1
10
6
-
https://dickenssearch.com/files/original/3/The_Grateful_Impromptu/1845-10-21_before_i_put_in_a_book.jpg
4ffba5da53d0822ca720ee671338cfd9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Verse
Description
An account of the resource
<h4>This collection brings together the most complete set of Dickens's verse to date, supplementing the work of existing editions with previously uncollected poems Dickens contributed to albums, or wrote anonymously.</h4>
Though such productions receive scant attention from scholars interested in his fiction and journalism, Dickens composed a surprising amount of verse. It was a genre in which he evidently felt much less at home (and financially rewarded) than when writing in prose. However, several poems gained popular favour during his lifetime; that so many were <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">written to be set to music</a> indicates the permeable boundary between metered verse functioning as poem or song in the nineteenth century, and may explain why some of Dickens’s poems were more enduringly popular than others. Notably, <a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green">'The Ivy Green'</a> from <em>Pickwick Papers</em> (1837), a story of time’s inexorable passing, was frequently republished in newspapers.<br /><br />Several poems written to young ladies of Dickens’s acquaintance are released on <em>Dickens Search</em> as part of the author’s poetic output for the first time, testifying to the author’s ability to write impromptu poetry and gallantly turn a phrase. Since keeping <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album&collection=&type=&tags=&date_search_term=&submit_search=Search+For+Items">autograph albums</a> was a popular pastime for women in the Victorian era, it is possible that further examples of such activity remain to be discovered in various archives and private collections.<br /><br />When writing <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter&collection=3&type=&tags=&date_search_term=&submit_search=Search+For+Items">letters</a> to friends, Dickens occasionally included comedic poems for the recipient. Several of these are included. Considering the enormity of Dickens’s correspondence, likely more instances of this sort of poetic humour will result over time.<br /><br /><a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaphs</a> Dickens wrote for friends and family, whether used or not, are included with Dickens's other verse for the first time. Users can also browse <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">verse from Dickens's plays</a>, including songs removed from <em>The Strange Gentleman </em>and <em>Is She His Wife? Or, Something Singular! </em>before performance.<br /><br />Care is necessary when verifying the accuracy of these poems, as some are misattributed to Dickens. Widespread reprintings of 'Dickens poems' in nineteenth-century newspapers are insufficient evidence for authorial attribution, owing to the mistakes intentionally or inadvertently made in ascribing authorship.<br /><br />An unusual example of a poem that is and is not by Dickens, the lines of 'Little Nell’s Funeral' are taken, with minimal alterations, from Chapter 72 of <em>The Old Curiosity Shop</em>. An instance of the strikingly lyrical quality of Dickens’s sentimental prose, they were divided into metered, unrhymed verse by M.A.H. for the 1849 collection <em>Echoes of Infant Voices</em>. Because Dickens did not intend for this passage to be structured in verse form, the poem is not included in the poetry collection of <em>Dickens Search</em>. <a href="https://dickenssearch.com/poetry-dickens-didnt-write">Read our blog post for more on poetry Dickens <em>didn't </em>write.</a><br /><br />Occasionally, Dickens will quote a poem by another author, as in his burlesque <em>Is She his Wife? Or, Something Singular!</em> (1836). The character Mr Felix Tapkins launches into a short hunting song beginning 'The wife around her husband throws/Her arms to make him stay'. As William Chappell noted in 1840, this is a well-known variant of 'A Hunting We Will Go' (1777), by Thomas Arne, though he misattributes its composition to Henry Fielding.<br /><br />Previous notable collections of some of Dickens's poetry include <em>The Plays and Poems of Charles Dickens</em> (1882) edited by Richard Herne Shepherd and <em>The Poems and Verses of Charles Dickens</em> (1903) edited by Frederic G. Kitton.<br /><br />Caution has been taken when ascertaining that each poem is indeed by Dickens. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or other poems written by Dickens.<br /><br />1. Robert Butterworth. 'The Hymn of the Wiltshire Labourers.' <em>The Dickensian</em> 516.118.1 (Spring 2022): pp. 43-56; Eva-Charlotta Mebius. 'Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens.' <em>Dickens Quarterly</em> 34.3 (September 2017): pp. 256-261; Robert C. Hanna. 'Before Boz; The Juvenilia and Early Writings of Charles Dickens, 1820-1833'. <em>Dickens Studies Annual</em> 40 (2009): pp. 231-364.
Identifier
An unambiguous reference to the resource within a given context
verse
Contributor
An entity responsible for making contributions to the resource
Emily Bell; Lydia Craig
Poem
Ngram Date
Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.
18440301
Ngram Text
Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.
I put in a book once, by hook or by crook, The whole race (as I thought) of a "feller", Who happily pleased the town's taste (much diseased), – And the name of this person was Weller. I find to my cost that one Weller I lost, Cruel Destiny so to arrange it! I love her dear name which has won me some fame, But great Heaven how gladly I'd change it!
Publication Type
E.g. newspaper/serial
Autograph Album
TEI File
Link to TEI file
<a href="https://dickenssearch.com/teibp/dist/content/1844-03_Christiana_Thompson_The_Grateful_Impromptu.xml" target="_blank" rel="noopener">'The Grateful Impromptu' (March 1844).</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
'The Grateful Impromptu'
Creator
An entity primarily responsible for making the resource
Dickens, Charles
Source
A related resource from which the described resource is derived
<em><span>The Charles Dickens Museum</span></em>, <a href="http://www.collections.dickensmuseum.com/object-a378" target="_blank" rel="noopener">http://www.collections.dickensmuseum.com/object-a378</a>.
<em>British Library Newspapers</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
1844-03
Rights
Information about rights held in and over the resource
<em>British Library Newspapers,</em> <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0000035/18990605/064/0002" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0000035/18990605/064/0002</a>. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.
