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                  <text>&lt;h4&gt;This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time.&amp;nbsp;&lt;/h4&gt;&#13;
Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway.&lt;br /&gt;&lt;br /&gt;Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (&lt;em&gt;The Speeches of Charles Dickens&lt;/em&gt; [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in &lt;em&gt;The Dickensian&lt;/em&gt;;&lt;sup&gt;&lt;a href="#fn1" id="ref1"&gt;1&lt;/a&gt;&lt;/sup&gt; there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled.&lt;br /&gt;&lt;br /&gt;Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884:&lt;br /&gt;&#13;
&lt;blockquote&gt;[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel &lt;span&gt;–&lt;/span&gt; he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (&lt;em&gt;Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America&lt;/em&gt;, pp. 273-74)&lt;/blockquote&gt;&#13;
However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like &lt;em&gt;The Times&lt;/em&gt;. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say).&lt;br /&gt;&lt;br /&gt;Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points.&lt;br /&gt;&lt;br /&gt;Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens.&lt;br /&gt;&lt;br /&gt;&lt;sup id="fn1"&gt;1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', &lt;em&gt;The Dickensian&lt;/em&gt; 85.418 (1989): pp. 66-80. &lt;a href="#ref1" title="Jump back to footnote 1 in the text."&gt;↩&lt;/a&gt;&lt;/sup&gt;</text>
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                  <text>Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods</text>
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              <text>'most earnest, eloquent, and touching, It took a review of my enterprise at Covent Garden, and summed up with an eulogy of me that quite overpowered me.'</text>
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                <text>Dickens, Charles. 'Shakespeare Club Dinner' (30 March 1839). &lt;em&gt;Dickens Search&lt;/em&gt;. Eds. Emily &lt;span&gt;Middleton &lt;/span&gt;and Lydia Craig. Accessed [date]. &lt;a href="https://dickenssearch.com/speeches/1839-03-30_Speech_Shakespeare_Club_Dinner"&gt;https://dickenssearch.com/speeches/1839-03-30_Speech_Shakespeare_Club_Dinner&lt;/a&gt;.</text>
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                  <text>&lt;h4&gt;This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time.&amp;nbsp;&lt;/h4&gt;&#13;
Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway.&lt;br /&gt;&lt;br /&gt;Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (&lt;em&gt;The Speeches of Charles Dickens&lt;/em&gt; [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in &lt;em&gt;The Dickensian&lt;/em&gt;;&lt;sup&gt;&lt;a href="#fn1" id="ref1"&gt;1&lt;/a&gt;&lt;/sup&gt; there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled.&lt;br /&gt;&lt;br /&gt;Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884:&lt;br /&gt;&#13;
&lt;blockquote&gt;[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel &lt;span&gt;–&lt;/span&gt; he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (&lt;em&gt;Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America&lt;/em&gt;, pp. 273-74)&lt;/blockquote&gt;&#13;
However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like &lt;em&gt;The Times&lt;/em&gt;. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say).&lt;br /&gt;&lt;br /&gt;Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points.&lt;br /&gt;&lt;br /&gt;Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens.&lt;br /&gt;&lt;br /&gt;&lt;sup id="fn1"&gt;1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', &lt;em&gt;The Dickensian&lt;/em&gt; 85.418 (1989): pp. 66-80. &lt;a href="#ref1" title="Jump back to footnote 1 in the text."&gt;↩&lt;/a&gt;&lt;/sup&gt;</text>
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              <text>'Dickens was not as good as he usually is. He stated that &lt;em&gt;Nickleby&amp;nbsp;&lt;/em&gt;had been to him a diary of the last two years: the various papers preserving to him the recollection of the events and feelings connected with their production.'</text>
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                <text>Dickens, Charles. 'Dinner to Celebrate the Completion of &lt;em&gt;Nicholas Nickleby&lt;/em&gt; (5 October 1839). &lt;em&gt;Dickens Search&lt;/em&gt;. Eds. Emily &lt;span&gt;Middleton&lt;/span&gt; and Lydia Craig. Accessed [date]. &lt;a href="https://dickenssearch.com/speeches/1839-10-05_Speech_Nickleby_Dinner"&gt;https://dickenssearch.com/speeches/1839-10-05_Speech_Nickleby_Dinner&lt;/a&gt;.</text>
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                  <text>&lt;h4&gt;This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time.&amp;nbsp;&lt;/h4&gt;&#13;
Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway.&lt;br /&gt;&lt;br /&gt;Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (&lt;em&gt;The Speeches of Charles Dickens&lt;/em&gt; [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in &lt;em&gt;The Dickensian&lt;/em&gt;;&lt;sup&gt;&lt;a href="#fn1" id="ref1"&gt;1&lt;/a&gt;&lt;/sup&gt; there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled.&lt;br /&gt;&lt;br /&gt;Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884:&lt;br /&gt;&#13;
&lt;blockquote&gt;[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel &lt;span&gt;–&lt;/span&gt; he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (&lt;em&gt;Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America&lt;/em&gt;, pp. 273-74)&lt;/blockquote&gt;&#13;
However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like &lt;em&gt;The Times&lt;/em&gt;. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say).&lt;br /&gt;&lt;br /&gt;Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points.&lt;br /&gt;&lt;br /&gt;Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens.&lt;br /&gt;&lt;br /&gt;&lt;sup id="fn1"&gt;1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', &lt;em&gt;The Dickensian&lt;/em&gt; 85.418 (1989): pp. 66-80. &lt;a href="#ref1" title="Jump back to footnote 1 in the text."&gt;↩&lt;/a&gt;&lt;/sup&gt;</text>
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              <text>'Well, we drank "the Boz", with a delectable clatter, which drew from him a goood warm hearted speech, in which he hinted the great advantage of going to America for the pleasure of coming back again – &amp;amp; pleasantly described the embarrassing attentions of the Transatlantickers, who made his private house &amp;amp; private cabin particularly public.'</text>
