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https://dickenssearch.com/files/original/5/Sketches_by_Boz_[1839]/1839-Sketches_by_Boz.pdf
213fa0bbd630cf2c17a6f7fef490c5fd
Dublin Core
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Title
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Short Fiction
Identifier
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short-stories
Contributor
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Lydia Craig
Scripto
Transcription
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<p><strong>This collection (still in development) unites various short stories that Dickens wrote throughout his career for various publications, including newspapers and periodicals, and for inclusion in short story collections.</strong></p>
<p>Between 1833, when he tentatively submitted “A Dinner at Poplar Walk” for publication in <em>The Monthly Magazine,</em> and his death in 1870, Dickens as ‘BOZ,’ briefly, as ‘TIBBS,’ and as “Charles Dickens” wrote dozens of short stories and ‘sketches,’ which often moved easily between journalism and story. It was as Boz, the late Georgian literary persona, that he first endeared himself to the British reading public in the pages of such newspapers and periodicals as <em>The Evening Chronicle</em>, <em>Bell’s Life in London, </em>and <em>Bentley's Miscellany</em> with a unique blend of comedy and pathos. By turns scathing of observed social and personal injustices, and appreciative of London’s colourful, vibrant culture and the oddities of human nature, Boz followed in the literary footsteps of other recent metropolitan commentators like Charles Lamb (‘ELIA’), Leigh Hunt, Theodore Hook, Robert Surtees, Thomas Hood, and John Poole, and eighteenth-century Picaresque novelists, Tobias Smollett and Henry Fielding. Soon, Dickens established his own unique voice. Prior to and following the ascension of the young Queen Victoria in 1837, Boz became a prescient spectator of both the rising empire’s rapidly developing culture in public spaces and of the domestic dramas enacted in British homes.</p>
<p>Global fame arrived with the serial publication of <em>The Posthumous Papers of the Pickwick Club</em> (1837), marking Dickens’s shift to writing novels. In tone, this rambling comedic travelogue owed much to Boz’s voice and incidentally featured several tales unrelated to the main narrative. Dickens would sporadically publish the Mudfog stories in 1836 and 1837, enlarging on them in <em>Sketches by Boz</em>, a collection of many of the sketches and stories first published by John Macrone in two volumes in 1836 and 1837 and illustrated by George Cruikshank. According to Robert L. Patten, ‘When Dickens gathered up previously published writing, anonymous and pseudonymous, for republication, he identified authorship with a particular subset of his journalistic pieces, the ‘sketches’ rather than the tales or portraits of characters, and with his pseudonym. Hence, after mooting several other titles, Dickens settled on <em>Sketches by Boz</em>’ (44). <em>Sketches of Young Gentlemen</em> (1838), a joking response to Rev. Edward Caswell, or “QUIZ’s” recent effort <em>Sketches of Young Ladies</em> (1838), and <em>Sketches of Couples</em> (1840) were published by Chapman and Hall and illustrated by Hablot Knight Browne, better known as ‘PHIZ’.</p>
<p>After this point, Dickens’s short stories were published in his periodicals <em>Household Words</em> and <em>All the Year Round</em>, though after 1837 he never published them with any regularity, preferring instead to focus on writing and serialising novels. Occasionally, he contributed several chapters to a jointly authored short story, collection, or series; Christmas numbers of his periodicals provided the opportunity to feature multiple famous writers uniting to weave a Yule-tide yarn, such as <em>The Haunted House</em> (1859). Notably, his collaboration with Wilkie Collins resulted in such works as <em>The Perils of Certain English Prisoners</em> (1857) and <em>No Thoroughfare</em> (1867). Towards the end of his life, Dickens began to publish short stories again in American publications such as <em>The New York Ledger, The Atlantic Monthly, </em>and <em>Our Young Folks</em>.</p>
<p>Until now, first printings of Dickens’s earliest short stories published between 1833 and 1836 have been difficult to find for those unable to visit the periodicals and newspaper holdings at eminent institutions such as The British Library. Similarly, the last ones written by Dickens have remained understudied due in part to their obscurity. Twentieth-century editions of the <em>Sketches </em>are generally based on the text of Chapman and Hall’s later 1839 single volume edition, which relies on the reissue serialised between 1837 and 1839, or the 1868 Charles Dickens Edition, which is based on the 1850 cheap (and further revised) edition.</p>
