https://dickenssearch.com/files/original/5/Sketches_of_London_No._XII_Our_Parish_[I]/1835-05-19_The_Evening_Chronicle_Sketches_of_London_No.XII_Our_Parish_I.pdf a11a98aacb2c45b35d43699907675b6b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Short Fiction Identifier An unambiguous reference to the resource within a given context short-stories Contributor An entity responsible for making contributions to the resource Lydia Craig Scripto Transcription A written representation of a document. This collection (still in development) unites various short stories that Dickens wrote throughout his career for various publications, including newspapers and periodicals, and for inclusion in short story collections. Between 1833, when he tentatively submitted “A Dinner at Poplar Walk” for publication in The Monthly Magazine, and his death in 1870, Dickens as ‘BOZ,’ briefly, as ‘TIBBS,’ and as “Charles Dickens” wrote dozens of short stories and ‘sketches,’ which often moved easily between journalism and story. It was as Boz, the late Georgian literary persona, that he first endeared himself to the British reading public in the pages of such newspapers and periodicals as The Evening Chronicle, Bell’s Life in London, and Bentley's Miscellany with a unique blend of comedy and pathos. By turns scathing of observed social and personal injustices, and appreciative of London’s colourful, vibrant culture and the oddities of human nature, Boz followed in the literary footsteps of other recent metropolitan commentators like Charles Lamb (‘ELIA’), Leigh Hunt, Theodore Hook, Robert Surtees, Thomas Hood, and John Poole, and eighteenth-century Picaresque novelists, Tobias Smollett and Henry Fielding. Soon, Dickens established his own unique voice. Prior to and following the ascension of the young Queen Victoria in 1837, Boz became a prescient spectator of both the rising empire’s rapidly developing culture in public spaces and of the domestic dramas enacted in British homes. Global fame arrived with the serial publication of The Posthumous Papers of the Pickwick Club (1837), marking Dickens’s shift to writing novels. In tone, this rambling comedic travelogue owed much to Boz’s voice and incidentally featured several tales unrelated to the main narrative. Dickens would sporadically publish the Mudfog stories in 1836 and 1837, enlarging on them in Sketches by Boz, a collection of many of the sketches and stories first published by John Macrone in two volumes in 1836 and 1837 and illustrated by George Cruikshank. According to Robert L. Patten, ‘When Dickens gathered up previously published writing, anonymous and pseudonymous, for republication, he identified authorship with a particular subset of his journalistic pieces, the ‘sketches’ rather than the tales or portraits of characters, and with his pseudonym. Hence, after mooting several other titles, Dickens settled on Sketches by Boz’ (44). Sketches of Young Gentlemen (1838), a joking response to Rev. Edward Caswell, or “QUIZ’s” recent effort Sketches of Young Ladies (1838), and Sketches of Couples (1840) were published by Chapman and Hall and illustrated by Hablot Knight Browne, better known as ‘PHIZ’. After this point, Dickens’s short stories were published in his periodicals Household Words and All the Year Round, though after 1837 he never published them with any regularity, preferring instead to focus on writing and serialising novels. Occasionally, he contributed several chapters to a jointly authored short story, collection, or series; Christmas numbers of his periodicals provided the opportunity to feature multiple famous writers uniting to weave a Yule-tide yarn, such as The Haunted House (1859). Notably, his collaboration with Wilkie Collins resulted in such works as The Perils of Certain English Prisoners (1857) and No Thoroughfare (1867). Towards the end of his life, Dickens began to publish short stories again in American publications such as The New York Ledger, The Atlantic Monthly, and Our Young Folks. Until now, first printings of Dickens’s earliest short stories published between 1833 and 1836 have been difficult to find for those unable to visit the periodicals and newspaper holdings at eminent institutions such as The British Library. Similarly, the last ones written by Dickens have remained understudied due in part to their obscurity. Twentieth-century editions of the Sketches are generally based on the text of Chapman and Hall’s later 1839 single volume edition, which relies on the reissue serialised between 1837 and 1839, or the 1868 Charles Dickens Edition, which is based on the 1850 cheap (and further revised) edition. Other anthologies, for instance Selected Short Fiction (Penguin, 2005), edited by Deborah A. Thomas, choose excerpts from Dickens’s entire oeuvre in the short fiction genre. Several scholars have explored the drafting, publication, and impact of the early sketches and short stories, with