Type
The nature or genre of the resource
Poem
Identifier
An unambiguous reference to the resource within a given context
1844-03_Christiana_Thompson_The_Grateful_Impromptu
Bibliographic Citation
A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.
Dickens, Charles. 'The Grateful Impromptu.' <span>Autograph Album of Christiana Weller (March 1844).</span> <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1844-03_Christiana_Thompson_The_Grateful_Impromptu">https://dickenssearch.com/verse/1844-03_Christiana_Thompson_The_Grateful_Impromptu</a>.
Description
An account of the resource
From the autograph album of Christiana Weller (March 1844).
Scripto
Transcription
A written representation of a document.
I put in a book once, by hook or by crook,<br />The whole race (as I thought) of a "feller",<br />Who happily pleased the town's taste (much diseased),<br /><span>–</span> And the name of this person was Weller.<br /><br />I find to my cost that <em>one Weller</em> I lost,<br />Cruel Destiny so to arrange it!<br />I love her dear name which has won me some fame,<br />But great Heaven how gladly I'd change it!
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Verse
Description
An account of the resource
<h4>This collection brings together the most complete set of Dickens's verse to date, supplementing the work of existing editions with previously uncollected poems Dickens contributed to albums, or wrote anonymously.</h4>
Though such productions receive scant attention from scholars interested in his fiction and journalism, Dickens composed a surprising amount of verse. It was a genre in which he evidently felt much less at home (and financially rewarded) than when writing in prose. However, several poems gained popular favour during his lifetime; that so many were <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">written to be set to music</a> indicates the permeable boundary between metered verse functioning as poem or song in the nineteenth century, and may explain why some of Dickens’s poems were more enduringly popular than others. Notably, <a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green">'The Ivy Green'</a> from <em>Pickwick Papers</em> (1837), a story of time’s inexorable passing, was frequently republished in newspapers.<br /><br />Several poems written to young ladies of Dickens’s acquaintance are released on <em>Dickens Search</em> as part of the author’s poetic output for the first time, testifying to the author’s ability to write impromptu poetry and gallantly turn a phrase. Since keeping <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album&collection=&type=&tags=&date_search_term=&submit_search=Search+For+Items">autograph albums</a> was a popular pastime for women in the Victorian era, it is possible that further examples of such activity remain to be discovered in various archives and private collections.<br /><br />When writing <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter&collection=3&type=&tags=&date_search_term=&submit_search=Search+For+Items">letters</a> to friends, Dickens occasionally included comedic poems for the recipient. Several of these are included. Considering the enormity of Dickens’s correspondence, likely more instances of this sort of poetic humour will result over time.<br /><br /><a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaphs</a> Dickens wrote for friends and family, whether used or not, are included with Dickens's other verse for the first time. Users can also browse <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">verse from Dickens's plays</a>, including songs removed from <em>The Strange Gentleman </em>and <em>Is She His Wife? Or, Something Singular! </em>before performance.<br /><br />Care is necessary when verifying the accuracy of these poems, as some are misattributed to Dickens. Widespread reprintings of 'Dickens poems' in nineteenth-century newspapers are insufficient evidence for authorial attribution, owing to the mistakes intentionally or inadvertently made in ascribing authorship.<br /><br />An unusual example of a poem that is and is not by Dickens, the lines of 'Little Nell’s Funeral' are taken, with minimal alterations, from Chapter 72 of <em>The Old Curiosity Shop</em>. An instance of the strikingly lyrical quality of Dickens’s sentimental prose, they were divided into metered, unrhymed verse by M.A.H. for the 1849 collection <em>Echoes of Infant Voices</em>. Because Dickens did not intend for this passage to be structured in verse form, the poem is not included in the poetry collection of <em>Dickens Search</em>. <a href="https://dickenssearch.com/poetry-dickens-didnt-write">Read our blog post for more on poetry Dickens <em>didn't </em>write.</a><br /><br />Occasionally, Dickens will quote a poem by another author, as in his burlesque <em>Is She his Wife? Or, Something Singular!</em> (1836). The character Mr Felix Tapkins launches into a short hunting song beginning 'The wife around her husband throws/Her arms to make him stay'. As William Chappell noted in 1840, this is a well-known variant of 'A Hunting We Will Go' (1777), by Thomas Arne, though he misattributes its composition to Henry Fielding.<br /><br />Previous notable collections of some of Dickens's poetry include <em>The Plays and Poems of Charles Dickens</em> (1882) edited by Richard Herne Shepherd and <em>The Poems and Verses of Charles Dickens</em> (1903) edited by Frederic G. Kitton.<br /><br />Caution has been taken when ascertaining that each poem is indeed by Dickens. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or other poems written by Dickens.<br /><br />1. Robert Butterworth. 'The Hymn of the Wiltshire Labourers.' <em>The Dickensian</em> 516.118.1 (Spring 2022): pp. 43-56; Eva-Charlotta Mebius. 'Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens.' <em>Dickens Quarterly</em> 34.3 (September 2017): pp. 256-261; Robert C. Hanna. 'Before Boz; The Juvenilia and Early Writings of Charles Dickens, 1820-1833'. <em>Dickens Studies Annual</em> 40 (2009): pp. 231-364.
Identifier
An unambiguous reference to the resource within a given context
verse
Contributor
An entity responsible for making contributions to the resource
Emily Bell; Lydia Craig
Poem
Pseudonym
The name under which the item was published
Boz
Ngram Date
Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.
18370101
Ngram Text
Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.
Now, if I don't make The completest mistake That ever put man in a rage, This bird of two weathers Has moulted his feathers, And left them in some other cage.
