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16https://dickenssearch.com/items/show/16'A Child's Hymn'Published in <em>Household Words </em>vol. XIV (6 December 1856).Charles, Dickens<em>Household Words </em>Volume XIV (6 December 1856): p. 21.; <em>Dickens Journals Online</em>, <a href="https://www.djo.org.uk/household-words/volume-xiv/page-593.html" target="_blank" rel="noopener">https://www.djo.org.uk/household-words/volume-xiv/page-593.html</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1856-12-06">1856-12-06</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Poem">Poem</a>1856-12-06_Household_Words_A_Childs_HymnDickens, Charles. 'A Child's Hymn' from <em>The Wreck of the Golden Mary</em> (6 December 1856), <em>Household Words</em>, Volume XIV, p. 21. <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green">https://dickenssearch.com/verse/1856-12-06_Household_Words_A_Childs_Hymn</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Household+Words">Household Words</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Periodical">Periodical</a><a href="https://dickenssearch.com/teibp/dist/content/1856-12-06_Household_Words_A_Childs_Hymn.xml" target="_blank" rel="noopener">'A Child's Hymn.' <em>Household Words </em>vol. XIV (6 December 1856): p. 593.</a>18561206Hear my prayer, O! Heavenly Father, Ere I lay me down to sleep; Bid thy Angels, pure and holy, Round my bed their vigil keep. My sins are heavy, but Thy mercy Far outweighs them every one; Down before Thy Cross I cast them, Trusting in Thy help alone. Keep me through this night of peril Underneath its boundless shade; Take me to Thy rest, I pray Thee, When my pilgrimage is made. None shall measure out Thy patience By the span of human thought; None shall bound the tender mercies Which Thy Holy Son has bought. Pardon all my past transgressions, Give me strength for days to come; Guide and guard me with Thy blessing Till Thy Angels bid me home.https://dickenssearch.com/files/original/3/A_Child_s_Hymn/A_Childs_Hymn_The_Wreck.png
18https://dickenssearch.com/items/show/18'A Christmas Carol'From <em>The Pickwick Papers </em>issue 10, ch. 28 (December 1836).Dickens, Charles<em>The Posthumous Papers of the Pickwick Club.</em> Issue 10, Chapter 28 (December 1836), p. 298. <em>UVic Libraries, </em><a href="https://vault.library.uvic.ca/concern/file_sets/0f3736c1-7d95-47ff-8e6e-00b8af339ac1?locale=en" target="_blank" rel="noopener">https://vault.library.uvic.ca/concern/file_sets/0f3736c1-7d95-47ff-8e6e-00b8af339ac1?locale=en</a>.Chapman and Hall<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836-12">1836-12</a><p class="p1"><i>UVic Libraries, </i>Creative Commons Attribution NonCommercial, <span class="s1"><a href="https://creativecommons.org/lice%20nses/by-nc/4.0/" target="_blank" rel="noopener">https://creativecommons.org/lice nses/by-nc/4.0/</a><span class="Apple-converted-space">.</span></span></p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Poem">Poem</a>1836-12_Pickwick_Papers_A_Christmas_Carol<p class="p1">Dickens, Charles. 'A Christmas Carol' from <i>The Posthumous Papers of the Pickwick Club. </i>Issue 10, Chapter 28 (December 1836): pp. 297-298. <i>Dickens Search. </i>Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836-12_Pickwick_Papers_A_Christmas_Carol">https://dickenssearch.com/verse/1836-12_Pickwick_Papers_A_Christmas_Carol</a>.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Pickwick+Papers">The Pickwick Papers</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Serial">Serial</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Boz">Boz</a><a href="https://dickenssearch.com/teibp/dist/content/1836-12_Pickwick_Papers_A_Christmas_Carol.xml" target="_blank" rel="noopener">'A Christmas Carol.' <em>The Pickwick Papers</em>. Issue 10, ch. 28 (December 1836): p. 298.</a>18361201I care not for Spring; on his fickle wing, Let the blossoms and buds be borne: He wooes them amain with his treacherous rain, And he scatters them ere the morn. An inconstant elf, he knows not himself, Nor his own changing mind an hour, He’ll smile in your face, and, with wry grimace, He’ll wither your youngest flower. Let the Summer sun to his bright home run, He shall never be sought by me; When he’s dimmed by a cloud I can laugh aloud, And care not how sulky he be! For his darling child is the madness wild That sports in fierce fever’s train; And when love is too strong, it don’t last long, As many have found to their pain. A mild harvest night, by the tranquil light Of the modest and gentle moon, Has a far sweeter sheen, for me, I ween, Than the broad and unblushing noon. But every leaf awakens my grief, As it lieth beneath the tree; So let Autumn air be never so far, It by no means agrees with me. But my song I troll out, for CHRISTMAS stout, The heart, the true, and the bold; A bumper I drain, and with might and main Give three cheers for this Christmas old! We’ll usher him in with a merry din That shall gladden his joyous heart, And we’ll keep him up, while there’s bite or sup, And in fellowship good, we’ll part. In his fine honest pride, he scorns to hide One jot of his hard-weather scars; They’re no disgrace, for there’s much the same trace On the cheeks of our bravest tars. Then again I sing till the roof doth ring, And it echoes from wall to wall – To the stout old wight, fair welcome to-night, As the King of the Seasons all!https://dickenssearch.com/files/original/3/A_Christmas_Carol/A_Christmas_Carol_PP_01.jpg; https://dickenssearch.com/files/original/3/A_Christmas_Carol/A_Christmas_Carol_PP_02.jpg
39https://dickenssearch.com/items/show/39'A Dinner at Poplar Walk'Published in <em>The Monthly Magazine </em>(December 1833).Dickens, Charles<em>The Monthly Magazine, or The British Register of Politics, Art, Science, and the Belles-Lettres.</em><span>&nbsp;December 1833, pp. 617-624,&nbsp;</span><em>Internet Archive,</em> <a href="https://archive.org/details/sim_monthly-magazine_1833-12_16_96/page/616/mode/2up">https://archive.org/details/sim_monthly-magazine_1833-12_16_96/page/616/mode/2up</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1833-12">1833-12</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1833-12_The_Monthly_Magazine_A_Dinner_at_Poplar_Walk"Mr. Minns and His Cousin." <em>Sketches by Boz, Illustrative of Every-day Life and Every-day People. </em>Illustrated by George Cruikshank. John Macrone, 1836, pp. 296-306, <em>Hathi Trust, </em><a href="https://catalog.hathitrust.org/Record/011591435" target="_blank" rel="noopener">https://catalog.hathitrust.org/Record/011591435</a>.Dickens, Charles. "A Dinner at Poplar Walk." <em>The Monthly Magazine</em> (December 1833). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1833-12_The_Monthly_Magazine_A_Dinner_at_Poplar_Walk">https://dickenssearch.com/short-stories/1833-12_The_Monthly_Magazine_A_Dinner_at_Poplar_Walk</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Monthly+Magazine">The Monthly Magazine</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Boz">Boz</a><a href="https://dickenssearch.com/teibp/dist/content/1833-12_The_Monthly_Magazine_A_Dinner_at_Poplar_Walk.xml" target="_blank" rel="noopener">'A Dinner at Poplar Walk.' <em>The Monthly Magazine</em> (December 1833).</a>18331201Mr. Augustus Minns was a bachelor of about forty as he said—of about eight and forty as his friends said. He was always exceedingly clean, precise, and tidy, perhaps somewhat priggish, and the most &quot;retiring man in the world.&quot; He usually wore a brown frock-coat without a wrinkle, light inexplicables without a spot, a neat neckerchief with a remarkably neat tie, and boots without a fault; moreover, he always carried a brown silk umbrella with an ivory handle. He was a clerk in Somerset House, or, as he said, he held &quot;a responsible situation under Government.&quot; He had a good and increasing salary, in addition to some 10,000l. of his own (invested in the funds), and he occupied a first floor in Tavistock-street, Covent Garden, where he had resided for twenty years, having been in the habit of quarrelling with his landlord the whole time, regularly giving notice of his intention to quit on the first day of every quarter, and as regularly countermanding it on the second. He had but two particular horrors in the world, and those were dogs and children. His prejudice arose from no unamiability of disposition, but that the habits of the animals were continually at variance with his love of order, which might be said to be equally as powerful as his love of life. Mr. Augustus Minns had no relation in or near London, with the exception of his cousin, Mr. Octavius Bagshaw, to whose son, whom he had never seen (for he disliked the father), he had consented to become godfather by proxy. Mr. Bagshaw having realized a moderate fortune by exercising &quot;the trade or calling&quot; of a corn-chandler, and having a great predilection for the country, had purchased a cottage in the vicinity of Stamford Hill, whither he retired with the wife of his bosom and his only son, Master Alexander Augustus Bagshaw. One evening, as Mr. and Mrs. B. were admiring their son, discussing his various merits, talking over his education, and disputing whether the classics should be made an essential part thereof, the lady pressed so strongly upon her husband the propriety of cultivating the friendship of Mr. Minns in behalf of their son, that Mr. Bagshaw at last made up his mind, that it should not be his fault if he and his cousin were not in future more intimate. &quot;I’ll break the ice, my love,&quot; said Mr. Bagshaw, stirring up the sugar at the bottom of his glass of brandy-and-water, and casting a sidelong look at his spouse to see the effect of the announcement of his determination,— &quot;by asking Minns down to dine with us, on Sunday.&quot; &quot;Then pray, Bagshaw, write to your cousin at once,’ replied his spouse; &quot;who knows, if we could only get him down here, but that he might take a fancy to our Alexander, and leave him his property?—Alick, my dear, take your legs off the rail of the chair.&quot; &quot;Very true,&quot; said Mr. Bagshaw, musing, &quot;very true indeed, my love.&quot; On the following morning, as Mr. Minns was sitting at his breakfast-table, alternately biting his dry toast and casting a look upon the columns of the Times, which he always read from the title to the printer’s name, he heard a loud knock at the street door, which was shortly afterwards followed by the entrance of his servant, who put into his hand a particularly small card, on which was engraved in immense letters, &quot;Mr. Octavius Bagshaw, AMELIA COTTAGE (Mrs. B.’s name was Amelia), Poplar Walk, Stamford Hill.&quot; &quot;Bagshaw!&quot; ejaculated Minns, &quot;what the deuce can bring that vulgar man here?—Say I’m asleep—say I’ve broken my leg — any thing.&quot; &quot;But, please, sir, the gentleman’s coming up,&quot; replied the servant; — and the fact was made evident by an appalling creaking of boots on the staircase, accompanied by a pattering noise, the cause of which Minns could not for the life of him divine. &quot;Hem! show the gentleman in,&quot; said he in a state of desperation. — Exit servant, and enter Octavius, preceded by a large white dog, dressed in a suit of fleecy-hosiery, with pink eyes, large ears, and no perceptible tail. The cause of the pattering on the stairs was but too plain. — If it be possible for a man to entertain feeling of the most deep-rooted and unconquerable aversion to any one thing, Minns entertained this feeling towards an animal of the canine species. This, by the way, was hinted before. &quot;My dear fellow, how are you?&quot; said Mr. Bagshaw, as he entered. (He always spoke at the top of his voice, and always said the same thing half-a-dozen times.) — &quot;How are you, my hearty?&quot; &quot;How do you do, Mr. Bagshaw?—pray take a chair!&quot; politely stammered the discomfited Minns. &quot;Thank you, thank you. Well, how are you, eh?&quot; &quot;Uncommonly well, thank you,&quot; said Minns, casting a diabolical look at the dog, who, with his hind-legs on the floor, and his fore-paws resting on the table, was dragging a bit of bread-and-butter out of a plate, which, in the ordinary course of things, it was natural to suppose he would eat with the buttered side next the carpet. &quot;Ah, you rogue!&quot; said Bagshaw to his dog. —&quot;You see, Minns, he’s like me, always at home: eh, my boy! — Egad, I’m precious hot and hungry! I’ve walked all the way from Stamford Hill, this morning.&quot; &quot;Have you breakfasted?&quot; ejaculated Minns. &quot;Oh, no!&quot; returned Bagshaw. &quot;oh no! Came to town to breakfast with you; so, ring the bell, my dear fellow, will you? and let’s have another cup and saucer, and the cold ham.—Make myself at home, you see!&quot; he continued, dusting his boots with a table-napkin.&quot;‘Ha!—ha!—ha!—’Pon my life, I’m hungry!&quot; Minns rang the bell, and tried to smile, but looked as merry as a farthing rushlight in a fog. &quot;I decidedly never was so hot in my life,&quot; continued Octavius, wiping his forehead; — &quot;Well, but how are you, Minns? ‘Pon my soul, you wear capitally!&quot; &quot;Humph! &#039;dye think so?&quot; &quot;’Pon my life, I do!&quot; &quot;Mrs. B. and—what’s his name—quite well?&quot; &quot;Alick—my son, you mean. Never better—never better.&amp;nbsp; But such a place as we’ve got at Poplar Walk! you know. It certainly is a most capital place — beautiful! I&#039;ll trouble you for another cup of tea. Let&#039;s see — what was I saying? Oh! I know. Such a beautiful place! When I first saw it, by Jove! it looked so knowing, with the front garden like, and the green railings, and the brass knocker, and all that—I really thought it was a cut above me.&quot; &quot;Don’t you think you’d like the ham better,&quot; interrupted Minns, &quot;if you cut it the other way?&quot; as he saw, with feelings which it is impossible to describe, that his visitor was cutting, or rather maiming the ham, in utter violation of all established rules. &quot;No, thank ye,&quot; returned Bagshaw, with the most barbarous indifference to crime; &quot;I prefer it this way — it eats short. But, I say, Minns, when will you come down and see us? You&#039;ll be delighted with the place; I know you will. Amelia and I were talking about you the other night, and Amelia said—another lump of sugar, please: thank ye—she said, &quot;Don’t you think you could contrive, my dear, to say to Mr. Minns, in a friendly way—Come down, Sir—damn the dog! He’s spoiling your curtains, Minns—Ha!—ha!—ha!&quot; Minns leaped from his seat as though he had received the discharge from a galvanic battery. &quot;Come out, Sir!—go out, hoo!&quot; cried poor Augustus, keeping, nevertheless, at a very respectful distance from the dog, having read of a case of hydrophobia in the paper of that morning. By dint of great exertion, much shouting, and a marvellous deal of poking under the tables with a stick and umbrella, the dog was at last dislodged, and placed on the landing, outside the door, where he immediately commenced a most appalling howling; at the same time vehemently scratching the paint off the two nicely-varnished bottom panels of the door, until they resembled the interior of a backgammon-board. &quot;A good dog for the country that!&quot; coolly observed Bagshaw to the distracted Minns — &quot;he’s not much used to confinement, though. But now, Minns, when will you come down? I’ll take no denial, positively. Let’s see — to-day’s Thursday;—will you come on Sunday? We dine at five. Don’t say no—do.&quot; After a great deal of pressing, Mr. Augustus Minns, driven to despair, and finding that if the dog, remained in the house much longer, he, Mr. Augustus Minns, might just as well lodge in the Zoological Gardens, accepted the invitation, and promised to be at Poplar Walk on the ensuing Sunday, at a quarter before five, to the minute. &quot;Now mind the direction,&quot; said Bagshaw: &quot;the coach goes from the Flower-pot, in Bishopsgate-street, every half hour. When the coach stops at the Swan, you’ll see, immediately opposite you, a white house —&quot; &quot;Which is your house—I understand,&quot; said Minns, wishing to cut short the story and the visit at the same time. &quot;No, no, that’s not mine; that’s Grogus’s, the great ironmonger’s. I was going to say, you turn down by the side of the white house till you can’t go another step further—mind that; and then you turn to your right, by some stables—well; close to you, you’ll see a wall with &#039;BEWARE OF THE DOG&#039; written on it in large letters—[Minns shuddered]—go along by the side of that wall for about a quarter of a mile, and anybody will show you which is my place.&quot; &quot;Very well—thank ye—good bye.&quot; &quot;Be punctual.&quot; &quot;Certainly: good morning.&quot; &quot;I say, Minns, you’ve got a card?&quot; &quot;Yes, I have; thank ye.&quot; And Mr. Octavius Bagshaw departed, leaving his cousin looking forward to his visit on the following Sunday with the feelings of a pennyless poet to the weekly visit of his Scotch landlady. Sunday arrived; the sky was bright and clear; crowds of clean, decently-dressed people were hurrying along the streets, intent on their different schemes of pleasure for the day; and every thing, and every body, looked cheerful and happy but Mr. Augustus Minns. The day was fine, but the heat was considerable; and by the time Mr. Minns had fagged up the shady side of Fleet Street, Cheapside, and Threadneedle Street, he had become pretty warm, tolerably dusty, and it was getting late into the bargain. By the most extraordinary good fortune, however, a coach was waiting at the Flower Pot, into which Mr. Augustus Minn&#039;s got, on the solemn assurance of the cad that the coach would start in three minutes—that being the time the coach was allowed to wait by &quot;act of Parliament.&quot; A quarter of an hour elapsed, and there were no signs of moving. Minns looked at his watch for the sixth time. &quot;Coachman, are you going or not?&quot; bawled Mr. Minns (with his head and half his body out of the coach window). &quot;Di-rectly, Sir,&quot; said the coachman, with his hands in his pockets, looking as much unlike a man in a hurry as possible.— &quot;Bill, take them cloths off.&quot; Five minutes more elapsed; at the end of which time the coachman mounted the box, from whence he looked down the street, and up the street, and hailed all the pedestrians for another five minutes. &quot;Coachman! If you don’t go this moment, I shall get out,&quot; said Mr. Minns, rendered desperate by the lateness of the hour, and the impossibility of being in Poplar Walk at the appointed time. &quot;Going this minute, Sir,&quot; was the reply;—and, accordingly, the coach trundled on for a couple of hundred yards, and then stopped again. Minns doubled himself up into a corner of the coach, and abandoned himself to fate. &quot;Tell your missis to make haste, my dear — &#039;cause here&#039;s a gentleman inside vich is in a desperate hurry.&quot; In about five minutes more missis appeared, with a child and two band-boxes, and then they set off. &quot;Be quiet, love!&quot; said the mother - who saw the agony of Minns, as the child rubbed its shoes on his new drab trowsers — &quot;be quiet, dear! Here, play with this parasol — don&#039;t kick the gentleman.&quot; The interesting infant, however, with its agreeable plaything, contrived to tax Mr. Minns&#039;s ingenuity, in the &quot;art of self-defence,&quot; during the ride; and amidst these infantile assaults, and the mother&#039;s apologies, the distracted gentleman arrived at the Swan, when, on referring to his watch, to his great dismay he discovered that it was a quarter past five. The white house, the stables, the &quot;Beware of the Dog,&quot; — every landmark was passed, with a rapidity not unusual to a gentleman of a certain age when too late for dinner. After the lapse of a few minutes, Mr. Minns found himself opposite a yellow brick house, with a green door, brass knocker, and door-plate, green window-frames, and ditto railings, with &quot;a garden&quot; in front, that is to say, a small loose bit of gravelled ground, with one round and two scalene triangular beds, containing a fir-tree, twenty or thirty bulbs, and an unlimited number of marigolds. The taste of Mr. or Mrs. Bagshaw was further displayed by the appearance of a Cupid on each side of the door, perched upon a heap of large chalk flints, variegated with pink conch-shells. His knock at the door was answered by a stumpy boy, in drab-livery, cotton stockings and high-lows, who, after hanging his hat on one of the dozen brass-pegs which ornamented the passage, denominated by courtesy &quot;The Hall,&quot; ushered him into a front drawing-room, commanding a very extensive view of the backs of the neighbouring houses. The usual ceremony of introduction, and so forth, over, Mr. Minns took his seat: not a little agitated at feeling that he was the last comer, and, somehow or other, the Lion of a dozen people, sitting together in a small drawing-room, getting rid of that most tedious of all time, the time preceding dinner. &quot;Well, Brogson,&quot; said Bagshaw, addressing an elderly gentleman in a black coat, drab knee-breeches, and long gaiters, who, under pretence of inspecting the prints in an Annual, had been engaged in satisfying himself on the subject of&amp;nbsp; Minns’ general appearance, by looking at him over the top of the leaves—&quot;well, Brogson, what do ministers mean to do? Will they go out, or what?’ &quot;Oh—why—really, you know, I’m the last person in the world to ask for news. Your cousin, from his situation, is the most likely person to answer the question.&quot; Mr. Minns assured the last speaker, that, although he was in Somerset House, he possessed no official communication relative to the projects of his Majesty’s Ministers. His remark was evidently received incredulously; and no further conjectures being hazarded on the subject, a long pause ensued, during which the company occupied themselves in coughing and blowing their noses, until the entrance of Mrs. Bagshaw caused a general rise. The ceremony of introduction being over, dinner was announced, and down stairs the party proceeded accordingly: Mr. Minns escorting Mrs. Bagshaw as far as the drawing-room door, but being prevented, by the narrowness of the stair-case, from extending his gallantry any further. The dinner passed off as such dinners usually do. Ever and anon, amidst the clatter of knives and forks, and the hum of conversation, Mr. Bagshaw’s voice might be heard asking a friend to take wine, and assuring him he was glad to see him; and a good deal of by-play took place between Mrs. Bagshaw and the servants respecting the removal of the dishes, during which her countenance assumed the variations of a weather-glass, sometimes &quot;stormy&quot; and occasionally &quot;set fair.&quot; Upon the dessert and wine being placed on the table, the servant, in compliance with a significant look from Mrs. Bagshaw, brought down &quot;Master Alexander,&quot; habited in a sky-blue suit with silver buttons, and with hair of nearly the same colour as the metal. After sundry praises from his mother, and various admonitions as to his behaviour from his pa, he was introduced to his godfather. &quot;Well, my little fellow—you are a fine boy, an’t you?&quot; said Minns, as happy as a tom-tit upon bird-lime. &quot;Yes.&quot; &quot;How old are you?&quot; &quot;Eight, next We’nsday. How old are you?&quot; &quot;Alexander,&quot; interrupted his mother, &quot;how dare you ask Mr. Minns how old he is!&quot; &quot;He asked me how old I was,&quot; said the precocious darling, to whom Minns had, from that moment, internally resolved he never would bequeath one shilling. As soon as the titter occasioned by the observation had subsided, a little smirking man with red whiskers, sitting at the bottom of the table, who, during the whole of dinner, had been endeavouring to obtain a listener to some stories about Sheridan, called out, with a very patronising air, —&quot;Alick, what part of speech is be?&quot; &quot;A verb.&quot; &quot;That’s a good boy,&quot; said Mrs. Bagshaw, with all a mother’s pride. &quot;Now, you know what a verb is?&quot; &quot;A verb is a word which signifies to be, to do, or to suffer; as, I am—I rule—I am ruled. Give me an apple, Ma.&quot; &quot;I’ll give you an apple,&quot; replied the story-teller, who was clearly one of those bores who are commonly called &#039;friends of the family,&#039; &quot;if you’ll tell me what is the meaning of, be.&quot; &quot;Be?&quot; said the prodigy, after a little hesitation—&quot;an insect that gathers honey.&quot; &quot;No, dear,&quot; frowned Mrs. B—; &quot;B double E is the substantive.&quot; &quot;I don’t think he knows much yet about common substantives,&quot; said the smirking gentleman, who thought this an admirable opportunity for letting off a joke: &quot;It’s clear he’s not very well acquainted with proper names. He! he! he!&quot; &quot;Gentlemen,&quot; called out Mr. Bagshaw, from the end of the table, in a stentorian voice, and with a very important air, &quot;will you have the goodness to charge your glasses? I have a toast to propose.&quot; &quot;Hear! hear!&quot; cried the gentlemen, passing the decanters. After they had made the round of the table, Mr. Bagshaw proceeded—&quot;Gentlemen; there is an individual present—&quot; &quot;Hear! hear!&quot; said the little man with the red whiskers. &quot;Pray be quiet, Jones,&quot; remonstrated Bagshaw, sotto voce. &quot;I say, gentlemen, there is an individual present,&quot; resumed the host, &quot;in whose society, I am sure, we must take great delight—and—and—the conversation of that individual must have afforded to every individual present the utmost pleasure.&quot;— [&quot;Thank Heaven he does not mean me!&quot; thought Minns, conscious that his diffidence and exclusiveness had prevented his saying above a dozen words since he entered the house.] — &quot;Gentlemen, I am but a humble individual myself, and I perhaps ought to apologize for allowing any individual feelings of friendship and affection for the person I allude to, to induce me to venture to rise, to propose the health of that person—a person that, I am sure—that is to say, a person whose virtues must endear him to those who know him—and those who have not the pleasure of knowing him, cannot dislike him.&quot; &quot;Hear! hear!&quot; said the company, in a tone of encouragement and approval. &quot;Gentlemen,&quot; continued Bagshaw, &quot;my cousin is a man who—who is a relation of my own.&quot; (Hear! hear!) Minns groaned audibly — who I am most happy to see here, and who, if he were not here, would certainly have deprived us of the great pleasure we all feel in seeing him. (Loud cries of hear!) — Gentlemen: I feel that I have already trespassed on your attention for too long a time. With every feeling of — of — with every sentiment of—of—&quot; &quot;Gratification&quot;—suggested the friend of the family. &quot;—Of gratification, I beg to propose the health of Mr. Minns.&quot; &quot;Standing, gentlemen!&quot; shouted the indefatigable little man with the whiskers—&quot;and with the honours. Take your time from me, if you please. Hip! hip! hip!—Za!—Hip! hip! hip!—Za!—Hip hip!—Za—a—a!&quot; All eyes were now fixed on the subject of the toast, who, by gulping down port-wine at the imminent hazard of suffocation, endeavoured to conceal his confusion. After as long a pause as decency would admit, with a face as red as a flamingo, he rose; but, as the newspapers sometimes say in their reports of the debates, &quot;we regret that we are quite unable to give even the substance of the honourable gentleman’s observations.&quot; The words &quot;present company—honour—present occasion,&quot; and &quot;great happiness&quot;—heard occasionally, and repeated at intervals, with a countenance expressive of the utmost misery, convinced the company that he was making an excellent speech; and, accordingly, on his resuming his seat, they cried &quot;Bravo!&quot; and manifested tumultuous applause. Jones, who had been long watching his opportunity, then darted up. &quot;Bagshaw,&quot; said he, will you allow me to propose a toast?&quot; &quot;Certainly,&quot; replied Bagshaw, adding in an under tone to Minns right across the table — &quot;Devilish sharp fellow that: you’ll be very much pleased with his speech. He talks equally well on any subject.&quot; Minns bowed, and Mr. Jones proceeded: &quot;It has on several occasions, in various instances, under many circumstances, and in different companies, fallen to my lot to propose a toast to those by whom, at the time, I have had the honour to be surrounded. I have sometimes, I will cheerfully own—for why should I deny it?—felt the overwhelming nature of the task I have undertaken, and my own utter incapability to do justice to the subject.&amp;nbsp; If such have been my feelings, however, on former occasions, what must they be now—now—under the extraordinary circumstances in which I am placed. (Hear! hear!) — To describe my feelings accurately would be impossible; but I cannot give you a better idea of them, gentlemen, than by referring to a circumstance which happens, oddly enough, to occur to my mind at the moment. On one occasion, when that truly great and illustrious man, Sheridan was—&quot; &quot;Please, Sir,&quot; said the boy, entering hastily, and addressing Bagshaw, &quot;as it&#039;s a very wet ev&#039;ning, the nine o&#039;clock stage has come round to know, whether any one&#039;s going to town. There&#039;s room for one inside.&quot; Minns, who had some time meditated suicide, now, with a courage heretofore unknown, started up to secure the chance of escape. Many were the expressions of surprise, and numerous the entreaties to stay, when Minns persisted in his determination to accept the offer of the vacant inside place. It was useless to press him further; so, after detaining the coach for the purpose of looking for his umbrella, and then making the pleasant discovery that he had left it in the other coach coming don, Minns was informed by the parsley-and-butter coated boy that the coachman &quot;couldn&#039;t wait no longer; but if the gentleman would make haste, he might catch him at the Swan.&quot; Minns muttered, for the first time in his life, a diabolical ejaculation. It was of no use that fresh entreaties poured upon him. Quite as effective was the appeal of Master Alick, who, after dabbling half-an-hour in raspberry jam and custard, and fixing the print of his paws on Minns&#039; trowsers, cried out — &quot;Do stop, godpa&#039; — I like you — Ma&#039; says I am to coax you to leave me all your money!&quot; — Had Minns been stung by an electric eel, he could not have made a more hysteric spring through the door-way; nor did he relax his speed until, arriving at the Swan, he saw the coach drive off — full inside and out.&amp;nbsp; It was half-past three in the morning ere Mr. Augustus Minns knocked faintly at No. 11, Tavistock Street, Covent Garden. He had footed it every step of the way from Poplar Walk: — he had not a dry thread about him, and his boots were like pump-suckers. Never from that day could Mr. Minns endure the name of Bagshaw or Poplar Walk. It was to him as the writing on the wall was to Belshazzar. Mr. Minns has removed from Tavistock Street. His residence is at present a secret, as he is determined not to risk another assault from his cousin and his pink-eyed poodle.https://dickenssearch.com/files/original/5/A_Dinner_at_Poplar_Walk/01-12-1833-A_Dinner_At_Poplar_Walk.pdf
6https://dickenssearch.com/items/show/6'A Word in Season'Published in <em>The Keepsake</em> (1844).Dickens, Charles<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1844">1844</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Poem">Poem</a>1844_The_Keepsake_A_Word_In_SeasonDickens, Charles. 'A Word in Season.' <em>The Keepsake</em> (1844). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1844_The_Keepsake_A_Word_In_Season">https://dickenssearch.com/verse/1844_The_Keepsake_A_Word_In_Season</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Keepsake">The Keepsake</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Periodical">Periodical</a><a href="https://dickenssearch.com/teibp/dist/content/1844_The_Keepsake_A_Word_In_Season.xml" target="_blank" rel="noopener">'A Word in Season.'&nbsp;<em>The Keepsake&nbsp;</em>(1844).</a>18440101They have a superstition in the East, That ALLAH, written on a piece of paper, Is better unction than can come of priest, Of rolling incense, and of lighted taper; Holding, that any scrap which bears that name, In any characters, its front imprest on, Shall help the finder through the purging flame, And give his toasted feet a place to rest on. Accordingly, they make a mighty fuss, With ev’ry wretched tract and fierce oration, And hoard the leaves – for they are not, like us, A highly civilized and thinking nation: And, always stooping in the miry ways, To look for matter of this earthy leaven, They seldom, in their dust-exploring days, Have any leisure to look up to Heaven. So have I known a country on the earth, Where darkness sat upon the living waters, And brutal ignorance, and toil, and dearth Were the hard portion of its sons and daughters: And yet, where they who should have ope’d the door Of charity and light, for all men’s finding, Squabbled for words upon the altar-floor, And rent the Book, in struggles for the binding. The gentlest man among these pious Turks, God’s living image ruthlessly defaces; Their best high-churchman, with no faith in works, Bowstrings the Virtues in the market-places: The Christian Pariah, whom both sects curse (They curse all other men, and curse each other), Walks thro’ the world, not very much the worse – Does all the good he can, and loves his brother.https://dickenssearch.com/files/original/3/A_Word_in_Season/1844_A_Word_in_Season.pdf
69https://dickenssearch.com/items/show/69'Acrostic'From the autograph album of Maria Beadnell (1830-1831).Dickens, CharlesThe Charles Dickens Museum, <a href="http://www.collections.dickensmuseum.com/object-b319--1971-1-105" target="_blank" rel="noopener">http://www.collections.dickensmuseum.com/object-b319--1971-1-105</a>.; Autograph Album of Maria Beadnell.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1830">1830</a>; <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1831">1831</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Poem">Poem</a>1830-31_Autograph_Album_of_Maria_Beadnell_AcrosticDickens, Charles. 'Acrostic.' Autograph Album of Maria Beadnell (1830-31).&nbsp;<em>Dickens Search.</em>&nbsp;Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;<a href="https://dickenssearch.com/verse/1830-31_Autograph_Album_of_Maria_Beadnell_Acrostic">https://dickenssearch.com/verse/1830-31_Autograph_Album_of_Maria_Beadnell_Acrostic</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album">Autograph Album</a><a href="https://dickenssearch.com/teibp/dist/content/1830-31_Autograph_Album_of_Maria_Beadnell_Acrostic.xml" target="_blank" rel="noopener">'Acrostic.' From the autograph album of Maria Beadnell (1830-1831).</a>18300101My life may chequered be with scenes of misery and pain, And’t may be my fate to struggle with adversity in vain: Regardless of misfortunes tho’ howe’er bitter they may be, I&amp;nbsp;shall always have one retrospect, a hallowed one to me, And it will be of that happy time when first I gazed on thee. Blighted hopes, and prospects drear, for me will lose their sting, Endless troubles shall harm not me, when fancy on the wing A&amp;nbsp;lapse of years shall travel o’er, and again before me cast Dreams of happy fleeting moments then for ever past: Not any worldly pleasure has such magic charms for me E’en now, as those short moments spent in company with thee; Life has no charms, no happiness, no pleasures, now for me Like those I feel, when ’tis my lot Maria, to gaze on thee.https://dickenssearch.com/files/original/3/Acrostic/1830-31_Autograph_Album_of_Maria_Beadnell_Acrostic.pdf
107https://dickenssearch.com/items/show/107'Charade'To Henry Riley Bradbury, from the Bradbury album, a scrapbook of letters, sketches, drawings, prints, photographs, and printed ephemera (3 June 1847).Dickens, Charles<span>'Appendix: Charade sent to Henry Riley Bradbury.' 3 June 1847.&nbsp;</span><em>The Letters of Charles Dickens. The</em><span>&nbsp;</span><em>Pilgrim Edition.<span>&nbsp;</span></em><span>Edited by Graham Storey and K. J. Fielding. Volume 5 (1847-1849), p.691. Oxford University Press, 1980.</span>; Bradbury Album, <a href="https://www.themorgan.org/literary-historical/283347" target="_blank" rel="noopener">https://www.themorgan.org/literary-historical/283347</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1847-06-03">1847-06-03</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Poem">Poem</a>; <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Riddle">Riddle</a>1847-06-03-Bradbury-Album-CharadeDickens, Charles. 'Charade.' Bradbury Album (3 June 1847). <em>Dickens Search</em>. Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1847-06-03-Bradbury-Album-Charade">https://dickenssearch.com/verse/1847-06-03-Bradbury-Album-Charade</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Bradbury+Album">Bradbury Album</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Album">Album</a><a href="https://dickenssearch.com/teibp/dist/content/1847-06-03-Bradbury-Album-Charade.xml" target="_blank" rel="noopener">'Charade.' Bradbury Album (3 June 1847).</a>18470603A species of Nail, but headless and small, Cant word for the Coin which low people call “A farden”, “a copper”, and sweepers entreat You to favor Poor Jack with, in crossing the street, – Is my First. With its first letter chang’d, it’s a horse Change its last, it’s a spoilt child – and crying, of course. It’s a Sunday in London. Many there be Who do my sad Second, so dreary to see; Who wind through the streets, in dark, slow-pacing trains, Or ride behind horses with long-flowing manes; And heap up top-boots, cloaks and feathers, and bands, To swell the great riddle no man understands. In Naples, when they do my Second, Glowing colors, brightest reckon’d, Velvets, ribbons, flowers, and smoke, Make of the fête a ghastly joke. – Or stay – here’s a Miser, lean, trembling, and old, And he does my Second, poor wretch! With his gold. My whole is of Two Genders – man, and wife – It has, it has not, and it will have, life; Is born, is not, is living, and has died, In Marriage may be given – to the Bride; Is short, is tall, is smooth, is rough, of face; And, though not ridden, is a kind of Race.
77https://dickenssearch.com/items/show/77'Chorus'From <em>O'Thello</em> (1833-1834).Dickens, CharlesBeinecke Library, Yale University.; Manuscript.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1833">1833</a>; <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1834">1834</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1833-34_Othello_Chorus<span>Dickens, Charles. 'Chorus.'&nbsp;<em>O'Thello&nbsp;</em>(1833-34).</span><span>&nbsp;</span><i>Dickens Search.<span>&nbsp;</span></i><span>Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;</span><a href="https://dickenssearch.com/verse/1833-34_Othello_Chorus">https://dickenssearch.com/verse/1833-34_Othello_Chorus</a><span>.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=O%27Thello">O&#039;Thello</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">Play</a><a href="https://dickenssearch.com/teibp/dist/content/1833-34_Othello_Chorus.xml" target="_blank" rel="noopener"><span>'Chorus.' <em>O'Thello&nbsp;</em>(1833-34).</span></a>18330101Air – &quot;Gold&#039;s but dross&quot; – Robert le diable GU. Bring the porter in the Pewter and be sure they draw it mild E argo If he suspects his wife he&#039;ll shoot her and I am for vegeance wild. Cass Let&#039;s be happy Lots of baccy Let the cheerful smoke abound Desd Dancing lightly Gaily Sprightly Let the merry song go round GU. Right fal la ral la ral lide E argo. Right fal la ral liddle dol de Cass Right fal la ral la ral lide Desd Right fal la ral liddle dol de Cho: Right fal la ral de (at End of chorus go out with the rest)
112https://dickenssearch.com/items/show/112'Chorus'From Act 1, Scene 1 of <em>The Strange Gentleman</em> (Lord Chamberlain’s Copy, 1836).Dickens, CharlesLord Chamberlain’s Copy.; <span>'Chorus.' <em>The Strange</em> <em>Gentleman</em>. </span><em>The Letters of Charles Dickens. The</em><span>&nbsp;</span><em>Pilgrim Edition.<span>&nbsp;</span></em><span>Edited by Madeline House and Graham Storey. Volume 1 (1820-1839), p. 696. Oxford University Press, 1965.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836">1836</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1836_The_Strange_Gentleman_Chorus<span>Dickens, Charles. 'Chorus.'&nbsp;</span><i>The Strange Gentleman </i><span>(1836).&nbsp;</span><i>Dickens Search.<span>&nbsp;</span></i><span>Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;</span><a href="https://dickenssearch.com/verse/1836_The_Strange_Gentleman_Chorus">https://dickenssearch.com/verse/1836_The_Strange_Gentleman_Chorus</a><span>.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Strange+Gentleman">The Strange Gentleman</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">Play</a><a href="https://dickenssearch.com/teibp/dist/content/1836_The_Strange_Gentleman_Chorus.xml" target="_blank" rel="noopener">'Chorus.' <em>The Strange Gentleman&nbsp;</em>(Lord Chamberlain’s Copy, 1836).</a>18360101Oh, What pleasure, tis to see Such a goodly Company Flocking to St James Arms. Where their Servants are to greet ‘em And good Entertainment wait ‘em Banishing all false alarms. Each is welcome here To enjoy the cheer That’s at St James Arms That’s at St James Arms.
36https://dickenssearch.com/items/show/36'Dance and Finale'From <em>The Village Coquettes, An Operatic Burletta in Two Acts </em>(1836). Music by John Hullah.Dickens, Charles<div class="field two columns alpha"><i>The Village Coquettes, An Operatic Burletta in Two Acts&nbsp;</i>(1836). London: John Dicks.</div>; Internet Archive, <a href="https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater" target="_blank" rel="noopener">https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836">1836</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Hullah%2C+John">Hullah, John</a><p class="p1"><i>Internet</i><span>&nbsp;<em>Archive</em>: Access to the Archive’s Collections is provided at no cost and is granted for scholarship and research purposes only (</span><span class="s1"><a href="https://archive.org/about/terms.php" target="_blank" rel="noopener">https://archive.org/about/terms.php</a>).</span></p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1836_The_Village_Coquettes_Dance_and_Finale<p class="p1">Dickens, Charles. 'Dance and Finale.' <i>The Village Coquettes </i>(1836): pp.17-18. <i>Dickens Search. </i>Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836_The_Village_Coquettes_Dance_and_Finale">https://dickenssearch.com/verse/1836_The_Village_Coquettes_Dance_and_Finale</a>.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Village+Coquettes%2C+An+Operatic+Burletta+in+Two+Acts">The Village Coquettes, An Operatic Burletta in Two Acts</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">Play</a><a href="https://dickenssearch.com/teibp/dist/content/1836_The_Village_Coquettes_Dance_and_Finale.xml" target="_blank" rel="noopener">'Dance and Finale.' <em>The Village Coquettes, An Operatic Burletta in Two Acts</em> (1836).</a>18360101CHORUS. Join the dance, with step as light As ev’ry heart should be to-night; Music, shake the lofty dome, In honour of our Harvest Home. Join the dance, and banish care, All are young, and gay, and fair; Even age has youthful grown, In honour of our Harvest Home. Join the dance, bright faces beam, Sweet lips smile, and dark eyes gleam; All these charms have hither come, In honour of our Harvest Home. Join the dance, with step as light, As ev’ry heart should be to-night; Music shake the lofty dome In honour of our Harvest Home. QUINTET - Lucy - Rose - Edmunds - The Squire - Young Benson No light bound Of stag or timid hare, O’er the ground Where startled herds repair, Do we prize So high, or hold so dear, As the eyes That light our pleasures here. No cool breeze That gently plays by night, O’er calm seas, Whose waters glisten bright; No soft moan That sighs across the lea, Harvest Home, Is half so sweet as thee! CHORUS. Hail to the merry autumn days, when yellow corn-fields shine, Far brighter than the costly cup that holds the monarch&#039;s wine! Hail to the merry harvest time, the gayest of the year, The time of rich and bounteous crops, rejoicing, and good cheer. Hail! Hail! Hail!https://dickenssearch.com/files/original/3/Dance_and_Finale/Dance_and_Finale_The_Village_Coquettes_01.png; https://dickenssearch.com/files/original/3/Dance_and_Finale/Dance_and_Finale_The_Village_Coquettes_02.png; https://dickenssearch.com/files/original/3/Dance_and_Finale/Dance_and_Finale_The_Village_Coquettes_03.png
117https://dickenssearch.com/items/show/117'Duet: Mr. and Mrs. Lovetown'From <em>Is She His Wife? Or, Something Singular!</em> (<span>Lord Chamberlain’s Copy, </span>27 February 1837).Dickens, CharlesLord Chamberlain’s Copy, British Library.; <span>'Duet: Mr. and Mrs. Lovetown.' <em>Is She His Wife? Or, Something Singular!</em>.&nbsp;</span><em>The Letters of Charles Dickens. The</em><span>&nbsp;</span><em>Pilgrim Edition.<span>&nbsp;</span></em><span>Edited by Madeline House and Graham Storey. Volume 1 (1820-1839), p. 698-699. Oxford University Press, 1965.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1837-02-27">1837-02-27</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1837-02-27_Is_She_His_Wife_Or_Something_Singular_Duet_Mr_And_Mrs_LovetownDickens, Charles. 'Duet: Mr. and Mrs. Lovetown.' <em>Is She His Wife? Or, Something Singular!</em> (27 February 1837). <em>Dickens Search</em>. Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1837-02-27_Is_She_His_Wife_Or_Something_Singular_Duet_Mr_And_Mrs_Lovetown">https://dickenssearch.com/verse/1837-02-27_Is_She_His_Wife_Or_Something_Singular_Duet_Mr_And_Mrs_Lovetown</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Is+She+His+Wife%3F+Or%2C+Something+Singular%21">Is She His Wife? Or, Something Singular!</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">Play</a><a href="https://dickenssearch.com/teibp/dist/content/1837-02-27_Is_She_His_Wife_Or_Something_Singular_Duet_Mr_And_Mrs_Lovetown.xml" target="_blank" rel="noopener">'Duet: Mr. and Mrs. Lovetown.' <em>Is She His Wife? Or, Something Singular!</em> (27 February 1837).</a>18370227A married life, Is not all joy; But noise &amp;amp; strife, Its charms alloy. Tho’ to please we do our best: Misery’ll our life infest – Nought is right we e’re can do, But all is wrong – &amp;amp; all is rue! Sometimes darling, Oft times snarling Now then pleasing Then there teasing Nought but care – and nought but strife Oh, who would sigh for a married life.
27https://dickenssearch.com/items/show/27'Duet: Rose and Sparkins Flam'From <em>The Village Coquettes, An Operatic Burletta in Two Acts </em>(1836). Music by John Hullah.Dickens, Charles<p class="p1"><i>The Village Coquettes, An Operatic Burletta in Two Acts </i>(1836). London: John Dicks.<span class="Apple-converted-space">&nbsp;</span></p>; Internet Archive, <a href="https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater" target="_blank" rel="noopener">https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836">1836</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Hullah%2C+John">Hullah, John</a><p class="p1"><i>Internet</i><span>&nbsp;<em>Archive</em>: Access to the Archive’s Collections is provided at no cost and is granted for scholarship and research purposes only (</span><span class="s1"><a href="https://archive.org/about/terms.php" target="_blank" rel="noopener">https://archive.org/about/terms.php</a>).</span></p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1836_The_Village_Coquettes_Duet_Rose_and_Sparkins_Flam<p class="p1">Dickens, Charles. 'Duet: Rose and Sparkins Flam.' <i>The Village Coquettes </i>(1836): p. 7. <i>Dickens Search. </i>Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836_The_Village_Coquettes_Duet_Rose_and_Sparkins_Flam">https://dickenssearch.com/verse/1836_The_Village_Coquettes_Duet_Rose_and_Sparkins_Flam</a>.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Village+Coquettes%2C+An+Operatic+Burletta+in+Two+Acts">The Village Coquettes, An Operatic Burletta in Two Acts</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">Play</a><a href="https://dickenssearch.com/teibp/dist/content/1836_The_Village_Coquettes_Duet_Rose_and_Sparkins_Flam.xml" target="_blank" rel="noopener">'Duet: Rose and Sparkins Flam.' <em>The Village Coquettes, An Operatic Burletta in Two Acts</em> (1836).</a>18360101Flam. ‘Tis true I’m caressed by the witty, The envy of all the fine beaux, The pet of the court and the city, But still, I’m the lover of Rose. Rose. Country sweethearts, oh, how I despise! And oh! How delighted I am To think that I shine in the eyes Of the elegant – sweet – Mr. Flam. Flam. Allow me. (Offers to kiss her) Rose. Pray don’t be so bold, sir (Kisses her.) Flam. What sweets on that honied lip hang! Rose. Your presumption, I know, I should scold, sir, But I really can’t scold Mr. Flam. Both. Then let us be happy together, Content with the world as it goes, An unchangeable couple for ever, Mr. Flam and his beautiful Rose.https://dickenssearch.com/files/original/3/Duet_Rose_and_Sparkins_Flam/Duet_Rose_and_Sparkins_Flam.png
29https://dickenssearch.com/items/show/29'Duet: The Squire and Lucy'From <em>The Village Coquettes, An Operatic Burletta in Two Acts </em>(1836). Music by John Hullah.Dickens, Charles<p class="p1"><i>The Village Coquettes, An Operatic Burletta in Two Acts </i>(1836). London: John Dicks.<span class="Apple-converted-space">&nbsp;</span></p>; Internet Archive, <a href="https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater" target="_blank" rel="noopener">https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836">1836</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Hullah%2C+John">Hullah, John</a><p class="p1"><i>Internet</i><span>&nbsp;<em>Archive</em>: Access to the Archive’s Collections is provided at no cost and is granted for scholarship and research purposes only (</span><span class="s1"><a href="https://archive.org/about/terms.php" target="_blank" rel="noopener">https://archive.org/about/terms.php</a>).</span></p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1836_The_Village_Coquettes_Duet_The_Squire_and_Lucy<p class="p1">Dickens, Charles. 'Duet: The Squire and Lucy.' <i>The Village Coquettes </i>(1836): pp. 9-10. <i>Dickens Search. </i>Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836_The_Village_Coquettes_Duet_The_Squire_and_Lucy">https://dickenssearch.com/verse/1836_The_Village_Coquettes_Duet_The_Squire_and_Lucy</a>.<span class="Apple-converted-space"></span></p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Village+Coquettes%2C+An+Operatic+Burletta+in+Two+Acts">The Village Coquettes, An Operatic Burletta in Two Acts</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">Play</a><a href="https://dickenssearch.com/teibp/dist/content/1836_The_Village_Coquettes_Duet_The_Squire_and_Lucy.xml" target="_blank" rel="noopener">'Duet: The Squire and Lucy.' <em>The Village Coquettes, An Operatic Burletta in Two Acts</em> (1836).</a>18360101Squire. In rich and lofty station shine, Before his jealous eyes; In golden splendour, lady mine, This peasant youth despise. Lucy (Apart-the Squire regarding her attentively). Oh! it would be revenge indeed, With scorn his glance to meet. I, I, his humble pleading heed! I’d spurn him from my feet. Squire. With love and rage her bosom’s torn, And rash the choice will be; Lucy. With love and rage my bosom’s torn, And rash the choice will be. Squire. From hence she quickly must be borne, Her home, her home, she’ll flee. Lucy. Oh! long shall I have cause to mourn My home, my home, for thee!https://dickenssearch.com/files/original/3/Duet_The_Squire_and_Lucy/Duet_The_Squire_and_Lucy_01.png; https://dickenssearch.com/files/original/3/Duet_The_Squire_and_Lucy/Duet_The_Squire_and_Lucy_02.png
37https://dickenssearch.com/items/show/37'Duet'From <i>The Lamplighter </i>(1838).Dickens, Charles<em>The Poems and Verses of Charles Dickens</em> (1903). Ed. Frederic George Kitton. London: Chapman and Hall, pp. 31-32,<br /><a href="https://www.google.com/books/edition/The_Poems_and_Verses_of_Charles_Dickens/lLs_AQAAMAAJ?hl=en&amp;gbpv=1&amp;bsq=Duet%20from%20the%20lamplighter" target="_blank" rel="noopener">https://www.google.com/books/edition/The_Poems_and_Verses_of_Charles_Dickens/lLs_AQAAMAAJ?hl=en&amp;gbpv=1&amp;bsq=Duet%20from%20the%20lamplighter</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1838">1838</a>Google Books, Fair Use.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1838_The_Lamplighter_Duet<p class="p1">Dickens, Charles. 'Duet.' <i>The Lamplighter </i>(1838): pp. 31-32. <i>Dickens Search. </i>Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1838_The_Lamplighter_Duet">https://dickenssearch.com/verse/1838_The_Lamplighter_Duet</a>.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Lamplighter">The Lamplighter</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">Play</a><a href="https://dickenssearch.com/teibp/dist/content/1838_The_Lamplighter_Duet.xml" target="_blank" rel="noopener">'Duet.'&nbsp;<em>The Lamplighter&nbsp;</em>(1838).&nbsp;</a>18380101Air – ‘The Young May-moon’ Tom. There comes a new moon twelve times a year. Betsy. And when there is none, all is dark and drear. Tom. In which I espy – Betsy. And so, too, do I – Both. A resemblance to womankind very clear – Both. There comes a new moon twelve times a year; And when there is none, all is dark and drear. Tom. In which I espy – Betsy. And so do I Both. A resemblance to womankind very clear. Tom: She changes, she’s fickle, she drives men mad. Betsy. She comes to bring light, and leaves them sad. Tom. So restless wild – Betsy. But so sweetly wild – Both. That no better companion could be had. Both. There comes a new moon twelve times a year; And when there is none, all is dark and drear. Tom. In which I espy – Betsy. And so do I – Both. A resemblance to womankind very clear.https://dickenssearch.com/files/original/3/Duet/Duet_The_Lamplighter_01.png; https://dickenssearch.com/files/original/3/Duet/Duet_The_Lamplighter_02.png
34https://dickenssearch.com/items/show/34'Duett: Squire, Edmunds, and Norton'From <em>The Village Coquettes, An Operatic Burletta in Two Acts </em>(1836). Music by John Hullah.Dickens, Charles<p class="p1"><i>The Village Coquettes, An Operatic Burletta in Two Acts </i>(1836). London: John Dicks.<span class="Apple-converted-space">&nbsp;</span></p>; Internet Archive, <a href="https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater" target="_blank" rel="noopener">https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836">1836</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Hullah%2C+John">Hullah, John</a><p class="p1"><i>Internet</i><span>&nbsp;<em>Archive</em>: Access to the Archive’s Collections is provided at no cost and is granted for scholarship and research purposes only (</span><span class="s1"><a href="https://archive.org/about/terms.php" target="_blank" rel="noopener">https://archive.org/about/terms.php</a>).</span></p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1836_The_Village_Coquettes_Duett_Squire_Edmonds_and_Norton<p class="p1">Dickens, Charles. 'Duett: Squire, Edmonds, and Norton.' <i>The Village Coquettes </i>(1836): p. 15. <i>Dickens Search. </i>Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836_The_Village_Coquettes_Duett_Squire_Edmonds_and_Norton">https://dickenssearch.com/verse/1836_The_Village_Coquettes_Duett_Squire_Edmonds_and_Norton</a>.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Village+Coquettes%2C+An+Operatic+Burletta+in+Two+Acts">The Village Coquettes, An Operatic Burletta in Two Acts</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">Play</a><a href="https://dickenssearch.com/teibp/dist/content/1836_The_Village_Coquettes_Duett_Squire_Edmonds_and_Norton.xml" target="_blank" rel="noopener">'Duett: Squire, Edmunds, and Norton.' <em>The Village Coquettes, An Operatic Burletta in Two Acts</em> (1836).</a>18360101Squire. Listen, though I do not fear you, Listen to me, ere we part. Edmunds. List to you! Yes, I will hear you. Squire. Yours alone is Lucy’s heart, I swear it, by that heav’n above me. Edmunds. What! can I believe my ears! Could I hope that she still loves me Squire. Banish all these doubts and fears, If a love were e’er worth gaining, If love were ever fond and true, No disguise or passion feigning, Such is her young love for you. Squire. Listen, though I do not fear you, Listen to me, ere we part. Edmunds. List to you! yes, I will hear you. Mine alone is her young heart.https://dickenssearch.com/files/original/3/Duett_Squire_Edmunds_and_Norton/Duett_Squire_Edmonds_and_Norton_The_Village_Coquettes.png
113https://dickenssearch.com/items/show/113'Duett'From Act 1, Scene 1 of <em>The Strange Gentleman</em> (Lord Chamberlain’s Copy, 1836).Dickens, CharlesLord Chamberlain’s Copy, British Library.; <span>'Duett.' <em>The Strange</em> <em>Gentleman</em>. </span><em>The Letters of Charles Dickens. The</em><span>&nbsp;</span><em>Pilgrim Edition.<span>&nbsp;</span></em><span>Edited by Madeline House and Graham Storey. Volume 1 (1820-1839), p. 696. Oxford University Press, 1965.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836">1836</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1836_The_Strange_Gentleman_DuettDickens, Charles. 'Duett.' <em>The Strange Gentleman</em> (1836). <em>Dickens Search</em>. Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836_The_Strange_Gentleman_Duett">https://dickenssearch.com/verse/1836_The_Strange_Gentleman_Duett</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Strange+Gentleman">The Strange Gentleman</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">Play</a><a href="https://dickenssearch.com/teibp/dist/content/1836_The_Strange_Gentleman_Duett.xml" target="_blank" rel="noopener">'Duett.' <em>The Strange Gentleman&nbsp;</em>(Lord Chamberlain’s Copy, 1836).</a>18360101Around the feet of smiling love In Wanton Gambols Myriads play – Like Summer Zephyr’s in the Sun And scatter roses in his way. – A wreath entwine Of bays divine To Crown the boy. With songs of praise Our voice we’ll raise To sing love’s joy.
123https://dickenssearch.com/items/show/123'Elegy'From a letter to Mary Boyle (3 December 1849).Dickens, Charles'Elegy.' <em>The Letters of Charles Dickens. The Pilgrim Edition. </em><span>Edited by Graham Storey and K. J. Fielding. Volume 5 (1847-1849), p. 708-709. Oxford University Press, 1980.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1849-12-03">1849-12-03</a>Parody of Thomas Gray&#039;s &#039;Elegy Written in a Country Churchyard&#039;.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Poem">Poem</a>1849-12-03_Letter_To_Mary_Boyle_Elegy<span>Dickens, Charles. 'Elegy' (3 December 1849). </span><em>Dickens Search.</em><span>&nbsp;Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;</span><a href="https://dickenssearch.com/verse/1849-12-03_Letter_To_Mary_Boyle_Elegy" target="_blank" rel="noopener">https://dickenssearch.com/verse/1849-12-03_Letter_To_Mary_Boyle_Elegy</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter">Letter</a><a href="https://dickenssearch.com/teibp/dist/content/1849-12-03_Letter_To_Mary_Boyle_Elegy.xml" target="_blank" rel="noopener"><span>'Elegy' (3 December 1849).</span></a>18491203Written in a country churchyard. The small dog Spitz has given a shrill bark, And gone off with her tail uprais’d in air; I don’t know where she’s gone, it is so dark, And (what is more) I don’t think that I care. Now the gloom deepens like to that thick gloom Of which the Master of the School once spoke, Which can’t be swept away by any broom, And hangs enshrouding all things, like dense smoke. Within yon Castle Walls, of old admired, Where winking tapers in the windows doze, Each to a chamber snug and warm retir’d, Toe royst’ring wights of Rockingham repose! From them no more does Lady Teazle win Applause, fit tribute to her graces quaint: For them no more Sir Peter daubs his skin And looks out from a mist of flour and paint. The modest check and mien of “the young man”, The lunatic in custody next door, The mirth which Mrs Nickleby began, No longer interrupt their low-drawn snore. No more the host, as if he dealt at cards, Smiling deals lighted candles all about: No more the Fair inclusive of the Bard’s) Persist in blowing all the candles out. No more the Fair prolong the cheerful tread Of dancing feet until the lights low burn: No more the host, when they are gone to bed, Quickly retreats, foreboding their return. Let not Convention mock the cap and bells Which certain heads are not too wise to wear, Nor loftily disdain the voice that tells How harmless trifling purifies the air! Full many an impulse, generous and good, Has sprung from a light heart in cheery hours: Full many a wounded creature has withstood The thorns of life, rememb’ring its wild flowers. And so, may conjurors within that hall Again large watches cut, from loaves of bread: Again hot puddings bring, with magic call, From the hat sacred to a rev’rend head! For him who, mindful of that honored time, Does in these lines its artless tale relate, So read his fate in very feeble rhyme Written in chalk upon the churchyard Gate! The Epitaph Here rests his head upon his native soil A Youth who lived once, in the public whim: His death occasion’d by a mortal Boil, Which settled on his brain, and settled him.
120https://dickenssearch.com/items/show/120'Epitaph of Charles Irving'From a letter to Dr F. H. Deane (4 April 1842).Dickens, Charles'To Dr F. H. Deane.' <em>The Letters of Charles Dickens. The Pilgrim Edition.&nbsp;</em>Edited by Madeline House, Graham Storey and Kathleen Tillotson. Volume 3 (1842-1843), p. 187. Oxford University Press, 1974.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1842-04-04">1842-04-04</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaph</a>1842-04-04_Epitaph_Charles_Irving<span>Dickens, Charles. 'Epitaph of Charles Irving' (4 April 1842). </span><em>Dickens Search.</em><span>&nbsp;Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;</span><a href="https://dickenssearch.com/verse/1842-04-04_Epitaph_Charles_Irving">https://dickenssearch.com/verse/1842-04-04_Epitaph_Charles_Irving</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter">Letter</a><a href="https://dickenssearch.com/teibp/dist/content/1842-04-04_Epitaph_Charles_Irving.xml" target="_blank" rel="noopener"><span>'Epitaph of Charles Irving' (4 April 1842).</span></a>18420404This is the Grave of A Little Child, Whom God in his goodness Called to a Bright Eternity, When he was very young. Hard as it is For Human Affection To reconcile itself To Death, In any shape; (And most of all, perhaps, At First, In This) His parents Can even now believe That it will be a consolation to them, Throughout Their Lives, And when they shall have grown old And grey, Always to think of him As a Child, In Heaven. “And Jesus called a little child unto Him, and set him in the midst of them” He was the son of A and M Thornton. Christened CHARLES IRVING He was born on the 20th day of January 1841, And he died on the 12th day of March 1842. Having lived only Thirteen Months, and nine days.
128https://dickenssearch.com/items/show/128'Epitaph of Katherine Thomson'From a letter to George Thomson (26 November 1841).Dickens, Charles.Sack, O. 'An Epitaph by Charles Dickens.' <em>The Dickensian</em> 10.9 (1914): 234-237.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1841-11-26">1841-11-26</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaph</a>1841-11-26_Epitaph_Katherine_Thomson<span>Dickens, Charles. 'Epitaph of Katherine Thomson' (26 November 1841). </span><em>Dickens Search.</em><span>&nbsp;Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;</span><a href="https://dickenssearch.com/verse/ 1841-11-26_Epitaph_Katherine_Thomson" target="_blank" rel="noopener">https://dickenssearch.com/verse/1841-11-26_Epitaph_Katherine_Thomson</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter">Letter</a><a href="https://dickenssearch.com/teibp/dist/content/1841-11-26_Epitaph_Katherine_Thomson.xml" target="_blank" rel="noopener"><span>'Epitaph of Katherine Thomson' (26 November 1841).</span></a>18411126Sacred to the ashes of Katherine Thomson, For Sixty Years The dear Wife of George Thomson of Edinburgh. She died at Brompton on the Thirteenth of October 1841; Closing at the age of Seventy Five, a life of affectionate devotion and domestic excellence. Reader! The adjoining grave Is that of her Grandchild who died In the early bloom of womanhood. This Is the resting-place of one whose honoured head was gray. It is hard to lose Those whom we fondly love at any time; But it is a happy thing To believe That in Eternity There is perpetual youth and happiness For all. The will of God be done!
129https://dickenssearch.com/items/show/129'Epitaph of Mary Hogarth'Composed after the death of Mary Hogarth on 7 May 1837 (May 1837).Dickens, Charles<div id="dublin-core-source" class="element"> <div class="element-text"><span>'Epitaph of Mary Hogarth.'&nbsp;</span><em>The Letters of Charles Dickens. The</em><span>&nbsp;</span><em>Pilgrim Edition.<span>&nbsp;</span></em><span>Edited by Madeline House and Graham Storey. Volume 1 (1820-1839), p. 259<em>n</em>. Oxford University Press, 1965.</span></div> </div><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1837-05">1837-05</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaph</a>1837-05_Epitaph_Mary_Hogarth<span>Dickens, Charles. 'Epitaph of Mary Hogarth' (May 1837). </span><em>Dickens Search.</em><span>&nbsp;Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;</span><a href="https://dickenssearch.com/verse/ 1837-05_Epitaph_Mary_Hogarth" target="_blank" rel="noopener">https://dickenssearch.com/verse/<br />1837-05_Epitaph_Mary_Hogarth</a>.<a href="https://dickenssearch.com/teibp/dist/content/1837-05_Epitaph_Mary_Hogarth.xml" target="_blank" rel="noopener"><span>'Epitaph of Mary Hogarth' (May 1837).</span></a>18370512Mary Scott Hogarth Died 7th May 1837 Young Beautiful And Good God In His Mercy Numbered Her With His Angels At the Early Age Of Seventeen
127https://dickenssearch.com/items/show/127'Epitaph of Mr. Arthur Smith'From a letter to Mrs Arthur Smith (9 October 1861).Dickens, Charles'To Mrs Arthur Smith.' <em>The Letters of Charles Dickens. The Pilgrim Edition. </em>Edited by Graham Storey. Volume 9 (1859-1861), p. 473. Oxford University Press, 1997.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1861-10-09">1861-10-09</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaph</a>1861-10-09_Epitaph_Arthur_Smith<span>Dickens, Charles. 'Epitaph of Mr. Arthur Smith' (9 October 1861). </span><em>Dickens Search.</em><span>&nbsp;Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;</span><a href="https://dickenssearch.com/verse/1861-10-09_Epitaph_Arthur_Smith" target="_blank" rel="noopener">https://dickenssearch.com/verse/1861-10-09_Epitaph_Arthur_Smith</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter">Letter</a><a href="https://dickenssearch.com/teibp/dist/content/1861-10-09_Epitaph_Arthur_Smith.xml" target="_blank" rel="noopener"><span>'Epitaph of Mr. Arthur Smith' (9 October 1861).</span></a>18611009Here also lie the remains of MR. ARTHUR SMITH, In the Grave of his brother and father. He died, 1st October 1861, Aged 36 Years. For his zeal, integrity, and fidelity, He was widely beloved and honoured. And it is believed By those who knew him best, That he had the clearest head In affairs of business, And the clearest heart In all the affairs of life, That were ever united to The simple tastes, The sweet temper and gentleness, Of an affectionate child.
130https://dickenssearch.com/items/show/130'Epitaph of Walter Landor Dickens'Composed after the death of Walter Landor Dickens on the 31 December 1863 (February 1864).Dickens, Charles'Walter Savage Landor Dickens.' <em>The Dickensian</em> 7.2 (1911): 41-42.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1864-02">1864-02</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaph</a>1864-02_Epitaph_Walter_Landor_Dickens<span>Dickens, Charles. 'Epitaph of Walter Landor Dickens' (February 1864). </span><em>Dickens Search.</em><span>&nbsp;Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;</span><a href="https://dickenssearch.com/verse/1864-02_Epitaph_Walter_Landor_Dickens" target="_blank" rel="noopener">https://dickenssearch.com/verse/1864-02_Epitaph_Walter_Landor_Dickens</a>.<a href="https://dickenssearch.com/teibp/dist/content/1864-02_Epitaph_Walter_Landor_Dickens.xml" target="_blank" rel="noopener"><span>'Epitaph of Walter Landor Dickens' (February 1864).</span></a>18640201In memory of Lieut. WALTER LANDOR DICKENS, The second son of CHARLES DICKENS, who died At the Officers’ Hospital, Calcutta, On his way home on sick leave, December 31st, 1863, Aged 23 years
19https://dickenssearch.com/items/show/19'Gabriel Grub's Song'From <em>The Pickwick Papers </em>issue 10, ch. 29 (December 1836).Dickens, Charles<p class="p1"><i>The Posthumous Papers of the Pickwick Club. </i>Issue 10, Chapter 29 (December 1836), p. 300. <i>UVic Libraries,</i><a href="https://vault.library.uvic.ca/concern/file_sets/bf08b770-6776-47b5-be67-433295ac4b4a?locale=en" target="_blank" rel="noopener"><span class="Apple-converted-space"> https://vault.library.uvic.ca/concern/file_sets/bf08b770-6776-47b5-be67-433295ac4b4a?locale=en</span></a>.</p>Chapman and Hall<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836-12">1836-12</a><p class="p1"><i>UVic Libraries, </i>Creative Commons Attribution NonCommercial, <span class="s1"><a href="https://creativecommons.org/lice%20nses/by-nc/4.0/" target="_blank" rel="noopener">https://creativecommons.org/lice nses/by-nc/4.0/</a><span class="Apple-converted-space">.</span></span></p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1836-12_Pickwick_Papers_Gabriel_Grubs_SongDickens, Charles. 'The Ivy Green' from The Posthumous Papers of the Pickwick Club. Issue 10, Chapter 29 (December 1836), p. 300. <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836-12_Pickwick_Papers_Gabriel_Grubs_Song">https://dickenssearch.com/verse/1836-12_Pickwick_Papers_Gabriel_Grubs_Song</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Pickwick+Papers">The Pickwick Papers</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Serial">Serial</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Boz">Boz</a><a href="https://dickenssearch.com/teibp/dist/content/1836-12_Pickwick_Papers_Gabriel_Grubs_Song.xml" target="_blank" rel="noopener">'Gabriel Grub's Song.' <em>The Posthumous Papers of the Pickwick Club</em>. Issue 10, Chapter 29 (December 1836): p. 300.</a>18361201Brave lodgings for one, brave lodgings for one, A few feet of cold earth, when life is done; A stone at the head, a stone at the feet, A rich, juicy meal for the worms to eat; Rank grass over head, and damp clay around, Brave lodgings for one, these, in holy ground!https://dickenssearch.com/files/original/3/Gabriel_Grub_s_Song/Gabriel_Grubs_Song_PP.jpg
25https://dickenssearch.com/items/show/25'George Edmonds' Song'From <em>The Village Coquettes, An Operatic Burletta in Two Acts </em>(1836). Music by John Hullah.Dickens, Charles<p class="p1"><i>The Village Coquettes, An Operatic Burletta in Two Acts </i>(1836). London: John Dicks.<span class="Apple-converted-space">&nbsp;</span></p>; Internet Archive, <a href="https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater" target="_blank" rel="noopener">https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836">1836</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Hullah%2C+John">Hullah, John</a><p class="p1"><i>Internet</i><span>&nbsp;<em>Archive</em>: Access to the Archive’s Collections is provided at no cost and is granted for scholarship and research purposes only (</span><span class="s1"><a href="https://archive.org/about/terms.php" target="_blank" rel="noopener">https://archive.org/about/terms.php</a>).</span></p>Hullah, John. 'Autumn Leaves.' V&amp;A, <a href="http://collections.vam.ac.uk/item/O1286490/autumn-leaves-sheet-music-dickens-charles/" target="_blank" rel="noopener">http://collections.vam.ac.uk/item/O1286490/autumn-leaves-sheet-music-dickens-charles/</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1836_The_Village_Coquettes_George_Edmonds_Song'A Song; to be said or sung about the end of October'<p class="p1">Dickens, Charles. 'Round.' <i>The Village Coquettes </i>(1836): pp. 5-6. <i>Dickens Search. </i>Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836_The_Village_Coquettes_George_Edmonds_Song">https://dickenssearch.com/verse/1836_The_Village_Coquettes_George_Edmonds_Song</a>.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Village+Coquettes%2C+An+Operatic+Burletta+in+Two+Acts">The Village Coquettes, An Operatic Burletta in Two Acts</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">Play</a><a href="https://dickenssearch.com/teibp/dist/content/1836_The_Village_Coquettes_George_Edmonds_Song.xml" target="_blank" rel="noopener">'George Edmonds' Song.' <em>The Village Coquettes, An Operatic Burletta in Two Acts</em> (1836).</a>18360101Autumn leaves, autumn leaves, lie strewn around me here; Autumn leaves, autumn leaves, how sad, how cold, how drear! How like the hopes of childhood’s day, Thick clust’ring on the bough! How like those hopes in their decay – How faded are they now! Autumn leaves, autumn leaves, lie strewn around me here; Autumn leaves, autumn leaves, how sad, how cold, how drear! Wither’d leaves, wither’d leaves, that fly before the gale; Withered leaves, withered leaves, ye tell a mournful tale, Of love once true, and friends once kind, And happy moments fled: Dispersed by every breath of wine, Forgotten, changed, or dead! Autumn leaves, autumn leaves, lie strewn around me here; Autumn leaves, autumn leaves, how sad, how cold, how drear!https://dickenssearch.com/files/original/3/George_Edmonds_Song/George_Edmonds_Song_The_Village_Coquettes_01.png; https://dickenssearch.com/files/original/3/George_Edmonds_Song/George_Edmonds_Song_The_Village_Coquettes_02.png
75https://dickenssearch.com/items/show/75'Grand Chorus'From Act 1, Scene 2 of <em>O'Thello</em> (1833-1834).Dickens, CharlesRosenbach Museum and Library.; Manuscript.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1833">1833</a>; <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1834">1834</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1833-34_Othello_Grand_Chorus<span>Dickens, Charles. 'Grand Chorus.' <em>O'Thello </em>(1833-34).</span><span>&nbsp;</span><i>Dickens Search.<span>&nbsp;</span></i><span>Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;</span><a href="https://dickenssearch.com/verse/1833-34_Othello_Grand_Chorus">https://dickenssearch.com/verse/1833-34_Othello_Grand_Chorus</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=O%27Thello">O&#039;Thello</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">Play</a><a href="https://dickenssearch.com/teibp/dist/content/1833-34_Othello_Grand_Chorus.xml" target="_blank" rel="noopener"><span>'Grand Chorus.' <em>O'Thello </em>(1833-34).</span></a>18330101Solo. The Great Unpaid Air – &quot;Away with melancholy&quot; – Away with grief. Be jolly Nor grave night charges bring Of drunken freaks and folly But merrily merrily sing falla! What&#039;s the use of repining At magistrates odd law? Can we prevent their fining? The merrily merrily sing falla Chorus&amp;nbsp; &amp;nbsp;Away with grief etc.
78https://dickenssearch.com/items/show/78'Grand Chorus'From Act 1, Scene 4 of <em>O'Thello</em> (1833-1834).Dickens, CharlesMorgan Library, New York.; Manuscript.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1833">1833</a>; <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1834">1834</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1833-34_Othello_Grand_Chorus2<span>Dickens, Charles. 'Grand Chorus.' <em>O'Thello&nbsp;</em>(1833-34).</span><span>&nbsp;</span><i>Dickens Search.<span>&nbsp;</span></i><span>Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;</span><a href="https://dickenssearch.com/verse/1833-34_Othello_Grand_Chorus2">https://dickenssearch.com/verse/1833-34_Othello_Grand_Chorus2</a><span>.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=O%27Thello">O&#039;Thello</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">Play</a><a href="https://dickenssearch.com/teibp/dist/content/1833-34_Othello_Grand_Chorus2.xml" target="_blank" rel="noopener"><span>'Grand Chorus.' <em>O'Thello&nbsp;</em>(1833-34)</span><span>.</span></a>18330101GU. Begone Dull Mike. I view you with detestation Cho Begone Dull Mike. You&#039;ve lost your situation Cass My wife will die, and so shall I If you don&#039;t let me stay GU. You very well know that&#039;s all my eye So Take yourself away. Cass My wife will die and so shall I If you don&#039;t let me stay Cho His wife will die he says, oh Cri! If he isn&#039;t allowed to stay Cass My wife will die and so shall I If you don&#039;t let me stay Cho: You very well know that&#039;s all my eye So take yourself away (Repeated)
116https://dickenssearch.com/items/show/116'He’s Mad – Mad – Mad'From Act 2, Scene 1 of <em>The Strange Gentleman</em> (Lord Chamberlain’s Copy, 1836).Dickens, CharlesLord Chamberlain’s Copy, British Library.; <span>'He’s Mad – Mad – Mad.' <em>The Strange</em> <em>Gentleman</em>. </span><em>The Letters of Charles Dickens. The</em><span>&nbsp;</span><em>Pilgrim Edition.<span>&nbsp;</span></em><span>Edited by Madeline House and Graham Storey. Volume 1 (1820-1839), p. 697. Oxford University Press, 1965.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836">1836</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1836_The_Strange_Gentleman_Hes_Mad_Mad_MadDickens, Charles. 'He’s Mad – Mad – Mad.' <em>The Strange Gentleman</em> (1836). <em>Dickens Search</em>. Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836_The_Strange_Gentleman_Hes_Mad_Mad_Mad">https://dickenssearch.com/verse/1836_The_Strange_Gentleman_Hes_Mad_Mad_Mad</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Strange+Gentleman">The Strange Gentleman</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">Play</a><a href="https://dickenssearch.com/teibp/dist/content/1836_The_Strange_Gentleman_Hes_Mad_Mad_Mad.xml" target="_blank" rel="noopener">'He’s Mad – Mad – Mad.' <em>The Strange Gentleman </em>(Lord Chamberlain’s Copy, 1836).</a>18360101All He’s Mad – Mad – Mad. Alas! Poor lad Like a March Hare he’s Mad. Overton Quick seize him I say. And take him away – Mrs Nooke Be careful I pray Stranger Only hear what I say. All He’s Mad – Mad – Mad! etc. Overton To his bedroom now take him. Tom If he’s restive, I’ll shake him Mrs N. When asleep, pray don’t wake him Tom Oh, I’ll never forsake him. All He’s Mad – Mad – Mad! etc. Stranger Let me go Overton Hold him fast We’ve got him at last Mrs N. His sanity’s past Tom His die now is cast All He’s Mad – Mad – Mad! etc.