notable studies including Dickens and the Short Story. (University of Philadelphia Press, 1982) by Deborah A. Thomas and Charles Dickens and ‘Boz’: The Birth of the Industrial-Age Author (Cambridge, 2012) by Patten.1 To date, the most comprehensive overview of the sketches is provided by The Oxford Edition of Charles Dickens’s Sketches by Boz (2021) edited by Paul Schlicke with David Hewitt. Others include Dickens's Uncollected Magazine and Newspaper Sketches as Originally Composed and Published 1833–1836 (2012), edited by Robert C. Hanna, and Sketches by Boz and Other Early Papers (1994), edited by Michael Slater. Because Dickens made many alterations, whether significant or incidental, between the first printing of a sketch and successive editions, these changes open up a window into his editorial process and developing intentions for the ‘Boz’ legacy. Now, with this Dickens Search collection, these emendations can be studied with greater ease than ever before. Our transcription field contains text Dickens is believed to have solely authored, though our pdfs of the short story collaborations will be provided in their entirety to facilitate easier engagement and comprehension of how his narrative might interact with those constructed by other writers. Ngram search and other text analysis tools will be applied to Dickens’s words only, to avoid skewing the results. While building this collection, we have consulted, and transcribed scans found on databases such as British Newspaper Archive (BNA), digital archives, and such open-access sites as Hathi Trust, Internet Archive, and Google Books; all items are linked to their original location on the internet. Please contact us with any errors, corrections, and suggestions, or to mention other short stories by Dickens that might have been overlooked. 1. See Dominic Rainsford. ‘“Luller-li-e-te”! Language, Personhood, and Sympathy in Sketches by Boz.’ In Some Keywords in Dickens. Edited by Michael Hollington, Francesca Orestano, and Nathalie Vanfasse. Vandenhoeck & Ruprecht, 2021, pp. 117-130; William F. Long. ‘“Our Space is Limited”: Fitting Sketches by Boz into the Morning Chronicle”. Dickens Quarterly 4 (December 2020): pp. 325-348; William F. Long. 'Dickens before Sketches by Boz: Earliest Reactions to his Earliest Works'. Dickensian (2018), 114.505, pp.170-176; Christina Jen. '"Drop the Curtain": Astonishment and the Anxieties of Authorship in Charles Dickens's Sketches by Boz. Dickens Studies Annual 49.2 (2018): pp. 249-278; Dianne F. Sadoff. ‘Boz and Beyond: “Oliver Twist” and the Dickens Legacy’. Dickens Studies Annual 45 (2014): pp. 23-44; Dickens's Uncollected Magazine and Newspaper Sketches, as Originally Composed and Published, 1833–1836, No. 46. Ed. Robert C. Hanna (2012): New York, AMS Press; Danielle Coriale. ‘Sketches by Boz, “So Frail a Machine”. SEL: Studies in English Literature 48.4 (2008): pp. 801-812; Paul Schlicke. ‘“Risen Like a Rocket”: The Impact of Sketches by Boz’. Dickens Quarterly 22.1 (2005): pp. 3-18; Ellen Miller Casey. ‘“Boz has got the Town by the ear”: Dickens and the “Athenæum Critics”’. Dickens Studies Annual 33 (2003): pp. 159-190; Richard Maxwell. ‘Dickens, the Two “Chronicles”, and the Publication of “Sketches by Boz”’. Dickens Studies Annual 9 (1981): pp. 21–32; Angus Easson. “Who is Boz? Dickens and His Sketches”. The Dickensian 18.1.405 (Spring 1985): pp. 13-22; Julian W. Breslow. 'The Narrator in Sketches by Boz.' ELH 44.1 (1977): pp. 127–49. Short Story Publication Type E.g. newspaper/serial Newspaper Publication The title of the newspaper/serial (if applicable) The Evening Chronicle Pseudonym The name under which the item was published BOZ Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18350519 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. In a former number of our series we attempted a sketch of two or three of the worthies who hold office in our parish; and we wound up by observing that we should seek materials for another paper in that little kingdom. The promise escape our attention until a few days ago; but we now hasten to redeem it with a due sense of contrition for our negligence in not having done so before. We commenced the article to which we have referred with the beadle of our parish, deeply feeling the importance and dignity of his station. We will begin the present paper with the clergyman.