Publication Type
E.g. newspaper/serial
Autograph Album
TEI File
Link to TEI file
<a href="https://dickenssearch.com/teibp/dist/content/1836-after-Now_if_I_dont_make_the_completest_mistake.xml" target="_blank" rel="noopener">'Now if I don't make the completest mistake.' Autograph Album of Mrs. S. C. Hall (after 1836).</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
'Now if I don't make the completest mistake'
Creator
An entity primarily responsible for making the resource
Dickens, Charles
Rights
Information about rights held in and over the resource
Held at The New York Public Library's Archives & Manuscripts, <a href="http://archives.nypl.org/brg/19176#c218463" target="_blank" rel="noopener">http://archives.nypl.org/brg/19176#c218463</a>. Quoted in Hall, S.C. and Mrs. S.C. Hall. ‘Memories of the Authors of the Age’. Art-Journal, vol.5, 1 January 1866, pp. 21-24; p. 22 and Hotten, John Camden. <a href="https://www.google.com/books/edition/_/uDUz2Uu8KxYC?hl=en&gbpv=1&bsq=completest%20mistake" target="_blank" rel="noopener"><em>Charles Dickens, the Story of his Life</em></a> (John Camden Hotten, 1870), pp. 280-281.
Type
The nature or genre of the resource
Poem
Identifier
An unambiguous reference to the resource within a given context
1836-after-Now_if_I_dont_make_the_completest_mistake
Bibliographic Citation
A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.
Dickens, Charles. 'Now if I don't make the completest mistake.' For Mrs. S.C. Hall (written after 1836): <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836-after-Now_if_I_dont_make_the_completest_mistake">https://dickenssearch.com/verse/1836-after-Now_if_I_dont_make_the_completest_mistake</a>.
Source
A related resource from which the described resource is derived
<em>Autograph Album of Mrs. S. C. Hall</em>.
Date
A point or period of time associated with an event in the lifecycle of the resource
1836, after
Description
An account of the resource
From the autograph album of Mrs. S. C. Hall (after 1836).
Scripto
Transcription
A written representation of a document.
Now, if I don't make<br />The completest mistake<br />That ever put man in a rage,<br />This bird of two weathers<br />Has moulted his feathers,<br />And left them in some other cage.
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https://dickenssearch.com/files/original/3/To_Ariel/1838-10-26-To_Ariel.pdf
dc761ed634c14af3a800b9de44cfbe17
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Verse
Description
An account of the resource
<h4>This collection brings together the most complete set of Dickens's verse to date, supplementing the work of existing editions with previously uncollected poems Dickens contributed to albums, or wrote anonymously.</h4>
Though such productions receive scant attention from scholars interested in his fiction and journalism, Dickens composed a surprising amount of verse. It was a genre in which he evidently felt much less at home (and financially rewarded) than when writing in prose. However, several poems gained popular favour during his lifetime; that so many were <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">written to be set to music</a> indicates the permeable boundary between metered verse functioning as poem or song in the nineteenth century, and may explain why some of Dickens’s poems were more enduringly popular than others. Notably, <a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green">'The Ivy Green'</a> from <em>Pickwick Papers</em> (1837), a story of time’s inexorable passing, was frequently republished in newspapers.<br /><br />Several poems written to young ladies of Dickens’s acquaintance are released on <em>Dickens Search</em> as part of the author’s poetic output for the first time, testifying to the author’s ability to write impromptu poetry and gallantly turn a phrase. Since keeping <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album&collection=&type=&tags=&date_search_term=&submit_search=Search+For+Items">autograph albums</a> was a popular pastime for women in the Victorian era, it is possible that further examples of such activity remain to be discovered in various archives and private collections.<br /><br />When writing <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter&collection=3&type=&tags=&date_search_term=&submit_search=Search+For+Items">letters</a> to friends, Dickens occasionally included comedic poems for the recipient. Several of these are included. Considering the enormity of Dickens’s correspondence, likely more instances of this sort of poetic humour will result over time.<br /><br /><a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaphs</a> Dickens wrote for friends and family, whether used or not, are included with Dickens's other verse for the first time. Users can also browse <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">verse from Dickens's plays</a>, including songs removed from <em>The Strange Gentleman </em>and <em>Is She His Wife? Or, Something Singular! </em>before performance.<br /><br />Care is necessary when verifying the accuracy of these poems, as some are misattributed to Dickens. Widespread reprintings of 'Dickens poems' in nineteenth-century newspapers are insufficient evidence for authorial attribution, owing to the mistakes intentionally or inadvertently made in ascribing authorship.<br /><br />An unusual example of a poem that is and is not by Dickens, the lines of 'Little Nell’s Funeral' are taken, with minimal alterations, from Chapter 72 of <em>The Old Curiosity Shop</em>. An instance of the strikingly lyrical quality of Dickens’s sentimental prose, they were divided into metered, unrhymed verse by M.A.H. for the 1849 collection <em>Echoes of Infant Voices</em>. Because Dickens did not intend for this passage to be structured in verse form, the poem is not included in the poetry collection of <em>Dickens Search</em>. <a href="https://dickenssearch.com/poetry-dickens-didnt-write">Read our blog post for more on poetry Dickens <em>didn't </em>write.</a><br /><br />Occasionally, Dickens will quote a poem by another author, as in his burlesque <em>Is She his Wife? Or, Something Singular!</em> (1836). The character Mr Felix Tapkins launches into a short hunting song beginning 'The wife around her husband throws/Her arms to make him stay'. As William Chappell noted in 1840, this is a well-known variant of 'A Hunting We Will Go' (1777), by Thomas Arne, though he misattributes its composition to Henry Fielding.<br /><br />Previous notable collections of some of Dickens's poetry include <em>The Plays and Poems of Charles Dickens</em> (1882) edited by Richard Herne Shepherd and <em>The Poems and Verses of Charles Dickens</em> (1903) edited by Frederic G. Kitton.<br /><br />Caution has been taken when ascertaining that each poem is indeed by Dickens. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or other poems written by Dickens.<br /><br />1. Robert Butterworth. 'The Hymn of the Wiltshire Labourers.' <em>The Dickensian</em> 516.118.1 (Spring 2022): pp. 43-56; Eva-Charlotta Mebius. 'Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens.' <em>Dickens Quarterly</em> 34.3 (September 2017): pp. 256-261; Robert C. Hanna. 'Before Boz; The Juvenilia and Early Writings of Charles Dickens, 1820-1833'. <em>Dickens Studies Annual</em> 40 (2009): pp. 231-364.