131https://dickenssearch.com/items/show/131'Hidden Light'Published in <em>Household Words</em> vol. X (26 August 1854), co-author Adelaide Anne Procter.Dickens, Charles; Procter, Adelaide Anne<div class="element-text"><em>Household Words<span>&nbsp;</span></em>Volume X (26 August 1854): p. 37.</div>; <em>Dickens Journals Online</em>, <a href="https://www.djo.org.uk/indexes/articles/hidden-light.html" target="_blank" rel="noopener">https://www.djo.org.uk/indexes/articles/hidden-light.html</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1854-08-26">1854-08-26</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Poem">Poem</a>1854-08-26_Household_Words_Hidden_Light<span>Dickens, Charles and Adelaide Anne Procter. 'Hidden Light.' </span><em>Household Words</em><span>, Volume X, p. 37.&nbsp;</span><em>Dickens Search.</em><span>&nbsp;Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;</span><a href="https://dickenssearch.com/verse/1854-08-26_Household_Words_Hidden_Light">https://dickenssearch.com/verse/1854-08-26_Household_Words_Hidden_Light</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Household+Words">Household Words</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Periodical">Periodical</a><a href="https://dickenssearch.com/teibp/dist/content/1854-08-26_Household_Words_Hidden_Light.xml" target="_blank" rel="noopener">'Hidden Light.' <em>Household Words </em>vol. X (26 August 1854): p. 37.</a>18540826I MUCH mistrust the voice That says all hearts are cold: That mere self-interest reigns, And all is bought and bold. I much mistrust the man Who will not strive to find Some latent virtue in The soul of all mankind. Yes! If you say the fount Is seal&#039;d and dry, I know It needs a wiser hand To make the waters flow. If you will still appeal To Evil rife in all, I know a demon band Will answer to your call. But when the Lord was gone, The Lord who came to save, Two Angels fair and bright Sat watching by the grave. And from that blessed hour, With an immortal mien, In every tomb of Good Some Angel sits unseen. The spell to bring it forth? With lowly gentle mind, With patient love and trust, Go seek – and ye shall find!https://dickenssearch.com/files/original/3/Hidden_Light/1854-08-26_Household_Words_Hidden_Light.pdf
132https://dickenssearch.com/items/show/132&#039;Horatio Sparkins&#039;Published in <em>The Monthly Magazine</em> (February 1834).Dickens, Charles<em>The Monthly Magazine, or The British Register of Politics, Art, Science, and the Belles-Lettres.</em> February 1834, pp. 151-176, <em>Internet Archive,</em> <a href="https://archive.org/details/monthlymagazineo17lond/page/n9/mode/2up">https://archive.org/details/monthlymagazineo17lond/page/n9/mode/2up</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1834-02">1834-02</a><em>Internet Archive,</em> <a href="https://archive.org/about/terms.php">https://archive.org/about/terms.php</a>. Access to the Archive’s Collections is granted for scholarship and research purposes only.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+story">Short story</a>1834-02-Horatio_SparkinsDickens, Charles. "Horatio Sparkins." <em>The Monthly Magazine, or The British Register of Politics, Art, Science, and the Belles-Lettres.</em> February 1834, pp. 151-176. <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1834-02-Horatio_Sparkins">https://dickenssearch.com/short-stories/1834-02-Horatio_Sparkins</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Monthly+Magazine">The Monthly Magazine</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Periodical">Periodical</a>183402&quot;Indeed, my love, he paid Teresa very great attention on the last assembly night,&quot; said Mrs. Malderton, addressing her spouse, who, after the fatigues of the day in the City, was sitting with a silk handkerchief over his head, and his feet on the fender, drinking his port;—&quot;very great attention; and, I say again, every possible encouragement ought to be given him. He positively must be asked down here to dine.&quot; &quot;Who must?&quot; inquired Mr. Malderton. &quot;Why, you know whom I mean, my dear—the young man with the black whiskers and the white cravat, who has just come out at our assembly, and whom all the girls are talking about. Young—dear me, what’s his name?—Marianne, what is his name?&quot; continued Mrs. Malderton, addressing her youngest daughter, who was engaged in netting a purse, and endeavouring to look sentimental. &quot;Mr. Horatio Sparkins, ma,&quot; replied Miss Marianne, with a Juliet-like sigh. &quot;Oh! yes, to be sure—Horatio Sparkins,&quot; said Mrs. Malderton. &quot;Decidedly the most gentleman-like young man I ever saw. I am sure in the beautifully-made coat he wore the other night, he looked like—like—&quot; &quot;Like Prince Leopold, ma—so noble, so full of sentiment!&quot; suggested Miss Marianne, in a tone of enthusiastic admiration. &quot;You should recollect, my dear,&quot; resumed Mrs. Malderton, &quot;that Teresa is now eight-and-twenty; and that it really is very important that something should be done.&quot; Miss Teresa Malderton was a little girl, rather fat, with vermilion cheeks: but good humoured, still disengaged, although, to do her justice, the misfortune arose from no lack of perseverance on her part. In vain had she flirted for ten years; in vain had Mr. and Mrs. Malderton assiduously kept up an extensive acquaintance among the young eligible bachelors of Camberwell, and even of Newington Butts; on Sunday, likewise, many &quot;dropped in&quot; from town. Miss Malderton was as well known as the lion on the top of Northumberland House, and had about as much chance of &quot;going off.&quot; &quot;I am quite sure you’d like him,&quot; continued Mrs. Malderton; &quot;he is so gentlemanly!&quot; &quot;So clever!&quot; said Miss Marianne. &quot;And has such a flow of language!&quot; added Miss Teresa. &quot;He has a great respect for you, my dear,&quot; said Mrs. Malderton to her husband, in a confident tone. Mr. Malderton coughed, and looked at the fire. &quot;Yes I’m sure he’s very much attached to pa’s society,&quot; said Miss Marianne. &quot;No doubt of it,&quot; echoed Miss Teresa. &quot;Indeed, he said as much to me in confidence,&quot; observed Mrs. Malderton. &quot;Well, well,&quot; returned Mr. Malderton, somewhat flattered; &quot;if I see him at the assembly to-morrow, perhaps I’ll ask him down here. I hope he knows we live at Oak Lodge, Camberwell, my dear?&quot; &quot;Of course—and that you keep a one-horse carriage.&quot; &quot;I’ll see about it,&quot; said Mr. Malderton, composing himself for a nap; &quot;I’ll see about it.&quot; Mr. Malderton was a man whose whole scope of ideas was limited to Lloyd’s, the Exchange, Broad-street, and the Bank. A few successful speculations had raised him from a situation of obscurity and comparative poverty, to a state of affluence. As it frequently happens in such cases the ideas of himself and his family became elevated to an extraordinary pitch as their means increased; they affected fashion, taste, and many other fooleries, in imitation of their superiors, and had a very becoming and decided horror of any thing which could by possibility be considered low. He was hospitable from ostentation, illiberal from ignorance, and prejudiced from conceit. Egotism and the love of display induced him to keep an excellent table: convenience, and a love of the good things of this life, ensured him plenty of guests. He liked to have clever men, or what he considered such, at his table, because it was a great thing to talk about; but he never could endure what he called &quot;sharp fellows.&quot; Probably he cherished this feeling out of compliment to his two sons, who gave their respected parent no uneasiness in that particular. The family were ambitious of forming acquaintances and connexions in some sphere of society superior to that in which they themselves moved; and one of the necessary consequences of this desire, added to their utter ignorance of the world beyond their own small circle, was that any one, who could lay claim to an acquaintance with people of rank and title, had a sure passport to the table at Oak-Lodge, Camberwell. The appearance of Mr. Horatio Sparkins at the City assembly had excited no small degree of surprise and curiosity among its regular frequenters. Who could he be? He was evidently reserved, and apparently melancholy. Was he a clergyman?—He danced too well. A barrister?—he was not called. He used very fine words, and said a great deal. Could he be a distinguished foreigner come to England for the purpose of describing the country, its manners and customs; and frequenting City balls and public dinners, with the view of becoming acquainted with high life, polished etiquette, and English refinement?—No, he had not a foreign accent. Was he a surgeon, a contributor to the magazines, a writer of fashionable novels, or an artist?—No; to each and all of these surmises there existed some valid objection.—&quot;Then,’&quot;said every body, &quot;he must be somebody.&quot;—&quot;I should think he must be,&quot; reasoned Mr. Malderton, within himself, &quot;because he perceives our superiority and pays us so much attention.&quot; The night succeeding the conversation we have just recorded, was &quot;assembly night.&quot; The double-fly was ordered to be at the door of Oak-Lodge at nine o’clock precisely. The Miss Maldertons were dressed in sky-blue satin, trimmed with artificial flowers; and Mrs. M. (who was a little fat woman), in ditto ditto, looked like her eldest daughter multiplied by two. Mr. Frederick Malderton the eldest son, in full-dress costume, was the very beau ideal of a smart waiter; and Mr. Thomas Malderton, the youngest, with his white dress-stock, blue coat, bright buttons, and red watch-ribbon, strongly resembled the portrait of that interesting though somewhat rash young gentleman, George Barnwell. Every member of the party had made up his or her mind to cultivate the acquaintance of Mr. Horatio Sparkins. Miss Teresa of course was to be as amiable and interesting as ladies of eight-and-twenty on the look out for a husband usually are; Mrs. Malderton would be all smiles and graces; Miss Marianne would request the favour of some verses for her album; Mr. Malderton would patronise the great unknown by asking him to dinner; Tom intended to ascertain the extent of his information on the interesting topics of snuff and cigars. Even Mr. Frederick Malderton himself, the family authority on all points of taste, dress, and fashionable arrangement - who had lodgings of his own at &quot;the west end,&quot; who had a free admission for Covent-Garden theatre, who always dressed according to the fashions of the month, who went up the water twice a week in the season, and who actually had an intimate friend who once knew a gentleman who formerly lived in the Albany,—even he had determined that Mr. Horatio Sparkins must be a devilish good fellow, and that he would do him the honour of challenging him to a game at billiards. The first object that met the anxious eyes of the expectant family, on their entrance into the ball-room, was the interesting Horatio, with his hair brushed off his forehead, and his eyes fixed on the ceiling, reclining in a contemplative attitude on one of the seats. &quot;There he is, my dear,&quot; anxiously whispered Mrs. Malderton to Mr. Malderton. &quot;How like Lord Byron!&quot; murmured Miss Teresa. &quot;Or Montgomery!&quot; whispered Miss Marianne. &quot;Or the portraits of Captain Ross!&quot; suggested Tom. &quot;Tom—don’t be an ass!&quot; said his father, who checked him upon all occasions, probably with a view to prevent his becoming &quot;sharp&quot;—which, by-the-by, was very unnecessary. The elegant Sparkins attitudinized with admirable effect until the family had crossed the room. He then started up with the most natural appearance of surprise and delight: accosted Mrs. Malderton with the utmost cordiality, saluted the young ladies in the most enchanting manner; bowed to, and shook hands with Mr. Malderton, with a degree of respect amounting almost to veneration, and returned the greetings of the two young men in a half-gratified, half-patronising manner, which fully convinced them that he must be an important and, at the same time, condescending personage. &quot;Miss Malderton,&quot; said Horatio, after the ordinary salutations, and bowing very low, &quot;may I be permitted to presume to hope that you will allow me to have the pleasure—&quot; &quot;I don’t think I am engaged,&quot; said Miss Teresa, with a dreadful affectation of indifference—&quot;but, really—so many— —&quot; Horatio looked as handsomely miserable as a Hamlet sliding upon a bit of orange-peel. &quot;I shall be most happy,&quot; simpered the interesting Teresa, at last; and Horatio’s countenance brightened up like an old hat in a shower of rain. &quot;A very genteel young man, certainly!&quot; said the gratified Mr. Malderton, as the obsequious Sparkins and his partner joined the quadrille which was just forming. &quot;He has a remarkably good address,&quot; said Mr. Frederick. &quot;Yes, he is a prime fellow,&quot; interposed Tom; who always managed to put his foot in it—&quot;he talks just like an auctioneer.&quot; &quot;Tom!&quot; said his father, &quot;I think I desired you before not to be a fool.&quot; - Tom looked as happy as a cock on a drizzly morning. &quot;How delightful!&quot; said the interesting Horatio to his partner, as they promenaded the room at the conclusion of the set—&quot;how delightful, how refreshing it is, to retire from the cloudy storms, the vicissitudes, and the troubles of life, even if it be but for a few short, fleeting moments; and to spend those moments, fading and evanescent though they be, in the delightful, the blessed society of one individual—of her whose frowns would be death, whose coldness would be madness, whose falsehood would be ruin, whose constancy would be bliss; the possession of whose affection would be the brightest and best reward that heaven could bestow on man.&quot; &quot;What feeling! what sentiment!&quot; thought Miss Teresa, as she leaned more heavily upon her companion’s arm. &quot;But enough—enough,&quot; resumed the elegant Sparkins, with a theatrical air. &quot;What have I said? what have I—I—to do with sentiments like these? Miss Malderton,&quot; here he stopped short—&quot;may I hope to be permitted to offer the humble tribute of—&quot; &quot;Really, Mr. Sparkins,&quot; returned the enraptured Teresa, blushing in the sweetest confusion, &quot;I must refer you to papa. I never can without his consent, venture to—to— —&quot; &quot;Surely he cannot object—&quot; &quot;Oh, yes. Indeed, indeed, you know him not,&quot; interrupted Miss Teresa — well knowing there was nothing to fear, but wishing to make the interview resemble a scene in some romantic novel. &quot;He cannot object to my offering you a glass of negus,&quot; returned the adorable Sparkins, with some surprise. &quot;Is that all!&quot; said the disappointed Teresa to herself. &quot;What a fuss about nothing!&quot; &quot;It will give me the greatest pleasure, sir, to see you to dinner at Oak Lodge, Camberwell, on Sunday next, at five o’clock, if you have no better engagement,&quot; said Mr. Malderton, at the conclusion of the evening, as he and his sons were standing in conversation with Mr. Horatio Sparkins. Horatio bowed his acknowledgments, and accepted the flattering invitation. &quot;I must confess,&quot; continued the manœuvering father, offering his snuff-box to his new acquaintance, &quot;that I don’t enjoy these assemblies half so much as the comfort—I had almost said the luxury—of Oak Lodge: they have no great charms for an elderly man.&quot; &quot;And after all, sir, what is man?&quot; said the metaphysical Sparkins — &quot;I say, what is man?&quot; &quot;Ah! very true,&quot; said Mr. Malderton — &quot;very true.&quot; &quot;We know that we live and breathe,&quot; continued Horatio; &quot;that we have wants and wishes, desires and appetites—&quot; &quot;Certainly,&quot; said Mr. Frederick Malderton, looking very profound. &quot;I say, we know that we exist,&quot; repeated Horatio, raising his voice, &quot;but there we stop; there, is an end to our knowledge; there is the summit of our attainments; there is the termination of our ends. What more do we know?&quot; &quot;Nothing,&quot; replied Mr. Frederick—than whom no one was more capable of answering for himself in that particular. Tom was about to hazard something, but, fortunately for his reputation, he caught his father’s angry eye, and slunk off like a puppy convicted of petty larceny. &quot;Upon my word,&quot; said Mr. Malderton the elder, as they were returning home in the fly, &quot;that Mr. Sparkins is a wonderful young man. Such surprising knowledge! such extraordinary information! and such a splendid mode of expressing himself!&quot; &quot;I think he must be somebody in disguise,&quot; said Miss Marianne. — &quot;How charmingly romantic!&quot; &quot;He talks very loud and nicely,&quot; timidly observed Tom, &quot;but I don’t exactly understand what he means.&quot; &quot;I almost begin to despair of &lt;em&gt;your&lt;/em&gt; understanding any thing, Tom,&quot; said his father, who, of course, had been much enlightened by Mr. Horatio Sparkins’ conversation. &quot;It strikes me, Tom,&quot; said Miss Teresa, &quot;that you have made yourself very ridiculous this evening.&quot; &quot;No doubt of it,&quot; cried every body—and the unfortunate Tom reduced himself into the least possible space. That night Mr. and Mrs. Malderton had a long conversation respecting their daughter’s prospects and future arrangements. Miss Teresa went to bed, considering whether, in the event of her marrying a title, she could conscientiously encourage the visits of her present associates, and dreamt all night of disguised noblemen, large routs, ostrich plumes, bridal favours, and Horatio Sparkins. Various surmises were hazarded on the Sunday morning, as to the mode of conveyance which the anxiously-expected Horatio would adopt. Did he keep a gig?—was it possible he would come on horseback?—or would he patronize the stage? These, and various other conjectures of equal importance, engrossed the attention of Mrs. Malderton and her daughters during the whole morning. &quot;Upon my word, my dear, it’s a most annoying thing that that vulgar brother of yours should have invited himself to dine here to-day,&quot; said Mr. Malderton to his wife. &quot;On account of Mr. Sparkins’ coming down, I purposely abstained from asking any one but Flamwell. And then to think of your brother—a tradesman—it’s insufferable! I declare I wouldn’t have him mention his shop before our new guest—no, not for a thousand pounds. I wouldn’t care if he had the good sense to conceal the disgrace he is to the family; but he’s so fond of his horrible business, that he will let people know what he is.&quot; Mr. Jacob Barton, the individual alluded to, was a large grocer; so vulgar, and so lost to all sense of feeling, that he actually never scrupled to avow that he wasn’t above his business: &quot;he’d made his money by it, and he didn’t care who know’d it.&quot; &quot;Ah! Flamwell, my dear fellow, how d’ye do?&quot; said Mr. Malderton, as a little spoffish man, with green spectacles, entered the room. &quot;You got my note?&quot; &quot;Yes, I did; and here I am in consequence.&quot; &quot;You don’t happen to know this Mr. Sparkins by name?—You know everybody?&#039; Mr. Flamwell was one of those gentlemen of remarkably extensive information whom one occasionally meets in society, who pretend to know every body, but who, of course, know nobody. At Malderton’s, where any stories about great people were received with a greedy ear, he was an especial favourite; and, knowing the kind of people he had to deal with, he carried his passion of claiming acquaintance with everybody, to the most immoderate length. He had rather a singular way of telling his greatest lies in a parenthesis, and with an air of self-denial, as if he feared being thought egotistical. &quot;Why, no, I don’t know him by that name,&quot; returned Flamwell, in a low tone, and with an air of immense importance. &quot;I have no doubt I know him though. Is he tall?&quot; &quot;Middle-sized,&quot; said Miss Teresa. &quot;With black hair?&quot; inquired Flamwell, hazarding a bold guess. &quot;Yes,&quot; returned Miss Teresa, eagerly. &quot;Rather a snub nose?&quot; &quot;No,&quot; said the disappointed Teresa, &quot;he has a Roman nose.&quot; &quot;I said a Roman nose, didn’t I?&quot; inquired Flamwell. &quot;He’s an elegant young man?&quot; &quot;Oh, certainly.&quot; &quot;With remarkably prepossessing manners?&quot; &quot;Oh, yes!&quot; said all the family together. &quot;You must know him.&quot; &quot;Yes, I thought you knew him, if he was anybody,&quot; triumphantly exclaimed Mr. Malderton. &quot;Who d’ye think he is?&quot; &quot;Why, from your description,&quot; said Flamwell, ruminating, and sinking his voice, almost to a whisper, &#039;he bears a strong resemblance to the Honourable Augustus Fitz-Edward Fitz-John Fitz-Osborne. He’s a very talented young man, and rather eccentric. It’s extremely probable he may have changed his name for some temporary purpose.&quot; Teresa’s heart beat high. Could he be the Honourable Augustus Fitz-Edward Fitz-John Fitz-Osborne? What a name to be elegantly engraved over two glazed cards, tied together with a piece of white satin ribbon! &quot;The Honourable Mrs. Augustus Fitz-Edward Fitz-John Fitz-Osborne!&quot; The thought was transport. &quot;It’s five minutes to five,&quot; said Mr. Malderton, looking at his watch: &quot;I hope he’s not going to disappoint us.&quot; &quot;There he is!&quot; exclaimed Miss Teresa, as a loud double-knock was heard at the door. Every body endeavoured to look—as people when they particularly expect a visitor alway do—as if they were perfectly unsuspicious of the approach of any one. The room door opened—&quot;Mr. Barton!&quot; said the servant. &quot;Confound the man!&quot; murmured Malderton.—&quot;Ah! my dear sir, how d’ye do! Any news?&quot; &quot;Why no,&quot; returned the grocer, in his usual honest, bluff manner. &quot;No, none partickler. None that I am much aware of. — How d’ye do, gals and boys? —Mr. Flamwell, sir—glad to see you.&quot; &quot;Here’s Mr. Sparkins!&quot; said Tom, who had been looking out at the window, &quot;on such a black horse!&quot; — There was Horatio sure enough, on a large black horse, curvetting and prancing along like an Astley’s supernumerary. After a great deal of reining in and pulling up, with the accompaniments of snorting, rearing, and kicking, the animal consented to stop at about a hundred yards from the gate, where Mr. Sparkins dismounted and confided him to the care of Mr. Malderton’s groom. The ceremony of introduction was gone through in all due form. Mr. Flamwell looked from behind his green spectacles at Horatio with an air of mysterious importance; and the gallant Horatio looked unutterable things at Teresa, who tried in her turn to appear uncommonly lackadaisycal. &quot;Is he the Honourable Mr. Augustus — what’s-his-name?&quot; whispered Mrs. Malderton, to Flamwell, as he was escorting her to the dining-room. &quot;Why, no—at least not exactly,&quot; returned that great authority—&quot;not exactly.&quot; &quot;Who &lt;em&gt;is&lt;/em&gt; he then?&quot; &quot;Hush!&quot; said Flamwell, nodding his head with a grave air, importing that he knew very well; but was prevented, by some grave reasons of state from disclosing the important secret. It might be one of the ministers making himself acquainted with the views of the people. &quot;Mr. Sparkins,&quot; said the delighted Mrs. Malderton, &quot;pray divide the ladies. John, put a chair for the gentleman between Miss Teresa and Miss Marianne.&quot; This was addressed to a man who on ordinary occasions acted as half-groom, half-gardener; but who, as it was important to make an impression on Mr. Sparkins, had been forced into a white neckerchief and shoes, and touched up and brushed to look like a second footman. The dinner was excellent; Horatio was most attentive to Miss Teresa, and every one felt in high spirits, except Mr. Malderton, who, knowing the propensity of his brother-in-law, Mr. Barton, endured that sort of agony which the newspapers inform us is experienced by the surrounding neighbourhood when a pot-boy hangs himself in a hay-loft, and which is &quot;much easier to be imagined than described.&quot; &quot;Have you seen your friend, Sir Thomas Noland, lately, Flamwell?&quot; inquired Mr. Malderton, casting a sidelong look at Horatio, to see what effect the mention of so great a man had upon him. &quot;Why, no—not very lately. I saw Lord Gubbleton the day before yesterday.&quot; &quot;I hope his lordship is very well?&quot; said Malderton, in a tone of the greatest interest. It is scarcely necessary to say that until that moment he was quite innocent of the existence of such a person. &quot;Why, yes; he was very well—very well indeed. He’s a devilish good fellow: I met him in the City, and had a long chat with him. Indeed, I’m rather intimate with him. I couldn’t stop to talk to him as long as I could wish though, because I was on my way to a banker’s, a very rich man, and a member of Parliament, with whom I am also rather, indeed I may say very, intimate.&quot; &quot;I know whom you mean,&quot; returned the host, consequentially, in reality knowing as much about the matter as Flamwell himself. &quot;He has a capital business.&quot; This was touching on a dangerous topic. &quot;Talking of business,&quot; interposed Mr. Barton, from the centre of the table. &quot;A gentleman whom you knew very well, Malderton, before you made that first lucky spec of your&#039;s, called at our shop the other day, and—&quot; &quot;Barton, may I trouble you for a potatoe?&quot; interrupted the wretched master of the house, hoping to nip the story in the bud. &quot;Certainly,&quot; returned the grocer, quite insensible of his brother-in-law’s object—&quot;and he said in a very plain manner—&quot; &quot;Flowery, if you please,&quot; interrupted Malderton again; dreading the termination of the anecdote, and fearing a repetition of the word &quot;shop.&quot; &quot;He said, says he,&quot; continued the culprit, after despatching the potatoe; — &quot;says he, how goes on your business? So I said, jokingly—you know my way—says I, I’m never above my business, and I hope my business will never be above me. Ha, ha, ha!&quot; &quot;Mr. Sparkins,&quot; said the host, vainly endeavouring to conceal his dismay, &quot;a glass of wine?&quot; &quot;With the utmost pleasure, sir.&quot; &#039;Happy to see you.&quot; &quot;Thank you.&quot; &quot;We were talking the other evening,&quot; resumed the host, addressing Horatio, partly with the view of displaying the conversational powers of his new acquaintance, and partly in the hope of drowning the grocer’s stories; &quot;we were talking the other night about the nature of man. Your argument struck me very forcibly.&quot; &quot;And me,&quot; said Mr. Frederick. Horatio made a graceful inclination of the head. &quot;Pray, what is your opinion of women, Mr. Sparkins?&quot; inquired Mrs. Malderton. The young ladies simpered. &quot;Man,&quot; replied Horatio, &quot;man, whether he ranged the bright, gay, flowery plains of a second Eden, or the more sterile, barren, and I may say common-place regions, to which we are compelled to accustom ourselves in times such as these; man, I say, under any circumstances, or in any place—whether he were bending beneath the withering blasts of the frigid zone, or scorching under the rays of a vertical sun—man, without woman, would be—alone.&quot; &quot;I am very happy to find you entertain such honourable opinions, Mr. Sparkins,&quot; said Mrs. Malderton. &quot;And I,&quot; added Miss Teresa. Horatio looked his delight, and the young lady blushed like a full-blown peony. &quot;Now, it’s my opinion—&quot; said Mr. Barton. — &quot;I know what you’re going to say,&quot; interposed Malderton, determined not to give his relation another opportunity, &quot;and I don’t agree with you.&quot; &quot;What!&quot; inquired the astonished grocer. &quot;I am sorry to differ from you, Barton,&quot; said the host, in as positive a manner as if he really were contradicting a position which the other had laid down, &quot;but I cannot give my assent to what I consider a very monstrous proposition.&quot; &quot;But I meant to say—&quot; &quot;You never can convince me,&quot; said Malderton, with an air of obstinate determination. &quot;Never.&quot; &quot;And I,&quot; said Mr. Frederick, following up his father’s attack, &quot;cannot entirely agree in Mr. Sparkins’s argument.&quot; &quot;What!&quot; said Horatio, who became more metaphysical, and more argumentative, as he saw the female part of the family listening in wondering delight. &quot;What! is effect the consequence of cause? Is cause the precursor of effect?&quot; &quot;That’s the point,&quot; said Flamwell, in a tone of concurrence. &quot;To be sure,&quot; said Mr. Malderton. &quot;Because, if effect is the consequence of cause, and if cause does precede effect, I apprehend you are decidedly wrong,&quot; added Horatio. &quot;Decidedly,&quot; said the toad-eating Flamwell. &quot;At least, I apprehend that to be the just and logical deduction,&quot; said Sparkins, in a tone of interrogation. &quot;No doubt of it,&quot; chimed in Flamwell again. &quot;It settles the point.&quot; &quot;Well, perhaps it does,&quot; said Mr. Frederick; &quot;I didn’t see it before.&quot; &quot;I don’t exactly see it now,&quot; thought the grocer; &quot;but I suppose it’s all right.&quot; &quot;How wonderfully clever he is!&quot; whispered Mrs. Malderton to her daughters as they retired to the drawing-room. &quot;Oh! he’s quite a love,&quot; said both the young ladies together; &quot;he talks like a second Pelham. He must have seen a great deal of life.&quot; The gentlemen being left to themselves a pause ensued, during which everybody looked very grave, as if they were quite overcome by the profound nature of the previous discussion. Flamwell, who had made up his mind to find out who and what Mr. Horatio Sparkins really was, first broke silence. &quot;Excuse me, sir,&quot; said that distinguished personage. &quot;I presume you have studied for the bar; I thought of entering once, myself—indeed, I’m rather intimate with some of the highest ornaments of that distinguished profession. &quot;No—no!&quot; said Horatio, with a little hesitation, &quot;not exactly.&quot; &quot;But you have been much among the silk gowns, or I mistake?&quot; inquired Flamwell, deferentially. &quot;Nearly all my life,&quot; returned Sparkins. The question was thus pretty well settled in the mind of Mr. Flamwell. — He was a young gentleman &quot;about to be called.&quot; &quot;I shouldn’t like to be a barrister,&quot; said Tom, speaking for the first time, and looking round the table to find somebody who would notice the remark. No one made any reply. &quot;I shouldn’t like to wear a wig,&quot; said Tom, hazarding another observation. &quot;Tom, I beg you will not make yourself ridiculous,&quot; said his father. &quot;Pray listen, and improve yourself by the conversation you hear, and don’t be constantly making these absurd remarks.&quot; &quot;Very well, father,&quot; replied the unfortunate Tom, who had not spoken a word since he had asked for another slice of beef at a quarter-past five o’clock P.M., and it was then eight. &quot;Well, Tom,&#039; observed his good-natured uncle, &quot;never mind; I think with you. I shouldn’t like to wear a wig. I’d rather wear an apron.&quot; Mr. Malderton coughed violently. Mr. Barton resumed—&quot;For if a man’s above his business—&quot; The cough returned with tenfold violence, and did not cease until the unfortunate cause of it, in his alarm, had quite forgotten what he intended to say. &quot;Mr. Sparkins,&quot; said Flamwell, returning to the charge, &quot;do you happen to know Mr. Delafontaine, of Bedford-square?&quot; &quot;I have exchanged cards with him; since which, indeed, I have had an opportunity of serving him considerably,&quot; replied Horatio, slightly colouring; no doubt, at having been betrayed into making the acknowledgment. &quot;You are very lucky, if you have had an opportunity of obliging that great man,&quot; observed Flamwell, with an air of profound respect. &quot;I don’t know,&quot; whispered Flamwell to Mr. Malderton confidentially as they followed Horatio up to the drawing-room. &quot;It’s quite clear, however, that he belongs to the law, and that he is somebody of great importance, and very highly connected.&quot; &quot;No doubt, no doubt,&quot; returned his companion. The remainder of the evening passed away most delightfully. Mr. Malderton, relieved from his apprehensions by the circumstance of Mr. Barton’s falling into a profound sleep, was as affable and gracious as possible. Miss Teresa played &quot;The Falls of Paris,&quot; as Mr. Sparkins declared, in a most masterly manner, and both of them assisted by Mr. Frederick, tried over glees and trios without number; they having made the pleasing discovery that their voices harmonised beautifully. To be sure they all sang the first part; and Horatio, in addition to the slight drawback of having no ear, was perfectly innocent of knowing a note of music; still, they passed the time very agreeably, and it was past twelve o’clock before Mr. Sparkins ordered the mourning-coach-looking steed to be brought out—an order which was only complied with on the distinct understanding that he was to repeat his visit on the following Sunday.&quot; &quot;But, perhaps, Mr. Sparkins will form one of our party to-morrow evening?’ suggested Mrs. M. &quot;Mr. Malderton intends taking the girls to see St. George and the Dragon&quot; — Mr. Sparkins bowed and promised to join the party in box 48 in the course of the evening. &quot;We will not tax you for the morning,&quot; said Miss Teresa, bewitchingly; &quot;for ma is going to take us to all sorts of places, shopping. But I know that gentlemen have a great horror of that employment.&quot; Mr. Sparkins bowed again, and declared he should be delighted, but business of importance occupied him in the morning. Flamwell looked at Malderton significantly.—&quot;It’s term time!&quot; he whispered. At twelve o’clock on the following morning the &quot;fly&quot; was at the door of Oak Lodge, to convey Mrs. Malderton and her daughters on their expedition for the day. They were to dine and dress for the play at a friend’s house, first driving thither with their bandboxes; thence they departed on their first errand to make some purchases at Messrs. Jones, Spruggins, and Smith’s, of Tottenham-court-road; after which to Redmayne, in Bond-street; and thence to innumerable places that no one ever heard of. The young ladies beguiled the tediousness of the ride by eulogising Mr. Horatio Sparkins, scolding their mamma for taking them so far to save a shilling, and wondering whether they should ever reach their destination. At length, the vehicle stopped before a dirty-looking ticketed linen-draper’s shop, with goods of all kinds, and labels of all sorts and sizes, in the window. There were dropsical figures of a seven with a little three-quarter in the corner; something like the acquatic animalculæ disclosed by the gas microscope &quot;perfectly invisible to the naked eye;&quot; three hundred and fifty thousand ladies’ boas, from one shilling and a penny halfpenny; real French kid shoes, at two and nine-pence per pair; green parasols, with handles like carving-forks, at an equally cheap rate; and &quot;every description of goods,&quot; as the proprietors said—and they must know best—&quot;fifty per cent. under cost price.&quot; &quot;Lor! ma&#039;, what a place you have brought us to!&quot; said Miss Teresa; &quot;what would Mr. Sparkins say if he could see us!&quot; &quot;Ah! what, indeed!&quot; said Miss Marianne, horrified at the idea. &quot;Pray be seated, ladies. What is the first article?&quot; inquired the obsequious master of the ceremonies of the establishment, who, in his large white neckcloth and formal tie, looked like a bad &quot;portrait of a gentleman&quot; in the Somerset-house exhibition. &quot;I want to see some silks,&quot; answered Mrs. Malderton.&quot;Directly, ma’am.—Mr. Smith! Where is Mr. Smith?&quot; &quot;Here, sir,&quot; cried a voice at the back of the shop. &quot;Pray make haste, Mr. Smith,&quot; said the M.C. &quot;You never are to be found when you’re wanted, sir.&quot; Mr. Smith thus enjoined to use all possible despatch, leaped over the counter with great agility, and placed himself before the newly-arrived customers. Mrs. Malderton uttered a faint scream; Miss Teresa, who had been stooping down to talk to her sister, raised her head and beheld—Horatio Sparkins! &quot;We will draw a veil,&quot; as novel-writers say, over the scene that ensued. The mysterious, philosophical, romantic, metaphysical Sparkins—he who, to the interesting Teresa, seemed like the embodied idea of the young dukes and poetical exquisites in blue silk dressing-gowns, and ditto ditto slippers, of whom she had read and dreamt, but had never expected to behold — was suddenly converted into Mr. Samuel Smith, the assistant at a &quot;cheap shop;&quot; the junior partner in a slippery firm of some three weeks’ existence. The dignified evanishment of the hero of Oak Lodge on this unexpected announcement could only be equalled by that of a furtive dog with a considerable kettle at his tail. All the hopes of the Maldertons were destined at once to melt away, like the lemon ices at a Company’s dinner; Almacks was still to them as distant as the North Pole&quot; and Miss Teresa had as much chance of a husband as Captain Ross had of the north-west passage. Years have elapsed since the occurrence of this dreadful morning. The daisies have thrice bloomed on Camberwell-green — the sparrows have thrice repeated their vernal chirps in Camberwell-grove; but the Miss Maldertons are still unmated. Miss Teresa’s case is more desperate than ever; but Flamwell is yet in the zenith of his reputation; and the family have the same predilection for aristocratic personages, with an increased aversion to anything low.https://dickenssearch.com/files/original/5/Horatio_Sparkins/1834-02-Horatio_Sparkins.pdf
72https://dickenssearch.com/items/show/72'Lodgings To Let'From the autograph album of Maria Beadnell (c. 1831).Dickens, CharlesThe Charles Dickens Museum, <a href="http://www.collections.dickensmuseum.com/object-b319--1971-1-105" target="_blank" rel="noopener">http://www.collections.dickensmuseum.com/object-b319--1971-1-105</a>.; Autograph Album of Maria Beadnell.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1831">1831</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Poem">Poem</a>1831_Autograph_Album_of_Maria_Beadnell_Lodgings_To_Let<span>Dickens, Charles. 'Lodgings To Let.' Autograph Album of Maria Beadnell (1831). </span><em>Dickens Search.</em><span>&nbsp;Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;</span><a href="https://dickenssearch.com/verse/1831_Autograph_Album_of_Maria_Beadnell_Lodgings_To_Let">https://dickenssearch.com/verse/1831_Autograph_Album_of_Maria_Beadnell_Lodgings_To_Let</a><span>.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album">Autograph Album</a><a href="https://dickenssearch.com/teibp/dist/content/1831_Autograph_Album_of_Maria_Beadnell_Lodgings_To_Let.xml" target="_blank" rel="noopener"><span>'Lodgings To Let.' Autograph Album of Maria Beadnell (1831).</span></a>18310101Lodgings here! A charming place, The Owner’s such a lovely face The Neighbours too seem very pretty Lively, sprightly, gay, and witty Of all the spots that I could find This is the place to suit my mind. Then I will say sans hesitation This place shall be my habitation This charming spot my home shall be While dear “Maria” keeps the key, I’ll settle here, no more I’ll roam But make this place my happy home. A great advantage too will be, I shall keep such good company, So good that I fear my composing Will be considered very prosing Still I’m most proud amongst these pickings To rank the humblest name. – Charles Dickens.
121https://dickenssearch.com/items/show/121'Love Song'From a letter to Mrs David C. Colden (29 April 1842).Dickens, CharlesThe Charles Dickens Museum.; 'To Mrs David C. Colden.' <em>The Letters of Charles Dickens. The Pilgrim Edition.&nbsp;</em>Edited by Madeline House, Graham Storey and Kathleen Tillotson. Volume 3 (1842-1843), p. 220. Oxford University Press, 1974.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1842-04-29">1842-04-29</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1842-04-29_Letter_To_Mrs_David_C_Colden_Love_Song<span>Dickens, Charles. 'Love Song' (29 April 1842). </span><em>Dickens Search.</em><span>&nbsp;Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;</span><a href="https://dickenssearch.com/verse/1842-04-29_Letter_To_Mrs_David_C_Colden_Love_Song">https://dickenssearch.com/verse/1842-04-29_Letter_To_Mrs_David_C_Colden_Love_Song</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter">Letter</a><a href="https://dickenssearch.com/teibp/dist/content/1842-04-29_Letter_To_Mrs_David_C_Colden_Love_Song.xml" target="_blank" rel="noopener"><span>'Love Song' (29 April 1842).</span></a>18420429Air – “London now is out of Town.” Sweet Woman is of many kinds; She sometimes is propi-tious; She sometimes has a Thousand minds; Sometimes is rather wi-cious. Above her sex, my love doth shine, Though by no means a bold ‘un “I’d crowns resign, to call her mine” – Her name is Missis …… – Poor Frankenstein, that Prince of fools Why grim male monster made he, When with the self-same clay and tools He might have built a Lady! How wealthy in the Worlds effects, If he had made and sold ‘un, So wery prime in all respects As charming Missis …… ! But vain reflection! who could rear, On scaffold, pier, or starling, A creetur half so bright or dear, As my unmentioned Darling! No artist in the World’s broad ways Could ever carve or mould ‘un, That might aspire to lace the stays Of charming Mrs ……
23https://dickenssearch.com/items/show/23'Lucy's Song (I)'From <em>The Village Coquettes, An Operatic Burletta in Two Acts </em>(1836). Music by John Hullah.Dickens, Charles<p class="p1"><i>The Village Coquettes, An Operatic Burletta in Two Acts </i>(1836). London: John Dicks.<span class="Apple-converted-space">&nbsp;</span></p>; Internet Archive, <a href="https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater" target="_blank" rel="noopener">https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836">1836</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Hullah%2C+John">Hullah, John</a><p class="p1"><i>Internet</i><span>&nbsp;<em>Archive</em>: Access to the Archive’s Collections is provided at no cost and is granted for scholarship and research purposes only (</span><span class="s1"><a href="https://archive.org/about/terms.php" target="_blank" rel="noopener">https://archive.org/about/terms.php</a>).</span></p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1836_The_Village_Coquettes_Lucys_SongI<p class="p1">Dickens, Charles. 'Lucy's Song (I).' <i>The Village Coquettes </i>(1836): p. 5. <i>Dickens Search. </i>Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836_The_Village_Coquettes_Lucys_SongI">https://dickenssearch.com/verse/1836_The_Village_Coquettes_Lucys_SongI</a>.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Village+Coquettes%2C+An+Operatic+Burletta+in+Two+Acts">The Village Coquettes, An Operatic Burletta in Two Acts</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">Play</a><a href="https://dickenssearch.com/teibp/dist/content/1836_The_Village_Coquettes_Lucys_SongI.xml" target="_blank" rel="noopener">'Lucy's Song (I).' <em>The Village Coquettes, An Operatic Burletta in Two Acts&nbsp;</em>(1836).</a>18360101Love is not a feeling to pass away, Like the balmy breath of a summer day; It is not – it cannot be – laid aside; It is not a thing to forget or hide. It clings to the heart, ah, woe is me! As the ivy clings to the old oak tree. Love is not a passion of earthly mould, As a thirst for honour, or fame, or gold: For when all these wishes have died away, The deep strong love of a brighter day, Though nourished in secret, consumes the more, As the slow rust eats to the iron’s core.
35https://dickenssearch.com/items/show/35'Lucy's Song (II)'From <em>The Village Coquettes, An Operatic Burletta in Two Acts </em>(1836). Music by John Hullah.Dickens, Charles<p class="p1"><i>The Village Coquettes, An Operatic Burletta in Two Acts </i>(1836). London: John Dicks.<span class="Apple-converted-space">&nbsp;</span></p>; Internet Archive, <a href="https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater" target="_blank" rel="noopener">https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836">1836</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Hullah%2C+John">Hullah, John</a><p class="p1"><i>Internet</i><span>&nbsp;<em>Archive</em>: Access to the Archive’s Collections is provided at no cost and is granted for scholarship and research purposes only (</span><span class="s1"><a href="https://archive.org/about/terms.php" target="_blank" rel="noopener">https://archive.org/about/terms.php</a>).</span></p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1836_The_Village_Coquettes_Lucys_SongII<p class="p1">Dickens, Charles. 'Lucy's Song (II).' <i>The Village Coquettes </i>(1836): p. 16. <i>Dickens Search. </i>Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836_The_Village_Coquettes_Lucys_SongII">https://dickenssearch.com/verse/1836_The_Village_Coquettes_Lucys_SongII</a>.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Village+Coquettes%2C+An+Operatic+Burletta+in+Two+Acts">The Village Coquettes, An Operatic Burletta in Two Acts</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">Play</a><a href="https://dickenssearch.com/teibp/dist/content/1836_The_Village_Coquettes_Lucys_SongII.xml" target="_blank" rel="noopener">'Lucy's Song (II).' <em>The Village Coquettes, An Operatic Burletta in Two Acts</em> (1836).</a>18360101How beautiful at eventide To see the twilight shadows pale, Steal o’er the landscape, far and wide, O’er stream and meadow, mound and dale. How soft is Nature’s calm repose When ev’ning skies their cool dews weep: The gentlest wind more gently blows, As if to soothe her in her sleep! The gay morn breaks, Mists roll away, All Nature awakes To glorious day. In my breast alone Dark shadows remain; The peace it has known, It can never regain.https://dickenssearch.com/files/original/3/Lucy_s_Song_[II]/Lucys_Song_II_The_Village_Coquettes.png
76https://dickenssearch.com/items/show/76'Medley Chorus'From <em>O'Thello</em> (1833-1834).Dickens, CharlesBeinecke Library, Yale University.; Manuscript.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1833">1833</a>; <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1834">1834</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1833-34_Othello_Medley_Chorus<span>Dickens, Charles. 'Grand Chorus.' <em>O'Thello </em>(1833-34).</span><span>&nbsp;</span><i>Dickens Search.<span>&nbsp;</span></i><span>Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;</span><a href="https://dickenssearch.com/verse/1833-34_Othello_Medley_Chorus">https://dickenssearch.com/verse/1833-34_Othello_Medley_Chorus</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=O%27Thello">O&#039;Thello</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">Play</a><a href="https://dickenssearch.com/teibp/dist/content/1833-34_Othello_Medley_Chorus.xml" target="_blank" rel="noopener"><span>'Medley Chorus.' <em>O'Thello </em>(1833-34).</span></a>18330101Solo. Desdemona Air &quot;There&#039;s no luck about the house&quot; Oh! Let us pass a merry night Our house is rather small But being recovered I invite All present to a Ball. There is some cold duck in the house There&#039;s wine enough for all Likewise some spirits and some grouse So we&#039;ll enjoy the ball Cho. Oh let us pass etc Solo. E argo I felt all of a quiver With grief and shame I shiver Bring a cigar Bring a cigar It&#039;s balmy smoke I love
133https://dickenssearch.com/items/show/133&#039;Mrs. Joseph Porter, &quot;Over the Way&quot;&#039;Published in <em>The Monthly Magazine </em>(February 1834).Dickens, Charles<em>The Monthly Magazine, or The British Register of Politics, Art, Science, and the Belles-Lettres.</em><span> February 1834, pp.11-18, </span><em>Internet Archive,</em><span>&nbsp;</span><a href="https://archive.org/details/monthlymagazineo17lond/page/n9/mode/2up">https://archive.org/details/monthlymagazineo17lond/page/n9/mode/2up</a><span>.</span>The Monthly Magazine<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1834-02">1834-02</a><em>Internet Archive,</em><span>&nbsp;</span><a href="https://archive.org/about/terms.php">https://archive.org/about/terms.php</a><span>. Access to the Archive’s Collections is granted for scholarship and research purposes only.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+story">Short story</a>1834-02-Mrs_Joseph_Porter_Over_The_Way<span>Dickens, Charles. "Mrs. Joseph Porter, 'Over the Way.'"&nbsp;</span><em>The Monthly Magazine, or The British Register of Politics, Art, Science, and the Belles-Lettres.</em><span>&nbsp;February 1834, pp. 11-18.&nbsp;</span><em>Dickens Search.</em><span>&nbsp;Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;</span><a href="https://dickenssearch.com/short-stories/1834-02-Mrs_Joseph_Porter_Over_The_Way">https://dickenssearch.com/short-stories/1834-02-Mrs_Joseph_Porter_Over_The_Way</a><span>.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Monthly+Magazine">The Monthly Magazine</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Periodical">Periodical</a>183402Most extensive were the preparations at Rose Villa, Clapham Rise, in the occupation of Mr. Gattleton (a stock-broker in especially comfortable circumstances), and great was the anxiety of Mr. Gattleton’s interesting family as the day fixed for the representation of the Private Play, which had been &quot;many months in preparation,&quot; approached. The whole family was infected with the mania for Private Theatricals; the house, usually so clean and tidy, was, to use Mr. Gattleton’s expressive description &quot;regularly turned out o’ windows;&quot; the large dining-room, dismantled of it&#039;s furniture and ornaments, presented a strange jumble of flats, flies, wings, lamps, bridges, clouds, thunder and lightning, festoons and flowers, daggers and foil, and all the other messes which in theatrical slang are included under the comprehensive name of &quot;properties.&quot; The bedrooms were crowded with scenery, the kitchen was occupied by carpenters. Rehearsals took place every other night in the drawing-room, and every sofa in the house was more or less damaged by the perseverance and spirit with which Mr. Sempronius Gattleton, and Miss Lucina, rehearsed the smothering scene in &quot;Othello&quot;—it having been determined that that tragedy should form the first portion of the evening’s entertainments. &quot;When we’re a leetle more perfect, I think it will go off admirably,&quot; said Mr. Sempronius, addressing his corps dramatique, at the conclusion of the hundred and fiftieth rehearsal. In consideration of his sustaining the trifling inconvenience of bearing all the expenses of the play, Mr. Sempronius had been in the most handsome manner unanimously elected stage-manager. - &quot;Evans,&quot; continued Mr. Gattleton, the younger, addressing a tall, thin, pale young gentleman, with extensive whiskers—&quot;Evans, upon my word, you play Roderigo beautifully.&quot; &quot;Beautifully,&quot; echoed the three Miss Gattletons; for Mr. Evans was pronounced by all his lady-friends to be &quot;quite a dear.&quot; He looked so interesting and had such lovely whiskers, to say nothing of his talent for writing verses in albums and playing the flute! The interesting Roderigo simpered and bowed. &quot;But I think,&quot; added the manager, &quot;you are hardly perfect in the—fall—in the fencing-scene, where you are—you understand?&quot; &quot;It’s very difficult,&quot; said Mr. Evans, thoughtfully; &quot;I’ve fallen about a good deal in our counting-house lately, for practice; only it hurts one so. Being obliged to fall backward you see, it bruises one’s head a good deal.&quot; &quot;But you must take care you don’t knock a wing down,&quot; said Mr. Gattleton, sen., who had been appointed prompter, and who took as much interest in the play as the youngest of the company. &quot;The stage is very narrow, you know.&quot; &quot;Oh! don’t be afraid,&quot; said Mr. Evans, with a very self-satisfied air; &quot;I shall fall with my head &#039;off,&#039; and then I can’t do any harm.&quot; &quot;But, egad!&quot; said the manager, rubbing his hands, &quot;we shall make a decided hit in &#039;Masaniello.&#039; Harfield sings that music admirably.&quot; Everybody echoed the sentiment. Mr. Harfield smiled, and looked foolish,—not an unusual thing with him—hummed &quot;Behold how brightly breaks the morning,&quot; and blushed as red as the fisherman’s night-cap he was trying on. &quot;Let’s see,&quot; resumed the manager, telling the number on his fingers, we shall have three dancing female peasants, besides Fenella, and four fishermen. Then there’s our man Tom, he can have a pair of ducks of mine, and a check-shirt of Bob’s, and a red night-cap, and he’ll do for another—that’s five. In the chorusses, of course, we can sing at the sides, and in the market-scene we can walk about in cloaks and things. When the revolt takes place, Tom must keep rushing in on one side and out on the other, with a pickaxe, as fast as he can. The effect will be electrical; it will look exactly as if there were an immense number of ’em: and in the eruption scene we must burn the red fire, and upset the tea-trays, and halloo and make all sorts of noises—and it’s sure to do.&quot; &quot;Sure! sure!&quot; cried all the performers unâ voce—and away hurried Mr. Sempronius Gattleton to wash the burnt cork off his face, and superintend the &quot;setting up&quot; of some of the amateur-painted and never-sufficiently-to-be-admired scenery. Mrs. Gattleton was a kind, good-tempered, vulgar old soul, exceedingly fond of her husband and children, and entertaining only three dislikes. In the first place, she had a natural antipathy to anybody else’s unmarried daughters; in the second, she was in bodily fear of anything in the shape of ridicule; and, lastly—almost a necessary consequence of this feeling—she regarded with feelings of the utmost horror, one &quot;Mrs. Joseph Porter over the way.&quot; However, the good folks of Clapham and its vicinity stood very much in awe of scandal and sarcasm; and thus Mrs. Joseph Porter was courted, and flattered, and caressed, and invited, for very much the same reason that a poor author, without a farthing in his pocket behaves with extraordinary civility to a twopenny postman. &quot;Never mind, Ma,&quot; said Miss Emma Porter, in colloquy with her respected relative, and trying to look unconcerned; &quot;if they had invited me, you know that neither you nor Pa would have allowed me to take part in such an exhibition.&quot; &quot;Just what I should have thought from your high sense of propriety,&quot; returned the mother. &quot;I am glad to see, Emma, you know how to designate the proceeding.&quot; Miss P., by-the-by, had only the week before made an &quot;exhibition&quot; of herself for four days, behind a counter at a fancy fair, to all and every of her Majesty’s liege subjects who were disposed to pay a shilling each for the privilege of seeing some four dozen girls flirting with strangers, and playing at shop. &quot;There!&quot; said Mrs. Porter, looking out of window; &quot;there are two rounds of beef and a ham going in—clearly for sandwiches; and Thomas, the pastry-cook, says, there have been twelve dozen tarts ordered, besides blancmange and jellies. Upon my word! think of the Miss Gattletons in fancy dresses, too!&quot; &quot;Oh, it’s too ridiculous,&quot; said Miss Porter, with a sort of hysterical chuckle.&amp;nbsp; &quot;I’ll manage to put them a little out of conceit with the business, however,&quot; said Mrs. Porter; and out she went on her charitable errand. &quot;Well, my dear Mrs. Gattleton, &quot; said Mrs. Joseph Porter - after they had been closeted for some time, and when, by dint of indefatigable pumping, she had managed to extract all the news about the play; - &quot;well, my dear, people may say what they please; indeed we know they will, for some folks are so ill-natured. - Ah, my dear Miss Lucina, how d’ye do? - I was just telling your mama that I have heard it said, that—&quot; &quot;What?&quot; inquired the Desdemona. &quot;Mrs. Porter is alluding to the play, my dear,&quot; said Mrs. Gattleton; &quot;she was, I am sorry to say, just informing me that—&quot; &quot;Oh, now pray don’t mention it,: interrupted Mrs. Porter; &quot;it’s most absurd—quite as absurd as young what’s-his-name saying he wondered how Miss Caroline, with such a foot and ankle, could have the vanity to play Fenella.&quot; &quot;Highly impertinent, whoever said it,&quot; said Mrs. Gattleton, bridling up. &quot;Certainly, my dear,&quot; chimed in the delighted Mrs. Porter; &quot;most undoubtedly! Because, as I said, if Miss Caroline does play Fenella, it doesn’t follow, as a matter of course, that she should think she has a pretty foot; and then such puppies as these young men are; he had the impudence to say, that—’ How far the amiable Mrs. Porter might have succeeded in her pleasant purpose, it is impossible to say, had not the entrance of Mr. Thomas Balderstone, Mrs. Gattleton’s brother, familiarly called in the family &quot;Uncle Tom,&quot; changed the course of conversation, and suggested to her mind an excellent plan of operation on the evening of the play. Uncle Tom was very rich, and exceedingly fond of his nephews and nieces; as a matter of course, therefore, he was an object of great importance in his own family. He was one of the best-hearted men in existence; always in a good temper, and always talking. It was his boast that he wore top-boots on all occasions, and had never worn a black silk neck-kerchief; and it was his pride, that he remembered all the principal plays of Shakspeare from beginning to end—and so he did. The result of this parrot-like accomplishment was, that he was not only perpetually quoting himself, but that he could never sit by, and hear a mis-quotation from &quot;The Swan of Avon&quot; without setting the unfortunate delinquent right. He was also something of a wag: never missed an opportunity of saying what he considered a good thing, and invariably laughed until he cried at anything that appeared to him mirth-moving or ridiculous. &quot;Well, girls, well,&quot; said Uncle Tom, after the preparatory ceremony of kissing and how-d’ye-do-ing had been gone through—&quot;how d’ye get on? Know your parts, eh?—Lucina, my dear, act 2, scene 1—place, left-cue—&#039;Unknown fate,&#039;—What’s next, eh?—Go on—&#039;The heavens—&#039;&quot; &quot;Oh, yes,&quot; said Miss Lucina, &quot;I recollect - “ &#039;The heavens forbid But that our loves and comforts should increase Even as our days do grow!&#039;&quot; &quot;Make a pause here and there,&quot; said the old gentleman, who was a great critic. &#039;But that our loves and comforts should increase&#039;—emphasis on the last syllable, &#039;crease,&#039;—loud &#039;even,&#039;—one, two, three, four; then loud again, &#039;as our days do grow;&#039; emphasis on days. That’s the way, my dear; trust to your uncle for emphasis. Ah! Sem, my boy, how are you?&quot; &quot;Very well, thanky&#039;e, uncle,&quot; returned Mr. Sempronius, who had just appeared, looking something like a ringdove, with a small circle round each eye: the result of his constant corking. &quot;Of course we see you on Thursday.&quot; &quot;Of course, of course, my dear boy.&quot; &quot;What a pity it is your nephew didn’t think of making you prompter, Mr. Balderstone,&quot; whispered Mrs. Joseph Porter; &quot;you would have been invaluable.&quot; &quot;Well, I flatter myself, I should have been tolerably up to the thing,&quot; responded Uncle Tom. &quot;I must bespeak sitting next you on the night,&quot; resumed Mrs. Porter; &quot;and then, if our dear young friends here, should be at all wrong, you will be able to enlighten me. I shall be so interested.&quot; &quot;I am sure I shall be most happy to give you any assistance in my power, mem.&quot; &quot;Mind, it’s a bargain.&quot; &quot;Certainly.&quot; &quot;I don’t know how it is,&quot; said Mrs. Gattleton to her daughters, as they were sitting round the fire in the evening, looking over their parts, &quot;but I really very much wish Mrs. Joseph Porter wasn’t coming on Thursday. I am sure she’s scheming something.&quot; &quot;She can’t make us ridiculous, however,&quot; observed Mr. Sempronius Gattleton, haughtily. The long-looked-for Thursday arrived in due course, and brought with it, as Mr. Gattleton, senior, philosophically observed, &quot;no disappointments, to speak of.&quot; True, it was yet a matter of doubt whether Cassio would be enabled to get into the dress which had been sent for him from the masquerade warehouse. It was equally uncertain whether the principal female singer would be sufficiently recovered from the influenza to make her appearance; Mr. Harfield, the Masaniello of the night, was hoarse, and rather unwell, in consequence of the great quantity of lemon and sugar-candy he had eaten to improve his voice; and two flutes and a violoncello had pleaded severe colds. What of that? the audience were all coming. Everybody knew his part; the dresses were covered with tinsel and spangles; the white plumes looked beautiful; Mr. Evans had practised falling, till he was bruised from head to foot and quite perfect; Iago was sure that, in the stabbing-scene, he should make &quot;a decided hit.&quot; A self-taught deaf gentleman, who had kindly offered to bring his flute, would be a most valuable addition to the orchestra; Miss Jenkins’s talent for the piano was too well known to be doubted for an instant; Mr. Cape had practised the violin accompaniment with her frequently and Mr. Brown, who had kindly undertaken, at a few hours’ notice, to bring his violoncello, would, no doubt, manage extremely well. Seven o’clock came, and so did the audience; all the rank and fashion of Clapham and its vicinity was fast filling the theatre. There were the Smiths, the Stubbs&#039;s, the Halfpennys, the Gubbins&#039;s, the Nixons, the Dixons, the Hicksons, people with all sorts of names, two aldermen, a sheriff in perspective, Sir Thomas Glumper (who had been knighted in the last reign for carrying up an address on somebody’s escaping from something); and last, not least, there were Mrs. Joseph Porter and Uncle Tom, seated in the centre of the third row from the stage; Mrs. P. amusing Uncle Tom with all sorts of stories, and Uncle Tom amusing every one else by laughing most immoderately. Ting, ting, ting! went the prompter’s bell at eight o’clock precisely, and dash went the orchestra into the overture to &quot;The Men of Prometheus.&quot; The pianoforte player hammered away with the most laudable perseverance; and the violoncello, which struck in at intervals, &quot;sounded very well, considering.&quot; The unfortunate individual, however, who had undertaken to play the flute accompaniment &quot;at sight,&quot; found, from fatal experience, the perfect truth of the old adage, &quot;out of sight, out of mind;&quot; for being very near-sighted, and being placed at a considerable distance from his music-book, all he had an opportunity of doing was to play a bar now and then in the wrong place, and put the other performers out. It is, however, but justice to Mr. Brown to say that he did this to admiration. The overture, in fact, was not unlike a race between the different instruments; the piano came in first by several bars, and the violoncello next, quite distancing the poor flute; for the deaf gentleman too-too’d away, quite unconscious that he was at all wrong, until apprised, by the applause of the audience, that the overture was concluded. A considerable bustle and shuffling of feet was then heard upon the stage, accompanied by whispers of &quot;Here’s a pretty go!—what’s to be done?&quot; &amp;c. The audience applauded again, by way of raising the spirits of the performers; and then Mr. Sempronius desired the prompter, in a very audible voice, to &quot;clear the stage, and ring up.&quot; Ting, ting, ting! went the bell again. Everybody sat down; the curtain shook; rose sufficiently high to display several pair of yellow boots paddling about; and there remained. Ting, ting, ting! went the bell again. The curtain was violently convulsed, but rose no higher; the audience tittered; Mrs. Porter looked at Uncle Tom, Uncle Tom looked at every body, rubbing his hands, and laughing with perfect rapture. After as much ringing with the little bell as a muffin boy would make in going down a tolerably long street, and a vast deal of whispering, hammering, and calling for nails and cord, the curtain at length rose, and discovered Mr. Sempronius Gattleton solus and decked for Othello. After three distinct rounds of applause, during which Mr. Sempronius applied his right hand to his left breast, and bowed in the most approved manner, the manager advanced and said - &quot;Ladies and Gentlemen, I assure you it is with sincere regret, that I regret to be compelled to inform you, that Iago who was to have played Mr. Wilson—I beg your pardon, Ladies and Gentlemen; but I am naturally somewhat agitated (applause)—I mean, Mr. Wilson, who was to have played Iago, is—that is, has been—or, in other words, Ladies and Gentlemen, the fact is, that I have just received a note, in which I am informed that Iago is unavoidably detained at the Post-office this evening. Under these circumstances, I trust—a—a—amateur performance—a—another gentleman undertaken to read the part—request indulgence for a short time—courtesy and kindness of a British audience.&quot; Overwhelming applause. Exit Mr. Sempronius Gattleton, and curtain falls. The audience were, of course, exceedingly good-humoured; the whole business was a joke; and accordingly they waited for an hour with the utmost patience, being enlivened by an interlude of rout-cakes and lemonade. It appeared by Mr. Sempronius’s subsequent explanation, that the delay would not have been so great, had it not so happened that when the substitute Iago had finished dressing, and just as the play was on the point of commencing, the original Iago unexpectedly arrived. The former was, therefore, compelled to undress, and the latter to dress for his part, which, as he found some difficulty in getting into his clothes, occupied no inconsiderable time. At last, the tragedy began in real earnest. It went off well enough, until the third scene of the first act, in which Othello addresses the Senate, the only remarkable circumstance being, that as Iago could not get on any of the stage boots, in consequence of his feet being violently swelled with the heat and excitement, he was under the necessity of playing the part in a pair of common hessians, which contrasted rather oddly with his richly embroidered pantaloons. When Othello started with his address to the Senate (whose dignity was represented by, the Duke, a carpenter; two men engaged on the recommendation of the gardener; and a boy); Mrs. Porter found the opportunity she so anxiously sought. Mr. Sempronius proceeded - &quot;&#039; Most potent, grave, and reverend signiors, My very noble and approv’d good masters, That I have ta’en away this old man’s daughter, It is most true;—rude am I in my speech—&#039;&quot; &quot;Is that right?&quot; whispered Mrs. Porter to Uncle Tom. &quot;No.&quot; &quot;Tell him so, then.&quot; &quot;I will. - Sem!&quot; called out Uncle Tom, &quot;that’s wrong, my boy.&quot; &quot;What’s wrong, Uncle?&quot; demanded Othello, quite forgetting the dignity of his situation. &quot;You’ve left out something. &#039;True I have married—&#039;&quot; &quot;Oh, ah!&quot; said Mr. Sempronius, endeavouring to hide his confusion as much and as ineffectually as the audience attempted to conceal their half-suppressed tittering, by coughing with extraordinary violence - - &quot; &#039;true I have married her; - The very head and front of my offending Hath this extent; no more.&#039; (Aside). Why don’t you prompt, father?&quot; &quot;Because I’ve mislaid my spectacles,&quot; said poor Mr. Gattleton, almost dead with the heat and bustle. &quot;There, now it’s &#039;rude am I,&#039;&quot; said Uncle Tom.&quot; &quot;Yes, I know it is,&quot; returned the unfortunate manager, proceeding with his part. It would be useless and tiresome to quote the number of instances in which Uncle Tom, now completely in his element, and instigated by the mischievous Mrs. Porter, corrected the mistakes of the performers; suffice it to say, that having once mounted his hobby, nothing could induce him to dismount; so, during the whole remainder of the play, he performed a kind of running accompaniment, by muttering every body’s part, as it was being delivered, in an under tone. The audience were highly amused, Mrs. Porter delighted, the performers embarrassed; Uncle Tom never was better pleased in all his life; and Uncle Tom’s nephews and nieces had never, although the declared heirs to his large property, so heartily wished him gathered to his fathers as on that memorable occasion. Several other minor causes, too, united to damp the ardour of the dramatis personæ. None of the performers could walk in their tights, or move their arms in their jackets; the pantaloons were too small, the boots too large, and the swords of all shapes and sizes. Mr. Evans, naturally too tall for the scenery, wore a black velvet hat with immense white plumes, the glory of which was lost in &quot;the flies;&quot; and the only other inconvenience of which was, that when it was off his head he could not put it on, and when it was on he couldn&#039;t take it off. Notwithstanding all his practice, too, he fell with his head and shoulders as neatly through one of the side scenes, as a harlequin would jump through a panel in a Christmas pantomime. The pianoforte player, overpowered by the extreme heat of the room, fainted away at the commencement of the entertainments, leaving the music of &quot;Masaniello&quot; to the flute and violoncello. The orchestra complained that Mr. Harfield put them out, and Mr. Harfield declared that the orchestra prevented his singing at all. The fishermen, who were hired for the occasion, revolted to the very life, positively refusing to play without an increased allowance of spirits; and, their demand being complied with, they got drunk in the eruption-scene as naturally as possible. The red fire which was burnt at the conclusion of the second act not only nearly suffocated the audience, but they narrowly escaped setting the house on fire; as it was, the remainder of the piece was acted in a thick fog. In short, the whole affair was, as Mrs. Joseph Porter triumphantly told every body, &quot;a complete failure.&quot; The audience went home at four o’clock in the morning, exhausted with laughter, suffering from severe head aches, and smelling terribly of brimstone and gunpowder. The Messrs. Gattleton, senior and junior, retired to rest with a vague idea of emigrating to Swan River early in the ensuing week. Rose Villa has once again resumed its wonted appearance: the dining-room furniture has been replaced; the tables are as nicely polished as formerly; the horsehair chairs are ranged against the wall as regularly as ever; Venetian blinds have been fitted to every window in the house to intercept the prying gaze of Mrs. Joseph Porter. The subject of theatricals is never mentioned in the Gattleton family, unless, indeed, by Uncle Tom, who cannot refrain from sometimes expressing his surprise and regret at finding that his nephews and nieces appear to have lost the relish they once possessed for the beauties of Shakspeare and quotations from the works of the immortal bard.https://dickenssearch.com/files/original/5/Mrs._Joseph_Porter_Over_the_Way/02_1834_Mrs_Joseph_Porter_Over_The_Way.pdf
63https://dickenssearch.com/items/show/63'New Song'From a letter to Mark Lemon (25 June 1849).Dickens, Charles'Mr. Mark Lemon.' <em>The Letters of Charles Dickens. Edited by his Sister-in-Law and his Eldest Daughter.</em><span> Volume 1 (1833-1856), pp. 207-208. Chapman and Hall, 1880.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1849-06-25">1849-06-25</a><i>Internet</i><span>&nbsp;<em>Archive</em>: Access to the Archive’s Collections is provided at no cost and is granted for scholarship and research purposes only (</span><span class="s1"><a href="https://archive.org/about/terms.php" target="_blank" rel="noopener">https://archive.org/about/terms.php</a>).</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1849_06_25_Letter_To_Mark_Lemon_New_Song<span>Dickens, Charles. 'New Song.' Letter to Mark Lemon (25 June 1849). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1849_Letter_To_Mark_Lemon_New_Song">https://dickenssearch.com/verse/1849_Letter_To_Mark_Lemon_New_Song</a>.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter">Letter</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=T.+Sparkler">T. Sparkler</a><a href="https://dickenssearch.com/teibp/dist/content/1849-06-25_Letter_To_Mark_Lemon_New_Song.xml" target="_blank" rel="noopener">'New Song.' Letter to Mark Lemon (25 June 1849).</a>18490625TUNE – &quot;Lesbia hath a beaming eye.&quot; 1. Lemon is a little hipped, And this is Lemon’s true position; He is not pale, he’s not white-lipped, Yet wants a little fresh condition. Sweeter ‘tis to gaze upon Old Ocean’s rising, falling billows, Than on the houses every one That form the street called Saint Anne Willers. Oh, my Lemon, round and fat, Oh my bright, my right, my tight ‘un, Think a little what you’re at – Don’t stay at home, but come to Brighton! 2. Lemon has a coat of frieze, But all so seldom Lemon wears it, That it is a prey to fleas, And ev’ry moth that’s hungry tears it. Oh, that coat’s the coat for me, That braves the railway sparks and breezes, Leaving every engine free To smoke it, till its owner sneezes! Then my Lemon, round and fat, L., my bright, my right, my tight ’un, Think a little what you’re at – On Tuesday first, come down to Brighton!https://dickenssearch.com/files/original/3/New_Song/1849_06_25_Letter_To_Mark_Lemon_New_Song.pdf
10https://dickenssearch.com/items/show/10'Now if I don't make the completest mistake'From the autograph album of Mrs. S. C. Hall (after 1836).Dickens, Charles<em>Autograph Album of Mrs. S. C. Hall</em>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836%2C+after">1836, after</a>Physically held at <em>The New York Public Library's</em> Archives &amp; Manuscripts, <a href="http://archives.nypl.org/brg/19176#c218463" target="_blank" rel="noopener">http://archives.nypl.org/brg/19176#c218463</a>, and quoted from the <em>Art Journal</em> in Hotten, <a href="https://www.google.com/books/edition/Charles_Dickens_the_story_of_his_life_by/0m8BAAAAQAAJ?hl=en&amp;gbpv=1&amp;bsq=now%20if%20I%20don%27t%20make%20the%20completest%20mistake" target="_blank" rel="noopener"><em>Charles Dickens, the Story of his Life</em></a> (1870), pp. 280-281.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Poem">Poem</a>1836-after-Now_if_I_dont_make_the_completest_mistakeDickens, Charles. 'Now if I don't make the completest mistake.' For Mrs. S.C. Hall (written after 1836): <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836-after-Now_if_I_dont_make_the_completest_mistake">https://dickenssearch.com/verse/1836-after-Now_if_I_dont_make_the_completest_mistake</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album">Autograph Album</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Boz">Boz</a><a href="https://dickenssearch.com/teibp/dist/content/1836-after-Now_if_I_dont_make_the_completest_mistake.xml" target="_blank" rel="noopener">'Now if I don't make the completest mistake.' Autograph Album of Mrs. S. C. Hall (after 1836).</a>18370101Now, if I don&#039;t make The completest mistake That ever put man in a rage, This bird of two weathers Has moulted his feathers, And left them in some other cage.
20https://dickenssearch.com/items/show/20'Ode to an Expiring Frog'From <em>The Pickwick Papers </em>issue 6, ch. 15 (August 1836).Dickens, Charles<em>The Posthumous Papers of the Pickwick Club.</em> Issue 6, Chapter 15 (August 1836), p. 148. <em>UVic Libraries, </em><a href="https://vault.library.uvic.ca/concern/file_sets/070f8b17-ceef-4687-9ce5-e81bb81c1ac3?locale=en" target="_blank" rel="noopener">https://vault.library.uvic.ca/concern/file_sets/070f8b17-ceef-4687-9ce5-e81bb81c1ac3?locale=en</a>.Chapman and Hall<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836-08">1836-08</a><p class="p1"><i>UVic Libraries, </i>Creative Commons Attribution NonCommercial, <a href="https://creativecommons.org/lice%20nses/by-nc/4.0/&nbsp;" target="_blank" rel="noopener"><span class="s1">https://creativecommons.org/lice nses/by-nc/4.0/</span></a>.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Poem">Poem</a>1836-08_Pickwick_Papers_Ode_to_an_Expiring_Frog<p class="p1">Dickens, Charles. 'Ode to an Expiring Frog' from <i>The Posthumous Papers of the Pickwick Club. </i>Issue 6, Chapter 15 (August 1836), p. 148. <i>Dickens Search. </i>Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836-08_Pickwick_Papers_Ode_to_an_Expiring_Frog">https://dickenssearch.com/verse/1836-08_Pickwick_Papers_Ode_to_an_Expiring_Frog</a>.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Pickwick+Papers">The Pickwick Papers</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Serial">Serial</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Boz">Boz</a><a href="https://dickenssearch.com/teibp/dist/content/1836-08_Pickwick_Papers_Ode_to_an_Expiring_Frog.xml" target="_blank" rel="noopener">'Ode to an Expiring Frog. <em>The Posthumous Papers of the Pickwick Club.</em> Issue 6, Chapter 15 (August 1836): p. 148.</a>18360801Can I view thee panting, lying On thy stomach, without sighing? Can I unmoved see thee dying On a log, Expiring frog? Say, have fiends in shape of boys, With wild halloo and brutal noise, Hunted thee from marshy joys, With a dog, Expiring frog?https://dickenssearch.com/files/original/3/Ode_to_an_Expiring_Frog/Ode_to_an_Expiring_Frog_PP.jpg
12https://dickenssearch.com/items/show/12'Prologue'Published in the <em>Morning Advertiser</em> (12 December 1842).Dickens, Charles<em>British Newspapers Archive</em><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1842-12-12">1842-12-12</a><em>British Newspapers Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001427/18421212/018/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001427/18421212/018/0003</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.Prologue to John Westland Marston's <em>The Patrician's Daughter</em> (1842)<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Prologue">Prologue</a>1842-12-12_Morning_Advertiser_The_Patricians_Daughter_PrologueDickens, Charles. 'Prologue.' <em>The Patrician's Daughter </em>(1842) by John Westland Marston. <em>The Morning Advertiser </em>(12 December 1842): p.3. <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1842-12-12_Morning_Advertiser_Prologue_The_Patricians_Daughter">https://dickenssearch.com/verse/1842-12-12_Morning_Advertiser_Prologue_The_Patricians_Daughter</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Morning+Advertiser">Morning Advertiser</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="https://dickenssearch.com/teibp/dist/content/1842-12-12_Morning_Advertiser_The_Patricians_Daughter_Prologue.xml" target="_blank" rel="noopener">'Prologue.' <em>Morning Advertiser</em> (12 December 1842).</a>18421212No tale of streaming plumes and harness bright Dwells on the poet’s maiden harp to-night; No trumpet’s clamour and no battle’s fire Breathes in the trembling accents of his lyre; Enough for him, if in his boldest word The beating heart of MAN be dimly heard. Its solemn music which, like strains that sigh Through charmèd gardens, all who hearing die; Its solemn music he does not pursue To distant ages out of human view; Nor listen to its wild and mournful chime In the dead caverns on the shore of time; But musing with a calm and steady gaze Before the crackling flames of living days, He hears it whisper through the busy roar Of what shall be and what has been before. Awake the Present! Shall no scene display The tragic passion of the passing day? Is it with Man, as with some meaner things, That out of death his single purpose springs? Can his eventful life no moral teach Until he be, for aye, beyond its reach? Obscurely shall he suffer, act, and fade, Dubb’d noble only by the sexton’s spade? Awake the Present! Though the steel-clad age Find life along within its storied page, Iron is worn, at heart by many still – The tyrant Custom binds the serf-like will; If the sharp rack, and screw, and chain be gone, These later days have tortures of their own; The guiltless writhe, while Guilt is stretch’d in sleep, And Virtues lies, too often, dungeon deep. Awake the Present! what the Past has sown Be in its harvest garner’d, reap’d, and grown! How pride breeds pride, and wrong engenders wrong, Read in the volume Truth has held so long, Assured that where life’s flowers freshest blow, The sharpest thorns and keenest briars grow, How social usage has the pow’r to change Good thoughts to evil; in its highest range To cramp the noble soul, and turn to ruth The kindling impulse of our glorious youth, Crushing the spirit in its house of clay, Learn from the lessons of the present day. Not light its import and not poor its mien; Yourselves the actors, and your homes the scene.https://dickenssearch.com/files/original/3/Prologue/The_Patrician.png
13https://dickenssearch.com/items/show/13'Prologue'Prologue to <em>The Lighthouse</em> (May 1855), co-author Wilkie Collins.Dickens, Charles"Miscellaneous Papers." Volume 2. <em>The Works of Charles Dickens</em>. Volume 20 (1911). London: Chapman and Hall; 483-484, <a href="https://www.google.com/books/edition/The_Works_of_Charles_Dickens/91s4AAAAIAAJ?hl=en&amp;gbpv=1&amp;dq=dickens+prologue+the+lighthouse&amp;pg=PA483&amp;printsec=frontcover" target="_blank" rel="noopener">https://www.google.com/books/edition/The_Works_of_Charles_Dickens/91s4AAAAIAAJ?hl=en&amp;gbpv=1&amp;dq=dickens+prologue+the+lighthouse&amp;pg=PA483&amp;printsec=frontcover</a>.Chapman and Hall<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1855-05">1855-05</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Prologue">Prologue</a>1855-05_The_Lighthouse_PrologueDickens, Charles. 'Prologue' to <em>The Lighthouse</em> (May 1855), co-author Wilkie Collins. Printed in Volume 20 of <em>The Works of Charles Dickens</em> (1911). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1855-05_The_Lighthouse_Prologue">https://dickenssearch.com/verse/1855-05_The_Lighthouse_Prologue</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Lighthouse">The Lighthouse</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">Play</a><a href="https://dickenssearch.com/teibp/dist/content/1855-05_The_Lighthouse_Prologue.xml" target="_blank" rel="noopener">'Prologue.'&nbsp;<em>The Lighthouse&nbsp;</em>(May 1855).</a>18550501(Slow music all the time; unseen speaker; curtain down.) A story of those rock where doom’d ships come To cast them wreck’d upon the steps of home, Where solitary men, the long year through – The wind their music and the brine their view – Warn mariners to shun the beacon-light; A story of those rocks is here to-night. Eddystone Lighthouse! (Exterior view discovered.) In its ancient form, Ere he would built it wish’d for the great storm That shiver’d it to nothing, once again Behold outgleaming on the angry main! Within it are three men; to these repair In our frail bark of Fancy, swift as air! They are but shadows, as the rower grim Took none by shadows in his boat with him. So be ye shades, and, for a little space, The real world a dream without a trace. Return is easy. It will have ye back Too soon to the old beaten dusty track; For but one hour forget it. Billows, rise; Blow winds, fall rain, be black, ye midnight skies; And you who watch the light, arise! arise! (Exterior view rises and discovers the scene.)https://dickenssearch.com/files/original/3/Prologue/Prologue_Lighthouse.png
15https://dickenssearch.com/items/show/15'Prologue'Prologue to <em>The Frozen Deep</em> (1856), co-author Wilkie Collins.Dickens, CharlesVolume 20 of <em>The Works of Charles Dickens</em> (1911). London: Chapman and Hall; pp. 486-487, <a href="https://www.google.com/books/edition/The_Works_of_Charles_Dickens/91s4AAAAIAAJ?hl=en&amp;gbpv=1&amp;bsq=The%20frozen%20deep" target="_blank" rel="noopener">https://www.google.com/books/edition/The_Works_of_Charles_Dickens/91s4AAAAIAAJ?hl=en&amp;gbpv=1&amp;bsq=The%20frozen%20deep</a>.Chapman and Hall<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1856">1856</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Prologue">Prologue</a>1856_The_Frozen_Deep_PrologueDickens, Charles. 'Prologue' to <em>The Frozen Deep</em> (1856), co-author Wilkie Collins. Printed in Volume 20 of <em>The Works of Charles Dickens</em> (1911). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1856_The_Frozen_Deep_Prologue">https://dickenssearch.com/verse/1856_The_Frozen_Deep_Prologue</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Frozen+Deep">The Frozen Deep</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">Play</a><a href="https://dickenssearch.com/teibp/dist/content/1856_The_Frozen_Deep_Prologue.xml" target="_blank" rel="noopener">'Prologue.'&nbsp;<em>The Frozen Deep&nbsp;</em>(1856).</a>18560101(Curtain rises; mists and darkness’ soft music throughout.) One savage footprint on the lonely shore Where one man listen’d to the surge’s roar, Not all the winds that stir the mighty sea Can ever ruffle in the memory. If such its interest and thrall, O then Pause on the footprints of heroic men, Making a garden of the desert wide Where Parry conquer’d death and Franklin died. To that white region where the Lost lie low, Wrapt in their mantles of eternal snow, - Unvisited by change, nothing to mock Those statues sculptured in the icy rock, We pray your company; that hearts as true (Though nothings of the air) may live for you; Nor only yet that on our little glass A faint reflection of those wilds may pass, But that the secrets of the vast Profound Within us, an exploring hand may sound, Testing the region of the ice-bound soul, Seeking the passage at its northern pole, Softening the horrors of its wintry sleep, Melting the surface of that ‘Frozen Deep.’ Vanish, ye mists! But ere this gloom departs, And to the union of three sister arts We give a winter evening, good to know That in the charms of such another show, That in the fiction of a friendly play, The Arctic sailors, too, put gloom away, Forgot their long night, saw no starry dome, Hail’d the warm sun, and were again at Home. Vanish, ye mists! Not yet do we repair To the still country of the piercing air; But seek, before the cross the troubled seas, An English hearth and Devon’s waving trees.https://dickenssearch.com/files/original/3/Prologue/Prologue_The_Frozen_Deep.png
31https://dickenssearch.com/items/show/31'Quartette'From <em>The Village Coquettes, An Operatic Burletta in Two Acts </em>(1836). Music by John Hullah.Dickens, Charles<p class="p1"><i>The Village Coquettes, An Operatic Burletta in Two Acts </i>(1836). London: John Dicks.<span class="Apple-converted-space">&nbsp;</span></p>; Internet Archive, <a href="https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater" target="_blank" rel="noopener">https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836">1836</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Hullah%2C+John">Hullah, John</a><p class="p1"><i>Internet</i><span>&nbsp;<em>Archive</em>: Access to the Archive’s Collections is provided at no cost and is granted for scholarship and research purposes only (</span><span class="s1"><a href="https://archive.org/about/terms.php" target="_blank" rel="noopener">https://archive.org/about/terms.php</a>).</span></p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1836_The_Village_Coquettes_Quartette<p class="p1">Dickens, Charles. 'Quartette.' <i>The Village Coquettes </i>(1836): p. 12. <i>Dickens Search. </i>Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836_The_Village_Coquettes_Quartette">https://dickenssearch.com/verse/1836_The_Village_Coquettes_Quartette</a>.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Village+Coquettes%2C+An+Operatic+Burletta+in+Two+Acts">The Village Coquettes, An Operatic Burletta in Two Acts</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">Play</a><a href="https://dickenssearch.com/teibp/dist/content/1836_The_Village_Coquettes_Quartette.xml" target="_blank" rel="noopener">'Quartette.' <em>The Village Coquettes, An Operatic Burletta in Two Acts</em> (1836).</a>18360101Squire. Hear me, when I swear that the farm is your own Through all changes Fortune may make; The base charge of falsehood I never have known; This promise I never will break. Rose and Lucy. Hear him, when he swears that the farm is our own Through all changes Fortune may make; The base charge of falsehood he never has known; This promise he never will break. Enter YOUNG BENSON. Young Benson. My sister here! Lucy! begone, I command. Squire. To your home I restore you again. Young Benson. No boon I’ll accept from that treacherous hand As the price of my fair sister’s fame. Squire. To your home! Young B. (To Lucy.) Hence away! Lucy. Brother dear, I obey. Squire. I restore. Young B. Hence away! Young B. Rose and Lucy. Let us leave. Lucy. He swears it, dear brother. Squire. I swear it. Young B. Away! Squire. I swear it. Young B. You swear to deceive. Squire. Hear me, when I swear that the farm is your own Through all the changes Fortune may make. Lucy and Rose. Hear him, when he swears that the farm is our own Through all changes Fortune may make. Young B. Hear him swear, hear him swear, that the farm is our own Through all changes Fortune may make. Squire. The base charge of falsehood I never have known, This promise I never will break. Lucy and Rose. The base charge of falsehood he never has known, This promise he never will break. Young B. The base charge of falsehood he often has known, This promise he surely will break.https://dickenssearch.com/files/original/3/Quartette/Quartette_The_Village_Coquettes_01.png; https://dickenssearch.com/files/original/3/Quartette/Quartette_The_Village_Coquettes_02.png
21https://dickenssearch.com/items/show/21'Romance'From <em>The Pickwick Papers</em> issue 15, ch. 43 (June 1837).Dickens, Charles<p class="p1"><i>The Posthumous Papers of the Pickwick Club. </i>Issue 15, Chapter 43 (June 1837), p. 464. <i>UVic Libraries, </i><a href="https://vault.library.uvic.ca/concern/file_sets/93a0e9d2-e383-4c75-88eb-a6cdb9d29cac?locale=en" target="_blank" rel="noopener">https://vault.library.uvic.ca/concern/file_sets/93a0e9d2-e383-4c75-88eb-a6cdb9d29cac?locale=en</a>.</p>Chapman and Hall<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1837-06">1837-06</a><p class="p1"><i>UVic Libraries, </i>Creative Commons Attribution NonCommercial, <span class="s1"><a href="https://creativecommons.org/lice%20nses/by-nc/4.0/&nbsp;" target="_blank" rel="noopener">https://creativecommons.org/lice nses/by-nc/4.0/</a><span class="Apple-converted-space">.</span></span></p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Poem">Poem</a>1837-06_Pickwick_Papers_Romance<p class="p1">Dickens, Charles. 'Romance' from <i>The Posthumous Papers of the Pickwick Club. </i>Issue 15, Chapter 43 (June 1837), p. 464. <i>Dickens Search. </i>Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1837-06_Pickwick_Papers_Romance">https://dickenssearch.com/verse/1837-06_Pickwick_Papers_Romance</a>.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Pickwick+Papers">The Pickwick Papers</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Serial">Serial</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Boz">Boz</a><a href="https://dickenssearch.com/teibp/dist/content/1837-06_Pickwick_Papers_Romance.xml" target="_blank" rel="noopener">'Romance.' <em>The Posthumous Papers of the Pickwick Club</em>. Issue 15, Chapter 43 (June 1837): p. 464.</a>18370601Bold Turpin vunce, on Hounslow Heath, His bold mare Bess bestrode – er; Ven there he see’d the Bishop’s coach A-comin’ along the road – er.  So he gallops close to the ‘orse’s legs, And he claps his head vithin; And the Bishop says, &quot;Sure as eggs is eggs, This here’s the bold Turpin!” (CHORUS.) And the Bishop says, &quot;Sure as eggs is eggs, This here’s the bold Turpin!&quot; Says Turpin, &quot;You shall eat your words, With a sarse of leaden bul’let;&quot; So he puts a pistol to his mouth, And he fires it down his gul-let. The coachman, he not likin’ the job, Set off at a full gal-lop, But Dick put a couple of balls in his nob, And perwailed on him to stop. (CHORUS sarcastically.) But Dick put a couple of balls in his nob, And perwailed on him to stop.https://dickenssearch.com/files/original/3/Romance/Romance_PP.jpg
26https://dickenssearch.com/items/show/26'Rose's Song'From <em>The Village Coquettes, An Operatic Burletta in Two Acts </em>(1836). Music by John Hullah.Dickens, Charles<i>The Village Coquettes, An Operatic Burletta in Two Acts </i>(1836). London: John Dicks.<span class="Apple-converted-space">&nbsp;</span>; Internet Archive, <a href="https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater" target="_blank" rel="noopener">https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836">1836</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Hullah%2C+John">Hullah, John</a><p class="p1"><i>Internet</i><span>&nbsp;<em>Archive</em>: Access to the Archive’s Collections is provided at no cost and is granted for scholarship and research purposes only (</span><span class="s1"><a href="https://archive.org/about/terms.php" target="_blank" rel="noopener">https://archive.org/about/terms.php</a>).</span></p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1836_The_Village_Coquettes_Roses_Song<p class="p1">Dickens, Charles. 'Rose's Song.' <i>The Village Coquettes </i>(1836): p. 6. <i>Dickens Search. </i>Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836_The_Village_Coquettes_Roses_Song">https://dickenssearch.com/verse/1836_The_Village_Coquettes_Roses_Song</a>.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Village+Coquettes%2C+An+Operatic+Burletta+in+Two+Acts">The Village Coquettes, An Operatic Burletta in Two Acts</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">Play</a><a href="https://dickenssearch.com/teibp/dist/content/1836_The_Village_Coquettes_Roses_Song.xml" target="_blank" rel="noopener">'Rose's Song.' <em>The Village Coquettes, An Operatic Burletta in Two Acts</em> (1836).</a>18360101Some folks who have grown old and sour, Say love does nothing but annoy. The fact is, they have had their hour, So envy what they can’t enjoy. I like the glance – I like the sigh – That does of ardent passion tell! If some folks were as young as I, I’m sure they’d like it quite as well. Old maiden aunts so hate the men, So well know how wives are harried, It makes them sad – not jealous – when They see their poor dear nieces married. All men are fair and false, they know, And with deep sighs they assail ‘em, It’s so long since they tried men, though, I rather think their mem’ries fail ‘em.https://dickenssearch.com/files/original/3/Rose_s_Song/Roses_Song_The_Village_Coquettes.png
22https://dickenssearch.com/items/show/22'Round'From <em>The Village Coquettes, An Operatic Burletta in Two Acts </em>(1836). Music by John Hullah.Dickens, Charles<em>The Village Coquettes, An Operatic Burletta in Two Acts</em> (1836). London: John Dicks.; Internet Archive, <a href="https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater" target="_blank" rel="noopener">https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836">1836</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Hullah%2C+John">Hullah, John</a><i>Internet</i><span>&nbsp;<em>Archive</em>: Access to the Archive’s Collections is provided at no cost and is granted for scholarship and research purposes only (</span><span class="s1"><a href="https://archive.org/about/terms.php" target="_blank" rel="noopener">https://archive.org/about/terms.php</a>).</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1836_The_Village_Coquettes_Round<p class="p1">Dickens, Charles. 'Round.' <i>The Village Coquettes </i>(1836): p. 3. <i>Dickens Search. </i>Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836_The_Village_Coquettes_Round">https://dickenssearch.com/verse/1836_The_Village_Coquettes_Round</a>.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Village+Coquettes%2C+An+Operatic+Burletta+in+Two+Acts">The Village Coquettes, An Operatic Burletta in Two Acts</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">Play</a><a href="https://dickenssearch.com/teibp/dist/content/1836_The_Village_Coquettes_Round.xml" target="_blank" rel="noopener">'Round.' <em>The Village Coquettes, An Operatic Burletta in Two Acts</em> (1836): p. 3.</a>18360101Hail to the merry Autumn days, when yellow corn-fields shine, Far brighter than the costly cup, that holds the monarch’s wine! Hail to the merry harvest time, the gayest of the year, The time of rich and bounteous crops, rejoicing, and good cheer! ‘Tis pleasant on a fine Spring morn, to see the buds expand, ‘Tis pleasant in the Summer time, to view the teeming land; ‘Tis pleasant on a Winter’s night, to crouch around the blaze, But what are joys like these, my boys, to Autumn’s merry days! Then hail to merry Autumn days, when yellow corn-fields shine, Far brighter than the costly cup that holds the monarch’s wine! And hail to merry harvest time, the gayest of the year, The time of rich and bounteous crops, rejoicing, and good cheer!https://dickenssearch.com/files/original/3/Round/Round_The_Village_Coquettes.png
64https://dickenssearch.com/items/show/64'Scenes and Characters, No. 1, Seven Dials'Published in <em>Bell's Life in London </em>(27 September 1835).Dickens, Charles<em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0000355/18350927/001/0001" class="waffle-rich-text-link" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0000355/18350927/001/0001</a>.<span></span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-09-27">1835-09-27</a><em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0000355/18350927/001/0001" class="waffle-rich-text-link" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0000355/18350927/001/0001</a>. Some rights reserved. Thisd work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-09-27_Bells_Life_in_London_Scenes_and_Characters_No1_Seven_DialsDickens, Charles. 'Scenes and Characters, No. 1, Seven Dials' (27 September 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1835-09-27_Bells_Life_in_London_Scenes_and_Characters_No1_Seven_Dials">https://www.dickenssearch.com/short-stories/1835-09-27_Bells_Life_in_London_Scenes_and_Characters_No1_Seven_Dials</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Bell%27s+Life+in+London">Bell&#039;s Life in London</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=TIBBS">TIBBS</a><a href="https://dickenssearch.com/teibp/dist/content/1835-09-27_Bells_Life_in_London_Scenes_and_Characters_No1_Seven_Dials.xml" target="_blank" rel="noopener">'Scenes and Characters, No. 1, Seven Dials.' <em>Bell's Life in London </em>(27 September 1835).</a>18350927SEVEN DIALS. - We have always been of opinion that if Tom King and the Frenchman had not immortalised Seven Dials, Seven Dials would have immortalised itself. Seven Dials! the region of song and poetry - first effusions, and last dying speeches: hallowed by the names of Catnac and of Pitts - names that will entwine themselves with costermongers, and barrel organs, when penny magazines shall have superseded penny yards of song, and capital punishment be unknown! Look at the construction of the place. The gordian knot was all very well in its way: so was the maze of Hampton Court: so is the maze at the Beulah Spa: so were the ties of stiff white neckcloths, when the difficulty of getting one on was only to be equalled by the apparent impossibility of ever getting it off again. But what involutions can compare with those of Seven Dials - where is there such another maze of streets, courts, lanes, and alleys - where such a pure mixture of Englishmen and Irishmen, as in this complicated part of London? We boldly aver that we doubt the veracity of the legend to which we have adverted. We can suppose a man rash enough to inquire at random - at a house with lodgers too - for a Mr. Thompson, with all but the certainty before his eyes, of finding at least two or three Thompsons in any house of moderate dimensions; but a Frenchman - a Frenchman - in Seven Dials! Pooh! He was an Irishman. Tom King&#039;s education had been neglected in his infancy, and as he couldn&#039;t understand half the man said, he took it for granted he was talking French. The stranger who finds himself in &quot;The Dials&quot; for the first time, and stands Belzoni-like, at the entrance of seven obscure passages, uncertain which to take, will see enough around him to keep his curiosity and attention awake for no inconsiderable time. From the irregular square into which he has emerged, streets and courts dart in all directions, until they are lost in the unwholesome vapour which hangs over the house-tops, and renders the dirty perspective uncertain and confined; and lounging at every corner, as if they came there to take a few gasps of such fresh air as has found its way so far, but is too much exhausted already to be enabled to force itself into the narrow alleys around, are groups of people, whose appearance and dwellings would fill any mind but a regular Londoner&#039;s with astonishment. On one side a little crowd has collected round a couple of ladies, who having imbibed the contents of various &quot;three-outs&quot; of gin and cloves in the course of the morning, have at length differed on some point of domestic arrangement, and are on the eve of settling the quarrel satisfactorily by an appeal to blows, greatly to the interest of other ladies who live in the same house, and tenements adjoining, and who are all partisans on one side or other. &quot;Vy don&#039;t you pitch into her Sarah?&quot; exclaims one half-dressed matron, by way of encouragement. &quot;S&#039;elp me God, if my &#039;usband had treated her vith a drain last night, unbeknown to me, I&#039;d tear her precious eyes out - a wixen!&quot; &quot;What&#039;s the matter, ma&#039;am?&quot; inquires another old woman, who has just bustled up to the spot. &quot;Matter!&quot; replies the first speaker, talking at the obnoxious combatant, &quot;matter! Here&#039;s poor dear Mrs. Sulliwin, as has five blessed children of her own, can&#039;t go out a charing for one arternoon, but what hussies must be a comin and ticing avay her oun &#039;usband, as she&#039;s been married to twelve year come next Easter Monday, for I see the certificate ven I was a drinkin a cup o&#039; tea vith her only the wery last blessed Ven&#039;sday as ever vos sent. I appen&#039;d to say promiscuously &#039;Mrs Sulliwin,&#039; says I - &quot; &quot;What do you mean by hussies?&quot; interrupts a champion of the other party, who has evinced a strong inclination throughout to get up a branch fight on her own account (&quot;Hoo-roar,&quot; ejaculates a pot-boy in a parenthesis, &#039;put the kye-bosh on her, Mary.&quot;) &quot;What do you mean by hussies?&quot; reiterates the champion. &quot;Niver mind,&quot; replies the opposition expressively, &quot;niver mind; you go home, and, ven you&#039;re quite sober, mend your stockings.&quot; This somewhat personal allusion, not only to the lady&#039;s habits of intemperance, but also to the state of her wardrobe, rouses her utmost ire, and she accordingly complies with the urgent request of the by-standers to &quot;pitch in,&quot; with considerable alacrity. The scuffle became general, and terminates, in minor play-bill phraseology, with &quot;arrival of the policemen - interior of the station-house, and impressive denouement.&quot; In addition to the numerous groups who are idling about the gin shops, and squabbling in the centre of the road, every post in the open space has its occupant, who leans against it for hours, with listless perseverance. It is odd enough that one class of men in London appear to have no enjoyment beyond leaning against posts. We never saw a regular bricklayer&#039;s labourer take any other recreation - fighting excepted. Pass through St. Giles&#039;s in the evening of a week day - there they are in their fustian dresses, spotted with brick-dust and whitewash - leaning against posts. Walk through Seven Dials on Sunday morning: there they are again - drab or light corduroy trousers, blucher boots, blue coats, and great yellow waistcoats - leaning against posts. The idea of a man dressing himself in his best clothes, to lean against a post all day! The peculiar character of these streets, and the close resemblance each one bears to its neighbour, by no means tends to decrease the bewilderment in which the unexperienced wayfarer through &quot;the Dials&quot; finds himself involved. He traverses streets of dirty, straggling houses, with here and there an unexpected court, composed of buildings as ill-proportioned and deformed as the half naked children that wallow in the kennels. Now and then, is a little dark chandler&#039;s shop, with a cracked bell hung up behind the door, to announce the entrance of a customer, or betray the presence of some young gentleman in whom a passion for shop tills has developed itself at an early age. Handsome, lofty buildings usurp the places of low dingy public-houses; long rows of broken and patched windows expose plants that may have flourished when &quot;the Dials&quot; were built, in vessels as dirty as &quot;the Dials&quot; themselves; and shops for the purchase of rags, bones, old iron, and kitchen stuff, vie in cleanliness with the bird-fanciers&#039; and rabbit-dealers&#039;, which one might fancy so many arks, but for the irresistible conviction that no bird in its proper senses, who was permitted to leave one of them, would ever come back again. Brokers&#039; shops, which would seem to have been established by humane individuals as refuges for destitute bugs, interspersed with announcements of day schools, penny theatres, petition-writers, mangles, and music for balls or routs, complete the &quot;still life&quot; of the subject; and dirty men, filthy women, squalid children, fluttering shuttlecocks, noisy battledores, reeking pipes, bad fruit, more than doubtful oysters, attenuated cats, depressed dogs, and anatomical fowls, are its cheerful accompaniments. If the external appearance of the houses, or a glance at their inhabitants, presents but few attractions, a closer acquaintance with either is little calculated to alter one&#039;s first impression. Every room has its separate tenant, and every tenant is - by the same mysterious dispensation which causes a country curate to &quot;increase and multiply&quot; most marvellously - generally the head of a numerous family. The man in the shop, perhaps, is in the baked &quot;jemmy&quot; line, or the fire-wood and hearth-stone line, or any other line which requires a floating capital of eighteen-pence or thereabouts; and he and his family live in the shop, and the small back parlour behind it. Then there is an Irish labourer and his family in the back kitchen; and a jobbing man - carpet-beater and so forth - with his family in the front one. In the front one-pair there&#039;s another man with another wife and family, and in the back one-pair, there&#039;s &quot;a young ooman as takes in tambour-work, and dresses quite genteel,&quot; who talks a good deal about &quot;my friend,&quot; and &quot;can&#039;t abear anything low.&quot; The second floor front, and the rest of the lodgers, are just a second edition of the people below, except a shabby-genteel man in the back attic, who has his half-pint of coffee every morning from the coffee-shop next door but one, which boasts a little front den called a coffee-room, with a fire-place, over which is an inscription, politely requesting that, &quot;to prevent mistakes,&quot; customers will &quot;please to pay on delivery.&quot; The shabby-genteel man is an object of some mystery, but as he leads a life of seclusion, and never was known to buy anything beyond an occasional pen, except half-pints of coffee, penny loaves, and ha&#039;porths of ink, his fellow-lodgers very naturally suppose him to be an author; and rumours are current in the Dials, that he writes poems - for Mr Warren. Now anybody who passed through the Dials on a hot summer&#039;s evening, and saw the different women in the house gossiping on the steps, would be apt to think that all was harmony among them, and that a more primitive set of people than the native Diallers could not be imagined. Alas! the man in the shop ill-treats his family; the carpet-beater extends his professional pursuits to his wife; the one-pair front has an undying feud with the two pair front, in consequence of the two-pair front persisting in dancing over his (the one-pair front&#039;s) head, when he and his family have retired for the night; the two-pair back will interfere with the front kitchen&#039;s children; the Irishman comes home drunk every other night, and attacks everybody; and the one-pair back screams at everything. Animosities spring up between floor and floor; the very cellar asserts his equality. Mrs A. smacks Mrs B.&#039;s child for &quot;making faces.&quot; Mrs B. forthwith throws cold water over Mrs A.&#039;s child for &quot;calling names.&quot; The husbands are embroiled - the quarrel becomes general - an assault is the consequence, and a police-office the result.https://dickenssearch.com/files/original/5/Scenes_and_Characters_No._1_Seven_Dials/1835-09-27_Bells_Life_in_London_Scenes_and_Characters_No1__Seven_Dials.pdf