—Our curate is a young gentleman of such prepossessing appearance and fascinating manners, that within one month after his first appearance in the parish half the young-lady inhabitants were melancholy with religion, and the other half desponding with love. Never were so many young ladies seen in our parish-church on Sunday before; and never had the little round angel's faces on Mr. Tomkins's monument in the side aisle, beheld such devotion on earth as they all exhibited. He was about five-and-twenty when he first came to astonish the parishioners, parted his hair on the centre of his forehead in the form of a Saxon arch, wore a brilliant of the first water on the fourth finger of his left hand (which he always applied to his left cheek when he read prayers); and had a deep sepulchral voice of unusual solemnity. Innumerable were the calls made by prudent mamas on our new curate; and innumerable the invitations with which he was assailed, and which to do him justice he readily accepted. If his manner in the pulpit had created an impression in his favour, the sensation was increased tenfold by his appearance in private circles. Pews in the immediate vicinity of the pulpit or reading desk rose in value: sittings in the centre circle were at a premium: an inch of room in the front row of the gallery could not be procured for love or money; and some people even went so far as to assert that the three Miss Browns, who had an obscure family pew just behind the churchwardens', were detected one Sunday, in the free seats by the communion-table, actually lying in wait for the curate as he passed to the vestry! He began to preach extempore sermons, and even grave papas caught the infection; he got out of bed at half-past twelve o'clock one winter's night to half-baptize a washerwoman's child in a slop-basin; and the gratitude of the parishioners knew no bounds—the very churchwardens grew generous, and insisted on the parish defraying the expense of the watch-box on wheels, which the new curate had ordered for himself to perform the funeral service in, in wet weather. He sent three pints of gruel and a quarter of a pound of tea to a poor woman who had been brought to bed of four small children, all at once—the parish were charmed. He got up a subscription for her—the woman's fortune was made. He spoke for one hour and twenty-five minutes an anti-Slavery meeting at the Goat in Boots—the enthusiasm was at its height. A proposal was set on foot for presenting the Curate with a piece of plate, as a mark of esteem for his valuable services rendered to the parish. The list of subscriptions was filled up in no time; the contest was, not who should escape the contribution, but who should be the foremost to subscribe. A splendid silver ink-stand was made, and engraved with an appropriate inscription; the Curate was invited to a public breakfast, at the before-mentioned Goat in Boots: the ink-stand was presented in a neat speech by Mr. Gubbins, the ex-churchwarden, and acknowledged by the curate in terms which drew tears into the eyes of all present —the very waiters were melted. One would have supposed that by this time the theme of universal admiration was lifted to the very pinnacle of popularity. No such thing. The curate began to cough—four fits of coughing one morning between the Litany and the Epistle; and five in the afternoon service. Here was a discovery—the curate was consumptive. How interestingly melancholy! If the young ladies were energetic before, their sympathy and solicitude now knew no bounds. Such a man as the curate—such a dear—such a perfect love—to be consumptive! It was too much. Anonymous presents of black currant jam, and lozenges; elastic waistcoats, bosom friends, and warm stockings, poured in upon the curate until he was as completely fitted out with winter clothing as if he were on the verge of an expedition to the North Pole; verbal bulletins of the state of his health were circulated throughout the parish half-a-dozen times a day; and the curate was at the height, indeed, in the very zenith of his popularity. About this period, a change came over the spirit of the parish. A very quiet, respectable dozing old gentleman, who had officiated in one chapel of ease for twelve years previously, died one fine morning, without having given any notice whatever of his intention. This circumstance gave rise to counter-sensation the first; and the arrival of his successor occasioned counter-sensation the second. He was a pale, thin, cadaverous man, with large black eyes, and long straggling black hair: his dress was slovenly in the extreme; his manner ungainly; his doctrines startling; in short, he was in every respect the antipodes of the curate. Crowds of our female parishioners flocked to hear him at first, because he was so odd-looking, so expressive, then because he preached so well; and at last, because they really thought that, after all, there was something about him which it was quite impossible to describe. As to the curate, he was all very well; but certainly, after all, there was no denying that—that—in short the curate wasn't a novelty, and the other clergyman was. The inconstancy of public opinion is proverbial: the congregation migrated one by one; the curate coughed till he was black in the face—it was in vain. He respired with difficulty—it was equally ineffectual in awakening sympathy. Seats are once again to be had in any part of our parish church, and our chapel-of-ease is going to be