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                <text>&lt;em&gt;The Letters of Charles Dickens. The&lt;/em&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;Pilgrim Edition.&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/em&gt;&lt;span&gt;Edited by Madeline House, Graham Storey and Kathleen Tillotson. Volume 3 (1842-1843), p.264&lt;em&gt;n&lt;/em&gt;. Oxford University Press, 1974.&lt;/span&gt;</text>
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                <text>Dickens, Charles. 'On Return from America' (9 July 1842). &lt;em&gt;Dickens Search&lt;/em&gt;. Eds. Emily &lt;span&gt;Middleton&lt;/span&gt; and Lydia Craig. Accessed [date]. &lt;a href="https://dickenssearch.com/speeches/1842-07-09_Speech_on_Return_from_America"&gt;https://dickenssearch.com/speeches/1842-07-09_Speech_on_Return_from_America&lt;/a&gt;.</text>
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                  <text>&lt;h4&gt;This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time.&amp;nbsp;&lt;/h4&gt;&#13;
Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway.&lt;br /&gt;&lt;br /&gt;Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (&lt;em&gt;The Speeches of Charles Dickens&lt;/em&gt; [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in &lt;em&gt;The Dickensian&lt;/em&gt;;&lt;sup&gt;&lt;a href="#fn1" id="ref1"&gt;1&lt;/a&gt;&lt;/sup&gt; there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled.&lt;br /&gt;&lt;br /&gt;Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884:&lt;br /&gt;&#13;
&lt;blockquote&gt;[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel &lt;span&gt;–&lt;/span&gt; he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (&lt;em&gt;Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America&lt;/em&gt;, pp. 273-74)&lt;/blockquote&gt;&#13;
However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like &lt;em&gt;The Times&lt;/em&gt;. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say).&lt;br /&gt;&lt;br /&gt;Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points.&lt;br /&gt;&lt;br /&gt;Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens.&lt;br /&gt;&lt;br /&gt;&lt;sup id="fn1"&gt;1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', &lt;em&gt;The Dickensian&lt;/em&gt; 85.418 (1989): pp. 66-80. &lt;a href="#ref1" title="Jump back to footnote 1 in the text."&gt;↩&lt;/a&gt;&lt;/sup&gt;</text>
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                <text>Macready, William Charles. &lt;em&gt;The Diaries of William Charles Macready 1833-1851&lt;/em&gt;. Vol. 2. Ed. William Toynbee. New York: Putnam's, 1912. p. 218.</text>
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                <text>&lt;span&gt;Dickens, Charles. 'On Macready Going to America' (26 August 1843). &lt;/span&gt;&lt;em&gt;Dickens Search&lt;/em&gt;&lt;span&gt;. Eds. Emily Middleton and Lydia Craig. Accessed [date]. &lt;/span&gt;&lt;a href="https://dickenssearch.com/speeches/1843-08-26_Speech_On_Macready_Going_to_America"&gt;https://dickenssearch.com/speeches/1843-08-26_Speech_On_Macready_Going_to_America&lt;/a&gt;&lt;span&gt;.&lt;/span&gt;</text>
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                  <text>&lt;h4&gt;This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time.&amp;nbsp;&lt;/h4&gt;&#13;
Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway.&lt;br /&gt;&lt;br /&gt;Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (&lt;em&gt;The Speeches of Charles Dickens&lt;/em&gt; [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in &lt;em&gt;The Dickensian&lt;/em&gt;;&lt;sup&gt;&lt;a href="#fn1" id="ref1"&gt;1&lt;/a&gt;&lt;/sup&gt; there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled.&lt;br /&gt;&lt;br /&gt;Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884:&lt;br /&gt;&#13;
&lt;blockquote&gt;[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel &lt;span&gt;–&lt;/span&gt; he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (&lt;em&gt;Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America&lt;/em&gt;, pp. 273-74)&lt;/blockquote&gt;&#13;
However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like &lt;em&gt;The Times&lt;/em&gt;. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say).&lt;br /&gt;&lt;br /&gt;Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points.&lt;br /&gt;&lt;br /&gt;Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens.&lt;br /&gt;&lt;br /&gt;&lt;sup id="fn1"&gt;1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', &lt;em&gt;The Dickensian&lt;/em&gt; 85.418 (1989): pp. 66-80. &lt;a href="#ref1" title="Jump back to footnote 1 in the text."&gt;↩&lt;/a&gt;&lt;/sup&gt;</text>
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                  <text>Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods</text>
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              <text>'He began by saying that we were met to celebrate an event, a great event. Not, as some thought, merely the birthday of a dramatist and an actor. We met on that day to celebrate a great deal more. We met on that day to celebrate the birthday of a vast army of living men and women, who would live for ever with an actuality greater than that of the men and women whose external forms we saw around us, and whom we knew ourselves – types of humanity, the inner working of whose souls was open to us, as were the faces of ordinary men.&lt;br /&gt;&lt;br /&gt;To-day was born a Prince of Denmark, who would live for ever as the type of man whose mind was "sicklied o'er with the pale cast of thought," and whose life-story was fore-shadowed by his appearance from the moment he came before us as "a broken glass of fashion, a mould of form," pale and worn with weeping for his father's death, and remotely suspicious of its cause, and not with "his hair crisply curled short as if he were going to an everlasting dancing-master's party at the Danish court," as "most Hamlets since the great Kemble have been bound to do." A Prince of Denmark who will live for ever, even though he be remembered by no more than the words that ask, [quotes from "Whether 'tis nobler to "a consummation Devoutly to be wished"].