104https://dickenssearch.com/items/show/104'Scenes and Characters, No. 10, Christmas Festivities'Published in <em>Bell's Life in London</em> (27 December 1835).Dickens, Charles<em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351227/001/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351227/001/0001</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-12-27">1835-12-27</a><em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351227/001/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351227/001/0001</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-12-27_Bells_Life_in_London_Scenes_and_Characters_No10_Christmas_FestivitiesDickens, Charles. 'Scenes and Characters, No. 10, Christmas Festivities' (27 December 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-12-27_Bells_Life_in_London_Scenes_and_Characters_No10_Christmas_Festivities">https://dickenssearch.com/short-stories/1835-12-27_Bells_Life_in_London_Scenes_and_Characters_No10_Christmas_Festivities</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Bell%27s+Life+in+London">Bell&#039;s Life in London</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=TIBBS">TIBBS</a><a href="https://dickenssearch.com/teibp/dist/content/1835-12-27_Bells_Life_in_London_Scenes_and_Characters_No10_Christmas_Festivities.xml" target="_blank" rel="noopener">'Scenes and Characters, No. 10, Christmas Festivities.' <em>Bell's Life in London</em> (27 December 1835).</a>18351227Christmas time! That man must be a misanthrope indeed in whose breast something like a jovial feeling is not roused - in whose mind some pleasant associations are not awakened - by the recurrence of Christmas. There are people who will tell you that Christmas is not to them what it used to be - that each succeeding Christmas has found some cherished hope or happy prospect of the year before dimmed or passed away - and that the present only serves to remind them of reduced circumstances and straitened incomes - of the feasts they once bestowed on hollow friends, and of the cold looks that meet them now, in adversity and misfortune. Never heed such dismal reminiscences. There are few men who have lived long enough in the world who cannot call up such thoughts any day in the year. Then do not select the merriest of the three hundred and sixty-five for your doleful recollections, but draw your chair nearer the blazing fire - till the glass, aud send round the song - and, if your room be smaller than it was a dozen years ago, or if your glass is filled with reeking punch instead of sparkling wine, put a good face on the matter, and empty it off-hand, and fill another, and troll off the old ditty you used to sing, and thank God it&#039;s no worse. Look on the merry faces of your children as they sit round the fire. One little seat may be empty - one slight form that gladdened the father&#039;s heart and rouse the mother&#039;s pride to look upon may not be there. Dwell not upon the past - think not that, one short year ago, the fair child now fast resolving into dust sat before you, with the bloom of health upon its cheek, and the gay unconsciousness of infancy in its joyous eye. Reflect upon your present blessings - of which all man have some. Fill your glass again, with a merry face and a contented heart. Our life on it but your Christmas shall be merry, and your new year a happy one. Who can be insensible to the outpourings of good feeling, and the honest interchange of affectionate attachment, which abound at this season of the year? A Christmas family party! We know nothing in nature more delightful! There seems a magic in the very name of Christmas. Petty jealousies and discords are forgotten: social feelings are awakened in bosoms to which they have long been strangers; father and son, or brother and sister, who have met and passed with averted gaze, or a look of cold recognition for months before, proffer and return the cordial embrace, and bury their past animosities in their present happiness. Kindly hearts that have yearned towards each other but have been withheld by false notions of pride and self dignity, are again united, and all is kindness and benevolence! Would that Christmas lasted the whole year through, and that the prejudices and passions which deform our better nature were never called into action among those to whom, at least, they should ever be strangers! The Christmas Family Party that we mean is not a mere assemblage of relations, got up at a week or two&#039;s notice, originating this year, having no family precedent in the last, and not likely to be repeated in the next. It is an annual gathering of all the accessible members of the family, young or old, rich or poor, and all the children look forward to it for some two months beforehand in a fever of anticipation. Formerly it was always held at grandpapa&#039;s, but grandpapa getting old, and grandmamma getting old too, and rather infirm, they have given up housekeeping, and domesticated themselves with uncle George: so the party always takes place at uncle George&#039;s house, but grandmamma sends in most of the good things, and grandpapa always will toddle down all the way to Newgate-market to buy the turkey, which he engages a porter to bring home behind him in triumph, always insisting on the man&#039;s being rewarded with a glass of spirits, over and above his hire, to drink &quot;a merry Christmas and a happy new year&quot; to aunt George; as to grandma she is very secret and mysterious for two or three days beforehand, but not sufficiently so to prevent rumours getting afloat that she has purchased a beautiful new cap with pink ribbons for each of the servants, together with sundry books, and penknives, and pencil-cases for the young branches - to say nothing of divers secret additions to the order originally given by aunt George at the pastry-cook&#039;s, such as another dozen of mince pies for the dinner, and a large plum-cake for the children. On Christmas-eve, grandma is always in excellent spirits, and after employing all the children during the day in stoning the plumbs and all that, insists regularly every year on uncle George coming down into the kitchen, taking off his coat, and stirring the pudding for half an hour or so, which uncle George good humouredly does, to the vociferous delight of the children and servants; and the evening concludes with a glorious game of blind man&#039;s buff, in an early stage of which grandpa takes great care to be caught, in order that he may have an opportunity of displaying his dexterity. On the following morning the old couple, with as many of the children as the pew will hold, go to church in great state, leaving aunt George at home dusting decanters and filling castors, and uncle George carrying bottles into the dining parlour, and calling for corkscrews, and getting into everybody&#039;s way. When the church party return to lunch, grandpapa produces a small spring of mistletoe from his pocket, and temps the boys to kiss their little cousins under it - a proceeding which affords both the boys and the old gentleman unlimited satisfaction, but which rather outrages grandma&#039;s ideas of decorum, until grandpa says that when he was just thirteen years and three months old he kissed grandma under a mistletoe too, on which the children clap their hands and laugh very heartily, as do aunt George and uncle George; and grandma looks pleased, and says with a benevolent smile that grandpa always was an impudent dog, on which the children laugh very heartily again, and grandpa more heartily than any of them. But all these diversions are nothing to the subsequent excitement, when grandmamma in a high cap and slate-coloured silk gown, and grandpapa with a beautifully plaited shirt frill and white neckerchief, seat themselves on one side of the drawing-room fire with uncle George&#039;s children and little cousins innumerable, seated in the front, waiting the arrival of the anxiously-expected visitors. Suddenly a hackney coach is heard to stop, and uncle George, who has been looking out of the window, exclaims &quot;Here&#039;s Jane!&quot; on which the children rush to the door, and scamper helter-skelter down stairs; and uncle Robert and aunt Jane, and the dear little baby and the nurse, and the whole party, are ushered up stairs amidst tumultuous shouts of &quot;Oh, my!&quot; from the children, and frequently repeated warnings not to hurt baby from the nurse; and grandpapa takes the child, and grandmamma kisses her daughter, and the confusion of this first entry has scarcely subsided, when some other aunts and uncles with more cousins arrive, and the grown-up cousins flirt with each other, and so do the little cousins too for that matter, and nothing is to be heard but a confused din of talking, laughing, and merriment. A hesitating double knock at the street door, heard during a momentary pause in the conversation, excites a general inquiry of &quot;Who&#039;s that?&quot; and two or three children, who have been standing at the window, announce in a low voice, that it&#039;s &quot;poor aunt Margaret.&quot; Upon which aunt George leaves the room to welcome the new comer and grandmamma draws herself up rather stiff and stately, for Margaret married a poor man without her consent, and poverty not being a sufficiently weighty punishment for her offence has been discarded by her friends, and debarred the society of her dearest relatives. But Christmas has come round, and the unkind feelings that have struggled against better dispositions during the year, have melted away before its genial influence, like half-formed ice beneath the morning sun. It is not difficult in a moment of angry feeling for a parent to denounce a disobedient child; but to banish her at a period of general good-will and hilarity from the hearty, round which she has sat on so many anniversaries of the same day; expanding by slow degrees from infancy to girlhood, and then bursting, almost imperceptibly, into the high-spirited and beautiful woman, is widely different. The air of conscious rectitude and cold forgiveness, which the old lady has assumed, sits ill upon her; and when the poor girl is led in by her sister - pale in looks and broken in spirit - not from poverty, for that she could bear; but from the consciousness of undeserved neglect, and unmerited unkindness - it is easy to see how much of it is assumed. A momentary pause succeeds; the girl breaks suddenly from her sister, and throws herself, sobbing, on her mother&#039;s neck. The father steps hastily forward, and grasps her husband&#039;s hand. Friends crowd round to offer their hearty congratulations, and happiness and harmony again prevail. As to the dinner, its perfectly delightful - nothing goes wrong, and everybody is in the very best of spirits, and disposed to please and be pleased. Grandpapa relates a circumstantial account of the purchase of the turkey, with a slight digression relative to the purchase of previous turkeys on former Christmas Days, which grandmamma corroborates in the minutest particular: Uncle George tells stories, and carves poultry, and takes wine, and jokes with the children at the side-table, and winks at the cousins that are making love, or being made love to, and exhilarates everybody with his good humour and hospitality; and when at last a stout servant staggers in with a gigantic pudding, with a sprig of holly in the top, there is such a laughing, and shouting, and clapping of little chubby hands, and kicking up of fat dumpy legs, as can only be equalled by the applause with which the astonishing feat of pouring lighted brandy into mince pies is received by the younger visitors. Then the dessert! - and the wine! - and the fun! Such beautiful speeches, and such songs, from Aunt Margaret&#039;s husband, who turns out to be such a nice man, and so attentive to grandmamma! Even grandpapa not only sings his annual song with unprecedented vigour, but, on being honoured with an unanimous encore, according to annual custom; actually comes out with a new one, which nobody but grandmamma ever heard before, and a young scape-grace of a cousin, who has been in some disgrace with the old people, for certain heinous sins of omission and commission - neglecting to call, and persisting in drinking Burton ale - astonishes everybody into convulsions of laughter by volunteering the most extraordinary comic songs that were ever heard. And thus the evening passes in a strain of national good-will and cheerfulness, doing more to awaken the sympathies of every member of the party in behalf of his neighbour, and to perpetuate their good feeling during the ensuing year, than all the homilies that have ever been written, by all the Divines that have ever lived. There are a hundred associations connected with Christmas which we should very much like to recall to the minds of our readers; there are a hundred comicalities inseparable from the period, on which it would give us equal pleasure to dilate. We have attained our ordinary limits, however, and cannot better conclude than by wishing each and all of them, individually and collectively, &quot;a merry Christmas happy new year.&quot;https://dickenssearch.com/files/original/5/Scenes_and_Characters_No._10_Christmas_Festivities/1835-12-27_Bells_Life_in_London_Scenes_and_Characters_No10_Christmas_Festivities.pdf
105https://dickenssearch.com/items/show/105'Scenes and Characters, No. 11, The New Year'Published in <em>Bell's Life in London</em> (3 January 1836).Dickens, Charles<em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18360103/001/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18360103/001/0001</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836-01-03">1836-01-03</a><em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18360103/001/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18360103/001/0001</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1836-01-03_Bells_Life_in_London_Scenes_and_Characters_No11_The_New_YearDickens, Charles. 'Scenes and Character, No.11, The New Year' (3 January 1836). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1836-01-03_Bells_Life_in_London_Scenes_and_Characters_No11_The_New_Year">https://dickenssearch.com/short-stories/1836-01-03_Bells_Life_in_London_Scenes_and_Characters_No11_The_New_Year</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Bell%27s+Life+in+London">Bell&#039;s Life in London</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=TIBBS">TIBBS</a><a href="https://dickenssearch.com/teibp/dist/content/1836-01-03_Bells_Life_in_London_Scenes_and_Characters_No11_The_New_Year.xml" target="_blank" rel="noopener">'Scenes and Characters, No. 11, The New Year.' <em>Bell's Life in London</em> (3 January 1836).</a>18360103Next to Christmas-day, the most pleasant annual epoch in existence is the advent of the New Year. There are a lachrymose set of people who usher in the New Year with watching and fasting, as if they were bound to attend as chief mourners at the obsequies of the old one. Now, we cannot but think it a great deal more complimentary, both to the old year that has rolled away, and to the new year that is just beginning to dawn upon us, to see the old fellow out, and the new one in, with gaiety and glee. There must have been some few occurrences in the past year to which we can look back, with a smile of cheerful recollection, if not with a feeling of heartfelt thankfulness; and we are bound by every rule of justice and equity to give the new year credit for being a good one, until he proves himself unworthy the confidence we repose in him. This is our view of the matter; and entertaining it, notwithstanding our respect for the old year, one of the few remaining moments of whose existence passes away with every word we write, here we are, seated by our fireside on this last night of the old year, one thousand eight hundred and thirty-five, penning this article, and drinking our grog with as jolly a face as if nothing extraordinary had happened, or was about to happen, to disturb our equanimity. Hackney coaches and carriages keep rattling up the street and down the street in rapid succession, conveying, doubtless, smartly-dressed coachfulls to crowded parties; loud and repeated double knocks at the house with green blinds opposite, announce to the whole neighbourhood that there&#039;s one large party in the street at all events; and we saw through the window - and through the fog too, till it grew so thick that we rung for candles, and drew our curtains - pastry-cooks&#039; men with green boxes on their heads, and rout furniture-warehouse carts, with cane seats and French lamps, hurrying to the numerous houses where an annual festival is held in honour of the occasion. We can fancy one of these parties, we think, as well as if we were duly dress-coated and pumped, and had just been announced at the drawing-room door. Take the house with the green blinds for instance. We know its a quadrille party, because we saw some men taking up the front drawing-room carpet while we sat at breakfast this morning; and if further evidence be required, and we must tell the truth, we just now saw one of the young ladies &quot;doing&quot; another of the young ladies&#039; hair, near one of the bedroom windows, in an unusual style of splendour, which nothing less than a quadrille party could possibly justify. The master of the house with the green blinds is in a public office - we know the fact by the cut of his coat, the tie of his neckcloth, and the self-satisfaction of his gait - the very green blinds themselves have a Somerset-house air about them. Hark! - a cab! That&#039;s a junior clerk in the same office - a tidy sort of young man, with a tendency to cold and corns, who comes with a pair of boots with black cloth fronts, and his shoes in his coat pocket, which shoes he is at this very moment putting on in the hall. Now he is announced by the man in the passage to another man in a blue coat - who is a disguised messenger from the office - on the first landing; and the man on the first landing precedes him to the drawing-room door. &quot;Mr. Winkles!&quot;shouts the messenger. &quot;How are you, Winkles?&quot; says the master of the house, advancing from the fire, before which he has been standing, talking politics and airing himself. &quot;My dear, this is Mr Winkles (a courteous salute from the lady of the house). &quot;Winkles, my eldest daughter Julia, my dear, Mr. Winkles; Mr. Winkles, my other daughters - my son, Sir;&quot; and Winkles rubs his hands very hard, and smiles as if it were all capital fun, and keeps constantly bowing and turning himself round, till the whole family have been introduced, when he glides into a chair at the corner of the sofa, and opens a miscellaneous conversation with the young ladies upon the weather and the theatres, and the old year and its lions - Captain Ross and the silent system - O&#039;Connell and Mr. Balfe - the voluntary principle and the comet - the Jewess and the Orange Lodges. More double knocks! What an extensive party! what an incessant hum of conversation and general sipping of coffee! We see Winkles now in our mind&#039;s eye, in the height of his glory. He has just handed that stout old lady&#039;s cup to the servant, and now, he dives among the crowd of young men by the door, to intercept the other servant, and secure the muffin-plate for the old lady&#039;s daughter, before he leaves the room; and now, as he passes the sofa on his way back, he bestows a glance of recognition and patronage upon the young ladies, as condescending and familiar as if he had known them from infancy. Charming person that Mr. Winkles - perfect ladies&#039; man. Such a delightful companion, too! Laugh! - nobody ever understood Pa&#039;s jokes half so well as Mr. Winkles, who laughs himself into convulsions at every fresh burst of facetiousness. Most delightful partner! - talks through the whole set; and although he does seem at first rather gay and frivolous, so romantic and with so much feeling! - quite a love. No great favourite with the young men, certainly, who sneer at, and affect to despise him; but everybody knows that&#039;s only envy, and they needn&#039;t give themselves the trouble of attempting to depreciate his merits at any rate; for Ma says he shall be asked to every future dinner-party, if it&#039;s only to talk to people between the courses, and distract their attention when there&#039;s any unexpected delay in the kitchen. At supper, Mr Winkles shows to still greater advantage than he has done throughout the evening, and when Pa requests every one to fill their glasses for the purpose of drinking happiness throughout the year, Mr. Winkles is so droll, insisting on all the young ladies having their glasses filled, notwithstanding their repeated assurances that they never can, by any possibility, think of emptying them and subsequently begging permission to say a few words on the sentiment which has just been uttered by Pa, when he makes one of the most brilliant and poetical speeches that can possibly be imagined, about the old year and the new one. After the toast has been drunk, and when the ladies have retired, Mr. Winkles requests that every gentleman will do him the favour of filling his glass, for he has a toast to propose; on which all the gentlemen cry &quot;hear! hear!&quot; and pass the decanters accordingly, and Mr. Winkles being informed by the master of the house that they are all charged, and waiting for his toast, rises, and begs to remind the gentlemen present how much they have been delighted by the dazzling array of elegance and beauty which the drawing-room has exhibited that night, and how their senses have been charmed, and their hearts captivated by the bewitching concentration of female loveliness which that very room has so recently displayed [loud cries of hear!]. Much as he (Winkles) would be disposed to deplore the absence of the ladies, on other grounds, he cannot but derive some consolation from the reflection that the very circumstance of their not being present enables him to propose a toast which he would have otherwise been prevented from giving - that toast he begs to say is - &quot;The Ladies!&#039;&quot;[great applause]. - The ladies, among whom the fascinating daughters of their excellent host are alike conspicuous for their beauty, their accomplishments, and their elegance. He begs them to drain a bumper to &quot;The Ladies,&quot; and a happy new year to them [prolonged approbation, above which the noise of the ladies dancing the Spanish dance among themselves, over head, is distinctly audible]. The applause consequent on this toast has scarcely subsided when a young gentleman in a pink under waistcoat, towards the bottom of the table, is observed to grow very restless and fidgetty, and to evince strong indications of some latent desire to give vent to his feelings in a speech, which the wary Winkles at once perceiving determines to forestal by speaking himself. He, therefore, rises again, with an air of solemn importance, and trusts he may be permitted to propose another toast [unqualified approbation, and Mr. Winkles proceeds]. He is sure they must all be deeply impressed with the hospitality - he may say the splendour - with which they have been that night received by their worthy host and hostess [unbounded applause]. Although this is the first occasion on which he has had the pleasure and delight of sitting at that board, he has known his friend Dobble long and intimately; he has been connected with him in business - he wishes everybody present knew Dobble as well as he does [a cough from the host]. He (Winkles) can lay his hand upon his (Winkles) heart, and declare his confident belief that a better man, a better husband, a better father, a better brother, a better son, a better relation in any relation of life, than Dobble, never existed [loud cries of &quot;Hear!&quot;]. They have seen him to-night in the peaceful bosom of his family; they should see him in the morning, in the trying duties of his office. Calm in the perusal of the Morning Paper, uncompromising in the signature of his name, dignified in his replies to the inquiries of stranger applicants, deferential in his behaviour to his superiors - majestic in his deportment to the messengers [cheers]. When he bears this merited testimony to the excellent qualities of his friend Dobble, what can he say in approaching such a subject as Mrs Dobble? Is it requisite for him to expatiate on the qualities of that amiable woman? No; he will spare his friend Dobble&#039;s feelings; he will spare the feelings of his friend - if he will allow him to have the honour of calling him so - Mr Dobble, Junior. [Here Mr Dobble Junior, who has been previously distending his mouth to a considerable width, by thrusting a particularly fine orange into that feature, suspends operations, and assumes a proper appearance of intense melancholy]. He will simply say - and he is quite certain it is a sentiment in which all who hear him will readily concur - that his friend Dobble is as superior to any man he ever knew, as Mrs. Dobble is far beyond any woman he ever saw (except her daughters), and he will conclude by proposing their &quot;worthy host and hostess, and may they live to enjoy many more new years.&quot; The toast is drunk with acclamation - Dobble returns thanks - and the whole party rejoin the ladies in the drawing-room. Young men who were too bashful to dance before supper, find tongues and partners; the musicians exhibit unequivocal symptoms of having drunk the new year in, while the company were out; and dancing is kept up until far in the first morning of the new year. We have scarcely written the last word of the previous sentence, when the first stroke of twelve peals from the neighbouring churches; there is something awful in the sound. Strictly speaking, it may not be more impressive now than at any other time, for the hours steal as swiftly on at other periods, and their flight is little heeded. But, we measure man&#039;s life by years, and it is a solemn knell that warns us we have passed another of the boundaries which stand between us and the grave; disguise it as we may, the reflection will force itself on our minds that when next that bell announces the arrival of a new year, we may be insensible alike of the timely warning we have so often neglected, and of all the warm feelings that glow within us now. But twelve has struck, and the bells ring merrily out which welcome the new year. Away with all gloomy reflections. We were happy and merry in the last one, and will be, please God, in this. So as we are alone, and can neither dance it in, nor sing it in, here goes our glass to our lips, and a hearty welcome to the year one thousand eight hundred and thirty-six say we.https://dickenssearch.com/files/original/5/Scenes_and_Characters_No._11_The_New_Year/1836-01-03_Bells_Life_in_London_Scenes_and_Characters_No.11_The_New_Year.pdf
106https://dickenssearch.com/items/show/106'Scenes and Characters, No. 12, The Streets at Night'Published in <em>Bell's Life in London</em> (17 January 1836).Dickens, Charles<em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18360117/001/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18360117/001/0001</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836-01-17">1836-01-17</a><em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18360117/001/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18360117/001/0001</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1836-01-17_Bells_Life_in_London_Scenes_and_Characters_No12_The_Streets_at_NightDickens, Charles. 'Scenes and Characters, No. 12, The Streets at Night' (17 January 1836). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1836-01-17_Bells_Life_in_London_Scenes_and_Characters_No12_The_Streets_at_Night">https://dickenssearch.com/short-stories/1836-01-17_Bells_Life_in_London_Scenes_and_Characters_No12_The_Streets_at_Night</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Cem%3EBell%27s+Life+in+London%3C%2Fem%3E"><em>Bell's Life in London</em></a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=TIBBS">TIBBS</a><a href="https://dickenssearch.com/teibp/dist/content/1836-01-17_Bells_Life_in_London_Scenes_and_Characters_No12_The_Streets_at_Night.xml" target="_blank" rel="noopener">'Scenes and Characters, No. 12, The Streets at Night.' Published in <em>Bell's Life in London</em> (17 January 1836).</a>18360117The streets of London, to be beheld in the very height of their glory, should be seen on a dark, dull, murky, winter’s night, when there is just enough damp gently stealing down to make the pavement greasy, without cleaning it of any of its impurities, and when the heavy lazy mist, which hangs over every object around makes the gas lamps look brighter, and the brilliantly lighted shops more splendid, from the contrast they present. Everybody who is in-doors on such a night as this, seem disposed to make themselves as snug and comfortable as possible. In the larger and better kind of streets dining parlour curtains are closely drawn, kitchen fires blaze brightly up, and savoury steams of hot dinners salute the nostrils of the hungry wayfarer, as he plods wearily by the area railings. In the suburbs, the muffin-boy rings his way down the little street much more slowly than he is wont to do, for Mrs. Macklin at number four has no sooner opened her little street-door and screamed out &quot;Muffins!&quot; with all her might, than Mrs. Walker at number five puts her head out of the parlour window, and screams &quot;Muffins!&quot; too, and Mrs. Walker has scarcely got the word out of her lips, than Mrs. Peplow over the way lets loose Master Peplow, who darts down the street with a velocity which nothing but buttered muffins in perspective could possibly inspire, and drags the boy back by main force, whereupon Mrs. Macklin and Mrs. Walker, just to save the boy trouble, and to say a few neighbourly words to Mrs. Peplow at the same time, run over the way and buy their muffins at Mrs. Peplow’s door, when it appears from the voluntary statement of Mrs. Walker, that her kittle’s just a-biling, and the cups and sarsers ready laid, and that, as it was such a wretched night out o’ doors, she’d made up her mind to have a nice hot comfortable cup o’ tea - a determination at which, by the most singular coincidence, the other two ladies had simultaneously arrived. After a little conversation about the wretchedness of the weather and the merits of tea, with a digression relative to the viciousness of boys as a rule, and the amiability of Master Peplow as an exception, Mrs. Walker sees her husband coming down the street, and as he must want his tea, poor man, after his dirty walk from the docks, she instantly runs across, muffins in hand, and Mrs. Macklin does the same, and after a few words to Mrs. Walker, they all pop into their little houses, and slam their little street-doors, which are not opened again for the remainder of the evening, except to the nine o’clock beer, who comes round with a lantern in front of his tray, and says, as he lends Mrs. Walker &quot;yesterday’s &#039;Tiser,&quot; that he’s blessed if he can hardly hold the pot, much less feel the paper, for it’s one of the bitterest nights he ever felt, ’cept the night when the man was frozen to death in the Brick-field. After a little prophetic conversation with the policeman at the street-corner, touching a probable change in the weather, and the setting-in of a hard frost, the nine o’clock beer returns to his master’s house, and employs himself for the remainder of the evening, in assiduously stirring the tap-room fire, and deferentially taking part in the conversation of the worthies assembled round it. The streets in the vicinity of the Marsh-gate and Victoria Theatre present an appearance of dirt and discomfort on such a night, which the groups who lounge about them in no degree tend to diminish. Even the little block-tin temple sacred to &quot;baked &#039;taturs,&quot; surmounted by a splendid design in variegated lamp, looks less gay than usual; and as to the kidney-pie stand, its glory has quite departed, for the candle in the transparent lamp, manufactured of oiled paper, embellished with &quot;characters,&quot; has been blown out fifty times, so the kidney-pie merchant, tired with running backwards and forwards to the next wine-vaults to get a light, has given up the idea of illumination in despair, and the only signs of his whereabout are the bright sparks, of which, a long irregular train is whirled down the street every time he opens his portable oven to hand a hot kidney-pie to a customer. Flat-fish, oyster, and fruit-vendors linger hopelessly in the kennel, in vain endeavouring to attract customers; and the ragged boys who usually disport themselves about the streets, stand crouched in little knots in some projecting door-way, or under the canvass window-blind of a cheesemonger’s, where great flaring gas lights, unshaded by any glass, display huge piles of bright red, and pale yellow cheeses, mingled with little fivepenny dabs of dingy bacon, various tubs of weekly Dorset, and cloudy rolls of &quot;best fresh.&quot; Here they amuse themselves with theatrical converse arising out of their last half-price visit to the Victoria gallery, admire the terrific combat which is nightly encored, and expatiate on the inimitable manner in which Bill Thompson can come the double monkey, or go through the mysterious involutions of a sailor’s hornpipe. It is nearly eleven o’clock, and the cold thin rain which has been drizzling so long, is beginning to pour down in good earnest; the baked-&#039;tatur man has departed - the kidney-pie man has just taken his warehouse on his arm with the same object - the cheesemonger has drawn in his blind - the boys have dispersed. The constant clicking of pattens on the slippy and uneven pavement, the rustling of umbrellas as the wind blows against the shop windows, bear testimony to the inclemency of the night; and the policeman, with his oil skin cape butoned closely round him, seems, as he holds his hat on his head, and turns round to avoid the gust of wind and rain which drives against him at the street corner, to be very far from congratulating himself on the prospect before him. The little chandler’s shop, with the cracked bell behind the door, whose melancholy tinkling has been regulated by the demand for quarterns of sugar, and half ounces of coffee, is shutting up; the crowds which have been passing to and fro during the whole day, are rapidly dwindling away; and the noise of shouting and quarrelling which issues from the public-houses, is almost the only sound that breaks the melancholy stillness. There was another, but it has ceased. That wretched woman with the infant in her arms, round whose meagre form the remnant of her own scanty shawl is carefully wrapped, has been attempting to sing some popular ballad, in the hope of wringing a few pence from the compassionate passer by - a brutal laugh at her weak voice is all she has gained. The tears fall thick and fast down her worn pale face; the child is cold and hungry, and its low half-stifled wailing adds to the misery of its wretched mother, as she moans aloud, and sinks despairingly down on a cold damp door-step. Singing! How few of those who pass such a miserable creature as this think of the anguish of heart, the sinking of soul and spirit, which the very effort of singing produces. What a bitter mockery! Disease, neglect, and starvation, faintly articulating the words of the joyous ditty that has enlivened your hours of feasting and merriment, God knows how often! It is no subject for jeering. The weak tremulous voice tells a fearful tale of want and famishing, and the feeble singer of this roaring song may turn away only to die of cold and hunger. One o’clock! Parties returning from the different theatres foot it through the muddy streets; cabs, hackney coaches, carriages, and theatre-omnibuses, roll swiftly by; watermen, with dim dirty lanterns in their hands, and large brass plates upon their breasts, who have been shouting and rushing about for the last two hours, retire to their watering-houses, to solace themselves with the creature comforts of pipes and purl; the half-price pit and box frequenters of the theatres throng to the different houses of refreshment; and chops, kidneys, rabbits, oysters, stout, cigars, and &quot;goes&quot; innumerable, are served up amidst a noise and confusion of smoking, running, knife-clattering, and waiter-chattering, perfectly indescribable. The more musical portion of the play-going community betake themselves to some harmonic meeting; and, as a matter of curiosity, we will follow them thither for a few moments. In a lofty room, of spacious dimensions, sit some eighty or a hundred guests, knocking little pewter measures on the tables, and hammering away with the handles of their knives, as if they were so many trunk makers. They are applauding a glee, which has just been executed by the three &quot;professional gentlemen&quot; at the top of the centre table, one of whom is in the chair - the little pompous man, with the bald head just emerging from the collar of his green coat. The others are seated on either side of him - the stout man with the small voice, and the thin-faced dark man in black. The little man in the chair is a most amusing personage - such condescending grandeur, and such a voice! &quot;Bass!&quot; as the young gentleman near us with the blue stock forcibly remarks to his companion, &quot;bass! I b’lieve you. He can go down lower than any man: so low sometimes that you can’t hear him.&quot; And so he does. To hear him growling away, gradually lower and lower down, till he can’t get back again, is the most delightful thing in the world, and it is quite impossible to witness unmoved the impressive solemnity with which he pours forth his soul in &quot;My ’Art’s in the Ilands,&quot;’ or &quot;The Brave Old Hoak.&quot; The stout man is also addicted to sentimentality, and warbles &quot;Fly fly from the World, my Bessy with me,&quot; or some such song, with lady-like sweetness, and in the most seductive tones imaginable. &quot;Pray give your orders gen’l’m’n - pray give your orders&quot; - says a pale-faced man with a red-head; and demands for &quot;goes&quot; of gin, and &quot;goes&quot; of brandy, and pints of stout, and cigars of peculiar mildness, are vociferously made from all parts of the room. The &quot;professional gentlemen&quot; are in the very height of their glory, and bestow condescending nods, or even a word or two of recognition on the better-known frequenters of the room, in the most bland and patronising manner possible. The little round-faced man with the small brown surtout, white stockings, and shoes, is in the comic line; the mixed air of self denial, and mental consciousness of his own powers with which he acknowledges the call of the chair, is particularly gratifying. - &quot;Gentlemen,&quot; says the little pompous man, accompanying the word with a knock of the president’s hammer on the table - &quot;‘Gentlemen, allow me to claim your attention - Our friend Mr. Smuggins will oblige.&quot; - &quot;Bravo!&quot; shout the company; and Smuggins, after a considerable quantity of coughing, by way of symphony, and a most facetious sniff or two, which afford general delight, sings a comic song with a fal-de-ral tol-de-ral chorus at the end of every verse, much longer than the verse itself. It is received with unbounded applause, and after some aspiring genius has volunteered a recitation, and failed dismally therein, the little pompous man gives another knock, and says &quot;Gentlemen, we will attempt a glee, if you please.&quot; This announcement calls forth tumultuous applause, and the more energetic spirits express the unqualified approbation it affords them by knocking one or two stout glasses off their legs - a humorous device, but one which frequently occasions some slight altercation when the form of paying the damage is proposed to be gone through by the waiter. Scenes like these are continued until three or four o’clock in the morning; and even when they close, fresh ones open to the inquisitive novice. But as a description of all of them, however slight, would require a volume, we make our bow and drop the curtain.https://dickenssearch.com/files/original/5/Scenes_and_Characters_No._12_The_Streets_at_Night/1836-01-17_Bells_Life_in_London_Scenes_and_Characters_No12_The_Streets_at_Night.pdf
65https://dickenssearch.com/items/show/65'Scenes and Characters, No. 2, Miss Evans and "The Eagle"'Published in <em>Bell's Life in London</em> (4 October 1835).Dickens, Charles<em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351004/009/0001?browse=true" class="waffle-rich-text-link" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351004/009/0001.</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-10-04">1835-10-04</a><em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351004/009/0001?browse=true" class="waffle-rich-text-link" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351004/009/0001.</a> Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-10-04_Bells_Life_in_London_Scenes_and_Characters_No2_Miss_Evans_and_The_EagleDickens, Charles. 'Scenes and Characters, No. 2, Miss Evans and The Eagle (04 October 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1835-10-04_Bells_Life_in_London_Scenes_and_Characters_No2_Miss_Evans_and_The_Eagle">https://www.dickenssearch.com/short-stories/1835-10-04_Bells_Life_in_London_Scenes_and_Characters_No2_Miss_Evans_and_The_Eagle</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Bell%27s+Life+in+London">Bell&#039;s Life in London</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=TIBBS">TIBBS</a><a href="https://dickenssearch.com/teibp/dist/content/1835-10-04_Bells_Life_in_London_Scenes_and_Characters_No2_Miss_Evans_and_The_Eagle.xml" target="_blank" rel="noopener"><span>'Scenes and Characters, No. 2, Miss Evans and "The Eagle".' <em>Bell's Life in London</em> (4 October 1835).</span></a>18351004Mr. Samuel Wilkins was a carpenter - a journeyman carpenter, of small dimensions; decidedly below the middle size - bordering perhaps upon the dwarfish. His face was round and shiny, &amp; his hair carefully twisted into the outer corner of each eye, till it formed a variety of that description of semi-curls, usually known as &quot;haggerawators.&quot; His earnings were all-sufficient for his wants - varying from eighteen shillings to one pound five, weekly; his manner undeniable - his sabbath waistcoats dazzling. No wonder that with these qualifications Samuel Wilkins found favour in the eyes of the other sex; many women have been captivated by far less substantial qualifications. But Samuel was proof against their blandishments, until at length his eyes rested on those of a being for whom from that time forth he felt fate had destined him. He came and conquered - proposed and was accepted - loved and was beloved. Mr. Wilkins &quot;kept company&quot; with Jemima Evans. Miss Evans (or Ivins, to adopt the pronunciation most in vogue with her circle of acquaintance) had adopted in early life the harmless pursuit of shoe-binding, to which she had afterwards superadded the occupation of a straw-bonnet maker. Herself, her maternal parent, and two sisters, formed an harmonious quartett in the most secluded portion of Camden-town; and here it was that Mr. Wilkins presented himself one Monday afternoon in his best attire, with his face more shiny and his waistcoat more bright than either had ever appeared before. The family were just going to tea, and were so glad to see him. It was quite a little feast; two ounces of seven and sixpenny green, and a quarter of a pound of the best fresh; and Mr. Wilkins had brought a pint of shrimps, neatly folded up in a clean belcher, to give a zest to the meal, and propitiate Mrs. Ivins. Jemima was &quot;cleaning herself&quot; up-stairs: so Mr. Samuel Wilkins sat down, and talked domestic economy with Mrs. Ivins, whilst the two youngest Miss Ivins&#039;s poked bits of lighted brown paper between the bars, under the kettle, to make the water boil for tea. &quot;I vos thinkin&#039;&quot; said Mr. Samuel Wilkins, during a pause in the conversation, &quot;I vos a thinkin&#039; of takin&#039; J’mima to the Eagle to-night.&quot; &quot;O my!&quot; exclaimed Mrs. Ivins. &quot;Lor! how nice!&quot; said the youngest Miss Ivins. &quot;Well; I declare!&quot; added the youngest Miss Ivins but one. &quot;Tell J’mima to put on her white muslin, Tilly,&quot; screamed Mrs. Ivins, with motherly anxiety; and down came J’mima herself soon afterwards in a white muslin gown, carefully hook-and-eyed, and little red shawl plentifully pinned, and white straw bonnet trimmed with red ribbons, and a small necklace and large pair of bracelets, and Denmark satin shoes, and open-work stockings, white cotton gloves on her fingers, and a cambric pocket-handkerchief carefully folded up in her hand - all quite genteel and ladylike. And away went Miss Jemima Ivins, and Mr. Samuel Wilkins, and a dress cane, with a gilt knob at the top, to the admiration and envy of the street in general, and to the high gratification of Mrs. Ivins, and the two youngest Miss Ivinses in particular. They had no sooner turned into the Pancras-road, than who should Miss Jemima Ivins stumble upon by the most fortunate accident in the world, but a young lady as she knew, with her young man, and - it is so strange how things do turn out sometimes - they were actually going to the Eagle too. So Mr. Samuel Wilkins was introduced to Miss Jemima Ivins’s friend’s young man, and they all walked on together, talking, and laughing and joking away like anything; and when they got as far as Pentonville, Miss Ivins’s friend’s young man would have the ladies go into the Crown to taste some shrub, which, after a great blushing and giggling, and hiding of faces in elaborate pocket-handkerchiefs, they consented to do. Having tasted it once, they were easily prevailed upon to taste it again; and they sat out in the garden tasting shrub, and looking at the Busses alternately &#039;till it was just the proper time to go to the Eagle; and then they resumed their journey, and walked on very fast, for fear they should lose the beginning of the concert in the Rotunda. &quot;How ev’nly!&quot; said Miss J’mima Ivins and Miss J’mima Ivins’s friend both at once, when they had passed the gate, and were fairly inside the gardens. There were the walks beautifully gravelled and planted; and the refreshment boxes painted and ornamented like so many snuff-boxes, and the variegated lamps shedding their rich light upon the company’s heads, and the place for dancing ready chalked for the company’s feet, and a Moorish band playing at one end of the gardens, and an opposition military band playing away at the other. Then the waiters were rushing to and fro with glasses of negus, and glasses of brandy and water, and bottles of ale and bottles of stout; and ginger-beer was going off in one place, and practical jokes were going on in another; and people were crowding to the door of the rotunda, and in short the whole scene was, as Miss J’mima Ivins, inspired by the novelty, or the shrub, or both, observed - &quot;one of dazzlin excitement.&quot; As to the concert room, never was anything half so splendid. There was an orchestra for the singers, all paint, gilding, and plate glass; and such an organ! Miss J’mima Ivins’s friend’s young man whispered it had cost &quot;four hundred pound,&quot; which Mr. Samuel Wilkins said was &quot;not dear neither&quot; - an opinion in which the ladies perfectly coincided. The audience were seated on elevated benches round the room, and crowded into every part of it, and every body was eating and drinking as comfortably as possible. Just before the concert commenced, Mr. Samuel Wilkins ordered two glasses of rum-and-water &quot;warm with,&quot; and two slices of lemon, for himself and the other young man, together with &quot;a pint o’ sherry wine for the ladies, and some sweet carraway-seed biscuits;&quot; and they would have been quite comfortable and happy, only one gentleman with large whiskers would stare at Miss J’mima Ivins, and another gentleman in a plaid waistcoat would wink at Miss J’mima Ivins’s friend; on which Miss Jemima Ivins’s friend’s young man exhibited symptoms of boiling over, and began to mutter about &quot;people’s imperence&quot; and &quot;swells out o’ luck,&quot; and to intimate in oblique terms a vague intention of knocking somebody’s head off, which he was only prevented from announcing more emphatically by both Miss J’mima Ivins and her friend, threatening to faint away on the spot if he said another word. The concert commenced - overture on the organ. &quot;How solemn!&quot; exclaimed Miss J’mima Ivins, glancing, perhaps unconsciously, at the gentleman with the whiskers. Mr. Samuel Wilkins, who had been muttering apart for some time past, as if he were holding a confidential conversation with the gilt knob of the dress-cane, breathed very hard; - breathing vengeance perhaps, but said nothing. &quot;The Soldier tired,&quot; Miss somebody, in white satin. &quot;Ancore!&quot; cried Miss J’mima Ivins’s friend. &quot;Ancore!&#039; shouted the gentleman in the plaid waistcoat immediately, hammering the table with a stout bottle. Miss J’mima Ivins’s friend’s young man eyed the man behind the waistcoat from head to foot, and cast a look of interrogative contempt towards Mr. Samuel Wilkins. Comic song, accompanied on the organ. Miss J’mima Ivins was convulsed with laughter - so was the man with the whiskers. Everything the ladies did, the plaid waistcoat and whiskers did, by way of expressing a unity of sentiment and congeniality of soul; and Miss J’mima Ivins, and Miss J’mima Ivins’s friend grew lively and talkative, as Mr. George Wilkins and Miss J’mima Ivins’s friend’s young man grew morose, and surly in inverse proportion. Now, if the matter had ended here, the little party might soon have recovered their former equanimity; but Mr. Samuel Wilkins and his friend began to throw looks of defiance upon the waistcoat and whiskers; and the waistcoat and whiskers, by way of intimating the slight degree in which they were affected by the looks aforesaid, bestowed glances of increased admiration on Miss J’mima Ivins and friend. The concert and vaudeville concluded - they promenaded the gardens. The waistcoat and whiskers did the same, and made divers remarks complimentary to the ancles of Miss J’mima Ivins and friend, in an audible tone. At length, not satisfied with these numerous atrocities, they actually came up, and asked Miss J’mima Ivins and Miss J’mima Ivins’s friend to dance, without taking no more notice of Mr. Samuel Wilkins and Miss J’mima Ivins’s friend’s young man, than if they was nobody! &quot;What do you mean by that, scoundrel?&quot; exclaimed Mr. Samuel Wilkins, grasping the gilt-knobbed dress cane firmly in his right hand. &quot;What’s the devil&#039;s the matter with you, you little humbug?&quot; replied the whiskers. &quot;How dare you insult me and my friend?&quot; inquired the friend’s young man. &quot;You and your friend be damned,&quot; responded the waistcoat. &quot;Take that!&quot; exclaimed Mr. Samuel Wilkins. The ferrule of the gilt-knobbed dress cane was visible for an instant, and then the light of the variegated lamps shone brightly upon it, as it whirled into the air, cane and all. &quot;Give it him,&quot; said the waistcoat. &quot;Luller-li-e-te,&quot; shouted the whiskers. &quot;Horficer!&quot; screamed the ladies. It was too late. Miss J’mima Ivins’s beau and the friend’s young man, lay gasping on the gravel, and the waistcoat and whiskers were seen no more. Miss J’mima Ivins and friend, being conscious that the affray was in no slight degree attributable to themselves, of course went into hysterics forthwith; declared themselves the most injured of women; exclaimed, in incoherent ravings, that they had been suspected - wrongfully suspected - oh, that they should ever have lived to see the day, &amp;c.; suffered a relapse every time they opened their eyes, and saw their unfortunate little admirers; and were carried to their respective abodes in a hackney-coach in a state of insensibility, compounded of shrub, sherry, and excitement.https://dickenssearch.com/files/original/5/Scenes_and_Characters_No._2_Miss_Evans_and_The_Eagle/1835-10-04_Bells_Life_in_London_Scenes_and_Characters_No2_Miss_Evans_and_The_Eagle.pdf
66https://dickenssearch.com/items/show/66'Scenes and Characters, No. 3, The Dancing Academy'Published in <em>Bell's Life in London</em> (11 October 1835).Dickens, Charles<em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351011/001/0001" class="waffle-rich-text-link" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351011/001/0001</a>.<span></span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-10-11">1835-10-11</a><em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351011/001/0001" class="waffle-rich-text-link" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351011/001/0001</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-10-11_Bells_Life_in_London_Scenes_and_Characters_No3_The_Dancing_AcademyDickens, Charles. 'Scenes and Characters, No. 3, The Dancing Academy' (11 October 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1835-10-04_Bells_Life_in_London_Scenes_and_Characters_No2_Miss_Evans_and_The_Eagle">https://www.dickenssearch.com/short-stories/1835-10-11_Bells_Life_in_London_Scenes_and_Characters_No3_The_Dancing_Academy</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Bell%27s+Life+in+London">Bell&#039;s Life in London</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=TIBBS">TIBBS</a><a href="https://dickenssearch.com/teibp/dist/content/1835-10-11_Bells_Life_in_London_Scenes_and_Characters_No3_The_Dancing_Academy.xml" target="_blank" rel="noopener"><span>'Scenes and Characters, No. 3, The Dancing Academy.' <em>Bell's Life in London</em> (11 October 1835).</span></a>18351011Of all the dancing academies that ever were established, there never was one more popular in its immediate vicinity than Signor Billsmethi’s, of the &quot;King’s Theatre.&quot; It wasn&#039;t in Spring Gardens, or Newman-street, or Berner&#039;s-street, or Gower-street, or Charlotte-street, or Percy street, or any other of the numerous streets which have been devoted time out of mind to professional people, dispensaries, and boarding-houses; it was not in the West-end at all, it rather approximated to the eastern portion of London, being situated in the populous and improving neighbourhood of Gray’s-inn-lane. &quot;It wasn&#039;t a dear dancing academy - four and sixpence a quarter is decidedly cheap upon the whole. It was very select, the number of pupils being strictly limited to seventy-five; and a quarter’s payment in advance being rigidly exacted. There was public tuition and private tuition - an assembly-room and a parlour. Signor Billsmethi’s family were always thrown in with the parlour, and included in parlour price; that is to say, a private pupil had Signor Billsmethi’s parlour to dance in, and Signor Billsmethi’s family to dance with; and when he had been sufficiently broken in, in the parlour, he began to run in couples in the Assembly-room. Such was the dancing academy of Signor Billsmethi when Mr. Augustus Cooper of Fetter-lane, first saw an unstamped advertisement, walking leisurely down Holborn-hill, announcing to the world that Signor Billsmethi of the King’s Theatre intended opening for the season with a Grand Ball. Now, Mr. Augustus Cooper was in the oil and colour line - just of age, with a little money, a little business, and a little mother, who having managed her husband and his business in his lifetime, took to managing her son and his business after his decease; and so somehow or other he had been cooped up in the little back parlour behind the shop on week days, and in a little deal box without a lid (called by courtesy a pew) at Bethel Chapel on Sundays; and had seen no more of the world than if he had been an infant all his days, whereas Young White, at the Gas Fitter’s over the way, three years younger than him, had been flaring away like winkin’ - going to the theatre - supping at harmonic meetings - eating oysters by the barrel, drinking stout by the gallon - even stopping out all night, and coming home as cool in the morning as if nothing had happened. So Mr. Augustus Cooper made up his mind that he would not stand it any longer, and had that very morning expressed to his mother a firm determination to be blowed, in the event of his not being instantly provided with a street door key. And he was walking down Holborn-hill thinking about all these things, and wondering how he could manage to get introduced into genteel society for the first time, when his eyes rested on Signor Billsmethi’s announcement, which it immediately struck him was just the very thing he wanted; for he should not only be able to select a genteel circle of acquaintance at once, out of the five and seventy pupils, at four and sixpence a quarter, but should qualify himself at the same time to go through a hornpipe in private society, with perfect ease to himself, and great delight to his friends. So he stopped the unstamped advertisement - an animated sandwich, composed of a boy between two boards - and having procured a very small card, with the Signor’s address indented thereon, walked straight at once to the Signor’s house - and very fast he walked too, for fear the list should be filled up, and the five and seventy completed, before he got there. The Signor was at home, and what was still more gratifying, he was an Englishman! Such a nice man - so polite; really so much more than one has any right to expect from a perfect stranger! The list wasn&#039;t full, but it was a most extraordinary circumstance that there was only just one vacancy, and even that one would have been filled up that very morning, only Signor Billsmethi was dissatisfied with the reference, and being very much afraid that the lady wasn’t select, wouldn’t take her. &quot;And very much delighted I am, Mr. Cooper,&quot; said Signor Billsmethi, &quot;that I did not take her. I assure you, Mr. Cooper, - I don’t say it to flatter you, for I know you’re above it; - that I consider myself extremely fortunate in having a gentleman of your manners and appearance, Sir.&quot; &quot;I am very glad of it too, Sir,&quot; said Augustus Cooper. &quot;And I hope we shall be better acquainted, Sir,&quot; said Signor Billsmethi. &quot;And I’m sure I hope we shall too, Sir,&quot; responded Augustus Cooper; and just then the door opened, and in came a young lady with her hair curled in a crop all over her head, and her shoes tied in sandals all over her legs. &quot;Don’t run away my dear,&quot; said Signor Billsmethi;&quot; for the young lady didn’t know Mr. Cooper was there when she ran in, and was going to run out again in her modesty, all in confusion-like. &quot;Don’t run away, my dear,&quot; said Signor Billsmethi, &quot;this is Mr. Cooper. Mr. Cooper, of Fetter-lane. Mr. Cooper, my daughter, Sir, Miss Billsmethi, Sir, who, I hope, will have the pleasure of dancing many a quadrille, reel, minuet, gavotte, country dance, fandango, double hornpipe, and farinagholkajingo with you, Sir. She dances them all, Sir; and so shall you, Sir, before you’re a quarter older,&quot; Sir &amp;amp; Signor Bellsmethi slapped Mr. Augustus Cooper on the back, as if he had known him a dozen years, so friendly; and Mr. Cooper bowed to the young lady, and the young lady curtseyed to him; and Signor Billsmethi said they were as handsome a pair as ever he’d wish to see, upon which the young lady exclaimed, &quot;Lor, Pa!&quot; and blushed as red as Mr. Cooper himself - you might have thought they were both standing under a red lamp at a chemist’s shop; and before Mr. Cooper went away it was settled that he should join the family circle that very night - taking &#039;em just as they were: no ceremony, nor nonsense of that kind - and learn his positions, in order that he might lose no time, and be able to come out at the forthcoming ball. Well, Mr. Augustus Cooper went away to one of the cheap shoemakers’ shops in Holborn, where gentlemen’s dress-pumps are seven and&amp;nbsp; sixpence, and men’s strong walking just nothing at all, and bought a pair of the regular seven-and-sixpenny, long-quartered, town-mades, in which he astonished himself quite as much as his mother, and sallied forth to Signor Billsmethi’s. There were four other private pupils in the parlour, two ladies and two gentlemen. Such nice people! Not a bit of pride about &#039;em. One of: he ladies in particular, who was in training for a Columbine, was remarkably affable, and she and Miss Billsmethi took such an interest in Mr. Augustus Cooper, and joked, and smiled, and looked so bewitching, that he got quite at home, and learnt his steps in no time. After the practising was over Signor Billsmethi and Miss Billsmethi, and Master Billsmethi, and a young lady, and the two ladies and the two gentlemen, danced a quadrille - none of your slipping and sliding about, but regular warm work; flying into corners, and diving among chairs, and shooting out at the door, something like dancing. Signor Billsmethi in particular, notwithstanding his having a little fiddle to play all the time, was out on the landing every figure; and Master Billsmethi, when everybody else was breathless, danced a hornpipe with a cane in his hand, and a cheese-plate on his head, to the unqualified admiration of the whole company. Then Signor Billsmethi insisted, as they were so happy, that they should all stay to supper; and proposed sending Master Billsmethi for the beer and spirits, whereupon the two gentlemen swore, &quot;strike ’em wulgar if they’d stand that;&quot; and they were just going to quarrel who should pay for it, when Mr. Augustus Cooper said he would, if they’d have the kindness to allow him - and they had the kindness to allow him; and Master Billsmethi brought the beer in a can, and the rum in a quart pot; they had a regular night of it; and Miss Billsmethi squeezed Mr. Augustus Cooper’s hand under the table; and Mr. Augustus Cooper returned the squeeze, and returned home too, at something to six o’clock in the morning, when he was put to bed by main force by the apprentice, after repeatedly expressing an uncontroullable desire to pitch his revered parent out of the second-floor window, and to throttle the apprentice with his own neck-handkerchief. Weeks had worn on, and the seven-and-sixpenny town-mades had nearly worn out, when the night arrived for the grand dress-ball, at which the whole of the five-and-seventy pupils were to meet together for the first time that season, and to take out some portion of their respective four-and-sixpences in lamp-oil and fiddlers. Mr. Augustus Cooper had ordered a new coat for the occasion - a two-pound-tenner from Turnstile. It was his first appearance in public; and after a grand Sicilian shawl-dance by fourteen young ladies in character, he was to open the quadrille department with Miss Billsmethi herself, with whom he had become quite intimate since his first introduction. It was a night! Everything was admirably arranged. The Sandwich boy took the hats and bonnets at the street-door; there was a turn-up bedstead in the back parlour, on which Miss Billsmethi made tea and coffee for such of the gentlemen as chose to pay for it, and such of the ladies as the gentlemen treated; red port wine negus and lemonade were handed round at eighteen-pence a head; and in pursuance of a previous engagement with the public-house at the corner of the street, an extra pot-boy was laid on for the occasion. In short nothing could exceed the arrangements, except the company. Such ladies! Such pink silk stockings! Such artificial flowers! Such a number of cabs! No sooner had one cab set down a couple of ladies, than another cab drove up, and set down another couple of ladies, and they all knew, not only one another but the majority of the gentlemen into the bargain, which made it all as pleasant and lively as could be. Signor Billsmethi in black tights, with a large blue bow in his button-hole, introduced the ladies to such of the gentlemen as were strangers; and the ladies talked away - and laughed they did - it was delightful to see &#039;em. As to the shawl-dance, it was the most exciting thing that ever was beheld. Such a whisking, and rustling, and fanning, and getting ladies into a tangle with artificial flowers, then disentangling &#039;em again; and as to Mr. Augustus Cooper’s share in the quadrille, he got through it admirably; he was missing from his partner now and then certainly, and discovered on such occasions to be either dancing with laudable perseverance in another set, or sliding about in perspective, apparently without any definite object; but, generally speaking, they managed to shove him through the figure, till he turned up in the right place. Be this as it may, when he had finished, a great many ladies and gentlemen came up and complimented him very much, and said they had never seen a beginner do anything like it before; and Mr. Augustus Cooper was perfectly satisfied with himself, and everybody else into the bargain, and &quot;stood&quot; considerable quantities of spirits and water, negus, and compounds, for the use and behoof of two or three dozen very particular friends, selected from the select circle of five-and-seventy pupils. Now, whether it was the strength of the compounds, or the beauty of the ladies, or what not, it did so happen that Mr. Augustus Cooper encouraged rather than repelled the very flattering attentions of a young lady in brown gauze over white calico, who had appeared particularly struck with him from the first; and when the encouragements had been prolonged for some time, Miss Billsmethi betrayed her spite and jealousy thereat, by calling the young lady in brown gauze a &quot;creeter,&quot; which induced the young lady in brown gauze to retort, in certain sentences containing a taunt founded on the payment of four-and-sixpence a quarter, and some indistinct reference to a &quot;fancy man,&quot; which reference Mr. Augustus Cooper, being then and there in a state of considerable bewilderment, expressed his entire concurrence in. Miss Billsmethi, thus renounced, forthwith began screaming in the loudest key of her voice, at the rate of fourteen screams a minute; and being unsuccessful, in an onslaught on the eyes and face, first of the lady in gauze, and then of Mr. Augustus Cooper, called distractedly on the other three-and-seventy pupils to furnish her with oxalic acid for her own private drinking, and, the call not being honoured, made another rush at Mr. Cooper, and then had her stay-lace cut, and was carried off to bed. Mr. Augustus Cooper, not being remarkable for quickness of apprehension, was at a loss to understand what all this meant, till Signor Billsmethi explained it in a most satisfactory manner, by stating to the pupils that Mr. Augustus Cooper had made and confirmed divers promises of marriage to his daughter on divers occasions, and had now basely deserted her, on which, the indignation of the pupils became universal; and as several chivalrous gentlemen inquired rather pressingly of Mr. Augustus Cooper, whether he required anything for his own use, or, in other words, whether he &quot;wanted anything for himself,&quot; he deemed it prudent to make a precipitate retreat. And the upshot of the matter was, that a lawyer’s letter came next day, and an action was commenced next week; and that Mr. Augustus Cooper, after walking twice to the Serpentine for the purpose of drowning himself, and coming twice back without doing it, made a confidante of his mother, who compromised the matter with twenty pounds from the till, which made twenty pounds four shillings and sixpence paid to Signor Billsmethi, exclusive of treats and pumps: and Mr. Augustus Cooper went back and lived with his mother, and there he lives to this day; and as he has lost his ambition for society, and never goes into the world, he will never see this account of himself, and will never be any the wiser.https://dickenssearch.com/files/original/5/Scenes_and_Characters_No._3_The_Dancing_Academy/1835-10-11_Bells_Life_in_London_Scenes_and_Characters_No3_The_Dancing_Academy.pdf
67https://dickenssearch.com/items/show/67'Scenes and Characters, No. 4, Making a Night of It'Published in <em>Bell's Life in London</em> (18 October 1835).Dickens, Charles<em>The British Newspaper Archive,<br /></em><a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351018/001/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351018/001/0001</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-10-18">1835-10-18</a><em>The British Newspaper Archive,<br /></em><a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351018/001/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351018/001/0001</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-10-18_Bells_Life_in_London_Scenes_and_Characters_No4_Making_a_Night_of_ItDickens, Charles. 'Scenes and Characters, No. 4, Making a Night of It' (18 October 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1835-10-18_Bells_Life_in_London_Scenes_and_Characters_No4_Making_a_Night_of_It">https://www.dickenssearch.com/short-stories/1835-10-18_Bells_Life_in_London_Scenes_and_Characters_No4_Making_a_Night_of_It</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Bell%27s+Life+in+London">Bell&#039;s Life in London</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=TIBBS">TIBBS</a><a href="https://dickenssearch.com/teibp/dist/content/1835-10-18_Bells_Life_in_London_Scenes_and_Characters_No4_Making_a_Night_of_It.xml" target="_blank" rel="noopener">'Scenes and Characters, No. 4, Making a Night of It.' Published in <em>Bell's Life in London</em> (18 October 1835).</a>18351018Damon and Pythias were undoubtedly very good fellows in their way: the former for his extreme readiness to put in special bail for a friend, and the latter for a certain trump-like punctuality in turning up just in the very nick of time, scarcely less remarkable. Many points in their character have now obsolete. Damons are rather hard to find, in these days of imprisonment for debt (except for sham ones, and they cost half a crown); and, as to the Pythiases, the few that have existed in these degenerate times have had an unfortunate knack of making themselves scarce, at the very moment when their appearance would have been strictly classical. If the actions of these heroes, however, can find no parallel in modern times, their friendship can. We have Damon and Pythias on the one hand - Potter and Smithers on the other; and lest the two last-mentioned names should never have reached the ears of our unenlightened readers, we can do no better than make them acquainted with the owners thereof. Mr. Thomas Potter, then, was a clerk in the city, and Mr. Robert Smithers was a ditto in the same; their incomes were limited, but their friendship was unbounded. They lived in the same street, walked into town every morning at the same hour, dined at the same slap-bang every day, and revelled in each other’s company very night. They were knit together by the closest ties of intimacy and friendship; or, as Mr. Thomas Potter touchingly observed, they were &quot;thick-and-thin pals, and nothing but it.&quot; There was a spice of romance in Mr. Smithers’s disposition - a ray of poetry - a gleam of misery; - a sort of consciousness of he didn’t exactly know what coming across him, he didn’t precisely know why -which stood out in fine relief against the off hand, dashing, &quot;come up to the scratch&quot; kind of manner, which distinguished Mr. Potter in an eminent degree. The peculiarity of their respective dispositions, extended itself to their individual costume. Mr. Smithers generally appeared in public in a surtout and shoes, with a narrow black neckerchief, and a brown hat, very much turned up at the sides - peculiarities which Mr. Potter wholly eschewed: for it was his ambition to do something in the celebrated &quot;kiddy&quot; or stage-coach way, and he had even gone so far as to invest capital in the purchase of a rough blue coat with wooden buttons, made upon the fireman’s principle, in which, with the addition of a low-crowned, flower-pot, saucer-shaped hat, he had created no inconsiderable sensation at the Albion, and divers other places of public resort. Mr. Potter and Mr. Smithers had mutually agreed that, on the receipt of their quarter’s salary, they would jointly and in company &quot;spend the evening&quot; - an evident misnomer - the spending applying, as everybody knows, not to the evening itself, but to all the money the individual may chance to be possessed of on the occasion to which reference is made; and they had likewise agreed that, on the evening aforesaid, they would &quot;make a night of it&quot; - an expressive term, implying the borrowing of several hours from to-morrow morning, adding them to the night before, and manufacturing a compound night of the whole. The quarter-day arrived at last - we say at last, because quarter-days are as eccentric as comets, moving wonderfully quick when you&#039;ve a good deal to pay, and marvellously slow when you have a little to receive: and Mr. Thomas Potter and Mr. Robert Smithers met by appointment to begin the evening with a dinner, and a nice, snug, comfortable dinner they had, consisting of a little procession of four chops and four kidneys, following each other, supported on either side by a pot of the real draught stout, and attended by divers cushions of bread, and wedges of cheese. When the cloth was removed, Mr. Thomas Potter ordered the waiter to bring in two goes of his best Scotch whiskey, with warm water and sugar, and a couple of his very mildest Havannahs, which the waiter did. Mr. Thomas Potter mixed his grog, and lit his cigar; Mr. Robert Smithers did the same; and then Mr. Thomas Potter jocularly proposed as the first toast, &quot;the abolition of all offices whatsomever&quot; (not sinecures, but counting-houses), which was immediately drank by Mr. Robert Smithers, with enthusiastic applause; and then they went on talking politics, puffing cigars, and sipping whiskey and water, until the &quot;goes&quot; - most appropriately so called - were both gone, which Mr. Robert Smithers forthwith perceiving, immediately ordered in two more goes of the best Scotch whiskey, and two more of the very mildest Havannahs; and the goes kept coming in, and the mild Havannahs kept going out, until what with the drinking, and lighting, and puffing, and the stale ashes on the table, and the tallow-grease on the cigars, Mr. Robert Smithers began to doubt the mildness of the Havannahs, and to feel very much as if he had been sitting in a hackney-coach, with his back to the horses. As to Mr. Thomas Potter, he would keep laughing out loud, and volunteering inarticulate declarations that he was &quot;all right,&quot; in proof of which he feebly bespoke the evening paper after the next gentleman, but finding it a matter of some difficulty to discover any news in its columns, or to ascertain distinctly whether it had any columns at all, he walked slowly out to look for the comet, and after coming back quite pale with looking up at the sky so long, and attempting to express mirth at Mr. Robert Smithers having fallen asleep, by various galvanic chuckles, he laid his head on his arm, and went to sleep also; and when he awoke again, Mr. Robert Smithers woke too, and they both very gravely agreed that it was extremely unwise to eat so many pickled walnuts with the chops, as it was a notorious fact that they always made people queer and sleepy; indeed, if it hadn&#039;t been for the whiskey and cigars, there was no knowing what harm they mightn’t have done ’em. So they took some coffee, and after paying the bill, twelve and two-pence the dinner, and the odd ten-pence for the waiter, thirteen shillings, started out on their expedition to manufacture a night. It was just half-past eight, so they thought they couldn’t do better than go half-price to the slips at the City Theatre, which they did, accordingly. Mr. Robert Smithers, who had become extremely poetical after the settlement of the bill, enlivening the walk by informing Mr. Thomas Potter, in confidence, that he felt an inward presentiment of approaching dissolution, and subsequently embellishing the theatre by falling asleep with his head and both arms gracefully drooping over the front of the boxes. Such was the quiet demeanour of the unassuming Smithers, and such were the happy effects of Scotch whiskey and Havannahs on that interesting person; but Mr. Thomas Potter, whose great aim it was to be considered as a &quot;knowing card,&quot; a &quot;fast-goer,&quot; and so forth, conducted himself in a very different manner, and commenced going very fast indeed - rather too fast at last for the patience of the audience to keep pace with. On his first entry he contented himself by earnestly calling upon the gentlemen in the gallery to &quot;flare up,&quot; accompanying the demand with another request expressive of his wish that they would instantaneously &quot;form a union,&quot; both which requisitions were responded to in the manner most in vogue on such occasions. &quot;Give that dog a bone,&quot; cried one gentleman in his shirt sleeves. &quot;Vere have you been having half a pint of intermediate?&quot; cried a second. &quot;Tailor!&quot; screamed a third. &quot;Barber’s clerk!&quot; shouted a fourth. &quot;Throw him o-ver,&quot; roared a fifth, while numerous voices concurred in desiring Mr. Thomas Potter to return to the arms of his maternal parent, or in common parlance to &quot;go home to his mother.&quot; All these taunts Mr. Thomas Potter received with supreme contempt, cocking the low-crowned hat a little more on one side, whenever any reference was made to his personal appearance; and standing up with his arms a-kimbo, expressing defiance most melodramatically. The overture - to which these various sounds had been an ad libitum accompaniment - concluded: the second piece began, and Mr. Thomas Potter emboldened by impunity, proceeded to behave in a most unprecedented and outrageous manner. First of all he imitated the shake of the principal female singer; then, groaned at the blue fire, then affected to be frightened into convulsions of terror at the appearance of the ghost; and lastly, not only made a running commentary in an audible voice upon the dialogue on the stage, but actually woke Mr. Robert Smithers, who hearing his companion making a noise, and having a very indistinct notion of where he was, or what was required of him, immediately by way of imitating a good example, set up the most unearthly, unremitting, and appalling howling that ever audience heard. It was too much. &quot;Turn &#039;em out,&quot; was the general cry. A noise as if shuffling of feet, and men being knocked up with violence against wainscoting, was heard: a hurried dialogue of &quot;come out&quot; - &quot;I won’t&quot; - &quot;You shall&quot; - &quot;I shan’t&quot; - &quot;Give me your card Sir&quot; - &quot;Punch his head,&quot; and so forth succeeded; a round of applause betokened the approbation of the audience; and Mr. Robert Smithers and Mr. Thomas Potter found themselves shot with astonishing swiftness into the road without having had the trouble of once putting foot to ground during the whole progress of their rapid descent. Mr. Robert Smithers being constitutionally one of the slow-goers, and having had quite enough of fast going, in the course of his recent expulsion, to last &#039;til the quarter-day then next ensuing at the very least, had no sooner emerged with his companion from the precincts of Milton-street, than he proceeded to indulge in circuitous references to the beauties of sleep, mingled with distant allusions to the propriety of returning to Islington, and testing the influence of their patent Bramahs over the street door locks to which they respectively belonged. Mr. Thomas Potter, however, was valorous and peremptory. They had come out to make a night of it; and a night must be made. So Mr. Robert Smithers, who was three parts dull and the other dismal, despairingly assented: and they went into a wine-vaults to get materials for assisting them in making a night, where they found a good many young ladies, and various old gentlemen, &amp; a plentiful sprinkling of hackney-coachmen &amp; cab-drivers, all drinking &amp; talking together; &amp; Mr. Thomas Potter and Mr. Robert Smithers drank small glasses of brandy, and large glasses of soda, till they began to have a very confused idea either of things in general or anything in particular, and when they had done treating themselves they began to treat everybody else; and the rest of the entertainment was a confused mixture of heads and heels, black eyes and blue uniforms, mud and gas-lights, thick doors, and stone paving. Then, as standard novelists expressively inform us - &quot;all was a blank,&quot; and in the morning the blank was filled up with the words &quot;Station-house,&quot; and the station-house was filled up with Mr. Thomas Potter, Mr. Robert Smithers, and the major part of their wine-vault companions of the preceding night, with a comparatively small portion of clothing of any kind. And it was disclosed at the Police-office, to the indignation of the Bench, and the astonishment of the spectators, how one Robert Smithers, aided and abetted by one Thomas Potter, had knocked down and beaten, in divers streets at different times, five men, four boys, &amp; three women; how the said Thomas Potter had feloniously obtained possession of five door-knockers, two bell-handles, and a bonnet; how Robert Smithers, his friend, had sworn, at least forty pounds’ worth of oaths at the rate of five shillings apiece, terrified whole streets-full of his Majesty’s liege subjects with awful shrieks, and alarms of fire, destroyed the uniforms of five policemen, and committed various other atrocities too numerous to recapitulate; and the Magistrates after an appropriate reprimand of considerable length, fined Mr. Thomas Potter and Mr. Thomas Smithers five shillings each for being, what the law vulgarly terms &quot;drunk,&quot; with the trifling addition of thirty-four pounds for seventeen assaults, at forty shillings a-head, with leave to speak to the prosecutors. The prosecutors were spoken to; and Messrs. Potter and Smithers lived on credit for a quarter as best they could; and although the prosecutors expressed their readiness to be assaulted twice a week on the same terms, they have never since been detected &quot;making a night of it.&quot;https://dickenssearch.com/files/original/5/Scenes_and_Characters_No._4_Making_a_Night_of_It/1835-10-18_Bells_Life_in_London_Scenes_and_Characters_No4_Making_a_Night_of_It.pdf
68https://dickenssearch.com/items/show/68'Scenes and Characters, No. 5, Love and Oysters'Published in <em>Bell's Life in London</em> (25 October 1835).Dickens, Charles<em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351025/001/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351025/001/0001</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-10-25">1835-10-25</a><em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351025/001/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351025/001/0001</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-10-25_Bells_Life_in_London_Scenes_and_Characters_No5_Love_and_OystersDickens, Charles. 'Scenes and Characters, No. 5, Love and Oysters' (25 October 1835). <em>Dickens Search</em>. Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1835-10-25_Bells_Life_in_London_Scenes_and_Characters_No5_Love_and_Oysters">https://www.dickenssearch.com/short-stories/1835-10-25_Bells_Life_in_London_Scenes_and_Characters_No5_Love_and_Oysters</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Bell%27s+Life+in+London">Bell&#039;s Life in London</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=TIBBS">TIBBS</a><a href="https://dickenssearch.com/teibp/dist/content/1835-10-25_Bells_Life_in_London_Scenes_and_Characters_No5_Love_and_Oysters.xml" target="_blank" rel="noopener">'Scenes and Characters, No. 5, Love and Oysters.' <em>Bell's Life in London</em> (25 October 1835).</a>18351025If we had to make a classification of society, there are a particular kind of men whom we should immediately set down under the head of &quot;Old Boys;&quot; and a column of most extensive dimensions the old boys would require. To what precise causes the rapid advance of old boy population is to be traced, we are unable to determine; it would be an interesting and curious speculation, but, as we have not sufficient space to devote to it here, we simply state the fact that the numbers of the old boys have been gradually augmenting within the last few years, and are at this moment alarmingly on the increase. Upon a general review of the subject, and without considering it minutely in detail, we should be disposed to subdivide the old boys into two distinct classes - the gay old boys, and the steady old boys; the gay old boys, are punchy old men in the disguise of young ones, who frequent the Quadrant and Regent-street in the day-time, and the theatres (especially theatres under lady management) at night, assuming all the foppishness and levity of boys, without the excuse of youth or inexperience: the steady old boys are certain stout old gentlemen of clean appearance, who are always to be seen in the same taverns, at the same hours every evening, smoking and drinking in the same company. There was once a fine collection of old boys to be seen round the circular table at Offley’s every night, between the hours of half-past eight and half-past eleven. We have lost sight of them for some time, but there are still two splendid specimens in full blossom at the Rainbow, who always sit in the box nearest the fire-place, and smoke immense long cherry-stick pipes, which go under the table, with the bowls resting upon the floor. Grand old boys these are - fat, red-faced, white-headed old fellows, always there - one on one side the table, and the other opposite - puffing and drinking away like regular good ones, and never a bit the worse for it - everybody knows &#039;em, and it is supposed by some people that they&#039;re both immortal. Mr. John Dounce was an old boy of the latter class (we don’t mean immortal, but steady) - a retired glove and brace-maker, a widower, resident with three daughters - all grown up, and all unmarried - in Cursitor-street, Chancery-lane. He was a short, round, large-faced, tubbish sort of a man with a broad-brimmed hat, and a square coat; and had that grave, but confident, kind of roll peculiar to old boys in general. Regular as clock-work - breakfast at nine - dress &amp;amp; tittivate a little - down to the Sir Somebody’s Head - glass of ale and the paper - come back again and take the daughters out for a walk - dinner at three - glass of grog and a pipe - nap - tea - little walk - Sir Somebody’s Head again - capital house; - delightful evenings! There were Mr. Harris, the law-stationer, and Mr. Jennings, the robe-maker (two jolly young fellows like himself), and Jones, the barrister’s clerk - a rum fellow that Jones - capital company - full of anecdote; and there they sat every night till just ten minutes before twelve, drinking their brandy and water, and smoking their pipes, and telling stories, and enjoying themselves with a kind of solemn joviality, particularly edifying. Sometimes Jones would propose a half-price visit to Drury Lane or Covent Garden, to see two acts of a five-act play, &amp; a new farce, perhaps, or a ballet, on which occasions the whole four of them went together: none of your hurrying and nonsense, but having their brandy and water first, comfortably, and ordering a steak and some oysters for their supper against they came back, and then walking coolly into the pit, when the &quot;rush&quot; had gone in, as all sensible people do, and did when Mr. Dounce was a young man, except when the celebrated Master Betty was at the height of his popularity, and then, Sir, - then, Mr. Dounce perfectly well remembered getting a holiday from business, and going to the pit doors at eleven o’clock in the forenoon, and waiting there till six in the afternoon, with some sandwiches in a pocket-handkerchief, and some wine in a phial, and fainting after all with the heat and fatigue before the play began, in which situation he was lifted out of the pit into one of the dress boxes, Sir, by five of the finest women of that day, Sir, who compassionated his situation and administered restoratives, and sent a black servant, six foot high, in blue and silver livery, next morning with their compliments, and to know how he found himself, Sir—by God! Between the acts Mr. Dounce, and Mr. Harris, and Mr. Jennings used to stand up, and look round the house, and Jones - knowing fellow that Jones - knew every body - pointed ou the fashionable and celebrated Lady So-and-So in the boxes, at the mention of whose name Mr. Dounce, after brushing up his hair, and adjusting his neck-handkerchief, would inspect the aforesaid Lady So-and-So through an immense glass, and remark, either, that she was a &quot;fine woman - very fine woman, indeed,&quot; or that &quot;there might be a little more of her - Eh, Jones? just as the case might happen to be. When the dancing began, John Dounce, and the other old boys, were particularly anxious to see what was going forward on the stage, and Jones - wicked dog that Jones - whispered little critical remarks into the ears of John Dounce, which John Dounce retailed to Mr. Harris and Mr. Harris to Mr. Jennings; and then they all three laughed, &#039;till the tears ran out of their eyes. When the curtain fell they walked back together, two and two, to the steaks and oysters, and when they came to the second glass of brandy and water, Jones - hoaxing scamp, that Jones -used to recount how he had observed a lady in white feathers in one of the pit boxes, gazing intently on Mr. Dounce all the evening, and how he had caught Mr. Dounce, whenever he thought no one was looking at him, bestowing ardent looks of intense devotion on the lady in return; on which Mr. Harris and Mr. Jennings used to laugh very heartily, and John Dounce more heartily than either of &#039;em, acknowledging, however, that the time had been when he might have done such things; upon which Mr. Jones used to poke him in the ribs, and tell him he had been a sad dog in his time, which John Dounce, with chuckles, confessed. And after Mr. Harris and Mr. Jennings had preferred their claims to the character of having been sad dogs too, they separated harmoniously, &amp; trotted home. The decrees of Fate, and the means by which they are brought about, are mysterious and inscrutable. John Dounce had led this life for twenty years and upwards, without wish for change, or care for variety, when his whole social system was suddenly upset and turned completely topsy-turvy - not by an earthquake, or some other dreadful convulsion of nature, as the reader would be inclined to suppose, but by the simple agency of an oyster, and thus it happened. Mr. John Dounce was returning one night from the Sir Somebody’s Head, to his residence in Cursitor-street - not tipsy, but rather excited, for it was Mr. Jennings’s birth-day, and they had had a brace of partridges for supper, and a brace of extra glasses afterwards, and Jones had been more than ordinarily amusing - when his eyes rested on a newly-opened oyster shop on a magnificent scale, with natives laid one deep in circular marble basins in the windows, together with little round barrels of oysters directed to Lords and Baronets, and Colonels and Captains, in every part of the habitable globe. Behind the natives were the barrels, and behind the barrels was a young lady of about five-and-twenty, all in blue, and all alone - splendid creature, charming face, and lovely figure. It is difficult to say whether Mr. John Dounce’s red countenance, illuminated as it was by the flickering gas-light in the window before which he paused, excited the lady’s risibility, or whether a natural exuberance of animal spirits proved too much for that staidness of demeanour which the forms of society rather dictatorially prescribe; certain it is, that the lady smiled, then put her finger upon her lip, with a striking recollection of what was due to herself; and finally retired, in oyster-like bashfulness to the very back of the counter. The sad-dog sort of feeling came strongly upon John Dounce: he lingered - the lady in blue made no sign. He coughed - still she came not. He entered the shop - &quot;Can you open me an oyster, my dear?&quot; said Mr. John Dounce. &quot;Dare say I can, Sir,&quot; replied the lady in blue, with enchanting playfulness. And Mr. John Dounce eat one oyster, and then looked at the young lady, and then eat another, and then squeezed the young lady’s hand as she was opening the third, and so forth, until he had devoured a dozen of those at eight-pence in less than no time. &quot;Can you open me half a dozen more, my dear?&quot; inquired Mr. John Dounce. &quot;I’ll see what I can do for you, Sir,&quot; replied the young lady in blue, even more bewitchingly than before; and Mr. John Dounce eat half-a-dozen more of those at eight-pence and felt his gallantry increasing every minute. &quot;You couldn’t manage to get me a glass of brandy and water, my dear, I suppose?&quot; said Mr. John Dounce, when he had finished the oysters, in a tone which clearly implied his supposition that she could. &quot;I’ll see, Sir,&quot; said the young lady; and away she ran out of the shop, and down the street, her long auburn ringlets shaking in the wind in the most enchanting manner; and back she came again, tripping over the coal-places like a whipping top, with a tumbler of brandy and water, which Mr. John Dounce insisted on her taking a share of, as it was regular ladies’ grog - hot, strong, sweet, and plenty of it. So the young lady sat down with Mr. John Dounce, in a little red box with a green curtain, and took a small sip of the brandy and water, and a small look at Mr. John Dounce, and then turned her head away, and went through various other serio-pantomimic fascinations, which forcibly reminded Mr. John Dounce of the first time he courted his first wife, and which, taken conjointly with the hot brandy and water and the oysters, made him feel more affectionate than ever; in pursuance of which affection, and actuated by which feeling, Mr. John Dounce sounded the young lady on her matrimonial engagements, when the young lady denied having formed any such engagements at all - she couldn’t abear the men, they were such deceivers; thereupon Mr. John Dounce inquired whether this sweeping condemnation was meant to include other than very young men; on which the young lady blushed deeply - at least she turned away her head, and said Mr. John Dounce had made her blush, so of course she did blush - and Mr. John Dounce was a long time drinking the brandy and water; and the young lady said &quot;Ha&#039; done, Sir,&quot; very often; and at last John Dounce went home to bed, and dreamt of his first wife, and his second wife, and the young lady, and partridges, and oysters, and brandy and water, and disinterested attachments. The next morning John Dounce was rather feverish with the extra brandy and water of the previous night; and, partly in the hope of cooling himself with an oyster, and partly with the view of ascertaining whether he owed the young lady anything, or not, went back to the oyster-shop. If the young lady had appeared beautiful by night, she was perfectly irresistible by day; and, from this time forward a change came over the spirit of John Dounce’s dream. He bought shirt-pins; wore a ring on his third finger; read poetry; bribed a cheap miniature-painter to perpetrate a faint resemblance to a youthful face, with a curtain over his head, six large books in the background, and an open country in the distance (this he called his portrait); &quot;went on&quot; altogether in such an uproarious manner, that the three Miss Dounces went off on small pensions, he having made the tenement in Cursitor-street too warm to contain them; and in short, comported and demeaned himself in every respect like an unmitigated old Saracen, as he was. As to his ancient friends, the other old boys, at the Sir Somebody’s Head, he dropped off from them by gradual degrees; for, even when he did go there, Jones - vulgar fellow that Jones - persisted in asking &quot;when it was to be?&quot; and &quot;whether he was to have any gloves?&quot; together with other inquiries of an equally offensive nature, at which not only Harris laughed, but Jennings too; so he cut the two altogether, and attached himself solely to the blue young lady at the smart oyster-shop. Now comes the moral of the story - for it has a moral after all. The last mentioned young lady, having derived sufficient profit and emolument from John Dounce’s attachment, not only refused, when matters came to a crisis, to take him for better for worse, but expressly declared, to use her own forcible words, that she wouldn’t have him at no price; and John Dounce, having lost his old friends, alienated his relations, and rendered himself ridiculous to every body, made offers successively to a schoolmistress, a landlady, a feminine tobacconist, and a housekeeper; and, being directly rejected by each and every of them, was accepted by his cook, with whom he lives now, a hen-pecked husband, a melancholy monument of antiquated misery, and a living warning to all uxorious old boys.https://dickenssearch.com/files/original/5/Scenes_and_Characters_No._5_Love_and_Oysters/1835-10-25_Bells_Life_in_London_Scenes_and_Characters_No5_Love_and_Oysters.pdf
87https://dickenssearch.com/items/show/87'Scenes and Characters, No. 6, Some Account of an Omnibus Cad'Published in <em>Bell's Life in London</em> (1 November 1835).Dickens, Charles<em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351101/001/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351101/001/0001</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-11-01">1835-11-01</a><em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351101/001/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351101/001/0001</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-11-01_Bells_Life_in_London_Scenes_and_Characters_No6_Some_Account_of_an_Omnibus_CadDickens, Charles. 'Scenes and Characters, No. 6, Some Account of an Omnibus Cad' (1 November 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1835-11-01_Bells_Life_in_London_Scenes_and_Characters_No6_Some_Account_of_an_Omnibus_Cad">https://www.dickenssearch.com/short-stories/1835-11-01_Bells_Life_in_London_Scenes_and_Characters_No6_Some_Account_of_an_Omnibus_Cad</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Bell%27s+Life+in+London">Bell&#039;s Life in London</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper+">Newspaper </a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=TIBBS">TIBBS</a><a href="https://dickenssearch.com/teibp/dist/content/1835-11-01_Bells_Life_in_London_Scenes_and_Characters_No6_Some_Account_of_an_Omnibus_Cad.xml" target="_blank" rel="noopener">'Scenes and Characters, No. 6, Some Account of an Omnibus Cad.'&nbsp;<em>Bell's Life in London</em> (1 November 1835).</a>18351101Mr. William Barker was born; - but why need we recount where Mr. William Barker was born, or when? Why scrutinize the entries in personal ledgers, why penetrate into the Luxinian mysteries of lying-in in hospitals? Mr. William Barker was born, or he had never been. There was a father - there is a son. There was a cause - there is an effect. Surely this is sufficient information for the most Fatima-like curiosity; and, if it be not, we regret our inability to supply any further evidence on the point. Can there be a more satisfactory, or more strictly parliamentary course? Impossible. We at once avoid a similar inability to record at what precise period, or by what particular process, this gentleman&#039;s patronymic, of William Barker, became corrupted into &quot;Bill Boorker.&quot; Mr. Barker has required a high standing, and no inconsiderable reputation among the members of that profession to which he has more peculiarly devoted his energies; and to them he is generally known, either by the familiar appellation of &quot;Bill Boorker,&quot; or the flattering designation of &quot;Aggerawatin Bill&quot; - the latter being a playful and expressive sobriquet, illustrative of Mr. Barker&#039;s great talent in &quot;aggerawatin&quot; and rendering wild such subjects of her Majesty as are conveyed from place to place, through the instrumentality of omnibuses. Of the early life of Mr. Barker little is known, and even that little is involved in considerable doubt and obscurity. A want of application, a restlessness of purpose, a thirsting after porter, a love of all that is roving and cadger-like in nature, shared in common with many other great geniuses, appear to have been his leading characteristics. The busy hum of a parochial free-school, and the shady repose of a county gaol, were alike inefficacious in producing the slightest alteration in Mr. Barker&#039;s disposition - his feverish attachment to change and variety nothing could repress; his native daring no punishment could subdue. If Mr. Barker can be fairly said to have had any weakness in his earlier years, it was an amiable one - Love; Love in its most comprehensive form - a love of ladies, liquids, and pocket-handkerchiefs. It was no selfish feeling; it was not confined to his own possessions, which but too many men regard with exclusive complacency. No: it was a nobler love - a general principle; it extended itself with equal force to the property of other people. There is something very affecting in this: it is still more affecting to know, that such philanthropy is but imperfectly rewarded. Bow street, Newgate, and Millbank, are a poor return for general benevolence, evincing itself in an irrepressible love of all created objects. Mr. Barker felt it so - after a lengthened interview with the highest legal authorities, he quitted his ungrateful country with the consent, and at the expense, of its Government, proceeded to a distant shore, and there employed himself like another Cincinnatus in clearing and cultivating the soil - a peaceful pursuit, in which a term of seven years glided almost imperceptibly away. Whether, at the expiration of the period we have just mentioned, the British Government required Mr. Barker&#039;s presence here, or did not require his residence abroad, we have no distinct means of ascertaining. We should be inclined, however, to favour the latter position, inasmuch as we do not find that he was advanced to any other public post on his return, than the post at the corner of the Haymarket, where he officiated as assistant-waterman to the hackney-coach stand. Seated, in this capacity, on a couple of tubs near the kerb-stone, with a brass plate and number suspended round his neck by a massive chain, and his ancles curiously enveloped in haybands, he is supposed to have made those observations on human nature which exercised so material an influence over all his proceedings in later life, and the results of which we shall proceed very briefly to lay before our readers. Mr. Barker had not officiated for many months in this capacity, when the appearance of the first omnibus caused the public mind to go in a new direction, and prevented a great many hackney coaches from going in any direction at all. The genius of Mr. Barker at once perceived the whole extent of the injury that would be eventually inflicted on cab and coach stands, and, by consequence, on watermen also, by the progress of the system of which the first omnibus was a part. He saw, too, the necessity of adopting the pursuits of some more profitable profession, and his active mind at once perceived how much might be done in the way of enticing the youthful and unwary, and shoving the old and helpless, into the wrong buss, and carrying them off, until, reduced to despair, they ransomed themselves by the payment of six-pence a head, or, to adopt his own figurative expression in all its native beauty, &quot;till they was rig&#039;larly done over, and forked out the stumpy.&quot; An opportunity for realising his fondest anticipations soon presented itself. Rumours were rife on the hackney-coach stands, that a buss was building to run from Lisson-grove to the Bank, down Oxford-street and Holborn, and the rapid increase of busses on the Paddington-road encouraged the idea. Mr. Barker secretly and cautiously inquired in the proper quarters. The report was correct - the &quot;Royal William&quot; was to make his first journey on the following Monday. It was a crack affair altogether. An enterprising young cabman, of established reputation as a dashing whip - for he had compromised with the parents of three scrunched children, and just &quot;worked out&quot; his fine for knocking down an old lady - was the driver; and the spirited proprietor, knowing Mr. Barker&#039;s qualifications, appointed him to the vacant office of cad on the very first application. The buss began to run, and Mr. Barker entered into a new suit of clothes, and on a new sphere of action. To recapitulate all the improvements introduced by this extraordinary man into the omnibus system - gradually, indeed, but surely - would occupy a far greater space than we are enabled to devote to this imperfect memoir. To him is universally assigned the original suggestion of the practice which afterwards became so general - of the driver of a second buss keeping constantly behind the first one, and driving the pole of his vehicle either into the door of the other, every time it was opened, or through the body of any lady or gentleman who might make an attempt to get into it - a humorous and pleasant invention, exhibiting all that originality of idea, and fine bold flow of spirits, so conspicuous in every action of this great man. He has opponents of course; for what man in public life has not? but even his worst enemies cannot deny that he has taken more old ladies and gentlemen to Paddington who wanted to go to the Bank, and more old ladies and gentlemen to the Bank who wanted to go to Paddington, than any three men on the road: and however much malevolent spirits may pretend to doubt the accuracy of the statement, they well know it to be an established fact, that he has forcibly conveyed a variety of ancient persons of either sex, to both places, who had not the slightest or most distant intention of going anywhere at all. Mr. Barker was the identical cad who nobly distinguished himself, sometime since by keeping a tradesman on the step - the omnibus going at full speed all the time - till he had thrashed him to his entire satisfaction, and finally throwing him away when he had quite done with him. Mr. Barker it ought to have been who honestly indignant at being ignominiously ejected from a house of public entertainment, kicked the landlord in the knee, and thereby caused his death. We say it ought to have been Mr. Barker, because the action was not a common one, and could have emanated from no ordinary mind. We regret being compelled to state that it was not he - would, for the family credit, that we could add it was his brother! It is in the exercise of the nicer details of his profession, that Mr. Barker&#039;s knowledge of human nature is beautifully displayed. He can tell at a glance where a passenger wants to go to, and shouts the name of the place accordingly, without the slightest reference to the real destination of the buss; he knows exactly the sort of old lady that will be too much flurried by the process of pushing in, and pulling out of the caravan, to discover where she has been set down until too late; has an intuitive perception of what is passing in a passenger&#039;s mind when he inwardly resolves to &quot;pull that cad up to-morrow morning;&quot; &amp; never fails to make himself agreeable to female servants whom, if he can place next the door, he talks to all the way. Human judgment is never infallible, and it has occasionally happened that Mr. Barker has experimentalised with the timidity or forbearance of the wrong sort of person, in which case a summons to a Police-office, has been the consequence, and a committal the finish. It is not for trifles such as these, however, to subdue a spirit like that which swells beneath the waistcoat of this heroic man. You may confine the body between four stone walls, or between four brick walls and a stone coping, which is much the same in effect - he cares not - you may cramp his body by confinement, or to prevent his body&#039;s getting the cramp, you may exercise his legs upon the mill - he defies your tyranny: he appeals from your oppressive enactments to the Paddington committee: and flies back to his profession with an ardour which persecution and involuntary abstinence have in no wise diminished. Like many other great men, Mr. Barker is a rigid predestinarian, or to advert once again to his own pointed and eloquent form of speech, he reasons thus: - &quot;If I am to get into trouble for this here consarn, I may as vell get into trouble for somethink as for nothink.&quot; - and acting upon this logical mode of reasoning, he sacrifices at the altar of philosophy any little scruples he might otherwise entertain, and gets into trouble with great ease and coolness getting out of it as well as he can; and losing no opportunity of getting into it again. Such are a few traits in the character - such are a few incidents in the chequered life - of this remarkable man. Would that we could have conscientiously entitled this hasty sketch a full account of his amiable existence up to the moment at which we are writing. We cannot do so. With &quot;Some Account of an Omnibus Cad&quot; we must be contented, and we hope our readers may be so too.https://dickenssearch.com/files/original/5/Scenes_and_Characters_No._6_Some_Account_of_an_Omnibus_Cad/1835-11-01_Bells_Life_in_London_Scenes_and_Characters_No6_Some_Account_of_an_Omnibus_Cad.pdf