Identifier
An unambiguous reference to the resource within a given context
verse
Contributor
An entity responsible for making contributions to the resource
Emily Bell; Lydia Craig
Poem
Ngram Date
Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.
18381026
Ngram Text
Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.
Some saints there are who roar and cry, and rave and scream and bawl, To force some Spirit housed on high To bless them with a call; But though they sue on bended knee That Spirit’s deaf and dumb. – oh Spirit if you called on me, How very soon I’d come!
Publication Type
E.g. newspaper/serial
Autograph Album
TEI File
Link to TEI file
<a href="https://dickenssearch.com/teibp/dist/content/1838-10-26_Priscilla_Horton_To_Ariel.xml" target="_blank" rel="noopener">'To Ariel.' Autograph Album of Priscilla Horton (26 October 1838).</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
'To Ariel'
Creator
An entity primarily responsible for making the resource
Dickens, Charles
Source
A related resource from which the described resource is derived
Autograph Album of Priscilla Horton, <a href="https://libwww.freelibrary.org/digital/item/31683" target="_blank" rel="noopener">https://libwww.freelibrary.org/digital/item/31683</a>.
Date
A point or period of time associated with an event in the lifecycle of the resource
1838-10-26
Rights
Information about rights held in and over the resource
<span>Courtesy of the Free Library of Philadelphia, Rare Book Department.<br /></span>
Type
The nature or genre of the resource
Poem
Identifier
An unambiguous reference to the resource within a given context
1838-10-26-Priscilla_Horton_To_Ariel
Bibliographic Citation
A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.
Dickens, Charles. 'To Ariel.' Autograph Album of Priscilla Horton (26 October 1838). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1838-10-26-Priscilla_Horton_To_Ariel">https://dickenssearch.com/verse/1838-10-26-Priscilla_Horton_To_Ariel</a>.
Description
An account of the resource
From the autograph album of Priscilla Horton (26 October 1838).
Scripto
Transcription
A written representation of a document.
Some saints there are who roar and cry,<br />and rave and scream and bawl,<br />To force some Spirit housed on high<br />To bless them with a call;<br />But though they sue on bended knee<br />That Spirit’s deaf and dumb. – <br />oh Spirit if you called on me,<br />How very soon I’d come!
-
https://dickenssearch.com/files/original/3/Acrostic/1830-31_Autograph_Album_of_Maria_Beadnell_Acrostic.pdf
07a3b45cffddc16d3c4114b63d8673f2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Verse
Description
An account of the resource
<h4>This collection brings together the most complete set of Dickens's verse to date, supplementing the work of existing editions with previously uncollected poems Dickens contributed to albums, or wrote anonymously.</h4>
Though such productions receive scant attention from scholars interested in his fiction and journalism, Dickens composed a surprising amount of verse. It was a genre in which he evidently felt much less at home (and financially rewarded) than when writing in prose. However, several poems gained popular favour during his lifetime; that so many were <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">written to be set to music</a> indicates the permeable boundary between metered verse functioning as poem or song in the nineteenth century, and may explain why some of Dickens’s poems were more enduringly popular than others. Notably, <a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green">'The Ivy Green'</a> from <em>Pickwick Papers</em> (1837), a story of time’s inexorable passing, was frequently republished in newspapers.<br /><br />Several poems written to young ladies of Dickens’s acquaintance are released on <em>Dickens Search</em> as part of the author’s poetic output for the first time, testifying to the author’s ability to write impromptu poetry and gallantly turn a phrase. Since keeping <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album&collection=&type=&tags=&date_search_term=&submit_search=Search+For+Items">autograph albums</a> was a popular pastime for women in the Victorian era, it is possible that further examples of such activity remain to be discovered in various archives and private collections.<br /><br />When writing <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter&collection=3&type=&tags=&date_search_term=&submit_search=Search+For+Items">letters</a> to friends, Dickens occasionally included comedic poems for the recipient. Several of these are included. Considering the enormity of Dickens’s correspondence, likely more instances of this sort of poetic humour will result over time.<br /><br /><a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaphs</a> Dickens wrote for friends and family, whether used or not, are included with Dickens's other verse for the first time. Users can also browse <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">verse from Dickens's plays</a>, including songs removed from <em>The Strange Gentleman </em>and <em>Is She His Wife? Or, Something Singular! </em>before performance.