&lt;br /&gt;&lt;br /&gt;On this day was born not only this lasting embodiment of deep insight into life and its problems, but also "Laughter holding both his sides." On this day was born Falstaff, who, like one who takes the chair on such an occasion as this, has to be the cause of speaking in others. And on this day the famous Justice Shallow, who, though you may not admire his qualities, will live in the memory of all who laugh at him, and all who try to personate him on the stage. "'Tis the heart, Master Page, 'tis here, 'tis here. I have seen the time, with my long sword I would have made you four tall fellows skip like rats."&lt;br /&gt;&lt;br /&gt;But on this day, that saw the birth of Justice Shallow, as well as of the "merry knight," that "mountain of flesh," of whom Prince Hal said (as we all would now say had Falstaff not been born): "I could have better spared a better man," there was also born Queen Mab: [quotes from "She is the fairies' midwife to "as they lie asleep"].&lt;br /&gt;&lt;br /&gt;And on this day was born that weaver who felt as out of place among fairies as "a lion among ladies": [quotes from "God shield us! A lion among ladies" to "a man as other men are"].&lt;br /&gt;&lt;br /&gt;On this day, too, was born Macbeth, the type of all who show how the first fall into evil leads even men capable of noble thoughts down, eventually, into the lowest depths; Macbeth, who said: [quotes from "If it were done" to "jump the life to come"].&lt;br /&gt;&lt;br /&gt;To-day was born a certain Signior Benedick of Padua –that is, not the Benedick of this or that theatrical company, but the constant occasion of merriment among the persons represented in&amp;nbsp;&lt;em&gt;Much Ado about Nothing&lt;/em&gt;: "all mirth," as Don Pedro has it, "from the crown of his head to the sole of his foot"; and who may well inspire mirth in all.&lt;br /&gt;&lt;br /&gt;This day was born a Duke who, exiled from the "painted pomp" of his "envious court", could utter words teaching what I hold to be a vital truth, "above all, that nothing is high because it is in a high place, and that nothing is low because it is in a low one." This is the lesson taught us in the great book of Nature and the lesson uppermost in the mind of that inspired man who tells us that there are –&lt;br /&gt;&lt;br /&gt;Tongues in trees, books in the running brooks,&lt;br /&gt;Sermons in stones, and good in everything.&lt;br /&gt;&lt;br /&gt;Today was born a villain, for whose birth we may yet be glad, because he was not the ordinary villain of the stage. For Iago can be portrayed without "frowning, sneering diabolically, grinning, and elaborately doing everything else that would induce Othello to run him through the body very early in the play" Shakespeare's Iago is a man who could and did make friends, who could dissect his master's soul without flourishing his scalpel as if it were a walking-stick; who could overpower Emilia by other arts than a sign-of-the-Saracen's-Head grimness; who could be a boon companion without,&amp;nbsp;&lt;em&gt;ipso facto&lt;/em&gt;, warning all beholders off by the portentous phenomenon; who could sing a song and clink a can naturally enough, and stab men really in the dark – not in a transparent notification of himself as going about seeking whom to stab.&lt;br /&gt;&lt;br /&gt;On this day was born the ideal embodiment of woman's passionate love, to whom her lover in his passion idealised as the sun at the dawn rising to – [quotes from "Kill the envious moon" to "And none but fools do wear it"].&lt;br /&gt;&lt;br /&gt;And on this day was born a fool, not dressed in vestal livery, but dressed in motley, who "laid him down and basked him in the sun, and as quoted by the melancholy Jacques (whose words are in-woven in this tablecloth before me: "All the world's a stage") described, for all time, the qualities, the privileges and the duties of the satirist of him who, like this fool, "should be so deep contemplative" as to make the sage "ambitions for a motley suit." "Invest me in my motley: give me leave to speak my mind, and I will, through and through, cleanse the foul body of whole infected world, if they will but patiently receive my medicine."&lt;br /&gt;&lt;br /&gt;In like manner Dickens dealt with many more of Shakespeare's characters, each time acting and speaking the lines with consummate art and skill.&lt;br /&gt;&lt;br /&gt;Dickens went on to say that this was also the birthday of the English novel. "Every writer of fiction, although he may not adopt the dramatic form, writes, in effect, for the stage. He many never write plays, but the truth and passions which are in him must be more or less reflected in the great mirror which he holds up to Nature."&lt;br /&gt;&lt;br /&gt;Furthermore, he reminded us that it was the birthday of some of those present –of Compton, of Vanderhoff, of Wallack. For their art and fame would not have been but for the birth of whim whose birthday they were celebrating. He would go further, and say that it was the birthday of that club. For if there had never been a Shakespeare there never would have been a Garrick, and if there had never been a Garrick there would never have been a Garrick club.'</text>
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                <text>O'Dowd, James. 'A Shakespeare Birthday: A Reminiscence of Charles Dickens.' &lt;em&gt;Pall Mall Magazine&lt;/em&gt; (April 1906): 423-28.</text>
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                <text>&lt;span&gt;Dickens, Charles. 'Garrick Club' (22 April 1854). &lt;/span&gt;&lt;em&gt;Dickens Search&lt;/em&gt;&lt;span&gt;. Eds. Emily Middleton and Lydia Craig. Accessed [date]. &lt;/span&gt;&lt;a href="https://dickenssearch.com/speeches/1854-04-22_Speech_Shakespeares_Birthday_at_the_Garrick_Club"&gt;https://dickenssearch.com/speeches/1854-04-22_Speech_Shakespeares_Birthday_at_the_Garrick_Club&lt;/a&gt;&lt;span&gt;.&lt;/span&gt;</text>
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                  <text>&lt;h4&gt;This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time.&amp;nbsp;&lt;/h4&gt;&#13;
Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway.&lt;br /&gt;&lt;br /&gt;Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (&lt;em&gt;The Speeches of Charles Dickens&lt;/em&gt; [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in &lt;em&gt;The Dickensian&lt;/em&gt;;&lt;sup&gt;&lt;a href="#fn1" id="ref1"&gt;1&lt;/a&gt;&lt;/sup&gt; there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled.&lt;br /&gt;&lt;br /&gt;Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884:&lt;br /&gt;&#13;
&lt;blockquote&gt;[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel &lt;span&gt;–&lt;/span&gt; he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (&lt;em&gt;Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America&lt;/em&gt;, pp. 273-74)&lt;/blockquote&gt;&#13;