101https://dickenssearch.com/items/show/101'Scenes and Characters, No. 7, The Vocal Dressmaker'Published in <em>Bell's Life in London</em> (22 November 1835).<span><br /></span>Dickens, Charles<em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351122/001/0001" class="waffle-rich-text-link" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351122/001/0001</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-11-22">1835-11-22</a><em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351122/001/0001" class="waffle-rich-text-link" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351122/001/0001</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-11-22_Bells_Life_in_London_Scenes_and_Characters_No7_The_Vocal_DressmakerDickens, Charles. 'Scenes and Characters, No. 7, The Vocal Dressmaker' (22 November 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1835-11-22_Bells_Life_in_London_Scenes_and_Characters_No.7_The_Vocal_Dressmaker">https://www.dickenssearch.com/short-stories/1835-11-22_Bells_Life_in_London_Scenes_and_Characters_No7_The_Vocal_Dressmaker.</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Bell%27s+Life+in+London">Bell&#039;s Life in London</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=TIBBS">TIBBS</a><a href="https://dickenssearch.com/teibp/dist/content/1835-11-22_Bells_Life_in_London_Scenes_and_Characters_No7_The_Vocal_Dressmaker.xml" target="_blank" rel="noopener">'Scenes and Characters, No. 7, The Vocal Dressmaker.' <em>Bell's Life in London</em> (22 November 1835).</a>18351122Miss Amelia Martin was pale, tallish, thin, and two-and-thirty - what ill-natured people would call plain, and police reports interesting. She was a milliner and dressmaker, living on her business, and not above it. If you had been a young lady in service, and wanted Miss Martin, as a great many young ladies in service did, you&#039;d just have stepped up in the evening to number forty-seven, Drummond-street, George-street, Euston-square, and after casting your eye on a brass door-plate, one foot ten, by one and a half, ornamented with a great brass knob at each of the four corners, and bearing the inscription &quot;Miss Martin; millinery and dressmaking in all its branches;&quot; you’d just have knocked two loud knocks at the street door, and down would have come Miss Martin herself, in a merino gown of the newest fashion, black velvet bracelets on the genteelest principle, and other little elegancies, of the most approved description. If Miss Martin know&#039;d the young lady as called, or if the young lady as called had been recommended by any other young lady as Miss Martin knew, Miss Martin would forthwith show her up-stairs into the two-pair front, and chat she would - so kind, and so comfortable - it really wasn’t like a matter of business, she was so friendly; and, then Miss Martin, after contemplating the figure and general appearance of the young lady in service with great apparent admiration, would say how well she would look, to-be-sure, in a low dress with short sleeve, made very full in the skirts, with four tucks in the bottom, to which the young lady in service would reply in terms expressive of her entire concurrence in the notion, and the virtuous indignation with which she reflected on the tyranny of &quot;Missis,&quot; who wouldn’t allow a young girl to wear a short sleeve of an ar&#039;ternoon - no, nor nothing smart, not even a pair of ear-rings, let alone hiding people’s heads of hair under them frightful caps; at the termination of which complaint, Miss Amelia Martin would distantly suggest certain dark suspicions that some people were jealous on account of their own daughters, and was obliged to keep their servants’ charms under, for fear they should get married first, which was no uncommon circumstance - leastways she had known two or three young ladies in service as had married a great deal better than their missises, and they was not very good-looking either; and then the young lady would inform Miss Martin, in confidence, that how one of their young ladies was engaged to a young man, and was a-going to be married, and Missis was so proud about it there was no bearing her; but she needn’t hold her head quite so high neither, for, after all, he was only a clerk; and, after expressing a due contempt for clerks in general, and the engaged clerk in particular, and the highest opinion possible of themselves and each other, Miss Martin and the young lady in service would bid each other good night, in a friendly but perfectly genteel manner, and the one went back to her &quot;place,&quot; and the other to her room on the second floor front. There is no saying how long Miss Amelia Martin might have continued this course of life; how extensive a connection she might have established among young ladies in service, or what amount her demands upon their quarterly receipts might have ultimately attained, had not an unforeseen train of circumstances directed her thoughts to a sphere of action very different from dress-making or millinery. A friend of Miss Martin’s who had long been keeping company with an ornamental painter and decorator’s journeyman, at last consented (on being at last asked to do so) to name the day which would make the aforesaid journeyman a happy husband. It was a Monday that was appointed for the celebration of the nuptials, and Miss Amelia Martin was invited, among others, to honour the wedding dinner with her presence. It was a charming party; Somers-town the locality, and a front parlour the apartment. The ornamental painter and decorator’s journeyman had taken a house - no lodgings or vulgarity of that kind, but a house - four beautiful rooms and a delightful little wash-house at the end of the passage - most convenient thing in the world; for the bridesmaids could sit in the front parlour and receive the company, and then run into the little wash-house and see how the pudding and boiled pork were getting on in the copper, &amp;amp; then pop back into the parlour again as snug and comfortable as possible. And such a parlour as it was too! beautiful Kidderminster carpet–six bran new caned bottomed stained chairs - a pink shell, and three wine glasses on each sideboard - a farmer’s girl and a farmer’s boy on the mantel-piece: one tumbling over a stile and the other spitting himself on the handle of a pitch-fork - long white dimity curtains in the window - and, in short, every thing on the most genteel scale imaginable. Then, the dinner - baked leg of mutton at the top - boiled leg of mutton at the bottom - pair of fowls and leg of pork in the middle - porter pots at the corners - pepper, mustard, and vinegar in the centre - vegetables on the floor - and plum-pudding and apple-pie, and tartlets without number, to say nothing of cheese and celery and water-cresses, and all that sort of thing. As to the company! Miss Amelia Martin herself declared on a subsequent occasion, that much as she had heard of the ornamental painters&#039; journeyman’s connexion, she never could have supposed it was half so genteel. There was his father, such a funny old gentleman -and his mother, such a dear old lady - and his sister, such a charming girl - and his brother, such a manly-looking young man - with such a eye! But even all these were as nothing when compared with his musical friends, Mr. &amp;amp; Mrs. Jennings Rodolph, from White Conduit, with whom the ornamental painter’s journeyman had been fortunate enough to contract an intimacy, while engaged in decorating the concert-room of that noble institution. To hear them sing separately was divine, but when they went through the tragic duet of &quot;Red Ruffian, retire!&quot; it was, as Miss Martin afterwards remarked, &quot;thrilling;&quot; and why (as Mr. Jennings Rodolph observed) - why were they not engaged at one of the patent theatres? If he was to be told that their voices were not powerful enough to fill the house, his only reply was, that he&#039;d back himself for any amount to fill Russell-square - a statement in which the company, after hearing the duet, expressed their full belief; so they all said it was shameful treatment; and both Mr. and Mrs. Jennings Rodolph said it was shameful too, and Mr. Jennings Rodolph looked very serious, and said he knew who his malignant opponents were, but they had better take care how far they went, for if they irritated him too much, he had not quite made up his mind whether he wouldn’t bring the subject before Parliament; and they all agreed that it ”ud serve ’em quite right, and it was very proper that such people should be made an example of;&quot; and Mr. Jennings Rodolph said he’d think of it. When the conversation resumed its former tone, Mr. Jennings Rodolph claimed his right to call upon a lady, and the right being conceded, trusted Miss Martin would favour the company - a proposal which met with unanimous approbation, whereupon Miss Martin, after sundry hesitatings and coughings, with a preparatory choke or two, and an introductory declaration that she was frightened to death to attempt it before such great judges of the art, commenced a species of treble chirruping containing constant allusions to some young gentleman of the name of Hen-e-ry, with an occasional reference to madness, and broken hearts. Mr. Jennings Rodolph frequently interrupted the progress of the song, by ejaculating &quot;beautiful;&quot; - &quot;charming!&quot;– &quot;brilliant!&quot; - &quot;oh! splendid,&quot; &amp;amp;c. and at its close the admiration of himself and his lady knew no bounds. &quot;Did you ever hear so sweet a voice, my dear?&quot; inquired Mr. Jennings Rodolph of Mrs. Jennings Rodolph. &quot;Never; indeed I never did, love;&quot; replied Mrs. Jennings Rodolph. &quot;Don’t you think Miss Martin with a little cultivation would be very like Signora Marra Boni, my dear?&quot; asked Mr. Jennings Rodolph. &quot;Just exactly the very thing that struck me, my love,&quot; answered Mrs. Jennings Rodolph; and thus the time passed away; first one sang, and then another; Mr. Jennings Rodolph played tunes on a walking stick, and then went behind the parlour-door and gave his celebrated imitations of actors, edge-tools, and animals; Miss Martin sang several other songs with increased admiration every time, and even the funny old gentleman began singing; his song had properly seven verses, but as he couldn’t recollect more than the first one, he sang that over seven times, apparently very much to his own personal gratification. And then all the company sang the national anthem with national independence - each for himself, without reference to the other - and finally separated, all declaring that they never had spent so pleasant an evening; and Miss Martin inwardly resolving to adopt the advice of Mr. Jennings Rodolph, and to &quot;come out&quot; without delay. Now, &quot;coming out,&quot; either in acting, or singing, or society, or facetiousness, or anything else, is all very well, and remarkably pleasant to the individual principally concerned, if he or she can but manage to come out with a burst, and being out to keep out, and not go in again; but it does unfortunately happen that both consummations are extremely difficult to accomplish, and that the difficulties of getting out at all in the first instance, and if you surmount them of keeping out in the second, are pretty much on a par, and no slight ones either. And so Miss Amelia Martin shortly discovered. It is a singular fact (there being ladies in the case) that Miss Amelia Martin’s principal foible was vanity, and the leading characteristic of Mrs. Jennings Rodolph an attachment to dress. Dismal wailings were heard to issue from the second-floor front of number forty-seven, Drummond-street, George-street, Euston-square; it was Miss Martin practising. Half suppressed murmurs disturbed the calm dignity of the White Conduit orchestra at the commencement of the season. It was the appearance of Mrs. Jennings Rodolph in full dress that occasioned them. Miss Martin studied incessantly - the practising was the consequence. Mrs. Jennings Rodolph taught gratuitously now and then - the dresses were the result. Weeks passed away; the White Conduit season had begun, had progressed, and was more than half over. The dress-making business had fallen off from neglect, and its profits had dwindled away almost imperceptibly. A benefit-night approached; Mr. Jennings Rodolph yielded to the earnest solicitations of Miss Amelia Martin, and introduced her personally to the &quot;comic gentleman&quot; whose benefit it was. The comic gentleman was all smiles and blandness - he had composed a duet, expressly for the occasion, and Miss Martin should sing it with him. The night arrived; there was an immense room - ninety-seven goes of gin, thirty-two small glasses of brandy and water, five-and-twenty bottled ales, and forty-one neguses; and the ornamental painters&#039; journeyman with his wife, and a select circle of acquaintance were seated at one of the side-tables near the orchestra. The concert began. Song-sentimental–by a light-haired young gentleman in a blue coat, and bright basket buttons [applause]. Another song, doubtful, by another gentleman in another blue coat, and more bright basket buttons - increased applause. Duet, Mr. Jennings Rodolph and Mrs. Jennings Rodolph, &quot;Red Ruffian, retire!&quot; - [great applause.] Solo Miss Julia Montague (positively on this occasion only) - &quot;I am a Friar&quot; - [enthusiasm.] Original duet, comic - Mr. H. Taplin (the comic gentleman) and Miss Martin - &quot;The Time of Day&quot; - &quot;Brayvo! - Brayvo!&quot; cried the ornamental painter’s journeyman’s party, as Miss Martin was gracefully led in by the comic gentleman. &quot;Go to work Harry,&quot; cried the comic gentleman’s personal friends. &quot;Tap-tap- tap,&quot; went the leader’s bow on the music-desk. The symphony began, and was soon afterwards followed by a faint kind of ventriloquial chirping, proceeding apparently from the deepest recesses of the interior of Miss Amelia Martin - &quot;‘Sing out&quot; –shouted one gentleman in a white great coat. &quot;Don’t be afraid to put the steam on, old gal,&quot; exclaimed another. &quot;S-s-s-s-s-s&quot; - went the five-and-twenty bottled ales. &quot;Shame, shame!&quot; remonstrated the ornamental painter’s journeyman’s party - &quot;S-s-s&quot; went the bottled ales again, accompanied by all the gins and a majority of the brandies. - &quot;Turn them geese out,&quot; cried the ornamental painters’ journeyman’s party, with great indignation. &quot;Sing out,&quot; whispered Mr. Jennings Rodolph. - &quot;So I do,&quot; responded Miss Amelia Martin. &quot;Sing louder,&quot; said Mrs. Jennings Rodolph. &quot;I can’t,&quot; replied Miss Amelia Martin - &quot;Off, off, off,&quot; cried the rest of the audience. &quot;Bray-vo!&quot; shouted the painter’s party. It wouldn’t do - Miss Amelia Martin left the orchestra, with much less ceremony than she had entered it, and as she couldn’t sing out, never came out. The general good humour was not restored until Mr. Jennings Rodolph had become purple in the face, by imitating divers quadrupeds for half an hour without being able to render himself audible; and, to this day, neither has Miss Amelia Martin’s good humour been restored, nor the dresses made for and presented to, Mrs. Jennings Rodolph, nor the vocal abilities which Mr. Jennings Rodolph once staked his professional reputation she possessed.https://dickenssearch.com/files/original/5/Scenes_and_Characters_No._7_The_Vocal_Dressmaker/1835-11-22_Bells_Life_in_London_Scenes_and_Characters_No.7_The_Vocal_Dressmaker.pdf
102https://dickenssearch.com/items/show/102'Scenes and Characters, No. 8, The Prisoners' Van'Published in <em>Bell's Life in London</em> (29 November 1835).Dickens, Charles<em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351129/001/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351129/001/0001</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-11-29">1835-11-29</a><em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351129/001/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351129/001/0001</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-11-29_Bells_Life_in_London_Scenes_and_Characters_No8_The_Prisoners_VanDickens, Charles. 'Scenes and Characters, No. 8, The Prisoners' Van (29 November 1835). Dickens Search. Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-11-29_Bells_Life_in_London_Scenes_and_Characters_No8_The_Prisoners_Van">https://dickenssearch.com/short-stories/1835-11-29_Bells_Life_in_London_Scenes_and_Characters_No8_The_Prisoners_Van</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Bell%27s+Life+in+London">Bell&#039;s Life in London</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=TIBBS">TIBBS</a><a href="https://dickenssearch.com/teibp/dist/content/1835-11-29_Bells_Life_in_London_Scenes_and_Characters_No8_The_Prisoners_Van.xml" target="_blank" rel="noopener">'Scenes and Characters, No. 8, The Prisoners' Van.' <em>Bell's Life in London</em> (29 November 1835).</a>18351129We have a most extraordinary partiality for lounging about the streets. Whenever we have an hour or two to spare, there is nothing we enjoy more than a little amateur vagrancy - walking up one street and down another, and staring into shop windows, and gazing about us as if, instead of being on intimate terms with every shop and house in Holburn, the Strand, Fleet-street, and Cheapside, the whole were an unknown region to our wondering mind. We revel in a crowd of any kind - a street &quot;row&quot; is our delight - even a woman in a fit is by no means to be despised, especially in a fourth-rate street, where all the female inhabitants run out of their houses, and discharge large jugs of cold water over the patient, as if she were dying of spontaneous combustion, and wanted putting out. Then a drunken man - what can be more charming than a regular drunken man, who sits in a door-way for half an hour, holding a dialogue with the crowd, of which his portion is generally limited to repeated inquiries of &quot;I say - I&#039;m all right, an&#039;t I?&quot; and then suddenly gets up, without any ostensible cause or inducement, and runs down the street with tremendous swiftness for a hundred yards or so, when he falls into another door-way, where the first feeble words he imperfectly articulates to the policeman who lifts him up are &quot;Let&#039;s av - drop - somethin&#039; to drink?&quot; - we say again, can anything be more charming than this sort of thing? And what, we ask, can be expected but popular discontent, when Temperance Societies interfere with the amusements of the people? There is one kind of street quarrel which is of very common occurrence, but infinitely amusing - we mean where a little crowd has collected round three or four angry disputants, and no one single person, not even among the parties principally concerned, appears to have a very distinct notion of what it&#039;s all about. The place is - Long-Acre, say, or Saint Martin&#039;s-lane - time, half-past eleven at night. Some twenty people have collected round a bow-legged, under-sized young gentleman, in a brown coat and bright buttons, who has upon his arm a small young woman in a straw bonnet, with one shawl on, and another folded up over her arm. Opposed to the under-sized pair is a tall young fellow, in a brownish white hat, and flash attire; and you arrive in time to hear some such dialogue as the following: - &quot;Who said anythin&#039; to you?&quot; (in a tone of great contempt, from the long gentleman, turning round with his hands in his pockets). &quot;Vy you did, Sir&quot; (from the small individual, in a towering passion). &quot;Oh! do come away, George&quot; (from the young lady, accompanied with a tug at the coat-tail, and a whimper). &quot;Never mind him, he an&#039;t worth your notice.&quot; &quot;Ah! take him home&quot; - sneers the tall gentleman as they turn away - &quot;and tell his mother to take care on him, and not let him out arter dark, fear he should catch a cold in his ed. Go on.&quot; Here the small young man breaks from the small young woman, and stepping up close to the adverse party, valourously ejaculates in an under-tone, &quot;Now, what have you got to say.&quot; &quot;Niver mind,&quot; replies the long gentleman with considerable brevity. &quot;What do you mean by insulting this &#039;ere young &#039;ooman, Sir?&quot; enquires the short man. &quot;Who insulted the young &#039;ooman,&quot; replies the long one. &quot;Vy you did, Sir,&quot; responds the short one, waxing specially wroth - &quot;You shoved again her, Sir.&quot; &quot;You&#039;re a liar,&quot; growls the long gentleman fiercely; and hereupon the short gentleman dashes his hat on the ground with a reckless disregard of expense, jerks off his coat, doubles his fists, works his arms about like a labourer warming himself; darts backwards and forwards on the pavement with the motion of an automaton, and exclaims between his set teeth - &quot;Come on, I an&#039;t afeard on you - come on,&quot; - and the long gentleman might come on, and the fight might come off, only the young lady rushed upon the small man, forces his hat over his eyes, and the tails of his coat round his neck, and screams like a peacock, till a policeman arrives. After great squabbling, considerably persuasion, and some threatening, the short man consents to go one way, and the long man another; and the answer of all the bystanders who had seen the whole, to the urgent inquiry from a new comer up, &quot;Do you know what&#039;s the matter, Sir?&quot; invariably is - &quot;No, Sir, I really can&#039;t make out.&quot; We were passing the corner of Bow-street, on our return from a lounging excursion the other afternoon, when a crowd, assembled round the door of the Police Office, attracted our attention, and we turned up the street accordingly. There were thirty or forty people standing on the pavement and half across the road, and a few stragglers were patiently stationed on the opposite side of the way - all evidently waiting in expectation of some arrival. We waited too a few minutes, but nothing occurred: so we turned round to an unshaved sallow-looking cobbler who was standing next us, with his hands under the bib of his apron, and put the usual question of &quot;What’s the matter?&quot; The cobbler eyed us from head to foot, with superlative contempt, and laconically replied &quot;Nuffin.&quot; Now we were perfectly aware that if two men stop in the street to look at any given object, or even to gaze in the air, two hundred men will be assembled in no time; but as we knew very well that no crowd of people could by possibility remain in a street for five minutes without getting up a little amusement among themselves, unless they had some absorbing object in view, the natural inquiry next in order was, &quot;What are all these people waiting here for?&quot; - &quot;His Majesty’s carriage,&quot; replied the cobbler. This was still more extraordinary. We couldn&#039;t imagine what earthly business his Majesty’s carriage could have at the Public Office, Bow-street, and we were beginning to ruminate on the possibility of the Duke of Cumberland being brought up on a warrant for assaulting the Princess Victoria, when a general exclamation from all the boys in the crowd of &quot;Here’s the wan!&quot; caused us to raise our head and look up the street. The covered vehicle, in which prisoners are conveyed from the police offices to the different prisons, was coming along at full speed, and it then occurred to us for the first time that his Majesty’s carriage was merely another name for the prisoners’ van, conferred upon it not only by reason of the superior gentility of the term, but because the aforesaid van is maintained at his Majesty’s expence, having been originally started for the exclusive accommodation of ladies and gentlemen under the necessity of visiting the various houses of call known by the general denomination of &quot;his Majesty’s Gaols.&quot; The van drew up at the office door: the people thronged round the steps, just leaving a little alley for the prisoners to pass through. Our friend the cobbler and the other stragglers crossed over, and we followed their example. The driver, and another man who had been seated by his side in front of the vehicle, dismounted, and were admitted into the office. The office door was closed after them, and the crowd were on the tip-toe of expectation. After a few minutes delay, the door again opened, and the two first prisoners appeared. They were a couple of girls, of whom the elder could not be more than sixteen, and the younger of whom had certainly not attained her fourteenth year. That they were sisters was evident from the resemblance which still subsisted between them, though two additional years of depravity had fixed their brand upon the elder girl’s features as legibly as if a red-hot iron had seared them. They were both gaudily dressed, the younger one especially, and although there was a strong similarity between them in both respects, which was rendered the more obvious by their being handcuffed together, it is impossible to conceive a greater contrast than the demeanour of the two presented. The younger girl was weeping bitterly - not for display or in the hope of producing effect, but for very shame; her face was buried in her handkerchief, and her whole manner was but too expressive of bitter and unavailing sorrow. &quot;How long are you for, Emily?&quot; screamed a red-faced woman in the crowd. &quot;Six weeks, and labour,&quot; replied the elder girl, with a flaunting laugh; &quot;and that’s better than the Stone Jug any how; the mill’s a d-d sight better than the Sessions; and here’s Bella a-going too for the first time. Hold up your head, you chicken,&quot; she continued, boisterously tearing the other girl’s handkerchief away; &quot;Hold up your head, and show ’em your face. I an’t jealous, but I’m blessed if I an’t game!&quot; - &quot;That’s right, old gal,&quot; exclaimed a man in a paper cap, who, in common with the greater part of the crowd, had been inexpressibly delighted with this little incident. - &quot;Right!&quot; replied the girl; &quot;ah, to be sure; what’s the odds, so long as you&#039;re happy.&quot; - &quot;Come, in with you,&quot; interrupted the driver. - &quot;Don’t you be in a hurry, Coachman,&quot; replied the girl; &quot;and recollect I want to be set down in Cold-Bath Fields - large house with a high garden wall in front; you can’t mistake it. Hallo, Belle, where are you going to - you’ll pull my precious arm off?&quot; This was addressed to the younger girl, who, in her anxiety to hide herself in the caravan, had ascended the steps first, and forgotten the strain upon the handcuff. &quot;Come down, and let’s show you the way.&quot; And after jerking the miserable girl down with a force which made her stagger on the pavement, she got into the vehicle, and was followed by her wretched companion. These two girls had been thrown upon London streets, their vices and debauchery, by a sordid and rapacious mother. What the younger girl was then the elder had been once; and what the elder then was, she must soon become. A melancholy prospect, but how surely to be realised; a tragic drama, but how often acted! Turn to the prisons and police-offices of London - nay, look into the very streets themselves. These things pass before our eyes, day after day, and hour after hour - they have become such matters of course, that they are utterly disregarded. The progress of these girls in crime will be as rapid as the flight of a pestilence, resembling it too in its baneful influence and wide-spreading infection. Step by step how many wretched females, within the sphere of every man’s observation, have become involved in a career of vice frightful to contemplate: hopeless at its commencement, loathsome and repulsive in its course, friendless, forlorn, and unpitied, at its miserable conclusion! There were other prisoners - boys of ten, as hardened in vice as men of fifty - a houseless vagrant going joyfully to prison as a place of food and shelter handcuffed to a man whose prospects were ruined, character lost, and family rendered destitute by his first offence. - Our curiosity, however, was satisfied. The first group had left an impression on our mind we would gladly have avoided, and would willingly have effaced. The crowd dispersed - the vehicle rolled away with its load of guilt and misfortune, and we saw no more of the Prisoner&#039;s Van.https://dickenssearch.com/files/original/5/Scenes_and_Characters_No._8_The_Prisoners_Van/1835-11-29_Bells_Life_in_London_Scenes_and_Characters_No8_The_Prisoners_Van.pdf
103https://dickenssearch.com/items/show/103'Scenes and Characters, No. 9, The Parlour'Published in <em>Bell's Life in London</em> (13 December 1835).Dickens, Charles<em>British Newspaper Archive</em>, <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351213/001/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351213/001/0001</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-12-13">1835-12-13</a><em>British Newspaper Archive</em>, <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351213/001/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351213/001/0001</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-12-13_Bells_Life_in_London_Scenes_and_Characters_No9_The_ParlourDickens, Charles. 'Scenes and Characters, No. 9, The Parlour' (13 December 1835). <em>Dickens Search</em>. Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-12-13_Bells_Life_in_London_Scenes_and_Characters_No9_The_Parlour">https://dickenssearch.com/short-stories/1835-12-13_Bells_Life_in_London_Scenes_and_Characters_No9_The_Parlour</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Bell%27s+Life+in+London">Bell&#039;s Life in London</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=TIBBS">TIBBS</a><a href="https://dickenssearch.com/teibp/dist/content/1835-12-13_Bells_Life_in_London_Scenes_and_Characters_No9_The_Parlour.xml" target="_blank" rel="noopener">'Scenes and Characters, No. 9, The Parlour.' <em>Bell's Life in London</em> (13 December 1835).</a>18351213A snug parlour in winter, with a sofa on one side the blazing fire, an easy chair on the other, and a table in the centre, bearing a liquor-stand, glasses, and cigars, the whole seen to the greatest advantage by the soft light of a French lamp, which falls delicately on the curtains you have carefully drown to exclude the wind, and enable you to eye your damask with great complacency - a snug parlour under such circumstances is a temporary Elysium, and well deserves to be lauded by an abler pen than ours. A pair of parlours &quot;genteelly furnished&quot; for a single gentleman, with a French bedstead for one in the back parlour, and cane-bottomed chairs for six in the front - all for twelve shilllings a week and attendance included, have their charms also. A breakfast parlour&#039;s no bad thing, when you&#039;re spending a week with a pleasant family in the country; and an hour or two may be passed very agreeably in a dining parlour in town. But though each and every of the parlours we have just enumerated has its own peculiar merits and attractions, to no one among them are we about to make any further allusion. The question then very naturally arises, what kind of parlour do we mean? - and that question we will resolve at once. We had been lounging, the other evening, down Oxford-strewet, Holburn, Cheapside, Coleman-street, Finsbury-square, and so on, with the intention of returning by Petonville and the New-road, when we began to feel rather thirsty, and disposed to rest for five or ten minutes; so we turned back to a quiet decent public house, which we remembered to have passed but a moment before (near the City-road), for the purpose of solacing ourselves with a glass of ale. The house was none of your stuccoed, French-polished, illuminated palaces, but a modest public-house of the old school, with a little old bar, and a little old landlord, who, with a wife and daughter of the same pattern, was comfortably seated in the bar aforesaid - a snug little room, with a cheerful fire, protected by a large screen, from behind which the young lady emerged, on our representing our inclincation for a glass of ale. &quot;Won&#039;t you walk into the parlour, Sir?&quot; said the young lady in seductie tones. &quot;You&#039;d better walk into the parlour, Sir,&quot; said the little old landlord, throwing his chair back, and looking round one side of the screen, to survey our appearance. &quot;You&#039;d much better step into the parlour, Sir,&quot; said the little old lady, popping her head out at the other side of the screen. And on our looking slightly round, as if in ignorance of the locality so much recommended, the little old landlord bustled out at the small door of the small bar, and forthwith ushured us into the parlour itself. It was an ancient dark-looking room, with a sanded floor and high mantel-piece, over which was an old coloured print of some naval engagement, representing two men-of-war banding away at each other most vigorously, with another vessel or two oblowing up in the distance, and an interesting foreground of broken masts and blue legs sticking out of the water. Depending from the ceiling, in the centre of the room, were a gas-light and bell-pull, and on each side were three or four long narrow tables, behind which was a thickly planted row of those slippy shiny looking wooden chairs peculiar to places of this description. The monstrous appearance of the sanded boards was relieved by an occasional spittoon, and a triangular pile of these useful articles adored the two upper corners of the apartment. At the further table, nearest the fire, with his face towards the door at the bottom of the room, sat a stoutish man of about forty, whose short stiff black hair, curled closely round a broad high forehead and face to which something besides water and exercise had communicated a rather inflamed appearance. He was smoking a cigar, with his eyes fixed on the ceiling, and had that confident, orucular air, which marked him as the leading politician, general authority, and universal anecdote relator of the place. He had evidently just delivered himself of something veay weighty, for the remainder of the company were puffing away at their respective pipes and cigars, in a kind of solemn abstraction, as if quite overwhelmed with the magnitude of the subject recently under discussion. On his right sat an elderly man, with a white head and broad-brimmed brown hat, and on his left a sharp-nosed light-haired man, in a brown surtout reaching nearly to his heels, who took a whiff at his pipe and an admiring glance at the red-faced man alternately. - &quot;Very extraordinary!&quot; said the light haired man, after a pause of five minutes; a murmur of assent ran through the company. &quot;Not at all extraordinary - not at all,&quot; said the red faced man, awakening suddenly from his reverie; and turning upon the light-haired man, the moment he had spoken. &quot;Why should it be extraordinary? - why is it extraordinary? - Prove it to be extraordinary.&quot; &quot;Oh, if you come to that - &quot; said the light-haired man. &quot;Come to that!&quot; ejaculated the man with the red face; &quot;but we must come to that. We stand in these times upon a calm elevation of intellectual attainment, and not in the dark recess of mental deprivation. Proof is what I require - proof, and not assertions in these stirring times. Every gen’lem’n that knows me knows what was the nature and effect of my observations, when it was in the contemplation of the Old-street Suburban Representative Discovery Society to recommend a candidate for that place in Cornwall there - I forget the name of it.&quot; “Mr. Snobee, (said Mr. Wilson) is a fit and proper person to represent the borough in Parliament.” “Prove it,” says I. “He is a friend to Reform,” says Mr. Wilson. “Prove it,” says I. “The abolitionist of the national debt, the unflinching opponent of pensions, the uncompromising advocate of the negro, the reducer of sinecures and the duration of Parliaments, the extender of nothing but the suffrages of the people,” says Mr. Wilson. “Prove it,” says I. “His acts prove it,” says he. “Prove them,” says I. &quot;And he could not prove them (said the red-faced man, looking round triumphantly) &quot;and the borough didn’t have him; and if you carried this principle to the full extent, you’d have no debt, no pensions, no sinecures, no negroes, no nothing; and then, standing upon an elevation of intellectual attainment, and having reached the summit of popular prosperity, you might bid defiance to the nations of the earth, and erect yourselves in the proud confidence of wisdom and superiority. This is my argument - this always has been my argument - and if I was a Member of the House of Commons to-morrow, I’d make ’em shake in their shoes with it &quot; - and the red-faced man hit the table very hard with his clenched fist, by way of adding weight to the declaration, and then smoked away like a brewery. &quot;Well!&quot; said the sharp-nosed man, in a very slow and soft voice, addressing the company in general, &quot;I always do say that, of all the gentlemen I have the pleasure of meeting in this room, there is not one whose conversation I like to hear so much as Mr. Rogers’s, or who is such improving company.&quot; &quot;Improving company! (said Mr. Rogers, for that was the name of the red-faced man). Damme, you may say I&#039;m improving company, for I’ve improved you all to some purpose; though as to my conversation being as my friend Mr. Ellis here describes it, that&#039;s not for me to say anything about; you, gentlemen, are the best judges on that point; but this I will say, when I came into this parish, and first used this room, ten years ago, I don’t believe there was one man in it who knew he was a slave, and now you all know it, and writhe under it. Inscribe that upon my tomb, and I&#039;m satisfied.&quot; &quot;Why, as to inscribing it on your tea-chest,&quot; said a little dirty green-grocer, with a rather dirty face, &quot;of course you can have anything chalked up as you likes to pay for, so far as it relates to yourself and your affairs; but when you come to talk about slaves and that there gammon, you’d better keep it in the family, ’cos I, for one, don’t like to be called them names night after night.&quot; &quot;You are a slave,&quot; said the red-faced man, &quot;and the most pitiable of all slaves.&quot;Wery hard if I am,&quot; interrupted the green-grocer, &quot;for I got no good out of the twenty millions, anyhow.&quot; &quot;A willing slave,&quot; ejaculated the red-faced man, getting more red with eloquence, and contradiction, &quot;resigning the dearest birth-right of your children, neglecting the sacred call of Liberty, who standing imploringly before you, appeals to the warmest feelings of your heart, and points to your helpless infants but in vain.&quot; &quot;Prove it,&quot; said the green-grocer. &quot;Prove it,&quot; ejaculated the man with the red face. &quot;Bending beneath the yoke of an insolent and factious oligarchy: bowed down before the domination of cruel laws, groaning beneath tyranny and oppression on every hand, at every side, and in every corner. Prove it!&quot; And the red-faced man sneered melo-dramatically, and buried his indignation in a quart pot. &quot;Very true, Mr. Rogers, very true,&quot; said a stout broker in a large waistcoat. &quot;That&#039;s the pint, Sir.&quot; &quot;Ah to be sure,&quot; acquiesced divers other members of the company. &quot;You&#039;d better let him alone, Tommy,&quot; said the broker, by way of advice to the little green-grocer. &quot;He can tell wot’s o’clock by an eight-day, without looking at the minute-hand, he can. Try it on, on some other suit, you won&#039;t score nothing here, old feller.&quot; &quot;What is a man,&quot; said the red-faced specimen of the species, jerking his hat from its peg on the wall – &quot;what is an Englishman? Is he to be trampled upon by every oppressor? is he to be knocked down at any body’s bidding?&quot; (&quot;Decidedly not,&quot; from the broker). &quot;What is freedom? – Not a standing army. – What is a standing army? Not freedom. – What is general happiness? Not universal misery. Liberty is not the window tax, nor the Lords the people.&quot; And the red-faced man gradually bursting into a radiating sentence, in which the words &quot;oppression,&quot; tyranny,&quot; &quot;violence,&quot; &quot;misrule,&quot; &quot;dastardly Whigs,&quot; &quot;sanguinary Tories,&quot; &quot;Mr. Roebuck,&quot; &quot;depreciation of the currency,&quot; and &quot;voluntary principle,&quot; were most conspicuous, and finally left the room with an indignant bounce. &quot;Wonderful man!&quot; said he of the sharp nose. &quot;Splendid speaker!&quot; added the broker. &quot;Great power!&quot; said everybody but the green-grocer. &quot;Great ass,&quot; thought we – &quot;a very common character, and in no degree exaggerated. Empty-headed bullies, who by their ignorance and presumption bring into contempt whatever cause they are connected with: equally mischievous in any assembly from the highest to the lowest, and disgusting in all. There is a red-faced man in every &#039;parlour.&#039;&quot;https://dickenssearch.com/files/original/5/Scenes_and_Characters_No._9_The_Parlour/1835-12-13_Bells_Life_in_London_Scenes_and_Characters_No9_The_Parlour.pdf
60https://dickenssearch.com/items/show/60'Sentiment'Published in <em>The Magazine of the Beau Monde</em> (1 September 1836).Dickens, Charles<em>The Magazine of the Beau Monde,</em> <a href="https://www.google.com/books/edition/The_Magazine_of_the_beau_monde_or_Monthl/piYGAAAAQAAJ" target="_blank" rel="noopener">https://www.google.com/books/edition/The_Magazine_of_the_beau_monde_or_Monthl/piYGAAAAQAAJ</a>, pp. 122-126.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836-09-01">1836-09-01</a><em>The Magazine of the Beau Monde,</em> <a href="https://www.google.com/books/edition/The_Magazine_of_the_beau_monde_or_Monthl/piYGAAAAQAAJ" target="_blank" rel="noopener">https://www.google.com/books/edition/The_Magazine_of_the_beau_monde_or_Monthl/piYGAAAAQAAJ</a>, pp. 122-126. Google Books published before 1922 are in the public domain.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1836-09-01_The_Magazine_of_the_Beau_Monde_SentimentDickens, Charles. 'Sentiment' (1 September 1836). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1836-09-01_The_Magazine_of_the_Beau_Monde_Sentiment">https://dickenssearch.com/short-stories/1836-09-01_The_Magazine_of_the_Beau_Monde_Sentiment</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Magazine+of+the+Beau+Monde">The Magazine of the Beau Monde</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="https://dickenssearch.com/teibp/dist/content/1836-09-01_The_Magazine_of_the_Beau_Monde_Sentiment.xml" target="_blank" rel="noopener">'Sentiment.' <em>The Magazine of the Beau Monde</em> (1 September 1836).</a>18360901The Miss Crumptons, or to quote the authority of the inscription on the garden-gate of Minerva House, Hammersmith - &quot;The Misses Crumpton&quot; were two unusually tall, particularly thin, and exceedingly skinny personages - very upright and very yellow. Miss Amelia Crumpton owned to thirty-eight, and Miss Maria Crumpton admitted she was forty - an admission which was rendered perfectly unnecessary by the self-evident fact of her being fifty at least. They dressed in the most interesting manner - like twins, and looks about as happy and comfortable as a couple of marigolds run to seed. They were very precise, had the strictest possible ideas of propriety, wore false hair, and always smelt very strongly of lavender. Minerva House, conducted under the auspices of the two sisters, was a &quot;finishing establishment for young ladies,&quot; where some twenty girls of the ages of from thirteen to nineteen inclusive, acquired a smattering of everything, and a knowledge of nothing; instruction in French and Italian, dancing lessons twice a week, and other necessaries of life. The house was a white one, a little removed from the road side, with close palings in front. The bed-room windows were always left partly open to afford a bird&#039;s eye view of numerous little bedsteads, with very white dimity furniture, and thereby impress the passer-by with a due sense of the luxuries of the establishment; and there was a front parlour hung round with highly varnished maps, which nobody ever looked at, and filled with books which no one ever read, appropriated exclusively to the reception of parents, who whenever they called, could not fail to be struck with the very knowledge-imparting appearance of the place. &quot;Amelia, my dear,&quot; said Miss Maria Crumpton, entering the school room, with her false hair in papers, as she occasionally did, in order to impress the young ladies with a conviction of its reality - &quot;Amelia, my dear, here&#039;s a most gratifying note I have just received. You needn&#039;t mind reading it aloud.&quot; Miss Amelia thus advised, proceeded to read the following note, with an air of great triumph. &quot;Cornelius Brook Dingwall, Esq. M.P. presents his compliments to Miss Crumpton, and will feel much obliged by Miss Crumpton&#039;s calling on him, if she conveniently can, to morrow morning at one o&#039;clock, as Cornelius Brook Dingall, Esq. M.P. is anxious to see Miss Crumpton on the subject of placing Miss Brook Dingwall under her charge. &quot;Adelphi. &quot;Monday morning.&quot; &quot;A Member of Parliament&#039;s daughter!&quot; ejaculated Amelia in an ecstatic tone. &quot;A Member of Parliament&#039;s daughter!&quot; repeated Miss Maria with a smile of delight, which of course, forthwith elicited a concurrent titter of pleasure from all the young ladies. &quot;Its exceedingly delightful,&quot; said Miss Amelia, whereupon all the young ladies murmured their admiration again. Courtiers are but schoolboys multiplied by fifty. So important an announcement at once superseded the business of the day. A holiday was declared in commemoration of the greatevent: the Miss Crumptons retired to their private apartment to talk it over; the smaller girls discussed the probable manners and customs of the daughter of a Member of Parliament, and the young ladies verging on eighteen, wondered whether she was engaged, whether she was pretty, whether she wore much bustle, and many other whethers of equal importance. The two Miss Crumptons proceeded to the Adelphi at the appointed time next day, dressed, of course, in their best style, and looking as amiable as they possibly could - which, by-the-bye, is not saying much for them. Having sent in their cards through the medium of a red-hot looking footman in bright livery, they were ushered into the august presence of the profound Dingwall. Cornelius Brook Dingwall, Esq., M.P. was very haughty, solemn, and portentous. He had naturally a somewhat spasmodic expression of countenance, which was not rendered the less remarkable by his wearing an extremely stiff cravat. He was wonderfully proud of the &quot;M.P.,&quot; attached to his name, and never lost an opportunity of reminding people of his dignity. He had a great idea of his own abilities, which must have been a great comfort to him, as no one else had; and in diplomacy, on a small scale in his own family arrangements, he considered himself unrivalled. He was a country magistrate, and discharged the duties of his station with all due justice and impartiality, frequently committing poachers, and occasionally committing himself. Miss Brook Dingwall was one of that numerous class of young ladies, who, like adverbs may be known by their answering to a common-place question, and doing nothing else. On the present occasion this talented individual was seated in a small library at a table covered with papers, doing nothing; but trying to look busy - playing at shop. Acts of Parliament, and letters directed to &quot;Cornelius Brook Dingwall, Esq. M.P.,&quot; were ostentatiously scattered over the table, at a little distance from which, Mrs. Brook Dingwall was seated at work. One of those public nuisances, a spoiled child, was playing about the room, dressed after the most approved fashion, in a blue tunic with a black belt a quarter of a yard wide, fastened with an immense buckle, and looking like a robber in a Melo-Drama, seen through a diminishing glass. After a little pleasantry from the sweet child, who amused himself by running away with Miss Maria Crumpton&#039;s chair as fast as it was placed for her, the visitors were seated, and Cornelius Brook Dingwall Esq. opened the conversation. He had sent for Miss Crumpton, he said, in consequence of the high character he had received of her establishment from his friend Sir Alfred Muggs. Miss Crumpton murmured her acknowledgments to him (Muggs) and Cornelius proceeded. &quot;One of my principal reasons Miss Crumpton for parting with my daughter is, that she has lately acquired some false sentimental sort of ideas which it is most desirable to eradicate from her young mind.&quot; (Here the little innocent before-noticed, fell out of an arm chair with an awful crash.) &quot;Naughty boy,&quot; said his mamma, who appeared more surprised at his taking the liberty of falling down, than at anything else, &quot;I&#039;ll ring the bell for James to take him away.&quot; &quot;Pray don&#039;t check him, my love,&quot; said the diplomatist, as soon as he could make himself heard amidst the unearthly howling, consequent upon the threat and the tumble. &quot;It all arises from his great flow of spirits.&quot; This last explanation was addressed to Miss Crumpton. &quot;Certainly, Sir,&quot; replied the antique Maria, not exactly seeing, however, the connection between a flow of animal spirits, and a fall from an arm chair. Silence was restored, and the M.P. resumed: &quot;Now I know nothing so likely to effect this object, Miss Crumpton, as her mixing constantly in the society of girls of her own age; and as I know that in your establishment she will meet such as are not likely to contaminate her young mind, I propose to send her to you.&quot; The youngest Miss Crumpton expressed the acknowledgements of the establishment generally. Maria was rendered perfectly speechless by bodily pain - the dear little fellow having recovered his spirits, was standing upon her most tender foot, by way of getting his face (which looked like a capital O in a red-lettered play-bill) on a level with the writing-table. &quot;Of course Lavinia will be a parlour boarder,&quot; continued the enviable father; &quot;and on one point I wish my directions to be strictly observed. The fact is, that some ridiculous love affair with a person much her inferior in life has been the case of her present state of mind. Knowing that of course under your care she can have no opportunity of meeting this person, I do not object to - indeed, I should rather prefer - her joining in such society as you see yourself,&quot; The important statement was again interrupted by the high-spirited little creature, in the excess of his joyousness, breaking a pane of glass, and nearly precipitating himself into an adjacent area. James was rung for; considerable confusion and screaming succeeded, two little blue legs, about the size of hoopsticks, were seen to kick violently in the air, as the man left the room, and the child was gone. &quot;Mr. Brook Dingwall would like Miss Brook Dingwall to learn everything,&quot; said Mrs. Brook Dingwall, who hardly ever said any thing at all. &quot;Certainly.&quot; said both the Miss Crumptons together. &quot;And as I trust the plan I have devised will be effectual in weaning my daughter from this absurd idea, Miss Crumpton,&quot; continued the legislator, &quot;I hope you will have the goodness to comply in all respects with any request I may forward to you.&quot; The promise was of course made, and after a lengthened discussion, conducted on behalf of the Dingwall&#039;s with the most becoming diplomatic gravity, and on that of the Crumpton&#039;s with profound respect, it was finally arranged that Miss Lavinia should be forwarded to Hammersmith on the next day but one; on which occasion the half-yearly ball given at the establishment was to take place. It might divert the dear girl&#039;s mind. This, by the way, was another bit of diplomacy. Miss Lavinia was forthwith introduced to her future governesses, and both the Miss Crumpton&#039;s pronounced her &quot;a most charming girl,&quot; an opinion which, by a singular coincidence, they always entertained of any new pupil. Curtsies were made, acknowledgements expressed, condescension exhibited; and the interview terminated. Preparations, to make use of theatrical phraseology, &quot;on a scale of magnitude never before attempted,&quot; were incessantly made at Minerva House, to give every effect to the forthcoming ball. The largest room in the house was pleasingly ornamented with blue calico roses, plaid tulips, and other equally natural-looking artificial flowers, the work of the young ladies themselves. The carpet was taken up; the folding-doors were taken door; the furniture was taken out, and rout seats taken in. The linen-drapers of Hammersmith were astounded at the sudden demand for blue sarsnet ribbon, and long white gloves. Dozens of geraniums were purchased for bouquets, and a harp and two violins were bespoke from town, in addition to the grand-piano already on the premises. The young ladies who were selected to show off &quot;on the occasion,&quot; and do credit to the establishment, practised unceasingly, much to their own satisfaction, and greatly to the annoyance of the lame old gentleman over the way; and a constant correspondence was kept up with the Misses Crumpton and the Hammersmith pastry cook. The evening came: and then there was such a lacing of stays, and tying of sandals, and dressing of hair, as never can take place with a proper degree of bustle out of a boarding-school. The smaller girls managed to be in everybody&#039;s way, and were pushed about accordingly, and the elder ones dressed, and tied, and flattered, and envied one another as earnestly and sincerely as if they had actually come out. &quot;How do I look, dear?&quot; enquired Miss Emily Smithers, the belle of the house, of Miss Caroline Wilson, who was her bosom friend because she was the ugliest girl in Hammersmith, or out of it. &quot;Oh, charming dear. How do I?&quot; &quot;Delightful - you never looked so handsome,&quot; returned the belle, adjusting her own dress, and not bestowing a glance on her poor companion. &quot;I hope young Hilton will come early,&quot; said another young lady to Miss somebody else, in a fever of expectation. &quot;I&#039;m sure he&#039;d be highly flattered if he knew it,&quot; returned the other, who was practicing l&#039;eté for effect. &quot;Oh! he&#039;s so handsome,&quot; said the first. &quot;Such a charming person,&quot; added a second. &quot;Such a distingue air,&quot; said a third. &quot;Oh what do you think?&quot; said another girl running into the room; Miss Crumpton says that her cousin&#039;s coming.&quot; &quot;What! Theodosius Butler?&quot; said everybody, in raptures. &quot;Is he handsome,&quot; enquired a novice. &quot;No, not particularly handsome,&quot; was the general reply; but oh, so clever!&quot; Mr. Theodosius Butler was one of those immortal geniuses who are to be met with in almost every circle. They have usually very deep monotonous voices. They always persuade themselves that they are wonderful persons, and that they ought to be very miserable. They dont exactly know why. They are very conceited, and usually possess exactly half an idea: but with enthusiastic young ladies and silly young gentlemen, they are something wonderfully superior. The individual in question, Mr. Theodosius, had written a phamphlet containing some very weighty considerations on the expediency of doing something or other; and as every sentence contained at least fifty words of four syllables, his admirers took it for granted that he meant a good deal. &quot;Perhaps that&#039;s he,&quot; exclaimed several young ladies, as the first pull of the evening threatened destruction to the bell at the gate. An awful pause ensued. Some boxes arrived, and a young lady - it was Miss Brook Dingwall, in full ball costumes, with an immense gold chain round her neck, and her dress looped up with a single rose. An ivory fan in her hand, and a most interesting expression of despair in her face. The Miss Crumptons enquired after the family with the most excruciating anxiety, and Miss Brook Dingwall was formally introduced to her future companions. The Miss Crumptons conversed with the young ladies in the most mellifluous tones, in order that Miss Brook Dingwall might be properly impressed with their amiable treatment. Another pull at the bell. Mr. Dadson, the writing master and his wife. The wife in green silk, with shoes and cap trimmings to correspond, and the writing master in a white waistcoat, black knee shorts, and ditto silk stockings, displaying a leg large enough for two writing masters, at least. The young ladies whispered one another, and the writing master and his wife flattered the Miss Crumptons who were dressed in amber, with long sashes, like dolls. Repeated pulls at the bell, and arrivals too numerous to particularize: Papas and Mammas, and aunts and uncles, the owners and guardians of the different pupils; the singing master Signor Lobskini, in a black wig; the pianoforte player and the violins, the harp in a state of intoxication, and some twenty young men who stood near the door, and talked to one another, occasionally bursting into a giggle. A general hum of conversation. - Coffee handed round, and plentifully partaken of by fat mamma&#039;s, looking like the stout people who come on in pantomimes for the sole purpose of being knocked down. The popular Mr. Hilton was the next arrival, and having, at the request of the Miss Crumptons, undertaken the office of Master of Ceremonies, the quadrilles commenced with considerable spirit. The young men by the door gradually advanced into the middle of the room, and in time became sufficiently at ease to consent to be introduced to partners. The writing master danced every set, springing about with the most fearful agility, and his wife played a rubber in the back parlour - a little room with five book shelves dignified by the name of the study. Setting her down to whist was a half-yearly piece of generalship on the part of the Miss Crumptons, as it was necessary to hide her somewhere on account of her being a fright. The interesting Lavinia Brook Dingwall was the only girl present who appeared to take no interest in the proceedings of the evening. In vain was she solicited to dance, in vain was the universal homage paid to her as the daughter of a member of parliament. She was equally unmoved by the splendid tenor of the inimitable Lobskini, and the brilliant execution of Miss Letitia Parsons, who performance of &quot;The Recollections of Ireland,&quot; was universally declared to be almost equal to Moscheles himself. Not even the announcement of the arrival of Mr. Theodosius Butler could induce her to leave the corner of the back drawing room in which she was seated. &quot;Now, Theodosius,&quot; said Miss Maria Crumpton, after that enlightened pamphleteer had nearly run the gauntlet of he whole company, &quot;I must introduce you to our new pupil.&quot; Theodosius looked as if he cared for nothing earthly. &quot;She&#039;s the daughter of a member of parliament,&quot; said Maria - Theodosius started. &quot;And her name is - ?&quot; he enquired. &quot;Miss Brook Dingwall.&quot; &quot;Great Heaven!&quot; poetically exclaimed Theodosius in a low tone. Miss Crumpton commenced the introduction in due form. Miss Brook Dingwall languidly raised her head. &quot;Edward!&quot; she exclaimed with a half shriek, on seeing the well known nankeen legs. Fortunately, as Miss Maria Crumpton possessed no remarkable share of penetration, and as it was one of the diplomatic arrangements that no attention was to be paid to Miss Lavinia&#039;s incoherent exclamations, she was perfectly unconscious of the mutual agitation of the parties; and therefore, seeing that the offer of his hand for the next quadrille was accepted, she left him by the side of Miss Brook Dingwall. &quot;Oh, Edward,&quot; exclaimed that most romantic of all romantic young ladies, as that light of science seated himself beside her, &quot;Oh, Edward is it you?&quot; Mr. Theodosius assured the dear creature in the most impassioned manner that he was not conscious of being anybody but himself. &quot;Then why - why - this disguise? oh, Edward McNeville Walter, what have I not suffered on your account.&quot; &quot;Lavinia, hear me,&quot; replied the hero in his most poetic strain &quot;Do not condemn me unheard. If anything that emanates from the soul of such a wretch as I, can occupy a place in your recollection - if any being so vile deserve your notice - you may remember that I once published a pamphlet (and paid for its publication) entitled &quot;Considerations on the policy of removing the duty on bee&#039;s wax.&quot; &quot;I do - I do - &quot; sobbed Lavinia. &quot;That,&quot; continued the lover &quot;was a subject to which your father was devoted heart and soul.&quot; &quot;He was - he was,&quot; reiterated the sentimentalist. &quot;I knew it&quot; continued Theodosius tragically, &quot;I knew it - I forwarded him a copy. He wished to know me. Could I disclose my real name? Never! no, I assumed that name which you have so often pronounced in tones of endearment. As McNeville Walter I devoted myself to the stirring cause; as McNeville Walter I gained your heart; in the same character I was ejected from your house by your father&#039;s domestics, and in no character at all, have I since been enabled to see you. We now meet again, and I proudly own that I am - Theodosius Butler. The young lady appeared perfectly satisfied with this very argumentative address, and bestowed a look of the most ardent affection on the immortal advocate of bees wax. &quot;May I hope,&quot; said he, &quot;that the promise, your father&#039;s violent behaviour interrupted, may be renewed?&quot; &quot;Let us join this set,&quot; replied Lavinia coquetishly - for girls of nineteen can coquette. &quot;No,&quot; ejaculated he of the nankeens. &quot;I stir not from this spot writhing under this torture of suspense. May I - may I hope?&quot; &quot;You may.&quot; &quot;The promise is renewed?&quot; &quot;It is.&quot; &quot;I have your permission?&quot; &quot;You have.&quot; &quot;To the fullest extent?&quot; &quot;You know it,&quot; returned Lavinia, affecting to blush. The contortions of the interesting Butler&#039;s visage expressed his raptures. We could dilate upon the occurrences of the evening. How Mr. Theodosius and Miss Lavinia danced and talked, and sighed for the remainder of the evening. How the Miss Crumpton&#039;s were delighted thereat. How the writing master continued to frisk about with one-horse power, and how his wife, from some unaccountable freak, left the whist table in the little back parlour, and persisted in displaying her green head dress in the most conspicuous part of the drawing-room. How the supper consisted of small triangular sandwiches in trays, with a tart here and there, by way of variety, and how the visitors consumed warm water disguised with lemon, and dotted with nutmeg, under the denomination of negus. These, and other matters of as much interest, however, we pass over, for the purpose of describing a scene of even more importance. A fortnight after the date of the ball, Cornelius Brook Dingwall, Esq. M.P. was seated at the same library table, and in the same room as we have before described. He was alone, and his face bore an expression of deep thought and solemn gravity - he was drawing up a bill for the better observance of Easter Monday. The footman tapped at the door. The legislator started from his reverie, and &quot;Miss Crumpton&quot; was announced. Permission was given for Miss Crumption to enter the sanctum; Maria came sidling in, and having taken her seat with a due portion of affectation, the footman retired, and the governess was left alone with the M.P. Oh! how she longed for the presence of a third party - even the facetious young gentleman would have been a relief. Miss Crumpton began the duet. She hoped Mrs. Brook Dingwall, and the handsome little boy were in good health.&amp;nbsp; They were. Mrs. Brook Dingwall and little Frederick were at Brighton. &quot;Much obliged to you Miss Crumpton,&quot; said Cornelius in his dignified manner, &quot;for your attention to calling this morning. I should have driven down to Hammersmith to see Lavinia, but your account was so very satisfactory, and my duties in the House occupy me so much that I determined to postpone it for a week. How has she gone on.&quot; &quot;Very well, indeed, Sir,&quot; returned Maria, dreading to inform the father she had gone off. &quot;Ah, I thought the plan on which I proceeded would be a match for her.&quot; &quot;Here was a favourable opportunity to say that somebody else had been a match for her. The unfortunate governess was unequal to the task. &quot;You have persevered strictly in the line of conduct I prescribed Miss Crumpton?&quot; &quot;Strictly, Sir.&quot; &quot;You tell me in your note that her spirits gradually improved.&quot; &quot;Very much, indeed, sir.&quot; &quot;To be sure, I was convinced they would.&quot; &quot;But I fear, sir,&quot; said Miss Crumpton, with visible emotion. &quot;I fear the plan has not succeeded so well as we could have wished.&quot; &quot;No!&quot; exclaimed the prophet, &quot;God bless me, Miss Crumpton, you look alarmed. What has happened?&quot; &quot;Miss Brook Dingwall, Sir - &quot; &quot;Yes, Ma&#039;am.&quot; &quot;Has gone, Sir&quot; - said Maria, exhibiting a strong inclination to faint. &quot;Gone!&quot; &quot;Eloped, Sir.&quot; &quot;Eloped! - Who wish - when - where - how?&quot; almost shrieked the agitated diplomatist. The natural yellow of the unfortunate Maria&#039;s face, changed to all the hues of the rainbow, as she laid a small packet upon the member&#039;s table. He hurriedly opened it. A letter from his daughter and another from Theodosius. He glanced over their contents - &quot;ere this reaches you, far distant - appeal to feelings - love to distraction - bee&#039;s wax - slavery,&quot; &amp;c., &amp;c. He dashed his hand to his forehead, and paced the room with fearfully long strides, to the great alarm of the precise Maria. &quot;Now mind; from this time forward,&quot; said the Brook Dingwall, suddenly stopping at the table, and beating time upon it with his hand &quot;from this time forward, I never will, under any circumstances whatever, allow a man who writes pamphlets to enter any room of this house but the kitchen - I&#039;ll allow my daughter and her husband one hundred and fifty pounds a year, and never see their faces again - and damme, ma&#039;am, I&#039;ll bring in a bill for abolition of finishing schools!&quot; Some time has elapsed since this passionate declaration. Mr. and Mrs. Butler are at present rusticating in a small cottage at Ball&#039;s Pond, pleasantly situated in the immediate vicinity of a brick-field. They have no family. Mr. Theodosius looks very important and writes incessantly, but in consequence of some gross combination on the part of publishers, none of his productions appear in print. His young wife begins to think that ideal misery is preferable to real unhappiness; and that a marriage contracted in haste, and repented at leisure, is the cause of more substantial wretchedness, than she ever anticipated. On cool reflection, Cornelius Brook Dingwall, Esq. M.P., was reluctantly compelled to admit that the untoward result of his admirable arrangements, was attributable, not to the Miss Crumptons&#039;, but his own diplomacy. He, however, consoles himself, like some other small diplomatists, by satisfactorily proving that if his plans did not succeed, they ought to have done so. Minerva House is in statu quo, and &quot;The Misses Crumpton&quot; remain in the peaceable and undisturbed enjoyment of all the advantages resulting from their Finishing-school.https://dickenssearch.com/files/original/5/Sentiment/1836-09-01_The_Magazine_of_the_Beau_Monde_Sentiment_p.1.pdf; https://dickenssearch.com/files/original/5/Sentiment/1836-09-01_The_Magazine_of_the_Beau_Monde_Sentiment_p.2.pdf; https://dickenssearch.com/files/original/5/Sentiment/1836-09-01_The_Magazine_of_the_Beau_Monde_Sentiment_p.3.pdf; https://dickenssearch.com/files/original/5/Sentiment/1836-09-01_The_Magazine_of_the_Beau_Monde_Sentiment_p.4.pdf; https://dickenssearch.com/files/original/5/Sentiment/1836-09-01_The_Magazine_of_the_Beau_Monde_Sentiment_p.5.pdf
30https://dickenssearch.com/items/show/30'Sestette and Chorus'From <em>The Village Coquettes, An Operatic Burletta in Two Acts </em>(1836). Music by John Hullah.Dickens, Charles<p class="p1"><i>The Village Coquettes, An Operatic Burletta in Two Acts </i>(1836). London: John Dicks.<span class="Apple-converted-space">&nbsp;</span></p>; Internet Archive, <a href="https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater" target="_blank" rel="noopener">https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836">1836</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Hullah%2C+John">Hullah, John</a><p class="p1"><i>Internet</i><span>&nbsp;<em>Archive</em>: Access to the Archive’s Collections is provided at no cost and is granted for scholarship and research purposes only (</span><span class="s1"><a href="https://archive.org/about/terms.php" target="_blank" rel="noopener">https://archive.org/about/terms.php</a>).</span></p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1836_The_Village_Coquettes_Sestette_and_Chorus<p class="p1">Dickens, Charles. 'Sestette and Chorus.' <i>The Village Coquettes </i>(1836): pp. 10-11. <i>Dickens Search. </i>Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836_The_Village_Coquettes_Sestette_and_Chorus">https://dickenssearch.com/verse/1836_The_Village_Coquettes_Sestette_and_Chorus</a>.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Village+Coquettes%2C+An+Operatic+Burletta+in+Two+Acts">The Village Coquettes, An Operatic Burletta in Two Acts</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">Play</a><a href="https://dickenssearch.com/teibp/dist/content/1836_The_Village_Coquettes_Sestette_and_Chorus.xml" target="_blank" rel="noopener">'Sestette and Chorus.' <em>The Village Coquettes, An Operatic Burletta in Two Acts</em> (1836).</a>18360101Young Benson. Turn him from the farm! From his home will you cast The old man who has tilled it for years! Ev’ry tree, ev’ry flower, is linked with the past, And a friend of his childhood appears. Turn him from the farm! O’er its grassy hillside, A gay boy he once loved to range; His boyhood has fled, and its dear friends are dead, But these meadows have never known change. Edmunds. Oppressor, hear me! Lucy. On my knees I implore. Squire. I command it, and you will obey. Rose. Rise, dear Lucy, rise; you shall not kneel before The tyrant who drives us away. Squire. Your sorrows are useless, your prayers are in vain: I command it, and you will begone. I’ll hear no more. Edmunds. No, they shall not beg again Of a man whom I view with deep scorn. Flam. Do not yield. Young Benson - Squire - Lucy - Rose. Leave the farm! Edmunds. Your pow’r I despise. Squire. And your threats, boy, I disregard too. Flam. Do not yield. Young Benson - Squire - Lucy - Rose. Leave the farm! Rose. If he leaves it, he dies. Edmunds. This base act, proud man, you shall rue. Young Benson. Turn him from the farm! From his home will you cast, The old man who has tilled it for years? Ev’ry tree, ev’ry flower, is linked with the past, And a friend of his childhood appears! Squire. Yes, yes, leave the farm! From his home I will cast The old man who has tilled it for years; Though each tree and flower, is linked with the past, And a friend of his childhood appears. Chorus. He has turned from his farm! From his home he has cast The old man who has tilled it for years; Though each tree and flower is linked with the past, And a friend of his childhood appears.https://dickenssearch.com/files/original/3/Sestette_and_Chorus/Sestette_and_Chorus_The_Village_Coquettes_01.png; https://dickenssearch.com/files/original/3/Sestette_and_Chorus/Sestette_and_Chorus_The_Village_Coquettes_02.png
55https://dickenssearch.com/items/show/55'Sketches of London No. XVI, Our Parish' (III) Published in <em>The Evening Chronicle</em> (14 July 1835).Dickens, Charles<em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350714/012/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350714/012/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-07-14">1835-07-14</a><em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350714/012/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350714/012/0003</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-07-14_The_Evening_Chronicle_Sketches_of_London_NoXVI_Our_ParishIIIDickens, Charles. 'Sketches of London, No. XVI, Our Parish' (III) (14 July 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-07-14_The_Evening_Chronicle_Sketches_of_London_NoXVI_Our_ParishIII">https://dickenssearch.com/short-stories/1835-07-14_The_Evening_Chronicle_Sketches_of_London_NoXVI_Our_ParishIII</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Evening+Chronicle">The Evening Chronicle</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a><a href="https://dickenssearch.com/teibp/dist/content/1835-07-14_The_Evening_Chronicle_Sketches_of_London_NoXVI_Our_ParishIII.xml" target="_blank" rel="noopener"><span>'Sketches of London No. XVI, Our Parish' (III). <em>The Evening Chronicle</em> (14 July 1835).</span></a>18350714An event has recently occurred in our parish which for the moment completely absorbs every other consideration, and throws even the Miss Willises entirely into the shade. We have had an election - an election for beadle: a contest of paramount interest has just terminated; a parochial convulsion has taken place. It has been succeeded by a glorious triumph, which the country - or at least the parish - its no great matter which - will long remember. The supporters of the old beadle system have been defeated in their strong-hold, and the advocates of the great new beadle principles have achieved a proud victory. Our parish - which, like all other parishes, is a little world of its own - has long been divided into two parties, whose contentions slumbering for a while, have never failed to burst forth with unabated vigour on any occasion on which they could by possibility be renewed. Watching rates, lighting rates, paving rates, sewer&#039;s rates, church rates, poor&#039;s rates - all sorts of rates, have been in their turn the subjects of a grand struggle; and as to questions of patronage, the asperity and determination with which they have been contested is scarcely credible. The leader of the official party - the steady advocate of the churchwardens and the unflinching supporter of the overseers - is an old gentleman who lives in our row. He owns some half-dozen houses in it, and always walks on the opposite side of the way so that he may be able to take in a view of the whole of his property at once. He is a tall, thin, bony man, with an interrogative nose, and little restless perking eyes, which appear to have been given him for the sole purpose of peeping into other people&#039;s affairs with. He is deeply impressed with the importance of our parish business, and prides himself not a little on his style of addressing the parishioners in vestry assembled. His views are rather confined than extensive; his principles more narrow than liberal. He has been heard to declaim very loudly in favour of the liberty of the press, and advocates the repeal of the stamp duty on newspapers, because the daily journals, who now have a monopoly of the public, never give verbatim reports of vestry meetings. He wouldn&#039;t appear egotistical for the world; but at the same time he must say, that there are speeches - that celebrated speech of his own on the emoluments of the Sexton, and the duties of the office, for instance - which might be communicated to the public, greatly to their improvement and advantage. His great opponent in public life is Captain Purday, the old naval officer of half-pay, to whom we introduced our readers a sketch or two back. The Captain being a determined opponent of the constituted authorities, whoever they may chance to be - and our other friend being their steady supporter, with an equal disregard of their individual merits - it will readily be supposed that occasions for their coming into direct collision are neither few nor far between. They divided the vestry fourteen times on a motion for heating the Church with warm water instead of coals, and made speeches about liberty and expenditure, and prodigality and hot water, which threw the whole parish into a state of excitement. Then the Captain, when he was on the visiting committee, and his opponent overseer brought forward certain distinct and specific charges relative to the management of the workhouse, boldly expressed his total want of confidence in the existing authorities, and moved for &quot;a copy of the recipe by which the paupers&#039; soup was prepared, together with any documents relating thereto.&quot; This the overseer steadily resisted; he fortified himself by precedent, appealed to the established usage, and declined to produce the papers, on the ground of the injury that would be done to the public service, if documents of a strictly private nature, passing between the master of the workhouse and the cook, were to be thus dragged to light on the motion of any individual member of the vestry. The motion was lost by a majority of two; and then the Captain, who never allows himself to be defeated, moved for a committee of inquiry into the whole subject. The affair grew serious; the question was discussed at meeting after meeting, and vestry after vestry; speeches were made, attacks repudiated, personal defiances exchanged, explanations received, and the greatest excitement prevailed, until at last, just as the question was going to be finally decided, the vestry found that somehow or other they had become entangled in a point of form from which it was impossible to escape with propriety. So the motion was dropped, and everybody looked extremely important, and seemed quite satisfied with the meritorious nature of the whole proceeding. This was the state of affairs in our parish a week or two since, when Simmons, the beadle, suddenly died. The lamented deceased had over-exerted himself a day or two previously, in conveying an aged female, highly intoxicated, to the strong room of the work house. The excitement thus occasioned, added to a severe cold, which this indefatigable officer had caught in his capacity of director of the parish-engine, by inadvertently playing over himself instead of a fire, proved too much for a constitution already enfeebled by age; and the intelligence was conveyed to the Board one evening that Simmons had died, and left his respects. The breath was scarcely out of the body of the deceased functionary when the field was filled with competitors for the vacant office, each of whom rested his claims to public support entirely on the number and extent of his family, as if the office of beadle were originally instituted as an encouragement for the propagation of the human species. &quot;Bung for Beadle. Five small children!&quot; &quot;Hopkins for Beadle. Seven small children!!&quot; &quot;Timkins for Beadle. Nine small children!!!&quot; Such were the placards in large black letters on a white ground, which were plentifully pasted on the walls and posted in the windows of the principal shops. Timkins’s success was considered certain: several mothers of families half promised their votes, and the nine small children would have run over the course but for the production of another placard announcing the appearance of a still more meritorious candidate. &quot;Spruggins for Beadle. Ten small children (two of them twins) and a wife!!!&quot; There was no resisting this; ten small children would have been almost irresistible in themselves, without the twins; but the touching parenthesis about that interesting production of nature, and the still more touching allusion to Mrs. Spruggins must ensure success. Spruggins was the favourite at once; and the appearance of his lady, as she went about to solicit votes (which encouraged confident hopes of a still further addition to the house of Spruggins at no remote period), increased the general prepossession in his favour. The other candidates, Bung alone excepted, resigned in despair; the day of election was fixed; and the canvas proceeded with briskness and perseverance on both sides. The members of the vestry could not be supposed to escape the contagious excitement inseparable from the occasion. The majority of the lady inhabitants of the parish declared at once for Spruggins, and the quondam overseer took the same side, on the ground that men with large families always had been elected to the office, and that, although he must admit, that, in other respects, Spruggins was the least qualified candidate of the whole; still it was an old practice, and he saw no reason why an old practice should be departed from. This was enough for the Captain. He immediately sided with Bung; canvassed for him personally in all directions, wrote squibs on Spruggins, and got his butcher to skewer them up on conspicuous joints in his shop-front; frightened his neighbour, the old lady, into a palpitation of the heart by his awful denunciations of Spruggins’s party; and bounced in and out, and up and down, and backwards and forwards, until all the sober inhabitants of the parish thought it inevitable that he must die of a brain fever long before the election began. The day of election arrived; it was no longer an individual struggle but a party contest between the ins and outs; the question was, whether the withering influence of the overseers, the domination of the churchwardens, and the blighting despotism of the vestry clerk should be allowed to render the election of beadle a form - a nullity; whether they should impose a vestry elected beadle on the parish, to do their bidding and forward their views, or whether the parishioners, fearlessly asserting their undoubted rights, should elect an independent beadle of their own. The nomination was fixed to take place in the vestry, but so great was the throng of anxious spectators, that it was found necessary to adjourn to the church, where the ceremony commenced with due solemnity. The appearance of the churchwardens and overseers, and the ex-churchwardens and ex-overseers, with Spruggins in the rear, excited general attention. Spruggins was a little thin man in rusty black with a long pale face, and a countenance expressive of care and fatigue, which might either be attributed to the extent of his family or the anxiety of his feelings. His opponent appeared in a cast-off coat of the Captain’s - a blue coat with bright buttons, white trousers, and that description of shoes familiarly known by the appellation of &quot;high-lows.&quot; There was a serenity in the open countenance of Bung - a kind of moral dignity in his confident air - an &quot;I wish you may get it&quot; sort of expression in his eye - which infused animation into his supporters, and evidently dispirited his opponents. The ex-churchwarden rose to propose Thomas Spruggins for beadle. He had known him long; he had had his eye upon him closely for years; he had watched him with twofold vigilance for months. [A parishioner here suggested that this might be termed &quot;taking a double sight;&quot; but the observation was drowned in loud cries of &quot;order!&quot;]. He would repeat that he had had his eye upon him for years, and this he would say, that a more well-conducted, a more well-behaved, a more sober, a more quiet man, with a more well regulated mind, he had never met with. A man with a larger family he had never known [cheers]. The parish required a man who could be depended on [hear! from the Spruggins side, answered by ironical cheers from the Bung party]. Such a man he now proposed [&quot;No,&quot; &quot;yes&quot;]. He would not allude to individuals [the ex-churchwarden continued in the celebrated negative style adopted by great speakers]. He would not advert to a gentleman who had once held a high rank in the service of his Majesty; he would not say that that gentleman was no gentleman; he would not assert that that man was no man; he would not say, that he was a turbulent parishioner; he would not say that he had grossly misbehaved himself, not only on this, but on all former occasions; he would not say that he was one of those discontented and treasonable spirits, who carried confusion and disorder wherever they went; he would not say that he harboured in his heart envy, and hatred, and malice, and all uncharitableness. No! He wished to have everything comfortable and pleasant; and therefore, he would say - nothing about him [cheers]. The Captain replied in a similar parliamentary style. He would not say he was astonished at the speech they had just heard; he would not say he was disgusted [cheers]; he would not retort the epithets which had been hurled against him [renewed cheering]; he would not allude to men once in office, but now happily out of it, who had mismanaged the work-house, ground the paupers, diluted the beer, slack-baked the bread, boned the meat, heightened the work, and lowered the soup [tremendous cheers]. He would not ask what such men deserved [a voice, &quot;Nothing a day, and find themselves!&quot;]. He would not say that one burst of general indignation should drive them from the parish they polluted with their presence [&quot;Give it him!&quot;]. He would not allude to the unfortunate man who had been proposed - he would not say, as the Vestry’s tool, but as Beadle. He would not advert to that individual’s family; he would not say that nine children, twins, and a wife, were very bad examples for pauper imitation [loud cheers]. He would not advert in detail to the qualifications of Bung. The man stood before him, and he would not say in his presence what he might be disposed to say of him, if he were absent. [Here Mr. Bung telegraphed to a friend near him under cover of his hat, by contracting his left eye, and applying his right thumb to the tip of his nose]. It had been objected to Bung that he had only five children [&quot;Hear, hear!&quot; from the opposition]. Well, he had yet to learn that the Legislature had affixed any precise amount of infantine qualification to the office of beadle; but taking it for granted that an extensive family were a great requisite, he entreated them to look to facts and compare data, about which there could be no mistake. Bung was 35 years of age. Spruggins - of whom he wished to speak with all possible respect - was 50. Was it not more than possible - was it not very probable - that by the time Bung attained the latter age, he might see around him a family, even exceeding in number and extent, that to which Spruggins at present laid claim [deafening cheers and waving of handkerchiefs]? The Captain concluded amidst loud applause by calling upon the parishioners to sound the tocsin, rush to the poll, free themselves from dictation, or be slaves for ever. On the following day the polling began, and we never have had such a bustle in our parish since we got up our famous anti-slavery petition, which was such an important one that the House of Commons ordered it to be printed, on the motion of the Member for the district. The Captain engaged two hackney coaches and a cab for Bung’s people - the cab for the drunken voters, and the two coaches for the old ladies, the greater portion of whom, owing to the Captain’s impetuosity, were driven up to the poll and home again, before they recovered from their flurry sufficiently to know with any degree of clearness what they had been doing; the opposite party wholly neglected these precautions, and the consequence was, that a great many ladies who were walking leisurely up to the church - for it was a very hot day - to vote for Spruggins, were artfully decoyed into the coaches, and voted for Bung. The Captain’s arguments, too, had produced considerable effect: the attempted influence of the vestry produced a greater. A threat of exclusive dealing was clearly established against the vestry-clerk - a case of heartless and profligate atrocity. It appeared that the delinquent had been in the habit of purchasing six penn’orth of muffins weekly from an old woman who rents a small house in our parish, and resides among the original settlers; on her last weekly visit a message was conveyed to her through the medium of the cook, couched in mysterious terms, but indicating with sufficient clearness, that the vestry-clerk’s appetite for muffins in future depended entirely on her vote on the beadleship. This was sufficient; the stream had been turning previously, and the impulse thus administered directed its final course. The Bung party ordered one shillingsworth of muffins weekly for the remainder of the old woman’s natural life; the parishioners were loud in their exclamations; and the fate of Spruggins was sealed. It was in vain that the twins were exhibited in dresses of the same pattern, and night-caps to match at the church door; the boy in Mrs. Spruggins’s right arm and the girl in her left - even Mrs. Spruggins herself failed to be an object of sympathy any longer. The majority attained by Bung on the gross poll was four hundred and twenty-eight, and the cause of the parishioners triumphed. (To be continued.)https://dickenssearch.com/files/original/5/Sketches_of_London_No._XVI_Our_Parish_[III]/1835-07-14_The_Evening_Chronicle_Sketches_of_London_No._XVI_Our_Parish_III.pdf
40https://dickenssearch.com/items/show/40'Sketches of London, No. I, Hackney-Coach Stands'Published in <em>The Evening Chronicle</em> (31 January 1835).Dickens, Charles <em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350131/036/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350131/036/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-01-31">1835-01-31</a><em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350131/036/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350131/036/0003</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-01-31_The_Evening_Chronicle_Sketches_of_London_NoI_Hackney_Coach_StandsDickens, Charles. 'Sketches of London, No. I, Hackney-Coach Stands' (31 January 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-01-31_The_Evening_Chronicle_Sketches_of_London_NoI_Hackney_Coach_Stands">https://dickenssearch.com/short-stories/1835-01-31_The_Evening_Chronicle_Sketches_of_London_NoI_Hackney_Coach_Stands</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Evening+Chronicle">The Evening Chronicle</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a><a href="https://dickenssearch.com/teibp/dist/content/1835-01-31_The_Evening_Chronicle_Sketches_of_London_NoI_Hackney_Coach_Stands.xml" target="_blank" rel="noopener">'Sketches of London, No. I, Hackney-Coach Stands.' <em>The Evening Chronicle</em> (31 January 1835).</a>18350131We commence our &quot;London Sketches&quot; with this subject, because we maintain that hackney-coach stands - properly so called - belong solely to the metropolis. We may be told that there are hackney-coach stands in Edinburgh; and not to go quite so far for a contradiction to our position, we may be reminded that Liverpool, Manchester, &quot;and other large towns&quot; (as the Parliamentary phrase goes), have their hackney-coach stands. We readily concede to these places the possession of certain vehicles which may look almost as dirty, and even go almost as slowly, as London hackney-coaches; but that they have the slightest claim to compete with the metropolis, either in point of stands, drivers, or cattle, we indignantly deny. Take a regular, ponderous, ricketty, London hackney-coach of the old school, and let any man have the boldness to assert, if he can, that he ever beheld any object on the face of the earth which at all resembled it - unless, indeed, it were another hackney-coach of the same date. We have recently observed on certain stands - and we say it with deep regret - rather dapper green chariots, and coaches of polished yellow, with four wheels of the same colour as the coach; whereas it is perfectly notorious to every one who has studied the subject, that every wheel ought to be of a different colour, and a different size. These are innovations, and, like other mis-called improvements, awful signs of the restlessness of the public mind, and the little respect paid to our time-honoured institutions. Why should hackney-coaches be clean? - our ancestors found them dirty, and left them so. Why should we, with a feverish wish to &quot;keep moving,&quot; desire to roll along at the rate of six miles an hour, while they were content to rumble over the stones at four? These are solemn considerations. Hackney-coaches are part and parcel of the law of the land - they were settled by the Legislature - plated and numbered by the wisdom of Parliament. Then why have they been swamped by cabs and omnibuses? - or why should people be allowed to ride quickly for eight-pence a mile, after Parliament had come to the solemn decision that they should pay a shilling a mile for riding slowly? We pause for a reply; - and, having no chance of getting one, begin a fresh paragraph. Our acquaintance with hackney-coach stands is of long standing. We are a walking book of fares, feeling ourselves half bound, as it were, to be always in the right on contested points. We know all the regular watermen within three miles of Covent-garden by sight, and should be almost tempted to believe that all the hackney-coach horses in that district knew us by sight too, if one-half of them were not blind. We take great interest in hackney-coaches; but we seldom drive, having a knack of turning ourselves over when we attempt to do so. We are as great friends to horses - hackney-coach and otherwise - as the renowned Mr. Martin, of costermonger notoriety, and yet we never ride. We keep no horse, but a clothes-horse - enjoy no saddle so much as a saddle of mutton - and, following our own inclinations, have never followed the hounds. Leaving these fleeter means of getting over the ground, or of depositing one&#039;s-self upon it, to those who like them, by hackney-coach stands we take our stand. There is a hackney-coach stand under the very window at which we are writing; there is only one coach on it now, but it is a fair specimen of the class of vehicles to which we have alluded—a great, lumbering, square concern of a dingy-yellow colour (like a bilious brunette), with very small glasses, but very large frames; the panels are ornamented with a faded coat of arms, in shape something like a dissected bat; the axle-tree is red, and the majority of the wheels are green. The box is partially covered by an old great-coat, with a multiplicity of capes, and some extraordinary-looking cloths; and the straw, with which the canvas cushion is stuffed, is sticking up in several places, as if in rivalry of the hay which is peeping through the chinks in the boot. The horses, with drooping heads, and each with a mane and tail as scanty and straggling as those of a worn-out rocking-horse, are standing patiently on some damp straw, occasionally wincing, and rattling the harness; and, now and then, one of them lifts his mouth to the ear of his companion, as if he were saying, in a whisper, that he should like to assassinate the coachman. The coachman himself is in the watering-house; and the waterman, with his hands forced into his pockets as far as they can possibly go, is dancing the &quot;double shuffle&quot; in front of the pump, to keep his feet warm. The smart servant-girl, with the pink ribbons, at No. 5, opposite, suddenly opens the street-door, and four small children forthwith rush out, and scream &quot;coach!&quot; with all their might and main. The waterman darts from the pump, seizes the horses by their respective bridles, and drags them, and the coach too, round to the house, shouting all the time for the coachman at the very top, or rather bottom of his voice - for its a deep bass growl. A response is heard from the tap-room - the coachman, in his wooden-soled shoes, makes the street echo again as he runs across it - and then there is such a struggling, and backing, and grating of the kennel, to get the coach-door opposite the house-door, that the children are in perfect extasies of delight. What a commotion! The old lady, who has been stopping there for the last month, is going back to the country. Out comes box after box, and one side of the vehicle is filled with luggage in no time; the children get into everybody’s way, and the youngest, who has upset himself in his attempts to carry an umbrella, is borne off wounded, and kicking. The youngsters disappear, and a short pause ensues, during which the old lady is no doubt kissing them all round in the back-parlour. She appears at last, followed by her married daughter, all the children, and both the servants, who, with the joint assistance of the coachman and waterman, manage to get her safely into the coach. A cloak is handed in, and a little basket, which we could almost swear contains a small black bottle and a paper of sandwiches. Up go the steps - bang goes the door - &quot;Golden-cross, Charing-cross, Tom,&quot; says the waterman - &quot;Good bye, Grandma,&quot; cry the children - off jingles the coach at the rate of three miles an hour - and the mamma and children retire into the house, with the exception of one little villain, who runs up the street at the top of his speed, pursued by the smart servant, not ill-pleased to have such an opportunity of displaying her attractions. She brings him back, and, after casting two or three gracious glances across the way, which are either intended for us or the pot-boy (we are not quite certain which), shuts the door - and the hackney-coach stand is again at a stand still. We have been frequently amused with the intense delight with which &quot;a servant of all work,&quot; who is sent for a coach, deposits herself inside; and the unspeakable gratification which boys, who have been despatched on a similar errand, appear to derive from mounting the box. But we never recollect to have been more amused with a hackney-coach party than one we saw early the other morning in Tottenham-court-road. It was a wedding-party, and emerged from one of the inferior streets near Fitzroy-square. There were the bride, with a thin white dress, and a great red face; and the bridesmaid, a little, dumpy, good-humoured young woman, dressed of course in the same appropriate costume; and the bridegroom and his chosen friend, in blue coats, yellow waistcoats, white trousers, and Berlin gloves to match. They stopped at the corner of the street, and called a coach with an air of indescribable dignity. The moment they were in, the bridesmaid threw a red shawl, which she had no doubt brought on purpose, negligently over the number on the door, evidently to delude pedestrians into the belief that the hackney-coach was a private carriage; and away they went, perfectly satisfied that the imposition was successful, and quite unconscious that there was a great staring number stuck up behind, on a plate as large as a schoolboy’s slate. A shilling a mile!—the ride was worth five, at least, to them. What an interesting book a hackney-coach might produce, if it could carry as much in its head as it does in its body. The auto-biography of a broken-down hackney-coach would surely be as amusing as the autobiography of a broken-down hacknied dramatist; and it might tell as much of its travels with the pole, as others have of their expeditions to it. How many stories might be related of the different people it had conveyed on matters of business or profit—pleasure or pain! And how many melancholy tales of the same people at different periods! The country-girl—the showy, over-dressed woman—the drunken prostitute! The raw apprentice—the dissipated spendthrift—the thief! Talk of cabs! Cabs are all very well in cases of expedition; when it’s a matter of neck or nothing - life or death - your temporary home or your long one. But, besides a cab’s lacking that gravity of deportment which so peculiarly distinguishes a hackney-coach, let it never be forgotten that a cab is a thing of yesterday, and that he never was anything better. A hackney-cab has always been a hackney-cab from his first entry into public life, whereas a hackney-coach is a remnant of past gentility - a victim to fashion - a hanger-on of an old English family, wearing their arms, and, in days of yore, escorted by men wearing their livery - stripped of his finery, and thrown upon the world, like a once-smart footman when he is no longer sufficiently juvenile for his office - progressing lower and lower in the scale of four-wheeled degradation, until at last it comes to—a stand!https://dickenssearch.com/files/original/5/Sketches_of_London_No._I_Hackney-Coach_Stands/1835-01-31_The_Evening_Chronicle_Sketches_of_London_No.1__Hackney_Coach_Stands.pdf
