Institute my particular wish that on one of the evenings of my readings here the main body of my audience should be composed of working men and their families, I was animated by two desires; first, by the wish to have the great pleasure of meeting you face to face at this Christmas time, and accompany you myself through one of my little Christmas books; and secondly, by the wish to have an opportunity of stating publicly in your presence, and in the presence of the Committee, my earnest hope that the Institute will, from the beginning, recognize one great principle – strong in reason and justice – which I believe to be essential to the very life of such an Institution. It is, that the working man shall, from the first unto the last, have a share in the management of the institution which is designed for his benefit, and which calls itself by his name. I have no fear of being misunderstood – of being supposed to mean too much in this. If there ever was a time when any one class could of itself do much for its own good, and for the welfare of society – which I greatly doubt – that time is unquestionably past. It is in the fusion of different classes, without confusion; in the bringing together of employers and employed; in the creating of a better common understanding among those whose interests are identical, who depend upon each other, and who never can be in unnatural antagonism without deplorable results, that one of the chief principles of a Mechanics’ Institution should consist. In this world a great deal of the bitterness among us arises from an imperfect understanding of one another. Erect in Birmingham a great Educational Institution, properly educational; educational of the feelings as well as of the reason; to which all orders of Birmingham men contribute; in which all orders of Birmingham can men meet; wherein all orders of Birmingham men are faithfully represented; and you will erect a Temple of Concord here which will be a model edifice to the whole of England. Contemplating as I do the existence of an Artisans’ Committee, which not long ago considered the establishment of the Institute so sensibly, and supported it so heartily, I earnestly entreat the gentlemen – earnest I know in the good work, and who are now among us – by all means to avoid the great shortcoming of similar institutions; and in asking the working man for his confidence, to set him the great example and give him theirs in return. You will judge for yourselves if I promise too much for the working man, when I say that he will stand by such an enterprise with the utmost of his patience, his perseverance, sense, and support; that I am sure he will need no charitable aid or condescending patronage; but will readily and cheerfully pay for the advantages which it confers; that he will prepare himself in individual cases where he feels it necessary; in a word, that he will feel his responsibility like an honest man, and will most honestly and manfully discharge it. I now proceed to the pleasant task to which I assure you I have looked forward for a long time. You have heard so much of my voice since we met tonight, that I will only say, in acknowledgment of this affecting mark of your regard, that I am truly and sincerely interested in you; that any little service to you I have freely rendered from my heart; that I hope to become an honorary member of your great Institution, and will meet you often there when it becomes practically useful; that I thank you most affectionately for this new mark of your sympathy and approval; and that I wish you many happy returns of this great birthday time, and many prosperous years. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource At a Reading in Birmingham Description An account of the resource Speeches at a Reading in Birmingham of A Christmas Carol (30 December 1853). Creator An entity primarily responsible for making the resource Dickens, Charles Identifier An unambiguous reference to the resource within a given context 1853-12-30_Speech_At-a-Reading-in-Birmingham Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'At a Reading in Birmingham' (30 December 1853). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1853-12-30_Speech_At-a-Reading-in-Birmingham">https://dickenssearch.com/speeches/1853-12-30_Speech_At-a-Reading-in-Birmingham</a>. Date A point or period of time associated with an event in the lifecycle of the resource 1853-12-30 Scripto Transcription A written representation of a document. My Good Friends, When I first imparted to the Committee of the projected Institute my particular wish that on one of the evenings of my readings here the main body of my audience should be composed of working men and their families, I was animated by two desires; first, by the wish to have the great pleasure of meeting you face to face at this Christmas time, and accompany you myself through one of my little Christmas books; and secondly, by the wish to have an opportunity of stating publicly in your presence, and in the presence of the Committee, my earnest hope that the Institute will, from the beginning, recognize one great principle – strong in reason and justice – which I believe to be essential to the very life of such an Institution. It is, that the working man shall, from the first unto the last, have a share in the management of the institution which is designed for his benefit, and which calls itself by his name. I have no fear of being misunderstood – of being supposed to mean too much in this. If there ever was a time when any one class could of itself do much for its own good, and for the welfare of society – which I greatly doubt – that time is unquestionably past. It is in the fusion of different classes, without confusion; in the bringing together of employers and employed; in the creating of a better common understanding among those whose interests are identical, who depend upon each other, and who never can be in unnatural antagonism without deplorable results, that one of the chief principles of a Mechanics’ Institution should consist. In this world a great deal of the bitterness among us arises from an imperfect understanding of one another. Erect in Birmingham a great Educational Institution, properly educational; educational of the feelings as well as of the reason; to which all orders of Birmingham men contribute; in which all orders of Birmingham can men meet; wherein all orders of Birmingham men are faithfully represented; and you will erect a Temple of Concord here which will be a model edifice to the whole of England. Contemplating as I do the existence of an Artisans’ Committee, which not long ago considered the establishment of the Institute so sensibly, and supported it so heartily, I earnestly entreat the gentlemen – earnest I know in the good work, and who are now among us – by all means to avoid the great shortcoming of similar institutions; and in asking the working man for his confidence, to set him the great example and give him theirs in return. You will judge for yourselves if I promise too much for the working man, when I say that he will stand by such an enterprise with the utmost of his patience, his perseverance, sense, and support; that I am sure he will need no charitable aid or condescending patronage; but will readily and cheerfully pay for the advantages which it confers; that he will prepare himself in individual cases where he feels it necessary; in a word, that he will feel his responsibility like an honest man, and will most honestly and manfully discharge it. I now proceed to the pleasant task to which I assure you I have looked forward for a long time. You have heard so much of my voice since we met tonight, that I will only say, in acknowledgment of this affecting mark of your regard, that I am truly and sincerely interested in you; that any little service to you I have freely rendered from my heart; that I hope to become an honorary member of your great Institution, and will meet you often there when it becomes practically useful; that I thank you most affectionately for this new mark of your sympathy and approval; and that I wish you many happy returns of this great birthday time, and many prosperous years. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. 