enlarged, as it is crowded to suffocation every Sunday! The best known and most respected among our parishioners is an old lady, who resided in our parish long before our name was entered. Our parish is a sub-urban one, and the old lady lives in a neat row of houses in the most airy and pleasant part of it. The house is her own, and it, and everything about it, except the old lady herself, who looks a little older than she did ten years ago, is in just the same state as when she old gentleman was living. The little front parlour, which is the old lady's ordinary sitting-room, is a perfect picture of quiet neatness: the carpet is covered with brown Holland, the glass and picture-frames are carefully enveloped in yellow muslin; the table-covers are never taken off, except when the leaves are turpentined and bees' waxes, an operation which is regularly commenced every other morning at half-past nine o'clock—and the little nic nacs are always arranged in precisely the same manner. The greater part of these are presents from little girls whose parents live in the same row; but some of them, such as the two old-fashioned watches (which never keep the same time, one being always a quarter of an hour too slow, and the other a quarter of an hour too fast), the little picture of the Princess Charlotte and Prince Leopold as they appeared in the Royal box at Drury-lane Theatre, and others of the same class, have been in the old lady's possession for many years. Here the old lady sits with her spectacles on, busily engaged in needle-work—near the window in summer time; and if she sees you coming up the steps and you happen to be a favourite, she trots out to open the street door for you before you knock, and as you must be fatigued after that hot walk, insists on your swallowing two glasses of sherry before you exert yourself by talking. If you call in the evening, you will find her cheerful, but rather more serious than usual, with an open Bible on the table before her., of which "Sarah," who is just as neat and methodical as her mistress, regularly reads two or three chapters in the parlour aloud. The old lady sees scarcely any company, except the little girls before noticed, each of whom has always a regular fixed day for a periodical tea drinking with her, to which she child looks forward as the greatest treat of its existence. She seldom visits at a greater distance than the next door but one on either side, and when she drinks tea here, Sarah runs out first and knocks and double knock to prevent the possibility of her Missis's catching cold by having to wait at the door. She is very scrupulous in returning these little invitations, and when she asks Mr. and Mrs. So and So to meet Mr. and Mrs. somebody else, Sarah and she dust the urn, and the best china service, and the Pope Joan board; and the visitors are received in the drawing room in great state. She has but few relations, and they are scattered about in different parts of the country, and she seldom sees them. She has a son in India, whom she always describes to you as a fine, handsome fellow—so like the profile of his poor dear father over the sideboard; but the old lady adds, with a mournful shake of the head, that he's always been one of her greatest trials, and that indeed he once almost broke her hear; but it pleased God to enable her to get the better of it, and she'd prefer your never mentioning the subject to her again. She has a great number of pensioners, and on Saturday, after she comes back from market, there is a regular levee of old men and women in the passage waiting for their weekly gratuity. Her name always heads the list of any benevolent subscriptions, and her's are always the most liberal donations to the Winter Coal and Soup Distribution Society. She subscribed twenty pounds towards the erection of an organ in our parish church, and was so overcome the first Sunday the children sang to it, that she was obliged to be carried out by the pew opener. Her entrance into church on Sunday is always the signal for a little bustle in the side aisle, occasioned by a general rise among the poor people, who bow and curtsy until the pew opener has ushered the old lady unto her accustomed seat, dropped a respectful curtsy, and shut the door; and the same ceremony is repeated on her leaving church, when she walks home with the family next door but one, and talks about the sermon all the way, invariably opening the conversation by asking the youngest boy where the text was. Thus, with the annual variation of a trip to some quiet place on the sea coast, passes the old lady's life. It has rolled on in the same unvarying and benevolent course for many years now, and must at no distant period be brought to its final close. She looks forward to its termination with calmness, and without apprehension. She has every thing to hope and nothing to fear. A very different personage, but one who has rendered himself