However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like &lt;em&gt;The Times&lt;/em&gt;. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say).&lt;br /&gt;&lt;br /&gt;Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points.&lt;br /&gt;&lt;br /&gt;Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens.&lt;br /&gt;&lt;br /&gt;&lt;sup id="fn1"&gt;1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', &lt;em&gt;The Dickensian&lt;/em&gt; 85.418 (1989): pp. 66-80. &lt;a href="#ref1" title="Jump back to footnote 1 in the text."&gt;↩&lt;/a&gt;&lt;/sup&gt;</text>
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              <text>'Mr. Dickens then stated that the last time he had had the pleasure of reading his Christmas Carol, it was to an audience of three thousand, and they were kind enough to consider themselves a Christmas party listening to a Christmas story. He wished his audience so to consider themselves that evening; and to give a free and natural expression of their feelings, without entertaining any feer of disturbing him. He then proceed to give his reading.'</text>
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              <text>Ladies and Gentlemen, you will feel with me, I am sure, that the time is past when it would have become me to make any reference of a merely personal nature to the cause of your having so greatly honoured me in selecting me as your president – for the memory of the good is still removed to a region, in which all public life and private attachment must equally rise. Therefore you must equally agree with me that it is not my task to disturb its serenity by any reference to private grief or individual attachment. I stand here in the place of one whose name is deeply dear to all of us. He recognised as you do, in the selection of a friend to follow him, the expression of a hope that that friend my have learnt some lessons at least from the example of his gentle nature and his simple heart.</text>
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                <text>Speech given before a reading of &lt;em&gt;A Christmas Carol &lt;/em&gt;(19 December 1854).</text>
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                <text>'Mr. Charles Dickens' Visit to Reading.'&lt;em&gt; Berkshire Chronicle &lt;/em&gt;(23 December 1854): p.6.</text>
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                <text>&lt;em&gt;British Library Newspapers,&lt;/em&gt;&lt;span&gt; &lt;/span&gt;&lt;a href="https://link.gale.com/apps/doc/JA3228166379/BNCN?u=leedsuni&amp;amp;sid=bookmark-BNCN&amp;amp;xid=4d1a8520" target="_blank" rel="noopener"&gt;https://link.gale.com/apps/doc/JA3228166379/BNCN?u=leedsuni&amp;amp;sid=bookmark-BNCN&amp;amp;xid=4d1a8520&lt;/a&gt;&lt;span&gt;.&lt;/span&gt;</text>
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                <text>&lt;em&gt;British Library Newspapers,&lt;/em&gt;&lt;span&gt; &lt;/span&gt;&lt;a href="https://link.gale.com/apps/doc/JA3228166379/BNCN?u=leedsuni&amp;amp;sid=bookmark-BNCN&amp;amp;xid=4d1a8520" target="_blank" rel="noopener"&gt;https://link.gale.com/apps/doc/JA3228166379/BNCN?u=leedsuni&amp;amp;sid=bookmark-BNCN&amp;amp;xid=4d1a8520&lt;/a&gt;&lt;span&gt;. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.&lt;/span&gt;</text>
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                <text>&lt;span&gt;Dickens, Charles. 'Reading at Reading Literary, Scientific and Mechanics' Institution' (19 December 1854).&amp;nbsp;&lt;/span&gt;&lt;em&gt;Dickens Search.&lt;/em&gt;&lt;span&gt; Eds. Emily Middleton and Lydia Craig. Accessed [date]. &lt;a href="https://dickenssearch.com/speeches/1854-12-19_Speech_Reading_at_Reading_Literary_Scientific_and_Mechanics-Institution"&gt;https://dickenssearch.com/speeches/1854-12-19_Speech_Reading_at_Reading_Literary_Scientific_and_Mechanics-Institution&lt;/a&gt;.&lt;/span&gt;</text>
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                <text>Ladies and Gentlemen, you will feel with me, I am sure, that the time is past when it would have become me to make any reference of a merely personal nature to the cause of your having so greatly honoured me in selecting me as your president – for the memory of the good is still removed to a region, in which all public life and private attachment must equally rise. Therefore you must equally agree with me that it is not my task to disturb its serenity by any reference to private grief or individual attachment. I stand here in the place of one whose name is deeply dear to all of us. He recognised as you do, in the selection of a friend to follow him, the expression of a hope that that friend my have learnt some lessons at least from the example of his gentle nature and his simple heart.</text>
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                  <text>Speeches</text>
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                  <text>&lt;h4&gt;This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time.&amp;nbsp;&lt;/h4&gt;&#13;
Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway.&lt;br /&gt;&lt;br /&gt;Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (&lt;em&gt;The Speeches of Charles Dickens&lt;/em&gt; [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in &lt;em&gt;The Dickensian&lt;/em&gt;;&lt;sup&gt;&lt;a href="#fn1" id="ref1"&gt;1&lt;/a&gt;&lt;/sup&gt; there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled.&lt;br /&gt;&lt;br /&gt;Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884:&lt;br /&gt;&#13;
&lt;blockquote&gt;[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel &lt;span&gt;–&lt;/span&gt; he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (&lt;em&gt;Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America&lt;/em&gt;, pp. 273-74)&lt;/blockquote&gt;&#13;
However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like &lt;em&gt;The Times&lt;/em&gt;. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say).&lt;br /&gt;&lt;br /&gt;Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points.&lt;br /&gt;&lt;br /&gt;Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens.&lt;br /&gt;&lt;br /&gt;&lt;sup id="fn1"&gt;1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', &lt;em&gt;The Dickensian&lt;/em&gt; 85.418 (1989): pp. 66-80. &lt;a href="#ref1" title="Jump back to footnote 1 in the text."&gt;↩&lt;/a&gt;&lt;/sup&gt;</text>