<br /><br />Care is necessary when verifying the accuracy of these poems, as some are misattributed to Dickens. Widespread reprintings of 'Dickens poems' in nineteenth-century newspapers are insufficient evidence for authorial attribution, owing to the mistakes intentionally or inadvertently made in ascribing authorship.<br /><br />An unusual example of a poem that is and is not by Dickens, the lines of 'Little Nell’s Funeral' are taken, with minimal alterations, from Chapter 72 of <em>The Old Curiosity Shop</em>. An instance of the strikingly lyrical quality of Dickens’s sentimental prose, they were divided into metered, unrhymed verse by M.A.H. for the 1849 collection <em>Echoes of Infant Voices</em>. Because Dickens did not intend for this passage to be structured in verse form, the poem is not included in the poetry collection of <em>Dickens Search</em>. <a href="https://dickenssearch.com/poetry-dickens-didnt-write">Read our blog post for more on poetry Dickens <em>didn't </em>write.</a><br /><br />Occasionally, Dickens will quote a poem by another author, as in his burlesque <em>Is She his Wife? Or, Something Singular!</em> (1836). The character Mr Felix Tapkins launches into a short hunting song beginning 'The wife around her husband throws/Her arms to make him stay'. As William Chappell noted in 1840, this is a well-known variant of 'A Hunting We Will Go' (1777), by Thomas Arne, though he misattributes its composition to Henry Fielding.<br /><br />Previous notable collections of some of Dickens's poetry include <em>The Plays and Poems of Charles Dickens</em> (1882) edited by Richard Herne Shepherd and <em>The Poems and Verses of Charles Dickens</em> (1903) edited by Frederic G. Kitton.<br /><br />Caution has been taken when ascertaining that each poem is indeed by Dickens. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or other poems written by Dickens.<br /><br />1. Robert Butterworth. 'The Hymn of the Wiltshire Labourers.' <em>The Dickensian</em> 516.118.1 (Spring 2022): pp. 43-56; Eva-Charlotta Mebius. 'Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens.' <em>Dickens Quarterly</em> 34.3 (September 2017): pp. 256-261; Robert C. Hanna. 'Before Boz; The Juvenilia and Early Writings of Charles Dickens, 1820-1833'. <em>Dickens Studies Annual</em> 40 (2009): pp. 231-364.
Identifier
An unambiguous reference to the resource within a given context
verse
Contributor
An entity responsible for making contributions to the resource
Emily Bell; Lydia Craig
Poem
Publication Type
E.g. newspaper/serial
Autograph Album
TEI File
Link to TEI file
<a href="https://dickenssearch.com/teibp/dist/content/1830-31_Autograph_Album_of_Maria_Beadnell_Acrostic.xml" target="_blank" rel="noopener">'Acrostic.' From the autograph album of Maria Beadnell (1830-1831).</a>
Ngram Date
Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.
18300101
Ngram Text
Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.
My life may chequered be with scenes of misery and pain, And’t may be my fate to struggle with adversity in vain: Regardless of misfortunes tho’ howe’er bitter they may be, I shall always have one retrospect, a hallowed one to me, And it will be of that happy time when first I gazed on thee. Blighted hopes, and prospects drear, for me will lose their sting, Endless troubles shall harm not me, when fancy on the wing A lapse of years shall travel o’er, and again before me cast Dreams of happy fleeting moments then for ever past: Not any worldly pleasure has such magic charms for me E’en now, as those short moments spent in company with thee; Life has no charms, no happiness, no pleasures, now for me Like those I feel, when ’tis my lot Maria, to gaze on thee.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
'Acrostic'
Description
An account of the resource
From the autograph album of Maria Beadnell (1830-1831).
Creator
An entity primarily responsible for making the resource
Dickens, Charles
Source
A related resource from which the described resource is derived
The Charles Dickens Museum, <a href="http://www.collections.dickensmuseum.com/object-b319--1971-1-105" target="_blank" rel="noopener">http://www.collections.dickensmuseum.com/object-b319--1971-1-105</a>.
Autograph Album of Maria Beadnell.
Date
A point or period of time associated with an event in the lifecycle of the resource
1830
1831
Type
The nature or genre of the resource
Poem
Identifier
An unambiguous reference to the resource within a given context
1830-31_Autograph_Album_of_Maria_Beadnell_Acrostic
Bibliographic Citation
A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.
Dickens, Charles. 'Acrostic.' Autograph Album of Maria Beadnell (1830-31). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1830-31_Autograph_Album_of_Maria_Beadnell_Acrostic">https://dickenssearch.com/verse/1830-31_Autograph_Album_of_Maria_Beadnell_Acrostic</a>.
Scripto
Transcription
A written representation of a document.