'He began by saying that we were met to celebrate an event, a great event. Not, as some thought, merely the birthday of a dramatist and an actor. We met on that day to celebrate a great deal more. We met on that day to celebrate the birthday of a vast army of living men and women, who would live for ever with an actuality greater than that of the men and women whose external forms we saw around us, and whom we knew ourselves – types of humanity, the inner working of whose souls was open to us, as were the faces of ordinary men. To-day was born a Prince of Denmark, who would live for ever as the type of man whose mind was "sicklied o'er with the pale cast of thought," and whose life-story was fore-shadowed by his appearance from the moment he came before us as "a broken glass of fashion, a mould of form," pale and worn with weeping for his father's death, and remotely suspicious of its cause, and not with "his hair crisply curled short as if he were going to an everlasting dancing-master's party at the Danish court," as "most Hamlets since the great Kemble have been bound to do." A Prince of Denmark who will live for ever, even though he be remembered by no more than the words that ask, [quotes from "Whether 'tis nobler to "a consummation Devoutly to be wished"]. On this day was born not only this lasting embodiment of deep insight into life and its problems, but also "Laughter holding both his sides." On this day was born Falstaff, who, like one who takes the chair on such an occasion as this, has to be the cause of speaking in others. And on this day the famous Justice Shallow, who, though you may not admire his qualities, will live in the memory of all who laugh at him, and all who try to personate him on the stage. "'Tis the heart, Master Page, 'tis here, 'tis here. I have seen the time, with my long sword I would have made you four tall fellows skip like rats." But on this day, that saw the birth of Justice Shallow, as well as of the "merry knight," that "mountain of flesh," of whom Prince Hal said (as we all would now say had Falstaff not been born): "I could have better spared a better man," there was also born Queen Mab: [quotes from "She is the fairies' midwife to "as they lie asleep"]. And on this day was born that weaver who felt as out of place among fairies as "a lion among ladies": [quotes from "God shield us! A lion among ladies" to "a man as other men are"]. On this day, too, was born Macbeth, the type of all who show how the first fall into evil leads even men capable of noble thoughts down, eventually, into the lowest depths; Macbeth, who said: [quotes from "If it were done" to "jump the life to come"]. To-day was born a certain Signior Benedick of Padua –that is, not the Benedick of this or that theatrical company, but the constant occasion of merriment among the persons represented in Much Ado about Nothing: "all mirth," as Don Pedro has it, "from the crown of his head to the sole of his foot"; and who may well inspire mirth in all. This day was born a Duke who, exiled from the "painted pomp" of his "envious court", could utter words teaching what I hold to be a vital truth, "above all, that nothing is high because it is in a high place, and that nothing is low because it is in a low one." This is the lesson taught us in the great book of Nature and the lesson uppermost in the mind of that inspired man who tells us that there are – Tongues in trees, books in the running brooks, Sermons in stones, and good in everything. Today was born a villain, for whose birth we may yet be glad, because he was not the ordinary villain of the stage. For Iago can be portrayed without "frowning, sneering diabolically, grinning, and elaborately doing everything else that would induce Othello to run him through the body very early in the play" Shakespeare's Iago is a man who could and did make friends, who could dissect his master's soul without flourishing his scalpel as if it were a walking-stick; who could overpower Emilia by other arts than a sign-of-the-Saracen's-Head grimness; who could be a boon companion without, ipso facto, warning all beholders off by the portentous phenomenon; who could sing a song and clink a can naturally enough, and stab men really in the dark – not in a transparent notification of himself as going about seeking whom to stab. On this day was born the ideal embodiment of woman's passionate love, to whom her lover in his passion idealised as the sun at the dawn rising to – [quotes from "Kill the envious moon" to "And none but fools do wear it"]. And on this day was born a fool, not dressed in vestal livery, but dressed in motley, who "laid him down and basked him in the sun, and as quoted by the melancholy Jacques (whose words are in-woven in this tablecloth before me: "All the world's a stage") described, for all time, the qualities, the privileges and the duties of the satirist of him who, like this fool, "should be so deep contemplative" as to make the sage "ambitions for a motley suit." "Invest me in my motley: give me leave to speak my mind, and I will, through and through, cleanse the foul body of whole infected world, if they will but patiently receive my medicine." In like manner Dickens dealt with many more of Shakespeare's characters, each time acting and speaking the lines with consummate art and skill. Dickens went on to say that this was also the birthday of the English novel. "Every writer of fiction, although he may not adopt the dramatic form, writes, in effect, for the stage. He many never write plays, but the truth and passions which are in him must be more or less reflected in the great mirror which he holds up to Nature." Furthermore, he reminded us that it was the birthday of some of those present –of Compton, of Vanderhoff, of Wallack. For their art and fame would not have been but for the birth of whim whose birthday they were celebrating. He would go further, and say that it was the birthday of that club. For if there had never been a Shakespeare there never would have been a Garrick, and if there had never been a Garrick there would never have been a Garrick club.' Location The location London Venue Where the speech was given Garrick Club Publication Type E.g. newspaper/serial Periodical Publication The title of the newspaper/serial (if applicable) Pall Mall Magazine Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18540422 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Shakespeare's Birthday at the Garrick Club Description An account of the resource Speech given at the Garrick Club (22 April 1854). Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived O'Dowd, James. 'A Shakespeare Birthday: A Reminiscence of Charles Dickens.' Pall Mall Magazine (April 1906): 423-28. Date A point or period of time associated with an event in the lifecycle of the resource 1854-04-22 Type The nature or genre of the resource Speech Identifier An unambiguous reference to the resource within a given context 1854-04-22_Speech_Shakespeares_Birthday_at_the_Garrick_Club Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Garrick Club' (22 April 1854). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1854-04-22_Speech_Shakespeares_Birthday_at_the_Garrick_Club">https://dickenssearch.com/speeches/1854-04-22_Speech_Shakespeares_Birthday_at_the_Garrick_Club</a>. https://dickenssearch.com/files/original/6/Reading_at_Reading_Literary_Scientific_and_Mechanics_Institution/1854-12-19_Speech_Reading_at_Reading_Literary_Scientific_and_Mechanics-Institution.pdf 7d0d0b65c6ad99cd1b0aee832a82befc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. 'Mr. Dickens then stated that the last time he had had the pleasure of reading his Christmas Carol, it was to an audience of three thousand, and they were kind enough to consider themselves a Christmas party listening to a Christmas story. He wished his audience so to consider themselves that evening; and to give a free and natural expression of their feelings, without entertaining any feer of disturbing him. He then proceed to give his reading.' Location The location Reading Venue Where the speech was given Reading Literary, Scientific and Mechanics' Institution Publication Type E.g. newspaper/serial Newspaper Publication The title of the newspaper/serial (if applicable) Berkshire Chronicle TEI File Link to TEI file <a href="https://dickenssearch.com/teibp/dist/content/1854-12-19_Speech_Reading_at_Reading_Literary_Scientific_and_Mechanics-Institution.xml" target="_blank" rel="noopener">Reading at Reading Literary, Scientific and Mechanics Institution (19 December 1854).</a> Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18541219 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. Ladies and Gentlemen, you will feel with me, I am sure, that the time is past when it would have become me to make any reference of a merely personal nature to the cause of your having so greatly honoured me in selecting me as your president – for the memory of the good is still removed to a region, in which all public life and private attachment must equally rise. Therefore you must equally agree with me that it is not my task to disturb its serenity by any reference to private grief or individual attachment. I stand here in the place of one whose name is deeply dear to all of us. He recognised as you do, in the selection of a friend to follow him, the expression of a hope that that friend my have learnt some lessons at least from the example of his gentle nature and his simple heart. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reading at Reading Literary, Scientific and Mechanics' Institution Description An account of the resource Speech given before a reading of A Christmas Carol (19 December 1854). Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived 'Mr. Charles Dickens' Visit to Reading.' Berkshire Chronicle (23 December 1854): p.6. British Library Newspapers, <a href="https://link.gale.com/apps/doc/JA3228166379/BNCN?u=leedsuni&sid=bookmark-BNCN&xid=4d1a8520" target="_blank" rel="noopener">https://link.gale.com/apps/doc/JA3228166379/BNCN?u=leedsuni&sid=bookmark-BNCN&xid=4d1a8520</a>. Date A point or period of time associated with an event in the lifecycle of the resource 1854-12-19 Type The nature or genre of the resource Speech Identifier An unambiguous reference to the resource within a given context 1854-12-19_Speech_Reading_at_Reading_Literary_Scientific_and_Mechanics-Institution Rights Information about rights held in and over the resource British Library Newspapers, <a href="https://link.gale.com/apps/doc/JA3228166379/BNCN?u=leedsuni&sid=bookmark-BNCN&xid=4d1a8520" target="_blank" rel="noopener">https://link.gale.com/apps/doc/JA3228166379/BNCN?u=leedsuni&sid=bookmark-BNCN&xid=4d1a8520</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited. Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Reading at Reading Literary, Scientific and Mechanics' Institution' (19 December 1854). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1854-12-19_Speech_Reading_at_Reading_Literary_Scientific_and_Mechanics-Institution">https://dickenssearch.com/speeches/1854-12-19_Speech_Reading_at_Reading_Literary_Scientific_and_Mechanics-Institution</a>. Scripto Transcription A written representation of a document. Ladies and Gentlemen, you will feel with me, I am sure, that the time is past when it would have become me to make any reference of a merely personal nature to the cause of your having so greatly honoured me in selecting me as your president – for the memory of the good is still removed to a region, in which all public life and private attachment must equally rise. Therefore you must equally agree with me that it is not my task to disturb its serenity by any reference to private grief or individual attachment. I stand here in the place of one whose name is deeply dear to all of us. He recognised as you do, in the selection of a friend to follow him, the expression of a hope that that friend my have learnt some lessons at least from the example of his gentle nature and his simple heart. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. In reading this little book, he said, he should pause for at the most ten minutes as nearly half-way through as the prescribed divisions of the story would permit.  Allow me, he went on, before I commence, to express two wishes. The first is that you will have the kindness, by a great stretch of the imagination, to imagine this a small social party assembled to hear a tale told round the Christmas fire; and secondly, that if you feel disposed as we go along to give expression to any emotion, whether grave or gay, you will do so with perfect freedom from restraint, and without the least apprehension of disturbing me. Nothing can be so delightful to me on such occasions as the assurance that my hearers accompany me with something of the pleasure and interest I shall have in conducting them; and, believe me, I cannot desire anything so much as the establishment amongst us, from the very beginning, of a perfectly unfettered, cordial, friendly sentiment. They had, he said, been such an admirable audience for so long that he would only detain them by thanking them heartily for their cordial response to the proposition of the two gentlemen, and conclude by assuring them that he could not possibly have given them more pleasure than they had given him.  Location The location Bradford Venue Where the speech was given St. George's Hall Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18541228 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource At a Reading in Bradford Description An account of the resource Speech at a Reading in Bradford (28 December 1854). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1854-12-28 Identifier An unambiguous reference to the resource within a given context 1854-12-28_Speech_At-Reading-in-Bradford Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Speech at a Reading in Bradford' (28 December 1854). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1854-12-28_Speech_At-Reading-in-Bradford">https://dickenssearch.com/speeches/1854-12-28_Speech_At-Reading-in-Bradford</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. He had, he said, omitted the toast from the proper place on the list, partly because he had been engaged with one of the officers of the institution in conversation, and partly because he connected the name of his Royal Highness Prince Albert with the charity in which his Royal Highness had always taken so deep an interest. Location The location London Venue Where the speech was given London Tavern Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18541230 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. I shall beg to suggest a reform in these proceedings at the outset by addressing this assembly as ‘Ladies and gentlemen’. I beg to propose to you the health of a constitutional Sovereign of a free people, the embodiment of the private virtues and public principles of the English nation – a Sovereign who in her public contact fully appreciates the national resolution never to allow the light of civilization and freedom to be quenched in the darkness of any irresponsible will on the face of the earth. Gentlemen, I give you the Queen, with all the honours. It does not require any extraordinary sagacity in a commercial assembly to appreciate the dire evils of war. The great interests of trade enfeebled by it, the enterprise of better times paralysed by it, all the peaceful arts sent down before it too palpably indicate its character and results, so that far less practical intelligence than that by which I am surrounded would be sufficient to appreciate the horrors of war. But there are seasons when the evils of peace though not so acutely felt are immeasurably greater, and when a powerful nation by admitting the right of any autocrat to do wrong sows by such complicity the seeds of its own ruin, and overshadows itself in time to come with that fatal influence which great and ambitious powers are sure to exercise over their weaker neighbours. Therefore it is, ladies and gentlemen, that the tree has not its roots in English ground from which the yard wand will be made that will measure – the mine has not its place in English soil which will supply the material of a pair of scales to weigh – the influence, that may be at stake in the war in which we are now straining all our energies. That war is at any time, and in any shape, a most dreadful and deplorable calamity we need no proverb to tell us; but it is just because it is such a calamity, and because that calamity must not for ever be impending over us at the fancy of one man against all mankind, that we must not allow that man to darken from our view the figures of peace and justice between whom and us he now interposes. Ladies and gentlemen, if ever there were a time when the true spirits of two countries were really fighting in the cause of human advancement and freedom – no matter what diplomatic notes or other nameless botherations, from number one to one hundred thousand and one, may have preceded their taking the field – if ever there were a time when noble hearts were deserving well of mankind by exposing themselves to the obedient bayonets of a rash and barbarian tyrant, it is now, when the faithful children of England and France are fighting so bravely in the Crimea. Those faithful children are the admiration and wonder of the world so gallantly are they discharging their duty; and therefore I propose to an assembly emphatically representing the interests and arts of peace, to drink the health of the Allied Armies of England and France, with all possible honours. I think it may be assumed that most of us here present know something about travelling. I do not mean in distant regions or foreign countries, although I dare say some of us have had experience in that way, but at home, and within the limits of the United Kingdom. I dare say most of us have had experience of the extinct ‘fast coaches’, the ‘Wonders’, ‘Taglionis’, and ‘Tallyhos’, of other days. I dare say most of us remember certain modest post-chaises, dragging us down interminable roads through slush and mud, to little country towns with no visible populations except half a dozen men in smock frocks smoking pipes under the lee of the Town Hall; half a dozen women with umbrellas and pattens, and a washed-out dog or so shivering under the gables to complete the desolate picture. We can all discourse, I dare say, if so minded, upon our recollections of the ‘Talbot’, the ‘King’s Head’, or the ‘Lion’ of those days. We have all been to that room on the ground floor on one side of the old inn yard, not quite free from a certain fragrant smell of tobacco, where the cruets on the sideboard were usually absorbed by the skirts of the box coats that hung from the wall, where driving-seats were laid out at every turn like so many human mantraps, where county members framed and glazed were eternally presenting that petition which somehow or other made their glory in the county, though nothing else had ever come of it. Where the Book of Roads, the first and last thing always required, was always missing, and generally wanted the first and last dozen leaves, and where one man was always arriving at some unusual hour in the night, and requiring his breakfast at a similarly singular period of the day. I have no doubt we could all be very eloquent on the comforts of our favourite hotel, wherever it was, – its beds, its stables, its vast amount of posting, its excellent cheese, its head waiter, its capital dishes, its pigeon-pies, or its 1820 port. Or possibly we could recall our chaste and innocent admiration of its landlady, or our fraternal regard for its handsome chambermaid. A celebrated dramatic critic once writing of a famous actress, renowned for her virtue and beauty, gave her the character