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                  <text>Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods</text>
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              <text>Royal Academy</text>
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              <text>&lt;a href="https://dickenssearch.com/teibp/dist/content/1862-05-03_Speech_Royal_Academy_Dinner.xml" target="_blank" rel="noopener"&gt;Royal Academy Dinner (3 May 1862).&lt;/a&gt;</text>
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          <description>Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.</description>
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          <description>Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any &amp;nbsp; (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.</description>
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              <text>It is one of the privileges of literature to speak from the walls of this room rather than from the floor, and to find expression here in the great works of painting and sculpture rather than in spoken words. From these walls, even in our own times, Shakespeare, Moliere, Le Sage, Cervantes, Goldsmith, Sterne, Fielding, Smollett, Defoe, a host of illustrious writers has been so eloquent in the masterpieces of members of this Academy that one poor writer of fiction left to his own lips may well find nothing to say in this otherwise difficult task assigned to him. However, he finds consolation in this that his own art is inseparable from the art of his entertainers, that the great magic circle of the arts is impossible to be broken, and that here at least 'his foot is on his native heath', even though his name is not by any means Macgregor. In the name of many distinguished gentlemen, present and absent, foreign and native, I have to thank you for your remembrance of the sister art, though I beg to say on behalf of those whom I represent that we cannot by any means hold that the present President of the Royal Academy is at all disinterested in this proposal to do honour to literature, seeing that he himself is so near akin to it. We scarcely ever open any book with a higher interest and pleasure than we open this great annual volume, of which the leaves are now spread before this company; and we certainly never open a book to which we find so graceful and appropriate a preface as that which is always delivered from the red chair which you, Sir Charles, occupy. If I might have changed the figure, supposing noble lords and right hon gentlemen to have remained, I might even in conclusion have gone so far as to say that I think we receive the annual budget of the President of the Royal Academy with almost as much interest as we receive the annual budget of the Chancellor of the Exchequer; having in addition the pleasant consideration that it is not attended with those terrific consequences which we cannot by any strength of imagination separate from the latter production.</text>
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                <text>Speech given at the Royal Academy Banquet (3 May 1862).</text>
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                <text>'Banquet at the Royal Academy.' &lt;em&gt;The Times&amp;nbsp;&lt;/em&gt;(5 May 1862): p. 5.</text>
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                <text>&lt;em&gt;The Times Digital Archive&lt;/em&gt;, &lt;a href="https://link.gale.com/apps/doc/CS84056741/TTDA?u=leedsuni&amp;amp;sid=bookmark-TTDA&amp;amp;xid=bbfb6803" target="_blank" rel="noopener"&gt;https://l&lt;/a&gt;&lt;span&gt;&lt;a href="https://link.gale.com/apps/doc/CS84056741/TTDA?u=leedsuni&amp;amp;sid=bookmark-TTDA&amp;amp;xid=bbfb6803" target="_blank" rel="noopener"&gt;ink.gale.com/apps/doc/CS84056741/TTDA?u=leedsuni&amp;amp;sid=bookmark-TTDA&amp;amp;xid=bbfb6803&lt;/a&gt;.&lt;/span&gt;</text>
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                <text>&lt;span&gt;Dickens, Charles. 'Royal Academy Dinner' (3 May 1862). &lt;em&gt;Dickens Search.&lt;/em&gt; Eds. Emily Middleton and Lydia Craig. Accessed [date]. &lt;/span&gt;&lt;a href="https://dickenssearch.com/admin/speeches/1862-05-03_Speech_Royal-Academy-Banquet"&gt;https://dickenssearch.com/admin/speeches/1862-05-03_Speech_Royal-Academy-Banquet&lt;/a&gt;&lt;span&gt;.&lt;/span&gt;</text>
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                <text>&lt;em&gt;The Times Digital Archive&lt;/em&gt;, &lt;a href="https://link.gale.com/apps/doc/CS84056741/TTDA?u=leedsuni&amp;amp;sid=bookmark-TTDA&amp;amp;xid=bbfb6803" target="_blank" rel="noopener"&gt;https://l&lt;/a&gt;&lt;span&gt;&lt;a href="https://link.gale.com/apps/doc/CS84056741/TTDA?u=leedsuni&amp;amp;sid=bookmark-TTDA&amp;amp;xid=bbfb6803" target="_blank" rel="noopener"&gt;ink.gale.com/apps/doc/CS84056741/TTDA?u=leedsuni&amp;amp;sid=bookmark-TTDA&amp;amp;xid=bbfb6803&lt;/a&gt;. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.&lt;/span&gt;</text>
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                <text>It is one of the privileges of literature to speak from the walls of this room rather than from the floor, and to find expression here in the great works of painting and sculpture rather than in spoken words. From these walls, even in our own times, Shakespeare, Moliere, Le Sage, Cervantes, Goldsmith, Sterne, Fielding, Smollett, Defoe, a host of illustrious writers has been so eloquent in the masterpieces of members of this Academy that one poor writer of fiction left to his own lips may well find nothing to say in this  otherwise difficult task assigned to him. However, he finds consolation in this that his own art is inseparable from the art of his entertainers, that the great magic circle of the arts is impossible to be broken, and that here at least 'his foot is on his native heath', even though his name is not by any means Macgregor. In the name of many distinguished gentlemen, present and absent, foreign and native, I have to thank you for your remembrance of the sister art, though I beg to say on behalf of those whom I represent that we cannot by any means hold that the present President of the Royal Academy is at all disinterested in this proposal to do honour to literature, seeing that he himself is so near akin to it. We scarcely ever open any book with a higher interest and pleasure than we open this great annual volume, of which the leaves are now spread before this company; and we certainly never open a book to which we find so graceful and appropriate a preface as that which is always delivered from the red chair which you, Sir Charles, occupy. If I might have changed the figure, supposing noble lords and right hon gentlemen to have remained, I might even in conclusion have gone so far as to say that I think we receive the annual budget of the President of the Royal Academy with almost as much interest as we receive the annual budget of the Chancellor of the Exchequer; having in addition the pleasant consideration that it is not attended with those terrific consequences which we cannot by any strength of imagination separate from the latter production.</text>