<p>My life may chequered be with scenes of misery and pain,<br />And’t may be my fate to struggle with adversity in vain:<br />Regardless of misfortunes tho’ howe’er bitter they may be,<br />I shall always have one retrospect, a hallowed one to me,<br />And it will be of that happy time when first I gazed on thee.<br />Blighted hopes, and prospects drear, for me will lose their sting,<br />Endless troubles shall harm not me, when fancy on the wing<br />A lapse of years shall travel o’er, and again before me cast<br />Dreams of happy fleeting moments then for ever past:<br />Not any worldly pleasure has such magic charms for me<br />E’en now, as those short moments spent in company with thee;<br />Life has no charms, no happiness, no pleasures, now for me<br />Like those I feel, when ’tis my lot Maria, to gaze on thee.</p>
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Verse
Description
An account of the resource
<h4>This collection brings together the most complete set of Dickens's verse to date, supplementing the work of existing editions with previously uncollected poems Dickens contributed to albums, or wrote anonymously.</h4>
Though such productions receive scant attention from scholars interested in his fiction and journalism, Dickens composed a surprising amount of verse. It was a genre in which he evidently felt much less at home (and financially rewarded) than when writing in prose. However, several poems gained popular favour during his lifetime; that so many were <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">written to be set to music</a> indicates the permeable boundary between metered verse functioning as poem or song in the nineteenth century, and may explain why some of Dickens’s poems were more enduringly popular than others. Notably, <a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green">'The Ivy Green'</a> from <em>Pickwick Papers</em> (1837), a story of time’s inexorable passing, was frequently republished in newspapers.<br /><br />Several poems written to young ladies of Dickens’s acquaintance are released on <em>Dickens Search</em> as part of the author’s poetic output for the first time, testifying to the author’s ability to write impromptu poetry and gallantly turn a phrase. Since keeping <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album&collection=&type=&tags=&date_search_term=&submit_search=Search+For+Items">autograph albums</a> was a popular pastime for women in the Victorian era, it is possible that further examples of such activity remain to be discovered in various archives and private collections.<br /><br />When writing <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter&collection=3&type=&tags=&date_search_term=&submit_search=Search+For+Items">letters</a> to friends, Dickens occasionally included comedic poems for the recipient. Several of these are included. Considering the enormity of Dickens’s correspondence, likely more instances of this sort of poetic humour will result over time.<br /><br /><a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaphs</a> Dickens wrote for friends and family, whether used or not, are included with Dickens's other verse for the first time. Users can also browse <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">verse from Dickens's plays</a>, including songs removed from <em>The Strange Gentleman </em>and <em>Is She His Wife? Or, Something Singular! </em>before performance.<br /><br />Care is necessary when verifying the accuracy of these poems, as some are misattributed to Dickens. Widespread reprintings of 'Dickens poems' in nineteenth-century newspapers are insufficient evidence for authorial attribution, owing to the mistakes intentionally or inadvertently made in ascribing authorship.<br /><br />An unusual example of a poem that is and is not by Dickens, the lines of 'Little Nell’s Funeral' are taken, with minimal alterations, from Chapter 72 of <em>The Old Curiosity Shop</em>. An instance of the strikingly lyrical quality of Dickens’s sentimental prose, they were divided into metered, unrhymed verse by M.A.H. for the 1849 collection <em>Echoes of Infant Voices</em>. Because Dickens did not intend for this passage to be structured in verse form, the poem is not included in the poetry collection of <em>Dickens Search</em>. <a href="https://dickenssearch.com/poetry-dickens-didnt-write">Read our blog post for more on poetry Dickens <em>didn't </em>write.</a><br /><br />Occasionally, Dickens will quote a poem by another author, as in his burlesque <em>Is She his Wife? Or, Something Singular!</em> (1836). The character Mr Felix Tapkins launches into a short hunting song beginning 'The wife around her husband throws/Her arms to make him stay'. As William Chappell noted in 1840, this is a well-known variant of 'A Hunting We Will Go' (1777), by Thomas Arne, though he misattributes its composition to Henry Fielding.<br /><br />Previous notable collections of some of Dickens's poetry include <em>The Plays and Poems of Charles Dickens</em> (1882) edited by Richard Herne Shepherd and <em>The Poems and Verses of Charles Dickens</em> (1903) edited by Frederic G. Kitton.<br /><br />Caution has been taken when ascertaining that each poem is indeed by Dickens. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or other poems written by Dickens.<br /><br />1. Robert Butterworth. 'The Hymn of the Wiltshire Labourers.' <em>The Dickensian</em> 516.118.1 (Spring 2022): pp. 43-56; Eva-Charlotta Mebius. 'Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens.' <em>Dickens Quarterly</em> 34.3 (September 2017): pp. 256-261; Robert C. Hanna. 'Before Boz; The Juvenilia and Early Writings of Charles Dickens, 1820-1833'. <em>Dickens Studies Annual</em> 40 (2009): pp. 231-364.
Identifier
An unambiguous reference to the resource within a given context
verse
Contributor
An entity responsible for making contributions to the resource
Emily Bell; Lydia Craig
Poem
Publication Type
E.g. newspaper/serial
Autograph Album
Pseudonym
The name under which the item was published
C.D.
TEI File
Link to TEI file
<a href="https://dickenssearch.com/teibp/dist/content/1831-11_Autograph_Album_of_Maria_Beadnell_The_Devils_Walk.xml" target="_blank" rel="noopener">'The Devil's Walk.' From the autograph album of Maria Beadnell (1830-1831).</a>
Ngram Date
Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.
18311101
Ngram Text
Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.
While sitting one day in his well aired halls Of which we've often heard tell, The Devil determined to make a few calls To see if his Friends were well: So he put on his best and himself he drest In his long tailed coat of green And he buttoned it tightly o'er his chest Lest his own tail should be seen. To the House of Lords the Devil went straight To learn the state of Nations, And with mixed feelings of pleasure and hate He heard their deliberations; For he saw a few Nobles rich and proud War 'gainst the people and Prince, And he thought with pain tho' he laughed aloud Of the Wars in Heav'n long since. Then to Irving's Chapel he gaily hied To hear the new "unknown tongue" And he welcomed with great pleasure and pride The Maniacs he'd got among: For it always fills the Devil with glee To hear Religion mocked, And it pleases him very much to see Sights at which others are shocked. Then away to Bristol he quickly walked T'indulge in meditation, And he gaily laughed as he slowly stalked O'er a scene of desolation. He honored the hand that had done the deed Vowed that an "Anti" he'd be Then back to London he started with speed His old friend Sir Charles to see. The Devil was walking up Regent Street As some other great folks do When a very old friend he chanced to meet Whom it pleased him much to view. Let those describe his great pleasure who can On the Member for Preston spying He took off his hat for he envied the Man His pow'r of deceit and lying. As the Devil was passing I won't say where But not far from Lombard Street, He saw at a window a face so fair That it made him start and weep For a passing thought rushed over his brain Of days no beyond recal, He thought of the bright angelic train And of his own wretched fall. A dim cold feeling of what he had been Wrung from him a bitter groan He gazed and thought of the Angels who sing Surrounding Heaven's High Throne. He thought of the time, – the happy time, – When among them he had been And he madly cursed the impious crime Which plunged him in pain and sin. This feeling vanished as soon as it came And he turned to walk away But sought for this Album to find the name Of her he'd seen that day. He cast his eye swiftly o'er these few lines To drive away thoughts so sad And he said with glee "they're worthy of me For I'm sure they're devilish bad."