of being ‘an eminently gatherable-to-one’s-arms, sort of person’. Perhaps someone amongst us has borne a somewhat similar mental tribute to the charms of the ladies associated with the administration of our favourite hotel. With the travelling characteristics of later times we are all, no doubt, equally familiar. We know all about that station of which we have a clear idea although we were never there; we know that if we arrive after dark we are certain to find it half a mile from the town, where the old road is sure to have been abolished, and the new road is going to be made, where the old neighbourhood has been tumbled down, and the new one is not half built up. We know all about that porter on the platform who with the best intentions in the world cannot do anything particularly efficacious with the luggage by looking at it with that bell in his hand. We know all about that particularly short omnibus, in which one is to be doubled up to the imminent danger of the crown of one’s hat; and about that fly, whose leading peculiarity is never to be there when it is wanted. We know, too, how instantaneously the lights of the station disappear the moment the train slips away, and about that grope to the new Railway Hotel, which will be an excellent house when the customers come, but which at present has nothing to offer but a liberal allowance of damp mortar and new lime. I record these little incidents of home travel mainly with the object of increasing your interest in the purpose of this assemblage. Every traveller has a home of his own, and he learns to appreciate it the more from his wandering. If he has no home, he learns the same lesson unselfishly by turning to the homes of other men. He may have his experiences of cheerful and exciting pleasures abroad; but home is the best, after all, and its pleasures are the most heartily and enduringly prized. Therefore, ladies and gentlemen, everyone must be prepared to learn that commercial travellers as a body know how to prize those domestic relations from which their pursuits so frequently sever them; for no one could possibly invent a more delightful or more convincing testimony to the fact than they themselves afford in founding and maintaining a school for the children of deceased or unfortunate members of their own body, – those children who now appeal to you in mute but eloquent terms from the gallery. It is to support that school, founded with such high and friendly objects, so very honourable to your calling, and so useful in its solid and practical results, that we are here tonight. It is to roof that building which is to shelter the children of your deceased friends with one crowning ornament, the best that any building can have, namely a receipt stamp for the full amount of the cost. It is for this that your active sympathy is appealed to, for the completion of your own good work. You know how to put your hands to the plough in earnest as well as any men in existence, for this little book informs me that you raised last year no less a sum than eight hundred pounds; and while fully half that sum consisted of new donations to the Building Fund, I find that the regular revenue of the charity has only suffered to the extent of thirty pounds. After this I most earnestly and sincerely say that were we all authors together I might boast, if in my profession were exhibited the same unity and steadfastness I find in yours. I will not urge on you the casualties of a life of travel, or the vicissitudes of business, or the claims fostered by that bond of brotherhood which ought always to exist amongst men who are united in a common pursuit. You have already recognized those claims so nobly, that I will not presume to lay them before you in any further detail. Suffice it to say that I do not think it is in your nature to do things by halves. I do not think you could so if you tried, and I have a moral certainty that you never will try. To those gentlemen present who are not members of the travellers’ body, I will say in the words of the French proverb, ‘Heaven helps those who help themselves’. The Commercial Travellers having helped themselves so gallantly, it is clear that the visitors who come as a sort of celestial representatives ought to bring that aid in their pockets which the precept teaches us to expect from them. With these few remarks, which not even your good nature will induce me to prolong, I beg to give you as a toast, ‘Success to the Commercial Travellers’ School’. Ladies and Gentlemen, You have made me tonight the representative of so many travellers rich in all kinds of enthusiasm, in addition to my own seven poor ones, and that necessity has involved the necessity of your hearing my voice so often, that I shall confine myself to simply thanking you most sincerely for the very kind manner in which you have received my health. If the President of this Institution had been here, I should possibly have made one of the best speeches you ever heard, but as he is not here, I shall turn to the next toast on my list, the Health of your worth Treasurer, Mr. George Moore, – a name which is a synonym for integrity, enterprise, public spirit, and benevolence. He is one of the most zealous officers I ever saw in my life; he appears to me to have been doing nothing during the last week but rushing into and out of railway-carriages, and making eloquent speeches at all sorts of public dinners in favour of this charity. Last evening he was in Manchester, and this evening he comes here, sacrificing his time and convenience, and exhausting in the meantime the contents of two vast leaden inkstands, and no end of pens, with the energy of fifty bankers’ clerks rolled into one. But I clearly foresee that the Treasurer will have so much to do tonight, such gratifying sums to acknowledge, and such large lines of figures to write in his books, that I feel the greatest consideration I can show him is to propose his health without further observation, leaving him to address you in his own behalf. I propose to you, therefore, the health of Mr. George Moore, the Treasurer of this charity, and I need hardly add that it is one which is to be drunk with all the honours. So many travellers have been going up Mont Blanc lately, both in fact and in fiction, that I have heard recently of a proposal for the establishment of a company to employ Sir Joseph Paxton to take it down. Only one of those travellers, however, has been enabled to bring Mont Blanc to Piccadilly, and by his own ability and good humour so to thaw its eternal ice and snow, as that the most timid lady may ascend it twice a day ‘during the holidays’, without the smallest danger or fatigue. Mr. Albert Smith, who is present amongst us tonight, is undoubtedly ‘a Traveller’. I do not know whether he takes many orders, but this I can testify, on behalf of the children of his friends, that he gives them in the most liberal manner. We have also amongst us my friend Mr. Peter Cunningham, who is also a traveller, not only in right of his able edition of Goldsmith’s Traveller, but in right of his admirable Handbook, which proves him to be a traveller in the right spirit through all the labyrinths of London. We have also amongst us my friend Horace Mayhew, very well known also for his books, but especially for his genuine admiration of the company at that end of the room, and who, whenever the fair sex is mentioned, will be found to have the liveliest personal interest in the conversation. Ladies and gentlemen, I am about to propose to you the health of these three distinguished visitors. They are all admirable speakers, but Mr. Albert Smith has confessed to me, that on fairly balancing his own merits as a speaker and a singer, he rather thinks he excels in the latter art. I have, therefore, yielded to his estimate of himself, and I have now the pleasure of informing you that he will lead off the speeches of the other two gentlemen with a song. Mr. Albert Smith has just said to me in an earnest tone of voice, ‘What song would you recommend?’ and I replied, ‘Galignani’s Messenger’. Ladies and gentlemen, I therefore beg to propose the health of Messrs. Albert Smith, Peter Cunningham, and Horace Mayhew, and call on the first-named gentleman for a song. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Commercial Travellers' Schools Anniversary Dinner Description An account of the resource Chairman's speeches at the Commercial Travellers' Schools Anniversary Dinner (30 December 1854). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1854-12-30 Identifier An unambiguous reference to the resource within a given context 1854-12-30_Speech_Commercial-Travellers-Schools-Anniversary-Dinner Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Commercial Travellers' Schools Anniversary Dinner' (30 December 1854). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1854-12-30_Speech_Commercial-Travellers-Schools-Anniversary-Dinner">https://dickenssearch.com/speeches/1854-12-30_Speech_Commercial-Travellers-Schools-Anniversary-Dinner</a>. Scripto Transcription A written representation of a document. I shall beg to suggest a reform in these proceedings at the outset by addressing this assembly as ‘Ladies and gentlemen’. I beg to propose to you the health of a constitutional Sovereign of a free people, the embodiment of the private virtues and public principles of the English nation – a Sovereign who in her public contact fully appreciates the national resolution never to allow the light of civilization and freedom to be quenched in the darkness of any irresponsible will on the face of the earth. Gentlemen, I give you the Queen, with all the honours. It does not require any extraordinary sagacity in a commercial assembly to appreciate the dire evils of war. The great interests of trade enfeebled by it, the enterprise of better times paralysed by it, all the peaceful arts sent down before it too palpably indicate its character and results, so that far less practical intelligence than that by which I am surrounded would be sufficient to appreciate the horrors of war. But there are seasons when the evils of peace though not so acutely felt are immeasurably greater, and when a powerful nation by admitting the right of any autocrat to do wrong sows by such complicity the seeds of its own ruin, and overshadows itself in time to come with that fatal influence which great and ambitious powers are sure to exercise over their weaker neighbours. Therefore it is, ladies and gentlemen, that the tree has not its roots in English ground from which the yard wand will be made that will measure – the mine has not its place in English soil which will supply the material of a pair of scales to weigh – the influence, that may be at stake in the war in which we are now straining all our energies. That war is at any time, and in any shape, a most dreadful and deplorable calamity we need no proverb to tell us; but it is just because it is such a calamity, and because that calamity must not for ever be impending over us at the fancy of one man against all mankind, that we must not allow that man to darken from our view the figures of peace and justice between whom and us he now interposes. Ladies and gentlemen, if ever there were a time when the true spirits of two countries were really fighting in the cause of human advancement and freedom – no matter what diplomatic notes or other nameless botherations, from number one to one hundred thousand and one, may have preceded their taking the field – if ever there were a time when noble hearts were deserving well of mankind by exposing themselves to the obedient bayonets of a rash and barbarian tyrant, it is now, when the faithful children of England and France are fighting so bravely in the Crimea. Those faithful children are the admiration and wonder of the world so gallantly are they discharging their duty; and therefore I propose to an assembly emphatically representing the interests and arts of peace, to drink the health of the Allied Armies of England and France, with all possible honours. I think it may be assumed that most of us here present know something about travelling. I do not mean in distant regions or foreign countries, although I dare say some of us have had experience in that way, but at home, and within the limits of the United Kingdom. I dare say most of us have had experience of the extinct ‘fast coaches’, the ‘Wonders’, ‘Taglionis’, and ‘Tallyhos’, of other days. I dare say most of us remember certain modest post-chaises, dragging us down interminable roads through slush and mud, to little country towns with no visible populations except half a dozen men in smock frocks smoking pipes under the lee of the Town Hall; half a dozen women with umbrellas and pattens, and a washed-out dog or so shivering under the gables to complete the desolate picture. We can all discourse, I dare say, if so minded, upon our recollections of the ‘Talbot’, the ‘King’s Head’, or the ‘Lion’ of those days. We have all been to that room on the ground floor on one side of the old inn yard, not quite free from a certain fragrant smell of tobacco, where the cruets on the sideboard were usually absorbed by the skirts of the box coats that hung from the wall, where driving-seats were laid out at every turn like so many human mantraps, where county members framed and glazed were eternally presenting that petition which somehow or other made their glory in the county, though nothing else had ever come of it. Where the Book of Roads, the first and last thing always required, was always missing, and generally wanted the first and last dozen leaves, and where one man was always arriving at some unusual hour in the night, and requiring his breakfast at a similarly singular period of the day. I have no doubt we could all be very eloquent on the comforts of our favourite hotel, wherever it was, – its beds, its stables, its vast amount of posting, its excellent cheese, its head waiter, its capital dishes, its pigeon-pies, or its 1820 port. Or possibly we could recall our chaste and innocent admiration of its landlady, or our fraternal regard for its handsome chambermaid. A celebrated dramatic critic once writing of a famous actress, renowned for her virtue and beauty, gave her the character of being ‘an eminently gatherable-to-one’s-arms, sort of person’. Perhaps someone amongst us has borne a somewhat similar mental tribute to the charms of the ladies associated with the administration of our favourite hotel. With the travelling characteristics of later times we are all, no doubt, equally familiar. We know all about that station of which  we have a clear idea although we were never there; we know that if we arrive after dark we are certain to find it half a mile from the town, where the old road is sure to have been abolished, and the new road is going to be made, where the old neighbourhood has been tumbled down, and the new one is not half built up. We know all about that porter on the platform who with the best intentions in the world cannot do anything particularly efficacious with the luggage by looking at it with that bell in his hand. We know all about that particularly short omnibus, in which one is to be doubled up to the imminent danger of the crown of one’s hat; and about that fly, whose leading peculiarity is never to be there when it is wanted. We know, too, how instantaneously the lights of the station disappear the moment the train slips away, and about that grope to the new Railway Hotel, which will be an excellent house when the customers come, but which at present has nothing to offer but a liberal allowance of damp mortar and new lime. I record these little incidents of home travel mainly with the object of increasing your interest in the purpose of this assemblage. Every traveller has a home of his own, and he learns to appreciate it the more from his wandering. If he has no home, he learns the same lesson unselfishly by turning to the homes of other men. He may have his experiences of cheerful and exciting pleasures abroad; but home is the best, after all, and its pleasures are the most heartily and enduringly prized. Therefore, ladies and gentlemen, everyone must be prepared to learn that commercial travellers as a body know how to prize those domestic relations from which their pursuits so frequently sever them; for no one could possibly invent a more delightful or more convincing testimony to the fact than they themselves afford in founding and maintaining a school for the children of deceased or unfortunate members of their own body, – those children who now appeal to you in mute but eloquent terms from the gallery. It is to support that school, founded with such high and friendly objects, so very honourable to your calling, and so useful in its solid and practical results, that we are here tonight. It is to roof that building which is to shelter the children of your deceased friends with one crowning ornament, the best that any building can have, namely a receipt stamp for the full amount of the cost. It is for this that your active sympathy is appealed to, for the completion of your own good work. You know how to put your hands to the plough in earnest as well as any men in existence, for this little book informs me that you raised last year no less a sum than eight hundred pounds; and while fully half that sum consisted of new donations to the Building Fund, I find that the regular revenue of the charity has only suffered to the extent of thirty pounds. After this I most earnestly and sincerely say that were we all authors together I might boast, if in my profession were exhibited the same unity and steadfastness I find in yours. I will not urge on you the casualties of a life of travel, or the vicissitudes of business, or the claims fostered by that bond of brotherhood which ought always to exist amongst men who are united in a common pursuit. You have already recognized those claims so nobly, that I will not presume to lay them before you in any further detail. Suffice it to say that I do not think it is in your nature to do things by halves. I do not think you could so if you tried, and I have a moral certainty that you never will try. To those gentlemen present who are not members of the travellers’ body, I will say in the words of the French proverb, ‘Heaven helps those who help themselves’. The Commercial Travellers having helped themselves so gallantly, it is clear that the visitors who come as a sort of celestial representatives ought to bring that aid in their pockets which the precept teaches us to expect from them. With these few remarks, which not even your good nature will induce me to prolong, I beg to give you as a toast, ‘Success to the