very conspicuous in our parish, is one of the old lady's next door neighbours. He is an old naval officer on half pay; and his bluff and unceremonious behaviour disturbs the old lady's domestic economy, not a little. In the first place he will smoke cigars in the front court; and when he wants something to drink with them—which is by no means an uncommon circumstance—he lifts up the old lady's knocker with his walking-stick, and demands to have a glass of table ale handed over the rails. In addition to this cool proceeding he is a bit of a Jack of all trades, or to use his own words, "A regular Robinson Crusoe," and nothing delights him better than to experimentalize on the old lady's property. One morning he got up early and planted three or four roots of full-blown marygolds in every bed of her front garden to the inconceivable astonishment of the old lady, who actually thought when she got up and looked out of the window, that it was some strange eruption which had come out in the night. Another time he took to pieces the eight-day clock on the front landing, under pretence of cleaning the wors, which he put together again by some undiscovered process in so wonderful a manner that the large hand has done nothing but trip up the little one ever since. Then he took to breeding silk-worms, which he would bring in two or three times a day, in little paper boxes, to show the old lady, generally dropping a worm or two at every visit. The consequence was, that one morning a very stout silk-worm was discovered in the act of walking up stairs—probably with the view of inquiring after his friends, for on further inspection it appeared that some of his companions had already found their way to every room in the house. The old lady went to the sea-side in despair, and during her absence he completely effected the name from her brass door-plate in his attempts to polish it with aqua fortis. But all this is nothing to his seditious conduct in public life. He attends every vestry meeting that is held; always opposes the constituted authorities of the parish; denounces the profligacy of the churchwardens, contests legal points against the vestry-clerk, will make the tax-gathered call for his money till he won't call any longer, and then he sends it; finds fault with the sermon every Sunday; says that the organist ought to be ashamed of himself; offers to back himself for any amount to sing the psalms better than all the children put together, male and female; and in short, conducts himself in the most turbulent and uproarious manner. The worst of it is, that having a high regard for the old lady, he wants to make her a convert to his views, and therefore walks into her little parlour with his newspaper in his hand, and talks violent politics by the hour. He is a cheritable, open-handed old fellow at bottom after all; so, although he puts the old lady a little out occasionally, they agree very well in the main; and she laughs as much at each feat of his handy-work when its all over as anybody else.We have attained our usual limits, and must conclude our paper. We are not sufficiently acquainted with the details of the recent alteration in the Poor-laws, to know whether we have a legal settlement anywhere or not; but we hope our readers will not object, when subjects are scarce, and we distressed, to our deriving assistance from the parochial funds. We are perfectly willing to work for their amusement; but we openly avow our determination, on some future occasions, to throw ourselves again upon—"Our Parish." TEI File Link to TEI file <a href="https://dickenssearch.com/teibp/dist/content/1835-05-19_The_Evening_Chronicle_Sketches_of_London_NoXII_Our_ParishI.xml" target="_blank" rel="noopener">'Sketches of London, No. XII, Our Parish' (I). The Evening Chronicle (19 May 1835).</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Sketches of London, No. XII, Our Parish' (I) Description An account of the resource Published in The Evening Chronicle (19 May 1835). Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived The British Newspaper Archive, <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350519/021/0003" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/bl/0001315/18350519/021/0003</a>. Date A point or period of time associated with an event in the lifecycle of the resource 1835-05-19 Rights Information about rights held in and over the resource The British Newspaper Archive. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited. Type The nature or genre of the resource Short Story Identifier An unambiguous reference to the resource within a given context 1835-05-19_The_Evening_Chronicle_Sketches_of_London_NoXII_Our_ParishI Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Sketches of London, No. XII, Our Parish (I)' (19 May 1835). Dickens Search. Eds. Emily Middleton and Lydia Craig. Acessed [date]. <a href="https://dickenssearch.com/short-stories/1835-05-19_The_Evening_Chronicle_Sketches_of_London_NoXII_Our_ParishI">https://dickenssearch.com/short-stories/1835-05-19_The_Evening_Chronicle_Sketches_of_London_NoXII_Our_ParishI</a>. Scripto Transcription A written representation of a document. In a former number of our series we attempted a sketch of two or three of the worthies who hold office in our parish; and we wound up by observing that we should seek materials for another paper in that little kingdom. The promise escape our attention until a few days ago; but we now hasten to redeem it with a due sense of contrition for our negligence in not having done so before.  We commenced the article to which we have referred with the beadle of our parish, deeply feeling the importance and dignity of his station. We will begin the present paper with the clergyman.—Our curate is a young gentleman of such prepossessing appearance and fascinating manners, that within one month after his first appearance in the parish half the young-lady inhabitants were melancholy with religion, and the other half desponding with love. Never were so many young ladies seen in our parish-church on Sunday before; and never had the little round angel's faces on Mr. Tomkins's monument in the side aisle, beheld such devotion on earth as they all exhibited. He was about five-and-twenty when he first came to astonish the parishioners, parted his hair on the centre of his forehead in the form of a Saxon arch, wore a brilliant of the first water on the fourth finger of his left hand (which he always applied to his left cheek when he read prayers); and had a deep sepulchral voice of unusual solemnity. Innumerable were the calls made by prudent mamas on our new curate; and innumerable the invitations with which he was assailed, and which to do him justice he readily accepted. If his manner in the pulpit had created an impression in his favour, the sensation was increased tenfold by his appearance in private circles. Pews in the immediate vicinity of the pulpit or reading desk rose in value: sittings in the centre circle were at a premium: an inch of room in the front row of the gallery could not be procured for love or money; and some people even went so far as to assert that the three Miss Browns, who had an obscure family pew just behind the churchwardens', were detected one Sunday, in the free seats by the communion-table, actually lying in wait for the curate as he passed to the vestry! He began to preach extempore sermons, and even grave papas caught the infection; he got out of bed at half-past twelve o'clock one winter's night to half-baptize a washerwoman's child in a slop-basin; and the gratitude of the parishioners knew no bounds—the very churchwardens grew generous, and insisted on the parish defraying the expense of the watch-box on wheels, which the new curate had ordered for himself to perform the funeral service in, in wet weather. He sent three pints of gruel and a quarter of a pound of tea to a poor woman who had been brought to bed of four small children, all at once—the parish were charmed. He got up a subscription for her—the woman's fortune was made. He spoke for one hour and twenty-five minutes an anti-Slavery meeting at the Goat in Boots—the enthusiasm was at its height. A proposal was set on foot for presenting the Curate with a piece of plate, as a mark of esteem for his valuable services rendered to the parish. The list of subscriptions was filled up in no time; the contest was, not who should escape the contribution, but who should be the foremost to subscribe. A splendid silver ink-stand was made, and engraved with an appropriate inscription; the Curate was invited to a public breakfast, at the before-mentioned Goat in Boots: the ink-stand was presented in a neat speech by Mr. Gubbins, the ex-churchwarden, and acknowledged by the curate in terms which drew tears into the eyes of all present —the very waiters were melted. One would have supposed that by this time the theme of universal admiration was lifted to the very pinnacle of popularity. No such thing. The curate began to cough—four fits of coughing one morning between the Litany and the Epistle; and five in the afternoon service. Here was a discovery—the curate was consumptive. How interestingly melancholy! If the young ladies were energetic before, their sympathy and solicitude now knew no bounds. Such a man as the curate—such a dear—such a perfect love—to be consumptive! It was too much. Anonymous presents of black currant jam, and lozenges; elastic waistcoats, bosom friends, and warm stockings, poured in upon the curate until he was as completely fitted out with winter clothing as if he were on the verge of an expedition to the North Pole; verbal bulletins of the state of his health were circulated throughout the parish half-a-dozen times a day; and the curate was at the height, indeed, in the very zenith of his popularity. About this period, a change