41https://dickenssearch.com/items/show/41'Sketches of London, No. II, Gin Shops'Published in <em>The Evening Chronicle</em> (7 February 1835).Dickens, Charles <em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350207/028/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350207/028/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-02-07">1835-02-07</a><em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350207/028/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350207/028/0003</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-02-07_The_Evening_Chronicle_Sketches_of_London_NoII_Gin_ShopsDickens, Charles. "Sketches of London, No. II." <em>The Evening Chronicle</em> (7 February 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-02-07_The_Evening_Chronicle_Sketches_of_London_NoII_Gin_Shops">https://dickenssearch.com/short-stories/1835-02-07_The_Evening_Chronicle_Sketches_of_London_NoII_Gin_Shops</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Evening+Chronicle">The Evening Chronicle</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a><a href="https://dickenssearch.com/teibp/dist/content/1835-02-07_The_Evening_Chronicle_Sketches_of_London_NoII_Gin_Shops.xml" target="_blank" rel="noopener">'Sketches of London, No. II, Gin Shops.' <em>The Evening Chronicle</em> (7 February 1835).</a>18350207It is a very remarkable circumstance that different trades appear to partake of the disease to which elephants and dogs are especially liable: and to run stark, staring, raving mad, periodically. The great distinction between the animals and the the trades is, that the former run mad with a certain degree of propriety - they are very regular in their irregularities. You know the period at which the emergency will arise, and provide against it accordingly. If an elephant run mad you are all ready for him - kill or cure - pills or bullets - calomel in conserve of roses, or lead in a musket barrel. If a dog happen to look unpleasantly warm in the summer months, and to trot about the shady side of the streets with a quarter of a yard of tongue out of his mouth, a thick leather muzzle, which has been previously prepared in compliance with the thoughtful injunctions of the Legislature, is instantly clapped over his head, by way of making him cooler, and he either looks remarkably unhappy for the next six weeks, or becomes legally insane, and goes mad, as it were, by act of Parliament. But these trades are as eccentric as comets; nay, worse; for no one can calculate on the recurrence of the strange appearances which betoken the disease; moreover, the contagion is general, and the quickness with which it diffuses itself almost incredible. We will cite two or three cases in illustration of our meaning. Six or eight years ago, the epidemic began to display itself among the linen-drapers and haberdashers. The primary symptoms were, an inordinate love of plate glass, and a passion for gas-lights and gilding. The disease gradually progressed, and at last attained a fearful height. Quiet, dusty old shops, in different parts of town, were pilled down; spacious premises, with stuccoed fronts, and gold letters, were erected instead; floors were covered with Turkey carpets, roofs supported by massive pillars, doors knocked into windows, a dozen squares of glass into one, one shopman into a dozen - and there is no knowing what would have been done, if it had not been fortunately discovered, just in time, that the Commissioners of Bankrupt were as competent to decide such cases as the Commissioners of Lunacy, and that a little confinement, and gentle examination did wonders. The disease abated; it died away; and a year or two of comparative tranquility ensued. Suddenly it burst out again among the chemists; the symptoms were the same with the addition of a strong desire to stick the royal arms over the shop-door, and a great rage for mahogany varnish, and expensive floor-cloth; then the hoslers were infected and began to pill down their shop-fronts with frantic recklessness. The mania again died away, and the public began to congratulate themselves upon its entire disappearance when it burst forth with tenfold violence among the publicans and keepers of &quot;wine vaults;&quot; from that moment it has spread among them with unprecedented rapidity, exhibiting a concatenation of all the previous symptoms; and onward it has rushed to every part of town, knocking down all the old public houses, and depositing splendid mansions, stone balustrades, rose-wood fittings, immense lamps, and illuminated clocks at the corner of every street. The extensive scale on which these places are established, and the ostentatious manner in which the business of even the smallest among them is divided into branches, is most amusing. A handsome plate of ground glass in one door directs you &quot;To the Counting-House,&quot; another to the &quot;Bottle Department,&quot; a third to the &quot;Wholesale Department,&quot; a fourth to &quot;The Wine Promenade,&quot; and so fourth, until we are in daily expectation of meeting with a &quot;Brandy Bell,&quot; or a &quot;Whiskey Entrance.&quot; Then ingenuity is exhausted in devising attractive titles for the different descriptions of gin; and the dram-drinking portion of the community, as they gaze upon the gigantic black and white announcements, which are only to be equalled in size by the figures beneath them, are left in a state of pleasing hesitation between &quot;The cream of the valley,&quot; &quot;The out and out,&quot; &quot;The no mistake,&quot; &quot;The good for mixing,&quot; &quot;The real knock-me-down,&quot; &quot;The celebrated butter gin,&quot; &quot;The regular flare up,&quot; and a dozen other equally inviting and wholesome liqueurs. Although places of this description are to be met with in every second street, they are invariably numerous and splendid in precise proportion to the dirt and poverty of the surrounding neighbourhood. The gin shops in and near Drury-lane, Holborn, St. Giles&#039;, Covent-garden, and Clare-market, are the handsomest in London - there is more of filth and squalid misery near those great thoroughfares than in any part of this mighty city. We will endeavour to sketch the bar of a large gin-shop, and its ordinary customers, for the edification of such of our readers as may not have had opportunities of observing such scenes; and on the chance of finding one well suited to our purpose, we will make for Drury-lane through the narrow streets and dirty courts which divide it from Oxford-street, and that classical spot adjoining the brewery at the bottom of Tottenham-court-road, best known to the initiated as the &quot;Rookery.&quot; The filthy and miserable appearance of this part of London can hardly be imagined by those (and there are many such) who have not witnessed it. Wretched houses with broken windows patched with rags and paper, every room let out to a different family, and in many instances to two, or even three; fruit and &quot;sweet-stuff&quot; manufacturers in the cellars, barbers and red-herring vendors in the front parlors, cobblers in the back; a bird-fancier in the first floor, three families on the second, starvation in the attics, Irishmen in the passage, a &quot;musician&quot; in the front kitchen, and a charwoman and five hungry children in the back one - filth everywhere - a gutter before the houses and a drain behind them - clothes drying at the windows, slops emptying from the ditto; girls of 14 or 15, with matted hair, walking about bare-footed, and in old white great-coats, almost their only covering; boys of all ages, in coats of all sizes, and no coats at all; men and women, in every variety of scanty and dirty apparel, lounging about, scolding, drinking, smoking, squabbling, fighting, and swearing. You turn the corner. What a change! All is light and brilliancy. The hum of many voices issues from that splendid gin-shop which forms the commencement of the two streets opposite; and the gay building with the fantastically ornamented parapet, the illuminated clock, the plate-glass windows surrounded by stucco rosettes, and its profusion of gas-lights in richly-gilt burners, is perfectly dazzling when contrasted with the darkness and dirt we have just left. The interior is even gayer than the exterior. A bar of French-polished mahogany, elegantly carved, extends the whole width of the place; and there are two side-aisles of great casks, painted green and gold, enclosed within a light brass rail, and bearing such inscriptions, as &quot;Old Tom, 549;&quot; &quot;Young Tom, 360;&quot; &quot;Samson, 1421.&quot; Behind the bar is a lofty and spacious saloon, full of the same enticing vessels, with a gallery running round it, equally well furnished. On the counter, in addition to the usual spirit apparatus, are two or three little baskets of cakes and biscuits, which are carefully secured at top with wicker-work, to prevent their contents being unlawfully abstracted. Behind it, are two showily-dressed damsels with large necklaces, dispensing the spirits and &quot;compounds.&quot; They are assisted by the ostensible proprietor of the concern, a stout, coarse fellow in a fur cap, put on very much on one side to give him a knowing air, and display his sandy whiskers to the best advantage. Look at the groups of customers and observe the different air with which they call for what they want, as they are more or less struck by the grandeur of the establishment. The two old washerwomen, who are seated on the little bench to the left of the bar, are rather overcome by the head-dresses and haughty demeanour of the young ladies who officiate; and receive their half-quarters of gin and peppermint with considerable deference, prefacing a request for &quot;one of them soft biscuits,&quot; with a &quot;Just be good enough, ma&#039;am,&quot; &amp;c. They are quite astonished at the impudent air of the young fellow in the brown-coat and bright buttons, who ushering in his two companions, and walking up to the bar in as careless a manner as if he had been used to green and gold ornaments all his life, winks at one of the young ladies with singular coolness, and calls for a &quot;kervorten and a three-out glass,&quot; just as if the place were his own. &quot;Gin for you, sir?&quot; says the young lady when she has drawn it, carefully looking every way but the right one to show that the wink had no effect upon her. &quot;For me, Mary, my dear,&quot; replies the gentleman in brown. &quot;My name an&#039;t Mary as it happens,&quot; says the young girl in a most insinuating manner as she delivers the change. &quot;Vell, if it an&#039;t, it ought to be,&quot; responds the irresistible one; &quot;all the Marys as ever I see was handsome gals.&quot; Here the young lady, not precisely remembering how blushes are managed in such cases, abruptly ends the flirtation by addressing the female in the faded feathers who has just entered, and who, after stating explicitly, to prevent any subsequent misunderstanding that &quot;this gentleman pays,&quot; calls for &quot;a glass of port wine and a bit of sugar,&quot; the drinking which, and sipping another, accompanied by sundry whisperings to her companion, and no small quantity of giggling, occupies a considering time. Observe the group on the other side: those two old men who came in &quot;just to have a drain,&quot; finished their third quartern a few seconds ago; they have made themselves crying drunk, and the fat, comfortable-looking elderly women, who had &quot;a glass of rum-srub&quot; each, having chimed in with their complaints on the hardness of the times, one of the women has agreed to stand a glass round, jocularly observing that &quot;grief never mended no broken bones, and as good people&#039;s wery scarce, what I says is, make the most on&#039;em, and that&#039;s all about it;&quot; a sentiment which appears to afford unlimited satisfaction to those who have nothing to pay. It is growing late, and the throng of men, women, and children, who have been constantly going in and out, dwindles down to two or three occasional stragglers - cold wretched-looking creatures, in the last stage of emaciation and disease. The knot of Irish labourers at the lower end of the place, who have been alternately shaking hands with, and threatening the life of, each other for the last hour, become furious in their disputes; and finding it impossible to silence one man, who is particularly anxious to adjust the difference, they resort to the infallible expedient of knocking him down and jumping on him afterwards. Out rush the man in the fur cap, and the potboy; a scene of riot and confusion ensues; half the Irishmen get shut out, and the other half get shut in; the potboy is knocked among the tubs in no time; the landlord hits everybody, and everybody hits the landlord; the barmaids scream; in come the police; and the rest is a confused mixture of arms, legs, staves, torn coats, shouting, and struggling. Some of the party are borne off to the station-house, and the remainder slink home to beat their wives for complaining, and kick the children for daring to be hungry. We have sketched this subject very slightly, not only because our limits compel us to do so, but because if it were pursued farther it would be painful and repulsive. Well-disposed gentlemen and charitable ladies would alike turn with coldness and disgust from a description of the drunken, besotted men, and wretched, broken-down, miserable women, who form no inconsiderable portion of the frequenters of these haunts; - forgetting, in the pleasant consciousness of their own rectitude, the poverty of the one, and the temptation of the other. Gin-drinking is a great vice in England, but poverty is a greater; and until you can cure it, or persuade a half-famished wretch, not to seek relief in the temporary oblivion of his own misery, with the pittance which, divided among his family, would just furnish a morsel of bread for each, gin-shops will increase in number and splendour. If Temperance Societies could suggest an antidote against hunger and distress, or establish dispensaries for the gratuitous distribution of bottles of Lethe water, gin-palaces would be numbered among the things that were. Until then, we almost despair of their decrease.https://dickenssearch.com/files/original/5/Sketches_of_London_No._II_Gin_Shops/1835-02-07_Sketches_of_London_No.2_Gin_Shops.pdf
42https://dickenssearch.com/items/show/42'Sketches of London, No. III, Early Coaches'Published in <em>The Evening Chronicle </em>(19 February 1835).Dickens, Charles<em>British Newspaper Archive, </em><a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0001315/18350219/008/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0001315/18350219/008/0001</a><em>.&nbsp;</em><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-02-19">1835-02-19</a><em>British Newspaper Archive, </em><a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0001315/18350219/008/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0001315/18350219/008/0001</a><em>. </em><span>Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-02-19_Sketches_of_London_NoIII_Early_CoachesDickens, Charles. 'Sketches of London, No. III, Early Coaches' (19 February 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-02-19_Sketches_of_London_NoIII_Early_Coaches">https://dickenssearch.com/short-stories/1835-02-19_Sketches_of_London_NoIII_Early_Coaches</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Evening+Chronicle">The Evening Chronicle</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a><a href="https://dickenssearch.com/teibp/dist/content/1835-02-19_Sketches_of_London_NoIII_Early_Coaches.xml" target="_blank" rel="noopener">'Sketches of London, No. III, Early Coaches.' <em>The Evening Chronicle </em>(19 February 1835).</a>18350219We have often wondered how many months&#039; incessant travelling in a post-chaise it would take to kill a man; and wondering by analogy, we should very much like to know how many months of constant travelling in a succession of early coaches an unfortunate mortal could endure. Breaking a man alive upon the wheel would be nothing to breaking his rest, his peace, his heart - everything but his fast - between four and five; and the punishment of Ixion (the only practical person, by the bye, who has discovered the secret of the perpetual motion) would sink into utter insignificance before the one we have suggested. If we had been a powerful Churchman in those good times when blood was shed as freely as water, and men were mowed down like grass, in the sacred cause of religion, we would have lain by very quietly till we got hold of some especially obstinate miscreant, who positively refused to be converted to our faith, and then we would have booked him for an inside place in a small coach, which travelled day and night; and securing the remainder of the places for stout men with a slight tendency to coughing and spitting, we would have started him forth on his last travels, leaving him mercilessly to all the tortures which the waiters, landlords, coachmen, guards, boots, chambermaids, and other familiars on his line of road, might think proper to inflict. Who has not experienced the miseries inevitably consequent upon a summons to undertake a hasty journey? You receive an intimation from your place of business - wherever that may be, or whatever you may be - that it will be necessary to leave town without delay. You and your family are forthwith thrown into a state of tremendous excitement; an express is immediately dispatched to the washer-woman’s; everybody is in a bustle; and you, yourself, with a feeling of dignity which you cannot altogether conceal, sally forth to the booking office to secure your place. Here a painful consciousness of your own unimportance first rushes on your mind - the people are as cool and collected as if nobody were going out of town, or as if a journey of a hundred odd miles were a mere nothing. You enter a mouldy-looking room, ornamented with large posting-bills, the greater part of the place enclosed behind a huge lumbering rough counter, and fitted up with recesses that look like the dens of the smaller animals in a travelling menagerie, without the bars. Some half-dozen people are &quot;booking&quot; brown paper parcels, which one of the clerks flings into the aforesaid recesses with an air of recklessness, which you, remembering the new carpet-bag you bought in the morning, feel considerably annoyed at; porters, looking like so many Atlas&#039;s, keep rushing in and out with large packages on their shoulders; and while you are waiting to make the necessary inquiries, you wonder what on earth the booking office clerks can have been before they were booking office clerks; one of them with his pen behind his ear, and his hands behind him, is standing in front of the fire, like a full-length portrait of Napoleon; the other with his hat half off his head, enters the passengers’ names in the books with a coolness which is inexpressibly provoking; and the villain whistles—actually whistles - while a man asks him what the fare is outside, all the way to Holyhead! - In frosty weather, too! They are clearly an isolated race, evidently possessing no sympathies or feelings in common with the rest of mankind. Your turn comes at last, and having paid the fare, you tremblingly inquire - &quot;What time will it be necessary for me to be here in the morning?&quot; - &quot;Six o’clock,&quot; replies the whistler, carelessly pitching the sovereign you have just parted with, into a wooden bowl on the desk. &quot;Rather before than arter,&quot; adds the man with the semi-roasted unmentionables, with just as much ease and complacency as if the whole world got out of bed at five. You turn into the street, ruminating, as you bend your steps homewards, on the extent to which men become hardened in cruelty by custom. If there be one thing in existence more miserable than another, it most unquestionably is the being compelled to rise by candle-light. If you ever doubted the fact, you are painfully convinced of your error, on the morning of your departure. You left strict orders, over night, to be called at half-past four, and you have done nothing all night but doze for five minutes at a time, and start up suddenly from a terrific dream of a large church-clock with the small-hand running round, with astonishing rapidity, to every figure on the dial-plate. At last, completely exhausted, you fall gradually into a refreshing sleep - your thoughts grow confused - the stage-coaches, which have been &quot;going off&quot; before your eyes all night, become less and less distinct, until they go off altogether&quot; one moment you are driving with all the skill and smartness of an experienced whip -the next you are exhibiting à la Ducrow, on the off-leader: anon you are closely muffled up, inside, and have just recognised in the person of the guard, an old school-fellow, whose funeral, even in your dream, you remember to have attended eighteen years ago. At last you fall into a state of complete oblivion, from which you are aroused, as if into a new state of existence by a singular illusion. You are apprenticed to a trunk-maker; how, or why, or when, or wherefore, you don’t take the trouble to inquire; but there you are, pasting the lining in the lid of a portmanteau. Confound that other apprentice in the back shop, how he is hammering! - rap, rap, rap - what an industrious fellow he must be; you have heard him at work for half an hour past, and he has been hammering incessantly the whole time. Rap, rap, rap, again - he’s talking now - what’s that he said? Five o’clock! You make a violent exertion, and start up in bed as if you were rehearsing the tent scene in Richard. The vision is at once dispelled; the trunk-maker’s shop is your own bedroom, and the other apprentice your shivering servant, who has been vainly endeavouring to wake you for the last quarter of an hour, at the imminent risk of breaking either his own knuckles, or the pannels of the door. You proceed to dress yourself with all possible dispatch. The flaring flat candle with the long snuff, gives light enough to show that the things you want are not where they ought to be, and you undergo a trifling delay in consequence of having carefully packed up one of your boots in your over-anxiety of the preceding night. You soon complete your toilette, however, for you are not particular on such an occasion, and you shaved yesterday evening; so mounting your Petersham great coat, and green travelling shawl, and grasping your carpet bag in your right hand, you walk lightly down stairs lest you should awake any of the family; and after pausing in the sitting-room for one moment just to have a cup of coffee (the said common sitting-room looking remarkably comfortable, with everything out of its place, and strewed with the crumbs of last night’s supper), you undo the chain and bolts of the street door, and find yourself fairly in the street. A thaw, by all that&#039;s miserable! The frost is completely broken up. You look down the long perspective of Oxford-street, the gas-lights mournfully reflected on the wet pavement, and can discern no speck in the road to encourage the belief that there is a cab or a coach to be had - the very coachmen have gone home in despair. The cold sleet is drizzling down with that gentle regularity which betokens a duration of four-and-twenty hours at least; the damp hangs upon the house-tops and lamp-posts, and clings to you like an invisible cloak. The water is &quot;coming in&quot; in every area - the pipes have burst - the water butts are running over - the kennels seem to be doing matches against time - pump-handles descend of their own accord - horses in market-carts fall down, and there’s no one to help them up again - policemen look as if they had been carefully sprinkled with powdered glass - here and there a milk woman trudges slowly along, with a bit of list round each foot to keep her from slipping - boys who &quot;don’t sleep in the house,&quot; and an&#039;t allowed much sleep out of it, can’t wake their masters by thundering at the shop-door, and cry with the cold - the compound of ice, snow, and water on the pavement, is a couple of inches thick - nobody ventures to walk fast to keep himself warm, and nobody could succeed in keeping himself warm if he did. It strikes a quarter-past five as you trudge down Waterloo-place on your way to the Golden-cross, and you discover for the first time that you were called about an hour too early. You have not time to go back; there is no place open to go into, and you have therefore no resource but to go forward, which you do, feeling remarkably satisfied with yourself, and everything about you. You arrive at the office, and look wistfully up the yard for the Birmingham High-flyer, which, for aught you can see, may have flown away altogether; for no preparations appear to be on foot for the departure of any vehicle in the shape of a coach. You wander into the booking-office, which, with the gas-lights and blazing fire, looks quite comfortable by contrast—that is to say, if any place can look comfortable at half-past five on a winter’s morning. There stands the identical book-keeper in the same position as if he had not moved since you saw him yesterday. As he informs you, that the coach is up the yard, and will be brought round in about a quarter of an hour, you leave your bag, and repair to &quot;The Tap&quot; - not with any absurd idea of warming yourself, because you feel such a result to be utterly hopeless, but for the purpose of procuring some hot brandy-and-water, which you do, - when the kettle boils; an event which occurs exactly two minutes and a half before the time fixed for the starting of the coach. The first stroke of six peals from St. Martin’s church steeple just as you take the first sip of the boiling liquid. You find yourself at the booking-office in two seconds, and the tap-waiter finds himself much comforted by your brandy and water in about the same period. The coach is out; the horses are in, and the guard and two or three porters are stowing the luggage away, and running up the steps of the booking-office, and down the steps of the booking-office with breathless rapidity. The place which a few minutes ago was so still and quiet, is now all bustle; the early vendors of the morning papers have arrived, and you are assailed on all sides with shouts of &quot;Times, gen’lm’n, Times,&quot; &quot;Here’s Chron - Chron - Chron,&quot; &quot;Herald, ma’am,&quot; &quot;Highly interesting murder, gen’lm’n,&quot; &quot;Curious case o’ breach o’ promise, ladies,&quot; &amp;c &amp;c. The inside passengers are already in their dens, and the outsides, with the exception of yourself, are pacing up and down the pavement to keep themselves warm; they consist of two young men with very long hair, to which the sleet has communicated the appearance of chrystallized rats tails, one thin young woman cold and peevish, one old gentleman ditto ditto, and something in a cloak and cap, intended to represent a military officer; every member of the party with a large stiff shawl over his chin, looking exactly as if he were playing a set of Pan’s pipes. &quot;Take off the cloths, Bob,&quot; says the coachman, who now appears for the first time, in a rough blue great coat, of which the buttons behind are so far apart that you can’t see them both at the same time. &quot;Now, gen’lm’n,&quot; cries the guard, with the way-bill in his hand. &quot;Five minutes behind time already!&quot; Up jump the passengers - the two young men smoking like lime-kilns, and the old gentleman grumbling audibly. The thin young woman is got upon the roof by dint of a great deal of pulling, and pushing, and helping, and trouble, which she repays by expressing her solemn conviction that she&#039;ll never be able to get down again. &quot;All right,&quot; sings out the guard at last, jumping up as the coach starts, and blowing his horn directly afterwards in proof of the soundness of his wind. &quot;Let ’em go, Harry, give &#039;em their heads,&quot; cries the coachman - and off we start as briskly as if the morning were &quot;all right,&quot; as well as the coach, and looking forward as anxiously to the termination of our journey, as we fear our readers will have done long since, to the conclusion of our article.https://dickenssearch.com/files/original/5/Sketches_of_London_No._III_Early_Coaches/1835-02-19_Sketches_of_London_No.III_Early_Coaches.pdf
43https://dickenssearch.com/items/show/43'Sketches of London, No. IV, The Parish'Published in <em>The Evening Chronicle</em> (28 February 1835).Dickens, Charles<em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350228/029/0004" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350228/029/0004</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-02-28">1835-02-28</a><em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350228/029/0004" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350228/029/0004</a>. Some rights reserved. This work permits non-commerical use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-02-28_The_Evening_Chronicle_Sketches_of_London_NoIV_The_ParishDickens, Charles. 'Sketches of London, No. IV, The Parish' (28 February 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-02-28_The_Evening_Chronicle_Sketches_of_London_NoIV_The_Parish">https://dickenssearch.com/short-stories/1835-02-28_The_Evening_Chronicle_Sketches_of_London_NoIV_The_Parish</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Evening+Chronicle">The Evening Chronicle</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a><a href="https://dickenssearch.com/teibp/dist/content/1835-02-28_The_Evening_Chronicle_Sketches_of_London_NoIV_The_Parish.xml" target="_blank" rel="noopener">'Sketches of London, No. IV, The Parish.' <em>The Evening Chronicle</em> (28 February 1835).</a>18350228How much is conveyed is those two short words - the parish; and with how many tales of distress and misery; of broken fortune and ruined hopes - too often of unrelieved wretchedness and successful knavery - are they associated! A poor man, with small earnings and a large family, just manages to live on from hand to mouth, and to procure food from day to day: he has barely enough for the present, and can take no heed of the future; his taxes are in arrear; quarter-day passes by; another quarter-day arrives - he can procure no more quarter for himself, and is summoned by - the parish. His goods are distrained; his very bed is taken from under him; his children are crying with cold and hunger, and his wife is both figurative and literally speaking in the straw. What can he do? To whom is he to apply for relief? To private charity? To benevolent individuals? Certainly not; hasn&#039;t he - the parish? There&#039;s the parish vestry, the parish infirmary, the parish surgeon, the parish officers, the parish beadle. Excellent institutions, and gentle, kind-hearted men. The woman dies - she is buried by the parish. The children have no protector—they are taken care of by the parish. The man first neglects, and afterwards cannot obtain, work—he is relieved by the parish; and when distress and drunkenness have done their work upon him, he is maintained, a harmless babbling idiot, in the parish asylum. The parish beadle is one of the most, perhaps the most, important member of the local administration. He is not so well off as the churchwardens, certainly, nor is he as learned as the vestry clerk, nor does he order things quite so much his own way as either of them. But his power is very great, notwithstanding; and the dignity of his office is never impaired by the absence of efforts on his part to maintain it. The beadle of our parish is a splendid fellow. Its quite delightful to hear him, as he explains the state of the existing poor laws to the deaf old women in the board-room passage on business nights; and to hear what he said to the senior churchwarden, and what the senior churchwarden said to him; and what &quot;we&quot; (the beadle and the other gentlemen) came to the determination of doing. A miserable looking woman is called into the board-room, and represents a case of extreme destitution, affecting herself - a widow, with six small children. &quot;Where do you live?&quot; inquires one of the overseers. &quot;I rents a two-pair back, gentlemen, at Mrs. Brown&#039;s, Number 3, Little King William’s-alley, which has lived there this fifteen year, and knows me to be very hard-working and industrious, and when my poor husband was alive, gentlemen, as died in the hospital&quot; - &quot;Well, well,&quot; interrupts the overseer, taking a note of the address, &quot;I’ll send Simmons, the beadle, to-morrow morning to ascertain whether your story is correct; and if so, I suppose you must have an order into the house - Simmons, go to this woman’s the first thing to-morrow morning, will you?&quot; Simmons bows assent, and ushers the woman out. Her previous admiration of &quot;the board&quot; (who all sit behind great books, and with their hats on) fades into nothing before her respect for her lace-trimmed conductor; and her account of what has passed inside, increases - if that be possible - the marks of respect shown by the assembled crowd to that solemn functionary. As to taking out a summons, its quite a hopeless case if Simmons attends it on behalf of the parish. He knows all the titles of the Lord Mayor by heart; states the case without a single stammer, and it is even reported that on one occasion he ventured to make a joke, which the Lord Mayor’s head footman (who happened to be present) afterwards told an intimate friend confidentially was almost equal to one of Mr. Hobler’s! See him again on Sunday in his state-coat, and cocked-hat, with a large-headed staff for show in his left-hand, and a small cane for use in his right. How pompously he marshals the children into their places, and how demurely the little urchins look at him askance as he surveys them when they are all seated, with a glare of the eye peculiar to beadles. The churchwardens and overseers being duly installed in their curtain&#039;d pews, he seats himself on a mahogany bracket, erected expressly for him at the top of the aisle, and divides his attention between his prayer-book and the boys. Suddenly, just at the commencement of the Communion Service, when the whole congregation is hushed into a profound silence, broken only by the voice of the officiating clergyman, a penny is heard to ring on the stone floor of the aisle with astounding clearness. Observe the generalship of the beadle. His involuntary look of horror is instantly changed into one of perfect indifference, as if he were the only person present who had not heard the noise. The artifice succeeds. After putting forth his right leg now and then, as a feeler, the victim who dropped the money ventures to make one or two distinct dives after it; and the beadle, gliding softly round, salutes his little round head, when it again appears above the seat, with divers double knocks, administered with the cane before noticed, to the intense delight of three young men in an adjacent pew, who cough violently at intervals until the conclusion of the sermon. Such are a few traits of the importance and gravity of a parish beadle - a gravity which has never been disturbed in any case that has come under our observation, except indeed where the services of that particularly useful machine, a parish fire-engine, are required: then indeed all is bustle. Two little boys run to the beadle as fast as their legs will carry them, and report from their own personal observation that some neighbouring chimney is on fire; the engine is hastily got out, and a plentiful supply of boys being obtained, and harnessed to it with ropes, away they rattle over the pavement, the beadle, running - we do not exaggerate - running at the side, until they arrive at some house smelling strongly of soot, at the door of which the beadle knocks with considerable gravity for half an hour. No attention being paid to these manual applications, and the turncock having turned on the water, the engine turns off amidst the shouts of the boys; it pulls up once more at the work-house, and the beadle &quot;pulls up&quot; the unfortunate householder next day, for the amount of his legal reward. We never saw a parish engine at a regular fire but once.&amp;nbsp; It came up in gallant style - three miles and a half an hour, at least; there was a capital supply of water, and it was first on the spot. Bang went the pumps - the people cheered - the beadle perspired profusely; but it was unfortunately discovered, just as they were going to put the fire out, that nobody understood the process by which the engine was filled with water; and that eighteen boys and a man had exhausted themselves in pumping for twenty minutes, without producing the slightest effect. The personages next in importance to the beadle, are the master of the workhouse and the parish schoolmaster. The vestry-clerk, as everybody knows, is a short, pudgy little man in black, with a thick gold watch-chain, of considerable length, terminating in two large seals and a key. He is an attorney, and generally in a bustle; at no time more so than when he is hurrying to some parochial meeting, with his gloves crumpled up in one hand, and a large red book under the other arm. As to the churchwardens and overseers we exclude them altogether, because all we know of them is that they are usually respectable tradesmen who wear hats with brims inclined to flatness, and who occasionally testify in gilt letters on a blue ground in some conspicuous part of the church, to the important fact of a gallery having being enlarged and beautified, or an organ rebuilt. The master of the workhouse is not, in our parish - nor is he usually in any other - one of that class of men the better part of whose existence has passed away, and who drag out the remainder in some inferior situation, with just enough thought of the past, to feel degraded by, and discontented with, the present.&amp;nbsp; We are unable to guess precisely to our own satisfaction what station the man can have occupied before; we should think he had been an inferior sort of attorney’s clerk, or else the master of a national school - whatever he was, it is clear his present position is a change for the better. His income is small certainly, as the rusty black coat and threadbare velvet collar demonstrate; but then he lives free of house-rent, has a limited allowance of coals and candles, and an almost unlimited allowance of authority in his petty kingdom. He is a tall, thin, bony man; always wears shoes and black cotton stockings with his surtout; and eyes you, as you pass his parlour-window, as if he wished you were a pauper, just to give you a specimen of his power. He is a sort of Emperor Nicholas on a small scale, with this difference - that he never seeks to extend his power beyond the limits of his own workhouse. He is an admirable specimen of a small tyrant; morose, brutish, and ill-tempered; bullying to his inferiors, cringing to his superiors, and jealous of the influence and authority of the beadle. Our schoolmaster is just the very reverse of this amiable official. He has been one of those men one occasionally hears of, on whom misfortune seems to have set her mark; nothing he ever did, or was concerned in, appears to have prospered. A rich old relation who had brought him up, and openly announced his intention of providing for him, left him 10,000l. in his will - and reversed it in his codicil. Thus unexpectedly reduced to the necessity of providing for himself he procured a situation in a public office. The young clerks below him, died off as if there were a plague among them; but the old fellows over his head, for the reversion of whose places he was anxiously waiting, lived on and on as if they were immortal. He speculated and lost. He speculated again and won - but never got his money. His talents were great; his disposition, easy, generous and liberal. His friends profited by the one, and abused the other. Loss succeeded loss; misfortune crowded on misfortune; each successive day brought him nearer the verge of hopeless penury, and the quondam friends who had been warmest in their professions, grew strangely cold and indifferent. He had children whom he loved, and a wife on whom he doted; The former turned their backs on him; the latter died broken-hearted. He went with the stream - it had ever been his failing, and he had not courage sufficient to bear up against so many shocks - he had never cared for himself, and the only being who had cared for him, in his poverty and distress, was spared to him no longer. It was at this period that he applied for parochial relief. Some kind-hearted man who had known him in happier times, chanced to be churchwarden that year, and through his interest he was appointed to his present situation. He is an old man now. Of the many who once crowded round him in all the hollow friendship of boon-companionship, some have died, some have fallen like himself, some have prospered - all have forgotten him. Time and misfortune have mercifully been permitted to impair his memory, and use has habituated him to his present condition. Meek, uncomplaining, and zealous in the discharge of his duties, he has been allowed to hold his situation long beyond the usual period; and he will no doubt continue to hold it, until infirmity renders him incapable, or death releases him. As the grey-headed old man feebly paces up and down the sunny side of the little court-yard between school hours, it would be difficult, indeed, for the most intimate of his former friends to recognise their once gay and happy associate, in the person of the Pauper Schoolmaster. It was our original intention to have sketched, in a few words more, such fragments of the little history of some other of our parishioners as have happened to come under our observation. Our space, however, is limited; and, as an editor&#039;s mandate is a wholesome check upon an author&#039;s garrulity, we have no wish to occupy more than the space usually assigned to us. It is generally allowed that parochial affairs possess little beyond local interest. But, should we be induced to imagine that the favour of our readers disposes them to make an exception of the present case, we shall vary our future numbers, by seeking materials for another sketch in &quot;our parish.&quot;https://dickenssearch.com/files/original/5/Sketches_of_London_No._IV_The_Parish/1835-02-28_The_Evening_Chronicle_Sketches_of_London_No.4_The_Parish.pdf
48https://dickenssearch.com/items/show/48'Sketches of London, No. IX, Greenwich Fair'Published in <em>The Evening Chronicle</em> (16 April 1835).Dickens, Charles<em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350416/020/0003">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350416/020/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-04-16">1835-04-16</a><em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350416/020/0003">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350416/020/0003</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-04-16_The_Evening_Chronicle_Sketches_of_London_NoIX_Greenwich_FairDickens, Charles. 'Sketches of London, No. IX, Greenwich Fair' (16 April 1835).<em> Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-04-16_The_Evening_Chronicle_Sketches_of_London_NoIX_Greenwich_Fair">https://dickenssearch.com/short-stories/1835-04-16_The_Evening_Chronicle_Sketches_of_London_NoIX_Greenwich_Fair</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Evening+Chronicle">The Evening Chronicle</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="https://dickenssearch.com/teibp/dist/content/1835-04-16_The_Evening_Chronicle_Sketches_of_London_NoIX_Greenwich_Fair.xml" target="_blank" rel="noopener">'Sketches of London, No. IX, Greenwich Fair.' <em>The Evening Chronicle</em> (16 April 1835).</a>18350416If the Parks be &quot;the lungs of London,&quot; we wonder what Greenwich fair is - a periodical breaking out, we suppose: - a sort of spring-rash - a three days&#039; fever, which cools the blood for six months afterwards; and, at the expiration of which, London is restored to its old habits of plodding industry, as suddenly and completely as if nothing had ever happened to disturb them. In our earlier days, we were a constant frequenter of Greenwich fair for years. We have proceeded to, and returned from it, in almost every description of vehicle. We cannot conscientiously deny the charge of having once made the passage in a spring van, accompanied by thirteen gentlemen, fourteen ladies, an unlimited number of children, and a barrel of beer; and we have a vague recollection of having in later days found ourself the eighth outside no the top of a hackney-coach at something past four o-clock in the morning, with a rather confused idea of our own name, or place of residence. We have grown older since then, and quiet and steady: liking nothing better than to spend our Easter, and all our other holidays in some quiet nook, with people of whom we shall never tire; but we think we remember enough of Greenwich Fair, and those who resort to it, to make a sketch of at this seasonable period. The road to Greenwich during the whole of Easter Monday presents a scene of animated bustle, which cannot fail to amuse the most indifferent observer. Cabs, hackney-coaches, &quot;shay&quot; carts, coal-waggons, stages, omnibuses, sociables, gigs, donkey-chaises - all crammed with people (for the question never is what the horse can draw, but what the vehicle will hold), roll along at their utmost speed - the dust flies in clouds - ginger-beer corks go off in vollies - the balcony of every public-house is crowded with people, smoking and drinking - half the private-houses are turned into tea-shops - fiddles are in great request - every little fruit-shop displays its stall of gilt gingerbread and penny toys - turnpike-men are in despair - horses won’t go on, and wheels will come off - ladies in &quot;carawans&quot; scream with fright at every fresh concussion, and their admirers find it necessary to sit remarkably close to them, by way of encouragement - servants of all work who are not allowed to have followers, and have got a holiday for the day, make the most of their time with the faithful admirer who waits for a stolen interview at the corner of the street every night, when they go to fetch the beer—apprentices grow sentimental, and straw-bonnet makers kind; everybody is anxious to get on, and actuated by the common wish to be at the fair or in the park as soon as possible. Pedestrians linger in groups at the road-side, unable to resist the allurements of the stout proprietress of the &quot;Jack-in-the-box - three shys a penny,&quot; or the more splendid offers of the man with three thimbles and a pea on a little round board, who astonishes the bewildered crowd with some such address as, &quot;Here’s the sort o’ game to make you laugh seven years arter you’re dead, and turn ev’ry air on your ed grey vith delight! Three thimbles and vun little pea—with a vun, two, three, and a two, three, vun: catch him who can, look on, keep your eyes open, and niver say die; niver mind the change, and damn the expense: all fair and above board: them as don’t play can’t vin, and luck attend the ryal sportsman. Bet any gen’lm’n any sum of money, from arf-a-crown up to a suverin, as he doesn’t name the thimble as kivers the pea.’ Here some greenhorn whispers his friend that he distinctly saw the pea roll under the middle thimble - an impression which is immediately confirmed by a gentleman in top boots who is standing by, and who in a low tone regrets his own inability to bet in consequence of having unfortunately left his purse at home, but strongly urges the stranger not to neglect such a golden opportunity. The &quot;plant&quot; is successful; the bet is made; the stranger of course loses, and the gentleman with the thimbles consoles him as he pockets the money, with an assurance that it’s all &quot;the fortin of war: this time I vin, next time you vin: niver mind the loss of two bob and a bender! do it up in a small parcel and break out in a fresh place. Here’s the sort o’ game,’ &amp;c. - and the eloquent harangue with such variations as the speaker’s exuberant fancy suggests, is again repeated to the gaping crowd, reinforced by the accession of several new comers. The chief place of resort in the day-time, after the public-houses, is the park, in which the principal amusement is to drag young ladies up the steep hill which leads to the observatory, and then drag them down again at the very top of their speed, greatly to the derangement of their curls and bonnet-caps, and much to the edification of lookers on from below. &quot;Kiss in the ring,&quot; and &quot;Threading my Grandmother’s Needle,&quot; too, are sports which receive their full share of patronage. Love-sick swains, under the influence of gin and water, and the tender passion, become violently affectionate: and the fair objects of their regard enhance the value of stolen kisses, by a vast deal of struggling, and holding down of heads, and cries of &quot;Oh! Ha’ done, then, George - Oh, do tickle him for me, Mary - Well, I never!&quot; and similar Lucretian ejaculations. Little old men and women, with a small basket under one arm, and a wine-glass without a foot, in the other hand, tender &quot;a drop o’ the right sort&quot; to the different groups; and young ladies, who are persuaded to indulge in a drop of the aforesaid right sort, display a pleasing degree of reluctance to taste it, and cough afterwards with great propriety. The old pensioners, who for the moderate charge of a penny, exhibit the mast-house, the Thames, and shipping, the place where the men used to hang in chains, and other interesting sights through a telescope, are asked questions about objects within the range of the glass which it would puzzle a Solomon to answer; and requested to find out particular houses in particular streets, which it would have been a task of some difficulty for Mr. Horner (not the young gentleman who eat mince pies with his thumb, but the man of Colosseum notoriety) to discover. Here and there, where some three or four couple are sitting on the grass together, you will see a sun-burnt woman in a red cloak &quot;telling fortunes&quot; and prophesying husbands which it requires no extraordinary observation to describe, for the originals are before her. Thereupon, the lady concerned laughs and blushes, and ultimately buries her face in an imitation-cambric handkerchief, and the gentleman described looks extremely foolish, and squeezes her hand, and fees the gipsey liberally; and the gipsey goes away perfectly satisfied herself, and leaving those behind her perfectly satisfied also, and the prophecy, like many other prophecies of greater importance, fulfils itself in time. But it grows dark: the crowd has gradually dispersed, and only a few stragglers are left behind. The light in the direction of the church shows that the fair is illuminated; and the distant noise proves it to be filling fast. The spot, which half an hour ago was ringing with the shouts of boisterous mirth is as calm and quiet as if nothing could ever disturb its serenity: the fine old trees, the majestic building at their feet, with the noble river beyond, glistening in the moon light, appear in all their beauty, and under their most favourable aspect; the voices of the boys, singing their evening hymn, are borne gently on the air; and the humblest mechanic who has been lingering on the grass so pleasant to the feet that beat the same dull round from week to week in the paved streets of London, feels proud to think as he surveys the scene before him, that he belongs to the country which has selected such a spot as a retreat for its oldest and best defenders in the decline of their lives. Five minutes’ walking brings you to the fair; a scene calculated to awaken very different feelings from those inspired by the place you have just left. The entrance is occupied on either side by the venders of gingerbread and toys: the stalls are gaily lighted up, the most attractive goods profusely disposed, and unbonneted young ladies, in their zeal for the interest of their employers, seize you by the coat, and use all the blandishments of &quot;Do, dear&quot; - &quot;There’s a love&quot; - &quot;Don’t be cross, now,&quot; &amp;c., to induce you to purchase half a pound of the real spice nuts, of which the majority of the regular fair-goers carry a pound or two as a present supply, tied up in a cotton pocket handkerchief. Occasionally, you pass a deal table, on which are exposed pen’orths of pickled salmon (fennel included), in little white saucers: oysters, with shells as large as cheese-plates, and divers specimens of a species of snail (wilks, we think they are called), floating in a somewhat bilious looking green liquid. Cigars, too, are in great demand; gentlemen must smoke, of course, and here they are, two a penny, in a regular authentic cigar box, with a lighted tallow candle in the centre. Imagine yourself in an extremely dense crowd, which swings you to and fro and in and out, and every way but the right one; add to this the screams of women, the shouts of boys, the clanging of gongs, the firing of pistols, the ringing of bells, the bellowings of speaking trumpets, the squeaking of penny dittos, the noise of a dozen bands, with three drums in each, all playing different tunes at the same time, the hallooing of showmen, and an occasional roar from the wild-beast shows, and you are in the very centre and heart of the fair. This immense booth, with the large stage in front, so brightly illuminated with variegated lamps, and pots of burning fat, is &quot;Richardson’s,&quot; where you have a melo-drama (with three murders and a ghost), a pantomime, a comic song, an overture, and some incidental music, all done in five and twenty minutes. The company are now promenading outside in all the dignity of wigs, spangles, red-ochre, and whitning. See with what a ferocious air the gentleman who personates the Mexican Chief paces up and down, and with what an eye of calm dignity the principal tragedian gazes on the crowd below, or converses confidentially with the harlequin! The four clowns, who are engaged in a mock broadsword combat may be all very well for the low-minded holiday-makers; but these are the people for the reflective portion of the community. They look so noble in those Roman dresses, with their yellow legs and arms, long black curly heads, bushy eyebrows, and scowl expressive of assassination and vengeance, and everything else that&#039;s grand and solemn. Then, the ladies - were there ever such innocent and awful-looking beings as they walk up and down the platform in twos and threes, with their arms round each other’s waists, or leaning for support on one of those majestic men! Their spangled muslin dresses and blue satin shoes and sandals (a leetle the worse for wear) are the admiration of all beholders; and the playful manner in which they check the advances of the clown is perfectly enchanting. &quot;Just a-going to begin! Pray come for’erd, come for’erd,&quot; exclaims the man in the countryman’s dress, for the seventieth time, and people force their way up the steps in crowds. The band suddenly strikes up; the harlequin and columbine set the example; reels are formed in less than no time; the Roman heroes place their arms a-kimbo and dance with considerable agility: and the leading tragic actress, and the gentleman who enacts the &quot;swell&quot; in the pantomime, foot it to perfection. &quot;All in to begin&quot; shouts the manager, when no more people can be induced to &quot;come for’erd,&quot; and away rush the leading members of the company to do the dreadful in the first piece. A change of performance takes place every day during the fair, but the story of the tragedy is always pretty much the same. There is a rightful heir, who loves a young lady, and is beloved by her; and a wrongful heir, who loves her too, and isn’t beloved by her; and the wrongful heir gets hold of the rightful heir, and throws him into a dungeon, just to kill him off when convenient, for which purpose he hires a couple of assassins - a good one and a bad one - who, the moment they are left alone, get up a little murder on their own account, the good one killing the bad one, and the bad one wounding the good one. Then the rightful heir is discovered in prison, carefully holding a long chain in his hands, and seated despondingly in a large arm-chair; and the young lady comes in to two bars of soft music, and embraces the rightful heir; and then the wrongful heir comes in to two bars of quick music, and goes on in the most shocking manner, throwing the young lady about as if she was nobody, and calling the rightful heir &quot;Ar-recreant - ar-wretch!&quot; in a very loud voice, which answers the double purpose of displaying his passion, and preventing the sound being deadened by the saw-dust. The interest becomes intense; the wrongful heir draws his sword, and rushes on the rightful heir; a blue smoke is seen, a gong is heard, and a tall white figure (who has been all this time, behind the arm-chair, covered over with a table cloth), slowly rises to the tune of, &quot;Oft in the stilly night.&quot; This is no other than the ghost of the rightful heir’s father, who was killed by the wrongful heir’s father; at sight of which the wrongful heir becomes apoplectic, and is literally &quot;struck all of a heap,&quot; the stage not being large enough to admit of his falling down at full length. Then the good assassin staggers in, and says he was hired, in conjunction with the bad assassin, by the wrongful heir, to kill the rightful heir; and he’s killed a good many people in his time, but he’s very sorry for it, and won’t do so any more - a promise which he immediately redeems by dying off hand without any nonsense about it. Then the rightful heir throws down his chain; and then two men, a sailor, and a young woman (the tenantry of the rightful heir) come in; and the ghost makes dumb motions to them, which they, by supernatural interference, understand - for no one else can; and the ghost (who can’t do anything without blue fire) blesses the rightful heir, and the young lady, by half-suffocating them with smoke, and then a muffin-bell rings, and the curtain drops. The exhibitions next in popularity to these itinerant theatres are the travelling menageries, or, to speak more intelligibly, the &quot;Wild-beast shows,&quot; where a military band in beef-eater’s costume, with leopard-skin caps, play incessantly; and where large highly-coloured representations of tigers tearing men’s heads open, and a lion being burnt with red-hot irons to induce him to drop his victim, are hung up outside, by way of attracting visitors. The principal officer at these places is generally a very tall, hoarse, man, in a scarlet coat, with a cane in his hand, with which he occasionally raps the pictures we have just noticed, by way of illustrating his description - something in this way, &quot;Here, here, here; the lion, the lion (tap), exactly as he is represented on the canvass outside (three taps); no waiting, remember; no deception. The fe-ro-cious lion (tap, tap) who bit off the gentleman’s head last Cambervel vos a twelvemonth, and has killed on the awerage three keepers a-year ever since he arrived at matuority. No extra charge on this account recollect; the price of admission is only sixpence.&quot; This address never fails to produce a considerable sensation, and sixpences flow into the treasury with wonderful rapidity. The dwarfs are also objects of great curiosity: and as a dwarf, a giantess, a living skeleton, a wild Indian, &quot;a young lady of singular beauty, with perfectly white hair and pink eyes,&quot; and two or three other natural curiosities, are usually exhibited together for the small charge of a penny, they attract very numerous audiences. The best thing about a dwarf is, that he has always a little box, about two feet six inches high, into which, by long practice, he can just manage to get, by doubling himself up like a boot-jack; this box is painted outside like a six-roomed house, and as the crowd see him ring a bell, or fire a pistol out of the first-floor window, they verily believe that it is his ordinary town residence, divided like other mansions into drawing-rooms, dining-parlour, and bed-chambers. Shut up in this case, the unfortunate little object is brought out to delight the throng by holding a facetious dialogue with the proprietor: in the course of which, the dwarf (who is always particularly drunk) pledges himself to sing a comic song inside, and pays various compliments to the ladies, which induce them to &quot;come for’erd&quot; with great alacrity. As a giant is not so easily moved, a pair of indescribables of most capacious dimensions and a huge shoe are usually brought out, into which two or three stout men get all at once, to the enthusiastic delight of the crowd, who are quite satisfied with the solemn assurance that these habiliments form part of the giant’s every-day costume. The grandest and most numerously-frequented booth in the whole fair, however, is &quot;The Crown and Anchor&quot; - a temporary ball-room - we forget how many hundred feet long, the price of admission to which is one shilling. Immediately on your right hand as you enter, after paying your money, is a refreshment place, at which cold beef, roast and boiled - French rolls - stout - wine - tongue - ham - even fowls, if we recollect right, are displayed in tempting array. There is a raised orchestra, and the place is boarded all the way down in patches, just wide enough for a country dance. There is no master of the ceremonies in this artificial Eden - all is primitive, unreserved, and unstudied. The dust is blinding, the heat insupportable, the company somewhat noisy, and in the highest spirits possible: the ladies, in the height of their innocent animation, dancing in the gentlemen’s hats, and the gentlemen promenading &quot;the gay and festive scene&quot; in the ladies’ bonnets, or with the more expensive ornaments of false noses; and low-crowned, tinder-box looking hats: playing children’s drums, and accompanied by ladies on the penny trumpet. The noise of these various instruments, the orchestra, the shouting, the &quot;scratchers,&quot; and the dancing, is perfectly bewildering. The dancing, itself, beggars description - every figure lasts about an hour, and the ladies bounce about with a degree of spirit which is quite indescribable. As to the gentlemen, they stamp their feet against the ground, every time &quot;hands four round&quot; begins; go down the middle and up again, with cigars in their mouths and silk handkerchiefs in their hands, and whirl their partners round, nothing loth, scrambling and falling, and embracing, and knocking up against the other couples until they are fairly tired out, or half undressed, and can move no longer. The same scene is repeated again and again (slightly varied by an occasional &quot;row&quot;) until a late hour at night: and a great many clerks and ’prentices find themselves next morning with aching heads, empty pockets, damaged hats, and a very imperfect recollection of how it was they didn&#039;t get home. Our present sketch has encroached considerably on a second column. Fortunately, perhaps, for our readers, we have even now omitted many points we had originally intended to notice. As we purpose continuing our series until it reaches something under its two hundredth number, however, we shall watch an opportunity of including them under some other head.https://dickenssearch.com/files/original/5/Sketches_of_London_No._IX_Greenwich_Fair/1835-04-16_The_Evening_Chronicle_Sketches_of_London_No.IX_Greenwich_Fair.pdf
44https://dickenssearch.com/items/show/44'Sketches of London, No. V, The House'Published in <em>The Evening Chronicle</em> (7 March 1835).Dickens, Charles<em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350307/019/0003">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350307/019/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-03-07">1835-03-07</a><em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350307/019/0003">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350307/019/0003</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-03-07_The_Evening_Chronicle_Sketches_of_London_NoV_The_HouseDickens, Charles. 'Sketches of London, No. V, The House' (7 March 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-03-07_The_Evening_Chronicle_Sketches_of_London_NoV_The_House">https://dickenssearch.com/short-stories/1835-03-07_The_Evening_Chronicle_Sketches_of_London_NoV_The_House</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Evening+Chronicle">The Evening Chronicle</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a><a href="https://dickenssearch.com/teibp/dist/content/1835-03-07_The_Evening_Chronicle_Sketches_of_London_NoV_The_House.xml" target="_blank" rel="noopener">'Sketches of London, No. V, The House.' <em>The Evening Chronicle</em> (7 March 1835).</a>18350307We hope our readers will not be alarmed at the rather ominous title we have chosen for our fifth sketch. We assure them that we are not about to become political, neither have we the slightest intention of being more prosy than usual - if we can help it. It has occurred to us that a slight sketch of the general aspect of &quot;the House&quot; and the crowds that resort to it on the night of an important debate would be productive of some amusement; and as we have made some few calls at the aforesaid house in our time - have attended it quite often enough for our purpose, and a great deal too often for our own personal peace and comfort - we have determined to accept the description. Dismissing from our minds, therefore, all that feeling of awe which vague ideas of breaches of privilege, Sergeants at Arms, heavy denunciations, and still heavier feeds, are calculated to awaken, we enter at once, into the building, and upon our subject. Half-past four o&#039;clock, and at five the mover of the Address will be &quot;on his legs,&quot; as the newspaper announce sometimes by way of novelty, as if speakers were occasionally in the habit of standing on their heads. What a scene of bustle and excitement! The members are pouring in one after the other in shoals. The few spectators who can obtain standing-room in the passages scrutinize them as they pass with the utmost interest, and the man who can identify a member occasionally becomes a person of great importance. Every now and then you hear earnest whispers of &quot;That&#039;s Sir John Thompson.&quot; &quot;Which? him with the gilt order round his neck?&quot; &quot;No, no; that&#039;s one of the messengers - that other with the yellow gloves, is Sir John Thomson.&quot; &quot;Here&#039;s Mr. Smith.&quot; &quot;Lor! Yes, how dy&#039;e do, sir? - (He is our new member) - How do you do, sir?&quot; Mr. Smith stops; turns round with an air of enchanting urbanity (for the rumour of an intended dissolution has been very extensively circulated this morning), seizes both the hands of his gratified constituent, and after greeting him with the most enthusiastic warmth, rushes into the lobby with an extraordinary display of ardour in the public cause, leaving an immense impression in his favour on the mind of his &quot;fellow townsman.&quot; The arrivals increase in number, and the heat and noise increase in very unpleasant proportion. The livery servants form a complete lane on either side of the passage, and you reduce yourself into the smallest possible space to avoid being turned out. You see that stout man with the hoarse voice, in the blue coat, queer crowned, broad brimmed hat, white corderoy breeches and great boots, who has been talking incessantly for half an hour past, and whose importance has occasioned no small quantity of mirth among the strangers. That&#039;s the great conservator of the peace of Westminster. You cannot fail to have remarked the grace with which he saluted the noble Lord who passed just now, or the excessive dignity of his air, as he expostulates with the crowd. He is rather out of temper now, in consequence of the very irreverent behaviour of those two young fellows behind him, who have done nothing but laugh all the time they&#039;ve been here. &quot;Will they divide to-night, do you think, Mr. - ?&quot; timidly inquires a little thin man in the crowd, hoping to conciliate the man of office. &quot;How can you ask such questions, sir?&quot; replies the functionary, in an incredibly loud key, and pettishly grasping the thick stick he carries in his right hand. &quot;Pray do not, sir, I beg of you; pray do not, sir.&quot; Here the little man looks remarkably out of his element, and the uninitiated part of the throng are in positive convulsions of laughter. Just as this moment, some unfortunate individual appears, with a very smirking air, at the bottom of the long passage. He has managed to elude the vigilance of the special constable down stairs, and is evidently congratulating himself on having made his way so far. &quot;Go back sir - you must not come here!&quot; shouts the hoarse one, with tremendous emphasis of voice and gesture, the moment the offender catches his eye. The stranger pauses. &quot;Do you hear, sir - will you go back?&quot; continues the official dignitary, gently pushing the intruder some dozen yards. &quot;Come, don&#039;t push me,&quot; replies the stranger, turning angrily round. &quot;I will, sir;&quot; &quot;You won&#039;t, sir;&quot; &quot;Go out, sir:&quot; &quot;Take your hands off me, sir;&quot; &quot;Go out of the passage, sir.&quot; &quot;You&#039;re a Jack-in-office, sir.&quot; &quot;A what?&quot; ejaculates he of the boots. &quot;A Jack-in-office, sir, and a very insolent fellow,&quot; reiterates the stranger, now completely in a passion. &quot;Pray do not force me to put you out, sir,&quot; retorts the other - &quot;pray do not - my instructions are to keep this passage clear - it&#039;s the Speaker&#039;s orders, sir.&quot; &quot;D-n the Speaker, sir,&quot; shouts the intruder. &quot;Here, Wilson! - Collins!&quot; gasps the officer, actually paralysed at this insulting expression, which in his mind is all but high treason; &quot;take this man out - take him out, I say! How dare you, sir?&quot; &amp;c., and down goes the unfortunate man five stairs at a time, turning round at every stoppage, to come back again, and denouncing bitter vengeance against the Commander-in-Chief and his supernumeraries. &quot;Make way, gentlemen, - pray make way for the Members, I beg of you;&quot; shouts the zealous officer, turning back, and preceding a whole string of the liberal and independent. You see this ferocious-looking personage, with a complexion almost as sallow as his linen, and whose large black mustaches would give him the appearance of a figure in a hair-dresser&#039;s window, if his countenance possessed one ray of the intelligence communicated to those waxen caricatures of the human face divine. He is a militia-man, with a brain slightly damaged, and (quite unintentionally) the most amusing person in the House. Can anything be more exquisitely absurd than the burlesque grandeur of his air, as he strides up to the lobby, his eyes rolling like those of a Turk&#039;s head in a cheap Dutch clock? He never appears without that bundle of dirty papers which he carries under his left arm - they are generally supposed to be the miscellaneous estimates for 1804, or some equally important documents. You must often have seen him in the box-lobbies of the theatres during the vacation. He is very punctual in his attendance at the house, and his self-satisfied &quot;He-ar-He-ar,&quot; is not unfrequently the signal for a general titter. This is the man who once actually sent a messenger up to the Strangers&#039; Gallery in the old House of Commons to inquire the name of a gentleman who was using an eye-glass, in order that he (the Militia-man) might complain to the Speaker that the individual in question was quizzing him! On another occasion he repaired to Bellamy&#039;s kitchen - a refreshment room where persons who are not members are admitted on sufferance, as it were - and perceiving two or three gentlemen at supper who he was aware were not Members, and could not in that place very well resent his insolence, he indulged in the exquisite pleasantry and gentlemanly facetiousness of sitting with his booted leg on the table at which they were supping! Poor creature! he is generally harmless, and his absurdities are amusing enough. By dint of patience, and some little interest with our friend the constable, we have contrived to make our way to the Lobby, and you can just manage to catch an occasional glimpse of the house, as the door is opened for the admission of Members. It is tolerably full already, and little groups of Members are congregated together here, discussing the interesting topic of the day. That smart looking fellow in the black coat with velvet facing and cuffs, who wears his D&#039;Orsay hat so rakishly, is &quot;Honest Tom,&quot; a metropolitan representative; and the large man in the cloak with the white lining - not the man by the pillar; the other with the light hair hanging over his coat collar behind - is his colleague. That quiet gentlemanly-looking man in the blue surtout, grey trousers, white neckerchief and gloves, whose closely buttoned coat displays his manly figure and broad chest to great advantage, is a very well known character. He has fought a great many battles in his time, and conquered like the heroes of old, with no other arms than those the gods gave him. The elderly man with the bald head and thin face, who is leaning against the wall perusing the leading articles of the soi-disant &quot;Leading Journal,&quot; is the identical &quot;old country gentleman&quot; who has lived for two-thirds of his whole existence exactly one minute and a quarter&#039;s walk from Black-friars&#039;-bridge. The old hard-featured man who is standing near him, is really a good specimen of that class of men - now nearly extinct. He is also a county member, and has been from time whereof the memory of man is not to the contrary. Look at his loose wide brown coat, with capacious pockets on each side; the knee breeches and boots, the immensely long waistcoat, and silver-watch-chain dangling below it, the wide-brimmed brown hat, and white handkerchief tied in a great bow with straggling ends sticking out beyond his shirt frill. It is a costume one seldom sees now-a-days, and when the few who wear it have died off, it will be extinct too. He can tell you long stories of Fox, Pitt, Sheridan, and Canning, and how much better the House was managed in those times, when they used to get up at eight or nine o-clock except on regular field days, of which everybody was apprized before-hand. He has a great contempt for all young members of Parliament, and thinks it quite impossible that a man can say anything worth hearing, unless he has sat in the house for fifteen years at least, without saying anything at all. He is of opinion that &quot;That young Macaulay&quot; was a regular imposter; he allows that Lord Stanley may do something one of these days, but he&#039;s too young Sir - too young. He is an excellent authority on points of precedent, and when he grows talkative, after his wine, will tell you how Sir Somebody Something, when he was whipper-in for the Government, brought four men out of their beds to vote in the majority, three of whom died on their way home again; how the house once divided on the question, that fresh candles be new brought in; how the Speakers was once upon a time left in the chair by accident, at the conclusion of business, and was obliged to sit in the House by himself for three hours, till some member could be knocked up, and brought back again to move the adjournment - and a great many other anecdotes of a similar description. There he stands, leaning on his stick; looking at the throng of Exquisites around him with most profound contempt, and conjuring up before his mind&#039;s eye, the scenes he beheld in the old house in days gone by, when his own feelings were fresher and brighter, and when, as he imagines, wit, talent, and patriotism, flourished more brightly too. You are curious to know who that young man in the rough great coat is, who has accosted every member who has entered the House since we have been standing here. He is not a member; he is only an &quot;hereditary bondsman,&quot; or, in other words, an Irish correspondent of an Irish newspaper, who had just procured his forty-second frank from a member whom he never saw in his life before. There he goes again - another! Bless the man, he has got his hat and pockets full already. We&#039;ll try our fortune at the Strangers&#039; Gallery, though the nature of the debate encourages very little hope of success. What on earth are you about? Holding up your order as if it were a talisman at whose command the wicket would fly open? Nonsense. Just preserve the order for an autograph, if its worth keeping at all, and make your appearance at the door with your thumb and fore-finger expressively inserted in your waistcoat-pocket. This tall stout man in black is the door-keeper. &quot;Any room?&quot; &quot;Not an inch - two or three dozen gentlemen waiting downstairs on the chance of somebody&#039;s going out.&quot; Pull out your purse - &quot;Are you quite sure there&#039;s no room?&quot; - I&#039;ll go and look,&quot; replies the door-keeper, with a wishful glance at your purse, &quot;but I&#039;m afraid there&#039;s not.&quot; He returns, and with real feeling, assures you that it&#039;s morally impossible to get near the gallery. It&#039;s no use waiting. When you are refused admission into the Stranger&#039;s Gallery at the House of Commons, under such circumstances, you may return home thoroughly satisfied that the place must be re-markably full indeed. Retracing our steps through the long passage, descending the stairs, and crossing Palace-yard, we halt at a small temporary door-way adjoining the King&#039;s entrance to the House of Lords. We will endeavour to smuggle you into the Reporters&#039; gallery, from whence you may peep into the House for one instant, but not longer, for its against orders our being there at all. Take care of the stairs, they are none of the best: through this little wicket - there. As soon as your eyes become a little used to the mist of the place, and the glare of the chandeliers below you, you will see that some unimportant personage on the Ministerial side of the House (to your right hand) is speaking, amidst a hum of voices and confusion which would rival Babel but for the circumstance of its being all in one language. You heard the &quot;hear, hear,&quot; which occasioned that laugh; it proceaded from our warlike friend in the mustachios; he is sitting on the back seat against the wall, behind the Member who is speaking, looking as ferocious and intellectual as usual. Take one look round you, and retire; the body of the House and the side galleries are full of Members, some with their legs on the back of the opposite seat; some with theirs stretched out to their utmost length on the floor; some going out, others coming in; all of them talking, laughing, lounging, coughing, o-ing, questioning, or groaning; presenting a conglomeration of noise and confusion to be met with in no other place in existence. There are a few more portraits - some in the body of the house - others in one of the galleries - which we should like to lay before our readers. We have exhausted our space, and most therefore reserve them for our next sketch, which will be entitled &quot;Bellamy&#039;s.&quot;https://dickenssearch.com/files/original/5/Sketches_of_London_No._V_The_House/1835-03-07_Sketches_of_London_No.V_The_House.pdf
45https://dickenssearch.com/items/show/45'Sketches of London, No. VI, London Recreations'Published in <em>The Evening Chronicle</em> (17 March 1835).Dickens, Charles<em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350317/033/0003" class="waffle-rich-text-link" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350317/033/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-03-17">1835-03-17</a><em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350317/033/0003" class="waffle-rich-text-link" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350317/033/0003.</a> Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Stories">Short Stories</a>1835-03-17_The_Evening_Chronicle_Sketches_of_London_NoVI_London_RecreationsDickens, Charles. 'Sketches of London, No. VI, London Recreations' (17 March 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-03-17_The_Evening_Chronicle_Sketches_of_London_NoVI_London_Recreations">https://dickenssearch.com/short-stories/1835-03-17_The_Evening_Chronicle_Sketches_of_London_NoVI_London_Recreations</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Evening+Chronicle">The Evening Chronicle</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a><a href="https://dickenssearch.com/teibp/dist/content/1835-03-17_The_Evening_Chronicle_Sketches_of_London_NoVI_London_Recreations.xml" target="_blank" rel="noopener">'Sketches of London, No. VI, London Recreations.' <em>The Evening Chronicle</em> (17 March 1835).</a>18350317The wish of persons in the humbler classes of life, to ape the manners and customs of those whom fortune has placed above them, is often the subject of remark, and not unfrequently of complaint. The inclination may, and no doubt does, exist to a great extent among the small gentility—the would-be aristocrats—of the middle classes. Tradesmen and clerks, with Court Journal-reading families, and circulating-library-subscribing daughters, get up tavern assemblies in humble imitation of Almack’s, and promenade the dingy &quot;large room&quot; of some second rate hotel with as much complacency as the enviable few who are privileged to exhibit their magnificence in that exclusive haunt of fashion and foolery. Aspiring young ladies, who read flaming accounts of some &quot;fancy fair in high life,&quot; suddenly grow desperately charitable; visions of admiration and matrimony float before their eyes; some wonderfully meritorious institution, which, by the strangest accident in the world, has never been heard of before, is discovered to be in a languishing condition; Thomson’s great room, or Johnson’s nursery ground, is forthwith engaged, and the aforesaid young ladies, from mere charity, exhibit themselves for three days, from twelve to four, for the small charge of one shilling per head! With the exception of these classes of society, however, and a few other weak and insignificant persons, we do not think the contemptible attempt at imitation, to which we have alluded, prevails in any great degree. The different character of the recreations of different classes, has often afforded us amusement in our walks and musings; and we have chosen it for the subject of our present sketch, in the hope that it may possess some amusement for our readers. If the regular City man, who leaves Lloyd’s at five o’clock, and drives home to Hackney, Clapton, Stamford-hill, or elsewhere, can be said to have any daily recreation beyond his dinner, it is his garden. He never does anything to it with his own hands; but he takes a great pride in it notwithstanding; and if you are desirous of paying your addresses to the youngest daughter, be sure to be in raptures with every flower and shrub it contains. If your poverty of expression compel you to make any distinction between the two, we would certainly recommend your bestowing more admiration on his garden than his wine. He always takes a walk round it before he starts for town in the morning, and is particularly anxious that the fish-pond should be kept specially neat. If you call on him on Sunday in summer time, about an hour before dinner, you will find him sitting in an arm-chair, on the lawn behind the house, with a straw hat on, reading a Sunday paper. A short distance from him you will most likely observe a handsome paroquet in a large brass-wire cage; ten to one but the two eldest girls are loitering in one of the side walks accompanied by a couple of young fellows, who are holding parasols over them - of course only to keep the sun off, while the younger children, with the under nursery-maid, are strolling listlessly about in the shade. Beyond these occasions, his delight in his garden appears to arise more from the consciousness of possession than actual enjoyment of it. When he drives you down to dinner on a week day he is rather fatigued with the occupations of the morning, and tolerably cross into the bargain; but when the cloth is removed, and he has drank three or four glasses of his favourite port, he orders the French windows of the dining room (which of course look into the garden) to be opened, and throwing a silk handkerchief over his head, and leaning back in his arm chair, descants at considerable length upon its beauty, and the cost of maintaining it. This is to impress you - who are a young friend of the family - with a due sense of the excellence of the garden, and the wealth of its owner; and when he has exhausted the subject he goes to sleep. There is another and a very different class of men, whose recreation is their garden. An individual of this class, resides some short distance from town - say in the Hampstead-road, or the Kilburn-road, or any other road where the houses are small and neat, and have little slips of back garden. He and his wife - who is as clean and compact a little body as himself - have occupied the same house ever since he retired from business twenty years ago. They have no family. They once had a son, who died at about five years old. The child’s portrait hangs over the mantel-piece in the best sitting-room, and a little cart he used to draw about is carefully preserved as a relic. In fine weather the old gentleman is almost constantly in the garden; and when it is too wet to go into it, he will look out of the window at it by the hour together. He has always something to do in it, and you will see him digging, and sweeping, and cutting, and messing about, with manifest delight. In spring time, there is no end to the sowing of seeds, and sticking little bits of wood over them, with labels, which look like epitaphs to their memory; and in the evening, when the sun has gone down, the perseverance with which he lugs a great watering-pot about is perfectly astonishing. The only other recreation he has is the newspaper, which he peruses every day, from beginning to end, generally reading the most interesting pieces of intelligence to his wife, during breakfast. The old lady is very fond of flowers, as the hyacinth-glasses in the parlour window, and geranium-pots in the little front court testify. She takes a great pride in the garden too, and when one of the four fruit-trees produces a rather larger gooseberry than usual, it is carefully preserved under a wine-glass, on the sideboard, for the edification of visitors, who are duly informed that Mr. So-and-so planted the tree which produced it with his own hands. On a summer’s evening, when the large watering-pot has been filled and emptied some fourteen times, and the old couple have quite exhausted themselves by trotting about, you will see them sitting happily together in the little summer-house, enjoying the calm and peace of the twilight, and watching the shadows as they fall upon the garden, and gradually growing thicker and more sombre, obscure the tints of their gayest flowers - No bad emblem of the years that have silently rolled over their heads, deadening in their course the brightest hues of early hopes and feelings which have long since faded away. These are their only recreations, and they require no more. They have within themselves the materials of comfort and content; and the only anxiety of each is to die before the other. This is no ideal sketch; there used to be many old people of this description; their numbers may have diminished, and may decrease still more. Whether the course female education has taken of late days - whether the pursuit of giddy frivolities, and empty nothings - has tended to unfit women for that quiet domestic life, in which they show far more beautifully than in the most crowded assembly, is a question we should feel little gratification in discussing - we hope not. Let us turn, now, to another portion of the London population, whose recreations present about as strong a contrast as can well be conceived - we mean the Sunday pleasurers; and let us beg our readers to imagine themselves stationed by our side in some well-known rural &quot;Tea-gardens.&quot; The heat is intense this afternoon, and the people, of whom there are additional parties arriving every moment, look as warm as the tables which have been recently painted, and have the appearance of being red-hot. What a dust and noise! Men and women - boys and girls - sweethearts and married people - babies in arms, and children in chaises - pipes and shrimps - cigars and perriwinkles - tea and tobacco. Gentlemen, in alarming waistcoats, and steel watch-guards, promenading about, three abreast, with surprising dignity (or as the gentleman in the next box facetiously observes, &quot;cutting it uncommon fat!&quot;) - ladies, with great, long, white pocket-handkerchiefs like small table-cloths, in their hands, chasing one another on the grass, in the most playful and interesting manner, with the view of attracting the attention of the aforesaid gentlemen - husbands in perspective ordering bottles of ginger-beer for the objects of their affections, with a lavish disregard of expense; and the said objects washing down huge quantities of &quot;srimps&quot; and &quot;winkles,&quot; with an equal disregard of their own bodily health and subsequent comfort - boys, with great silk hats just balanced on the top of their heads, smoking cigars, and trying to look as if they liked &#039;em - gentlemen in pink shirts and blue waistcoats, occasionally upsetting either themselves, or somebody else, with their own canes - and children of every age and size in incredible numbers, from the boy of one in a straw hat and lace cockade, to the girl of twelve in a little scanty spencer, with a beaver bonnet and green veil. Some of the finery of these people provokes a smile; but they are all clean, and happy, and disposed to be good-natured and sociable. Those two motherly-looking women in the smart pelisses, who are chatting so confidentially, inserting a &quot;ma’am&quot; at every fourth word, scraped an acquaintance about a quarter of an hour ago: it originated in admiration of the little boy who belongs to one of them - that diminutive specimen of mortality in the three-cornered pink satin hat with black feathers. The two men in the blue coats and drab trousers, who are walking up and down, smoking their pipes, are their husbands. The party in the opposite box are a pretty fair specimen of the generality of the visitors. These are the father and mother, and old grandmother, a young man and woman, and an individual addressed by the euphonious title of &quot;Uncle Bill,&quot; who is evidently the wit of the party. They have some half dozen children with them, but it is scarcely necessary to notice the fact, for it&#039;s a matter of course here. Every woman in &quot;the gardens&quot; who has been married for any length of time, must have had twins on two or three occasions; it&#039;s impossible to account for the extent of juvenile population in any other way. Observe the inexpressible delight of the old grandmother at Uncle Bill’s splendid joke of &quot;tea for four: bread and butter for forty;&quot; and the loud explosion of mirth which follows his wafering a paper &quot;pigtail&quot; on the waiter’s collar. The young man is evidently &quot;keeping company&quot; with Uncle Bill’s niece: and Uncle Bill’s hints - such as &quot;Don’t forget me at the dinner, you know.&quot; &quot;I shall look out for the cake, Sally.&quot; &quot;I’ll be godfather to your first—wager it’s a boy&quot; and so forth, are equally embarrassing to the young people and delightful to the elder ones. As to the old grandmother, she&#039;s in perfect ecstacies, and does nothing but laugh herself into fits of coughing, until they have finished the &quot;gin-and-water warm with,&quot; of which Uncle Bill ordered &quot;glasses round&quot; after tea, &quot;jist to keep the night air out, and do it up comfortable and riglar arter sitch a day, which certainly was &#039;rayther warm,&#039; as the child said when it fell into the fire.&quot; It&#039;s getting dark, and the people begin to move: the field leading to town is quite full of them; the little hand-chaises are dragged wearily along: the children are tired, and amuse themselves and the company generally by crying, or resort to the much more pleasant expedient of going to sleep - the mothers begin to wish they were at home again - sweethearts grow more sentimental than ever, as the time for parting arrives - the gardens look mournful enough by the light of the two lanterns which hang against the trees for the convenience of smokers - and the waiters, who have been running about incessantly for the last six hours, think they feel a little tired, as they count their glasses and their gains. There are many other classes who regularly pursue the same round of reaction. The better description of clerks form rowing clubs, and dress themselves like sailors at fancy balls; others resort to the billiard table. Some people think the greatest enjoyment of existence is to stew in an unwholesome vault for a whole night, drinking bad spirits and hearing worse singing; and others go half-price to the theatre regularly every evening. A certain class of donkeys think the chief happiness of human existence is to knock at doors and run away again; and there are other men whose only recreation is leaning against the posts at street-corners, and not moving at all. Whatever be the class, or whatever the recreation, so long as it does not render a man absurd himself, or offensive to others, we hope it will never be interfered with, either by a misdirected feeling of propriety on the one hand, or detestable cant on the other. (Footnote): On consideration, we postpone for a week or two the sketch we announced in our last. We have various reasons for doing so, among which the inevitable sameness of the subject is not the least.https://dickenssearch.com/files/original/5/Sketches_of_London_No._VI_London_Recreations/1835-03-17_Sketches_of_London_No._VI_London_Recreations.pdf
46https://dickenssearch.com/items/show/46'Sketches of London, No. VII, Public Dinners'Published in <em>The Evening Chronicle</em> (7 April 1835).Dickens, Charles<em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350407/010/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350407/010/0001</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-04-07">1835-04-07</a><em>British Newspaper Archive, </em><a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350407/010/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350407/010/0001</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-04-07_The_Evening_Chronicle_Sketches_of_London_NoVII_Public_DinnersDickens, Charles. 'Sketches of London, No. VII, Public Dinners' (7 April 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-04-07_The_Evening_Chronicle_Sketches_of_London_NoVII_Public_Dinners">https://dickenssearch.com/short-stories/1835-04-07_The_Evening_Chronicle_Sketches_of_London_NoVII_Public_Dinners</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Evening+Chronicle">The Evening Chronicle</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a><a href="https://dickenssearch.com/teibp/dist/content/1835-04-07_The_Evening_Chronicle_Sketches_of_London_NoVII_Public_Dinners.xml" target="_blank" rel="noopener">'Sketches of London, No. VII, Public Dinners.' <em>The Evening Chronicle</em> (7 April 1835).</a>18350407All public dinners in London - from the Lord Mayor&#039;s annual banquet at Guildhall, to the chimney-sweepers&#039; &quot;hanniversary&quot; at White Conduit-house; from the Goldsmiths&#039; to the Butchers&#039;; from the Sheriffs&#039; to the Licensed Victuallers - are amusing scenes. Of all entertainments of this description, however, we think the annual dinner of some public charity is the most amusing. At a Company&#039;s dinner the people are nearly all alike - regular old stagers who make it a matter of business, and a thing not to be laughed at; at a political dinner everybody is disagreeable and inclined to speechify - much the same thing, by the bye; but at a charity dinner you see people of all sorts, kinds, and descriptions: the wine may not be remarkably special, to be sure, and we have heard some hard-hearted monsters grumble at the collection; but we really think the amusement to be derived from the occasion sufficient to counterbalance even these disadvantages. Let us suppose you are induced to attend a dinner of this description - &quot;Indigent Orphans&#039; Friends&#039; Benevolent Institution,&quot; we think it is. The name of the charity is a line or two longer, but you have forgotten the rest. You have a distinct recollection, however, that you purchased a ticket at the solicitation of some charitable friend, and you deposit yourself in a hackney-coach, the driver of which - no doubt that you may do the thing in style - turns a deaf ear to your earnest entreaties to be set down at the corner of Great Queen-street, and persists in carrying you to the very door of the Freemasons&#039;, round which crowded people are assembled to witness the entrance of the indigent orphans&#039; friends. You hear great speculations, as you pay the fare, on the possibility of your being the Noble Lord who is announced to fill the chair on the occasion, and are highly gratified to hear it eventually decided that you are only a &quot;wocalist.&quot; The first thing that strikes you on your entrance is the astonishing importance of the committee. You observe a door on the first landing, carefully guarded by two waiters, in and out of which stout gentlemen, with very red faces, keep running with a degree of speed highly unbecoming the gravity of persons of their years and corpulency. You pause, quite alarmed at the bustle; and thinking, in your innocence, that two or three people must have been carried out of the dining-room in fits at the very least. You are immediately undeceived by the waiter - &quot;Up stairs, if you please, sir; this is the committee room.&quot; Up stairs you go, accordingly; wondering as you mount, what the duties of the committee can be and whether they ever do anything beyond confusing each other, and running over the waiters. Having deposited your hat and cloak, and received a remarkably small scrap of pasteboard in exchange (which as a matter of course you lose before you require it again), you enter the hall, down which there are four long tables for the less distinguished guests, with a cross table on a raised platform at the upper end for the reception of the very particular friends of the indigent orphans. Being fortunate enough to find a plate without anybody’s card in it, you wisely seat yourself at once, and have a little leisure to look about you. Waiters, with wine-baskets in their hands, are placing decanters of Sherry down the tables, at very respectable distances. Melancholy-looking salt-cellars, and decayed vinegar-cruets, which might have belonged to the parents of the indigent orphans in their time, are scattered at distant intervals on the cloth, and the knives and forks look as if they had done duty at every public dinner in London since the accession of George the First; the musicians are scraping and grating and screwing tremendously - playing no notes but notes of preparation; and several gentlemen are gliding along the sides of the tables, looking into plate after plate with frantic eagerness, the expression of their countenances growing more and more dismal as they meet with everybody’s card but their own. You turn round to take a look at the table behind you, and - not being in the habit of attending public dinners - are somewhat struck by the appearance of the party on which your eye rests. One of its principal members appears to be a little man, with a long and rather inflamed face, and grey hair brushed bolt upright in front; he wears a wisp of black silk round his neck, without any stiffener, as an apology for a neck-kerchief, and is addressed by his companions by the familiar appellation of - &quot;Fitz.&quot; Near him is a stout man in a white neck-kerchief and buff waistcoat; with shiny dark hair, cut very short in front, and a great, round, healthy-looking face, on which he studiously preserves a half sentimental simper. Next him, again, is a large-headed man, with black hair and bushy whiskers; and opposite them are two or three others, one of whom is a little round-faced person, in a dress-stock and blue under-waistcoat. There is something peculiar in their air and manner, though you could hardly describe what it is; you cannot divest yourself of the idea that they have come for some other purpose than mere eating and drinking. You have no time to debate the matter, however, for the waiters (who have been arranged in lines down the room, placing the dishes on table) retire to the lower end; the dark man in the blue coat and bright buttons, who has the direction of the music, looks up to the gallery, and calls out &quot;band&quot; in a very loud voice; out burst the orchestra, up rise the visitors; in march fourteen stewards, each with a long wand in his hand, like the evil genius in a pantomime; then the Chairman, then the titled visitors; they all make their way up the room, as fast as they can, bowing, and smiling, and smirking, and looking remarkably amiable. The applause ceases; grace is said; the clatter of plates and dishes begins; and every one appears highly gratified either with the presence of the distinguished visitors, or the commencement of the anxiously-expected dinner. As to the dinner itself - the mere dinner - it goes off much the same everywhere. Tureens of soup are emptied with awful rapidity - waiters take plates of turbot away to get lobster-sauce, and bring back plates of lobster-sauce without turbot. People who can carve poultry are great fools if they own it, and people who can’t have no wish to learn - the knives and forks form a pleasing accompaniment to Auber’s music, and Auber’s music would form a pleasing accompaniment to the dinner, if you could hear anything besides the violoncello - the substantials disappear - moulds of jelly vanish like lightning - hearty eaters wipe their foreheads, and appear rather overcome by their recent exertions - people who have looked very cross hitherto, become remarkably bland, and ask you to take wine in the most friendly manner possible - old gentlemen direct your attention to the ladies’ gallery, and take great pains to impress you with the fact that the charity is always peculiarly favoured in this respect - every one appears disposed to become talkative - and the hum of conversation is loud and general. &quot;Pray, silence, gentlemen, if you please, for Non nobis,&quot; shouts the toast-master with stentorian lungs - a toast-master’s shirt-front, waistcoat, and neck-kerchief, by-the-bye, always exhibit three distinct shades of cloudy-white.- &quot;Pray, silence, gentlemen, for Non nobis.&quot; The singers, whom you discover to be no other than the very party that excited your curiosity at first, after &quot;pitching&quot; their voices immediately begin too tooing most dismally, on which the regular old stagers burst into occasional cries of - &quot;Sh Sh-waiters! Silence - waiters.&quot; &quot;Stand still, waiters - keep back, waiters,&quot; and other exorcisms, delivered in a tone of indignant remonstrance. The grace is soon concluded, and the company resume their seats. The uninitiated portion of the guests applaud Non nobis as vehemently as if it were a capital comic song, greatly to the scandal and indignation of the regular diners, who immediately attempt to quell this sacrilegious approbation, by cries of &quot;Hush, hush,&quot; whereupon the others, mistaking these sounds for hisses, applaud more tumultuously than before, and, by way of placing their approval beyond the possibility of doubt, shout &quot;Encore!&quot; most vociferously. The moment the noise ceases, up starts the toast-master:- &quot;Gentlemen, charge your glasses, if you please.&quot; Decanters having been handed about, and glasses filled, the toast-master proceeds, in a regular, ascending scale:- &quot;Gentlemen - air - you - all charged? Pray - silence - gentlemen - for - the cha-i-r.&quot; The Chairman rises, and, after stating that he feels it quite unnecessary to preface the toast he is about to propose with any observations whatever, wanders into a maze of sentences, and flounders about in the most extraordinary manner, presenting a lamentable spectacle of mystified humanity, until he arrives at the words, &quot;constitutional sovereign of these realms,&quot; at which elderly gentlemen exclaim &quot;Bravo!&quot; and hammer the table tremendously with their knife-handles. &quot;Under any circumstances, it would give him the greatest pride, it would give him the greatest pleasure - he might almost say, it would afford him satisfaction [cheers] to propose that toast. What must be his feelings, then, when he has the gratification of announcing, that he has received her Majesty’s commands to apply to the Treasurer of her Majesty’s Household, for her Majesty’s annual donation of 25l in aid of the funds of this charity.&quot; This announcement (which has been regularly made by every chairman since the first foundation of the charity forty-two years ago) calls forth the most vociferous applause; the toast is drunk with a great deal of cheering and knocking; and &quot;God save the King&quot; is sung by the &quot;professional gentlemen;&quot; the unprofessional Gentlemen joining in the chorus, and giving the national anthem an effect which the newspapers, with great justice, describe as &quot;perfectly electrical.&quot; The other &quot;loyal and patriotic&quot; toasts having been drunk with all due enthusiasm, a comic song having been sung by the man with the small neckerchief, and a sentimental ditto by the second of the party, we come to the most important toast of the evening - &quot;Prosperity to the Charity.&quot; Here again we are compelled to adopt newspaper phraseology, and express our regret at being &quot;precluded from giving even the substance of the Noble Lord’s observations.&quot; Suffice it to say, that the speech, which is somewhat of the longest, is rapturously received, and the toast having been drunk, the stewards (looking more important than ever) leave the room, and presently return, heading a procession of indigent orphans, boys and girls, who walk round the room, curtseying, and bowing, and treading on each other’s heels, and looking very much as if they would like a glass of wine apiece, to the high gratification of the company generally, and especially of the Lady Patronesses in the gallery. Exeunt children, and re-enter stewards, each with a blue plate in his hand. The band plays a lively air; the majority of the company put their hands in their pockets, and look rather serious; and the noise of sovereigns rattling on crockery, is heard from all parts of the room. After a short interval, occupied in singing and toasting, the Secretary puts on his spectacles, and proceeds to read the report and list of subscriptions the latter being listened to with great attention. &quot;Mr. Smith, one guinea; Mr. Tompkins one guinea - Mr. Wilson one guinea - Mr. Hickson one guinea - Mr.&amp;nbsp; Nixon, one guinea - Mr. Charles Nixon one guinea - [hear, hear!] - Mr. James Nixon one guinea - Mr. Thomas Nixon, one pound one [tremendous applause]. Lord Fitz Winkle, the chairman of the day, in addition to an annual donation of fifteen pounds - thirty guineas [prolonged knocking; several gentlemen knock the stems off their wine-glasses in the vehemence of their approbation]. Lady Fitz Winkle, in addition to an annual donation of ten pound—twenty pound&quot; [protracted knocking and shouts of &quot;Bravo!&quot;]. The list being at length concluded, the chairman rises, and proposes the health of the secretary, than whom he knows no more zealous or estimable individual. The secretary, in returning thanks, observes that he knows no more excellent individual than the chairman - except the senior officer of the charity, whose health he begs to propose. The senior officer, in returning thanks, observes that he knows no more worthy man than the secretary—except Mr. Walker, the auditor, whose health he begs to propose. Mr. Walker, in returning thanks, discovers some other estimable individual, to whom alone the senior officer is inferior - and so they go on toasting and lauding and thanking: the only other toast of importance being &quot;The Lady Patronesses now present,&quot; on which all the gentlemen turn their faces towards the ladies’ gallery, shouting tremendously; and little priggish men, who have imbibed more wine than usual, kiss their hands and exhibit distressing contortions of visage, supposed to be intended for ogling. We have protracted our dinner to so great a length, that we have hardly time to add one word by way of grace. We can only entreat our readers not to imagine because we have attempted to extract some amusement from a charity dinner, that we are at all disposed to underrate either the excellence of the Benevolent Institutions, with which London abounds, or the estimable motives of those who support them. (Footnote) The sketch entitled &quot;Bellamy&#039;s,&quot; which we announced as a continuation of &quot;The House,&quot; shall form the next number of our series.https://dickenssearch.com/files/original/5/Sketches_of_London_No._VII_Public_Dinners/1835-04-07_Sketches_of_London_No.VII_Public_Dinners.pdf