Commercial Travellers’ School’. Ladies and Gentlemen, You have made me tonight the representative of so many travellers rich in all kinds of enthusiasm, in addition to my own seven poor ones, and that necessity has involved the necessity of your hearing my voice so often, that I shall confine myself to simply thanking you most sincerely for the very kind manner in which you have received my health. If the President of this Institution had been here, I should possibly have made one of the best speeches you ever heard, but as he is not here, I shall turn to the next toast on my list, the Health of your worth Treasurer, Mr. George Moore, – a name which is a synonym for integrity, enterprise, public spirit, and benevolence. He is one of the most zealous officers I ever saw in my life; he appears to me to have been doing nothing during the last week but rushing into and out of railway-carriages, and making eloquent speeches at all sorts of public dinners in favour of this charity. Last evening he was in Manchester, and this evening he comes here, sacrificing his time and convenience, and exhausting in the meantime the contents of two vast leaden inkstands, and no end of pens, with the energy of fifty bankers’ clerks rolled into one. But I clearly foresee that the Treasurer will have so much to do tonight, such gratifying sums to acknowledge, and such large lines of figures to write in his books, that I feel the greatest consideration I can show him is to propose his health without further observation, leaving him to address you in his own behalf. I propose to you, therefore, the health of Mr. George Moore, the Treasurer of this charity, and I need hardly add that it is one which is to be drunk with all the honours. So many travellers have been going up Mont Blanc lately, both in fact and in fiction, that I have heard recently of a proposal for the establishment of a company to employ Sir Joseph Paxton to take it down. Only one of those travellers, however, has been enabled to bring Mont Blanc to Piccadilly, and by his own ability and good humour so to thaw its eternal ice and snow, as that the most timid lady may ascend it twice a day ‘during the holidays’, without the smallest danger or fatigue. Mr. Albert Smith, who is present amongst us tonight, is undoubtedly ‘a Traveller’. I do not know whether he takes many orders, but this I can testify, on behalf of the children of his friends, that he gives them in the most liberal manner. We have also amongst us my friend Mr. Peter Cunningham, who is also a traveller, not only in right of his able edition of Goldsmith’s Traveller, but in right of his admirable Handbook, which proves him to be a traveller in the right spirit through all the labyrinths of London. We have also amongst us my friend Horace Mayhew, very well known also for his books, but especially for his genuine admiration of the company at that end of the room, and who, whenever the fair sex is mentioned, will be found to have the liveliest personal interest in the conversation. Ladies and gentlemen, I am about to propose to you the health of these three distinguished visitors. They are all admirable speakers, but Mr. Albert Smith has confessed to me, that on fairly balancing his own merits as a speaker and a singer, he rather thinks he excels in the latter art. I have, therefore, yielded to his estimate of himself, and I have now the pleasure of informing you that he will lead off the speeches of the other two gentlemen with a song. Mr. Albert Smith has just said to me in an earnest tone of voice, ‘What song would you recommend?’ and I replied, ‘Galignani’s Messenger’. Ladies and gentlemen, I therefore beg to propose the health of Messrs. Albert Smith, Peter Cunningham, and Horace Mayhew, and call on the first-named gentleman for a song. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. In the interval, he said, perhaps the chairman would permit him to proceed with a motion which he had to submit to the meeting. The resolution went to recognize the necessity of the society being reincorporated under a new Charter, and he would state the grounds on which he moved it with all possible plainness. The existing Charter was so excessively ridiculous, so absurdly inconsistent, and so manifestly preposterous, that it ought to be abandoned by all men of sound mind, memory, and understanding. Whether the construction that had been put upon it by the Committee were legal or illegal he did not know; but this he did know, that it was sheer nonsense, and he was therefore of the opinion that steps ought to be taken to procure an amended Charter from the Government. He need scarcely remind them how this question arose. About seven years ago the administrative body of the Corporation, which then consisted of the Council and Committee together, ascertained that for thirty years or so all their proceedings had been illegal. The respected outlaws, on whose minds this conclusion had forced itself, immediately rushed off to the Attorney General, and, in the most laudable manner, exerted themselves otherwise to effect a reconciliation with the outraged majesty of the Law. The result of their deliberations was, that one of the governing bodies of the society called the Council, which had hitherto been recognized as having a right to sit and vote with the General Committee, was thenceforward entirely set apart as having no business to do so, was understood to be for ever banished from the light of the General Committee’s countenance, and had taken no part in the management of the society. Now, before he followed the Council into their extraordinary position in space, let him inquire under what authority these two bodies, the Council and the General Committee, had come into existence. Necessarily, under the authority of the Charter, which declared that there should always be a Council, General Committee, President, Vice-Presidents, and so forth, who, in the words of the Charter should have ‘the entire direction and management’ of the affairs of the institution. In the very next paragraph, the Charter referred to ‘Meetings of the Council’, regularly and plainly expressing, in the most roundabout and the most homely English, that the Council should meet. and that it should have as much share in the government of the institution as the General Committee or the other officers of the society had. This intention the Charter further most emphatically expressed by requiring that the Council should be a very notable body indeed, composed of the most potent, grave, and reverend signiors’ that the society could discover. It demanded as a qualification that they should have dissected for years every limb of the cases brought before the General Committee, and it regularly stipulated that the Council should be composed of the President and Vice-Presidents and not more than twenty other members of the Corporation, who should ‘have served for three years at least upon the General Committee’. The Council being, in this express manner, thus constituted and limited, he hoped they would excuse him for suggesting that outside the Literary Fund itself, and outside those two large establishments of St. Luke’s and Bedlam, there surely could not be in the metropolis a single human being who could for one moment doubt that the Council was intended to have a real existence, and ought to have something to do. But had it a real existence? Had it anything to do? Why, he appealed to facts which were within the knowledge of every gentleman at that table, and to his own personal experience too; for he had had the honour of being elected a member of that august body, and also of retiring from it as soon as he found out how it was situated.  Having forfeited his seat on the General Committee, he received a most obliging letter from the secretary, in which he could detect nothing like latent pleasantry or a practical joke, asking if he would like to be elected a member of the Council. He felt extremely diffident about aspiring to such an honour. He pictured to himself a body of sages, peaceably meeting, whose large consumption of midnight oil for the benefit of the society and in administration of the Literary Fund might possibly account for the great expenditure which had been incurred. After much thought he came to the conclusion that by study, and fasting, he might perhaps become fit for such companionship, and replied to the secretary that he would accept the office. So much was he impressed with the importance of the function, that for months afterwards he never left home without leaving word where he might be found, in the event of the Literary Fund wanting him to take counsel with them. He found, however, that they got on without requiring his assistance, and he was then induced to inquire when this Council met, where it met, and what it had to do when it did meet. To his inexpressible amazement he discovered that, according to the construction of the Charter, it never had met as a Council, that it never could and never did meet at any place whatsoever, that it had nothing to do, and that in short it was the only thing in all creation that had no end, purpose, or object in being in existence. I ask the meeting – Dickens continued – to consider what the public would say to such a mode of doing business in any other institution with similar pretensions: to a board of directors never