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
'The Devil's Walk'
Description
An account of the resource
From the autograph album of Maria Beadnell (November 1831).
Creator
An entity primarily responsible for making the resource
Dickens, Charles
Source
A related resource from which the described resource is derived
The Charles Dickens Museum, <a href="http://www.collections.dickensmuseum.com/object-b319--1971-1-105" target="_blank" rel="noopener">http://www.collections.dickensmuseum.com/object-b319--1971-1-105</a>.
Autograph Album of Maria Beadnell.
Date
A point or period of time associated with an event in the lifecycle of the resource
1831-11
Type
The nature or genre of the resource
Poem
Identifier
An unambiguous reference to the resource within a given context
1831-11_Autograph_Album_of_Maria_Beadnell_The_Devils_Walk
Bibliographic Citation
A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.
<span>Dickens, Charles. 'The Devil's Walk.' Autograph Album of Maria Beadnell (November 1831). </span><em>Dickens Search.</em><span> Eds. Emily Bell and Lydia Craig. Accessed [date]. </span><a href="https://dickenssearch.com/verse/1831-11_Autograph_Album_of_Maria_Beadnell_The_Devils_Walk">https://dickenssearch.com/verse/</a><span><a href="https://dickenssearch.com/verse/1831-11_Autograph_Album_of_Maria_Beadnell_The_Devils_Walk">1831-11_Autograph_Album_of_Maria_Beadnell_The_Devils_Walk</a>.</span>
Scripto
Transcription
A written representation of a document.
While sitting one day in his well aired halls<br />Of which we've often heard tell,<br />The Devil determined to make a few calls<br />To see if his Friends were well:<br />So he put on his best and himself he drest<br />In his long tailed coat of green<br />And he buttoned it tightly o'er his chest<br />Lest his own tail should be seen.<br /><br />To the House of Lords the Devil went straight<br />To learn the state of Nations,<br />And with mixed feelings of pleasure and hate<br />He heard their deliberations;<br />For he saw a few Nobles rich and proud<br />War 'gainst the people and Prince,<br />And he thought with pain tho' he laughed aloud<br />Of the Wars in Heav'n long since.<br /><br />Then to Irving's Chapel he gaily hied<br />To hear the new "unknown tongue"<br />And he welcomed with great pleasure and pride<br />The Maniacs he'd got among:<br />For it always fills the Devil with glee<br />To hear Religion mocked,<br />And it pleases him very much to see<br />Sights at which others are shocked.<br /><br />Then away to Bristol he quickly walked<br />T'indulge in meditation,<br />And he gaily laughed as he slowly stalked<br />O'er a scene of desolation.<br />He honored the hand that had done the deed<br />Vowed that an "Anti" he'd be<br />Then back to London he started with speed<br />His old friend Sir Charles to see.<br /><br />The Devil was walking up Regent Street<br />As some other great folks do<br />When a very old friend he chanced to meet<br />Whom it pleased him much to view.<br />Let those describe his great pleasure who can<br />On the Member for Preston spying<br />He took off his hat for he envied the Man<br />His pow'r of deceit and lying.<br /><br />As the Devil was passing I won't say where<br />But not far from Lombard Street,<br />He saw at a window a face so fair<br />That it made him start and weep<br />For a passing thought rushed over his brain<br />Of days no beyond recal,<br />He thought of the bright angelic train<br />And of his own wretched fall.<br /><br />A dim cold feeling of what he had been<br />Wrung from him a bitter groan<br />He gazed and thought of the Angels who sing<br />Surrounding Heaven's High Throne.<br />He thought of the time, <span>– the happy time, –<br /></span>When among them he had been<br />And he madly cursed the impious crime<br />Which plunged him in pain and sin.<br /><br />This feeling vanished as soon as it came<br />And he turned to walk away<br />But sought for this Album to find the name<br />Of her he'd seen that day.<br />He cast his eye swiftly o'er these few lines<br />To drive away thoughts so sad<br />And he said with glee "they're worthy of me<br />For I'm sure they're <em>devilish bad</em>."