47https://dickenssearch.com/items/show/47'Sketches of London, No. VIII, Bellamy's'Published in <em>The Evening Chronicle</em> (11 April 1835).Dickens, Charles<em>British Newspaper Archive, </em><a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350411/031/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350411/031/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-04-11">1835-04-11</a><em>British Newspaper Archive, </em><a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350411/031/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350411/031/0003</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-04-11_The_Evening_Chronicle_Sketches_of_London_NoVIII_BellamysDickens, Charles. 'Sketches of London, No. VIII, Bellamy's' (11 April 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-04-11_The_Evening_Chronicle_Sketches_of_London_NoVIII_Bellamys">https://dickenssearch.com/short-stories/1835-04-11_The_Evening_Chronicle_Sketches_of_London_NoVIII_Bellamys</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Evening+Chronicle">The Evening Chronicle</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a><a href="https://dickenssearch.com/teibp/dist/content/1835-04-11_The_Evening_Chronicle_Sketches_of_London_NoVIII_Bellamys.xml" target="_blank" rel="noopener">'Sketches of London, No. VIII, Bellamy's.' <em>The Evening Chronicle</em> (11 April 1835).</a>18350411In redemptions of the promise which we appended to the last number of our series, we now propose to introduce our readers to Bellamy&#039;s kitchen, or in other words, to the refreshment room, common to both houses of Parliament, where Ministerialists and Oppositionists, Whigs and Tories, Radicals and Destructives, Peers and Reporters, strangers from the gallery, and the more favoured strangers from below the bar, are alike at liberty to resort; where divers honourable members prove their perfect independence by remaining during the whole of a heavy debate, solacing themselves with the creature comforts; and from whence they are summoned by whippers-in, when the House is on the point of dividing; either to give their &quot;conscientious votes&quot; on questions of which they are conscientiously innocent of knowing anything whatever, or to find a vent for the playful exuberance of their wine-inspired fancies in boisterous shorts of &quot;Divide,&quot; occasionally varied with a little howling, barking and crowing, or other ebullitions of senatorial pleasantry. When you have ascended the narrow staircase which, in the present temporary House of Commons leads to the place we are describing, you will probably observe a couple of rooms on your right hand with tables spread for dining, neither of these is the kitchen, although they are both devoted to the same purpose; the kitchen is further on to your left, up these half-dozen stairs. Before we ascend the staircase, however, we must request you to pause in front of this little bar-place with the sash-windows; and beg your particular attention to the steady, honest-looking old fellow in black, who is its sole occupant. Nicholas (we do not mind mentioning the old fellow&#039;s name, for if Nicholas isn&#039;t a public man, who is? - and public men&#039;s names are public property). Nicholas is the butler of Bellamy&#039;s, and had held the same place, dressed exactly in the same mannor, and said precisely the same things ever since the oldest of its present visitors can remember. An excellent servant Nicholas is -an unrivaled compounder of salad-dressing - an admirable preparer of soda-water and lemon - a special mixer of cold grog and punch, and, above all, an unequalled judge of cheese. If the old man have such a thing as vanity in his composition, this is certainly his pride; and if it be possible to imagine that anything in this world could disturb his impenetrable calmness, we should say it would be the doubting his judgement on this important point. We needn&#039;t tell you all this however, for if you have an atom of observation, one glance at his sleek knowing-looking head and face - his prim, white neck-kerchief, with the wooden tie into which it has been regularly folded for twenty years past, merging by imperceptible degrees into a small-plaited shirt-frill, and his comfortable-looking form encased in a well-brushed suit of black - would give you a better idea of his real character than a column of our poor description could convey. Nicholas is rather out of his element now; he can&#039;t see the kitchen as he used to do in the old house; there, one window of his glass-case used to open into the room, and many a time, long after day-break on a summer&#039;s morning, have we amused ourself in drawing the cautious old man out by asking deferential questions about Sheridan, and Percival, and Castlereagh, and Heaven knows who beside, which he would answer with manifest delight, always inserting a &quot;Mister&quot; before every name. Nicholas, like all men of his age and standing, has a great idea of the degeneracy of the times. He seldom expresses any political opinions, but we managed to ascertain, just before the passing of the Reform Bill, that Nicholas was a thorough Reformer. What was our astonishment to discover, shortly after the meeting of the first reformed Parliament, that he was a most inveterate and decided Tory! &#039;Twas very odd: some men change their opinions from necessity, other from expediency, others from inspiration; but that Nicholas should undergo any change in that respect, was an event we had never contemplated, and should have considered impossible. His strong opinion against the clause which empowered the metropolitan districts to return Members to Parliament, too, was perfectly unaccountable. We discovered the secret at last; the metropolitan Members always dined at home. The Rascals! As for giving additional Members to Ireland, it was even worse - decidedly unconstitutional. Why, sir, an Irish Member would go up there, and eat more dinner than three English Members put together. He took no wine; drank table beer by the half-gallon; and went home to Manchester-buildings, or Milbank-street, for his whiskey and water, and what was the consequence? Why the concern lost - actually lost by their patronage. A queer old fellow is Nicholas, and as completely a part of the building as the house itself. We wonder he ever left the old place, and fully expected to see in the papers, the morning after the fire, a pathetic account of an old gentleman in black, of decent appearance, who was seen at one of the upper windows when the flames were at their height, and declared his resolution intention of falling with the floor. He must have been got out by force. However, he was got out - here he is again, looking, as he always does, as if he had been in a band box ever since last session. There he is at his old post every night, just as we have described him: and as characters are scarce, and faithful servants scarcer, long may he be there say we. The two persons who are seated at the table in the corner, at the further end of the room, have been constant guests here for many years past, and one of them has feasted within these walls many a time with the most brilliant characters of a brilliant period. He has gone up to the other house since then: the greater part of his boon companions have shared Yorick&#039;s fate, and his visits to Bellamy&#039;s are comparatively few. If he really be eating his supper now, at what hour can he possibly have dined? A second solid mass of rump-steak has disappeared, and he eat the first in four minutes and three-quarters by the clock over the window. Was there ever such a perfect personification of Falstaff? Mark the air with which he gloats over this Stilton as he removes the napkin which has been placed beneath his chin to catch the superfluous gravy of the steak, and with what gusto he imbibes the porter which has been fetched expressly for him in the pewter pot. Listen to the hoarse sound of that voice kept down as it is by layers of solids, and deep draughts of rich wine, and tell us if you ever saw such a perfect picture of a regular gourmond; and whether he is not exactly the man whom you would pitch upon as having been tho partner of Sheridan&#039;s Parliamentary carouses, the volunteer driver of the hackney coach that took him home, and the Involuntary upsetter of the whole party? What an amusing contrast between his voice and appearance, and that of the spare, squeaking old man, who sits at the same table, and who, elevating a little cracked bantum sort of voice to its highest pitch, invokes damnation upon his own eyes or somebody else&#039;s at the commencement of every sentence he utters. &quot;The Captain,&quot; as they call him, is a very old frequenter of Bellamy&#039;s; much addicted to stopping &quot;after the house is up&quot; (an inexpiable crime in Jane&#039;s eyes), and a complete walking reservoir of spirits and water. The old Peer - or rather, the old man; for his peerage is of recent date - has a huge tumbler of hot-punch brought him. The other damns and drinks, and drinks and damns and smokes - Members arrive every moment in a great bustle to report that &quot;The Chancellor of the Exchequer&#039;s up,&quot; and to get glasses of brandy and water to sustain them during the division - people who have ordered supper countermand it, and prepare to go down stairs, when suddenly a bell is heard to ring with tremendous violence, and a cry of &quot;Di-vi-sion&quot; is heard in the passage. This is enough; away rush the members pell-mell; the room is cleared in an instant; the noise rapidly dies away; you hear the creaking of the last boot on the last stair, and we are left alone with the Leviathan of Rump-steaks. We are sensible that we owe some apology to many of our readers for selecting for the second time, a subject involving allusions which they may not understand. If this be the case, we hope they will not object to our having written on these occasions for those who are more particularly connected with, or interested in, the scenes we have attempts to sketch, on our assurance that it always has been, and always will be, our object to sketch people and places which all our readers, in common with ourselves, have had opportunities of observing.https://dickenssearch.com/files/original/5/Sketches_of_London_No._VIII_Bellamy_s/1835-04-11_Sketches_of_London_No.VIII_Bellamys.pdf
49https://dickenssearch.com/items/show/49'Sketches of London, No. X, Thoughts About People'Published in <em>The Evening Chronicle</em> (23 April 1835).Dickens, Charles<em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350423/016/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350423/016/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-04-23">1835-04-23</a><em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350423/016/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350423/016/0003</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credit.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-04-23_The_Evening_Chronicle_Sketches_of_London_NoX_Thoughts_About_PeopleDickens, Charles. 'Sketches of London, No. X, Thoughts About People.' (23 April 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-04-23_The_Evening_Chronicle_Sketches_of_London_NoX_Thoughts_About_People">https://dickenssearch.com/short-stories/1835-04-23_The_Evening_Chronicle_Sketches_of_London_NoX_Thoughts_About_People</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Evening+Chronicle">The Evening Chronicle</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a><a href="https://dickenssearch.com/teibp/dist/content/1835-04-23_The_Evening_Chronicle_Sketches_of_London_NoX_Thoughts_About_People.xml" target="_blank" rel="noopener">'Sketches of London, No. X, Thoughts About People.' <em>The Evening Chronicle</em> (23 April 1835).</a>18350423&#039;Tis strange with how little notice, good, bad, or indifferent, a man may live and die in London. He awakens no sympathy in the breast of any single person; his existence is a matter of interest to no one save himself, and he cannot be said to be forgotten when he dies, for no one remembered him when he was alive. There really are a very numerous class of people in this great metropolis who seem not to possess a single friend, and whom nobody appears to care for. Urged by imperative necessity in the first instance, they have resorted to London in search of employment and the means of subsistence. It is hard, we know, to break the ties which bind us to our homes and friends; and harder still to efface the thousand recollections of happy days and old times, which have been slumbering in our bosoms for years, and only rush upon the mind to bring before it with startling reality associations connected with the friends we have left, the scenes we have beheld, too probably for the last time, and the hopes we once cherished, but may entertain no more. These men, however, happily for themselves, have long since forgotten such thoughts, old country friends have died or emigrated, former correspondents have become lost like themselves in the crowd and turmoil of some busy city, and they have gradually settled down into mere passive creatures of habit and endurance. We were seated in the enclosure of St. James’s Park the other day, when our attention was attracted by a man whom we immediately set down in our own mind as one of this class. He was a tall thin pale person in a black coat, scanty grey trowsers, little pinched-up gaiters, and brown beaver gloves. He had an umbrella in his hand - not for use, for the day was fine; but evidently because he always carried one to the office in the morning; and he walked up and down before the little patch of grass on which the chairs are placed for hire, not as if he were doing it for pleasure or recreation, but as if it were a matter of compulsion - just as he walks to the office every morning from the back settlements of Islington. It was Monday - Easter Monday; he had escaped for four-and-twenty hours from the thraldom of the desk, and was walking here for exercise and amusement - perhaps for the first time in his life. We were inclined to think he had never had a holiday before, and that even now he didn&#039;t exactly know what to do with himself. Children were playing on the grass; groups of people were loitering about, chatting and laughing; but the man walked steadily up and down, unheeding and unheeded; his spare, pale face looking as if it were incapable of bearing the expression of curiosity or interest; - altogether there was something in his manner and appearance which told us, we fancied, his whole life, or rather his whole day, for a man of this sort has no variety. We almost saw the dingy little back office into which he walks every morning, hanging his hat on the same peg, and placing his legs beneath the same desk: first, taking off that black coat which lasts the year through, and putting on the one which did duty last year, and which he keeps in his desk to save the other. There he sits till five o’clock, only raising his head when some one enters the counting house, or when in the midst of some difficult calculation, he looks up to the ceiling as if there were inspiration in the dusty skylight with a green knot in the centre of every pane of glass; working the day through as regularly as the dial over the mantel-piece, whose loud ticking is almost as monotonous as his own existence. About five, or half-past, he slowly dismounts from his accustomed stool, and again changing his coat proceeds to his usual dining-place, somewhere near Bucklersbury. The waiter recites the bill of fare in a rather confidential manner - for he&#039;s a regular customer - and after inquiring, &quot;What’s in the best cut?&quot; and &quot;what was up last,&quot; he orders a small plate of roast beef with greens, and half a pint of porter. He has a small plate to-day because greens are a penny more than potatoes, and he had &quot;two heads&quot; yesterday, with the additional enormity of &quot;a cheese&quot; the day before. This important point being settled, he hangs up his hat - he took it off the moment he sat down - and bespeaks the paper after the next gentleman. If he can get it while he&#039;s at dinner he appears to eat it with much greater zest; balancing it against the water-bottle, and eating a bit of beef, and reading a line or two, alternately. Exactly at five minutes before the hour is up he produces a shilling, pays the reckoning, carefully deposits the change in his waistcoat pocket (first deducting a penny for the waiter) and returns to the office, from which, if it&#039;s not Foreign Post night, he again sallies forth in about half an hour. He then walks home at his usual pace to his little back room at Islington, where he has his tea; perhaps solacing himself during the meal with the conversation of his landlady’s little boy, whom he occasionally rewards with a penny for solving problems in simple addition. Sometimes there&#039;s a letter or two to take up to his employer’s in Bernard-street, Russell-square, and then the wealthy man of business hearing his voice, calls out from the dining-parlour, &quot;Come in, Mr. Smith,&quot; - and Mr. Smith, putting his hat at the feet of one of the hall chairs, walks timidly in, and being condescendingly desired to sit down, carefully tucks his legs under his chair, and sits at a considerable distance from the table while he drinks the glass of sherry which is poured out for him by the eldest boy, and after drinking which, he backs and slides out of the room in a state of nervous agitation, from which he does not perfectly recover until he finds himself once more in the Islington-road. Poor harmless creatures these men are; contented, but not happy; broken-spirited and humbled, they may feel no pain, but they never know pleasure. Compare these men with another class of beings who, like them have neither friend nor companion, but whose position in society is the result of their own choice. These are generally old fellows with white heads and red faces, addicted to port wine and Hessian boots, who, from some cause, real or imaginary - generally the former, the excellent reason being that they are rich and their relations poor - grow suspicious of everybody, and do the misanthropical in chambers, taking great delight in thinking themselves unhappy, and making everybody they come near miserable. You may see such men as these any where; you will know them at coffee-houses by their discontented exclamations and the luxury of their dinners; at theatres by their always sitting in the same place, and looking with a jaundiced eye on all the young people near them; at church by the pomposity with which they enter, and the loud tone in which they repeat the responses; at parties, by their getting cross at whist, and hating music. An old fellow of this kind will have his chambers splendidly furnished, collecting books, and plate, and pictures about him in profusion; not so much for his own gratification as to annoy those who have the desire, but not the means, to compete with him. He belongs to two or three Clubs, and is envied, and flattered, and hated by the members of them all. Sometimes he will be appealed to by a poor relation - a married nephew perhaps - for some little assistance and relief, and then he will declaim with honest indignation on the improvidence of young married people, the worthlessness of a wife, the insolence of having a family, the atrocity of getting into debt with a hundred and twenty-five pounds a year, and other unpardonable crimes; winding up his exhortation with a complacent review of his own conduct, and a delicate allusion to parochial relief. He dies, some day after dinner of apoplexy, having bequeathed his property to a Bible Society; and the Institution erects a tablet to his memory expressive of their admiration of his Christian conduct in this world, and their comfortable conviction of his happiness in the next. Next to our very particular friends, hackney-coachmen, cabmen, and cads, whom we admire in proportion to the extent of their cool impudence and perfect self-possession, there is no class of people who amuse us more than London apprentices. They are no longer an organized body, bound down by solemn compact to terrify his Majesty’s subjects whenever it pleased them to take offence in their heads, and staves in their hands. They are only bound now by indentures; and, as to their valour, it is easily restrained by the wholesome dread of the New Police, and a perspective view of a damp station-house, terminating in a police-office, and a reprimand. They are still, however, a peculiar class, and not the less pleasant for being inoffensive. Can any one fail to have noticed them in the streets on Sunday? And were there ever such beautiful attempts at the grand and magnificent as they display in their own proper persons! We walked down the Strand a Sunday or two ago, behind a little group; and they furnished food for our amusement the whole way. They had come out of some part of the city; it was between three and four o’clock in the afternoon, and they were on their way to the Park. There were four of them, all arm-in-arm, white kid gloves like so many bridegrooms, light oh-no-we-never-mention-&#039;ems, of unprecedented patterns, and coats for which the English language has as yet no name - a kind of cross between a great coat and a surtout, with the collar of the one, the skirts of the other, and pockets peculiar to themselves. Each of the gentlemen carried a thick stick with a large tassel at the top, which he occasionally twirled gracefully round, and the whole four, by way of looking easy and unconcerned, were walking with a sort of paralytic swagger irresistibly ludicrous. One of the party had got a watch about the size and shape of a Ribstone pippin, jammed into his waistcoat-pocket, which he carefully compared with the clocks at St. Clement’s and the New Church, the illuminated clock at The Chronicle office, the ditto ditto at Exeter Change, St. Martin’s Church clock, and the Horse Guards; and when they at last arrived in St. James’s-park, the member of the party who had the best made boots on, hired a second chair expressly for his feet, and flung himself on this two-pennyworth of sylvan luxury with an air which, in our mind, levelled all distinctions between Brookes’s and Snooks’s, Crockford’s and Bagnigge Wells. It may be urged that if London apprentices continue to pursue these freaks, they will no longer be the distinct class which we shall attempt to show they now are, by tracing them through the different scenes we propose sketch. We feel the whole force of the objection; and we see no reason why the same gentleman of enlarged and comprehensive views who proposes to Parliament a measure for preserving the amusements of the upper classes of society, and abolishing those of the lower, may not with equal wisdom preserve the former more completely, and mark the distinction between the two more effectively, by bringing in a Bill &quot;to limit to certain members of the hereditary peerages of this country and their families, the privilege of making fools of themselves as often as egregiously as to them shall seem meet.&quot; Precedent is a great thing in these cases, and Heaven knows he will have precedent enough to plead. There are so many classes of people in London, each one so different from the other, and each so peculiar in itself, that we find it time to bring our paper to a close before we have well brought our subject to a beginning. We are, therefore, induced to hope that we may calculate upon the permission of our readers to think about people again at some future time.https://dickenssearch.com/files/original/5/Sketches_of_London_No._X_Thoughts_About_People/1835-04-23_The_Evening_Chronicle_Sketches_of_London_No.X_Thoughts_About_People.pdf
50https://dickenssearch.com/items/show/50'Sketches of London, No. XI, Astley's'Published in <em>The Evening Chronicle</em> (9 May 1835).Dickens, Charles<em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350509/014/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350509/014/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-05-09">1835-05-09</a><em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350509/014/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350509/014/0003</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-05-09_The_Evening_Chronicle_Sketches_of_London_NoXI_AstleysDickens, Charles. 'Sketches of London, No. XI, Astley's' (09 May 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-05-09_The_Evening_Chronicle_Sketches_of_London_NoXI_Astleys">https://dickenssearch.com/short-stories/1835-05-09_The_Evening_Chronicle_Sketches_of_London_NoXI_Astleys</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Evening+Chronicle">The Evening Chronicle</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a><a href="https://dickenssearch.com/teibp/dist/content/1835-05-09_The_Evening_Chronicle_Sketches_of_London_NoXI_Astleys.xml" target="_blank" rel="noopener">'Sketches of London, No. XI, Astley's.' <em>The Evening Chronicle</em> (9 May 1835).</a>18350509We never see any very large, staring, black Roman capitals in a book, or shop window, or placarded on a wall, without their immediately recalling to our mind an indistinct and confused recollection of the time when we were first initiated in the mysteries of the alphabet. We almost fancy we see the pen’s point following the letter, to impress its form more strongly on our bewildered imagination, and wince involuntarily, as we remember the hard knuckles with which the reverend old lady, who instilled into our mind the first principles of education for nine-pence per week, or ten and sixpence per quarter, was wont to poke our juvenile head occasionally by way of adjusting the confusion of ideas in which we were generally involved. The same kind of feeling pursues us in many other instances, but there is no place which recalls so strongly our recollections of childhood as Astley’s. It was not a &quot;Royal Amphitheatre&quot; in those days; nor had Ducrow arisen to shed the light of classic taste and portable gas over the saw-dust of the circus; but the whole character of the place was the same - the pieces were the same - the clown’s jokes were the same - the riding-masters were equally grand - the comic performers equally witty - the tragedians equally hoarse - and the &quot;highly-trained chargers&quot; equally spirited. Astley’s has altered for the better - we have changed for the worse. Our histrionic taste is gone; and with shame we confess, that we are far more delighted and amused with the audience, than with the pageantry we once so highly appreciated. We like to watch a regular Astley’s party in the Easter or midsummer holidays - Pa and Ma, and nine or ten children, varying from five foot six to two foot eleven; from fourteen years of age to four. We had just taken our seat in one of the boxes in the centre of the house the other night, when the next was occupied by just such a party as we should have attempted to describe, had we depicted our beau ideal of a group of Astley’s visitors. First of all, there came three little boys and a little girl, who in pursuance of Pa’s directions, issued in a very audible voice from the box-door, occupied the front row; then two more little girls were ushered in by a young lady, evidently the governess. Then came three more little boys, dressed like the first, in blue jackets and trousers, with a lay-down shirt-collar; then a child in a braided frock and high state of astonishment, with very large round eyes, opened to their utmost width, was lifted over the seats - a process which occasioned a considerable display of little pink legs - then came Ma and Pa, and then the eldest son, a boy of about fourteen years old, who was evidently trying to look as if he didn&#039;t belong to the family. The first five minutes were occupied in taking the shawls off the little girls and adjusting the bows which ornamented their hair; then it was providentially discovered that one of the little boys was seated behind a pillar and couldn&#039;t see, so the governess was stuck behind the pillar, and the boy lifted into her place; then Pa drilled the boys, and directed the stowing away of their pocket handkerchiefs; and Ma having just nodded and winked to the governess to pull the girls’ frocks a little more off their shoulders, stood up to review the little troop - an inspection which appeared to terminate much to her own satisfaction, for she looked with a complacent air at Pa, who was standing up at the other end of the seat; and Pa returned the glance, and blew his nose very emphatically; and the poor governess peeped out from behind the pillar, and timidly tried to catch Ma’s eye with a look expressive of her high admiration of the whole family. Then two of the little boys who had been discussing the point whether Astley’s was more than twice as large as Drury-Lane, agreed to refer it to &quot;George&quot; for his decision; at which &quot;George,&quot; who was no other than the young gentleman before noticed, waxed indignant, and remonstrated in no very gentle terms on the gross impropriety of having his name repeated in so loud a voice at a public place; on which all the children laughed very heartily, and one of the little boys wound up by expressing his opinion, that &quot;George began to think himself quite a man now,&quot; whereupon both Pa and Ma laughed too; and George (who carried a dress cane and was cultivating whiskers) muttered that &quot;William always was encouraged in his impertinence;&quot; and assumed a look of profound contempt, which lasted the whole evening. The play began, and the interest of the little boys knew no bounds; Pa was clearly interested too, although he very unsuccessfully endeavoured to look as if he wasn’t. As for Ma, she was perfectly overcome by the drollery of the principal comedian, and laughed till every one of the immense bows on her ample cap trembled, at which the governess peeped out from behind the pillar again; and whenever she could catch Ma’s eye, put her handkerchief to her mouth, and appeared, as in duty bound, to be in convulsions of laughter also. Then when the man in the splendid armour vowed to rescue the lady or perish in the attempt, the little boys applauded vehemently, especially one little fellow who was apparently on a visit to the family, and had been carrying on a child’s flirtation the whole evening with a small coquette of twelve years old, who looked like a model of her Mama on a reduced scale; and who, in common with the other little girls (who generally speaking have even more coquettishness about them than much older ones), looked very properly shocked when the knight’s squire kissed the princess’s confidential chambermaid. When the scenes in the circle commenced, the children were more delighted than ever, and the wish to see what was going forward completely conquering Pa’s dignity, he stood up in the box, and applauded as loudly as any of them. Between each feat of horsemanship, the governess leant across to Ma, and retailed the clever remarks of the children on that which had preceded; and Ma, in the openness of her heart, offered the governess an acidulated drop; and the governess, gratified to be taken notice of, retired behind her pillar again with a brighter countenance; and the whole party seemed quite happy except the exquisite in the back of the box, who, being to grand to take and interest in the children, and too insignificant to be taken notice of by any body else, occupied himself, from time to time in rubbing the place where the whiskers ought to be, and was completely alone in his glory. We defy any one who has been to Astley’s two or three times, and is consequently capable of appreciating the perseverance with which precisely the same jokes are repeated night after night, and season after season, not to be amused with one part of the performances at least - we mean the scenes in the circle. For ourselves, we know that when the hoop, composed of jets of gas is let down - the curtain drawn up, for the convenience of the half-price on their ejectment from the ring - the orange-peel cleared away, and the saw-dust shaken, with mathematical precision, into a complete circle - we feel as much enlivened as the youngest child present; and actually join in the laugh which follows the clown’s shrill shout of &quot;Here we are!&quot; just for old acquaintance sake. We can&#039;t even quite divest ourself of our old feeling of reverence for the riding-master, who follows the clown with a long whip in his hand, and bows to the audience with graceful dignity. We don&#039;t mean any of your second-rate riding-masters in nankeen dressing-gowns with brown frogs, but the regular gentleman attendant on the principal riders, who always wears a military uniform with a table-cloth inside the breast of the coat; in which costume he forcibly reminds one of a fowl trussed for roasting. He is - but why should we attempt to describe that of which no description can convey an adequate idea? Everybody knows the man, and everybody remembers his polished boots, his graceful demeanour stiff, as some misjudging persons have in their jealousy considered it, and the splendid head of black hair, parted high on the forehead, to impart to the countenance an appearance of deep thought and poetic melancholy. His soft and pleasing voice, too, is in perfect unison with his noble bearing, as he humours the clown by indulging in a little badinage, and the striking recollection of his own dignity, with which he exclaims, &quot;Now, sir, if you please, inquire for Miss Woolford, sir,&quot; can never be forgotten. Again, the graceful air with which he introduces Miss Woolford into the arena, and after assisting her on to the saddle, follows her fairy courser round the circle, can never fail to create a deep impression in the bosom of every female servant present. When Miss Woolford and the horse, and the orchestra, all stop together to take breath, he urbanely takes part in some such dialogue as the following (commenced by the clown): &quot;I say, sir!&quot; - &quot;Well, sir.&quot; (it’s always conducted in the politest manner.) &quot;Did you ever happen to hear I was in the army, sir?&quot; - &quot;No, sir.&quot; - &quot;Oh, yes, sir - I can go through my exercise, sir.&quot; - &quot;Indeed, sir!&quot; - &quot;Shall I do it now, sir?&quot; - &quot;If you please, sir, come, Sir - make haste&quot; (a cut with the long whip, and &quot;Ha’ done now - I don’t like it, from the clown). Here the clown throws himself on the ground, and goes through a variety of gymnastic convulsions, doubling himself up and untying himself again, and making himself look very like a man in the most hopeless extreme of human agony, to the vociferous delight of the gallery, until he is interrupted by a second cut from the long whip, and a request to see &quot;what Miss Woolford’s stopping for?&quot; On which, to the inexpressible mirth of the gallery, he exclaims, &quot;Now Miss Woolford, what can I come for to go for to fetch, for to bring, for to carry, for to do, for you, ma’am?&quot; On the lady’s announcing with a sweet smile, that she wants the two flags, they are with sundry grimaces procured and handed up; the clown facetiously observing after the performance of the latter ceremony - &quot;He, he, oh! I say sir, Miss Woolford knows me; she smiled at me.&quot; Another cut from the whip - a burst from the orchestra - a start from the horse, and round goes Miss Woolford again on her graceful performance, to the delight of every member of the audience, young or old. The next pause affords an opportunity for similar witticisms, the only additional fun being that of the clown making ludicrous grimaces at the riding-master every time his back is turned; and finally quitting the circle by jumping over his head, having previously directed his attention another way. Did any of our readers ever notice the class of people, who hang about the stage doors of our minor theatres in the day time? You will rarely pass one of these entrances without seeing a group of three or four men conversing on the pavement, with an indescribable public-house-parlour-swagger, and a kind of conscious air peculiar to people of this description. They always seem to think they are exhibiting; the lamps are ever before them. That young fellow in the faded brown coat, and very full light green trowsers, pulls down the wristbands of his check shirt as ostentatiously as if it were of the finest linen, and cocks the white hat of the summer before last as knowingly over his right eye as if it were a purchase of yesterday. Look at the dirty white berlin gloves, and the cheap silk handkerchief stuck in the bosom of his seedy coat. Is it possible to see him for an instant and not come to the conclusion that he is the walking gentleman who wears a blue surtout, clean collar, and white trowsers, for half an hour, and then shrinks into his worn-out scanty clothes; who has to boast night after night of his splendid fortune, with the painful consciousness of a pound a week and his boots to find; to talk of his father’s mansion in the country, with the dreary recollection of his own two-pair back, in the New Cut; and to be envied and flattered as the favoured lover of a rich heiress, remembering all the while that the ex-dancer at home, is in the family way, and out of an engagement! Next to him, perhaps, you will see a thin pale man, with a very long face, in a suit of shining black, thoughtfully knocking that part of his boot which once had a heel, with an ash stick. He is the man who does the heavy business, such as prosy fathers, virtuous servants, curates, landlords, and so forth. By-the-bye, talking of fathers, we should very much like to see some piece in which all the dramatis personae were orphans. Fathers are invariably great nuisances on the stage, and always have to give the hero or heroine a long explanation of what was done before the curtain rose, usually commencing with &quot;It is now nineteen years, my dear child, since your blessed mother (here the old villain’s voice faulters) confided you to my charge. You were then an infant,&quot; &amp;c., &amp;c. Or else they have to discover, all of a sudden, that somebody, whom they have been in constant communication with during three long acts, without the slightest suspicion, is their own child, in which case they exclaim, &quot;Ah! what do I see! This bracelet! That smile! These documents! Those eyes! Can I believe my senses? It must be! - Yes - it is - it is - my child!&quot; &quot;My father!&quot; exclaims the child, and they fall into each other’s arms, and look over each other’s shoulders; and the audience give three rounds of applause. To return from this digression; we were about to say that these are the sort of people whom you see talking, and attitudinizing outside the stage-doors of our minor theatres. At Astley’s they are always more numerous than at any other place; there is generally a groom or two sitting on the window-sill, and two or three dirty shabby-genteel men in checked neckerchiefs, and sallow linen, lounging about, and carrying, perhaps, under one arm a pair of stage shoes badly wrapped up in a piece of old newspaper. Some years ago we used to stand looking, open-mouthed, at these men with a feeling of mysterious curiosity, the very recollection of which provokes a smile at the moment we are writing. We could not believe that the beings of light and elegance, in milk-white tunics, salmon-coloured legs, and blue scarfs, who flitted on sleek cream-coloured horses before our eyes at night, with all the aid of lights, music, and artificial flowers, could be the pale, dissipated-looking creatures we beheld by day. We can hardly believe it now. Of the lower class of actors we have seen something, and it requires no great exercise of imagination to identify the walking gentleman with the &quot;dirty swell,&quot; the comic singer with the public-house chairman, or the leading tragedian with drunkenness and distress, but the other men are mysterious beings, never seen out of the ring, never beheld but in the costume of gods and sylphs. With the exception of Ducrow, who can scarcely be classed among them - who ever knew a rider at Astley’s, or saw him, but on horseback? Can our friend in the military uniform ever appear in threadbare attire, or descend to the comparatively un-wadded costume of every-day life? Impossible! We cannot - we will not - believe it. It is to us matter of positive wonder and astonishment that the infectious disease commonly known by the name of &quot;stage-struck,&quot; has never been eradicated, unless people really believe that the privilege of wearing velvet and feathers for an hour or two at night, is sufficient compensation for a life of wretchedness and misery. It is stranger still, that that denizens of attorneys&#039; offices, merchants&#039; counting-houses, haberdashers&#039; shops, and coal sheds, should squander their own resources to enrich some wily vagabond by paying - actually paying, and dearly too - to make unmitigated and unqualified asses of themselves at a Private Theatre. Private theatres, so far as we know, are peculiar to London; they flourish just now, for we have half a dozen at our fingers&#039; ends. We will take an early opportunity of introducing our readers to the Managers of one or two, and of sketching the interior of a Private Theatre, both before the curtain and behind it.https://dickenssearch.com/files/original/5/Sketches_of_London_No._XI_Astley_s/1835-05-09_Sketches_of_London_No.XI_Astleys.pdf
51https://dickenssearch.com/items/show/51'Sketches of London, No. XII, Our Parish' (I)Published in <em>The Evening Chronicle</em> (19 May 1835).Dickens, Charles<em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350519/021/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350519/021/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-05-19">1835-05-19</a><em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350519/021/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350519/021/0003</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-05-19_The_Evening_Chronicle_Sketches_of_London_NoXII_Our_ParishIDickens, Charles. 'Sketches of London, No. XII, Our Parish (I)' (19 May 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Acessed [date]. <a href="https://dickenssearch.com/short-stories/1835-05-19_The_Evening_Chronicle_Sketches_of_London_NoXII_Our_ParishI">https://dickenssearch.com/short-stories/1835-05-19_The_Evening_Chronicle_Sketches_of_London_NoXII_Our_ParishI</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Evening+Chronicle">The Evening Chronicle</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a><a href="https://dickenssearch.com/teibp/dist/content/1835-05-19_The_Evening_Chronicle_Sketches_of_London_NoXII_Our_ParishI.xml" target="_blank" rel="noopener">'Sketches of London, No. XII, Our Parish' (I). <em>The Evening Chronicle</em> (19 May 1835).</a>18350519In a former number of our series we attempted a sketch of two or three of the worthies who hold office in our parish; and we wound up by observing that we should seek materials for another paper in that little kingdom. The promise escape our attention until a few days ago; but we now hasten to redeem it with a due sense of contrition for our negligence in not having done so before. We commenced the article to which we have referred with the beadle of our parish, deeply feeling the importance and dignity of his station. We will begin the present paper with the clergyman. - Our curate is a young gentleman of such prepossessing appearance and fascinating manners, that within one month after his first appearance in the parish half the young-lady inhabitants were melancholy with religion, and the other half desponding with love. Never were so many young ladies seen in our parish-church on Sunday before; and never had the little round angel&#039;s faces on Mr. Tomkins&#039;s monument in the side aisle, beheld such devotion on earth as they all exhibited. He was about five-and-twenty when he first came to astonish the parishioners, parted his hair on the centre of his forehead in the form of a Saxon arch, wore a brilliant of the first water on the fourth finger of his left hand (which he always applied to his left cheek when he read prayers); and had a deep sepulchral voice of unusual solemnity. Innumerable were the calls made by prudent mamas on our new curate; and innumerable the invitations with which he was assailed, and which to do him justice he readily accepted. If his manner in the pulpit had created an impression in his favour, the sensation was increased tenfold by his appearance in private circles. Pews in the immediate vicinity of the pulpit or reading desk rose in value: sittings in the centre circle were at a premium: an inch of room in the front row of the gallery could not be procured for love or money; and some people even went so far as to assert that the three Miss Browns, who had an obscure family pew just behind the churchwardens&#039;, were detected one Sunday, in the free seats by the communion-table, actually lying in wait for the curate as he passed to the vestry! He began to preach extempore sermons, and even grave papas caught the infection; he got out of bed at half-past twelve o&#039;clock one winter&#039;s night to half-baptize a washerwoman&#039;s child in a slop-basin; and the gratitude of the parishioners knew no bounds - the very churchwardens grew generous, and insisted on the parish defraying the expense of the watch-box on wheels, which the new curate had ordered for himself to perform the funeral service in, in wet weather. He sent three pints of gruel and a quarter of a pound of tea to a poor woman who had been brought to bed of four small children, all at once - the parish were charmed. He got up a subscription for her - the woman&#039;s fortune was made. He spoke for one hour and twenty-five minutes an anti-Slavery meeting at the Goat in Boots - the enthusiasm was at its height. A proposal was set on foot for presenting the Curate with a piece of plate, as a mark of esteem for his valuable services rendered to the parish. The list of subscriptions was filled up in no time; the contest was, not who should escape the contribution, but who should be the foremost to subscribe. A splendid silver ink-stand was made, and engraved with an appropriate inscription; the Curate was invited to a public breakfast, at the before-mentioned Goat in Boots: the ink-stand was presented in a neat speech by Mr. Gubbins, the ex-churchwarden, and acknowledged by the curate in terms which drew tears into the eyes of all present - the very waiters were melted. One would have supposed that by this time the theme of universal admiration was lifted to the very pinnacle of popularity. No such thing. The curate began to cough - four fits of coughing one morning between the Litany and the Epistle; and five in the afternoon service. Here was a discovery - the curate was consumptive. How interestingly melancholy! If the young ladies were energetic before, their sympathy and solicitude now knew no bounds. Such a man as the curate - such a dear - such a perfect love - to be consumptive! It was too much. Anonymous presents of black currant jam, and lozenges; elastic waistcoats, bosom friends, and warm stockings, poured in upon the curate until he was as completely fitted out with winter clothing as if he were on the verge of an expedition to the North Pole; verbal bulletins of the state of his health were circulated throughout the parish half-a-dozen times a day; and the curate was at the height, indeed, in the very zenith of his popularity. About this period, a change came over the spirit of the parish. A very quiet, respectable dozing old gentleman, who had officiated in one chapel of ease for twelve years previously, died one fine morning, without having given any notice whatever of his intention. This circumstance gave rise to counter-sensation the first; and the arrival of his successor occasioned counter-sensation the second. He was a pale, thin, cadaverous man, with large black eyes, and long straggling black hair: his dress was slovenly in the extreme; his manner ungainly; his doctrines startling; in short, he was in every respect the antipodes of the curate. Crowds of our female parishioners flocked to hear him at first, because he was so odd-looking, so expressive, then because he preached so well; and at last, because they really thought that, after all, there was something about him which it was quite impossible to describe. As to the curate, he was all very well; but certainly, after all, there was no denying that - that - in short the curate wasn&#039;t a novelty, and the other clergyman was. The inconstancy of public opinion is proverbial: the congregation migrated one by one; the curate coughed till he was black in the face - it was in vain. He respired with difficulty - it was equally ineffectual in awakening sympathy. Seats are once again to be had in any part of our parish church, and our chapel-of-ease is going to be enlarged, as it is crowded to suffocation every Sunday! The best known and most respected among our parishioners is an old lady, who resided in our parish long before our name was entered. Our parish is a sub-urban one, and the old lady lives in a neat row of houses in the most airy and pleasant part of it. The house is her own, and it, and everything about it, except the old lady herself, who looks a little older than she did ten years ago, is in just the same state as when she old gentleman was living. The little front parlour, which is the old lady&#039;s ordinary sitting-room, is a perfect picture of quiet neatness: the carpet is covered with brown Holland, the glass and picture-frames are carefully enveloped in yellow muslin; the table-covers are never taken off, except when the leaves are turpentined and bees&#039; waxes, an operation which is regularly commenced every other morning at half-past nine o&#039;clock - and the little nic nacs are always arranged in precisely the same manner. The greater part of these are presents from little girls whose parents live in the same row; but some of them, such as the two old-fashioned watches (which never keep the same time, one being always a quarter of an hour too slow, and the other a quarter of an hour too fast), the little picture of the Princess Charlotte and Prince Leopold as they appeared in the Royal box at Drury-lane Theatre, and others of the same class, have been in the old lady&#039;s possession for many years. Here the old lady sits with her spectacles on, busily engaged in needle-work - near the window in summer time; and if she sees you coming up the steps and you happen to be a favourite, she trots out to open the street door for you before you knock, and as you must be fatigued after that hot walk, insists on your swallowing two glasses of sherry before you exert yourself by talking. If you call in the evening, you will find her cheerful, but rather more serious than usual, with an open Bible on the table before her., of which &quot;Sarah,&quot; who is just as neat and methodical as her mistress, regularly reads two or three chapters in the parlour aloud. The old lady sees scarcely any company, except the little girls before noticed, each of whom has always a regular fixed day for a periodical tea drinking with her, to which she child looks forward as the greatest treat of its existence. She seldom visits at a greater distance than the next door but one on either side, and when she drinks tea here, Sarah runs out first and knocks and double knock to prevent the possibility of her Missis&#039;s catching cold by having to wait at the door. She is very scrupulous in returning these little invitations, and when she asks Mr. and Mrs. So and So to meet Mr. and Mrs. somebody else, Sarah and she dust the urn, and the best china service, and the Pope Joan board; and the visitors are received in the drawing room in great state. She has but few relations, and they are scattered about in different parts of the country, and she seldom sees them. She has a son in India, whom she always describes to you as a fine, handsome fellow - so like the profile of his poor dear father over the sideboard; but the old lady adds, with a mournful shake of the head, that he&#039;s always been one of her greatest trials, and that indeed he once almost broke her hear; but it pleased God to enable her to get the better of it, and she&#039;d prefer your never mentioning the subject to her again. She has a great number of pensioners, and on Saturday, after she comes back from market, there is a regular levee of old men and women in the passage waiting for their weekly gratuity. Her name always heads the list of any benevolent subscriptions, and her&#039;s are always the most liberal donations to the Winter Coal and Soup Distribution Society. She subscribed twenty pounds towards the erection of an organ in our parish church, and was so overcome the first Sunday the children sang to it, that she was obliged to be carried out by the pew opener. Her entrance into church on Sunday is always the signal for a little bustle in the side aisle, occasioned by a general rise among the poor people, who bow and curtsy until the pew opener has ushered the old lady unto her accustomed seat, dropped a respectful curtsy, and shut the door; and the same ceremony is repeated on her leaving church, when she walks home with the family next door but one, and talks about the sermon all the way, invariably opening the conversation by asking the youngest boy where the text was. Thus, with the annual variation of a trip to some quiet place on the sea coast, passes the old lady&#039;s life. It has rolled on in the same unvarying and benevolent course for many years now, and must at no distant period be brought to its final close. She looks forward to its termination with calmness, and without apprehension. She has every thing to hope and nothing to fear. A very different personage, but one who has rendered himself very conspicuous in our parish, is one of the old lady&#039;s next door neighbours. He is an old naval officer on half pay; and his bluff and unceremonious behaviour disturbs the old lady&#039;s domestic economy, not a little. In the first place he will smoke cigars in the front court; and when he wants something to drink with them - which is by no means an uncommon circumstance - he lifts up the old lady&#039;s knocker with his walking-stick, and demands to have a glass of table ale handed over the rails. In addition to this cool proceeding he is a bit of a Jack of all trades, or to use his own words, &quot;A regular Robinson Crusoe,&quot; and nothing delights him better than to experimentalize on the old lady&#039;s property. One morning he got up early and planted three or four roots of full-blown marygolds in every bed of her front garden to the inconceivable astonishment of the old lady, who actually thought when she got up and looked out of the window, that it was some strange eruption which had come out in the night. Another time he took to pieces the eight-day clock on the front landing, under pretence of cleaning the works, which he put together again by some undiscovered process in so wonderful a manner that the large hand has done nothing but trip up the little one ever since. Then he took to breeding silk-worms, which he would bring in two or three times a day, in little paper boxes, to show the old lady, generally dropping a worm or two at every visit. The consequence was, that one morning a very stout silk-worm was discovered in the act of walking up stairs - probably with the view of inquiring after his friends, for on further inspection it appeared that some of his companions had already found their way to every room in the house. The old lady went to the sea-side in despair, and during her absence he completely effected the name from her brass door-plate in his attempts to polish it with aqua fortis. But all this is nothing to his seditious conduct in public life. He attends every vestry meeting that is held; always opposes the constituted authorities of the parish; denounces the profligacy of the churchwardens, contests legal points against the vestry-clerk, will make the tax-gathered call for his money till he won&#039;t call any longer, and then he sends it; finds fault with the sermon every Sunday; says that the organist ought to be ashamed of himself; offers to back himself for any amount to sing the psalms better than all the children put together, male and female; and in short, conducts himself in the most turbulent and uproarious manner. The worst of it is, that having a high regard for the old lady, he wants to make her a convert to his views, and therefore walks into her little parlour with his newspaper in his hand, and talks violent politics by the hour. He is a charitable, open-handed old fellow at bottom after all; so, although he puts the old lady a little out occasionally, they agree very well in the main; and she laughs as much at each feat of his handy-work when its all over as anybody else. We have attained our usual limits, and must conclude our paper. We are not sufficiently acquainted with the details of the recent alteration in the Poor-laws, to know whether we have a legal settlement anywhere or not; but we hope our readers will not object, when subjects are scarce, and we distressed, to our deriving assistance from the parochial funds. We are perfectly willing to work for their amusement; but we openly avow our determination, on some future occasions, to throw ourselves again upon - &quot;Our Parish.&quot;https://dickenssearch.com/files/original/5/Sketches_of_London_No._XII_Our_Parish_[I]/1835-05-19_The_Evening_Chronicle_Sketches_of_London_No.XII_Our_Parish_I.pdf
52https://dickenssearch.com/items/show/52'Sketches of London, No. XIII, The River'Published in <em>The Evening Chronicle</em> (6 June 1835).Dickens, Charles<em>British Newspaper Archive</em>, <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350606/021/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350606/021/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-06-06">1835-06-06</a><em>British Newspaper Archive</em>, <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350606/021/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350606/021/0003</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-06-06_The_Evening_Chronicle_Sketches_of_London_NoXIII_The_RiverDickens, Charles. 'Sketches of London, No. XIII, The River' (6 June 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-06-06_The_Evening_Chronicle_Sketches_of_London_NoXIII_The_River">https://dickenssearch.com/short-stories/1835-06-06_The_Evening_Chronicle_Sketches_of_London_NoXIII_The_River</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Evening+Chronicle">The Evening Chronicle</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a><a href="https://dickenssearch.com/teibp/dist/content/1835-06-06_The_Evening_Chronicle_Sketches_of_London_NoXIII_The_River.xml" target="_blank" rel="noopener">'Sketches of London, No. XIII, The River.' <em>The Evening Chronicle</em> (6 June 1835).</a>18350606&quot;Are you fond of the water?&quot; is a question very frequently asked in hot summer weather by amphibious-looking young men. &quot;Very,&quot; is the general reply. &quot;An’t you?&quot; - &quot;Hardly ever off it,&quot; is the response, accompanied by sundry adjectives expressive of the speaker’s heartfelt admiration of that element. Now, with all respect for the opinion of society in general, and cutter clubs in particular, we humbly suggest that some of the most painful reminiscences in the mind of every individual who has occasionally disported himself on the Thames, must be connected with his aquatic recreations. Who ever heard of a successful water-party? - or to put the question in a still more intelligible form, who ever saw one?We have been on water excursions out of number; but we solemnly declare that we cannot call to mind one single occasion of the kind which was not marked by more miseries than any one would suppose could reasonably be crowded into the space of some eight or nine hours. Something has always gone wrong. Either the cork of the salad-dressing has come out, or the most anxiously expected member of the party has not come out, or the most disagreeable man in company would come out, or a child or two have fallen into the water, or the gentleman who undertook to steer has endangered everybody’s life all the way, or the gentlemen who volunteered to row have been &quot;out of practice,&quot; and performed very alarming evolutions, putting their oars down into the water and not being able to get them up again; or taking terrific pulls without putting them in at all; in either case, pitching over on the backs of their heads with startling violence, and exhibiting the soles of their pumps to the &quot;sitters&quot; in the boat, in a very humiliating manner. We grant that the banks of the Thames are very beautiful at Richmond and Twickenham, and other distant places, often sought though seldom reached; but from the &quot;Red-us&quot; back to Blackfriar&#039;s-bridge, the scene is wonderfully changed. The Penitentiary is a noble building no doubt, and the sportive youths who &quot;go in&quot; at that particular part of the river on a summer’s evening, may be all very well in perspective, but where you are obliged to keep in shore coming home, and the young ladies will colour up, and look perseveringly the other way, while the married dittoes cough slightly, and look at the water, you certainly feel rather awkward - especially if you happen to have been attempting the most distant approach to sentimentality for an hour or two previously. Although experience and suffering have produced in our minds the result we have just stated, we are by no means blind to a proper sense of the fun which a looker-on may extract from the amateurs of boating. What can be more amusing than Searle’s yard on a fine Sunday morning. It’s a Richmond tide, and some dozen boats are preparing for the reception of the parties who have engaged them. Two or three fellows in great rough trowsers and Guernsey shirts, are getting them ready by easy stages; now coming down the yard with a pair of sculls and a cushion - then having a chat with the &quot;jack,&quot; who, like all his tribe, seems to be wholly incapable of doing anything but lounging about - then going back again, and returning with a rudder-line and a stretcher - then solacing themselves with another chat—and then wondering, with their hands in their capacious pockets, &quot;where them gentlemen’s got to as ordered the six.&quot; One of these, the head man, with the legs of his trowsers carefully tucked up at the bottom, to admit the water, we presume - for it is an element in which he is infinitely more at home than on land - is quite a character, and shares with the defunct oyster-swallower the celebrated name of &quot;Dando.&quot; Watch him, as taking a few minutes respite from his toils, he negligently seats himself on the edge of a boat, and fans his broad bushy chest with a cap scarcely half so furry. Look at his magnificent though reddish whiskers, and mark the somewhat native humour with which he &quot;chaffs&quot; the boys and prentices, or cunningly gammons the gemmen into the gift of a glass of gin, of which we verily believe he swallows enough in a day to float a &quot;six oar&quot; without producing the slightest effect upon his scull. But the party has now arrived, and Dando relieved from his state of uncertainty starts up into activity. They approach in full aquatic costume, with round blue jackets, striped shirts, and caps of all sizes and patterns, from the velvet skull cap of Tully&#039;s lounge, to the easy head-dress familiar to the students of the old spelling-books as having on the authority of the portrait, formed part of the costume of the Reverend Mr. Dilworth. This is the most amusing time to observe a regular Cockney water-party. There has evidently been up to this period no inconsiderable degree of boasting on everybody’s part relative to his knowledge of navigation; the sight of the water rapidly cools their courage, and the air of self-denial with which each of them insists on somebody else’s taking an oar is perfectly delightful. At length, after a great deal of changing and fidgetting, consequent upon the election of a stroke-oar - the inability of one gentleman to pull on this side, of another to pull on that, and of a third to pull at all, the boat’s crew are seated. &quot;Shove her off!&quot; cries the cockswain, who looks about as easy and comfortable as if he were steering in the Bay of Biscay. The order is obeyed; the boat is immediately turned completely round, and proceeds towards Westminster-bridge, amidst such a splashing and struggling as never was seen before, except when the Royal George went down. &quot;Back wa’a&#039;ter, Sir,&quot; shouts Dando, &quot;Back wa’a&#039;ter, you, Sir, aft;&quot; upon which, everybody thinking he must be the individual referred to, they all back water, and back comes the boat, stern first, to the spot whence it started. &quot;Back water, you Sir, aft; pull round, you Sir, for’ad, can’t you?&quot; shouts Dando, in a phrenzy of excitement. &quot;Pull round, Tom, can’t you?&quot; re-echoes one of the party. &quot;Tom an’t for’ad,&quot; replies another. &quot;Yes, he is,&quot; cries a third; and the unfortunate young man, at the imminent risk of breaking a blood-vessel, pulls and pulls, until the head of the boat fairly lies in the direction of Vauxhall-bridge. &quot;That’s right - now pull all on you!&quot; shouts Dando again, adding, in an under tone, to somebody by him, &quot;Blowed if hever I see sitch a set of muffs!&quot; and away jogs the boat in a zig-zag direction, every one of the six oars dipping into the water at a different time; and the yard is once more clear, until the arrival of the next party. A well-contested rowing-match on the Thames, is a very lively and interesting scene. The water is studded with boats of all sorts, kinds, and descriptions - places in the coal-barges at the different wharfs are let to crowds of spectators - beer and tobacco flow freely about - men, women, and children wait for the start in breathless expectation - cutters of six and eight oars glide gently up and down, waiting to accompany their protégés during the race - bands of music add to the animation if not to the harmony of the scene - groups of watermen are assembled at the different stairs discussing the merits of the respective candidates - and the prize wherry which is rowed slowly about by a pair of sculls, is an object of general interest. Two o’clock strikes, and everybody looks anxiously in the direction of the bridge through which the candidates for the prize will come - half-past two, and the general attention which has been preserved so long begins to flag when suddenly a gun is heard, and the noise of distant hurra’ing along each bank of the river - every head is bent forward - the noise draws nearer and nearer - the boats which have been waiting at the bridge start briskly up the river - a well-manned galley shoots through the arch, the sitters cheering on the boats behind them, which are not yet visible - &quot;Here they are,&quot; is the general cry - and through darts the first boat, the men in her stripped to the skin, and exerting every muscle to preserve the advantage they have gained - four other boats follow close astern, there are not two boats’ length between them - the shouting is tremendous, and the interest intense. &quot;Go on, Pink&quot; - &quot;Give it her, Red&quot; - &quot;Sulliwin for ever&quot; - &quot;Brayvo! George&quot; - &quot;Now, Tom, now - now - now - why don’t your partner stretch out?&quot; - &quot;Two pots to a pint on yellow,&quot; &amp;c., &amp;c. Every little public-house fires its gun, and hoists its flag; and the men who win the heat, come in, amidst a splashing and shouting, and banging and confusion, which no one can imagine who has not witnessed it, and of which any description would convey a very faint idea. One of the most amusing places we know is the steam wharf of the London-bridge, or St. Katherine’s Dock Company, on a Saturday morning, when the Gravesend and Margate steamers are usually crowded to excess; and as we have just taken a glance at the river above bridge, we hope our readers will not object to accompany us on board a Gravesend packet. Coaches are every moment setting down at the entrance to the wharf, and the stare of bewildered astonishment with which the &quot;fares&quot; resign themselves and their luggage into the hands of the porters, who seize all the packages at once as a matter of course, and run away with them heaven knows where, is laughable in the extreme. A Margate boat lies alongside the wharf, the Gravesend boat (which starts first) lies alongside that again; and as a temporary communication is formed between the two, by means of a plank and hand-rail, the natural confusion of the scene is by no means diminished. &quot;Gravesend?&quot; inquires a stout father of a stout family, who follow him under the guidance of their mother and a servant, at the no small risk of two or three of them being left behind in the confusion. &quot;Gravesend.&quot; &quot;Pass on, if you please, Sir,&quot; replies the attendant - &quot;other boat, Sir,&quot; whereupon the stout father, being rather mystified, and the stout mother rather distracted by maternal anxiety, the whole party deposit themselves in the Margate boat, and after having congratulated himself on having secured very comfortable seats, the stout father sallies to the chimney to look for his luggage, which he has a faint recollection of having given some man something to take somewhere. No luggage, however, bearing the most remote resemblance to his in shape or form is to be discovered, on which the stout father calls very loudly for an officer, to whom he states the case in the presence of another father of another family - a little thin man, who entirely concurs with him (the stout father) in thinking that it’s high time something was done with these steam companies, and that as the Corporation Bill don&#039;t do it, something else must; for really people’s property is not to be sacrificed in this way; and that if the luggage isn’t restored without delay, he will take care it shall be put in the papers, for the public&#039;s not to be the victim of these great monopolies; on which the officer in his turn replies, that that company ever since it has been St. Kat’rine’s Dock Company, has protected life and property; that if it had been the London Bridge Wharf Company, indeed he shouldn’t have wondered, seeing that the morality of that company (they being the opposition) can’t be answered for, by no one; but as it is he’s convinced there must be some mistake, and he wouldn’t mind making a solemn oath afore a magistrate that the gentleman’ll find his luggage afore he gets to Margate. Here the stout father thinking he is making a capital point replies that as it happens he an&#039;t going to Margate at all, and that &quot;Passenger to Gravesend&quot; was on the luggage in letters of full two inches long, on which the officer rapidly explains the mistake, and the stout mother and the stout children and the servant are hurried with all possible despatch on board the Gravesend-boat, which they reach just in time to discover that their luggage is there, and that their comfortable seats are not. Then the bell, which is the signal for the Gravesend-boat starting, begins to ring most furiously, and people keep time to the bell by running in and out of our boat at a double quick pace: the bell stops, the boat starts: people who have been taking leave of their friends on board, are carried away against their will; and people who have been taking leave of their friends on shore, find that they have performed a very needless ceremony, in consequence of their not being carried away at all. The regular passengers, who have season tickets, go below to breakfast; people who have purchased morning papers, compose themselves to read them; and people who have not been down the river before, think that both the shipping and the water look a great deal better at a distance. When we get down about as far as Blackwall and begin to move at a quicker rate, the spirits of the passengers appear to rise in proportion. Old women who have brought large wicker hand-baskets with them, set seriously to work at the demolition of heavy sandwiches, and pass round a wine-glass, which is frequently replenished from a flat bottle like a stomach-warmer, with considerable glee, handing it first to the gentleman in the foraging-cap, who plays the harp - partly as an expression of satisfaction with his previous exertions, and partly to induce him to play &quot;Dumbledumbdeary,&quot; for &quot;Alick&quot; to dance to; which being done, Alick, who is a damp earthy-looking child, in red worsted socks, takes certain small jumps upon the deck, to the unspeakable satisfaction of his family circle. Girls who have brought the first volume of some new novel in their reticule, become extremely plaintive, and expatiate to Mr. Brown, or young Mr. O’Brien, who has been looking over them, on the blueness of the sky, and brightness of the water; on which Mr. Brown or Mr. O’Brien, as the case may be, remarks in a low voice that he has been quite insensible of late to the beauties of nature - that his whole thoughts and wishes have centered in one object alone - whereupon the young lady looks up, and failing in her attempt to appear unconscious, looks down again; and turns over the next leaf with great difficulty in order to afford opportunity for a lengthened pressure of the hand. Telescopes, sandwiches, and glasses of brandy-and-water cold-without, begin to be in great requisition; and bashful men who have been looking down the hatchway at the engine, find to their great relief, a subject on which they can converse with one another - and a copious one too - Steam - &quot;Wonderful thing steam, Sir.&quot; &quot;Ah! (a deep-drawn sigh) it is indeed, Sir&quot; - &quot;great power, Sir.&quot; - &quot;Immense—immense;&quot; - &quot;Great deal done by steam, Sir.&quot; - &quot;Ah (another sigh at the immensity of the subject, and a knowing shake of the head)! you may say that, Sir.&quot; &quot;Still in its infancy, they say Sir,&quot; and other novel remarks of this kind, are generally the commencement of a conversation which is prolonged until the conclusion of the trip - not a long one on the water; nor we hope no paper either. If the trip should have appeared tedious, our good humour returns the moment we reach the pier; and if our description should have unfortunately done so too, we hope our readers will forget it the instant they leave - The River.https://dickenssearch.com/files/original/5/Sketches_of_London_No._XIII_The_River/1835-06-06_The_Evening_Chronicle_Sketches_of_London_The_River.pdf
53https://dickenssearch.com/items/show/53'Sketches of London, No. XIV, Our Parish' (II)Published in <em>The Evening Chronicle</em> (18 June 1835).Dickens, Charles<em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350618/019/0003">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350618/019/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-06-18">1835-06-18</a><em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350618/019/0003">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350618/019/0003</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-06-18_The_Evening_Chronicle_Sketches_of_London_NoXVI_Our_ParishIIDickens, Charles. 'Sketches of London, No. XVI, Our Parish (II)' (18 June 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-06-18_The_Evening_Chronicle_Sketches_of_London_NoXVI_Our_ParishII">https://dickenssearch.com/short-stories/1835-06-18_The_Evening_Chronicle_Sketches_of_London_NoXVI_Our_ParishII</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Evening+Chronicle">The Evening Chronicle</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a><a href="https://dickenssearch.com/teibp/dist/content/1835-06-18_The_Evening_Chronicle_Sketches_of_London_NoXVI_Our_ParishII.xml" target="_blank" rel="noopener">'Sketches of London, No. XIV, Our Parish' (II). <em>The Evening Chronicle</em> (18 June 1835).</a>18350618The row of houses in which our friends the old lady and her troublesome neighbour reside, contains, we think, within its circumscribed limits, a greater number of characters than all the rest of our parish put together. When we say that we live in the row ourselves, we have not the slightest intention to insinuate that we can lay claim to any particular characteristics. We merely mention the fact, in order that the statement may have the authority of our own personal observation and experience; and we present our readers occasionally with a slight sketch of the materials we have collected from this source, in the hope that an attempted delineation of character now and then will vary the numerous scenes we undertook to describe when we entitled these papers, &quot;Sketches of London.&quot; There is a family who live very near the old lady - two doors removed on the left-hand side - to which we must beg to introduce our readers without further delay. The four Miss Willises settled in our parish thirteen years ago: it is a melancholy reflection that the old adage, &quot;time and tide wait for no man,&quot; applies with equal force to the fairer portion of the creation; and willingly would we conceal the fact, that even thirteen years ago the Miss Willises were far from juvenile; our duty as faithful parochial chroniclers, however, is paramount to every other consideration, and we are bound to state that thirteen years since the authorities in matrimonial cases considered the youngest Miss Willis in a very precarious state, while the eldest sister was positively given over as being far beyond all human hope. Well, the Miss Willises took a lease of the house; it was fresh painted and papers from top to bottom; the paint inside was all wainscoted; the marble all cleaned; the old grates taken down and register-stoves, you could see to dress in, put up; four trees were planted in the back garden; several small baskets of gravel sprinkled over the front one; vans of elegant furniture arrived; spring blinds were fitted to the windows; carpenters who had been employed in the various preparations, alterations, and repairs, made confidential statements to the different maid servants in the row, relative to the magnificent scale on which the Miss Willises were commencing; the maid servants told their &quot;Missises;&quot; the Missises told their friends, and vague rumours were circulated throughout the parish, that No. 25, in Gordon-place, had been taken by four maiden ladies of immense property. At last the Miss Willises moved in; and then the &quot;calling&quot; began. The house was the perfection of neatness - so were the four Miss Willises. Everything was formal, stiff, and cold - so were the four Miss Willises. Not a single chair of the whole set was ever seen out of its place - not a single Miss Willis was ever seen out of her&#039;s. There they always sat, in the same places, doing precisely the same things at the same hour. The eldest Miss Willis used to knit, the second to draw, the two others to play duets on the piano. They seemed to have no separate existence, but to have made up their minds just to winter through life together. They were three long graces in drapery, with the addition - like a school-dinner - of another long grace afterwards - the three fates with another sister - the Siamese twins multiplied by two. The eldest Miss Willis grew bilious - the four Miss Willises became bilious immediately - The eldest Miss Willis grew ill-tempered and religious - The four Miss Willises were ill-tempered and religious directly. Whatever the eldest did the others did, and whatever anybody else did they all disapproved of; and thus they vegetated - living in Polar harmony among themselves; and as they sometimes went out, or saw company &quot;in a quiet-way&quot; at home, occasionally icing the neighbours. Three years passed over in this way, when an unlooked-for and extraordinary phenomenon occurred. The Miss Willises showed symptoms of summer, the frost gradually broke up; a complete thaw took place. Was it possible! one of the four Miss Willises was going to be married! Now, where on earth the husband came from, by what feelings the poor man could have been actuated, or by what process of reasoning the four Miss Willises succeeded in persuading themselves that it was possible for a man to marry one of them without marrying them all, are questions too profound for us to resolve: certain it is, however, that the visits of Mr. Robinson (a gentleman in a public office with a good salary and a little property of his own beside) were received - that the four Miss Willises were courted in due form by the said Mr. Robinson - that the neighbours were perfectly frantic to discover which of the four Miss Willises was the fortunate fair - and that the difficulty they experienced in solving the problem was not at all lessened by the announcement of Miss Willis - &quot;We are going to marry Mr. Robinson.&quot; It was very extraordinary; they were so completely identified, the one with the other, that the curiosity of the whole row - even of the old lady herself - was roused almost beyond endurance. The subject was discussed at every little card table and tea-drinking; the old gentleman of silk-worm notoriety didn&#039;t hesitate to express his decided opinion that Mr. Robinson was of Eastern descent, and contemplated marrying the whole family at once; and the row generally shook their heads with considerable gravity, and declared the business to be very mysterious. They hoped it might all end well; - it certainly had a very singular appearance, but still it would be uncharitable to express any opinion without good grounds to go upon; and certainly the Miss Willises were quite old enough to judge for themselves, and to be sure people ought to know their own business best, and so forth. At last, one fine morning, at a quarter before eight o&#039;clock, A.M., two glass coaches drove up to the Miss Willises&#039; door, at which Mr. Robinson had arrived in a cab ten minutes before, dressed in a light blue coat and a double milled kersey pantaloons, white neck-kerchief, pumps, and dress gloves, his manner denoting, as appeared from the evidence of the housemaid at No. 23, who was sweeping the door-steps at the time, a considerable degree of nervous excitement. It was also hastily reported on the same testimony, that the cook, who opened the door, wore a large white bow, of unusual dimensions, in a much smarter head-dress than the regulation cap to which the Miss Willises invariably restricted the somewhat excursive taste of female servants in general. The intelligence spread rapidly from house to house; it was quite clear that the eventful morning had at length arrived; the whole row stationed themselves behind their first and second-floor blinds, and waited the result in breathless expectation. The Miss Willises&#039; door opened; the door of the first glass coach did the same; two gentlemen, and a pair of ladies to correspond - friends of the family no doubt; up went the steps, bang went the door; off went the first glass coach, and up came the second. The street door opened again; the excitement of the whole row increased - Mr. Robinson and the eldest Miss Willis. &quot;I thought so,&quot; said the lady at No. 19, &quot;I always said it was Miss Willis!&quot; &quot;Well I never!&quot; ejaculated the young lady at No. 18, to the young lady at No. 17 - &quot;Did you ever, dear!&quot; responded the young lady at No. 17, to the young lady at No. 18. &quot;It&#039;s too ridiculous!&quot; exclaimed a spinster of an uncertain age, at No. 16, joining in the conversation. But who shall pourtray the astonishment of Gordon-place when Mr. Robinson handed in all the Miss Willises, one after the other, and then squeezed himself into an acute angle of the glass coach, which forthwith proceeded at a brisk pace after the other glass-coach; which other glass coach had itself proceeded at a brisk pace in the direction of the parish church. Who shall depict the perplexity of the clergy-man when all the Miss Willises knelt down at the communion table, and repeated the responses incidental to the marriage service in an audible voice? - or who shall describe the confusion which prevailed, when - even after the difficulties thus occasioned had been adjusted - all the Miss Willises went into hysterics at the conclusion of the ceremony until the sacred edifice resounded with their united wailings! As the four sisters and Mr. Robinson continued to occupy the same house after this memorable occasion, and as the married sister, whoever she was, never appeared in public without the other three, we are not quite clear that the neighbours would ever have discovered the real Mrs. Robinson but for a circumstance of the most gratifying description. Coming events cast their shadows before, and events like that at which we hint with becoming delicacy and diffidence, will happen occasionally in the best regulated families - indeed the best regulated are usually supposed to be the most subject to such occurrences. Three quarter days elapsed, and the row, on whom a new light appeared to have been bursting for some time, began to speak with a sort of implied confidence on the subject, and to wonder how Mrs. Robinson - the youngest Miss Willis that was - got on; and servants might be seen running up the steps about nine or ten o&#039;clock every morning, with &quot;Missis&#039;s compliments, and wishes to know how Mrs. Robinson finds herself this morning?&quot; And the answer always was, &quot;Mrs. Robinson&#039;s compliments, and she&#039;s in very good spirits, and doesn&#039;t find herself any worse.&quot; The piano was heard no longer - the knitting-needles were laid aside - drawing was neglected - and mantua-making and millinery on the smallest scale imaginable, appeared to have become the favourite amusement of the whole family. The parlour wasn&#039;t quite as tidy as it used to be; and if you called in the morning, you would see lying on a table, with an old newspaper carelessly thrown over them, two or three particularly small caps - rather larger than if they had been made for a moderate-sized doll - with a small piece of lace in the shape of a horse-shoe let in behind, or perhaps a white robe, not very large in circumference, but very much out of proportion in point of length, with a little tucker round the top, and a frill round the bottom; and once when we called we saw a long white roller, with a kind of blue margin down each side, the probable use of which we were at a loss to conjecture. Then we fancied that Mr. Dawson, the surgeon, &amp;c., who displays a large lamp with a different colour in every pane of glass, at the corner of the row, began to be knocked up at night oftener than he used to be; and once we were very much alarmed by hearing a hackney coach stop at Mrs. Robinson&#039;s door at half-past two o&#039;clock in the morning, out of which there emerged a fat old woman in a cloak and night cap, with a bundle in one hand and a pair of pattens in the other, who looked as if she had been suddenly knocked up out of bed for some purpose of other; and when we got up in the morning we saw the knocker was tied up in an old white kid glove, and we, in our innocence (we are in a state of bachelorship), wondered what on earth it all meant, until we heard the eldest Miss Willis, in propriá persona, say with great dignity, in answer to the next inquiry, &quot;My compliments and Mrs. Robinson&#039;s doing as well as can be expected, and the little girl thrives wonderfully.&quot; And then, in common with the rest of the row, our curiosity was satisfied, and we began to wonder it had never occurred to us what the matter was before. Official parish registers of marriages, births, christenings, and deaths, are not generally considered to possess any amusement or much interest, except for those who are personally connected with some individual record contained within their musty leaves. Our parish register will have, at least, three advantages - it will be easy of access, it will be faithfully entered up from time to time, and it will at least be penned with a humble desire to amuse those who may consult it. As we dare not occupy any greater space at this busy period, we have only to add that we must defer any further account of the four Miss Willises until another opportunity; that we propose in future publishing a parochial sketch alternately with one coming more immediately under our first heading; and that from this time forward we shall make no further apology for an abrupt conclusion to an article under the title of &quot;Our Parish,&quot; than is contained in the words &quot;To be continued.&quot;https://dickenssearch.com/files/original/5/Sketches_of_London_No._XIV_Our_Parish_[II]/1835-06-18_The_Evening_Chronicle_Sketches_of_London_No._XVI_Our_Parish_II.pdf
58https://dickenssearch.com/items/show/58'Sketches of London, No. XIX, Private Theatres'Published in <em>The Evening Chronicle</em> (11 August 1835).Dickens, Charles<em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350811/016/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350811/016/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-08-11">1835-08-11</a><em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350811/016/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350811/016/0003</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-08-11_The_Evening_Chronicle_Sketches_of_London_NoXIX_Private_TheatresDickens, Charles. 'Sketches of London, No. XIX, Private Theatres' (11 August 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-08-11_The_Evening_Chronicle_Sketches_of_London_NoXIX_Private_Theatres">https://dickenssearch.com/short-stories/1835-08-11_The_Evening_Chronicle_Sketches_of_London_NoXIX_Private_Theatres</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Evening+Chronicle">The Evening Chronicle</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a><a href="https://dickenssearch.com/teibp/dist/content/1835-08-11_The_Evening_Chronicle_Sketches_of_London_NoXIX_Private_Theatres.xml" target="_blank" rel="noopener"><span>'Sketches of London, No. XIX, Private Theatres.' <em>The Evening Chronicle</em> (11 August 1835).</span></a>18350811&quot;RICHARD THE THIRD. DUKE OF GLO’STER 2l. EARL OF RICHMOND, 1l. DUKE OF BUCKINGHAM, 15s. CATESBY, 12s. TRESSEL, 10s. 6d. LORD STANLEY, 5s. LORD MAYOR OF LONDON, 2s. 6d.&quot; Such are the written placards wafered up in the gentlemen’s dressing-room or the green-room (where there is any) at a private theatre; and such are the sums extracted from the shop-till, or overcharged in the office expenditure, by the idiotic donkies who are prevailed upon to pay for permission to exhibit their lamentable ignorance and boobyism on the stage of a private theatre. This they do, in proportion to the scope afforded by the character for the display of their imbecility. For instance, the Duke of Glo’ster&#039;s well worth two pounds, because he has it all to himself, must wear a real sword, and what is better still, must draw it several times in the course of the piece. The soliloquies alone are well worth fifteen shillings; then ther&#039;s the stabbing King Henry - decidedly cheap at three and sixpence; that’s eighteen and sixpence; bullying the coffin-bearers - say eighteen pence, though it’s worth much more - that’s a pound. Then the love scene with Lady Anne, and the bustle of the fourth act can’t be dear at ten shillings more - that’s only one pound ten, including the &quot;off with his head!&quot; - which is sure to bring down the applause, and it is very easy to do - &quot;Orf with is ed&quot; (very quick and loud, then slow and sneeringly) - &quot;So much for Bu-u-u-uckingham!;&quot; lay the emphasis on the &quot;uck;&quot; get yourself gradually into a corner, and work with your right hand while your’e saying it, as if you were feeling your way; and its sure to do. The tent scene is confessedly worth half-a-sovereign, and so you have the fight in, gratis; and everybody knows what an effect may be produced by a good combat. One - two - three - four - over; then, one - two - three - four - under; then thrust; then dodge and slide about; then fall down on one knee; then get up again and stagger. You may keep on doing this, as long as it seems to take - say ten minutes - and then fall down (backwards, if you can manage it without hurting yourself), and die game. Nothing like it for producing an effect. They always do it at Astley’s and Sadler’s Wells, and if they don’t know how to do this sort of thing, who in the world does? A small child or a female in white increases the interest of a combat materially - indeed we don&#039;t think a regular legitimate terrific broad-sword combat could be done without; but it would be rather difficult, and somewhat unusual, to introduce this effect in the last scene of Richard the Third; so the only thing to be done is, just to make the best of a bad bargain, and be as long as possible fighting it out. The principal patrons of private theatres are dirty boys; low copying-clerks, in attornies’ offices; capacious headed youths from city counting-houses; Jews, whose business, as lenders of fancy dresses, is a sure passport to the amateur stage; shop-boys who now and then mistake their masters’ money for their own; and a choice miscellany of idle vagabonds. The proprietor of a private theatre may be an ex-scene painter, a low coffee-house keeper, a disappointed eighth-rate actor, a Chancery officer, a retired smuggler, or uncertificated bankrupt. The theatre itself may be in Catherine-street, Strand, the purlieus of the city, the neighbourhood of Gray’s-inn-lane, or the vicinity of Sadler’s-wells; or it may, perhaps, form the chief nuisance of some shabby street, on the Surrey side of Waterloo bridge. The lady performers pay nothing for their characters, and it is needless to add, are usually selected from one class of society; and the audiences are necessarily of much the same character as the performers, who receive in return for their contributions to the management tickets to the amount of the money they pay. All the minor theatres in London, especially the lowest, constitute the centre of a little stage-struck neighbourhood. Each of them has an audience exclusively its own, and at any you will see dropping into the pit at half-price, or swaggering into the back of a box, if the price of admission be a reduced one, divers boys of from 15 to 21 years of age, who throw back their coats, and turn up their wristbands, after the portraits of Count D’Orsay, hum tunes and whistle when the curtain is down, by way of persuading the people near them that they are not at all anxious to have it up again, and speak familiarly of the inferior performers as Bill Such-a-one, and Ned So-and-so, or tell each other how a new piece called The Unknown Bandit of the Invisible Cavern is in rehearsal; how Mister Palmer is to play The Unknown Bandit; how Charley Scarton is to take the part of an English sailor, and fight a broad-sword combat with six unknown bandits at one and the same time (one theatrical sailor is always equal to half a dozen men at least); how Mister Palmer and Charley Scarton are to go through a double hornpipe in fetters in the second act; how the interior of the invisible cavern is to occupy the whole extent of the stage, and other town-surprising theatrical announcements. These are your amateurs—these are the Richards, Shylocks, Beverleys, and Othellos - the Young Dorntons, Rovers, Captain Absolutes, and Charles Surfaces—of a private theatre. See them at the neighbouring public-house or the theatrical coffee-shop! Why, they&#039;re the kings of the place, supposing no real performers to be present; and roll-about, hats on one side, and arms a-kimbo, as if they had actually come into possession of eighteen shillings a week, and a share of a ticket night. If one of them does but know an Astley’s supernumerary he is a happy fellow. Look at that youth. You must have remarked the mingled air of envy and admiration with which his companions will regard him as he converses familiarly with the mouldy-looking man in a fancy neck-kerchief, whose partially corked eyebrows, and half rouged face, testify to the fact of his having just left the stage or the circle. Observe the indignation with which the man of mouldy appearance points to a newspaper of the day, and the perplexed air with which, after upsetting his half pint of coffee over that dirty scrap of paper, and then wiping it with his still dirtier pocket-handkerchief, his amateur friend attempts to scrawl a note, apparently to the editor. Poor creature! his visions of orthography are of the wildest; and he tortures pot-hooks into forms as distorted and unnatural as those into which his mouldy companion&#039;s unfortunate frame was twisted, when he first took lessons in the art of tumbling! With the double view of guarding against the discovery of friends or employers, and enhancing the interest of an assumed character, by attaching a high-sounding name to its representative, these geniuses assume fictitious cognomens, which are not the least amusing part of the play-bill of a private theatre. Belville, Melville, Treville, Berkeley, Randolph, Byron, St. Clair, and so forth, are among the humblest; and the less-imposing titles of Jenkins, Walker, Thompson, Huggins, Barker, Solomons, &amp;c., are completely laid aside. There is something imposing in this, and it&#039;s an excellent apology for shabbiness into the bargain. A shrunken, faded coat, a decayed hat, a patched and soiled pair of trowsers - nay even a very dirty shirt (and none of these appearances are very uncommon among the members of the corps dramatique), may be worn for the purpose of disguise, and to prevent the remotest chance of recognition. Then it prevents any troublesome inquiries or explanations about employment and pursuits: everybody is a gentleman at large for the occasion, and there are none of those unpleasant and unnecessary distinctions to which even genius must occasionally succumb elsewhere. As to the ladies (God bless &#039;em) they&#039;re quite above any formal absurdities, the mere circumstance of your being behind the scenes is a sufficient introduction to their society - for of course they know that none but strictly respectable persons would be admitted into that close fellowship with them, which acting engenders. They place implicit reliance on the manager, no doubt; and, as to the manager, he is all affability when he knows you well, - or, in other words, when he has pocketed your money once, and entertains confident hopes of doing so again. A quarter before eight - There&#039;ll be a full house to-night - six parties in the boxes already; four little boys and a woman in the pit; and two fiddles and a flute in the orchestra, who have got through five overtures since seven o’clock (the hour fixed for the commencement of the performances) and have just begun the sixth. There&#039;ll be plenty of it though when it does begin, for there is enough in the bill to last six hours at least. That gentleman in the white hat and checked shirt, brown coat and brass buttons, lounging behind the stage-box on the O. P. side, is Mr. Horatio St. Julien, alias Jem Larkins. His line is genteel comedy - his father’s coal and tatur. He does Alfred Highflyer in the last piece, and very well he’ll do it - at the price. The party of gentlemen in the opposite box, to whom he has just nodded, are friends and supporters of Mr. Beverley (otherwise Loggins), the Macbeth of the night. You observe their attempts to appear easy and gentlemanly; each member of the party, with his feet cocked up on the cushion in front of the box? They let &#039;em do these things here upon the same humane principle which permits poor people’s children to knock double knocks at the door of an empty house - because they can’t do it anywhere else. The two stout men in the centre box, with an opera-glass ostentatiously placed before them, are friends of the proprietor&#039;s - opulent country managers, as he confidentially informs every individual among the crew behind the curtain - opulent country managers looking out for recruirts, a representation which Mr. Nathan the dresser, who is in the manager’s interest, and has just arrived with the costumes, offers to confirm upon oath if required - corroborative evidence, however, is quite unnecessary, for the gulls believe it at once. The stout Jewess who has just entered is the mother of the pale bony little girl with the necklace of blue glass beads, sitting by her. She is being brought up to &quot;the profession.&quot; Patomime is to be her line, and she&#039;s coming out to-night, in a hornpipe after the tragedy. The short thin man beside Mr. St. Julien, whose white face is deeply seared with the small-pox, and whose dirty shirt front is inlaid with open work, and embossed with coral studs like Lady Bird&#039;s, is the low comedian and comic singer of the establishment. The remainder of the audience - a tolerably numerous one by this time - are a motley group of dupes and blackguards. The foot-lights have just made their appearance: the wicks of the six little oil lamps round the only tier of boxes are being turned up, and the additional light thus afforded serves to show the presence of dirt and absence of paint, which forms a prominent feasure in the audience part of the house. As these preparations, however, announce the speedy commencement of the play, let us take a peep &quot;behind,&quot; previous to the ringing-up. The little narrow passages beneath the stage are neither especially clean, nor too brilliantly lighted; and the absence of any flooring, together with the damp, mildewy smell which pervades the places, does not conduce in any great degree to their comfortable appearance. Don’t fall over this plate basket - it’s one of the &quot;properties&quot; - the cauldron for the witches’ cave; and the three uncouth-looking figures with broken clothes-props in their hands, who are drinking gin and water out of a pint pot, are the weird sisters. This miserable room, lighted by candles in sconces placed at lengthened intervals round the wall, is the dressing-room common to the gentlemen performers, and the square hole in the ceiling is the trap door of the stage above. You will observe that the ceiling is ornamented with the beams that support the boards, and tastefully hung with cob-webs. The characters in the tragedy are all dressed, and their own clothes are scattered in hurried confusion over the wooden dresser which surrounds the room. That snuff-shop-looking figure in front of the glass is Banquo, and the young lady with the liberal display of legs, who is kindly painting his face with a hare’s foot, is dressed for Fleance. The large woman who is consulting the stage directions in Cumberland’s edition of Macbeth, is the Lady Macbeth of the night - she is always selected to play the part, because she&#039;s tall and stout, and looks a little like Mrs. Siddons - at a considerable distance. That stupid-looking milksop with light hair and bow legs - a kind of man whom you can warrant town-made - is fresh caught; he plays Malcolm to-night, just to accustom himself to an audience. He&#039;ll get on by degrees; he&#039;ll play Othello in a month, and in a month more will very probably be apprehended on a charge of embezzlement. The black-eyed female with whom he is talking so earnestly, is dressed for the &quot;gentlewoman.&quot; It&#039;s her first appearance, too - in that character. The boy of fourteen, who is having his eyebrows smeared with soap and whitening, is Duncan, King of Scotland; and the two dirty men with the corked countenances, in very old green tunics and dirty drab boots, are the &quot;army.&quot; &quot;Look sharp below there, gents,&quot; exclaims the dresser, a red-headed and red-whiskered Jew, calling through the trap, &quot;they’re a-going to ring up. The flute says he’ll be blowed if he plays any more, and they’re getting precious noisy in front.&quot; A general rush immediately takes place to the half dozen little steep steps leading to the stage, and the heterogeneous group are soon assembled at the side scenes in breathless anxiety and motley confusion. &quot;Now,&quot; cries the manager, consulting the written list which hangs behind the first P. S, wing, &quot;Scene 1, open country - lamps down - thunder and lightning - all ready, White?&quot; [this is addressed to one of the army]. &quot;All ready&quot; - &quot;Very well, scene 2 - front chamber; is the front chamber down?&quot; &quot;Yes.&quot; &quot;Very well - Jones.&quot;- [To the other army who is up in the flies:] &quot;Hallo! Wind up the open country when we ring up.&quot; &quot;I’ll take care,&quot; growls the elevated army. - &quot;Scene 3, back perspective with practical bridge. Bridge ready, White? Got the tressels there?&quot; &quot;All right,&quot; responds the functionary. &quot;Very well. Clear the stage,&quot; adds the manager, hastily packing every member of the company into the little space there is between the wings and the wall, and one wing and another. &quot;Places, places, now then witches - Duncan - Malcolm - bloody officer - where’s that bloody officer?&quot; - &quot;Here!&quot; replies the officer, who has been rose-pinking for the character. &quot;Get ready, then; now, White, ring the second music bell.&quot; The actors who are to be discovered are hastily arranged, and the actors who are not to be discovered place themselves, in their anxiety to peep at the house, just where the whole audience can see them. The bell rings, and the orchestra, in acknowledgment of the call, play three distinct chords. The bell rings again, the tragedy (!) opens, and our description closes.https://dickenssearch.com/files/original/5/Sketches_of_London_No._XIX_Private_Theatres/1835-08-11_The_Evening_Chronicle_Sketches_of_London_No._XIX_Private_Theatres.pdf