meant to direct, to a body of highly qualified judges never allowed to judge, to a jury convened by solemn writ and summons, never to deliberate and find a verdict. Imagine a physician appointed never to prescribe – a surgeon, never to set a bone. Conceive a corps of firemen who are especially enjoined under no circumstances whatever to go within fifty miles of a fire, or imagine the picked officers of the Royal Humane Society particularly, and strictly, tied up by law from approaching the water. But this is the case of your Council at this moment – that Council which the Charter expressly mentions as one of the governing bodies which shall have ‘ the entire direction and management’ of the affairs of the institution. Now I beg to suggest that if no such pretence would be tolerated in any other institution under the sun, it is least likely to be endured once known and understood out of doors, in the case of a public institution having control over the very large sum of money which has been subscribed by the public, with one plain, distinct, and undeniable object. Firstly, because anything like a false pretence of any kind in such an institution, most properly and justly lays it open to particular suspicion; and, secondly, because the continued endurance of this ridiculous and absurd state of things will always suggest most infallibly and dangerously either that the Council is used as a shelf on which to place uncomfortable members of the General Committee, or as a means of propping up the faults of the concern with the mere names of eminent literary men, who have and can have really nothing to do with it.  I submit that this Charter is utterly defective and rotten, inasmuch as it appoints among the governing bodies of the institution a Council; inasmuch as it regulates and sets forth the duties and functions of the other governing bodies, but omits to name those of the Council; the consequence of which is, not only nonsense, as I have already said, but a distinct perversion both of the letter and the spirit of the Charter; and inasmuch as the Council does not discharge, and to the end of time never can discharge, these functions which we solemnly confide to it by the Charter, I have not only the hope – the present hope – but the ultimate certainty of setting this very foolish matter right; and, therefore, I beg to move:  That whether the General Committee’s construction of the existing Charter be legal or illegal (as to which there are differences of opinion), it is manifestly absurd, as constituting a body expressly to be elected from Members of the General Committee, with at least three years’ experience, called a Council, to which it confides no powers, and no duties, and which never meets, because it cannot even be called together, by any authority, for any purpose; and that it is, therefore, desirable to apply for a new Charter, and that a committee be specially appointed with this object. He could not accede to this suggestion, he said, since that Committee had already reported against any alteration. As to the present constitution of the Corporation not being inconvenient, all he had to say was that everything foolish was inconvenient <span class="NormalTextRun SCXW151248918 BCX0" data-ccp-charstyle="normaltextrun" data-ccp-charstyle-defn="{"ObjectId":"b16eb7e5-4c87-4983-b1da-6cea1ee4c271|34","ClassId":1073872969,"Properties":[201342446,"1",201342447,"5",201342448,"1",201342449,"1",469777841,"Aptos",469777842,"",469777843,"Aptos",469777844,"Aptos",201341986,"1",469769226,"Aptos",268442635,"22",469775450,"normaltextrun",201340122,"1",134233614,"true",469778129,"normaltextrun",335572020,"1",469778324,"Default Paragraph Font"]}">– a foolish arrangement just as a foolish person. He thought that members of the Council were now placed in a ridiculous position in relation to the public; and would be placed also in an inconvenient position when the truth, with respect to their want of duties or of power, became known. He should press his resolution, but would be ready to confer with the General Committee as to the names to be placed upon the special committee of the society.  Location The location London Venue Where the speech was given Royal Literary Fund Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18550314 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Royal Literary Fund Annual General Meeting 1855 Description An account of the resource Speech at the Royal Literary Fund Annual General Meeting (14 March 1855). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1855-03-14 Identifier An unambiguous reference to the resource within a given context 1855-03-14_Speech_Royal-Literary-Fund-Annual-General-Meeting Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Speech at the Royal Literary Fund Annual General Meeting' (14 March 1855). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1855-03-14_Speech_Royal-Literary-Fund-Annual-General-Meeting">https://dickenssearch.com/speeches/1855-03-14_Speech_Royal-Literary-Fund-Annual-General-Meeting</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. He was sure, he said, that after the address they had just heard, he need say but little in proposing to them the health of their respected chairman, and prosperity to the Haymarket Theatre. If Mr. Buckstone were any ordinary chairman, he might pass the toast over without any further observations; but he was not so – he was a gentleman who had a special claim upon their regards. He could answer for it from his recollections as a boy, twenty-five years ago, how much the acting of that gentleman had enchanted him, as no doubt it then did many others, and how he went home to dream of his comicalities. When at the Adelphi, Mr. Buckstone was great in his most original boys, as he is excellent in everything. Who can forget at that time his leading home the inebriated Master Magog, the Beadle; or, in later days, his drunken man in Presented at Court; or his Rough Diamond, with his huge short collar and most natural account of the doings at his village home? It was gratifying to notice the progress Mr. Buckstone had made in his profession since that time, but that was not the only claim the chairman had upon them – he had always shown himself most ready to urge the claims of their benevolent fund, and to support and aid a brother actor. Mr. Buckstone had now become a manager, and it was to be hoped that by keeping everybody and everything in their proper places, he would command that success which he so much deserved. If in the Crimea, or in the East at the theatre of war, they had met with some checks, and nothing was to be found that was required, it was gratifying to know that such was not the case at the Haymarket Theatre. If Mr. Buckstone had some slight comestibles and luxuries to present to his patrons, if he had to bring his ships upon the stage, they might depend upon it that everything good would not be found packed under 500 tons of irons, nor would he be unable to fire a shot because they had all been left somewhere where they were not wanted. It had given him great delight to witness the spirit with which Mr. Buckstone had conducted his house – to enjoy the acting of Miss Cushman, or the twinkling of the feet of the Spanish Dancers. Again, wishing them every success, he begged to propose to them ‘The health of Mr. Buckstone, and success to the Haymarket Theatre’. Location The location London Venue Where the speech was given London Tavern Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18550402 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. I dare say, gentlemen, it is within the theatrical experience of most of us that upon some occasion when we have been at the play – when everything has progressed in the most satisfactory manner –when the principle actor has been a decided favourite – when every point has been told with the people in front – when no one has had the misfortune to make one of those little mistakes which we call ‘missing his tip' – I dare say that, within the theatrical experience of most of you, on some occasion, the act drop being down, there has unexpectedly appeared before it, on one side, a gentleman in plain clothes, with his hat feelingly clasped in both his hands, and not without some appearances of the street upon his boots – a gentleman of pale aspect insight of the audience which is partly referable to the agitation of his feelings, and partly to the strong action floating on features unprepared by the hare’s foot – but before that gentleman has opened his lips in reference to the ‘proverbial generosity of the British public’. You immediately perceive with dismay that he has come forward to apologize. Now, I am that gentleman on the present occasion. ‘Ladies and gentlemen, therefore, I am commissioned by the management to inform you that Mr. Buckstone, owing to circumstances over which he has no control, has been put up for two parts in this piece, and finds himself unable to appear in both of them at the same time. He is, at this present moment, making himself up for his favourite character – Treasurer to the General Theatrical Fund, in which arduous impersonation he has, through several successive seasons at this establishment, been sustained by your applause. He therefore finds himself unable, for the moment, to appear in that other character of Chairman, for which he would have delivered that well-known and spirit-stirring address, which would have so much affected you. In this dilemma, relying on that consideration which was never appealed to in vain – I allude to the consideration of a British audience – perhaps you will permit me to walk through Mr. Buckstone’s part.’ Therefore, ladies and gentlemen, I have to say to you in this way, that perhaps you will allow me to state to you what Mr. Buckstone would have said. Ladies and gentlemen, on receiving from Mr. Toole the key note, ‘Pray, silence – chair!’ Mr. Buckstone Would have risen to have proposed the toast of the evening, and in doing so he would have commenced by congratulating the members of the Theatrical Fund on the numerous and respectable assembly before him, testifying as it does to their sense of the merits of the institution itself, and to the fact that in the midst of wars and tumults the humanizing arts are not forgotten. Least of all, as is natural, that art, that through the means of 1 little play, has made the battles of Poitiers and Agincourt more renowned all the chroniclers and historians put together, and which – No disrespect to those ‘thoughts that breathe and words that burn’, referred to by our chairman – has done more to stir the bold English blood in a just cause, than all the parliamentary speeches that were ever delivered, than all the debates which ever made the night hideous. Surely you are not inappropriately asked to remember this object in a time of war, when it can present to you tangibly under its glowing pictures the joys of military triumph, the sorrows of defeat, the constancy of noble minds, the misfortunes and unspeakable calamities of war, and the inappreciable blessings of peace. You are besought most worthily to remember this object of maintaining and encouraging a society which comprehends every grade of actors without limitation, which is fettered by no hard restrictions or impossible conditions, which embraces all theatrical professors, high and low, equally training them to be provident before they are independent, and which succours all who are responsive to its appeal. The resources of the society become their right, so that the proudest spirit need not blush to accept its aid. Lastly, gentlemen, and in a word you are asked to help those who under trouble and difficulty have helped themselves. You want to do this in tender remembrance of those efforts which have lightened our cares and have placed us for the time in a wider and less selfish world in lieu of that which is so much with us early and late. This is the sum and substance of Mr. Buckstone’s case if he had been able to appear in that principle character for which he is put down in the bill. At the right moment you would have heard all that fervid eloquence which belongs to the part, and would have seen all the humour connected with it thoroughly performed. As I now have the pleasure of observing Mr. Buckstone at the wing, evidently well up in the part of Treasurer, with his property documents all ready, eager to come on, I will, with your permission, leave the stage to him, merely observing that I detect mischief in his treasury eye, and I would recommend to you the caution once regularly administered at the opening of the pit doors, ‘Take care of your pockets!’ I am now to propose to you ‘Prosperity to the General Theatrical Fund!’ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Royal General Theatrical Fund Anniversary Festival 1855 Description An account of the resource Speeches at the Royal General Theatrical Fund Anniversary Festival (2 April 1855). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1855-04-02 Identifier An unambiguous reference to the resource within a given context 1855-04-02_Speech_Royal-General-Theatrical-Fund-Anniversary-Festival Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Speeches at the Royal General Theatrical Fund Dinner' (2 April 1855). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1855-04-02_Speech_Royal-General-Theatrical-Fund-Anniversary-Festival">https://dickenssearch.com/speeches/1855-04-02_Speech_Royal-General-Theatrical-Fund-Anniversary-Festival</a>. Scripto Transcription A written representation of a document. I dare say, gentlemen, it is within the theatrical experience of most of us that upon some occasion when we have been at the play – when everything has progressed in the most satisfactory manner –when the principle actor has been a decided favourite – when every point has been told with the people in front – when no one has had the misfortune to make one of those little mistakes which we call ‘missing his tip' – I dare say that, within the theatrical experience of most of you, on some occasion, the act drop being down, there has unexpectedly appeared before it, on one side, a gentleman in plain clothes, with his hat feelingly clasped in both his hands, and not without some appearances of the street upon his boots – a gentleman of pale aspect insight of the audience which is partly referable to the agitation of his feelings, and partly to the strong action floating on features unprepared by the hare’s foot – but before that gentleman has opened his lips in reference to the ‘proverbial generosity of the British public’. You immediately perceive with dismay that he has come forward to apologize. Now, I am that gentleman on the present occasion. ‘Ladies and gentlemen, therefore, I am commissioned by the management to inform you that Mr. Buckstone, owing to circumstances over which he has no control, has been put up for two parts in this piece, and finds himself unable to appear in both of them at the same time. He is, at this present moment, making himself up for his favourite character – Treasurer to the General Theatrical Fund, in which arduous impersonation he has, through several successive seasons at this establishment, been sustained by your applause. He therefore finds himself unable, for the moment, to appear in that other character of Chairman, for which he would have delivered that well-known and spirit-stirring address, which would have so much affected you. In this dilemma, relying on that consideration which was never appealed to in vain – I allude to the consideration of a British audience – perhaps you will permit me to walk through Mr. Buckstone’s part.’ Therefore, ladies and gentlemen, I have to say to you in this way, that perhaps you will allow me to state to you what Mr. Buckstone would have said. Ladies and gentlemen, on receiving from Mr. Toole the key note, ‘Pray, silence – chair!’ Mr. Buckstone Would have risen to have proposed the toast of the evening, and in doing so he would have commenced by congratulating the members of the Theatrical Fund on the numerous and respectable assembly before him, testifying as it does to their sense of the merits of the institution itself, and to the fact that in the midst of wars and tumults the humanizing arts are not forgotten. Least of all, as is natural, that art, that through the means of 1 little play, has made the battles of Poitiers and Agincourt more renowned all the chroniclers and historians put together, and which – No disrespect to those ‘thoughts that breathe and words that burn’, referred to by our chairman – has done more to stir the bold English blood in a just cause, than all the parliamentary speeches that were ever delivered, than all the debates which ever made the night hideous. Surely you are not inappropriately asked to remember this object in a time of war, when it can present to you tangibly under its glowing pictures the joys of military triumph, the sorrows of defeat, the constancy of noble minds, the misfortunes and unspeakable calamities of war, and the inappreciable blessings of peace. You are besought most worthily to remember this object of maintaining and encouraging a society which comprehends every grade of actors without limitation, which is fettered by no hard restrictions or impossible conditions, which embraces all theatrical professors, high and low, equally training them to be provident before they are independent, and which succours all who are responsive to its appeal. The resources of the society become their right, so that the proudest spirit need not blush to accept its aid. Lastly, gentlemen, and in a word you are asked to help those who under trouble and difficulty have helped themselves. You want to do this in tender remembrance of those efforts which have lightened our cares and have placed us for the time in a wider and less selfish world in lieu of that which is so much with us early and late. This is the sum and substance of Mr. Buckstone’s case if he had been able to appear in that principle character for which he is put down in the bill. At the right moment you would have heard all that fervid eloquence which belongs to the part, and would have seen all the humour connected with it thoroughly performed. As I now have the pleasure of observing Mr. Buckstone at the wing, evidently well up in the part of Treasurer, with his property documents all ready, eager to come on, I will, with your permission, leave the stage to him, merely observing that I detect mischief in his treasury eye, and I would recommend to you the caution once regularly administered at the opening of the pit doors, ‘Take care of your pockets!’ I am now to propose to you ‘Prosperity to the General Theatrical Fund!’