came over the spirit of the parish. A very quiet, respectable dozing old gentleman, who had officiated in one chapel of ease for twelve years previously, died one fine morning, without having given any notice whatever of his intention. This circumstance gave rise to counter-sensation the first; and the arrival of his successor occasioned counter-sensation the second. He was a pale, thin, cadaverous man, with large black eyes, and long straggling black hair: his dress was slovenly in the extreme; his manner ungainly; his doctrines startling; in short, he was in every respect the antipodes of the curate. Crowds of our female parishioners flocked to hear him at first, because he was so odd-looking, so expressive, then because he preached so well; and at last, because they really thought that, after all, there was something about him which it was quite impossible to describe. As to the curate, he was all very well; but certainly, after all, there was no denying that—that—in short the curate wasn't a novelty, and the other clergyman was. The inconstancy of public opinion is proverbial: the congregation migrated one by one; the curate coughed till he was black in the face—it was in vain. He respired with difficulty—it was equally ineffectual in awakening sympathy. Seats are once again to be had in any part of our parish church, and our chapel-of-ease is going to be enlarged, as it is crowded to suffocation every Sunday! The best known and most respected among our parishioners is an old lady, who resided in our parish long before our name was entered. Our parish is a sub-urban one, and the old lady lives in a neat row of houses in the most airy and pleasant part of it. The house is her own, and it, and everything about it, except the old lady herself, who looks a little older than she did ten years ago, is in just the same state as when she old gentleman was living. The little front parlour, which is the old lady's ordinary sitting-room, is a perfect picture of quiet neatness: the carpet is covered with brown Holland, the glass and picture-frames are carefully enveloped in yellow muslin; the table-covers are never taken off, except when the leaves are turpentined and bees' waxes, an operation which is regularly commenced every other morning at half-past nine o'clock—and the little nic nacs are always arranged in precisely the same manner. The greater part of these are presents from little girls whose parents live in the same row; but some of them, such as the two old-fashioned watches (which never keep the same time, one being always a quarter of an hour too slow, and the other a quarter of an hour too fast), the little picture of the Princess Charlotte and Prince Leopold as they appeared in the Royal box at Drury-lane Theatre, and others of the same class, have been in the old lady's possession for many years. Here the old lady sits with her spectacles on, busily engaged in needle-work—near the window in summer time; and if she sees you coming up the steps and you happen to be a favourite, she trots out to open the street door for you before you knock, and as you must be fatigued after that hot walk, insists on your swallowing two glasses of sherry before you exert yourself by talking. If you call in the evening, you will find her cheerful, but rather more serious than usual, with an open Bible on the table before her., of which "Sarah," who is just as neat and methodical as her mistress, regularly reads two or three chapters in the parlour aloud. The old lady sees scarcely any company, except the little girls before noticed, each of whom has always a regular fixed day for a periodical tea drinking with her, to which she child looks forward as the greatest treat of its existence. She seldom visits at a greater distance than the next door but one on either side, and when she drinks tea here, Sarah runs out first and knocks and double knock to prevent the possibility of her Missis's catching cold by having to wait at the door. She is very scrupulous in returning these little invitations, and when she asks Mr. and Mrs. So and So to meet Mr. and Mrs. somebody else, Sarah and she dust the urn, and the best china service, and the Pope Joan board; and the visitors are received in the drawing room in great state. She has but few relations, and they are scattered about in different parts of the country, and she seldom sees them. She has a son in India, whom she always describes to you as a fine, handsome fellow—so like the profile of his poor dear father over the sideboard; but the old lady adds, with a mournful shake of the head, that he's always been one of her greatest trials, and that indeed he once almost broke her hear; but it pleased God to enable her to get the better of it, and she'd prefer your never mentioning the subject to her again. She has a great number of pensioners, and on Saturday, after she comes back from market, there is a regular levee of old men