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                  <text>&lt;h4&gt;This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time.&amp;nbsp;&lt;/h4&gt;&#13;
Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway.&lt;br /&gt;&lt;br /&gt;Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (&lt;em&gt;The Speeches of Charles Dickens&lt;/em&gt; [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in &lt;em&gt;The Dickensian&lt;/em&gt;;&lt;sup&gt;&lt;a href="#fn1" id="ref1"&gt;1&lt;/a&gt;&lt;/sup&gt; there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled.&lt;br /&gt;&lt;br /&gt;Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884:&lt;br /&gt;&#13;
&lt;blockquote&gt;[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel &lt;span&gt;–&lt;/span&gt; he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (&lt;em&gt;Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America&lt;/em&gt;, pp. 273-74)&lt;/blockquote&gt;&#13;
However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like &lt;em&gt;The Times&lt;/em&gt;. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say).&lt;br /&gt;&lt;br /&gt;Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points.&lt;br /&gt;&lt;br /&gt;Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens.&lt;br /&gt;&lt;br /&gt;&lt;sup id="fn1"&gt;1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', &lt;em&gt;The Dickensian&lt;/em&gt; 85.418 (1989): pp. 66-80. &lt;a href="#ref1" title="Jump back to footnote 1 in the text."&gt;↩&lt;/a&gt;&lt;/sup&gt;</text>
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              <text>The allusion, at the bottom of the table, to my travels abroad, is particularly agreeable and pleasant to me at this moment, for I can assure you that I never felt more perfectly and entirely at home than your kind reception has made me. Gentlemen, I confess that I should have felt it a subject of great embarrassment to have my name connected with so great an occasion as the present, under any circumstances, but I feel it particularly so, when the hasty requisition by electric telegraph which brought me here, and which reached me about the middle of the day; but through your kindness, I am relieved of much of that embarrassment. Gentlemen, nothing which extends the happiness, intelligence, and welfare of the human race – nothing which tends to diminish prejudices – nothing which tends to cement us together as one body – nothing which tends to bring down to places such as these those great armies of invasion which my friend on my right has just spoken of, bearing, instead of warlike banners, those little fluttering flags which we have seen to-day – gentlemen, nothing of that kind can be foreign to the profession of literature or art. And nothing so agreeable and so pleasant as the faces I have seen here to-day, and the honest, earnest, and generous welcome that I have witnessed in this room, can be foreign to the breast of any man who is a man. Gentlemen, as time is wearing I will only detain you by saying that I hope and believe that so long as the broad sea rolls on this beautiful beach of Deal – so long as the men who launch their boats on that sea – so well alluded to just now – so long as they are framed for gallantry and skill throughout England and throughout the world, so long I hope and believe that you will feel the advantages of the great work which has been brought home to your doors to-day, in the persons of your sons, and sons' sons', and your sons' sons' sons. Gentlemen, I beg to return you my most cordial thanks, and to drink all your healths in return.</text>
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                <text>Dickens, Charles. 'Opening of the South-Eastern Railway Company Line from Minster to Deal' (30 June 1847). &lt;em&gt;Dickens Search.&lt;/em&gt; Eds. Emily &lt;span&gt;Middleton&lt;/span&gt; and Lydia Craig. Accessed [date]. &lt;a href="https://dickenssearch.com/speeches/1847-06-30_Speech_Opening_of_the_SER_Company_Line_Minster_to_Deal"&gt;https://dickenssearch.com/speeches/1847-06-30_Speech_Opening_of_the_SER_Company_Line_Minster_to_Deal&lt;/a&gt;.</text>
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                <text>The allusion, at the bottom of the table, to my travels abroad, is particularly agreeable and pleasant to me at this moment, for I can assure you that I never felt more perfectly and entirely at home than your kind reception has made me. Gentlemen, I confess that I should have felt it a subject of great embarrassment to have my name connected with so great an occasion as the present, under any circumstances, but I feel it particularly so, when the hasty requisition by electric telegraph which brought me here, and which reached me about the middle of the day; but through your kindness, I am relieved of much of that embarrassment. Gentlemen, nothing which extends the happiness, intelligence, and welfare of the human race – nothing which tends to diminish prejudices – nothing which tends to cement us together as one body – nothing which tends to bring down to places such as these those great armies of invasion which my friend on my right has just spoken of, bearing, instead of warlike banners, those little fluttering flags which we have seen to-day – gentlemen, nothing of that kind can be foreign to the profession of literature or art. And nothing so agreeable and so pleasant as the faces I have seen here to-day, and the honest, earnest, and generous welcome that I have witnessed in this room, can be foreign to the breast of any man who &lt;i&gt;is&lt;/i&gt; a man. Gentlemen, as time is wearing I will only detain you by saying that I hope and believe that so long as the broad sea rolls on this beautiful beach of Deal – so long as the men who launch their boats on that sea – so well alluded to just now – so long as they are framed for gallantry and skill throughout England and throughout the world, so long I hope and believe that you will feel the advantages of the great work which has been brought home to your doors to-day, in the persons of your sons, and sons' sons', and your sons' sons' sons. Gentlemen, I beg to return you my most cordial thanks, and to drink all your healths in return.</text>