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Verse
Description
An account of the resource
<h4>This collection brings together the most complete set of Dickens's verse to date, supplementing the work of existing editions with previously uncollected poems Dickens contributed to albums, or wrote anonymously.</h4>
Though such productions receive scant attention from scholars interested in his fiction and journalism, Dickens composed a surprising amount of verse. It was a genre in which he evidently felt much less at home (and financially rewarded) than when writing in prose. However, several poems gained popular favour during his lifetime; that so many were <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">written to be set to music</a> indicates the permeable boundary between metered verse functioning as poem or song in the nineteenth century, and may explain why some of Dickens’s poems were more enduringly popular than others. Notably, <a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green">'The Ivy Green'</a> from <em>Pickwick Papers</em> (1837), a story of time’s inexorable passing, was frequently republished in newspapers.<br /><br />Several poems written to young ladies of Dickens’s acquaintance are released on <em>Dickens Search</em> as part of the author’s poetic output for the first time, testifying to the author’s ability to write impromptu poetry and gallantly turn a phrase. Since keeping <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album&collection=&type=&tags=&date_search_term=&submit_search=Search+For+Items">autograph albums</a> was a popular pastime for women in the Victorian era, it is possible that further examples of such activity remain to be discovered in various archives and private collections.<br /><br />When writing <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter&collection=3&type=&tags=&date_search_term=&submit_search=Search+For+Items">letters</a> to friends, Dickens occasionally included comedic poems for the recipient. Several of these are included. Considering the enormity of Dickens’s correspondence, likely more instances of this sort of poetic humour will result over time.<br /><br /><a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaphs</a> Dickens wrote for friends and family, whether used or not, are included with Dickens's other verse for the first time. Users can also browse <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">verse from Dickens's plays</a>, including songs removed from <em>The Strange Gentleman </em>and <em>Is She His Wife? Or, Something Singular! </em>before performance.<br /><br />Care is necessary when verifying the accuracy of these poems, as some are misattributed to Dickens. Widespread reprintings of 'Dickens poems' in nineteenth-century newspapers are insufficient evidence for authorial attribution, owing to the mistakes intentionally or inadvertently made in ascribing authorship.<br /><br />An unusual example of a poem that is and is not by Dickens, the lines of 'Little Nell’s Funeral' are taken, with minimal alterations, from Chapter 72 of <em>The Old Curiosity Shop</em>. An instance of the strikingly lyrical quality of Dickens’s sentimental prose, they were divided into metered, unrhymed verse by M.A.H. for the 1849 collection <em>Echoes of Infant Voices</em>. Because Dickens did not intend for this passage to be structured in verse form, the poem is not included in the poetry collection of <em>Dickens Search</em>. <a href="https://dickenssearch.com/poetry-dickens-didnt-write">Read our blog post for more on poetry Dickens <em>didn't </em>write.</a><br /><br />Occasionally, Dickens will quote a poem by another author, as in his burlesque <em>Is She his Wife? Or, Something Singular!</em> (1836). The character Mr Felix Tapkins launches into a short hunting song beginning 'The wife around her husband throws/Her arms to make him stay'. As William Chappell noted in 1840, this is a well-known variant of 'A Hunting We Will Go' (1777), by Thomas Arne, though he misattributes its composition to Henry Fielding.<br /><br />Previous notable collections of some of Dickens's poetry include <em>The Plays and Poems of Charles Dickens</em> (1882) edited by Richard Herne Shepherd and <em>The Poems and Verses of Charles Dickens</em> (1903) edited by Frederic G. Kitton.<br /><br />Caution has been taken when ascertaining that each poem is indeed by Dickens. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or other poems written by Dickens.<br /><br />1. Robert Butterworth. 'The Hymn of the Wiltshire Labourers.' <em>The Dickensian</em> 516.118.1 (Spring 2022): pp. 43-56; Eva-Charlotta Mebius. 'Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens.' <em>Dickens Quarterly</em> 34.3 (September 2017): pp. 256-261; Robert C. Hanna. 'Before Boz; The Juvenilia and Early Writings of Charles Dickens, 1820-1833'. <em>Dickens Studies Annual</em> 40 (2009): pp. 231-364.
Identifier
An unambiguous reference to the resource within a given context
verse
Contributor
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Emily Bell; Lydia Craig
Poem
Publication Type
E.g. newspaper/serial
Autograph Album
TEI File
Link to TEI file
<a href="https://dickenssearch.com/teibp/dist/content/1831_Autograph_Album_of_Maria_Beadnell_Lodgings_To_Let.xml" target="_blank" rel="noopener"><span>'Lodgings To Let.' Autograph Album of Maria Beadnell (1831).</span></a>
Ngram Date
Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.
18310101
Ngram Text
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Lodgings here! A charming place, The Owner’s such a lovely face The Neighbours too seem very pretty Lively, sprightly, gay, and witty Of all the spots that I could find This is the place to suit my mind. Then I will say sans hesitation This place shall be my habitation This charming spot my home shall be While dear “Maria” keeps the key, I’ll settle here, no more I’ll roam But make this place my happy home. A great advantage too will be, I shall keep such good company, So good that I fear my composing Will be considered very prosing Still I’m most proud amongst these pickings To rank the humblest name. – Charles Dickens.
Dublin Core
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Title
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'Lodgings To Let'
Description
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From the autograph album of Maria Beadnell (c. 1831).
Creator
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Dickens, Charles
Source
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The Charles Dickens Museum, <a href="http://www.collections.dickensmuseum.com/object-b319--1971-1-105" target="_blank" rel="noopener">http://www.collections.dickensmuseum.com/object-b319--1971-1-105</a>.
Autograph Album of Maria Beadnell.
Date
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1831
Type
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Poem
Identifier
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1831_Autograph_Album_of_Maria_Beadnell_Lodgings_To_Let
Bibliographic Citation
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<span>Dickens, Charles. 'Lodgings To Let.' Autograph Album of Maria Beadnell (1831). </span><em>Dickens Search.</em><span> Eds. Emily Bell and Lydia Craig. Accessed [date]. </span><a href="https://dickenssearch.com/verse/1831_Autograph_Album_of_Maria_Beadnell_Lodgings_To_Let">https://dickenssearch.com/verse/1831_Autograph_Album_of_Maria_Beadnell_Lodgings_To_Let</a><span>.</span>
Scripto
Transcription
A written representation of a document.
Lodgings here! A charming place,<br />The Owner’s such a lovely face<br />The Neighbours too seem very pretty<br />Lively, sprightly, gay, and witty<br />Of all the spots that I could find<br />This is the place to suit my mind.<br /><br />Then I will say sans hesitation<br />This place shall be my habitation<br />This charming spot my home shall be<br />While dear “Maria” keeps the key,<br />I’ll settle here, no more I’ll roam<br />But make this place my happy home.<br /><br />A great advantage too will be,<br />I shall keep such good company,<br />So good that I fear my composing<br />Will be considered very prosing<br />Still I’m most proud amongst these pickings<br />To rank the humblest name. <span>– Charles Dickens.</span>