54https://dickenssearch.com/items/show/54'Sketches of London, No. XV, The Pawnbroker's Shop'Published in <em>The Evening Chronicle</em> (30 June 1835).Dickens, Charles<em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350630/023/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350630/023/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-06-20">1835-06-20</a><em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350630/023/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350630/023/0003</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, providing the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-06-30_The_Evening_Chronicle_Sketches_of_London_NoXV_The_Pawnbrokers_ShopDickens, Charles. 'Sketches of London, No. XV, The Pawnbroker's Shop' (30 June 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-06-30_The_Evening_Chronicle_Sketches_of_London_NoXV_The_Pawnbrokers_Shop">https://dickenssearch.com/short-stories/1835-06-30_The_Evening_Chronicle_Sketches_of_London_NoXV_The_Pawnbrokers_Shop</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Evening+Chronicle">The Evening Chronicle</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a><a href="https://dickenssearch.com/teibp/dist/content/1835-06-30_The_Evening_Chronicle_Sketches_of_London_NoXV_The_Pawnbrokers_Shop.xml" target="_blank" rel="noopener">'Sketches of London, No. XV, The Pawnbroker's Shop.' <em>The Evening Chronicle</em> (30 June 1835).</a>18350630Of all the numerous receptacles for misery and distress with which the streets of London unhappily abound, there are, perhaps, none which present such striking scenes of vice and poverty as the pawnbrokers&#039; shops. The very nature and description of these places prevents their being but little known, except to the unfortunate beings whose profligacy or misfortune drives them to seek the temporary relief they offer: the subject may appear, at first sight, to be anything but an inviting one, but we venture on it nevertheless, in the hope that, as far as the limits of our present paper are concerned, it will present at all events nothing to disgust even the most fastidious reader. There are some pawnbrokers&#039; shops of a very superior description. There are grades in pawning as in everything else; and distinctions must be observed even in poverty. The aristocratic Spanish cloak, and the plebeian calico shirt - the silver fork and the flat-iron - the muslin cravat and the Belcher neck-kerchief, would assort but ill together; so the better sort of pawnbroker calls himself a silversmith, and decorates his shop with handsome trinkets and expensive jewellery, while the more humble money-lender boldly advertises his calling, and invites observation. It is with pawnbrokers&#039; shops of the latter class that we have to do. We have selected one for our purpose, and will endeavour to describe it. The pawnbroker&#039;s shop is situated near Drury-lane, at the corner of a court, which affords a side-entrance for the accommodation of such customers as may be desirous of avoiding the observation of the passers-by, or the chance of recognition in the public street. It is a low, dirty-looking dusty shop, the door of which stands always doubtfully, a little way open, half-inviting, half-repelling the hesitating visitor, who, if he be as yet uninitiated, examines one of the old garnet brooches in the window for a minute or two with affected eagerness, as if he contemplated making the purchase; and then looking cautiously round to ascertain that no one watches him, hastily slinks in; the door closing of itself after him to just its former width. The shop-front and the window-frames bear evident marks of having been once painted; but what the colour was originally, or at what date it was originally laid on, are, at this remote period, questions which may be asked, but cannot be answered. Tradition states that the transparency on the front door, which displays at night three red balls on a blue ground, once bore also, inscribed in graceful waves, the words &quot;Money advanced on plate, jewels, wearing apparel, and every description of property,&quot; but a few illegible hieroglyphics are all that now remain to attest the fact. The plate and jewels would seem to have disappeared together with the announcement; for the articles of stock, which are displayed in some profusion in the window, do not include any very valuable luxuries of either kind. A few old china cups, some modern vases, adorned with paltry paintings of three Spanish cavaliers, playing three Spanish guitars, or a party of boors carousing, each boor with one leg painfully elevated in the air, by way of expressing his perfect freedom and gaiety - several sets of chess-men, two or three flutes, a few fiddles - a round-eyed portrait staring in astonishment from a very dark ground, some gaudily bound prayer-books and testaments - two rows of silver watches, quite as clumsy, and almost as large as Ferguson&#039;s first - numerous old fashioned table and tea-spoons displayed, fan-like, in half-dozens - strings of coral with great broad gilt snaps - cards of rings and brooches fastened and labelled separately like the insects in the British Museum - cheap silver penholders and snuff-boxes, with a masonic star, complete the jewellery department; while five or six beds in smeary, clouded ticks, strings of blankets and sheets, silk and cotton handkerchiefs, and wearing apparel of every description form the more useful, though even less ornamental, part of the articles exposed for sale. An extensive collection of planes, chisels, saws, and other carpenters&#039; tools, which have been pledged, and never redeemed, form the foreground of the picture; while the large frames, full of ticketted bundles which are dimly seen through the dirty casement up stairs - the squalid neighbourhood - the adjoining houses, straggling, shrunken, and rotten, with one or two filthy, unwholesome-looking heads thrust out of every window, and old red pans and stunted plants exposed on the tottering parapets, to the manifest hazard of the heads of the passers-by - the noisy men loitering under the archway at the corner of the court, or about the gin-shop next door, and their wives patiently standing on the curb-stone, with large baskets of cheap vegetables slung round them for sale, are its immediate auxiliaries. If the outside of the pawnbroker&#039;s shop be calculated to attract the attention, or excite the interest of the speculative pedestrian, its interior cannot fail to produce the same effect in a very increased degree. The front door, which we have before noticed, opens into the common shop, which is the resort of all those customers whose habitual acquaintance with such scenes render them indifferent to the observations of their companions in poverty. The side door opens into a small passage, from which some half dozen doors (which may be secured on the inside by bolts) open into a corresponding number of little dens or closets, which face the counter. Here the more timid, or respectable portion of the crowd, shroud themselves from the notice of the remainder, and patiently wait until the gentleman behind the counter, with the curly black hair, diamond ring, and double silver watch-guard, shall feel disposed to favour them with his notice - a consummation which depends considerably on the temper of the aforesaid gentleman for the time being. At the present moment this elegantly attired individual is in the act of entering the duplicate he has just made out in a thick book, a process from which he is diverted occasionally by a conversation he is carrying on with another young man similarly employed at a little distance from him, whose allusions to &quot;that last bottle of soda-water last night&quot; - and &quot;how regularly round my hat he felt himself when the young ooman gave &#039;em in charge,&quot; would appear to refer to the consequences of some stolen joviality of the preceding evening. The customers generally, however, seem rather unable to participate in the amusement derivable from this source, for an old sallow-looking woman who has been leaning with both arms on the counter, with a small bundle before her, for half-an-hour previously, suddenly interrupts the conversation by addressing the jewelled shopman - &quot;Now, Mr. Henry, do make haste, there&#039;s a good soul, for my two grand-children&#039;s a locked up at home, and I&#039;m afeer&#039;d o&#039; the fire.&quot; The shopman slightly raises his head, with an air of deep abstraction, and resumes his entry with as much deliberation as if he were engraving. - &quot;You&#039;re in a hurry, Mrs. Tatham, this ev&#039;nin&#039; - an&#039;t you?&quot; is the only notice he deigns to take after the lapse of five minutes or so. &quot;Yes, I am indeed, Mr. Henry; now do serve me next, there&#039;s a good creetur; I wouldn&#039;t worry you, only it&#039;s all along o&#039; them botherin&#039; children.&quot; &quot;Well what have you got here&quot; - inquires the shopman, unpinning the bundle - &quot;The old concern, I suppose - pair o&#039; stays and a petticut. You must look up something else, old ooman; I can&#039;t lend you any thing more upon them, they&#039;re completely worn out by this time, if it&#039;s only by putting in and taking out again, three times a week.&quot; - &quot;Oh! you are a rum &#039;un, you are,&quot; replies the old woman laughing extremely as in duty bound - &quot;I wish I&#039;d got the gift of the gab like you, see if I&#039;d be up the spout so often then? No, no; it ain&#039;t the petticut, it&#039;s a child&#039;s frock and a beautiful silk ankecher as belongs to my husband; he gave four shillin&#039; for it the wery same blessed day as he broke his arm.&quot; - &quot;What do you want upon these?&quot; inquires Mr. Henry, slightly glancing at the articles, which in all probability are old acquaintances. &quot;What do you want upon these?&quot; - &quot;Eighteenpence.&quot; - &quot;Lend you ninepence.&quot; &quot;Oh, make it a shillin&#039; - there&#039;s a dear! do now.&quot; &quot;Not another farden.&quot; &quot;Well, I suppose I must take it.&quot; The duplicate is made out; one ticket pinned on the parcel, the other given to the old woman; the parcel is flung carelessly down into a corner, and some other customer prefers his claim to be served without further delay. The choice falls upon an unshaven, dirty, sottish-looking fellow, whose tarnished paper cap, stuck negligently over one eye, communicates an additionally repulsive expression to his very uninviting countenance. He was enjoying a little relaxation from his sedentary pursuits a quarter of an hour ago, in kicking his wife up the court. He has come to redeem some tools: - probably to enable him to complete a job, on account of which he has already received some money, if his inflamed countenance and drunken stagger may be taken as evidence of the fact. Having waited some little time, he makes his presence known by venting his ill-humour on a ragged urchin, who, being unable to bring his face on a level with the counter by any other process has employed himself in climbing up and then hooking himself on with his elbows - an uneasy perch from which he has fallen at intervals, generally alighting on the toes of the person in his immediate vicinity. In the present case, the unfortunate little wretch has received a cuff which sends him reeling to the door, and the donor of the blow is immediately the object of general indignation. &quot;What do you strike the boy for, you brute?&quot; exclaims a slip-shod woman, with two flat-irons in a little basket. &quot;Do you think he&#039;s your wife you willin?&quot; &quot;Go and hang yourself,&quot; replies the gentleman addressed, with a drunken look of savage stupidity, aiming at the same time a blow at the woman, which fortunately misses its object. &quot;Go and hang yourself; and wait there till I come and cut you down.&quot; - &quot;Cut you down,&quot; rejoins the woman, &quot;I wish I had the cutting of you up, you wagabond! (loud). - oh! you precious wagabond! (rather louder). - where&#039;s your wife, you willin (louder still; women of this class are always sympathetic, and work themselves into a tremendous passion in no time)? Your poor dear wife as you uses worser nor a dog - strike a wo-man - you a man! (very shrill); I wish I had you - I&#039;d murder you, I would, if I died for it!&quot; &quot;Now be civil,&quot; retorts the man fiercely. &quot;Be civil, you wiper!&quot; ejaculates the woman contemptuously. &quot;An&#039;t it shocking,&quot; she continues, turning round and appealing to an old woman who is peeping out of one of the little closets we have before described, and who has not the slightest objection to join in the attack possessing, as she does, the comfortable conviction that she&#039;s bolted in. &quot;Ain&#039;t it shocking, ma&#039;am? (&quot;Dreadful!&quot; says the old woman in a parenthesis, not exactly knowing what the question refers to.); he&#039;s got a wife, ma&#039;am, as takes in mangling, and is as &#039;dustrious and hard working a young ooman as can be, (very fast) as lives in the back parlour of our &#039;ous, which my husband and me lives in the front one (with great rapidity) - and we hears him a beaten&#039; on her sometimes when he comes home drunk, the whole night through, and not only a beaten&#039; her, but beaten his own child too, to make her more miserable - ugh, you beast! - and she, poor creetur won&#039;t swear the peace agin him, nor do nothin&#039;, because she likes the wretch arter all - worse luck!&quot; Here as the woman has completely run herself out of breath, the pawnbroker himself, who has just appeared behind the counter in a grey dressing-gown, embraces the favourable opportunity of putting in a word: - &quot;Now I won&#039;t have none of this sort of thing on my premises,&quot; he interposes with an air of authority. &quot;Mrs. Mackin, keep yourself to yourself, or I&#039;m damned if you get four pence for a flat iron here; and, Jinkins you leave your ticket here till you&#039;re sober, and send your wife for them two planes, for I won&#039;t have you in my shop at no price; so make yourself scarce, before I make you scarcer.&quot; This eloquent address produces anything but the effect desired; the women rail in concert; the man hits about him in all directions, and is in the act of establishing an indisputable claim to gratuitous lodgings for the night, when the entrance of his wife - a wretched worn-out woman apparently in the last stage of consumption, whose face bears evident marks of recent ill-usage, and whose strength seems hardly equal to the burden - light enough, God knows - of the thin, sickly child she carries in her arms, turns his cowardly rage in a safer direction. &quot;Come home, dear,&quot; cries the miserable creature, in an imploring tone; &quot;Do come home, there&#039;s a good fellow, and go to bed.&quot; &quot;Go home yourself,&quot; rejoins the furious ruffian, accompanying an epithet we cannot repeat, with a kick we will not describe. &quot;Do come home quietly,&quot; repeats the wife, bursting into tears. &quot;Go home yourself,&quot; retorts the husband again, enforcing his argument by the application we have before hinted at. The poor creature flies out of the shop with the impetus thus administered; and her &quot;natural protector&quot; follows her up the court, alternately venting his rage in accelerating her progress, and in knocking the little scanty blue bonnet of the unfortunate child over its still more scanty and faded-looking face. The scene of which we have just attempted a slight description, is scarcely concluded, when a couple of the private boxes are occupied by persons who present so striking a contrast to each other, that we cannot resist the temptation of noticing them in our sketch as briefly as possible. In the last one which is situated in the darkest and most obscure corner of the shop considerably removed from either of the gas-lights, are a young delicate girl of about twenty and an elderly female - evidently her mother from the resemblance between them - who stand at some distance back, as if to avoid the observation even of the shopmen. It is not their first visit to a pawnbroker&#039;s shop, for they answer without a moment&#039;s hesitation the usual questions, put in a rather respectful manner, and in a much lower tone than usual, of &quot;What name shall I say?&quot; &quot;Your own property, of course?&quot; &quot;Where do you live, ma&#039;am?&quot; &quot;Housekeeper or lodger?&quot; They bargain, too, for a higher loan than the shopman is at first inclined to offer, which a perfect stranger would be little disposed to do, and the elderly female urges her daughter on in scarcely audible whispers to exert her utmost powers of persuasion to obtain an advance of the sum, and expatiate on the value of the articles they have brought to raise a present supply upon. They are a small gold chain and a &quot;Forget me not&quot; ring: the girl&#039;s property, for they are both too small for the mother; given her in better times - prized perhaps once for the giver&#039;s sake, but parted with now without a struggle; for want has hardened the mother, and her example has hardened the girl; and the prospect of receiving money, coupled with a recollection of the misery they have both endured from the want of it; the coldness of old friends - the stern refusal of some and the still more galling compassion of others - appears to obliterate the consciousness of self humiliation which the bare idea of their present situation would once have aroused. In the next is a young female, whose attire, miserably poor but extremely gaudy, wretchedly cold but scrupulously fine, too plainly bespeaks her station in life. The rich satin gown with its faded trimmings - the worn-out thin shoes, and pink silk stockings - the summer bonnet in winter, and the sunken face where a daub of rouge only serves as an index to the ravages of squandered health never to be regained, and lost happiness never to be restored; and where the practised smile is a wretched mockery of the misery of the heart - cannot be mistaken. There is something in the glimpse she has just caught of her young neighbour, and in the sight of the little trinkets she has offered in pawn, that seems to have awakened in this woman&#039;s mind some slumbering recollection, and to have changed for an instant her whole demeanour. Her first hasty impulse was to bend forward as if to scan more minutely the appearance of her half-concealed companions; her next, on seeing them involuntarily shrink from her, to retreat to the back of the box, cover her face with her hands, and burst into an agony of tears. There are strange chords in the human heart, which will lie dormant through years of depravity and wickedness, but which will vibrate at last to some slight circumstance apparently trivial in itself, but connected by some undefined and indistinct association with past days that can never be recalled, and with bitter recollections from which the most degraded creature in existence cannot escape. There has been another spectator, in the person of a woman in the common shop; the lowest of the low; dirty, unbonnetted, flaunting, and slovenly. Her curiosity was at first attracted by the little she could see of the group; then her attention; the half- intoxicated leer changed to an expression of something like interest, and a feeling similar to that we have described, appeared for a moment, and only a moment, to extend itself even to her bosom. Who shall say how soon these women may change places? The last has but two more stages - the hospital and the grave! How many females situated as her two companions are, and as she may have been once, have terminated the same wretched course, in the same wretched manner? One is already tracing her footsteps with frightful rapidity. How soon may the other follow her example! How many have done the same! Such are a few of the sights and scenes of a Pawnbroker&#039;s Shop. We could extend this sketch much further; but we fear the subject would present few - very few - attractions. We will, therefore, only apologise for having dwelt upon it so long.https://dickenssearch.com/files/original/5/Sketches_of_London_No._XV_The_Pawnbroker_s_Shop/1835-06-30_The_Evening_Chronicle_Sketches_of_London_No._XV_The_Pawnbrokers_Shop.pdf
56https://dickenssearch.com/items/show/56'Sketches of London, No. XVII, The Streets - Morning'Published in <em>The Evening Chronicle</em> (21 July 1835).Dickens, Charles<em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0001315/18350721/013/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0001315/18350721/013/0001</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-07-21">1835-07-21</a><em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0001315/18350721/013/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0001315/18350721/013/0001</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-07-21_The_Evening_Chronicle_Sketches_of_London_NoXVII_The_Streets_MorningDickens, Charles. 'Sketches of London, No. XVII, The Streets - Morning' (21 July 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-07-21_The_Evening_Chronicle_Sketches_of_London_NoXVII_The_Streets_Morning">https://dickenssearch.com/short-stories/1835-07-21_The_Evening_Chronicle_Sketches_of_London_NoXVII_The_Streets_Morning</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Evening+Chronicle">The Evening Chronicle</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a><a href="https://dickenssearch.com/teibp/dist/content/1835-07-21_The_Evening_Chronicle_Sketches_of_London_NoXVII_The_Streets_Morning.xml" target="_blank" rel="noopener"><span>'Sketches of London, No. XVII, The Streets - Morning.' <em>The Evening Chronicle</em> (21 July 1835).</span></a>18350721The appearance presented by the streets of London an hour before sun-rise on a summer’s morning, is most striking even to the few whose unfortunate pursuits of pleasure, or scarcely less unfortunate pursuits of business, make them well acquainted with the scene. There is an air of cold, solitary desolation about the noiseless streets we are accustomed to see thronged at other times by a busy, eager crowd, and the quiet closely shut buildings which throughout the day are swarming with life and bustle, that is very impressive. The last drunken man who shall find his way home before sunlight has just staggered heavily along, occasionally roaring out the burden of the drinking song of the previous night: the last houseless vagrant whom penury and police have left in the streets, has coiled up his chilly limbs in some paved corner, to dream of food and warmth: the drunken, the dissipated, and the wretched have disappeared: the more sober and orderly part of the population have not yet awakened to the labours of the day; and the stillness of death is over the streets; its very hue seems to be imparted to them, cold and lifeless as they look in the grey, sombre light of daybreak. The coach-stands in the larger thoroughfares are deserted; the night houses are closed; the chosen promenades of profligate misery are empty. An occasional policeman may be seen at the street corners, listlessly gazing on the deserted prospect before him; and now and then a rakish-looking cat runs stealthily across the road, and descends his own area with as much caution and slyness - bounding first on the water-butt, then on the dust-hole, and then alighting on the flag-stones - as if he were conscious that his character depended on his gallantries of the preceding night escaping public observation. A partially opened bedroom-window here and there bespeaks the heat of the weather and the uneasy slumbers of its occupant; and the dim scanty flicker of the rush-light through the window-blind denotes the chamber of watching or sickness. With these few exceptions, the streets present no signs of life, nor the houses of habitation. An hour wears away; the spires of the churches and roofs of the principal buildings are faintly tinged with the light of the rising sun, and the streets, by almost imperceptible degrees, begin to resume their bustle and animation. Market carts roll slowly along, the sleepy waggoner impatiently urging on his tired horses, or vainly endeavouring to awaken the boy, who, luxuriously stretched on the top of the fruit baskets, forgets in happy oblivion his long-cherished curiosity to behold the wonders of London. Rough, sleepy-looking animals of strange appearance, something between ostlers and hackney coachmen, begin to take down the shutters of early public-houses, and little deal tables, with the ordinary preparations for a street breakfast, make their appearance at the customary stations. Numbers of men and women (principally the latter) carrying upon their heads heavy baskets of fruit, toil down the park side of Piccadilly, on their way to Covent-garden; and following each other in rapid succession, form a long straggling line from thence to the turn of the road at Knightsbridge. Here and there a bricklayer’s labourer, with the day’s dinner tied up in a handkerchief, walks briskly to his work, and occasionally a little knot of three or four school-boys on a stolen bathing expedition, rattle merrily over the pavement; their boisterous mirth contrasting forcibly with the demeanour of the little sweep, who, having knocked and rung till his arm aches, and being interdicted by a merciful Legislature from endangering his lungs by calling out, sits patiently down on the door-step until the house maid may happen to awake. Covent-garden Market, and the avenues leading to it, are thronged with carts of all sorts, sizes, and descriptions, from the heavy lumbering waggon with its four stout horses, to the jingling costermonger’s cart with its consumptive donkey. The pavement is already strewed with decayed cabbage leaves, broken haybands, and all the indescribable litter of a vegetable market and the numerous noises are almost as multifarious. Men shouting, carts backing, horses neighing, boys fighting, basket-women talking, piemen expatiating on the excellence of their pastry, donkeys braying, and a hundred other sounds form a compound discordant enough to a Londoner’s ears, and remarkably disagreeable to those of country gentlemen, who are sleeping at the Hummums for the first time. Another hour passes away, and the day begins in good earnest. The servant of all work, who, under the plea of sleeping very soundly, has utterly disregarded &quot;Missises ringing&quot; for half an hour previously, is warned by master (whom Missis has sent up in his drapery to the landing-place for that purpose) that it’s half-past six, whereupon she awakes all of a sudden with well feigned astonishment, and goes down stairs very sulkily, wishing, while she strikes a light, that the principle of spontaneous combustion would extend itself to coals and kitchen ranges; when the fire is lit she opens the street-door to take in the milk when, by the most singular coincidence in the world, she discovers that the servant next door has just taken in her milk too, and that Mr. Todd’s young man over the way is by an equally extraordinary chance taking down his master’s shutters. The inevitable consequence is, that she just steps milk-jug in hand as far as next door just to say &quot;good morning&quot; to Betsy Clark, and that Mr. Todd’s young man just steps over the way just to say &quot;good morning&quot; to both of ’em; and as the aforesaid Mr. Todd’s young man is almost as good-looking and fascinating as the baker himself, the conversation quickly becomes very interesting, and probably would become more so, if Betsy Clark’s missis, who always will be a followin’ her about, didn’t give an angry tap at her bed-room window, on which Mr. Todd’s young man tries to whistle coolly, as he goes back to his shop much faster than he came from it; and the two girls run back to their respective places, and shut their street-doors with surprising softness, each of them poking their heads out of the front parlour-window a minute afterwards, however, ostensibly with the view of looking at the mail which just then passes by, but really for the purpose of catching another glimpse of Mr. Todd’s young man, who, being fond of mails, but more fond of females, takes a short look at the coach and a long look at the girls, much to the satisfaction of all parties concerned. The mail itself goes on to the coach-office in due course, and the passengers who are going out by the early coach stare with astonishment at the passengers who are coming in by the early coach, who look blue and dismal, and are evidently under the influence of that odd feeling produced by travelling, which makes the events of yesterday morning seem as if they had happened at least six months ago, and induces people to wonder with considerable gravity whether the friends and relations they took leave of a fortnight before, have altered much since they have left them. The coach-office is all alive, and the coaches which are just going out are surrounded by the usual crowd of Jews and nondescripts, who seem to consider, God knows why, that it&#039;s quite impossible any man can mount a coach without requiring at least sixpenn&#039;orth of oranges, a pen-knife, a pocket-book, a last year’s annual, a pencil-case, a piece of sponge, and a small series of caricatures. Half-an-hour more, and the sun darts his bright rays cheerfully down the still half-empty streets, and shines with sufficient force to rouse the diurnal laziness of the apprentice, who pauses every other minute from his task of sweeping out the shop and watering the pavement in front of it, to tell another apprentice similarly employed how hot it will be to-day, or to stand with his right hand shading his eyes and his left resting on the broom, gazing at the Wonder, or the Tally-Ho, or the Nimrod, or some other fast coach, till it&#039;s out of sight, when he re-enters the shop envying the passengers on the outside of the fast coach, and thinking of the old red brick house &quot;down in the country,&quot; where he went to school: the miseries of thin milk and water and thick bread and scrapings fading into nothing before the pleasant recollection of the green field the boys used to play in, and the green pond he was caned for presuming to fall into, and other school-boy associations. Cabs, with trunks and band-boxes between the drivers’ legs and outside the apron, rattle briskly up and down the streets on their way to the coach-offices, or steam-packet wharfs; and the cab-drivers and hackney-coachmen who are on the stand. polish up the ornamental part of their dingy vehicles - the former wondering how people can prefer &quot;them wild-beast cariwans of omnibuses to a riglar cab with a fast trotter,&quot; and the latter admiring how people can trust their necks into one of &quot;them crazy cabs, when they can have a ’spectable ackney cotche with a pair of orses as von’t run away with no vun;&quot; - a consolation unquestionably founded in fact, seeing that a hackney-coach horse never was known to run at all, &quot;except,&quot; as the smart cabman in front of the rank observes, &quot;except one, and he run back’ards!&quot; The shops are now completely opened, and apprentices and shopmen are busily engaged in cleaning and decking the windows for the day. The bakers’ shops in town are filled with servants and children waiting for the drawing of the first batch of rolls - an operation which was performed a full hour ago in the suburbs; for the early clerk population of Somers and Camdon Towns, Islington and Pentonville, are fast pouring into the City, or directing their steps towards Chancery-lane and the inns of court. Middle-aged men, whose salaries have by no means increased in the same proportion as their families, plod steadily along, apparently with no object in view but the counting-house, knowing by sight almost everybody they meet or overtake, for they have seen them every morning (Sunday excepted) during the last twenty years; but speaking to no one. If they do happen to overtake a personal acquaintance, they just exchange a hurried salutation, and keep walking on, either by his side or in front of him, as his rate of walking may chance to be. As to stopping to shake hands, or to take the friend’s arm, they seem to think that it is not included in their salary, and they have no right to do it. Small office lads in large hats, who are made men before they are boys, hurry along in pairs with their first coat carefully brushed, and the white trowsers of last Sunday plentifully besmeared with dust and ink. It evidently requires a considerable mental struggle to avoid investing part of the day’s dinner-money in the purchase of the stale tarts so temptingly exposed in dusty tins at the pastry-cooks’ doors; but a consciousness of their own importance, and the receipt of seven shillings a week, with the prospect of an early rise to eight comes to their aid, and they accordingly put their hats a little more on one side, and look under the bonnets of all the milliners’ and stay-makers’ apprentices they meet. Poor girls! The hardest worked, the worst paid; and too often the worst used, class of the community. Eleven o’clock, and a new set of people fill the streets. The goods in the shop-windows are invitingly arranged: the shopmen in their white neck-kerchiefs and spruce coats, look as if they couldn’t clean a window if their lives depended on it: the carts have disappeared from Covent Garden: the waggoners have returned and the costermongers repaired to their ordinary &quot;beats&quot; in the suburbs: clerks are at their offices, and gigs, cabs, omnibuses, and saddle-horses are conveying their masters to the same destination. The streets are thronged with a vast concourse of people - gay and shabby, rich and poor, idle and industrious; and we come to the heat, bustle, and activity of noon.https://dickenssearch.com/files/original/5/Sketches_of_London_No._XVII_The_Streets_-_Morning/1835-07-21_The_Evening_Chronicle_Sketches_of_London,_No._XVII_The_Streets_Morning.pdf
57https://dickenssearch.com/items/show/57'Sketches of London, No. XVIII, Our Parish' (IV)Published in <em>The Evening Chronicle</em> (28 July 1835).Dickens, Charles<em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0001315/18350728/018/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0001315/18350728/018/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-07-28">1835-07-28</a><em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0001315/18350728/018/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0001315/18350728/018/0003</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-07-28_The_Evening_Chronicle_Sketches_of_London_NoXVIII_Our_ParishIVDickens, Charles. 'Sketches of London, No. XVIII, Our Parish' (IV) (28 July 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-07-28_The_Evening_Chronicle_Sketches_of_London_NoXVIII_Our_ParishIV">https://dickenssearch.com/short-stories/1835-07-28_The_Evening_Chronicle_Sketches_of_London_NoXVIII_Our_ParishIV</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Evening+Chronicle">The Evening Chronicle</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a><a href="https://dickenssearch.com/teibp/dist/content/1835-07-28_The_Evening_Chronicle_Sketches_of_London_NoXVIII_Our_ParishIV.xml" target="_blank" rel="noopener"><span>'Sketches of London, No. XVIII, Our Parish' (IV). <em>The Evening Chronicle</em> (28 July 1835).</span></a>18350728The excitement of the election for Beadle having subsided, and our parish being again restored to a state of comparative tranquility, we are enabled to continue our sketches of individual parishioners who take no share in our party contests, or in the turmoil and bustle of public life. And we feel sincere pleasure in acknowledging here, that in collecting materials for this task we have been greatly assisted by Mr. Bung himself, who has imposed on us a debt of obligation which we fear we can never repay. The life of this gentleman has been one of a very chequered description: he has undergone transitions - not from grave to gay, for he never was grave - not from lively to severe, for severity forms no part of his disposition; his fluctuations have been between poverty in the extreme &amp; poverty modified, or, to use his own emphatic languages, between nothing to eat and just half enough. He is not as he forcibly remarks, &quot;One of those fortunate men who if they were to dive under one side of a barge stark-naked, would come up on the other, with a new suit of clothes on, and a ticket for soup in the waistcoat pocket:&quot; neither is he one of those, whose spirit has been broken beyond redemption by misfortune and want. He is just one of the careless, good-for-nothing, happy fellows, who float cork like on the surface, for the world to play at hockey with: knocked here and there and every where: now to the right, then to the left, again up in the air, and anon to the bottom, but always reappearing, and bounding with the stream, buoyantly and merrily along. Some few months before he was prevailed upon to stand a contested election for the office of beadle, necessity attached him to the service of a broker; and on the opportunities he here acquired of ascertaining the condition of most of the poorer inhabitants of the parish, his patron, the Captain, first grounded his claims to public support. Chance threw the man in our way a short time since. We were, in the first instance, attracted by his prepossessing impudence at the election; we were not surprised, on further acquaintance, to find him a shrewd knowing fellow, with no inconsiderable power of observation, and after conversing with him a little, were somewhat struck (as we dare say our readers have frequently been in other cases) with the power some men seem to have, not only of sympathizing with, but to all appearance of understanding feelings, to which they themselves are entire strangers. We had been expressing to the new functionary our surprise that he should ever have served in the capacity to which we have just adverted, when we gradually led him into one or two professional anecdotes. As are are induced to think on reflection that they will tell better, in nearly his own words, than with any attempted embellishments of our&#039;s, we will at once entitle them MR. BUNG&#039;S NARRATIVE. &quot;It&#039;s very true, as you say Sir,&quot; Mr. Bung commenced, &quot;that a broker&#039;s man&#039;s is not a life to envied; and in course you know as well as I do, though you don&#039;t say it, that people hate and scout &#039;em, because they&#039;re the Ministers of wretchedness, like, to poor people. But what could I do Sir? The thing was no worse, because I did it instead of somebody else, and if putting me in possession of a house, would put me in possession of three and sixpence a day, and levying a distress on another man&#039;s goods would relieve my distress and that of my family, it can&#039;t be expected but what I&#039;d take the job and go through with it. I never liked it, God knows; I always looked out for something else, and the moment I got other work to do I left it, and if there is any thing wrong in being the agent in such matters - not the principal mind you - I&#039;m sure the business, to a beginning like I was, at all events carries its own punishment along with it. I wished again and again that the people would only blow me up, or pitch into me - that I wouldn&#039;t have minded: it&#039;s all in my way: but it&#039;s the being shut up by yourself in one room for three days, without so much as an old newspaper to look at, or any thing to see out o&#039; the winder but the roofs and chimnies at the back of the house, or any thing to listen to but the ticking perhaps of an old Dutch clock, the sobbing of the missis now and then, the low talking of friends in the next room, who speak in whispers, lest &quot;the man&quot; should over-hear them, or perhaps the occasional opening of the door, as a child peeps in to look at you, and then runs half frightened away. - It&#039;s all this that makes you feel sneaking somehow, and ashamed of yourself; and then if it&#039;s winter time they just give you fire enough to make you think you&#039;d like more, and bring in your grub as if they wish it u&#039;d choke you - as I dare say they do, for the matter of that, most heartily. If they&#039;re very civil, they make you up a bed in the room at night; and if they don&#039;t, your master sends one in for you; but there you are, without being washed or shaved all the time, shunned by every body and spoken to by no one unless some one comes in at dinner time, and asks you whether you want any more, in a tone as much to say, &quot;I hope you don&#039;t;&quot; or, in the evening, to inquire whether you wouldn&#039;t rather have a candle, after you&#039;ve been sitting in the dark half the night. When I was left in this way, I used to sit think, think, thinking, till I felt as lonesome as a kitten in a wash-house copper with the lid on; but I believe the old brokers&#039; men, who are regularly trained to it, never think at all. I have heard some on &#039;em say, indeed, that they don&#039;t know how! &quot;I put in a good many distresses in my time (continued Mr. Bung), and in course I wasn&#039;t long in finding that some people are not as much to be pitied as others are, and that people with good incomes, who get into difficulties, which they keep patching up day after day, and week after week, get so used to these sorts of things in time, that at last they come scarcely to feel them at all. I remember the very first place I was put in possession of was a gentleman&#039;s house in this parish here, that every body would suppose couldn&#039;t help having money if he tried. I went with old Fixem, my old master, &#039;bout half-arter eight in the morning, rang the area-bell, servant in livery opened the door; &#039;Governor at home?&#039; - &#039;Yes, he is,&#039; says the man; &#039;but he&#039;s a breakfasting just now&#039; - &#039;Never mind,&#039; says Fixem, &#039;just you tell him there&#039;s a gentleman here as wants to speak to him partickler.&quot; So the servant he opens his eyes, and stares about him all ways - looking for the gentleman, as it struck me; for I don&#039;t think anybody but a man as was stone-blind would mistake Fixem for one; and as for me, I was as seedy as a cheap cowcumber. Hows&#039;ever he turns round and goes to the breakfast-parlour, which was a little snug sort of room at the end of the passage, and Fixem (as we always did in that profession) without waiting to be announced, walks in arter him; and before the servant could get out - &#039;Please Sir, here&#039;s a man as wants to speak to you&#039; - looks in at the door as familiar and pleasant as may be. &#039;Who the devil are you: and how dare you walk into a gentleman&#039;s house without leave?&#039; - says the master, as fierce as a bull in fits - &#039;My name,&#039; says Fixem, winking at the master to send the servant away, and putting the warrant into his hands folded up like a note, &#039;My name&#039;s Smith,&#039; says he,&#039; and I called from Johnson&#039;s about that business of Thompson&#039;s.&#039; - &#039;Oh,&#039; says the other, quite down upon him directly, &#039;How is Thompson?&#039; says he. - &#039;Pray sit down, Mr. Smith: John - leave the room.&#039; - Out went the servant, and the gentleman and Fixem looked at one another till they couldn&#039;t look any longer, and then they varied the amusement by looking at me, who had been standing on the mat all this time. - &#039;Hundred and fifty pounds, I see,&#039; said the gentleman at last. - &#039;Hundred and fifty pound,&#039; said Fixem &#039;besides cost of levy, sheriff&#039;s poundage, and all other incidental expenses.&#039; &#039;Um,&#039; says the gentleman, &#039;I shan&#039;t be able to settle this before to-morrow afternoon.&#039; - &#039;Very sorry; but I shall be obliged to leave my man here till then,&#039; replies Fixem, pretending to look very miserably over it. &#039;That&#039;s very unfortunate,&#039; said the gentleman, &#039;for I&#039;ve got a large party here to-night; and I&#039;m ruined if those fellows of mine get an inkling of the matter. - Just step here, Mr. Smith,&#039; says he, after a short pause; so Fixem walks with him up to the window, and after a good deal o&#039; whispering, and a little chinking of suverins, and looking at me, he comes back and says &#039;Bung: you&#039;re a handy fellow, and very honest I know. This gentleman wants an assistant to clean the plate and wait at table today; and if you&#039;re not particularly engaged,&#039; says old Fixem, grinning like mad, and shoving a couple of suverins into my hand, &#039;he&#039;ll be very glad to avail himself of your services.&#039; Well, I laughed, and the gentleman laughed, and we all laughed; and I went home and cleaned myself, leaving Fixem there; and when I went back, Fixem went away, and I polished up the plate, and waited at table, and gammoned the servants, and nobody had the least idea I was in possession; though it very nearly came out after all: for one of the last gentlemen who remained, came down stairs into the hall where I was sitting pretty late at night, and putting half a crown in my hand says, &#039;Here, my man,&#039; says he, &#039;run and get me a coach, will you?&#039; I thought it was a do to get me out of the house, and was just going to say so, sulkily enough, when the gentleman (who was up to every thing) came running down stairs as if he was in great anxiety. &#039;Bung,&#039; says he, pretending to be in a con-suming passion, &#039;Sir,&#039; says I. &#039;Why the devil an&#039;t you looking after that plate?&#039; says he. &#039;I was just going to send him or a coach for me,&#039; says the other gentleman. &#039;And I was just a going to say,&#039; says I, - &#039;Any body else, my dear fellow,&#039; interrupts the master of the house, pushing me down the passage to get me out of the way - &#039;anybody else; but I have put this man in possession of all the plate and valuables, and I cannot allow him on any consideration whatever to leave the house. Bung, damn you, go and count those forks in the breakfast-parlour instantly.&#039; You may be sure I went laughing pretty hearty when I found it was all right. The money was paid next day, with the addition of something else for myself, and that was the best job that I (and I suspect old Fixem too) ever got in that line.&quot; &quot;But this is the bright side of the picture, sir, after all,&quot; resumed Mr. Bung, laying aside the knowing look and flash air with which he had repeated the previous anecdote - &quot;and I&#039;m sorry to say it&#039;s the side one sees very - very seldom in comparison with the dark one. The civility which money will purchase is rarely extended to those who have none; and there&#039;s a consolation even in being able to patch up one difficulty to make way for another, to which very poor people are strangers. I was once put into a house down George&#039;s-yard - that little dirty court at the back of the gas-works; and I never shall forget the misery of them people, dear me. It was a distress for half a year&#039;s rent - two pound ten I think. There were only two rooms in the house, as there was no passage, the lodgers up stairs always went through the room of the people of the house, as they passed in and out, and every time they did so - which on average was about four times every quarter of an hour - they blowed up quite frightful: for their things had been seized too, and included in the inventory. There was a little piece of inclosed dust in front of the house, with a cinder path leading up to the door, and an open rain-water butt on one side. A dirty striped curtain on a very slack strong hung in the window, and a little triangular bit of broken looking-glass rested on the sill inside. I suppose it was meant for the people&#039;s use, but their appearance was so wretched and so miserable, that I&#039;m certain they never could have plucked up courage to look themselves in the face a second time, if they survived the fright of doing so once. There was two or three chairs, that might have been worth, in their best days, from eight-pence to a shilling a-piece; a small deal table; an old corner cupboard, with nothing in it, and one of those bedsteads which turn up half way, and leave the bottom legs sticking out for you to knock your head against, or hang your hat upon; no bed, no bedding. There was an old sack, by way of rug, before the fire-place, and four or five children were grovelling about among the sand on the floor. The execution was only put in to get &#039;em out of the house, for there was nothing to take to pay the expenses; and here I stopped for three days, though that was a mere form too: for in course I knew, and we all knew, they could never pay the money. In one of the chairs by the side of the place where the fire ought to have been, was an old &#039;ooman - the ugliest and dirtiest I ever see - who sat rocking herself backwards and forwards, backwards and forwards without once stopping, except for an instant, now and then, to clasp together the withered hands which, with these exceptions, she kept constantly rubbing upon her knees, just raising and depressing her fingers convulsively, in time to the rocking of the chair. On the other side sat the mother with an infant in her arms which cried &#039;till it cried itself to sleep, and when it woke, cried &#039;till it cried itself off again. The old &#039;ooman&#039;s voice I never heard; she seemed completely stupified; and as to the mother&#039;s, it would have been better if she had been so too; for misery changed her to a devil; if you had heard how she cursed the little naked children as was rolling on the floor, and seen how savagely she struck the infant when it cried with hunger, you&#039;d have shuddered as much as I did. There they remained all the time: the children eat a morsel of bread once or twice, and I gave &#039;em best part of the dinners my missis brought me; but the women eat nothing: they never even laid down on the bedstead, nor was the room swept or cleaned all the time. The neighbours were all too poor themselves to take any notice of &#039;em; but what I could make out from the abuse of the woman up-stairs, it seemed the husband had been transported a few weeks before. When the time was up, the landlord and old Fixem too, got rather frightened about the family; and so they made a stir about it, and got &#039;em taken to the workhouse. They sent the sick couch for the old &#039;ooman; and Simmons took the children away at night. The old &#039;ooman went into the infirmary, and very soon died. The children are all in the house to this day, and very comfortable they are in comparison; as to the mother, there was no taming her at all. She had been a quiet, hard-working woman, I believe; but her misery had actually drove her wild; so after she had been sent to the House of Correction half a dozen times, for throwing inkstands at the overseers, blaspheming the churchwardens, and smashing every body as come near her, she burst a blood vessel one mornin&#039;, and died too - and a happy release it was, both for herself and the old paupers male and female, which she used to tip over in all directions, as if they were so many skittles, and she the ball. &quot;Now this was bad enough,&quot; resumed Mr. Bung, taking a half-step towards the door, as if to intimate that he had nearly concluded. &quot;This was bad enough, but there was a sort of quiet misery - if you understand what I mean by that, Sir - about a lady at one house I was put into, as touched me a good deal more. It doesn&#039;t matter where it was exactly; indeed, I&#039;d rather not say; but it was the same sort o&#039;job. I went with Fixem in the usual way - there was a year&#039;s rent in arrear; a very small servant-girl opened the door, and three or four fine looking little children was in the front parlour we was shown into, which was very clean, but very scantily furnished, much like the children themselves. &#039;Bung,&#039; says Fixem to me in a low voice when we were left alone for a minute, &#039;I know something about this here family, and my opinion is, it&#039;s no go.&#039; &#039;Do you think they can&#039;t settle?&#039; says I, quite anxiously: for I liked the looks of them children. Fixem shook his head, and was just about to reply when the door opened, and in come a lady as white as ever I see any one in my days, except about the eyes, which were red with crying. She walked in as firm as I could have done: shut the door carefully after her, and sat herself down with a face as composed as if it was made of stone. &#039;What is the matter, gentlemen,&#039; says she, in a surprisin&#039; steady voice. &#039;Is this an execution?&#039; &#039;It is, Mum,&#039; says Fixem. The lady looked at him as steady as ever; she didn&#039;t seem to have understood him. &#039;It is, Mum,&#039; says Fixem again, &#039;this is my warrant of distress, Mum&#039; says he, handing it over as polite as if it was a newspaper which had been bespoke arter the next gentleman. The lady&#039;s lip trembled as she took the printed paper. She cast her eye over it, and old Fixem began to explain the form, but I saw she wasn&#039;t reading it, plain enough, poor thing. &#039;Oh, my God!&#039; says she, suddenly a-bursting out crying, letting the warrant fall, and hiding her fact in her hands. &#039;Oh, my God! what will become of us?&#039; The noise she made brought in a young lady of about nineteen or twenty, who, I suppose, had been a-listening at the door: she&#039;d got a little boy in her arms; she sat him down in the lady&#039;s l ap, without speaking, and she hugged the poor little fellow to her bosom and cried over him, till even old Fixem put on his blue spectacles to hide the two tears that was a trickling down, one on each side of his dirty face. &#039;Now, dear Ma,&#039; says the young lady, &#039;you know how much you have borne. For all our sakes: for Pa&#039;s sake,&#039; says the lady, &#039;don&#039;t give way to this!&#039; &#039;No, no, I won&#039;t!&#039; says the lady, gathering herself up hastily and drying her eyes; &#039;I am very foolish, but I&#039;m better now - much better.&#039; And then she roused herself up; went with us into every room while we took the inventory; opened all the drawers of her own accord; sorted the children&#039;s little clothes to make the work easier; and, except doing everything in a strange sort of hurry, seemed as calm and composed as if nothing had happened. When we came down stairs again, she hesitated a minute or two, and at last says, &#039;Gentleman,&#039; says she, &#039;I am afraid I have done wrong, and perhaps it may bring you into trouble. I secreted just now,&#039; she says, &#039;the only trinket I have left in the world - here it is.&#039; So she lays down on the table a little miniature mounted in gold. &#039;It&#039;s a miniature,&#039; she says, &#039;of my poor dear father! I little thought, once that I should ever thank God for depriving me of the original; but I do, and have done for years back, most fervently. Take it away, sir,&#039; she says, &#039;it&#039;s a face that never turned from me in sickness or distress, and I can hardly bear to turn from it now, when, God knows, I suffer both in no ordinary degree.&#039; - I couldn&#039;t say nothing, but I raised my head from the inventory which I was filling up, and looked at Fixem; the old fellow nodded to me significantly; so I ran my pen through the &#039;Mini&#039; - I had just written, and left the miniature on the table. &quot;Well, sir, to make short of a long story, I was left in possession, and in possession I remained; and though I was an ignorant man, and the master of the house a clever one, I saw what he never did, but what he would give worlds now (if he had &#039;em) to have seen in time. I saw, sir, that his wife was wasting away beneath cares of which she never complained, and griefs she never told. I saw that she was dying before his eyes: I knew that an exertion from him might have saved her; but he never made it. I don&#039;t blame him: I don&#039;t think he could rouse himself. She had for so long anticipated all his wishes, and acted for him, that he was a lost man when left to himself. I used to think when I caught sight of her, in the clothes she used to wear, which looked shabby even upon her, and would have been scarcely decent on any one else, that if I was a gentleman it would wring my very heart to see the woman that was a smart and merry girl when I courted her, so altered through her love for me. Bitter cold and damp weather it was; yet though her dress was thin, and her shoes none of the best, during the whole three days, from morning to night, she was out of doors running about to try and raise the money. The money was raised, and the execution was paid out. The whole family crowded into the room where I was when the money arrived. The father was quiet happy as the inconvenience was removed - I dare say he didn&#039;t know how - the children looks merry and cheerful again; the eldest girl was bustling about making preparations for the first comfortable meal they had had since the distress was put in - and the mother looked pleased to see them all so; but if ever I saw death in a woman&#039;s face, I saw it in her&#039;s, that night. &quot;I was right, sir,&quot; concluded Mr. Bung, hurriedly passing his coat-sleeve over his face. &quot;The family grew more prosperous, and good fortune arrived. But it was too late. Those children are motherless now, and their father would give up all that he has since gained - house, home, goods, money; all that he has, or ever can have to restore the wife he has lost. (To be continued.)https://dickenssearch.com/files/original/5/Sketches_of_London_No._XVIII_Our_Parish_[IV]/1835-07-28_The_Evening_Chronicle_Sketches_of_London_No._XVIII_Our_Parish_IV.pdf
59https://dickenssearch.com/items/show/59'Sketches of London, No. XX, Our Parish' (V)Published in <em>The Evening Chronicle</em> (20 August 1835).Dickens, Charles<em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350820/022/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350820/022/0003</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1835-08-20">1835-08-20</a><em>British Newspaper Archive,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350820/022/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350820/022/0003</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+Story">Short Story</a>1835-08-20_The_Evening_Chronicle_Sketches_of_London_NoXX_Our_ParishVDickens, Charles. 'Sketches of London, No. XX, Our Parish' (V) (20 August 1835). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-08-20_The_Evening_Chronicle_Sketches_of_London_NoXX_Our_ParishV">https://dickenssearch.com/short-stories/1835-08-20_The_Evening_Chronicle_Sketches_of_London_NoXX_Our_ParishV</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Evening+Chronicle">The Evening Chronicle</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BOZ">BOZ</a><a href="https://dickenssearch.com/teibp/dist/content/1835-08-20_The_Evening_Chronicle_Sketches_of_London_NoXX_Our_ParishV.xml" target="_blank" rel="noopener"><span>'Sketches of London, No. XX, Our Parish' (V). <em>The Evening Chronicle</em> (20 August 1835).</span></a>18350820Our Parish is very prolific in ladies’ charitable societies. In winter, when wet feet are common and colds not scarce, we have the ladies’ soup distribution society, the ladies’ coal distribution society, and the ladies’ blanket distribution society; in summer, when stone fruits flourish and stomach-aches prevail, we have the ladies’ dispensary, and the ladies’ sick visitation committee; and all the year round we have the ladies’ child’s examination society, the ladies’ bible and prayer-book circulation society, and the ladies’ child-bed linen monthly loan society. The two latter are decidedly the most important; whether they are productive of more benefit than the rest is not for us to say, but we can take upon ourselves to affirm, with the utmost solemnity, that they create a greater stir and more bustle than all the others put together. We should be disposed to say, on the first blush of the matter, that the bible and prayer-book society is not so popular as the child-bed linen society; the bible and prayer-book society has, however, considerably increased in importance within the last year or two; having derived some adventitious aid from the factious opposition of the child’s examination society, which factious opposition originated in manner following: - When the young curate was popular, and all the unmarried ladies in the parish took a serious turn, the charity children all at once became objects of peculiar and especial interest. The three Miss Browns (enthusiastic admirers of the curate) taught, and exercised, and examined, and re-examined the unfortunate children, until the boys grew pale, and the girls consumptive with study and fatigue. The three Miss Browns stood it out very well, because they relieved each other; but the children, having no relief at all, exhibited decided symptoms of weariness and care. The unthinking part of the parishioners laughed at all this, but the more reflective portion of the inhabitants abstained from expressing any opinion on the subject until that of the curate had been clearly ascertained. The opportunity was not long wanting. The curate preached a charity sermon on behalf of the charity school; and in the charity sermon aforesaid, expatiated in glowing terms on the praiseworthy and indefatigable exertions of certain estimable individuals. Sobs were heard to issue from the three Miss Browns’ pew; the pew opener of the division was seen to hurry down the centre aisle to the vestry door, and to return immediately, bearing a glass of water in her hand; a low moaning ensued; two more pew openers rushed to the spot, and the three Miss Browns, each supported by a pew opener, were led out of the church, and led in again after a lapse of five minutes with white pocket handkerchiefs to their eyes, as if they had been attending a funeral in the churchyard adjoining. If any doubt had for a moment existed, as to whom the allusion was intended to apply, it was at once removed. The wish to enlighten the charity children became universal, and the three Miss Browns were unanimously besought to divide the school into classes, and to assign each class to the superintendence of two young ladies. A little learning is a dangerous thing, but a little patronage is more so: the three Miss Browns appointed all the old maids, and carefully excluded the young ones. Maiden aunts triumphed: mammas were reduced to the lowest depths of despair; there is no telling in what act of violence the general indignation against the three Miss Browns might have vented itself, had not a perfectly providential occurrence changed the tide of public feeling. Mrs. Johnson Parker, the mother of seven extremely fine girls - all unmarried - hastily reported to several other mamma&#039;s of several other unmarried families, that five old men, six old women, and children innumerable, in the free seats near her pew, were in the habit of coming to church every Sunday without either bible or prayer-book. Was this to be borne in a civilized country? Could such things be tolerated in a christian land? Never! A Ladies’ Bible and Prayer-book Distribution Society was instantly formed: President, Mrs. Johnson Parker; treasurers, auditors, and secretary, the Misses Johnson Parker: subscriptions were entered into; books were bought, all the free seat people provided therewith; and when the first lesson was given out on the first Sunday succeeding these events, there was such a dropping of books, and rustling of leaves, that it was morally impossible to hear one word of the service for five minutes afterwards. The three Miss Browns and their party saw the approaching danger, and endeavoured to avert it by ridicule and sarcasm. Neither the old men nor the old women could read their books now they had got em, said the three Miss Browns. Never mind; they could learn, replied Mrs. Johnson Parker. The children couldn’t read either, suggested the three Miss Browns. No matter; they could be taught, retorted Mrs. Johnson Parker. A balance of parties took place. The Miss Browns publicly examined - popular feeling inclined to the child’s examination society. The Miss Johnson Parkers&#039; publicly distributed -a re-action took place in favour of the prayer-book distribution. A feather would have turned the scale, and a feather did turn it. A missionary returned from the West Indies; he was to be presented to the Dissenters’ Distribution Society on his marriage with a wealthy widow. Overtures were made to the Dissenters by the Johnson Parkers. Their object was the same, and why not have a joint meeting of the two societies? The proposition was accepted. The meeting was duly heralded by public announcement, and the room was crowded to suffocation. The missionary appeared on the platform; he was hailed with enthusiasm. He repeated a dialogue he had heard between two negroes behind a hedge, on the subject of distribution societies; he approbation was tumultuous. He gave an imitation of the two negroes in broken English; the roof was rent with applause. From that period we date (with one trifling exception) a daily increase in the popularity of the Distribution Society - an increase of popularity which the feeble and impotent opposition of the examination party has only tended to augment. Now, the great points about the Child-bed Linen Monthly Loan Society are, that it is less dependent on the fluctuations of public opinion than either the distribution or the child’s examination, and that come what may, there is never any lack of objects on which to exercise its benevolence. Our parish is a very populous one, and if anything, contributes, we should be disposed to say, rather more than its due share to the aggregate amount of births in the metropolis and its environs. The consequence is, that the Monthly Loan Society flourishes, and invests its members with a most enviable amount of bustling patronage. The society (whose only notion of dividing time, would appear to be its allotment into months) holds monthly tea-drinkings, at which the monthly report is received, a secretary elected for the month ensuing, and such of the monthly boxes as may not happen to be out on loan for the month, carefully examined. We were never present at one of these meetings, from all of which it is scarcely necessary to say, gentlemen are carefully excluded; but Mr. Bung has been called before the Board once or twice; and we have his authority for stating that its proceedings are conducted with great order and regularity, not more than four members being allowed to speak at one time on any pretence whatever. The regular committee is composed exclusively of married ladies, but a vast number of young unmarried ladies of from 18 to 25 years of age, respectively, are admitted as honorary members; partly because they are very useful in replenishing the boxes, and visiting the confined; partly because it is highly desirable that they should be initiated, at an early period, into the more serious and matronly duties of after life; and partly because prudent mammas have not unfrequently been known to turn this circumstance to wonderfully good account in matrimonial speculations. In addition to the loan of the monthly boxes (which are always painted blue, with the name of the society in large white letters on the lid), the society dispense occasional grants of beef tea, and a composition of warm beer, spice, eggs, and sugar, commonly known by the name of &quot;caudle,&quot; to its patients. And here again the services of the honorary members are called into requisition, and most cheerfully conceded. Deputations of twos or threes are sent out to visit the patients, and on these occasions there is such a tasting of caudle and beef tea, such a stirring about of little messes in tiny saucepans on the hob, such a dressing and undressing of infants, such a tying and folding, and pinning, such a nursing and warming of little legs and feet before the fire, such a delightful confusion of talking and cooking, bustle, importance, and officiousness, as never can be enjoyed in its full extent but on similar occasions. In rivalry of these two institutions, and as a last expiring effort to acquire parochial popularity, the child’s examination people determined, the other day on having a grand public examination of the pupils; and the large school-room of the national seminary was, by and with the consent of the parish authorities, devoted to the purpose. Invitation circulars were forwarded to all the principal parishioners, including, of course, the heads of the other two societies, for whose especial behoof and edification the display was intended; and a large audience was confidently anticipated on the occasion. The floor was carefully scrubbed the day before, under the immediate superintendence of the three Miss Browns; forms were placed across the room for the accommodation of the visitors; specimens in writing were carefully selected, and as carefully patched and touched up, until they astonished the children who had written them, rather more than the company who read them; sums in compound addition were re-hearsed and re-hearsed until all the children had the totals by heart; and the preparations altogether were on the most laborious and most comprehensive scale. The morning arrived, the children were yellow-soaped, and flannelled, and towelled, &#039;til their faces shone again; every pupil’s hair was carefully combed into his or her eyes, as the case might be; the girls were adorned with snow-white tippets, and caps bound round the head by a single purple ribbon: the necks of the elder boys were fixed into collars of startling dimensions. The doors were thrown open and the Miss Browns and Co. were discovered in plain white muslin dresses and caps of the same - the child’s examination uniform. The room filled; the greetings of the company were loud and cordial; the distributionists trembled, for their popularity was at stake. The eldest boy fell forward, and delivered a propitiatory address from behind his collar. It was from the pen of Mr. Henry Brown; the applause was universal, and the Johnson Parkers were aghast. The examination proceeded with success, and terminated in triumph. The Child’s Examination Society gained a momentary victory, and the Johnson Parkers retreated in despair. A secret council of the distributionists was held that night - Mrs. Johnson Parker in the Chair - to consider of the best means of recovering the ground they had lost in the favour of the parish. What could be done? Another meeting! alas! who was to attend it? The Missionary would not do twice; and the slaves were emancipated. A bold step must be taken; the parish must be astonished in some way or other; but no one was able to suggest what the step should be. At length a very old lady was heard to mumble in indistinct tones, &quot;Exeter Hall.&quot; A sudden light broke in upon the meeting. It was unanimously resolved that a deputation of old ladies should wait upon Mr. Somebody O&#039;Something, a celebrated Catholic renegade and Protestant bigot, imploring his assistance, and the favour of a speech; and that the deputation should also wait on two or three other imbecile old women, not resident in the parish, and entreat their attendance. The application was successful; the meeting was held; the Irishman came: he talked of green isles - other shores - vast Atlantic - bosom of the deep - Christian charity - blood and extermination - mercy in hearts - arms in hands - altars and homes - household gods - wiped his eyes, blew his nose, and quoted Latin. The effect was tremendous - the Latin was a decided hit. Nobody knew exactly what it was about, but everybody knew it must be affecting, because even the orator was overcome. The popularity of the Distribution Society among the ladies of our parish is unprecedented; and the Child’s Examination is fast going to decay. [To be continued].https://dickenssearch.com/files/original/5/Sketches_of_London_No._XX_Our_Parish_[V]/1835-08-20_The_Evening_Chronicle_Sketches_of_London_Our_Parish_No.XX.pdf
79https://dickenssearch.com/items/show/79'Solo – Cassio'From Act 1, Scene 4 of <em>O'Thello</em> (1833-1834).Dickens, CharlesBeinecke Library, Yale University.; Manuscript.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1833">1833</a>; <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1834">1834</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1833-34_Othello_Solo_Cassio<span>Dickens, Charles. 'Solo – Cassio.' <em>O'Thello&nbsp;</em>(1833-34).</span><span>&nbsp;</span><i>Dickens Search.<span>&nbsp;</span></i><span>Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;</span><a href="https://dickenssearch.com/verse/1833-34_Othello_Solo_Cassio">https://dickenssearch.com/verse/1833-34_Othello_Solo_Cassio</a><span>.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=O%27Thello">O&#039;Thello</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">Play</a><a href="https://dickenssearch.com/teibp/dist/content/1833-34_Othello_Solo_Cassio.xml" target="_blank" rel="noopener"><span>'Solo – Cassio.' <em>O'Thello&nbsp;</em>(1833-34).</span></a>18330101Air – &quot;When in death I shall calm recline&quot; When in death I shall calm recline Oh take me home to my &quot;Missus&quot; dear Tell her I&#039;ve taken a little more wine Than I could carry, or very well bear Bid her not scold me on the morrow For staying out drinking all night But several bottles of Soda borrow To cool my coppers and set me right.
80https://dickenssearch.com/items/show/80'Solo – The Great Unpaid'From Act 2, <em>O'Thello</em> (1833-1834).Dickens, CharlesBeinecke Library, Yale University.; Manuscript.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1833">1833</a>; <a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1834">1834</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1833-34_Othello_Solo_The_Great_Unpaid<span>Dickens, Charles. 'Solo – The Great Unpaid.'&nbsp;<em>O'Thello&nbsp;</em>(1833-34).</span><span>&nbsp;</span><i>Dickens Search.<span>&nbsp;</span></i><span>Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;</span><a href="https://dickenssearch.com/verse/1833-34_Othello_Solo_The_Great_Unpaid">https://dickenssearch.com/verse/1833-34_Othello_Solo_The_Great_Unpaid</a><span>.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=O%27Thello">O&#039;Thello</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">Play</a><a href="https://dickenssearch.com/teibp/dist/content/1833-34_Othello_Solo_The_Great_Unpaid.xml" target="_blank" rel="noopener"><span>'Solo – The Great Unpaid.' <em>O'Thello&nbsp;</em>(1833-34).</span></a>18330101Air – &quot;Merrily Oh&quot; Merrily ev&#039;ry heart will bound here Merrily oh Merrily oh! If with success our piece is crowned here Merrily oh! Merrily oh! If our humble efforts meet with yr applause Aand your smiles assure us, we have gained our cause Merrily every heart will bound here Merrily oh Merrily oh! Chorus. Repeat the whole
115https://dickenssearch.com/items/show/115'Song – Fanny'From Act 1, Scene 2 of <em>The Strange Gentleman</em> (Lord Chamberlain’s Copy, 1836).Dickens, CharlesLord Chamberlain’s Copy, British Library.; <span>'Song – Fanny.' <em>The Strange</em> <em>Gentleman</em>. </span><em>The Letters of Charles Dickens. The</em><span>&nbsp;</span><em>Pilgrim Edition.<span>&nbsp;</span></em><span>Edited by Madeline House and Graham Storey. Volume 1 (1820-1839), p. 696-697. Oxford University Press, 1965.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836">1836</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Poem">Poem</a>1836_The_Strange_Gentleman_Song_FannyDickens, Charles. 'Song – Fanny.' <em>The Strange Gentleman</em> (1836). <em>Dickens Search</em>. Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836_The_Strange_Gentleman_Song_Fanny">https://dickenssearch.com/verse/1836_The_Strange_Gentleman_Song_Fanny</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Strange+Gentleman">The Strange Gentleman</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">Play</a><a href="https://dickenssearch.com/teibp/dist/content/1836_The_Strange_Gentleman_Song_Fanny.xml" target="_blank" rel="noopener">'Song – Fanny.' <em>The Strange Gentleman&nbsp;</em>(Lord Chamberlain’s Copy, 1836).</a>18360101Tis Hope that cheers the lover’s breast And lulls the troubled mind to rest – Hope is the sailors leading star The Warriors shield in fiercest War – The youth, the aged to it cling ‘Twill comfort to the wretched bring. Then in my bosom let it dwell For there will ever be a spell In hope, fond hope. 2 The Captive bears the galling chain Nor thinks he call’s on hope in vain The Miser as he views his store Fears to lose, still hopes for more In hope there is a charm divine That all the joys of life combine. Then in my bosom let it dwell For there will ever be a spell In hope, fond hope.
118https://dickenssearch.com/items/show/118'Song – Felix Tapkins'From <em>Is She His Wife? Or, Something Singular!</em> (<span>Lord Chamberlain’s Copy, </span>27 February 1837).Lord Chamberlain’s Copy, British Library.; <span>'Song – Felix Tapkins.' <em>Is She His Wife? Or, Something Singular!</em>.&nbsp;</span><em>The Letters of Charles Dickens. The</em><span>&nbsp;</span><em>Pilgrim Edition.<span>&nbsp;</span></em><span>Edited by Madeline House and Graham Storey. Volume 1 (1820-1839), p. 698-699. Oxford University Press, 1965.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1837-02-27">1837-02-27</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1837-02-27_Is_She_His_Wife_Or_Something_Singular_Song_Felix_TapkinsDickens, Charles. 'Song – Felix Tapkins.' <em>Is She His Wife? Or, Something Singular!</em> (27 February 1837). <em>Dickens Search</em>. Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1837-02-27_Is_She_His_Wife_Or_Something_Singular_Song_Felix_Tapkins">https://dickenssearch.com/verse/1837-02-27_Is_She_His_Wife_Or_Something_Singular_Song_Felix_Tapkins</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Is+She+His+Wife%3F+Or%2C+Something+Singular%21">Is She His Wife? Or, Something Singular!</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">Play</a><a href="https://dickenssearch.com/teibp/dist/content/1837-02-27_Is_She_His_Wife_Or_Something_Singular_Song_Felix_Tapkins.xml" target="_blank" rel="noopener">'Song – Felix Tapkins.' <em>Is She His Wife? Or, Something Singular!</em> (27 February 1837).</a>183702271. It was in search of wonders so high and so low That the flying Phemominon, said he would go Where no mortal man had e’re been before For he, all the world was resolved to explore. 2. With wings made of leather, of steel, and of steam Of wonders he said, he should sure be the theme For who in the world could with him compare As like a great Goose he should fly thro’ the air. 3. No sooner the Globe he resolved o’er to range Then of linen, he packed in his bag up a change To give Mankind the bag, he thought it no harm So his bag he took with him just under his arm. 4. In the Morning it was, he first took his flight And in Greece on a Turkey, he supp’d the same night – He dined on his way, at Hamberg, upon Ham – And in Tartary, sipp’d his Bohe with the Cham. 5. In the Artic regeons, twas he took his lunc And on an Ice-burg – why he drank Ice’d punch. His heart was so full, it he couldn’t control So he sat and he sung on the famous North Pole. 6. He paid him a visit to Venus and Mars To the Sun, to the Moon, and the seven stars He shook hands with Satan, and then I declare That he had a hug of the very great Bear. 7. With a fiery Comit, he then tried his pace And in spite of its tail why he won the race But much further of, he couldn’t well roam For he sing’d all his wings, and was forced to come home. 8. Now I think that with me, you all will agree That a cleverer chap, sure there never could be But if what I have said, should not be quite right Why like him, I’ve indulged in fancy’s flight.
114https://dickenssearch.com/items/show/114'Song – Julia'From Act 1, Scene 2 of <em>The Strange Gentleman</em> (Lord Chamberlain’s Copy, 1836).Dickens, CharlesLord Chamberlain’s Copy, British Library.; <span>'Song – Julia.' <em>The Strange</em> <em>Gentleman</em>. </span><em>The Letters of Charles Dickens. The</em><span>&nbsp;</span><em>Pilgrim Edition.<span>&nbsp;</span></em><span>Edited by Madeline House and Graham Storey. Volume 1 (1820-1839), p. 696. Oxford University Press, 1965.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836">1836</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1836_The_Strange_Gentleman_Song_JuliaDickens, Charles. 'Song – Julia.' <em>The Strange Gentleman</em> (1836). <em>Dickens Search</em>. Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836_The_Strange_Gentleman_Song_Julia">https://dickenssearch.com/verse/1836_The_Strange_Gentleman_Song_Julia</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Strange+Gentleman">The Strange Gentleman</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">Play</a><a href="https://dickenssearch.com/teibp/dist/content/1836_The_Strange_Gentleman_Song_Julia.xml" target="_blank" rel="noopener">'Song – Julia.' <em>The Strange Gentleman&nbsp;</em>(Lord Chamberlain’s Copy, 1836).</a>18360101Ah, me, I am a lonely maid That’s made alone to sigh, Ah, me, I am so sore afraid That I a maid shall die. I’m sure I am not very tall Tho’ long enough I’ve waited Nor yet am I so very small Th’ I’m so underrated. I for a husband try each day But can’t a husband gain Each night I for a husband pray But praying is in vain.
108https://dickenssearch.com/items/show/108'Song of the Ghost of Gaffer Thumb'From <em>Tom Thumb </em>(Twelfth Night celebrations at Tavistock House, January 1854).Dickens, Charles<em>The Plays and Poems of Charles Dickens.</em> Edited by Richard Herne Shepherd. Volume 1 (1882), p. 85. W. H. Allen &amp; Company.&nbsp; <a href="https://www.google.com/books/edition/The_Plays_and_Poems_of_Charles_Dickens/XbZJAQAAMAAJ" target="_blank" rel="noopener">https://www.google.com/books/edition/The_Plays_and_Poems_of_Charles_Dickens/XbZJAQAAMAAJ</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1854-01">1854-01</a><em>Google Books,</em> Fair Use.Inserted into an amateur performance of Kane O'Hara's <em>Tom Thumb </em>n.d (early 19th century) <a href="https://www.loc.gov/item/2010667656/" target="_blank" rel="noopener">https://www.loc.gov/item/2010667656/</a>. Dickens's poem was written to replace O'Hara's 'AIR. - GHOST' (Scene IV, p 221). O'Hara's play was adapted from Henry Fielding's <em>The Tragedy of Tragedies; or, The Life and Death of Tom Thumb the Great</em> (1731), which was in turn expanded from Fielding's original <em>Tom Thumb. A Tragedy</em> (1730).<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1854-01_Tom_Thumb_Song_of_the_Ghost_of_Gaffer_ThumbDickens, Charles. 'Song of the Ghost of Gaffer Thumb.' <em>Tom Thumb </em>(1854). <em>Dickens Search</em>. Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1854-01_Tom_Thumb_Song_of_the_Ghost_of_Gaffer_Thumb">https://dickenssearch.com/verse/1854-01_Tom_Thumb_Song_of_the_Ghost_of_Gaffer_Thumb</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Tom+Thumb">Tom Thumb</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">Play</a><a href="https://dickenssearch.com/teibp/dist/content/1854-01_Tom_Thumb_Song_of_the_Ghost_of_Gaffer_Thumb.xml" target="_blank" rel="noopener">'Song of the Ghost of Gaffer Thumb.'&nbsp;<em>Tom Thumb&nbsp;</em>(January 1854).</a>18540101I&#039;ve got up from my churchyard bed, And assumed the perpendicular, Having something to say in my head, Which isn&#039;t so very particular! I do not appear in sport, But in earnest, all danger scorning - I&#039;m in your service, in short, And I hereby give you warning - [Cock crows.] Who&#039;s dat crowing at the door? Dere&#039;s some one in the house with Dinah! I&#039;m call&#039;d (so can&#039;t say any more) By a voice from Cochin China!https://dickenssearch.com/files/original/3/Song_of_the_Ghost_of_Gaffer_Thumb/1854_Song_of_the_Ghost_of_Gaffer_Thumb_The_Plays_and_Poems_of_Charles_Dickens.pdf
7https://dickenssearch.com/items/show/7'Song of the Month. No. VIII.'Published in <em>Bentley's Miscellany</em> (1 August 1837).Dickens, Charles<em>HathiTrust</em><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1837-08-01">1837-08-01</a><em>HathiTrust</em>, <a href="https://babel.hathitrust.org/cgi/pt?id=njp.32101055306201&amp;view=1up&amp;seq=133&amp;q1=August" target="_blank" rel="noopener">https://babel.hathitrust.org/cgi/pt?id=njp.32101055306201&amp;view=1up&amp;seq=133&amp;q1=August</a>. Public Domain, Google-digitized.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1837-08-01_Bentleys_Miscellany_Song_of_the_Month_NoVIIIDickens, Charles. 'Song of the Month. No. VIII.' Bentley's Miscellany (1 August <span>1837</span>): p. 109. <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1837-08-01_Bentleys_Miscellany_Song_of_the_Month_NoVIII">https://dickenssearch.com/verse/1837-08-01_Bentleys_Miscellany_Song_of_the_Month_NoVIII</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Bentley%27s+Miscellany">Bentley&#039;s Miscellany</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Periodical">Periodical</a><a href="https://dickenssearch.com/teibp/dist/content/1837-08-01_Bentleys_Miscellany_Song_of_the_Month_NoVIII.xml" target="_blank" rel="noopener">'Song of the Month. No. VIII.' <em>Bentley's Miscellany </em>(1 August 1837): p. 109.</a>18370801Of all the months in the twelve that fly So lightly on, and noiselessly by, There is not one who can show so fair As this, with its soft and balmy air. The light graceful corn waves to and fro, Tinging the earth with its richest glow; The forest trees in their state and might Proclaim that Summer is at his height. Of all the months in the twelve that speed So quickly by, with so little heed From man, of the years that swiftly pass As an infant’s breath from a polished glass, There is not one whose fading away Bears such a lesson to mortal clay, Warning us sternly, when in our prime, To look for the withering winter time. I stood by a young girl’s grave last night, Beautiful, innocent, pure, and bright, Who, in the bloom of her summer’s pride, And all its loveliness, drooped and died. Since the sweetest flow’rs are soonest dust, As truest metal is quick to rust, Look for a change in that time of year, When Nature’s works at their best appear.https://dickenssearch.com/files/original/3/Song_of_the_Month._No._VIII./1837-08-01_Song_of_the_Month_No_VIII.jpg
24https://dickenssearch.com/items/show/24'Squire Norton's Song (I)'From <em>The Village Coquettes, An Operatic Burletta in Two Acts </em>(1836). Music by John Hullah.Dickens, Charles<p class="p1"><i>The Village Coquettes, An Operatic Burletta in Two Acts </i>(1836). London: John Dicks.<span class="Apple-converted-space">&nbsp;</span></p>; Internet Archive, <a href="https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater" target="_blank" rel="noopener">https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836">1836</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Hullah%2C+John">Hullah, John</a><p class="p1"><i>Internet</i><span>&nbsp;<em>Archive</em>: Access to the Archive’s Collections is provided at no cost and is granted for scholarship and research purposes only (</span><span class="s1"><a href="https://archive.org/about/terms.php" target="_blank" rel="noopener">https://archive.org/about/terms.php</a>).</span></p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1836_The_Village_Coquettes_Squire_Nortons_SongI<p class="p1">Dickens, Charles. 'Squire Norton's Song (I).' <i>The Village Coquettes </i>(1836): p. 5. <i>Dickens Search. </i>Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836_The_Village_Coquettes_Squire_Nortons_SongI">https://dickenssearch.com/verse/1836_The_Village_Coquettes_Squire_Nortons_SongI</a>.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Village+Coquettes%2C+An+Operatic+Burletta+in+Two+Acts">The Village Coquettes, An Operatic Burletta in Two Acts</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">Play</a><a href="https://dickenssearch.com/teibp/dist/content/1836_The_Village_Coquettes_Squire_Nortons_SongI.xml" target="_blank" rel="noopener">'Squire Norton's Song (I).' <em>The Village Coquettes, An Operatic Burletta in Two Acts&nbsp;</em>(1836).</a>18360101That very wise head, old Æsop, said, The bow should be sometimes loose; Keep it tight for ever, the string you sever: – Let’s turn his old moral to use. The world forget, and let us yet, The glass our spirits buoying, Revel to-night, in those moments bright, Which make life worth enjoying. The cares of the day, old moralists say, Are quite enough to perplex one; Then drive to-day’s sorrow away till to-morrow, And then put it off till the next one. Chorus – The cares of the day, &amp;c. Some plodding old crones, the heartless drones! Appeal to my cool reflection, And ask me whether, such nights can ever Charm sober recollection. Yes, yes! I cry, I’ll grieve and die, When those I love forsake me; But while friends so dear, surround me here, Let care, if he can, o’ertake me. Chorus – The cares of the day, &amp;c.https://dickenssearch.com/files/original/3/Squire_Norton_s_Song_[I]/Squire_Nortons_Song_I_The_Village_Coquettes.png
28https://dickenssearch.com/items/show/28'Squire Norton's Song (II)'From <em>The Village Coquettes, An Operatic Burletta in Two Acts </em>(1836). Music by John Hullah.Dickens, Charles<p class="p1"><i>The Village Coquettes, An Operatic Burletta in Two Acts </i>(1836). London: John Dicks.<span class="Apple-converted-space">&nbsp;</span></p>; Internet Archive, <a href="https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater" target="_blank" rel="noopener">https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836">1836</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Hullah%2C+John">Hullah, John</a><p class="p1"><i>Internet</i><span>&nbsp;<em>Archive</em>: Access to the Archive’s Collections is provided at no cost and is granted for scholarship and research purposes only (</span><span class="s1"><a href="https://archive.org/about/terms.php" target="_blank" rel="noopener">https://archive.org/about/terms.php</a>).</span></p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1836_The_Village_Coquettes_Squire_Nortons_SongII<p class="p1">Dickens, Charles. 'Round.' <i>The Village Coquettes </i>(1836): p. 9. <i>Dickens Search. </i>Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836_The_Village_Coquettes_Squire_Nortons_SongII">https://dickenssearch.com/verse/1836_The_Village_Coquettes_Squire_Nortons_SongII</a>.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Village+Coquettes%2C+An+Operatic+Burletta+in+Two+Acts">The Village Coquettes, An Operatic Burletta in Two Acts</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">Play</a><a href="https://dickenssearch.com/teibp/dist/content/1836_The_Village_Coquettes_Squire_Nortons_SongII.xml" target="_blank" rel="noopener">'Squire Norton's Song (II).' <em>The Village Coquettes, An Operatic Burletta in Two Acts</em> (1836).</a>18360101The child and the old man sat alone In the quiet, peaceful shade Of the old green boughs, that had richly grown In the deep, thick forest glade. It was a soft and pleasant sound, That rustling of the oak; And the gentle breeze played lightly round, As thus the fair boy spoke: – ‘Dear father, what can honour be, Of which I hear men rave? Field, cell and cloister, laud and sea, The tempest and the grave:  – It lives in all, ‘tis sought in each, ‘Tis never heard or seen: Now tell me, father, I beseech, What can this honour mean?’ ‘It is a name – a name, my child, - It lived in other days, When men were rude, their passions wild, Their sport, thick battle-frays. When, in armour bright, the warrior bold Knelt to his lady’s eyes: Beneath the abbey pavement old That warrior’s dust now lies. ‘The iron hearts of that old day Have mouldered in the grave; And chivalry has passed away, With knights so true and brave; The honour, which to them was life, Throbs in no bosom now; It only gilds the gambler’s strife, Or decks the worthless vow.’https://dickenssearch.com/files/original/3/Squire_Norton_s_Song_[II]/Squire_Nortons_Song_II_The_Village_Coquettes.png
32https://dickenssearch.com/items/show/32'Squire Norton's Song (III)'From <em>The Village Coquettes, An Operatic Burletta in Two Acts </em>(1836). Music by John Hullah.Dickens, Charles<p class="p1"><i>The Village Coquettes, An Operatic Burletta in Two Acts </i>(1836). London: John Dicks.<span class="Apple-converted-space">&nbsp;</span></p>; Internet Archive, <a href="https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater" target="_blank" rel="noopener">https://archive.org/details/villagecoquettes00dickuoft/page/12/mode/2up?view=theater</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836">1836</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Hullah%2C+John">Hullah, John</a><p class="p1"><i>Internet</i><span>&nbsp;<em>Archive</em>: Access to the Archive’s Collections is provided at no cost and is granted for scholarship and research purposes only (</span><span class="s1"><a href="https://archive.org/about/terms.php" target="_blank" rel="noopener">https://archive.org/about/terms.php</a>).</span></p>Hullah, John. 'There's a charm in spring.' B<span>etween 1863 and 1877. </span><em>HathiTrust,</em>&nbsp;<a href="https://babel.hathitrust.org/cgi/pt?id=mdp.39015093760281&amp;view=1up&amp;seq=1" target="_blank" rel="noopener">https://babel.hathitrust.org/cgi/pt?id=mdp.39015093760281&amp;view=1up&amp;seq=1</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1836_The_Village_Coquettes_Squire_Nortons_SongIII<p class="p1">Dickens, Charles. 'Squire Norton's Song (III).' <i>The Village Coquettes </i>(1836): p. 14. <i>Dickens Search. </i>Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836_The_Village_Coquettes_Squire_Nortons_SongIII">https://dickenssearch.com/verse/1836_The_Village_Coquettes_Squire_Nortons_SongIII</a>.</p><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Village+Coquettes%2C+An+Operatic+Burletta+in+Two+Acts">The Village Coquettes, An Operatic Burletta in Two Acts</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">Play</a><a href="https://dickenssearch.com/teibp/dist/content/1836_The_Village_Coquettes_Squire_Nortons_SongIII.xml" target="_blank" rel="noopener">'Squire Norton's Song (III).' <em>The Village Coquettes, An Operatic Burletta in Two Acts</em> (1836).</a>18360101There’s a charm in spring, when ev’rything Is bursting from the ground; When pleasant show’rs bring forth the flow’rs And all is life around. In summer day, the fragrant hay Most sweetly scents the breeze; And all is still, save murm’ring rill, Or sound of humming bees. Old autumn come; - with trusty gun In quest of birds we roam: Unerring aim, we mark the game, And proudly bear it home. A winter’s night has its delight, Well warmed to bed we go: A winter’s day, we’re blithe and gay, Snipe-shooting in the snow. A country life, without the strife, And noisy din of town, Is all I need, I take no heed Of splendour or renown. And when I die, oh, let me lie, Where trees above me wave; Let wild plants bloom around my tomb, My quiet country grave!https://dickenssearch.com/files/original/3/Squire_Norton_s_Song_[III]/Squire_Nortons_Song_III_The_Village_Coquettes.png
3https://dickenssearch.com/items/show/3'Subjects For Painters'Published in <em>The Examiner</em> (21 August 1841).Dickens, Charles<em>British Library Newspapers</em><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1841-08-21">1841-08-21</a><em>British Library Newspapers,</em> <a href="https://link.gale.com/apps/doc/BB3200992782/BNCN?u=loughuni&amp;sid=BNCN&amp;xid=784a4802" target="_blank" rel="noopener">https://link.gale.com/apps/doc/BB3200992782/BNCN?u=loughuni&amp;sid=BNCN&amp;xid=784a4802</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Poem">Poem</a>1841-08-21_The_Examiner_Subjects_For_PaintersDickens, Charles. 'Subjects For Painters.' <em>The Examiner</em> (21 August 1841): p. 532. <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1841-08-21_The_Examiner_Subjects_For_Painters">https://dickenssearch.com/verse/1841-08-21_The_Examiner_Subjects_For_Painters</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Examiner">The Examiner</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=W.">W.</a><a href="https://dickenssearch.com/teibp/dist/content/1841-08-21_The_Examiner_Subjects_For_Painters.xml" target="_blank" rel="noopener">'Subjects For Painters.' <em>The Examiner</em> (21 August 1841): p. 532.</a>18410821(After Peter Pindar.) To you, SIR MARTIN, and your co. R.A.’s, I dedicate in meek, suggestive lays, Some subjects for your academic palettes; Hoping, by dint of these my scanty jobs, To fill with novel thoughts your teeming nobs, As though I beat them in with wooden mallets. To you, MACLISE, who Eve’s fair daughters paint With Nature’s hand, and want the maudlin taint Of the sweet Chalon school of silk and ermine: To you, E. LANDSEER, who from year to year Delight in beasts and birds, and dogs and deer, And seldom give us any human vermin: – – To all who practice art, or make believe, I offer subjects they may take or leave. Great Sibthorp and his butler, in debate (Arcades ambo) on affairs of state, Not altogether ‘gone,’ but rather funny; Cursing the Whigs for leaving in the lurch Our d–d, good, pleasant, gentlemanly Church, Would make a picture – cheap at any money. Or Sibthorp as the Tory Sec.–at–War, Encouraging his mates with loud ‘Yhor! Yhor!&#039; From Treas’ry benches’ most conspicuous end; As an expectant Premier without guile, Calls him his honourable and gallant friend. Or Sibthorp travelling in foreign parts, Through that rich portion of our Eastern charts Where lies the land of popular tradition; And fairly worshipp’d by the true devout In all his comings in and goings out, Because of the old Turkish superstition. Fame with her trumpet, blowing very hard, And making earth rich with celestial lard, In puffing deeds done through Lord Chamberlain Howe; While some few thousand persons of small gains, Who give their charities without such pains, Look up, much wondering what may be the row. Behind them Joseph Hume, who turns his pate To where great Marlbro’ House in princely state Shelters a host of lacqueys, lords, and pages, And says he knows of dowagers a crowd, Who, without trumpeting so very loud, Would do so much, and more, for half the wages. Limn, sirs, the highest lady in the land, When Joseph Surface, fawning cap in hand, Delivers in his list of patriot mortals; Those gentlemen of honour, faith, and truth, Who, foul-mouthed, spat upon her maiden youth, And dog-like did defile her palace portals. Paint me the Tories, full of grief and woe, Weeping (to voters) over Frost and Co., Their suff’ring, erring, much-enduring brothers. And in the background don’t forget to pack, Each grinning ghastly from its bloody sack, The heads of Thistlewood, Despard, and others. Paint, squandering the club’s election gold, Fierce lovers of our Constitution old, Lords who’re that sacred lady’s greatest debtors; And let the law, forbidding any voice Or act of Peer to influence the choice Of English people, flourish in bright letters. Paint that same dear old lady, ill at ease, Weak in her second childhood, hard to please, Unknowing what she ails or what she wishes; With all her Carlton nephews at the door, Deaf’ning both aunt and nurses with their roar, – Fighting already, for the loaves and fishes. Leaving these hints for you to dwell upon, I shall presume to offer more anon.https://dickenssearch.com/files/original/3/Subjects_For_Painters/1841-08-21_Subjects_for_Painters.jpeg
73https://dickenssearch.com/items/show/73'The Bill of Fare'MS in Maria Beadnell&#039;s hand (1831).Dickens, CharlesBeinecke Library, Yale University.; Manuscript.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1831">1831</a>Parody of Oliver Goldsmith's 'Retaliation: A Poem'.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Poem">Poem</a>1831_The_Bill_of_Fare<span>Dickens, Charles. 'Lodgings To Let.' Autograph Album of Maria Beadnell (1831). </span><em>Dickens Search.</em><span>&nbsp;Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;</span><a href="https://dickenssearch.com/verse/1831_The_Bill_of_Fare">https://dickenssearch.com/verse/1831_The_Bill_of_Fare</a><span>.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Manuscript">Manuscript</a><a href="https://dickenssearch.com/teibp/dist/content/1831_The_Bill_of_Fare.xml" target="_blank" rel="noopener"><span>Dickens, Charles. 'The Bill of Fare.' Manuscript (1831).</span></a>18310101As the great rage just now is imitation, &#039;Mong high-born and low, throughout the whole Nation, I trust &#039;twill excuse the few following lines, Of which I&#039;ll say nothing, but that these poor rhymes, As you might expect, in degenerate days Like these, are entitled to no share of praise Because they are novel, – the ground work at least, Is a copy from Goldsmith&#039;s ever famed Feast. &quot;And a bad one it is too,&quot; – you&#039;ll say, I fear, But let me entreat you, don&#039;t be too severe. – If, in a fair face, &#039;twill elicit a smile, If one single moment &#039;twill serve to beguile, – I shall think on it with great satisfaction, Et cet&#039;ra, – and so forth: – now then to action! Without further preface to waste the time in We&#039;ll set to at once, – If you please we&#039;ll begin. We&#039;ll say a small party to Dinner are met, And the guests are themselves about to be eat; Without saying Grace, – (I own I&#039;m a sinner, –) We&#039;ll endeavor to see what we&#039;ve for dinner. Mr. Beadnell&#039;s a good fine sirloin of beef, Though to see him cut up would cause no small grief; And then Mrs. Beadnell, I think I may name, As being an excellent Rib of the same. The Miss B&#039;s are next, who it must be confessed Are two nice little Ducks; and very well dressed. William Moule&#039;s of a trifle, a trifling dish; Mr. Leigh we all know is a very great fish; Mrs. Leigh a Curry, smart, hot and biting, Although a dish that is always inviting. For cooking our meat we utensils won&#039;t lack So Miss Leigh shall be called a fine roasting Jack, A thing of great use, when we dine or we sup, A patent one too – never wants winding up. Mr Moule&#039;s a bottle of excellent Port; Mrs. Moule of Champagne, – good humor&#039;s her forte; The Miss M&#039;s of Snipe are a brace, if you please, And Joe is a very fine flavored Dutch-Cheese; Mrs. Lloyd and her spouse are a nice side dish, – (Some type of their most happy state I must wish To produce; – let me see, I&#039;ve found out one soon) Of Honey and sweets in the form of a Moon; Arthur Beetham, – this dish has cost me some pains, Is a tongue with a well made garnish of brains; M&#039;Namara, I think must by the same rule Be a dish of excellent gooseberry-fool; And Charles Dickens, who in our Feast plays a part, Is a young Summer Cabbage, without any heart; – Not that he&#039;s heartless, but because, as folks say, He lost his a twelve month ago from last May. Now let us suppose that the dinner is done, And the guests have roll&#039;d on the floor one by one: – I don&#039;t mean to say that they&#039;re at the completion, Trying the fam&#039;d city cure for repletion. Nor do I by any means raise up the question Whether they owe their deaths to indigestion. We&#039;ll say they&#039;re all dead; it&#039;s a terrible sight But I&#039;ll dry my tears, and their Epitaphs write. Here lies Mr. Beadnell, beyond contradiction, An excellent man, and a good politician; His opinions were always sound and sincere, Come here! ye Reformers, o&#039;er him drop a tear: Come here, and with me weep at his sudden end, Ye who&#039;re to ballot and freedom a friend. Come here, all of ye who to him ever listened, Praise on rare quality – he was consistent; And if any one can say so much for you We&#039;ll try to write on you an epitaph too. He was most hospitable, friendly and kind; An enemy, I&#039;m sure, he&#039;s not left behind; And if he be fairly, and all in all ta&#039;en, &quot;We never shall look upon his like again.&quot; Here lies Mrs. Beadnell, whose conduct through life, As a mother, a woman, a friend, a wife, I shall think, while I possess recollection, Can be summ&#039;d up in one word – PERFECTION. Her faults I&#039;d tell you beyond any doubt, But for this plain reason, – I ne&#039;er found them out: Her character from my own knowledge I tell, For when she was living she was, I then knew her well. It chances to&#039;ve been by the fates brought about, That she was the means of first bringing me out: – All my thanks for that and her kindness since then I&#039;d vainly endeavor to tell with my pen: I think what I&#039;d say, – I feel it, that&#039;s better, Or I&#039;d scorn to write of these lines one letter. Excuse me, dear reader, for pause now I must; Here two charming Sisters lie low in the dust. – But why should I pause? do they want my poor aid To tell of their virtues while with us they stayed? Can a few words from me add a hundredth part To the regret felt for them in every heart? No, no! &#039;t is impossible; still I must try, To speak of them here, for I can&#039;t pass them by. And first then for Anne I&#039;ll my banner unfurl – A truly delightful and sweet-tempered girl, And, what&#039;s very odd, and will add to her fame, Is this one plain fact, – she was always the same. She was witty, clever, – you liked what she said; Without being blue, she was very well read. Her favourite Author, or else I&#039;m a fibber, And have been deceived, was the famed Colley Cibber. I don&#039;t think dear reader &#039;twill interest you, But still, if you please, keep that quite entre nous. I grow tedious, so of her I&#039;ll not din more, – Oh! – She sometimes drest her hair a la Chinois. Ladies, if you want this fashion to follow, And don&#039;t know where you the pattern can borrow, Don&#039;t look in &quot;the fashions&quot; &#039;mong bows and wreathings, You&#039;ll find it on any antique China Tea things. But who have we here? alas what sight is this? Has her spirit flown back to regions of bliss? Has Maria left this World of trouble and care Because for us she was too good and too fair? Has Heaven in its jealousy ta&#039;en her away As a blessing too great for us children of clay? All ye fair and beautiful, sadly come here, And Springs early flowers strew over her bier; Fit emblems are they of life&#039;s short fleeting day, Fit tributes are they to her mem&#039;ry to pay; For though blooming now, they will soon be decayed, They blossom one moment, then wither and fade. I linger here now, and I hardly know why, I&#039;ve no wish, no hope now, but this one – to die. My bright hopes and fond wishes were all centered here Their brightness has vanished, they&#039;re now dark and drear. The impression that Mem&#039;ry engraves in my heart Is all I have left, and with that I ne&#039;er part. I might tell you much, and I say&#039;t with a sigh, Of the grace of her form, and the glance of her eye; I might tell of happy days now pass&#039;d away, Which I fondly hoped then would never decay, But &#039;twere useless – I should only those times deplore, I know that again I can see them no more. But what&#039;s this small form that she folds to her breast, As if it had only laid down there to rest? Poor thing is it living? – Ah no! it&#039;s dead quite; It is a small dog, liver-colored and white. Dear me, now I see – &#039;tis the little dog that Would eat mutton chops if you cut off the fat! So very happy was its situation An object it was of such admiration, That I&#039;d resign all my natural graces, E&#039;en now, if I could with &quot;Daphne&quot; change places. William Moule next alas with the dead lieth here, And his loss we shall ne&#039;er recover I fear; No more shall the young men, among whom am I, Regard with great envy his elegant tie; No more shall the girls, with anxiety wait, At a party, and mourn that he came in late; Though it was not his fault, it must be confess&#039;d We knew very well that he lived &quot;in the West&quot; The purlieus of Tottenham Court Road!!! And men of great fashion now never go out, Till long after twelve when engaged to a rout. No more shall he waltz an hour with one lady, To the delight of tut&#039;ress, Miss A. B. Who no more shall turn to me, and whispering low, Say &quot;Doesn&#039;t he waltz well? I taught him, you know.&quot; No more shall he curse all the City Folks&#039; Balls, And vow that he never will honor their halls; No more from &quot;the London&quot;, will he be turned back Because of his wearing a Kerchief of black; No more when we sit round the blithe supper table Shall he hush to silence the prattling Babel, By, – When a lady, a speech made upon her – Rising to return us her thanks for the honor. No more – but I think I&#039;ll use that phrase no more, I feel that I can&#039;t this loss enough deplore. Momus and Bacchus, both be merry no more, Your friend Mr. Leigh lies dead on the floor. Weep both of ye, each hide your sorrowful head, For he isn&#039;t dead drunk, but he&#039;s really dead. We shall never again see his good humored face, We shall never again much admire the grace With which he would drink off his bottle of wine, Or with which he&#039;d ask you next Sunday to dine. We shall never again laugh aloud at his fun, We shall never in turn amuse him with a pun. In his Will I hope as a Legacy that He&#039;s left me that elegant, pretty dress hat, The shape, make, and color of which were so rare; And which on all extra occasions he&#039;d wear. I really do his loss most deeply regret, As the kindest best temper&#039;d man, I e&#039;er met. I&#039;m as hale and as hearty as any one here So I&#039;ll help to carry him to his new bier. Mrs. Leigh&#039;s life, alas, has come to an end: – But I can&#039;t speak of her, I fear to offend; I don&#039;t think the truth need her feelings much gall, But if I can&#039;t tell it I won&#039;t write at all. If &#039;twere not for the lesson that I&#039;ve been taught I&#039;d have painted her as in justice I ought; I&#039;d have said she was friendly, good hearted, kind, Her wit I&#039;d have praised and intelligent mind; &#039;Bout scandal, or spreading reports without heed, Of course I&#039;d say nothing, how could I indeed? Because if I did I should certainly lie, And my remarks here, doubtless, would not apply. So as I fear either to praise or to blame, I will not her faults or her virtues here name. And Mary Anne Leigh&#039;s death I much regret too, Though the greatest tormentor that I e&#039;er knew; Whenever she met you, at morn, noon or night To tease and torment you, was her chief delight; To each glance or smile she&#039;d a meaning apply, On every flirtation she kept a sharp eye. Though – tender feelings I trust I&#039;m not hurting – She ne&#039;er herself much objected to flirting. A singular fact. She to each little secret always held the candle, And I think she liked a small bit of scandal. I think, too, that she used to dress her hair well, Although Arthur said, – but that tale I won&#039;t tell. In short though she was so terribly teasing So pretty she looked, her ways were so pleasing, That when she had finished I used to remain Half fearing, half hoping, to be teased again. Here lies – Mr. Moule, at whose plentiful board We often have sat, and where, with one accord, Mirth, pleasure, good humor and capital Wine, Seem&#039;d always to meet when one went there to dine. To his friends he was always good-humored and kind And a much better host &#039;twould be hard to find. If he for an instant his good humor missed I&#039;ve heard it would be at a rubber of whist; At least I&#039;ve sometimes heard his Partners say so; Though of course I myself this fact cannot know. His hospitality deserved great credit; Indeed I much wish all men did inherit That merit from him; I&#039;m sure it is needed, That some should prize it as highly as he did. I think his opinions were not always quite So kind, or so just as they should be of right. However that question I&#039;ll not travel though, &#039;Twould not I think become me so to do. Some others in this point like him we may see, So I will say requiescat in pace. Mrs. Moule alas lieth here with the dead, Her good temper vanish&#039;d, her light spirits fled; I&#039;d say much of her but all knew her too well, To leave any thing new for me here to tell, So I&#039;ll only say, – in thus speaking of her I&#039;m sure all she e&#039;er knew will concur – If kindness and temper as virtues are held She never by any one yet was excelled. Louisa Moule&#039;s next, – I can&#039;t better call her Than the same pattern, – N.B. a size smaller. Here lies Fanny Moule, of whom&#039;t may be said, That romance or sentiment quite turned her head. Her chief pleasure was, but I cannot tell why To sit by herself in a corner and sigh. You might talk for an hour to her thinking she heard, And find out at last she had not heard a word; She&#039;d start turn her head, – the case was a hard one, – And say with a sigh, &quot;Dear! I beg your pardon.&quot; Whether this arose from love, doubt, hesitation, Or whether indeed, &#039;twas all affectation, I will not by my own decision abide, I&#039;ll leave it to others the point to decide; Thus much though, I will say, – I think it is droll, That one who so pleasing might be on the whole, Should take so much trouble, – it must be a toil, – All her charms and graces entirely to spoil. Here lies honest Joe, and I&#039;m sure when I say That he&#039;d a good heart, there&#039;s no one will say nay, The themes, of all others, on which he would doat Were splendid gold lace and a flaming red Coat; His mind always ran on battles and slaughters, Guards, Bands, Kettle-drums and splendid Head Quarters. I&#039;ve heard that the best bate to catch a young girl Is a red coat and a mustachio&#039;s curl; Bait your hook with but this, and Joe would soon bite Hint at it, he&#039;d talk on from morning to night. In portraits of Soldiers he spent all his hoard; You talked of a penknife – he thought of a sword. Inspecting accounts he ne&#039;er could get through His mind would revert to some former review. He ne&#039;er made a bill out, smaller or larger But he thought he was then mounting his charger. He ne&#039;er to the counting house trudged in a heat But he thought of forced marches and a retreat And ne&#039;er from the play to his home went again But trembling he thought of the roll call at TEN. But fallen at last is this &quot;gay young deceiver,&quot; A prey to Death and a bad Scarlet fever. Here lies Mrs. Lloyd, I&#039;m sorry to say That she too from us is so soon snatched away; That her fate is most hard it can&#039;t be denied, When we think how recently she was a bride. That she became one is no source of surprise, For if all that&#039;s charming in critical eyes Is likely to finish a dull single life, I&#039;m sure she ought t’ve been long since a wife Though we lament one so pleasing, so witty, And though her death we may think a great pitty I really myself do quite envy her fate, And I wish when with Death I&#039;ve my tête à tête, He&#039;d do me the favor to take me away When my prospects here were bright, blooming and gay, When I&#039;m quite happy, ere with sorrows jaded, I wish for my grave, when my hopes are faded, – When I might be certain of leaving behind Those who would ne&#039;er cease to bear me in mind She&#039;s gone and who shall now those sweet ballads sing Which still in my ears so delightfully ring? &quot;We met,&quot; &quot;Friends depart&quot; – I those sweet sounds retain, And I feel I shall never forget them again. And down here Mr. Lloyd&#039;s remains lie beside Those of his so recently blooming young bride, I&#039;m sorry he&#039;s dead, for I knew him to be, Good humored, most honest, kind hearted and free. That he was consistent, I ne&#039;er had a doubt, Although scandal said, and &#039;twas whisper&#039;d about, That when he last Summer from Paris came home (I think &#039;twas his marriage induced him to roam) He his principles changed, – so runs the story, Threw off the Whigs, and became a staunch Tory. But be that as it may, I think it&#039;s but fair, To say that I know he enjoyed the fresh air. And is Arthur Beetham for the first time hush&#039;d? And has he returned to his original dust? Has he gone the way of all flesh with the rest In spite of the great care he took of his Chest! The reason assigned by Mr. A. B. for constantly wearing his coat buttoned up to his chin, was his extreme anxiety to preserve his chest from cold. At our snug coteries will he never make one? Will he never again gladden us with his fun? Poor fellow! I fear, now he&#039;s laid in the earth, That of our amusements we&#039;ll all find a dearth; And yet he&#039;d his faults, – to speak without joking, He had a knack of being very provoking; So much so that several times t&#039; other day I devoutly, heartily, wished him away; But after I&#039;d done so, my conscience me smote And here perhaps a couple of lines I may quote Missing his mirth and agreeable vein, I directly wished we had him back again. And does M&#039;Namara with the dead recline? Poor Francis, his waistcoats were wond&#039;rously fine; He certainly was an elegant fellow, His coats were well made, his gloves a bright yellow; Florists shall hold up his Pall by the corners, Morgan a celebrated glove maker and Watkins a celebrated Tailor shall be his chief mourners. Last, here&#039;s Charles Dickens, who&#039;s now gone for ever; It&#039;s clear that he thought himself very clever; To all his friends&#039; faults – it almost makes me weep, He was wide awake – to his own fast asleep. Though blame he deserved for such wilful blindness He had one merit – he ne&#039;er forgot kindness. Perhaps I don&#039;t do right to call that a merit Which each human creature&#039;s bound to inherit; But when old Death claimed the debt that he owed him He felt most grateful to all that was showed him, His faults, and there were not in number few, As all his acquaintance extremely well knew, Emanated – to speak of him in good part – I think rather more from the head than the heart. His death wasn&#039;t sudden, he had long been ill, Slowly he languished and got worse, until, No mortal means could the poor young fellow save, And a sweet pair of eyes sent him home to his grave. Finis