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                  <text>&lt;h4&gt;This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time.&amp;nbsp;&lt;/h4&gt;&#13;
Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway.&lt;br /&gt;&lt;br /&gt;Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (&lt;em&gt;The Speeches of Charles Dickens&lt;/em&gt; [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in &lt;em&gt;The Dickensian&lt;/em&gt;;&lt;sup&gt;&lt;a href="#fn1" id="ref1"&gt;1&lt;/a&gt;&lt;/sup&gt; there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled.&lt;br /&gt;&lt;br /&gt;Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884:&lt;br /&gt;&#13;
&lt;blockquote&gt;[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel &lt;span&gt;–&lt;/span&gt; he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (&lt;em&gt;Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America&lt;/em&gt;, pp. 273-74)&lt;/blockquote&gt;&#13;
However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like &lt;em&gt;The Times&lt;/em&gt;. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say).&lt;br /&gt;&lt;br /&gt;Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points.&lt;br /&gt;&lt;br /&gt;Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens.&lt;br /&gt;&lt;br /&gt;&lt;sup id="fn1"&gt;1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', &lt;em&gt;The Dickensian&lt;/em&gt; 85.418 (1989): pp. 66-80. &lt;a href="#ref1" title="Jump back to footnote 1 in the text."&gt;↩&lt;/a&gt;&lt;/sup&gt;</text>
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              <text>&lt;p&gt;‘Dickens’s speech gave a happy expression to the spirit that animated all, telling Thackeray not alone how much his friendship was prized by those present, and how proud they were of his genius, but offering him in the name of the tens of thousands absent who had never touched his hand or seen his face, life-long thanks for the treasures of mirth, wit, and wisdom within the yellow-covered numbers of &lt;em&gt;Pendennis &lt;/em&gt;and &lt;em&gt;Vanity Fair&lt;/em&gt;.’&lt;/p&gt;</text>
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              <text>&lt;p&gt;‘The chairman rose, amid furiously friendly applause; he had, he said, decided that it would be the wish of everybody to avoid toasts and speech-making, and he therefore went at once to the one object of the assemblage – to propose the health of Mr. Thackeray.’&lt;/p&gt;</text>
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              <text>&lt;p&gt;‘Mr. Dickens made a neat speech – a very neat speech, in his polished actor-like manner, which has but this defect, that they countenance never swerves with the words – that his superbly brilliant eye stares at you all the time with the fixed clearness of an Argand lamp. He was not fulsome in his compliments to his friend – his highest praise was, that Mr. Thackeray was “no ordinary man,” and he avoided, in praising a novel writing, the laudation of novel-writing, with great tact, merely saying, that he was, with his whole soul, devoted to, and proud of that art, and declaring that Thackeray was an honour, in his life, as in his writings, to that art (which is not altogether too recklessly true). Dexterously he referred to Thackeray’s visit to America, for the purpose of paying a compliment to the Americans, who, he said, whatever motes might be noticed in their keen optics, were to be recognized as a high-spirited, advancing, intellectual, generous race, – the which people who remembered the foolish American notes, cheered as a recantation deserves to be cheered. Mr. Dickens delivered himself in a finished manner of some jokes. The table at which we were dining was horse-shoed in shape; and this table was allegorically or metaphorically pitched at Mr. Thackeray, and nailed on to him by way of securing good luck. Then, it was remembered, that though he went away by himself, he left his creations behind, which was a comfort: - “Jeames” could not act as his servant, and the “snobs” would continue to amuse us. And so on; the wit not magnificent, but sufficient; and so far so good – the speech answered its purpose; and when D., before sitting down, put his little hand into T.’s big hand, and shook T. solemnly, and even pathetically, the room rang with applause – it was an historical picture which Tenniel was taking a note of.’&lt;/p&gt;</text>
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              <text>'Mr. Dickens rose and said that he would make no more speeches; speeches were a nuisance, and he called on somebody for a song.'</text>
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              <text>'Mr. Dickens responded, to the effect that he would not make any more speeches, and called on another (idiot) for a song, which was more frightful than the last...'</text>
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          <description>Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>On Thackeray Going to America</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Speech given at the London Tavern ahead of William Makepace Thackeray going to America (11 October 1855).</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Dickens, Charles</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="1505">
                <text>Forster, John.&lt;em&gt; The Life of Charles Dickens&lt;/em&gt;. Ed. J. W. T. Ley. London: Cecil Palmer, 1928. p. 575.</text>
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                <text>&lt;em&gt;Chester Chronicle&lt;/em&gt; (20 October 1855).</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1855-10-11</text>
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                <text>Speech</text>
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                <text>1855-10-11_Speech_On_Thackeray_Going_to_America</text>
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              <elementText elementTextId="1509">