and women in the passage waiting for their weekly gratuity. Her name always heads the list of any benevolent subscriptions, and her's are always the most liberal donations to the Winter Coal and Soup Distribution Society. She subscribed twenty pounds towards the erection of an organ in our parish church, and was so overcome the first Sunday the children sang to it, that she was obliged to be carried out by the pew opener. Her entrance into church on Sunday is always the signal for a little bustle in the side aisle, occasioned by a general rise among the poor people, who bow and curtsy until the pew opener has ushered the old lady unto her accustomed seat, dropped a respectful curtsy, and shut the door; and the same ceremony is repeated on her leaving church, when she walks home with the family next door but one, and talks about the sermon all the way, invariably opening the conversation by asking the youngest boy where the text was. Thus, with the annual variation of a trip to some quiet place on the sea coast, passes the old lady's life. It has rolled on in the same unvarying and benevolent course for many years now, and must at no distant period be brought to its final close. She looks forward to its termination with calmness, and without apprehension. She has every thing to hope and nothing to fear. A very different personage, but one who has rendered himself very conspicuous in our parish, is one of the old lady's next door neighbours. He is an old naval officer on half pay; and his bluff and unceremonious behaviour disturbs the old lady's domestic economy, not a little. In the first place he will smoke cigars in the front court; and when he wants something to drink with them—which is by no means an uncommon circumstance—he lifts up the old lady's knocker with his walking-stick, and demands to have a glass of table ale handed over the rails. In addition to this cool proceeding he is a bit of a Jack of all trades, or to use his own words, "A regular Robinson Crusoe," and nothing delights him better than to experimentalize on the old lady's property. One morning he got up early and planted three or four roots of full-blown marygolds in every bed of her front garden to the inconceivable astonishment of the old lady, who actually thought when she got up and looked out of the window, that it was some strange eruption which had come out in the night. Another time he took to pieces the eight-day clock on the front landing, under pretence of cleaning the wors, which he put together again by some undiscovered process in so wonderful a manner that the large hand has done nothing but trip up the little one ever since. Then he took to breeding silk-worms, which he would bring in two or three times a day, in little paper boxes, to show the old lady, generally dropping a worm or two at every visit. The consequence was, that one morning a very stout silk-worm was discovered in the act of walking up stairs—probably with the view of inquiring after his friends, for on further inspection it appeared that some of his companions had already found their way to every room in the house. The old lady went to the sea-side in despair, and during her absence he completely effected the name from her brass door-plate in his attempts to polish it with aqua fortis. But all this is nothing to his seditious conduct in public life. He attends every vestry meeting that is held; always opposes the constituted authorities of the parish; denounces the profligacy of the churchwardens, contests legal points against the vestry-clerk, will make the tax-gathered call for his money till he won't call any longer, and then he sends it; finds fault with the sermon every Sunday; says that the organist ought to be ashamed of himself; offers to back himself for any amount to sing the psalms better than all the children put together, male and female; and in short, conducts himself in the most turbulent and uproarious manner. The worst of it is, that having a high regard for the old lady, he wants to make her a convert to his views, and therefore walks into her little parlour with his newspaper in his hand, and talks violent politics by the hour. He is a cheritable, open-handed old fellow at bottom after all; so, although he puts the old lady a little out occasionally, they agree very well in the main; and she laughs as much at each feat of his handy-work when its all over as anybody else.  We have attained our usual limits, and must conclude our paper. We are not sufficiently acquainted with the details of the recent alteration in the Poor-laws, to know whether we have a legal settlement anywhere or not; but we hope our readers will not object, when subjects are scarce, and we distressed, to our deriving assistance from the parochial funds. We are perfectly willing to work for their amusement; but we openly avow our determination, on some future occasions, to throw ourselves again upon—"Our Parish."