5https://dickenssearch.com/items/show/5'The Blacksmith'Published in <em>All The Year Round </em>(30 April 1859).Dickens, Charles<em>Dickens Journals Online</em><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1859-04-30">1859-04-30</a><em>Dickens Journals Online</em> (<a href="https://www.djo.org.uk/all-the-year-round/volume-i/page-20.html" target="_blank" rel="noopener">https://www.djo.org.uk/all-the-year-round/volume-i/page-20.html</a>); attr. Shepherd, <a href="https://www.google.com/books/edition/The_Plays_and_Poems_of_Charles_Dickens/3FPOAAAAMAAJ?hl=en&amp;gbpv=1&amp;dq=shephard+plays+and+poems+the+blacksmith+dickens&amp;pg=PA232&amp;printsec=frontcover" target="_blank" rel="noopener"><em>Plays and Poems</em></a> (1885), p.232.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Poem">Poem</a>1859-04-30_All_The_Year_Round_The_BlacksmithDickens, Charles. 'The Blacksmith.' <em>All the Year Round</em> (30 April 1859): p. 20. <em>Dickens Search</em>. Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1859-04-30_All_The_Year_Round_The_Blacksmith">https://dickenssearch.com/verse/1859-04-30_All_The_Year_Round_The_Blacksmith</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=All+the+Year+Round">All the Year Round</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Periodical">Periodical</a><a href="https://dickenssearch.com/teibp/dist/content/1859-04-30_All_The_Year_Round_The_Blacksmith.xml" target="_blank" rel="noopener">'The Blacksmith.'&nbsp;<em>All the Year Round&nbsp;</em>(30 April 1859): p. 20.</a>18590430OLD England, she has great warriors, Great princes, and poets great; But the Blacksmith is not to be quite forgot, In the history of the State. He is rich in the best of all metals, Yet silver he lacks and gold; And he payeth his due, and his heart is true, Though he bloweth both hot and cold. The boldest is he of incendiaries That ever the wide world saw, And a forger as rank as e’er robbed the Bank, Though he never doth break the law. He hath shoes that are worn by strangers, Yet he laugheth and maketh more; And a share (concealed) in the poor man’s field, Yet it adds to the poor man’s store. Then, hurrah for the iron Blacksmith! And hurrah for his iron crew! And whenever we go where his forges glow, We’ll sing what A MAN can do.https://dickenssearch.com/files/original/3/The_Blacksmith/1859-04-30_The_Blacksmith.pdf
134https://dickenssearch.com/items/show/134&#039;The Bloomsbury Christening&#039;<span>Published in&nbsp;</span><em>The Monthly Magazine</em><span>&nbsp;(April 1834).</span>Dickens, Charles<em>The Monthly Magazine, or The British Register of Politics, Art, Science, and the Belles-Lettres.</em><span>&nbsp;April 1834, pp. 375-386,&nbsp;</span><em>Internet Archive,</em><span>&nbsp;</span><a href="https://archive.org/details/monthlymagazineo17lond/page/n9/mode/2up">https://archive.org/details/monthlymagazineo17lond/page/n9/mode/2up</a><span>.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1834-04">1834-04</a><em>Internet Archive,<br /></em><a href="https://archive.org/about/terms.php">https://archive.org/about/terms.php</a><span>. Access to the Archive’s Collections is granted for scholarship and research purposes only.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+story">Short story</a>1834-04-The_Bloomsbury_ChristeningDickens, Charles. "The Bloomsbury Christening." <em>The Monthly Magazine, or The British Register of Politics, Art, Science, and the Belles-Lettres.</em> <span>April 1834, pp. 375-386. </span><em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1834-04-The-Bloomsbury-Christening">https://dickenssearch.com/short-stories/1834-04-The-Bloomsbury-Christening</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Monthly+Magazine">The Monthly Magazine</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Periodical">Periodical</a>183404Mr. Nicodemus Dumps, or, as his acquaintance called him, &quot;long Dumps,&quot; was a bachelor, six feet high, and fifty years old, - cross, cadaverous, odd, and ill-natured. He was never happy but when he was miserable (pardon the contradiction); and always miserable when he had the best reason to be happy. The only real comfort of his existence was to make everybody about him wretched—then he might be truly said to enjoy life. He was afflicted with a situation in the Bank worth five hundred a-year, and he rented a &quot;first floor furnished&quot; at Pentonville, which he originally took because it commanded a dismal prospect of an adjacent churchyard. He was familiar with the face of every tombstone, and the burial service seemed to excite his strongest sympathy. His friends said he was surly—he insisted he was nervous; they thought him a lucky dog, but he protested that he was &quot;the most unfortunate man in the world.&quot; Cold as he was, and wretched as he declared himself to be, he was not wholly unsusceptible of attachments. He revered the memory of Hoyle, as he was himself an admirable and imperturbable whist-player, and he chuckled with delight at a fretful and impatient adversary. He adored King Herod for his massacre of the innocents; for if he hated one thing more than another, it was a child. However, he could hardly be said to hate any thing in particular, because he disliked every thing in general; but perhaps his greatest antipathies were cabs, old women, doors that would not shut, musical amateurs, and omnibus cads. He subscribed to the Society for the Suppression of Vice for the pleasure of putting a stop to any harmless amusements; and he contributed largely towards the support of two itinerant methodist parsons, under the amiable hope that if circumstances rendered any people happy in this world, they might perchance be rendered miserable by fears for the next. Mr. Dumps had a nephew who had been married about a year, and who was somewhat of a favourite with his uncle, because he was an admirable subject to exercise his misery-creating powers upon. Mr. Charles Kitterbell was a small, sharp, spare man, with a very large head, and a broad, good-humoured countenance. He looked like a faded giant, with the head and face partially restored; and he had a cast in his eye which rendered it quite impossible for any one with whom he conversed to know where he was looking. His eyes appeared fixed on the wall, and he was staring you out of countenance; in short, there was no catching his eye, and perhaps it is a merciful dispensation of Providence that such eyes are not catching. In addition to these characteristics, it may be added that Mr. Charles Kitterbell was one of the most credulous and matter-of-fact little personages that ever took to himself a wife, and for himself a house in Great Russell-street, Russell-square (Uncle Dumps always dropped the Russell-square,&quot; and inserted in lieu thereof the dreadful words &quot;Tottenham-court-road&quot;). &quot;No, but, uncle, ’pon my life you must—you must promise to be godfather,&quot; said Mr. Kitterbell, as he sat in conversation with his respected relative one morning. &quot;I cannot, indeed I cannot,&quot; returned Dumps. &quot;Well, but why not? Jemima will think it very unkind. It’s very little trouble.&quot; &quot;As to the trouble,&quot; rejoined the most unhappy man in existence, &quot;I don’t mind that; but my nerves are in that state—I cannot go through the ceremony. You know I don’t like going out.—For God’s sake, Charles, don’t fidget with that stool so, you’ll drive me mad.&quot; Mr. Kitterbell, quite regardless of his uncle’s nerves, had occupied himself for some ten minutes in describing a circle on the floor with one leg of the office-stool on which he was seated, keeping the other three up in the air and holding fast on by the desk. &quot;I beg your pardon, uncle,&quot; said Kitterbell, quite abashed, suddenly releasing his hold of the desk, and bringing the three wandering legs back to the floor with a force sufficient to drive them through it. &quot;But come, don’t refuse. If it’s a boy, you know, we must have two godfathers.&quot; &quot;If it’s a boy!&quot; said Dumps, &quot;why can’t you say at once whether it is a boy or not?&quot; &quot;I should be very happy to tell you, but it’s impossible I can undertake to say whether it’s a girl or a boy, if the child isn’t born yet.&quot; &quot;Not born yet!&quot; echoed Dumps, with a gleam of hope lighting up his lugubrious visage; &quot;oh, well, it may be a girl, and then you won’t want me, or if it is a boy, it may die before it&#039;s christened.&quot; &quot;I hope not,&quot; said the father that expected to be, looking very grave. &quot;I hope not,&quot; acquiesced Dumps, evidently pleased with the subject. He was beginning to get happy. &quot;I hope not, but distressing cases frequently occur during the first two or three days of a child’s life; fits, I am told, are exceedingly common, and alarming convulsions are almost matters of course.&quot; &quot;Lord, uncle!&quot; ejaculated little Kitterbell, gasping for breath. &quot;Yes; my landlady was confined—let me see—last Tuesday: an uncommonly fine boy. On the Thursday night the nurse was sitting with him upon her knee before the fire, and he was as well as possible. Suddenly he became black in the face, and alarmingly spasmodic. The medical man was instantly sent for, and every remedy was tried, but—&quot; &quot;How frightful!&quot; interrupted the horror-stricken Kitterbell. &quot;The child died, of course. However, your child may not die; and if it should be a boy, and should live to be christened, why I suppose I must be one of the sponsors.&quot; Dumps was evidently good-natured on the faith of his anticipations. &quot;Thank you, uncle,&quot; said his agitated nephew, grasping his hand as warmly as if he had done him some essential service. &quot;Perhaps I had better not tell Mrs. K. what you have mentioned.&quot; ‘Why, if she’s low-spirited, perhaps you had better not mention the melancholy case to her,’ returned Dumps, who of course had invented the whole story; &quot;though perhaps it would be but doing your duty as a husband to prepare her for the worst.&quot; A day or two afterwards, as Dumps was perusing a morning paper at the chop-house which he regularly frequented, the following-paragraph met his eye:- &quot;Births.—On Saturday, the 18th inst., in Great Russell-street, the lady of Charles Kitterbell, Esq., of a son.&quot; &quot;It is a boy!&quot; he exclaimed, dashing down the paper, to the astonishment of the waiters. &quot;It is a boy!&quot; But he speedily regained his composure as his eye rested on a paragraph quoting the number of infant deaths from the bills of mortality. Six weeks passed away, and as no communication had been received from the Kitterbells, Dumps was beginning to flatter himself that the child was dead, when the following note painfully resolved his doubts:- &quot;Great Russell-street, Monday morning. &quot;DEAR UNCLE: You will be delighted to hear that my dear Jemima has left her room, and that your future godson is getting on capitally; he was very thin at first, but he is getting much larger, and nurse says he is filling out every day. He cries a good deal, and is a very singular colour, which made Jemima and me rather uncomfortable; but as nurse says it’s natural, and as of course we know nothing about these things yet, we are quite satisfied with what nurse says. We think he will be a sharp child; and nurse says she’s sure he will, because he never goes to sleep. You will readily believe that we are all very happy, only we’re a little worn out for want of rest, as he keeps us awake all night; but this we must expect, nurse says, for the first six or eight months. He has been vaccinated, but in consequence of the operation being rather awkwardly performed, some small particles of glass were introduced into the arm with the matter. Perhaps this may in some degree account for his being rather fractious; at least, so nurse says. We propose to have him christened at twelve o’clock on Friday, at Saint George’s church, in Hart-street, by the name of Frederick Charles William. Pray don’t be later than a quarter before twelve. We shall have a very few friends in the evening, when, of course we shall see you. I am sorry to say that the dear boy appears rather restless and uneasy to-day: the cause, I fear, is fever. &quot;Believe me, dear Uncle, &quot;Yours affectionately, &quot;CHARLES KITTERBELL.&quot; &quot;P.S.—I open this note to say that we have just discovered the cause of little Frederick’s restlessness. It is not fever, as I apprehended, but a small pin, which nurse accidentally stuck in his leg yesterday evening. We have taken it out, and he appears more composed, though he still sobs a good deal.&quot; It is almost unnecessary to say that the perusal of the above interesting statement was no great relief to the mind of the hypochondriacal Dumps. It was impossible to recede, however, and so he put the best face—that is to say, an uncommonly miserable one—upon the matter; and purchased a handsome silver mug for the infant Kitterbell, upon which he ordered the initials &quot;F. C. W. K.,&quot; with the customary untrained grape-vine-looking flourishes, and a large full stop, to be engraved forthwith. Monday was a fine day, Tuesday was delightful, Wednesday was equal to either, and Thursday was finer than ever; four successive fine days in London! Hackney-coachmen became revolutionary, and crossing-sweepers began to doubt the existence of a First Cause. The Morning Herald informed its readers that an old woman, in Camden Town, had been heard to say that the fineness of the season was &quot;unprecedented in the memory of the oldest inhabitant;&quot; and Islington clerks, with large families and small salaries, left off their black gaiters, disdained to carry their once green cotton umbrellas, and walked to town in the conscious pride of white stockings, and cleanly brushed Bluchers. Dumps beheld all this with an eye of supreme contempt—his triumph was at hand. — He knew that if it had been fine for four weeks instead of four days, it would rain when he went out; he was lugubriously happy in the conviction that Friday would be a wretched day—and so it was. &quot;I knew how it would be,&quot; said Dumps, as he turned round opposite the Mansion House at half-past eleven o’clock on the Friday morning. &quot;I knew how it would be, I am concerned, and that’s enough;&quot;—and certainly the appearance of the day was sufficient to depress the spirits of a much more buoyant-hearted individual than himself. It had rained, without a moment’s cessation, since eight o’clock; everybody that passed up Cheapside, and down Cheapside, looked wet, cold, and dirty. All sorts of forgotten and long-concealed umbrellas had been put into requisition. Cabs whisked about, with the &quot;fare&quot; as carefully boxed up behind two glazed calico curtains as any mysterious picture in any one of Mrs. Radcliffe’s castles; omnibus horses smoked like steam-engines; nobody thought of &quot;standing up&quot; under doorways or arches; they were painfully convinced it was a hopeless case; and so everybody went hastily along, jumbling and jostling, and swearing and perspiring, and slipping about, like amateur skaters behind wooden chairs on the Serpentine on a frosty Sunday. Dumps paused; he could not think of walking, being rather smart for the christening. If he took a cab he was sure to be spilt, and a hackney-coach was too expensive for his economical ideas. An omnibus was waiting at the opposite corner—it was a desperate case—he had never heard of an omnibus upsetting or running away, and if the cad did knock him down, he could &quot;pull him up&quot; in return. &quot;Now, sir!&quot; cried the young gentleman who officiated as &quot;cad&quot; to the &quot;Lads of the Village,&quot; which was the name of the machine just noticed. Dumps crossed. &quot;This vay, sir!&quot; shouted the driver of the &quot;Hark away,&quot; pulling up his vehicle immediately across the door of the opposition—&quot;This vay, sir—he’s full.&quot; Dumps hesitated, whereupon the &quot;Lads of the Village&quot; commenced pouring out a torrent of abuse against the &quot;Hark away&quot;; but the conductor of the &quot;Admiral Napier&quot; settled the contest in a most satisfactory manner for all parties, by seizing Dumps round the waist, and thrusting him into the middle of his vehicle, which had just come up, and only wanted the sixteenth inside. &quot;All right,&quot; said the &quot;Admiral,&quot; and off the thing thundered, like a fire-engine at full gallop, with the kidnapped customer inside, standing in the position of a half doubled up boot-jack, and falling about with every jerk of the machine, first on one side, and then on the other, like a &quot;Jack-in-the-green,&quot; on May-day, &quot;setting&quot; to the lady with the brass ladle. &quot;For Heaven’s sake, where am I to sit?&quot; inquired the miserable man of an old gentleman, into whose stomach he had just fallen for the fourth time. &quot;Anywhere but on my chest, sir,&quot; replied the old gentleman, in a surly tone. &quot;Perhaps the box would suit the gentleman better,&quot; suggested a very damp lawyer’s clerk, in a pink shirt and a smirking countenance. After a great deal of struggling and falling about, Dumps at last managed to squeeze himself into a seat, which, in addition to the slight disadvantage of being between a window that wouldn&#039;t shut, and a door that must be open, placed him in close contact with a passenger, who had been walking about all the morning without an umbrella, and who looked as if he had spent the day in a full water-butt—only wetter. &quot;Don’t bang the door so,&quot; said Dumps to the conductor, as he shut it after letting out four of the passengers; &quot;I am very nervous—it destroys me.&quot; &quot;Did any gen’lm’n say anythink?&quot; replied the cad, thrusting in his head, and trying to look as if he didn’t understand the request. &quot;I told you not to bang the door so,&quot; repeated Dumps, with an expression of countenance like the knave of clubs, in convulsions. &quot;Oh! vy, it’s rather a sing’ler circumstance about this here door, sir, that it von’t shut without banging,&quot; replied the conductor; and he opened the door very wide, and shut it again with a terrific bang, in proof of the assertion. &quot;I beg your pardon, sir,&quot; said a little prim, wheezing old gentleman, sitting opposite Dumps, &quot;I beg your pardon; but have you ever observed, when you have been in an omnibus on a wet day, that four people out of five, always come in with large cotton umbrellas, without a handle at the top, or the brass spike at the bottom?&quot; ‘Why, sir,’ returned Dumps, as he heard the clock strike twelve, &quot;it never struck me before; but now you mention it, I—Hollo! hollo!&quot; shouted the persecuted individual, as the omnibus dashed past Drury-lane, where he had directed to be set down.—&quot;Where is the cad?&quot; &quot;I think he’s on the box, sir,&quot; said the young gentleman before noticed in the pink shirt, which looked like a white one ruled with red ink. &quot;I want to be set down!&quot; said Dumps in a faint voice, overcome by his previous efforts. &quot;I think these cads want to be set down,&quot; returned the attorney’s clerk, chuckling at his sally. &quot;Hollo!&quot; cried Dumps again. &quot;Hollo!&quot; echoed the passengers; the omnibus passed St. Giles’s church. &quot;Hold hard!&quot; said the conductor; &quot;I’m blowed if we ha’n’t forgot the gen’lm’n as vas to be set down at Doory-lane.—Now, sir, make haste, if you please,&quot; he added, opening the door, and assisting Dumps out with as much coolness as if it was &quot;all right.&quot; Dumps’s indignation was for once getting the better of his cynical equanimity. &quot;Drury-lane!&quot; he gasped, with the voice of a boy in a cold bath for the first time. &quot;Doory-lane, sir?—yes, sir,—third turning on the right-hand side, sir.&quot; Dumps’ passion was paramount, he clutched his umbrella, and was striding off with the firm determination of not paying the fare. The cad, by a remarkable coincidence, happened to entertain a directly contrary opinion, and Heaven knows how far the altercation would have proceeded if it had not been most ably and satisfactorily brought to a close by the driver. &quot;Hollo!&quot; said that respectable person standing up on the box, and leaning with one hand on the roof of the omnibus. &quot;Hollo, Tom! tell the gentleman if so be as he feels aggrieved, we will take him up to the Edge-er (Edgeware) Road for nothing, and set him down at Doory-lane when we comes back. He can’t reject that anyhow.&quot; The argument was irresistible; Dumps paid the disputed sixpence, and in a quarter of an hour was on the staircase of No. 14, Great Russell-street. Everything indicated that preparations were making for the reception of &quot;a few friends&quot; in the evening. Two dozen extra tumblers, and four ditto wine-glasses—looking anything but transparent, with little bits of straw in them — were on the slab in the passage, just arrived. There was a great smell of nutmeg, port wine, and almonds on the staircase; the covers were taken off the stair-carpet, and the figure of the Venus on the first landing looked as if she were ashamed of the composition-candle in her right hand, which contrasted beautifully with the lamp-blacked drapery of the goddess of love. The female servant (who looked very warm and bustling) ushered Dumps into a front drawing-room very prettily furnished with a plentiful sprinkling of little baskets, paper table-mats, china watchmen, pink and gold albums, and rainbow-bound little books on the different tables. &quot;Ah, uncle!&quot; said Mr. Kitterbell, &quot;how d’ye do? allow me—Jemima, my dear—my uncle, — I think you’ve seen Jemima before, sir?&quot; &quot;Have had the pleasure,&quot; returned big Dumps, his tone and look making it doubtful whether in his life he had ever experienced the sensation. &quot;I’m sure,&quot; said Mrs. Kitterbell, with a languid smile, and a slight cough. &quot;I’m sure—hem—any friend—of Charles’s—hem—much less a relation, is—&quot; &quot;Knew you’d say so, my love,&quot; said little Kitterbell, who, while he appeared to be gazing on the opposite houses, was looking at his wife with a most affectionate air: &quot;bless you.&quot; The last two words were accompanied with an interesting simper, and a squeeze of the hand, which stirred up all Uncle Dumps’ bile. &quot;Jane, tell nurse to bring down baby,&quot; said Mrs. Kitterbell, addressing the servant. Mrs. Kitterbell was a tall thin young lady with very light hair, and a particularly white face—one of those young women who almost invariably, though one hardly knows why, recal to one’s mind the idea of a cold fillet of veal. Out went the servant, and in came the nurse, with a remarkably small parcel in her arms packed up in a blue mantle trimmed with white fur.—This was the baby. &quot;Now, uncle,&quot; said Mr. Kitterbell, lifting up that part of the mantle which covered the infant’s face, with an air of great triumph, &quot;Who do you think he’s like?&quot; &quot;He! he! Yes, who?&quot; said Mrs. K. putting her arm through her husband’s, and looking up into Dumps’s face with an expression of as much interest as she was capable of displaying. &quot;Good God, how small he is!&quot; cried the amiable uncle, starting back with well-feigned surprise; &quot;remarkably small indeed.&quot; &quot;Do you think so?&quot; inquired poor little Kitterbell, rather alarmed. &quot;He’s a monster to what he was—an’t he, nurse?&quot; &quot;He’s a dear;&quot; said the nurse, squeezing the child, and evading the question—not because she scrupled to disguise the fact, but because she couldn’t afford to throw away the chance of Dumps’ half-crown. &quot;Well, but who is he like?&quot; inquired little Kitterbell. Dumps looked at the little pink heap before him, and only thought at the moment of the best mode of mortifying the youthful parents. &quot;I really don’t know who he’s like,&quot; he answered, very well knowing the reply expected of him. &quot;Don’t you think he’s like me?&quot; inquired his nephew with a knowing air. &quot;Oh, decidedly not!&quot; returned Dumps, with an emphasis not to be misunderstood. &quot;Decidedly not like you.—Oh, certainly not.&quot; &quot;Like Jemima?&quot; asked Kitterbell, faintly. &quot;Oh, dear no; not in the least. I’m no judge, of course, in such cases; but I really think he’s more like one of those little interesting carved representations that one sometimes sees blowing a trumpet on a tombstone!&quot; The nurse stooped down over the child, and with great difficulty prevented an explosion of mirth. Pa and ma looked almost as miserable as their amiable uncle. &quot;Well!&quot; said the disappointed little father, &quot;you’ll be better able to tell what he’s like by-and-by. You shall see him this evening with his mantle off.&quot; &quot;Thank you,&quot; said Dumps, feeling particularly grateful. &quot;Now, my love,&quot; said Kitterbell to his wife, &quot;it’s time we were off. We’re to meet the other godfather and the godmother at the church, uncle,—Mr. and Mrs. Wilson from over the way—uncommonly nice people. My love, are you well wrapped up?&quot; &quot;Yes, dear.&quot; &quot;Are you sure you won’t have another shawl?&quot; inquired the anxious husband. &quot;No, sweet,&quot; returned the charming mother, accepting Dumps’ proffered arm; and the little party entered the hackney-coach that was to take them to the church. Dumps amusing Mrs. Kitterbell by expatiating largely on the danger of measles, thrush, teeth-cutting, and other interesting diseases to which children are subject. The ceremony (which occupied about five minutes) passed off without anything particular occurring. The clergyman had to dine some distance from town, and had got two churchings, three christenings, and a funeral to perform in something less than an hour. The godfathers and godmother, therefore, promised to renounce the devil and all his works—&quot;and all that sort of thing,&quot;—as little Kitterbell said—&quot;in less than no time;&quot; and with the exception of Dumps nearly letting the child fall into the font when he handed it to the clergyman, the whole affair went off in the usual business-like and matter-of-course manner, and Dumps re-entered the Bank-gates at two o’clock with a heavy heart, and the painful conviction that he was regularly booked for an evening party. Evening came—and so did Dumps’ pumps, black silk stockings, and white cravat which he had ordered to be forwarded, per boy, from Pentonville. The depressed godfather dressed himself at a friend’s counting-house, from whence, with his spirits fifty degrees below proof, he sallied forth—as the weather had cleared up, and the evening was tolerably fine—to walk to Great Russell-street. Slowly he paced up Cheapside, Newgate-street, down Snow Hill, and up Holborn ditto, looking as grim as the figure-head of a man-of-war, and finding out fresh causes of misery at every step. As he was crossing the corner of Hatton Garden, a man, apparently intoxicated, rushed against him, and would have knocked him down had he not been providentially caught by a very genteel young man who happened to be close to him at the time. The shock so disarranged Dumps’ nerves, as well as his dress, that he could hardly stand. The gentleman took his arm, and in the kindest manner walked with him as far as Furnival’s Inn. Dumps, for about the first time in his life, felt grateful and polite; and he and the gentlemanly-looking young man parted with mutual expressions of good will. &quot;There are at least some well-disposed men in the world,&quot; ruminated the misanthropical Dumps, as he proceeded towards his destination. Rat—tat—ta-ra-ra-ra-ra-rat—knocked a hackney-coachman at Kitterbell’s door, in imitation of a gentleman’s servant, just as Dumps reached it, and out came an old lady in a large toque, and an old gentleman in a blue coat, and three female copies of the old lady in pink dresses, and shoes to match. &quot;It’s a large party,&quot; sighed the unhappy godfather, wiping the perspiration from his forehead, and leaning against the area-railings. It was some time before the miserable man could muster up courage to knock at the door, and when he did, the smart appearance of a neighbouring green-grocer (who had been hired to wait for seven and sixpence, and whose calves alone were worth double the money), the lamp in the passage, and the Venus on the landing, added to the hum of many voices, and the sound of a harp and two violins, painfully convinced him that his surmises were but too well founded &quot;How are you?&quot; said little Kitterbell in a greater bustle than ever, bolting out of the little back parlour with a cork-screw in his hand, and various particles of saw-dust, looking like so many inverted commas, on his inexpressibles. &quot;Good God!&quot; said Dumps, turning into the aforesaid parlour to put his shoes on which he had brought in his coat-pocket, and still more appalled by the sight of seven fresh drawn corks, and a corresponding number of decanters. &quot;How many people are there up-stairs?&quot; &quot;Oh, not above thirty-five. We’ve had the carpet taken up in the back drawing-room, and the piano, and the card-tables are in the front. Jemima thought we’d better have a regular sit-down supper, in the front parlour, because of the speechifying, and all that. But, Lord! uncle, what’s the matter?&quot; continued the excited little man, as Dumps stood with one shoe on, rummaging his pockets with the most frightful distortion of visage. &quot;What have you lost? Your pocket-book?&quot; &quot;No,&quot; returned Dumps, diving first into one pocket and then into the other, and speaking in a voice like Desdemona with the pillow over her mouth. &quot;Your card-case? snuff-box? the key of your lodgings?&quot; continued Kitterbell, pouring question on question with the rapidity of lightning. &quot;No! no!&quot; ejaculated Dumps, still diving eagerly into his empty pockets. &quot;Not—not—the mug you spoke of this morning?&quot; &quot;Yes, the mug!&quot; replied Dumps, sinking into a chair&quot; &quot;How could you have done it?&quot; inquired Kitterbell. &quot;Are you sure you brought it out?&quot; &quot;Yes! yes! I see it all;&quot; said Dumps, starting up as the idea flashed across his mind; &quot;miserable dog that I am—I was born to suffer. I see it all; it was the gentlemanly-looking young man!&quot; &quot;Mr. Dumps!&quot; shouted the green-grocer in a stentorian voice, as he ushered the somewhat recovered godfather into the drawing-room half an hour after the above declaration. &quot;Mr. Dumps!&quot;—everybody looked at the door, and in came Dumps, feeling about as much out of place as a salmon might be supposed to be on a gravel-walk. &quot;Happy to see you again,&quot; said Mrs. Kitterbell, quite unconscious of the unfortunate man’s confusion and misery; &quot;you must allow me to introduce you to a few of our friends:- my mama, Mr. Dumps—my papa and sisters.&quot; Dumps seized the hand of the mother as warmly as if she was his own parent, bowed to the young ladies, and against a gentleman behind him, and took no notice whatever of the father, who had been bowing incessantly for three minutes and a quarter.&quot; &quot;Uncle,&quot; said little Kitterbell, after Dumps had been introduced to a select dozen or two, &quot;you must let me lead you to the other end of the room, to introduce you to my friend Danton. Such a splendid fellow!—I’m sure you’ll like him—this way.&quot;—Dumps followed as tractably as a tame bear. Mr. Danton was a young man of about five-and-twenty, with a considerable stock of impudence, and a very small share of ideas: he was a great favourite, especially with young ladies of from sixteen to twenty-six years of age, both inclusive. He could imitate the French horn to admiration, sang comic songs most inimitably, and had the most insinuating way of saying impertinent nothings to his doting female admirers. He had acquired, somehow or other, the reputation of being a great wit, and, accordingly, whenever he opened his mouth, everybody who knew him laughed very heartily. The introduction took place in due form. Mr. Danton bowed and twirled a lady’s handkerchief, which he held in his hand, in a most comic way. Everybody smiled. &quot;Very warm,&quot; said Dumps, feeling it necessary to say something. &quot;Yes. It was warmer yesterday,&quot; returned the brilliant Mr. Danton.—A general laugh. &quot;I have great pleasure in congratulating you on your first appearance in the character of a father, sir,&quot; he continued, addressing Dumps—&quot;godfather, I mean.&quot;—The young ladies were convulsed, and the gentlemen in ecstasies. A general hum of admiration interrupted the conversation, and announced the entrance of nurse with the baby. An universal rush of the young ladies immediately took place. (Girls are always so fond of babies in company.) &quot;Oh, you dear!&quot; said one. &quot;How sweet!&quot; cried another, in a low tone of the most enthusiastic admiration. &quot;Heavenly!&quot; added a third. &quot;Oh! what dear little arms!&quot; said a fourth, holding up an arm and fist about the size and shape of the leg of a fowl cleanly picked. &quot;Did you ever&quot;—said a little coquette with a large bustle, who looked like a French lithograph, appealing to a gentleman in three waistcoats—&quot;Did you ever—&quot; &quot;Never, in my life,&quot; returned her admirer, pulling up his collar. &quot;Oh, do let me take it, nurse,&quot; cried another young lady. &quot;The love!&quot; &quot;Can it open its eyes, nurse?&quot; inquired another, affecting the utmost innocence.—Suffice it to say, that the single ladies unanimously voted him an angel, and that the married ones, nem. con., agreed that he was decidedly the finest baby they had ever beheld—except their own. The quadrilles were resumed with great spirit. Mr. Danton was universally admitted to be beyond himself, several young ladies enchanted the company and gained admirers by singing &quot;We met&quot;—&quot;I saw her at the Fancy Fair&quot;—&quot;Can I believe Love&#039;s Wreath will pain?&quot; — and other equally sentimental and interesting ballads. &quot;The young men,&quot; as Mrs. Kitterbell said, &quot;made themselves very agreeable;&quot; the girls did not lose their opportunity; and the evening promised to go off excellently. Dumps didn’t mind it: he had devised a plan for himself—a little bit of fun in his own way—and he was almost happy! He played a rubber and lost every point Mr. Danton said he could not have lost every point, because he made a point of losing: everybody laughed tremendously. Dumps retorted with a better joke, and nobody smiled, with the exception of the host, who seemed to consider it his duty to laugh, till he was black in the face, at everything. There was only one drawback—the musicians did not play with quite as much spirit as could have been wished. The cause, however, was satisfactorily explained; for it appeared, on the testimony of a gentleman who had come up from Gravesend in the afternoon, that they had been engaged on board a steamer all day, and had played almost without cessation all the way to Gravesend, and all the way back again. The &quot;sit-down supper&quot; was excellent; there were four barley-sugar temples on the table, which would have looked beautiful if they had not melted away when the supper began; and a water-mill, whose only fault was that instead of going round, it ran over the table-cloth. Then there were fowls, and tongue, and trifle, and sweets, and lobster salad, and potted beef—and everything. And little Kitterbell kept calling out for clean plates, and the clean plates didn&#039;t come: and then the gentlemen who wanted the plates said they didn’t mind, they’d take a lady’s; and then Mrs. Kitterbell applauded their gallantry; and the green-grocer ran about till he thought his 7s.6d. was very hardly earned; and the young ladies didn’t eat much for fear it shouldn’t look romantic, and the married ladies eat as much as possible for fear they shouldn’t have enough; and a great deal of wine was drank, and everybody talked and laughed considerably. &quot;Hush! hush!&quot; said Mr. Kitterbell, rising and looking very important. &quot;My love (this was addressed to his wife at the other end of the table), take care of Mrs. Maxwell, and your mama, and the rest of the married ladies; the gentlemen will persuade the young ladies to fill their glasses, I am sure.&quot; &quot;Ladies and gentlemen,&quot; said long Dumps, in a very sepulchral voice and rueful accent, rising from his chair like the ghost in Don Juan, &quot;will you have the kindness to charge your glasses? I am desirous of proposing a toast.&quot; A dead silence ensued, and the glasses were filled—everybody looked serious — &quot;from gay to grave, from lively to severe.&quot; &quot;Ladies and gentlemen,&quot; slowly continued the ominous Dumps, &quot;I&quot;—(here Mr. Danton imitated two notes from the French-horn, in a very loud key, which electrified the nervous toast-proposer, and convulsed his audience). &quot;Order! order!&quot; said little Kitterbell, endeavouring to suppress his laughter. &quot;Order!&quot; said the gentlemen. &quot;Danton, be quiet,&quot; said a particular friend on the opposite side of the table. &quot;Ladies and gentlemen,&quot; resumed Dumps, somewhat recovered, and not much disconcerted, for he was always a pretty good hand at a speech—&quot;In accordance with what is, I believe, the established usage on these occasions, I, as one of the godfathers of Master Frederick Charles William Kitterbell—(here the speaker’s voice faltered, for he remembered the mug)—venture to rise to propose a toast. I need hardly say that it is the health and prosperity of that young gentleman, the particular event of whose early life we are here met to celebrate—(applause). Ladies and gentlemen, it is impossible to suppose that our friends here, whose sincere well-wishers we all are, can pass through life without some trials, considerable suffering, severe affliction, and heavy losses!&quot;—Here the arch-traitor paused, and slowly drew forth a long, white pocket-handkerchief—his example was followed by several ladies. &quot;That these trials may be long spared them is my most earnest prayer, my most fervent wish (a distinct sob from the grandmother). I hope and trust, ladies and gentlemen, that the infant whose christening we have this evening met to celebrate, may not be removed from the arms of his parents by premature decay (several cambrics were in requisition): that his young and now apparently healthy form, may not be wasted by lingering disease. (Here Dumps cast a sardonic glance around, for a great sensation was manifest among the married ladies.) You, I am sure, will concur with me in wishing that he may live to be a comfort and a blessing to his parents. (&#039;Hear, hear!&#039; and an audible sob from Mr. Kitterbell.) But should he not be what we could wish—should he forget in after times, the duty which he owes to them—should they unhappily experience that distracting truth, &#039;how sharper than a serpent’s tooth it is to have a thankless child&#039;&quot;—Here Mrs. Kitterbell, with her handkerchief to her eyes, and accompanied by several ladies, rushed from the room, and went into violent hysterics in the passage, leaving her better half in almost as bad a condition, and a general impression in Dumps’s favour; for people like sentiment after all. It need hardly be added, that this occurrence quite put a stop to the harmony of the evening. Vinegar, hartshorn, and cold water, were now as much in request as negus, rout-cakes, and bon-bons had been a short time before. Mrs. Kitterbell was immediately conveyed to her apartment, the musicians were silenced, flirting ceased, and the company slowly departed. Dumps left the house at the commencement of the bustle, and walked home with a light step, and (for him) a cheerful heart. His landlady, who slept in the next room, has offered to make oath that she heard him laugh, in his peculiar manner, after he had locked his door. The assertion, however, is so improbable, and bears on the face of it such strong evidence of untruth, that it has never obtained credence to this hour. The family of Mr. Kitterbell has considerably increased since the period to which we have referred; he has now two sons and a daughter: and as he expects, at no distant period, to have another addition to his blooming progeny, he is anxious to secure an eligible godfather for the occasion. He is determined, however, to impose upon him two conditions: he must bind himself, by a solemn obligation, not to make any speech after supper; and it is indispensable that he should be in no way connected with &quot;the most miserable man in the world.&quot;https://dickenssearch.com/files/original/5/The_Bloomsbury_Christening/1834-04-The_Bloomsbury_Christening.pdf
135https://dickenssearch.com/items/show/135&#039;The Boarding-House&#039; (No. 1)<div id="dublin-core-description" class="element"> <div class="element-text">Published in<span>&nbsp;</span><em>The Monthly Magazine</em><span>&nbsp;</span>(May 1834).</div> </div> <div id="dublin-core-creator" class="element"></div>Dickens, Charles<em>The Monthly Magazine, or The British Register of Politics, Art, Science, and the Belles-Lettres. </em>May <span>1834, pp. 481-493,&nbsp;</span><em>Internet Archive,</em><span>&nbsp;</span><a href="https://archive.org/details/monthlymagazineo17lond/page/n9/mode/2up">https://archive.org/details/monthlymagazineo17lond/page/n9/mode/2up</a><span>.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1834-05">1834-05</a><em>Internet Archive,<br /></em><a href="https://archive.org/about/terms.php">https://archive.org/about/terms.php</a><span>. Access to the Archive’s Collections is granted for scholarship and research purposes only.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Short+story">Short story</a>1834-05-The_Boarding_House_No1<span>Dickens, Charles. "The Boarding House" (No.1). </span><em>The Monthly Magazine, or The British Register of Politics, Art, Science, and the Belles-Lettres.</em><span> May 1834, pp. 481-493.&nbsp;</span><em>Dickens Search.</em><span>&nbsp;Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;</span><a href="https://dickenssearch.com/short-stories/1834-05-The-Boarding_House_No1">https://dickenssearch.com/short-stories/1834-05-The-Boarding_House_No1</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Monthly+Magazine">The Monthly Magazine</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Periodical">Periodical</a>183405Mrs. Tibbs was, beyond all dispute, the most tidy, fidgetty, thrifty little personage that ever inhaled the smoke of London; and the house of Mrs. Tibbs was, decidedly, the neatest in all Great Coram-street. The area and the area steps, and the street-door and the street-door steps, and the brass handle, and the door-plate, and the knocker, and the fan-light, were all as clean and as bright as indefatigable white-washing, and hearth-stoning, and scrubbing and rubbing could make them. The wonder was that the brass door-plate, with the interesting inscription &quot;MRS. TIBBS,&quot; had never caught fire from constant friction, so perseveringly was it polished. There were meat-safe-looking wire-blinds in the parlour windows, blue and gold curtains in the drawing-room, and spring-roller blinds, as Mrs. Tibbs was wont, in the pride of her heart to boast, &quot;all the way up.&quot; The bell-lamp in the passage, looked as clear as a soap-bubble; you could see yourself in all the tables, and French polish yourself on any one of the chairs; the banisters were bees&#039;-waxed; and the very stair-wires made your eyes wink, they were so glittering. Mrs. Tibbs was somewhat short of stature, and Mr. Tibbs was by no means a large man; he had moreover very short legs, but, by way of indemnification, his face was peculiarly long; he was to his wife what the 0 is in 90—he was of some importance with her—he was nothing without her. Mrs. Tibbs was always talking. Mr. Tibbs rarely spoke; but if it were at any time possible to put in a word, when he should have said nothing at all, he did it. Mrs. Tibbs detested long stories, and Mr. Tibbs had one, the conclusion of which had never been heard by his most intimate friends. It always began, &quot;I recollect when I was in the volunteer corps, in eighteen hundred and six,&quot;—but, as he spoke very slowly and softly, and his better half very quickly and loudly, he rarely got beyond the introductory sentence. He was a melancholy specimen of the story-teller. He was the wandering Jew of Joe Millerism—ever pursuing and ever shunned. Mr. Tibbs enjoyed a small independence from the pension-list—about 43l. 15s. 10d. a-year. His father, mother, and five interesting scions from the same stock drew a like sum from the revenue of a grateful country, though for what particular service was never known. But as this said independence was not quite sufficient to furnish two people with all the luxuries of this life, it had occurred to the busy little spouse of Tibbs that the best thing she could do with a legacy of 700l., would be to take and furnish a tolerable house, somewhere in that partially-explored tract of country which lies between the British Museum, and a remote village called Somer&#039;s Town, for the reception of boarders. Great Coram-street was the spot pitched upon. The house had been furnished accordingly; two female servants and a boy engaged; and an advertisement inserted in the morning papers, informing the public that &quot;Six individuals would meet with all the comforts of a cheerful musical home, in a select private family, residing within ten minutes’ walk of everywhere.&quot; Answers out of number were received, with all sorts of initials; all the letters of the alphabet seemed to be seized with a sudden wish to go out boarding and lodging; voluminous was the correspondence between Mrs. Tibbs and the applicants, and most profound was the secrecy observed. &quot;E.&quot; didn’t like this, and &quot;I.&quot; couldn’t think of putting up with that; &quot;I. O. U.&quot; didn’t think the terms would suit him; and &quot;G. R.&quot; had never slept in a French bed. The result, however, was, that three gentlemen became inmates of Mrs. Tibbs’s house, on terms which were &quot;agreeable to all parties.&quot; In went the advertisement again, and a lady with her two daughters, proposed to increase—not their families, but Mrs. Tibbs’. &quot;Charming woman, that Mrs. Maplesone!&quot; said Mrs. Tibbs, as she and her spouse were sitting by the fire after breakfast; the gentlemen having gone out on their several avocations. &quot;Charming woman, indeed!&quot; repeated little Mrs. Tibbs, more by way of soliloquy than anything else, for she never thought of consulting her husband. &quot;And the two daughters are delightful. We must have some fish to-day; they’ll join us at dinner for the first time.&quot; Mr. Tibbs placed the poker at right angles with the fire-shovel, and essayed to speak, but recollected he had nothing to say. &quot;The young ladies,&#039; continued Mrs. T., &quot;have kindly volunteered to bring their own piano.&quot; Tibbs thought of the volunteer story, but did not venture it. A bright thought struck him - &quot;It’s very likely,&quot; said he. &quot;Pray don’t lean your head against the paper,&quot; interrupted Mrs. Tibbs — &quot;and don’t put your feet on the steel fender; that’s worse.&quot; Tibbs took his head from the paper, and his feet from the fender; and proceeded. &quot;It’s very likely one of the young ladies may set her cap at young Mr. Simpson, and you know a marriage&quot;—— &quot;A what!&quot; shrieked Mrs. Tibbs. Tibbs modestly repeated his former suggestion. &quot;I beg you won’t mention such a thing,&quot; said Mrs. T. &quot;A marriage, indeed! — to rob me of my boarders—no, not for the world.&quot; Tibbs thought in his own mind that the event was by no means unlikely, but as he never argued with his wife, he put a stop to the dialogue, by observing it was &quot;time to go to business.&quot; He always went out at ten o’clock in the morning, and returned at five in the afternoon, with an exceedingly dirty face, and smelling very mouldy. Nobody knew what he was, or where he went to; but Mrs. Tibbs used to say with an air of great importance, that he was engaged in the City. The Miss Maplesones and their accomplished parent arrived in the course of the afternoon in a hackney-coach, and accompanied by a most astonishing number of packages. Trunks, bonnet-boxes, muff-boxes, parasols, guitar-cases; and parcels of all imaginable shapes, done up in brown paper, and fastened with pins, filled the passage. Then there was such a running up and down with the luggage, such scampering for warm water for the ladies to wash in, and such a bustle, and confusion, and heating of servants, and curling-irons, as had never been known in Great Coram-street before. Little Mrs. Tibbs was quite in her element, bustling about, talking incessantly, and distributing towels and soap, and all the et ceteras, like a head nurse in a hospital. The house was not restored to its usual state of quiet repose until the ladies were safely shut up in their respective bed-rooms, engaged in the important occupation of dressing for dinner. &quot;Are these gals andsome?&quot; inquired Mr. Simpson of Mr. Septimus Hicks, another of the boarders, as they were amusing themselves in the drawing-room before dinner, by lolling on sofas, and contemplating their pumps. &quot;Don’t know,&quot; replied Mr. Septimus Hicks, who was a tallish, white-faced young man, with spectacles, and a black ribbon round his neck instead of a neckerchief—a most interesting person; a poetical walker of the hospitals, and a &quot;very talented young man.&quot; He was fond of &quot;lugging&quot; into conversation all sorts of quotations from Don Juan, without fettering himself by the propriety of their application, in which particular he was remarkably independent. The other, Mr. Simpson, was one of those young men, who are in society what walking gentlemen are on the stage, only infinitely worse skilled in his vocation than the most indifferent artist. He was as empty-headed as the great bell of St. Paul’s, and had about as long a tongue. He always dressed according to the caricatures, published in Townsend&#039;s monthly fashions; and spelt Character with a K. &quot;I saw a devilish number of parcels in the passage when I came home,&quot; simpered Simpson. &quot;Materials for the toilet, no doubt,&quot; rejoined the Don Juan reader. &quot; — much linen, lace, and several pair Of stockings, slippers, brushes, combs, complete; With other articles of ladies&#039; fair, To keep them beautiful, or leave them neat.&quot; &quot;Is that from Milton?&quot; inquired Mr. Simpson. &quot;No—from Byron,&quot; returned Mr. Hicks, with a look of profound contempt. He was quite sure of his author, because he had never read any other. — &quot;Hush!&quot; said the sapient hospital walker,, &quot;Here come the gals,&quot; and they both commenced talking in a very loud key. &quot;Mrs. Maplesone and the Miss Maplesones, Mr. Hicks. Mr. Hicks—Mrs. Maplesone and the Miss Maplesones,&quot; said Mrs. Tibbs, with a very red face, for she had been superintending the cooking operations below stairs, and looked like a wax doll on a sunny day. Mr. Simpson, I beg your pardon—Mr. Simpson—Mrs. Maplesone and the Miss Maplesone&#039;s&quot;—and vice versa. The gentlemen immediately began to slide about with much politeness, and to look as if they wished their arms had been legs, so little did they know what to do with them. The ladies smiled, curtsied, and glided into chairs, and dived for dropped pockethandkerchiefs; the gentlemen leant against two of the curtain-pegs; Mrs. Tibbs went through an admirable bit of serious pantomime with a servant who had come up to ask some question about the fish sauce; and then the two young ladies looked at each other; and everybody else appeared to discover something very attractive in the pattern of the fender. &quot;Julia, my love,&quot; said Mrs. Maplesone to her youngest daughter, in a tone just loud enough for the remainder of the company to hear—&quot;Julia.&quot; &quot;Yes, Ma.&quot; &quot;Don’t stoop.&quot;—This was said for the purpose of directing general attention to Miss Julia’s figure, which was undeniable. Everybody looked at her, accordingly, and there was another pause. &quot;We had the most uncivil hackney-coachman to-day, you can imagine,&quot; said Mrs. Maplesone to Mrs. Tibbs, in a truly confidential tone. &quot;Dear me!&quot; replied the hostess, with an air of great commiseration. She couldn’t say more, for the servant again appeared at the door, and commenced telegraphing most earnestly to her &quot;Misses.&quot; &quot;I think hackney-coachmen generally are uncivil,&quot; said Mr. Hicks in his most insinuating tone. &quot;Positively I think they are,&quot; replied Mrs. Maplesone, as if the idea had never struck her before. &quot;And cabmen, too,&quot; said Mr. Simpson. This remark was a failure, for no one intimated by word or sign the slightest knowledge of the manners and customs of cabmen. &quot;Robinson, what do you want?&quot; said Mrs. Tibbs to the servant, who, by way of making her presence known to her mistress, had been giving sundry hems and sniffs outside the door, during the preceding five minutes. &quot;Please, ma’am, master wants his clean things,&quot; replied the servant, taken off her guard. There was no resisting this: the two young men turned their faces to the window, and &quot;went off&quot; like a couple of bottles of ginger-beer; the ladies put their cambrics to their mouths, and little Mrs. Tibbs bustled out of the room to give Tibbs his clean linen,—and the servant warning. Mr. Calton, the remaining boarder, shortly afterwards made his appearance, and proved a surprising promoter of the conversation. Mr. Calton was a superannuated beau—an old boy. He used to say of himself, that although his features were not regularly handsome, they were striking. They certainly were: it was impossible to look at his face without being reminded of a chubby street-door knocker, half-lion half-monkey; and the comparison might be extended to his whole character and conversation. He had stood still while everything else had been moving. He never originated a conversation, or started a new idea; but if any common-place topic were broached, or, to pursue the comparison, if anybody lifted him up, he would hammer away with surprising rapidity. He had the tic douloreux occasionally, and then he might be said to be muffled, because he did not make quite as much noise as at other times, when he would go on prosing, rat-tat-tat, the same thing over and over again. He had never been married; but he was still on the look-out for a wife with money. He had a life interest worth about 300l. a year—he was exceedingly vain, and inordinately selfish. He had acquired the reputation of being the very pink of politeness; and he walked round the park, and up Regent-street, every day. This respectable personage had made up his mind to render himself exceedingly agreeable to Mrs. Maplesone—indeed, the desire of being as amiable as possible extended itself to the whole party; Mrs. Tibbs having considered it an admirable little bit of management to represent to the gentlemen that she had some reason to believe the ladies were fortunes, and to hint to the ladies, that all the gentlemen were &quot;eligible.&quot; A little flirtation, she thought, might keep her house full, without leading to any other result. Mrs. Maplesone was an enterprising widow of about fifty; shrewd, scheming, and good-looking. She was amiably anxious on behalf of her daughters; in proof whereof she used to remark, that she would have no objection to marry again, if it would benefit her dear girls—she could have no other motive. The &quot;dear girls&quot; themselves were not at all insensible to the merits of &quot;a good establishment.&quot; One of them was twenty-five; the other three years younger. They had been at different watering-places for four seasons; they had gambled at libraries, read books in balconies, sold at fancy fairs, danced at assemblies, talked sentiment—in short, they had done all that industrious girls could do, and all to no purpose. &quot;What a magnificent dresser Mr. Simpson is!&quot; whispered Miss Matilda Maplesone to her sister Julia. &quot;Splendid!&quot; returned the youngest. The magnificent individual alluded to wore a maroon-coloured dress-coat, with a velvet collar and cuffs of the same tint—very like that which usually invests the form of the distinguished unknown who condescends to play the &quot;swell&quot; in the pantomime at &quot;Richardson’s Show.&quot; &quot;What whiskers!&quot; said Miss Julia. &quot;Charming!&quot; responded her sister; &quot;and what hair!&quot; His hair was like a wig, and distinguished by that insinuating wave which graces the shining locks of those chef-d’oeuvres of art surmounting the waxen images in Bartellot’s window in Regent-street; and his whiskers, meeting beneath his chin, seemed strings wherewith to tie it on, ere science had rendered them unnecessary by her patent invisible springs. &quot;Dinner’s on the table, ma’am, if you please,&quot; said the boy, who now appeared for the first time, in a revived black coat of his master’s. &quot;Oh! Mr. Calton, will you lead Mrs. Maplesone?—Thank you.&quot; Mr. Simpson offered his arm to Miss Julia; Mr. Septimus Hicks escorted the lovely Matilda; and the procession proceeded to the dining-room. Mr. Tibbs was introduced, and Mr. Tibbs bobbed up and down to the three ladies like a figure in a Dutch clock, with a powerful spring in the middle of his body, and then dived rapidly into his seat at the bottom of the table, delighted to screen himself behind a soup tureen, which he could just see over, and that was all. The boarders were seated, a lady and gentleman alternately, like the layers of bread and meat in a sandwich; and then Mrs. Tibbs directed James to take off the covers, and salmon, lobster-sauce, giblet-soup, and the usual accompaniments were discovered: potatoes like petrifactions, and bits of toasted bread, the shape and size of blank dice. &quot;Soup for Mrs. Maplesone, my dear,&quot; said the bustling Mrs. Tibbs. She always called her husband &quot;my dear&quot; before company. Tibbs, who had been eating his bread, and calculating how long it would be before he should get any fish, helped the soup in a hurry, made a small island on the table-cloth, and put his glass upon it, to hide it from his wife. &quot;Miss Julia, shall I assist you to some fish?&quot; &quot;If you please—very little—oh! plenty, thank you;&quot; (a bit about the size of a walnut put upon the plate). &quot;Julia is a very little eater,&quot; said Mrs. Maplesone to Mr. Calton. The knocker gave a single rap. He was busy eating the fish with his eyes: so he only ejaculated, &quot;Ah!&quot; &quot;My dear,&quot; said Mrs. Tibbs to her spouse after every one else had been helped, &quot;what do you take?&quot; The inquiry was accompanied with a look intimating that he mustn’t say fish, because there was not much left. Tibbs thought the frown referred to the island on the table-cloth; he therefore coolly replied, &quot;Why—I’ll take a little—fish, I think.&quot; &quot;Did you say fish, my dear?&quot; (another frown.) &quot;Yes, dear,&quot; replied the villain, with an expression of acute hunger depicted in his countenance. The tears almost started to Mrs. Tibbs’s eyes, as she helped her &quot;wretch of a husband,&quot; as she inwardly called him, to the last eatable bit of salmon on the dish. &quot;James, take this to your master, and take away your master’s knife.&quot; This was deliberate revenge, as Tibbs never could eat fish without one. He was, however, constrained to chase small particles of salmon round and round his plate with a piece of bread and a fork, occasionally securing a bit; the number of successful attempts being about one in seventeen. &quot;Take away, James,&quot; said Mrs. Tibbs, as Tibbs swallowed the fourth mouthful—and away went the plates like lightning. &quot;I’ll take a bit of bread, James,&quot; said the poor &quot;master of the house,&quot; more hungry than ever. &quot;Never mind your master now, James,&quot; said Mrs. Tibbs, &quot;see about the meat.&quot; — This was conveyed in the tone in which ladies usually give admonitions to servants in company, that is to say, a low one; but which, like a stage whisper, from its peculiar emphasis, is most distinctly heard by everybody present. A pause ensued before the table was replenished—a sort of parenthesis in which Mr. Simpson, Mr. Calton, and Mr. Hicks produced respectively a bottle of sauterne, bucellas, and sherry, and took wine with everybody—except Tibbs: no one ever thought of him. Between the fish and an intimated sirloin there was a prolonged interval. Here was an opportunity for Mr. Hicks. He could not resist the singularly appropriate quotation: - &quot;But beef is rare within these oxless isles; Goats’ flesh there is, no doubt, and kid, and mutton, And when a holiday upon them smiles, A joint upon their barbarous spits they put on.&quot; &quot;Very ungentlemanly behaviour,&quot; thought little Mrs. Tibbs, &quot;to talk in that way.&quot; &quot;Ah,&quot; said Mr. Calton, filling his glass. &quot;Tom Moore is my poet.&quot; &quot;And mine,&quot; said Mrs. Maplesone. &quot;And mine,&quot; said Miss Julia. &quot;And mine,&quot; added Mr. Simpson. &quot;Look at his compositions,&quot; resumed the knocker. &quot;To be sure,&quot; said Simpson, with confidence. &quot;Look at Don Juan,&quot; replied Mr. Septimus Hicks. &quot;Julia’s letter,&quot; suggested Miss Matilda. &quot;Can anything be grander than The Fire Worshippers?&quot; inquired Miss Julia. &quot;To be sure,&quot; said Simpson. &quot;Or Paradise and the Peri,&quot; said the old beau. &quot;Yes; or Paradise and the Peer,&quot; repeated the deeply-read Simpson, who thought he was getting through it capitally. &quot;It’s all very well,&quot; replied Mr. Septimus Hicks, who, as we have before hinted, never had read anything but Don Juan. Where will you find anything finer than the description of the siege, at the commencement of the seventh canto?&quot; &quot;Talking of a siege,&quot; said Tibbs, with a mouthful of bread—&quot;when I was in the volunteer corps, in eighteen hundred and six, our commanding officer was Sir Charles Rampart; and one day, when we were exercising on the ground on which the London University now stands, he says, says he, Tibbs (calling me from the ranks), Tibbs—&quot; &quot;Tell your master, James,&quot; interrupted Mrs. Tibbs, in an awfully distinct tone, &quot;tell your master if he won’t carve those fowls, to send them to me.&quot; The discomfited volunteer instantly set to work, and carved the fowls almost as expeditiously as his wife operated on the haunch of mutton. Whether he ever finished that story is not exactly known. As the ice was now broken, and the new inmates more at home, every member of the company felt more at ease. Tibbs himself most certainly did, because he went to sleep immediately after dinner. Mr. Hicks and the ladies discoursed most eloquently about poetry, and the theatres, and Lord Chesterfield’s Letters; and Mr. Calton followed up what everybody said, with continuous double knocks. Mrs. Tibbs highly approved of every observation that fell from Mrs. Maplesone; and as Mr. Simpson sat with a smile upon his face and said &quot;Yes,&quot; or &quot;Certainly,&quot; at intervals of about four minutes each, he received full credit for understanding what was going forward. The gentlemen rejoined the ladies in the drawing-room very shortly after they had left the dining-parlour. Mrs. Maplesone and Mr. Calton played cribbage, and the &quot;young people&quot; amused themselves with music and conversation. The Miss Maplesones sang the most fascinating duets, and accompanied themselves on guitars, ornamented with bits of ethereal blue ribbon. Mr. Simpson put on a pink waistcoat, and said he was in raptures; and Mr. Hicks felt in the seventh heaven of poetry or the seventh canto of Don Juan,—it was the same thing to him. Mrs. Tibbs was quite charmed with the new comers, and Mr. Tibbs spent the evening in his usual way—he went to sleep, and woke up, and went to sleep again, and woke at supper-time. We are not about to adopt the licence of novel-writers, and to let &quot;years roll on;&quot; but we will take the liberty of requesting the reader to suppose that six months have elapsed, since the dinner we have described, and that Mrs. Tibbs’s boarders have, during that period, sang, and danced, and gone to theatres and exhibitions together, as ladies and gentlemen, wherever they board, often do; and we will beg them, the period we have mentioned having elapsed, to imagine further, that Mr. Septimus Hicks received, in his own bed-room (a front attic), at an early hour one morning, a note from Mr. Calton, requesting the favour of seeing him, as soon as convenient to himself, in his (Calton’s) dressing-room on the second-floor back. &quot;Tell Mr. Calton I’ll come down directly,&quot; said Mr. Septimus to the boy. &quot;Stop—Is Mr. Calton unwell?&quot; inquired this excited walker of hospitals, as he put on a bed-furniture-looking dressing-gown. &quot;Not as I knows on, Sir,&quot; replied the boy. &quot;Please, Sir, he looked rather rum, as it might be.&quot; &quot;Ah, that’s no proof of his being ill,&quot; returned Hicks, unconsciously. &quot;Very well: I’ll be down directly.&quot; Down stairs ran the boy with the message, and down went the excited Hicks himself, almost as soon as the message was delivered. &quot;Tap, tap.&quot; &quot;Come in.&quot;—Door opens, and discovers Mr. Calton sitting in an easy chair, and looking more like a knocker than ever. Mutual shakes of the hand exchanged, and Mr. Septimus Hicks motioned to a seat. A short pause. Mr. Hicks coughed, and Mr. Calton took a pinch of snuff. It was just one of those interviews where neither party knows what to say. Mr. Septimus Hicks broke silence. &quot;I received a note—&quot; he said, very tremulously, in a voice like a Punch with a cold. &quot;Yes,&quot; returned the other, &quot;you did.&quot; &quot;Exactly.&quot; &quot;Yes.&quot; Now, although this dialogue must have been satisfactory, both gentlemen felt there was something more important to be said; therefore they did as most men in such a situation would have done—they looked at the table with a most determined aspect. The conversation had been opened, however, and Mr. Calton had made up his mind to continue it with a regular double knock. He always spoke very pompously. &quot;Hicks,&quot; said he, &quot;I have sent for you in consequence of certain arrangements which are pending in this house, connected with a marriage.&quot; &quot;With a marriage!&quot; gasped Hicks, compared with whose expression of countenance, Hamlet’s, when he sees his father’s ghost, is pleasing and composed. &quot;With a marriage!&quot; returned the knocker. &quot;I have sent for you to prove the great confidence I can repose in you.&quot; &quot;And will you betray me?&quot; eagerly inquired Hicks, who in his alarm had even forgotten to quote. I betray you! Won’t you betray me?&quot; &quot;Never: no one shall know, to my dying day, that you had a hand in the business,&quot; responded the agitated Hicks, with an inflamed countenance, and his hair standing on end as if he were on the stool of an electrifying machine in full operation. &quot;People must know that, some time or other—within a year, I imagine,&quot; said Mr. Calton, with an air of great self-complacency. &quot;We may have a family.&quot; &quot;We!—That won’t affect you, surely?&quot; &quot;The devil it won’t!&quot; &quot;No! How can it?&quot; said the bewildered Hicks. Calton was too much inwrapped in the contemplation of his happiness to see the equivoque between Hicks and himself; and threw himself back in his chair, &quot;Oh, Matilda!&quot; sighed the antique beau, in a lack-a-daysical voice, and applying his right hand a little to the left of the fourth button of his waistcoat, counting from the bottom. This was meant to be pathetic - &quot;Oh, Matilda!&quot; &quot;What Matilda?&quot; inquired Hicks, starting up. &quot;Matilda Maplesone,&quot; responded the other, doing the same. &quot;I marry her to-morrow morning,&quot; said Hicks, furiously. &quot;It’s false,&quot; rejoined his companion: &quot;I marry her!&quot; &quot;You marry her?&quot; &quot;I marry her!&quot; &quot;You marry Matilda Maplesone?&quot; &quot;Matilda Maplesone.&quot; &quot;Miss Maplesone marry you?&quot; &quot;Miss Maplesone! No; Mrs. Maplesone.&quot; &quot;Good Heaven!&quot; said Hicks, falling into his chair like Ward in Gustavus: &quot;You marry the mother, and I the daughter!&quot; &quot;Most extraordinary circumstance!&quot; replied Mr. Calton, &quot;and rather inconvenient too; for the fact is, that owing to Matilda’s wishing to keep her intention secret from her daughters until the ceremony had taken place, she doesn’t like applying to any of her friends to give her away. I entertain an objection to making the affair known to my acquaintance just now; and the consequence is, that I sent to you to know whether you’d oblige me by acting as father.&quot; &quot;I should have been most happy, I assure you,&quot; said Hicks, in a tone of condolence; &quot;but, you see, I shall be acting as bridegroom. One character is frequently a consequence of the other; but it is no usual to act in both at the same time. There’s Simpson—I have no doubt he’ll do it for you.&quot; &quot;I don’t like to ask him,&quot; replied Calton, &quot;he’s such a donkey.&quot; Mr. Septimus Hicks looked up at the ceiling and down at the floor; at last an idea struck him — &quot;Let the man of the house, Tibbs, be the father,&quot; he suggested; and then he quoted, as peculiarly applicable to Tibbs and the pair - &quot;Oh Powers of Heaven! what dark eyes meeets she there? &#039;Tis—’tis her father’s—fixed upon the pair.&quot; &quot;The idea has struck me already,&quot; said Mr. Calton: &quot;but, you see, Matilda, for what reason I know not, is very anxious that Mrs. Tibbs should know nothing about it, till it’s all over. It’s a natural delicacy, after all, you know.&quot; &quot;He’s the best-natured little man in existence, if you manage him properly,&quot; said Mr. Septimus Hicks. &quot;Tell him not to mention it to his wife, and assure him she won’t mind it, and he’ll do it directly. My marriage is to be a secret one, on account of the mother and my father; therefore he must be enjoined to secrecy.&quot; A small double knock, like a presumptuous single one, was that instant heard at the street door. It was Tibbs; it could be no one else; for no one else occupied five minutes in rubbing their shoes. He had been out to pay the baker’s bill. &quot;Mr. Tibbs,&quot; called Mr. Calton in a very bland tone, looking over the banisters. &quot;Sir!&quot; replied he of the dirty face. &quot;Will you have the kindness to step up-stairs for a moment.&quot; &quot;Certainly, sir,&quot; said Tibbs, delighted to be taken notice of. The bed-room door was carefully closed, and Tibbs, having put his hat on the floor (as all timid men do), and been accommodated with a seat, looked as astounded as if he were suddenly summoned before the familiars of the Inquisition. &quot;A rather unpleasant occurrence, Mr. Tibbs,&quot; said Calton, in a very portentous manner, &quot;obliges me to consult you, and to beg you will not communicate what I am about to say to your wife.&quot; Tibbs acquiesced, wondering in his own mind what the deuce the other could have done, and imagining that at least he must have broken the best decanters. Mr. Calton resumed; &quot;I am placed, Mr. Tibbs, in rather an unpleasant situation.&quot; Tibbs looked at Mr. Septimus Hicks, as if he thought his being in the immediate vicinity of his fellow-boarder constituted the unpleasantness of his situation; but as he did not exactly know what to say, he merely ejaculated the monosyllable &quot;Lor!&quot; &quot;Now,&quot; continued the knocker, &quot;let me beg you will exhibit no manifestations of surprise, which may be overheard by the domestics, when I tell you—command your feelings of astonishment—that two inmates of this house intend to be married to-morrow morning,&quot; — and he drew back his chair several feet to perceive the effect of the unlooked-for announcement. If Tibbs had rushed from the room, staggered down stairs, and fainted in the passage—if he had instantaneously jumped out of the window into the mews behind the house, in an agony of surprise —his behaviour would have been much less inexplicable to Mr. Calton than it was, when he put his hands into his inexpressible-pockets, and said, with a half-chuckle, &quot;Just so.&quot; &quot;You are not surprised, Mr. Tibbs?&quot; inquired Mr. Calton. &quot;Bless you, no, sir,&quot; returned Tibbs; &quot;after all, it&#039;s very natural. When two young people get together, you know—&quot; &quot;Certainly, certainly,&quot; said Calton, with an indescribable air of self-satisfaction. &quot;You don’t think it’s at all an out-of-the-way affair then?&quot; asked Mr. Septimus Hicks, who had watched the countenance of Tibbs in mute astonishment. &quot;No, Sir,&quot; replied Tibbs; &quot;I was just the same at his age.&quot; He actually smiled when he said this. &quot;How devilish well I must carry my years!&quot; thought the delighted old beau, knowing he was at least ten years older than Tibbs at that moment. &quot;Well, then, to come to the point at once,&quot; he continued, &quot;I have to ask you whether you will object to act as father on the occasion?&quot; &quot;Certainly not,&quot; replied Tibbs; still without evincing an atom of surprise. ‘You will not?’ &quot;Decidedly not,&quot; reiterated Tibbs, still as calm as a pot of porter with the head off. Mr. Calton seized the hand of the petticoat-governed little man, and vowed eternal friendship from that hour. Hicks, who was all admiration and surprise, did the same. &quot;Now, confess,&quot; asked Mr. Calton of Tibbs, as he picked up his hat, &quot;were you not a little surprised?&quot; &quot;I b’lieve you!&quot; replied that illustrious person, holding up one hand; &quot;I b’lieve you! when I first heard of it.&quot; &quot;So sudden,&quot; said Septimus Hicks. &quot;So strange to ask me, you know,&quot; said Tibbs. &quot;So odd altogether,&quot; said the superannuated love-maker; and then all three laughed. &quot;I say,&quot; said Tibbs, shutting the door which he had previously opened, and giving full vent to a hitherto corked-up giggle, &quot;what bothers me is, what will his father say?&quot; Mr. Septimus Hicks looked at Mr. Calton. &quot;Yes; but the best of it is,&quot; said the latter, giggling in his turn, &quot;I haven’t got a father—he! he! he!&quot; &quot;You haven’t got a father. No; but he has,&quot; said Tibbs. &quot;Who has?&quot; inquired Septimus Hicks. &quot;Why, him.&quot; &quot;Him, who? Do you know my secret? Do you mean me?&quot; &quot;You! No; you know who I mean,&quot; returned Tibbs, with a knowing wink. &quot;For Heaven’s sake, whom do you mean?&quot; inquired Mr. Calton, who, like Septimus Hicks, was all but out of his senses at the strange confusion. &quot;Why Mr. Simpson, of course,&quot; replied Tibbs; &quot;who else could I mean?&quot; &quot;I see it all,&quot; said the Byron-quoter; &quot;Simpson marries Julia Maplesone to-morrow morning!&quot; &quot;Undoubtedly,&quot; replied Tibbs, thoroughly satisfied, &quot;of course he does.&quot; It would require the pencil of Hogarth to illustrate—our feeble pen is inadequate to describe—the expression which the countenances of Mr. Calton and Mr. Septimus Hicks respectively assumed at this unexpected announcement. Equally impossible is it to describe, although perhaps it is easier for our lady readers to imagine, what arts the three ladies could have used, so completely to entangle their separate partners. Whatever they were, however, they were successful. The mother was perfectly aware of the intended marriage of both daughters; and the young ladies were equally acquainted with the intention of their estimable parent. They agreed, however, that it would have a much better appearance if each feigned ignorance of the other’s engagement; and it was equally desirable that all the marriages should take place on the same day, to prevent the discovery of one clandestine alliance, operating prejudicially on the others. Hence the mystification of Mr. Calton and Mr. Septimus Hicks, and the pre-engagement of the unwary Tibbs. On the following morning, Mr. Septimus Hicks was united to Miss Matilda Maplesone. Mr. Simpson also entered into a &quot;holy alliance&quot; with Miss Julia, Tibbs acting as father, &quot;his first appearance in that character.&quot; Mr. Calton not being quite so eager as the two young men, was rather struck by the double discovery; and as he had found some difficulty in getting any one to give the lady away, it occurred to him that the best mode of obviating the inconvenience would be not to take her at all. The lady, however, &quot;appealed,&quot; as her counsel said on the trial of the cause, Maplesone v. Calton, for a breach of promise, &quot;with a broken heart, to the outraged laws of her country.&quot; She recovered damages to the amount of 1,000l. which the unfortunate knocker was compelled to pay, because he had declined to ring the belle. Mr. Septimus Hicks having walked the hospitals, took it into his head to walk off altogether. His injured wife is at present residing with her mother at Boulonge. Mr. Simpson, having the misfortune to lose his wife six weeks after marriage (by her eloping with an officer during his temporary sojourn in the Fleet Prison, in consequence of his inability to discharge her little mantua-maker’s bill), and being disinherited by his father, who died soon afterwards, was fortunate enough to obtain a permanent engagement at a fashionable hair-cutter’s; hair dressing being a science to which he had frequently directed his attention. In this situation he had necessarily many opportunities of making himself acquainted with the habits and style of thinking of the exclusive portion of the nobility of this kingdom. To this fortunate circumstance are we indebted for the production of those brilliant efforts of genius, his fashionable novels, which so long as good taste, unsullied exaggeration, cant, and maudlin quackery continues to exist, cannot fail to instruct and amuse the thinking portion of the community. It only remains to add, that this &quot;complication of disorders&quot; completely deprived poor Mrs. Tibbs of all her inmates, except the one whom it would have afforded her the greatest pleasure to lose —her husband. That wretched little man returned home on the day of the wedding in a state of partial intoxication; and, under the influence of wine, excitement, and despair, actually dared to brave the anger of his wife. Since that ill-fated hour he has constantly taken his meals in the kitchen, to which apartment it is understood his witticisms will be in future confined, a turn-up bedstead having been conveyed there by Mrs. Tibbs’s order for his exclusive accommodation. It is very likely that he will be enabled to finish there his story of the volunteers. The advertisement has again appeared in the morning papers. Whether it will be productive of any beneficial result, we of course are unable to foretell. If it should, we may, perhaps, at no distant period, return to Mrs. Tibbs and her &quot;Boarding-House.&quot;https://dickenssearch.com/files/original/5/The_Boarding-House_[No._1]/1834-05-The_Boarding_House.pdf
4https://dickenssearch.com/items/show/4'The British Lion'Published in the <em>Daily News</em> (24 January 1846).Dickens, Charles<em>British Library Newspapers</em><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1846-01-24">1846-01-24</a><em>British Library Newspapers,</em> <a href="https://link.gale.com/apps/doc/BA3202822578/BNCN?u=loughuni&amp;sid=BNCN&amp;xid=12dd48d2" target="_blank" rel="noopener">https://link.gale.com/apps/doc/BA3202822578/BNCN?u=loughuni&amp;sid=BNCN&amp;xid=12dd48d2</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Poem">Poem</a>1846-01-24_Daily_News_The_British_LionDickens, Charles. 'The British Lion.' <em>Daily News</em> (21 January 1841): p. 5. <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1846-01-24_Daily_News_The_British_Lion">https://dickenssearch.com/verse/1846-01-24_Daily_News_The_British_Lion</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Daily+News">Daily News</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=CATNACH">CATNACH</a><a href="https://dickenssearch.com/teibp/dist/content/1846-01-24_Daily_News_The_British_Lion.xml" target="_blank" rel="noopener">'The British Lion.'&nbsp;<em>The Daily News </em>(24 January 1846): p. 5.</a>18460124A NEW SONG, BUT AN OLD STORY TUNE. - The Great Sea-Snake. Oh, p’raps you may heard, and if not, I’ll sing, Of the British Lion free, That was constantly a-going for to make a spring Upon his en-e-me; But who, being rather groggy at the knees, Broke down, always before; And generally gave a feeble wheeze Instead of a loud roar. Right toor rol, loor rol, fee faw fum, The British Lion bold! That was always a-going for to do great things, And was always being “sold”! He was carried about, in a caravan, And was show&#039;d in country parts, And they said “Walk-up! Be in time! He can Eat Corn-Law-Leagues like tarts!” And his showmen, shouting there and then, To puff him didn’t fail; And they said, as they peep&#039;d into his den, “Oh, Don’t he wag his tail!” Now, the principal keeper of this poor old beast, WAN HUMBUG was his name, Would once ev’ry day stir him up - at least - And wasn’t that a Game! For he hadn’t a tooth, and he hadn’t a claw, In that “Struggle” so “Sublime;” And, however sharp they touch’d him on the raw, He couldn’t come up to time. And this, you will observe, was the reason why WAN HUMBUG, on weak grounds, Was forced to make believe that he heard his cry In all unlikely sounds. So there wasn’t a bleat from an Essex Calf, Or a Duke, or a Lordling slim; But he said, with a very triumphant laugh, “I’m blest if that ain’t him.” At length, wery bald in his mane and tail, This British Lion growed: He pined, and declined, and he satisfied The last debt which he owed. And when they came to examine the skin, It was a wonder sore, To find that the an-i-mal within Was nothing but a BOAR! Right toor rol, loor rol, fee faw fum, The British Lion bold! That was always a-going for to do great things, And was always being &quot;sold&quot;!https://dickenssearch.com/files/original/3/The_British_Lion/1846-01-24_The_British_Lion.jpeg
71https://dickenssearch.com/items/show/71'The Churchyard'From the autograph album of Maria Beadnell (November 1831).The Charles Dickens Museum, <a href="http://www.collections.dickensmuseum.com/object-b319--1971-1-105" target="_blank" rel="noopener">http://www.collections.dickensmuseum.com/object-b319--1971-1-105</a>.; Autograph Album of Maria Beadnell.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1831-11">1831-11</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Poem">Poem</a>1831-11_Autograph_Album_of_Maria_Beadnell_The_Churchyard<span>Dickens, Charles. 'The Churchyard.' Autograph Album of Maria Beadnell (November 1831).&nbsp;</span><em>Dickens Search.</em><span>&nbsp;Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;</span><a href="https://dickenssearch.com/verse/1831-11_Autograph_Album_of_Maria_Beadnell_The_Churchyard">https://dickenssearch.com/verse/1831-11_Autograph_Album_of_Maria_Beadnell_The_Churchyard</a><span><a href="https://dickenssearch.com/poetry/1831-11_Autograph_Album_of_Maria_Beadnell_The_Devils_Walk"></a>.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album+of+Maria+Beadnell.">Autograph Album of Maria Beadnell.</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=C.D.">C.D.</a><a href="https://dickenssearch.com/teibp/dist/content/1831-11_Autograph_Album_of_Maria_Beadnell_The_Churchyard.xml" target="_blank" rel="noopener"><span>'The Churchyard.' Autograph Album of Maria Beadnell (November 1831).<br /></span></a>18311101How many tales these Tombstones tell Of life&#039;s e&#039;er changing scene, Of by gone days spent ill or well By those who gay have been; Who have been happy, rich, and vain, Who now are dead, and cold, Who&#039;ve gone alike to dust again The rich, poor, young, and old. Here lies a Man who lived to save Of Wordly gain a store; – It has not saved him from the grave He ne&#039;er can use it more. A marble Tablet tells his fame To those who shall survive; – It tells us not who blest his name While he remained alive. Now mark the contrast. – Near this mound Lie the remains of one With whom no fault was ever found, Who spotless as the sun Fulfilled his Christian duties here, Both cheerfully and well But no rich velvet deck&#039;d his Bier No lines his virtues tell. And is it so! Is man so vain, To riches such a Slave As to take his pride of gold, and gain E&#039;en with him to the Grave! – Why let him take it. – Let him see If &#039;twill avail him there, Where we must all one dread day be, Where all Men must appear. Here sleeps a girl. – A year ago Bright, beautiful, and gay, Peaceful, and happy, then but Oh! How soon such days decay: They changed to times of shame and brief And this the mournful token Death was to her a glad relief For her young heart was broken. Aye – broken. – Let the Roué smile And let him boldly speed Exulting in his shameless guile To boast of such a deed. Let him boast gaily among men – They&#039;ll hear without surprize And let him boast if he can when On his death bed he lies. In truth it is a manly deed With woman&#039;s heart to trifle, To break the bent and bruised reed And with neglect to stifle The feelings man himself has raised Which he can&#039;t prize too high. – To leave the object he has praised Alone to weep and die. But why pursue this painful theme Or longer here remain The dead sleep sound; they cannot dream Of sorrow, grief, or pain. From Man to GOD they will appeal Where no man can dissemble There will the wronged for justice kneel There will the Tyrant tremble.
70https://dickenssearch.com/items/show/70'The Devil's Walk'From the autograph album of Maria Beadnell (November 1831).Dickens, CharlesThe Charles Dickens Museum, <a href="http://www.collections.dickensmuseum.com/object-b319--1971-1-105" target="_blank" rel="noopener">http://www.collections.dickensmuseum.com/object-b319--1971-1-105</a>.; Autograph Album of Maria Beadnell.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1831-11">1831-11</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Poem">Poem</a>1831-11_Autograph_Album_of_Maria_Beadnell_The_Devils_Walk<span>Dickens, Charles. 'The Devil's Walk.' Autograph Album of Maria Beadnell (November 1831). </span><em>Dickens Search.</em><span>&nbsp;Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;</span><a href="https://dickenssearch.com/verse/1831-11_Autograph_Album_of_Maria_Beadnell_The_Devils_Walk">https://dickenssearch.com/verse/</a><span><a href="https://dickenssearch.com/verse/1831-11_Autograph_Album_of_Maria_Beadnell_The_Devils_Walk">1831-11_Autograph_Album_of_Maria_Beadnell_The_Devils_Walk</a>.</span><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album">Autograph Album</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=C.D.">C.D.</a><a href="https://dickenssearch.com/teibp/dist/content/1831-11_Autograph_Album_of_Maria_Beadnell_The_Devils_Walk.xml" target="_blank" rel="noopener">'The Devil's Walk.' From the autograph album of Maria Beadnell (1830-1831).</a>18311101While sitting one day in his well aired halls Of which we&#039;ve often heard tell, The Devil determined to make a few calls To see if his Friends were well: So he put on his best and himself he drest In his long tailed coat of green And he buttoned it tightly o&#039;er his chest Lest his own tail should be seen. To the House of Lords the Devil went straight To learn the state of Nations, And with mixed feelings of pleasure and hate He heard their deliberations; For he saw a few Nobles rich and proud War &#039;gainst the people and Prince, And he thought with pain tho&#039; he laughed aloud Of the Wars in Heav&#039;n long since. Then to Irving&#039;s Chapel he gaily hied To hear the new &quot;unknown tongue&quot; And he welcomed with great pleasure and pride The Maniacs he&#039;d got among: For it always fills the Devil with glee To hear Religion mocked, And it pleases him very much to see Sights at which others are shocked. Then away to Bristol he quickly walked T&#039;indulge in meditation, And he gaily laughed as he slowly stalked O&#039;er a scene of desolation. He honored the hand that had done the deed Vowed that an &quot;Anti&quot; he&#039;d be Then back to London he started with speed His old friend Sir Charles to see. The Devil was walking up Regent Street As some other great folks do When a very old friend he chanced to meet Whom it pleased him much to view. Let those describe his great pleasure who can On the Member for Preston spying He took off his hat for he envied the Man His pow&#039;r of deceit and lying. As the Devil was passing I won&#039;t say where But not far from Lombard Street, He saw at a window a face so fair That it made him start and weep For a passing thought rushed over his brain Of days no beyond recal, He thought of the bright angelic train And of his own wretched fall. A dim cold feeling of what he had been Wrung from him a bitter groan He gazed and thought of the Angels who sing Surrounding Heaven&#039;s High Throne. He thought of the time, – the happy time, – When among them he had been And he madly cursed the impious crime Which plunged him in pain and sin. This feeling vanished as soon as it came And he turned to walk away But sought for this Album to find the name Of her he&#039;d seen that day. He cast his eye swiftly o&#039;er these few lines To drive away thoughts so sad And he said with glee &quot;they&#039;re worthy of me For I&#039;m sure they&#039;re devilish bad.&quot;
1https://dickenssearch.com/items/show/1'The Fine Old English Gentleman'Published in <em>The Examiner </em>(7 August 1841).Dickens, Charles<em>British Library Newspapers</em><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1841-08-07">1841-08-07</a><em>British Library Newspapers,</em> <a href="https://link.gale.com/apps/doc/BB3200992745/BNCN?u=loughuni&amp;sid=BNCN&amp;xid=8394c499" target="_blank" rel="noopener">https://link.gale.com/apps/doc/BB3200992745/BNCN?u=loughuni&amp;sid=BNCN&amp;xid=8394c499</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1841-08-07_The_Examiner_The_Fine_Old_English_GentlemanDickens, Charles. 'The Fine Old English Gentleman.' <em>The Examiner&nbsp;</em>(7 August 1841): p. 500. <em>Dickens Search</em>. Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1841-08-07_The_Examiner_The_Fine_Old_English_Gentleman">https://dickenssearch.com/verse/1841-08-07_The_Examiner_The_Fine_Old_English_Gentleman</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Examiner">The Examiner</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=W.">W.</a><a href="https://dickenssearch.com/teibp/dist/content/1841-08-07_The_Fine_Old_English_Gentleman.xml" target="_blank" rel="noreferrer noopener">'The Fine Old English Gentleman.'&nbsp;<em>The Examiner </em>(7 August 1841): p. 500.</a>18410807THE FINE OLD ENGLISH GENTLEMAN. NEW VERSION. (To be said or sung at all Conservative Dinners.) I&#039;ll sing you a new ballad, and I&#039;ll warrant it first-rate, Of the days of that old gentleman who had that old estate; When they spent the public money at a bountiful old rate On ev&#039;ry mistress, pimp, and scamp, at ev&#039;ry noble gate, In the fine old English Tory times; Soon may they come again! The good old laws were garnished well with gibbets, whips, and chains, With fine old English penalties, and fine old English pains, With rebel heads, and seas of blood once hot in rebel veins; For all these things were requisite to guard the rich old gains Of the fine old English Tory times; Soon may they come again! This brave old code, like Argus, had a hundred watchful eyes, And ev&#039;ry English peasant had his good old English spies, To tempt his starving discontent with fine old English lies, Then call the good old Yeomanry to stop his peevish cries, In the fine old English Tory times; Soon may they come again! The good old times for cutting throats that cried out in their need, The good old times for hunting men who held their fathers&#039; creed, The good old times when William Pitt, as all good men agreed, Came down direct from Paradise at more than railroad speed ... Oh the fine old English Tory times; When will they come again! In those rare days, the press was seldom known to snarl or bark, But sweetly sang of men in pow&#039;r, like any tuneful lark; Grave judges, too, to all their evil deeds were in the dark; And not a man in twenty score knew how to make his mark. Oh the fine old English Tory times; Soon may they come again! Those were the days for taxes, and for war&#039;s infernal din; For scarcity of bread, that fine old dowagers might win; For shutting men of letters up, through iron bars to grin, Because they didn&#039;t think the Prince was altogether thin, In the fine old English Tory times; Soon may they come again! But Tolerance, though slow in flight, is strong-wing&#039;d in the main; That night must come on these fine days, in course of time was plain; The pure old spirit struggled, but its struggles were in vain; A nation&#039;s grip was on it, and it died in choking pain, With the fine old English Tory days, All of the olden time. The bright old day now dawns again; the cry runs through the land, In England there shall be dear bread — in Ireland, sword and brand; And poverty, and ignorance, shall well the rich and grand. So, rally round the rulers with the gentle iron hand, Of the fine old English Tory days; Hail to the coming time! W.https://dickenssearch.com/files/original/3/The_Fine_Old_English_Gentleman/1841-08-07_The_Examiner_The_Fine_Old_English_Gentleman.pdf
8https://dickenssearch.com/items/show/8'The Grateful Impromptu'From the autograph album of Christiana Weller (March 1844).Dickens, Charles<em><span>The Charles Dickens Museum</span></em>, <a href="http://www.collections.dickensmuseum.com/object-a378" target="_blank" rel="noopener">http://www.collections.dickensmuseum.com/object-a378</a>.; <em>British Library Newspapers</em><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1844-03">1844-03</a><em>British Library Newspapers,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0000035/18990605/064/0002" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0000035/18990605/064/0002</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Poem">Poem</a>1844-03_Christiana_Thompson_The_Grateful_ImpromptuDickens, Charles. 'The Grateful Impromptu.' <span>Autograph Album of Christiana Weller (March 1844).</span>&nbsp;<em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1844-03_Christiana_Thompson_The_Grateful_Impromptu">https://dickenssearch.com/verse/1844-03_Christiana_Thompson_The_Grateful_Impromptu</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album">Autograph Album</a><a href="https://dickenssearch.com/teibp/dist/content/1844-03_Christiana_Thompson_The_Grateful_Impromptu.xml" target="_blank" rel="noopener">'The Grateful Impromptu' (March 1844).</a>18440301I put in a book once, by hook or by crook, The whole race (as I thought) of a &quot;feller&quot;, Who happily pleased the town&#039;s taste (much diseased), – And the name of this person was Weller. I find to my cost that one Weller I lost, Cruel Destiny so to arrange it! I love her dear name which has won me some fame, But great Heaven how gladly I&#039;d change it!https://dickenssearch.com/files/original/3/The_Grateful_Impromptu/1845-10-21_before_i_put_in_a_book.jpg
9https://dickenssearch.com/items/show/9'The Hymn of the Wiltshire Labourers'Published in the <em>Daily News </em>(14 February 1846).Dickens, Charles<em>British Library Newspapers</em><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1846-02-14">1846-02-14</a><em>British Library Newspapers,</em> <a href="https://link.gale.com/apps/doc/BA3202823099/BNCN?u=loughuni&amp;sid=BNCN&amp;xid=c30600e4" target="_blank" rel="noopener">https://link.gale.com/apps/doc/BA3202823099/BNCN?u=loughuni&amp;sid=BNCN&amp;xid=c30600e4</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Poem">Poem</a>1846-02-14_Daily_News_The_Hymn_of_the_Wiltshire_LabourersDickens, Charles. 'The Hymn of the Wiltshire Labourers.' <em>Daily News</em> (14 February 1846): p. 5. <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1846-02-14_Daily_News_The_Hymn_of_the_Wiltshire_Labourers">https://dickenssearch.com/verse/1846-02-14_Daily_News_The_Hymn_of_the_Wiltshire_Labourers</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Daily+News">Daily News</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="https://dickenssearch.com/teibp/dist/content/1846-02-14_Daily_News_The_Hymn_of_the_Wiltshire_Labourers.xml" target="_blank" rel="noopener">'The Hymn of the Wiltshire Labourers.' <em>Daily News</em> (14 February 1846): p. 5.</a>18460214&quot;Don&#039;t you all think that we have a great need to Cry to our God to put it in the hearst of our greacious Queen and her Members of Parlerment to grant us free bread.&quot; - LUCY SIMPKINS, AT BREMHILL. “Oh GOD, who by thy Prophet’s hand Didst smite the rocky brake, Whence water came, at thy command, They people’s thirst to slake; Strike, now, upon this granite wall, Stern, obdurate, and high; And let some drops of pity fall For us who starve and die! The GOD, who took a little child, And set him in the midst, And promised him His mercy mild, As, by Thy Son, Thou didst: Look down upon our children dear, So gaunt, so cold, so spare, And let their images appear, Where Lords and Genry are! Oh GOD, teach them to feel how we, When our poor infants droop, Are weakened in our trust in Thee, And how our spirits stoop; For, in thy rest, so bright and fair, All tears and sorrows sleep: And their young looks, so full of care, Would make Thine Angels weep! The GOD, who with His finger drew The Judgment coming on, Write, for these men, what must ensure, Ere many years be gone! Oh GOD whose bow is in the sky, Let them not brave and dare, Until they look (too late) on high, And see An Arrow there! Oh GOD remind them! In the bread They break upon the knee, Those sacred words may yet be read, “In memory of Me”! Oh GOD remind them! of His sweet Compassion for the poor, And how He gave them Bread to eat, And went from door to door! CHARLES DICKENShttps://dickenssearch.com/files/original/3/The_Hymn_of_the_Wiltshire_Labourers/1846-02-14_Daily_News_The_Hymn_of_the_Wiltshire_Labourers.jpeg
17https://dickenssearch.com/items/show/17'The Ivy Green'From&nbsp;<em>The Pickwick Papers</em> issue 3, ch. 6 (May 1836).Dickens, Charles<em>The Posthumous Papers of the Pickwick Club.</em> Issue 3, Chapter 6 (May 1836), p. 55. <em>UVic Libraries,</em> <a href="https://vault.library.uvic.ca/concern/file_sets/344a8310-a934-42d7-a07d-701c91236ebd?locale=en" target="_blank" rel="noopener">https://vault.library.uvic.ca/concern/file_sets/344a8310-a934-42d7-a07d-701c91236ebd?locale=en</a>.Chapman and Hall<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1836-05">1836-05</a><em><em>UVic Libraries, </em></em>Creative Commons Attribution-NonCommercial,&nbsp;<a href="https://creativecommons.org/licenses/by-nc/4.0/" target="_blank" rel="noopener">https://creativecommons.org/licenses/by-nc/4.0/</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Poem">Poem</a>1836-05_Pickwick_Papers_The_Ivy_GreenDickens, Charles. 'The Ivy Green' from <em>The Posthumous Papers of the Pickwick Club.</em> Issue 3, Chapter 6 (May 1836), p. 55. <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green">https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Pickwick+Papers">The Pickwick Papers</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Serial">Serial</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Boz">Boz</a><a href="https://dickenssearch.com/teibp/dist/content/1836-05_Pickwick_Papers_The_Ivy_Green.xml" target="_blank" rel="noopener"><span>'The Ivy Green.'&nbsp;</span><em>The Posthumous Papers of the Pickwick Club.</em><span>&nbsp;Issue 3, Chapter 6 (May 1836): p. 55.</span></a>18360501Oh, a dainty plant is the Ivy green, That creepeth o’er ruins old! Of right choice food are his meals, I ween, In his cell so lone and cold. The wall must be crumbled, the stone decayed, To pleasure his dainty whim: And the mouldering dust that years have made Is a merry meal for him. Creeping where no life is seen, A rare old plant is the Ivy green. Fast he stealeth on, though he wears no wings, And a staunch old heart has he. How closely he twineth, how tight he clings, To his friend the huge Oak Tree! And slily he traileth along the ground, And his leaves he gently waves, As he joyously hugs and crawleth round The rich mould of dead men’s graves. Creeping where grim death hath been, A rare old plant is the Ivy green. Whole ages have fled and their works decayed, And nations have scattered been; But the stout old Ivy shall never fade, From its hale and hearty green. The brave old plant, in its lonely days, Shall fatten upon the past: For the stateliest building man can raise Is the Ivy’s food at last. Creeping on, where time has been, A rare old plant is the Ivy green.https://dickenssearch.com/files/original/3/The_Ivy_Green/The_Ivy_Green_PP.jpg
2https://dickenssearch.com/items/show/2'The Quack Doctor’s Proclamation'Published in <em>The Examiner</em> (14 August 1841).Dickens, Charles<em>British Library Newspapers</em><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1841-08-14">1841-08-14</a><em>British Library Newspapers,</em> <a href="https://link.gale.com/apps/doc/BB3200992762/BNCN?u=loughuni&amp;sid=BNCN&amp;xid=9cfc334f" target="_blank" rel="noopener">https://link.gale.com/apps/doc/BB3200992762/BNCN?u=loughuni&amp;sid=BNCN&amp;xid=9cfc334f</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Poem">Poem</a>1841-08-14_The_Examiner_The_Quack_Doctors_ProclamationDickens, Charles. 'The Quack Doctor's Proclamation.' <em>The Examiner</em> (14 August 1841): p. 517. <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1841-08-14_The_Examiner_The_Quack_Doctors_Proclamation">https://dickenssearch.com/verse/1841-08-14_The_Examiner_The_Quack_Doctors_Proclamation</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=93&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=The+Examiner">The Examiner</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper">Newspaper</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=95&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=W.">W.</a><a href="https://dickenssearch.com/teibp/dist/content/1841-08-14_The_Examiner_The_Quack_Doctors_Proclamation.xml" target="_blank" rel="noopener">'The Quack Doctor's Proclamation.' <em>The Examiner<span>&nbsp;</span></em>(14 August 1841): p. 517.</a>18410814Tune – A Cobbler there was. An astonishing doctor has just come to town, Who will do all the faculty perfectly brown: He knows all diseases, their causes, and ends; And he ‘begs to appeal to his medical friends.’ Tol de rol: Diddle doll: Tol de rol, de dol, Diddle doll Tol de rol doll. He’s a magnetic doctor, and knows how to keep The whole of a Government snoring asleep To popular clamours; till popular pins Are stuck in their midriffs – and then he begins. Tol de rol. He’s a clairvoyant subject, and readily reads His countrymen’s wishes, conditions, and needs, With many more fine things I can’t tell in rhyme – And he keeps both his eyes shut, the whole of the time. Tol de rol. You mustn’t expect him to talk; but you’ll take Most particular notice the doctor’s awake, Though for aught from his words, or his looks that you reap, he Might just as well be most confoundedly sleepy. Tol de rol. Homëopathy too, he has practiced for ages; (You’ll find his prescriptions in Luke Hansard’s pages) Just giving his patient when maddened by pain, - Of Reform the ten thousandeth part of a grain. Tol de rol. He’s a med’cine for Ireland, in portable papers; The infallible cure for political vapours; A neat label round it his ‘prentices tie – ‘Put your trust in the Lord, and keep this powder dry!’ Tol de rol. He’s a corn doctor also, of wonderful skill, – No cutting, no rooting-up, purging, or pill – You’re merely to take, ‘stead of walking or riding, The sweet schoolboy exercise – innocent sliding. Tol de rol. There’s no advice gratis. If high ladies send His legitimate fee, he’s their soft spoken friend. At the great public counter with one hand behind him, And one in his waistcoat, they’re certain to find him. Tol de rol. He has only to add he’s the real Doctor Flam, All others being purely fictitious and sham; The house is a large one, tall, slated, and white, With a lobby; and lights in the passage at night. Tol de rol: Diddle doll: Tol de rol, de doll, Diddle doll Tol de rol doll.https://dickenssearch.com/files/original/3/The_Quack_Doctor_s_Proclamation/1841-08-14_The_Examiner_The_Quack_Doctor_s_Proclamation.jpeg
125https://dickenssearch.com/items/show/125'The Response'From a letter to W. H. Wills (1854).Dickens, Charles'To W. H. Wills.' <em>The Letters of Charles Dickens. The Pilgrim Edition. </em>Edited by Graham Storey, Kathleen Tillotson and Angus Easson. Volume 7 (1853-1855), p. 493. Oxford University Press, 1993.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=40&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1854">1854</a><a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">Song</a>1854_Letter_To_W_H_Wills_The_Response<span>Dickens, Charles. 'The Response' (1854). </span><em>Dickens Search.</em><span>&nbsp;Eds. Emily Bell and Lydia Craig. Accessed [date].&nbsp;</span><a href="https://dickenssearch.com/verse/1854_Letter_To_W_H_Wills_The_Response" target="_blank" rel="noopener">https://dickenssearch.com/verse/1854_Letter_To_W_H_Wills_The_Response</a>.<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter">Letter</a><a href="https://dickenssearch.com/teibp/dist/content/1854_Letter_To_W_H_Wills_The_Response.xml" target="_blank" rel="noopener"><span>'The Response' (1854).</span></a>18540101Air: “Isabel” At the Hou-ou-sehold Words at ha-alf past fo-our I’ll be found, I’ll be found, I’ll be found When if it don’t blow it will certainly pou-ur I’ll be bound, I’ll be bound, I’ll be bound! But whom you expect besi-i-des Lemming I dont know, I dont know, I dont know But I’ll write to old Stanny R. and Lemming I’ll do so, I’ll do so, I’ll do so. You haven’t got time I s