                <text>&lt;span&gt;Dickens, Charles. 'On Thackeray Going to America' (11 October 1855). &lt;/span&gt;&lt;em&gt;Dickens Search&lt;/em&gt;&lt;span&gt;. Eds. Emily Middleton and Lydia Craig. Accessed [date]. &lt;/span&gt;&lt;a href="https://dickenssearch.com/speeches/1855-10-11_Speech_On_Thackeray_Going_to_America"&gt;https://dickenssearch.com/speeches/1855-10-11_Speech_On_Thackeray_Going_to_America&lt;/a&gt;&lt;span&gt;.&lt;/span&gt;</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Speeches</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>speeches</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;h4&gt;This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time.&amp;nbsp;&lt;/h4&gt;&#13;
Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway.&lt;br /&gt;&lt;br /&gt;Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (&lt;em&gt;The Speeches of Charles Dickens&lt;/em&gt; [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in &lt;em&gt;The Dickensian&lt;/em&gt;;&lt;sup&gt;&lt;a href="#fn1" id="ref1"&gt;1&lt;/a&gt;&lt;/sup&gt; there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled.&lt;br /&gt;&lt;br /&gt;Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884:&lt;br /&gt;&#13;
&lt;blockquote&gt;[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel &lt;span&gt;–&lt;/span&gt; he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (&lt;em&gt;Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America&lt;/em&gt;, pp. 273-74)&lt;/blockquote&gt;&#13;
However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like &lt;em&gt;The Times&lt;/em&gt;. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say).&lt;br /&gt;&lt;br /&gt;Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points.&lt;br /&gt;&lt;br /&gt;Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens.&lt;br /&gt;&lt;br /&gt;&lt;sup id="fn1"&gt;1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', &lt;em&gt;The Dickensian&lt;/em&gt; 85.418 (1989): pp. 66-80. &lt;a href="#ref1" title="Jump back to footnote 1 in the text."&gt;↩&lt;/a&gt;&lt;/sup&gt;</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods</text>
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          <name>Location</name>
          <description>The location</description>
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              <text>Dublin</text>
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          <name>Publication Type</name>
          <description>E.g.  newspaper/serial</description>
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              <text>Newspaper</text>
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          <name>Publication</name>
          <description>The title of the newspaper/serial (if applicable)</description>
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              <text>Saunders' News-Letter</text>
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          <name>TEI File</name>
          <description>Link to TEI file</description>
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              <text>&lt;a href="https://dickenssearch.com/teibp/dist/content/1858-08-24_Speech_Reading_in_Dublin.xml" target="_blank" rel="noopener"&gt;&lt;span&gt;Reading in Dublin (24 August 1858).&lt;/span&gt;&lt;/a&gt;</text>
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        <element elementId="98">
          <name>Ngram Date</name>
          <description>Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.</description>
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              <text>18580824</text>
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        <element elementId="99">
          <name>Ngram Text</name>
          <description>Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any &amp;nbsp; (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.</description>
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              <text>I have been accustomed to remark in England, when reading the parts of this fancy, that it was written about a dozen years ago, at a time when I was living in Italy, and when some circumstances recorded in the home newspapers – all within the compass of a single week – appeared to me to render the utterance of a few earnest words very necessary. If there be in our United Kingdom, as I hope and believe, less direct need of such utterance now than there was then, so much the better for us all: we have only to assume to-night that a few hints for compassionate and merciful remembrance are never out of date in the Christian calendar.</text>
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          <name>Venue</name>
          <description>Where the speech was given</description>
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              <text>Rotunda</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>At a Reading in Dublin</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Speech given before a reading of &lt;em&gt;The Chimes&lt;/em&gt; (24 August 1858).</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Dickens, Charles</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>&lt;em&gt;Saunders’ News-Letter &lt;/em&gt;(25 August 1858).</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>1858-08-24</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Bibliographic Citation</name>
            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
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                <text>&lt;span&gt;Dickens, Charles. 'Reading in Dublin' (24 August 1858). &lt;/span&gt;&lt;em&gt;Dickens Search.&lt;/em&gt;&lt;span&gt; Eds. Emily Middleton and Lydia Craig. Accessed [date]. &lt;a href="https://dickenssearch.com/speeches/1858-08-24_Speech_Reading_in_Dublin"&gt;https://dickenssearch.com/speeches/1858-08-24_Speech_Reading_in_Dublin&lt;/a&gt;.&lt;/span&gt;</text>
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            <name>Transcription</name>
            <description>A written representation of a document.</description>
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              <elementText elementTextId="1530">
                <text>I have been accustomed to remark in England, when reading the parts of this fancy, that it was written about a dozen years ago, at a time when I was living in Italy, and when some circumstances recorded in the home newspapers – all within the compass of a single week – appeared to me to render the utterance of a few earnest words very necessary. If there be in our United Kingdom, as I hope and believe, less direct need of such utterance now than there was then, so much the better for us all: we have only to assume to-night that a few hints for compassionate and merciful remembrance are never out of date in the Christian calendar.</text>
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