<p>Other anthologies, for instance <em>Selected Short Fiction</em> (Penguin, 2005), edited by Deborah A. Thomas, choose excerpts from Dickens’s entire <em>oeuvre </em>in the short fiction genre. Several scholars have explored the drafting, publication, and impact of the early sketches and short stories, with notable studies including <em>Dickens and the Short Story</em>. (University of Philadelphia Press, 1982) by Deborah A. Thomas and <em>Charles Dickens and ‘Boz’: The Birth of the Industrial-Age Author</em> (Cambridge, 2012) by Patten.1 To date, the most comprehensive overview of the sketches is provided by<em> The Oxford Edition of Charles Dickens’s Sketches by Boz</em> (2021) edited by Paul Schlicke with David Hewitt. Others include <em>Dickens's Uncollected Magazine and Newspaper Sketches as Originally Composed and Published 1833–1836</em> (2012), edited by Robert C. Hanna, and <em>Sketches by Boz and Other Early Papers</em> (1994), edited by Michael Slater.</p>
<p>Because Dickens made many alterations, whether significant or incidental, between the first printing of a sketch and successive editions, these changes open up a window into his editorial process and developing intentions for the ‘Boz’ legacy. Now, with this <em>Dickens Search</em> collection, these emendations can be studied with greater ease than ever before. Our transcription field contains text Dickens is believed to have solely authored, though our pdfs of the short story collaborations will be provided in their entirety to facilitate easier engagement and comprehension of how his narrative might interact with those constructed by other writers. Ngram search and other text analysis tools will be applied to Dickens’s words only, to avoid skewing the results.<br /><br />While building this collection, we have consulted, and transcribed scans found on databases such as <em>British Newspaper Archive (BNA),</em> digital archives, and such open-access sites as<em> Hathi Trust, Internet Archive,</em> and <em>Google Books</em>; all items are linked to their original location on the internet.</p>
<p>Please contact us with any errors, corrections, and suggestions, or to mention other short stories by Dickens that might have been overlooked.</p>
1. See Dominic Rainsford. ‘“Luller-li-e-te”! Language, Personhood, and Sympathy in <em>Sketches by Boz.’</em> In <em>Some Keywords in Dickens</em>. Edited by Michael Hollington, Francesca Orestano, and Nathalie Vanfasse. Vandenhoeck & Ruprecht, 2021, pp. 117-130; William F. Long. ‘“Our Space is Limited”: Fitting Sketches by Boz into the <em>Morning Chronicle</em>”. <em>Dickens Quarterly </em>4 (December 2020): pp. 325-348; William F. Long. 'Dickens before <em>Sketches by Boz</em>: Earliest Reactions to his Earliest Works'. <em>Dickensian</em> (2018), 114.505, pp.170-176; Christina Jen. '"Drop the Curtain": Astonishment and the Anxieties of Authorship in Charles Dickens's <em>Sketches by Boz. Dickens Studies Annual</em> 49.2 (2018): pp. 249-278; Dianne F. Sadoff. ‘Boz and Beyond: “Oliver Twist” and the Dickens Legacy’. <em>Dickens Studies Annual</em> 45 (2014): pp. 23-44; <em>Dickens's Uncollected Magazine and Newspaper Sketches, as Originally Composed and Published, 1833–1836, </em>No. 46. Ed. Robert C. Hanna (2012): New York, AMS Press; Danielle Coriale. ‘Sketches by Boz, “So Frail a Machine”. <em>SEL: Studies in English Literature </em>48.4 (2008): pp. 801-812; Paul Schlicke. ‘“Risen Like a Rocket”: The Impact of <em>Sketches by Boz’</em>. <em>Dickens Quarterly</em> 22.1 (2005): pp. 3-18; Ellen Miller Casey. ‘“Boz has got the Town by the ear”: Dickens and the “Athenæum Critics”’. <em>Dickens Studies Annual</em> 33 (2003): pp. 159-190; Richard Maxwell. ‘Dickens, the Two “Chronicles”, and the Publication of “Sketches by Boz”’. <em>Dickens Studies Annual</em> 9 (1981): pp. 21–32; Angus Easson. “Who is Boz? Dickens and His Sketches”. <em>The Dickensian</em> 18.1.405 (Spring 1985): pp. 13-22; Julian W. Breslow. 'The Narrator in <em>Sketches by Boz</em>.' <em>ELH</em> 44.1 (1977): pp. 127–49.
Short Story
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18390101
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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<em>Sketches by Boz </em>(1839)
Description
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Published by Chapman and Hall, 1839, 1. vol.
Creator
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Dickens, Charles
Source
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<em>Google Books,</em> <br /><a href="https://www.google.com/books/edition/Sketches_by_Boz/niIGAAAAQAAJ">https://www.google.com/books/edition/Sketches_by_Boz/niIGAAAAQAAJ</a>.
Date
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1839
Type
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Short story
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1839-Sketches_by_Boz
Bibliographic Citation
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Dickens, Charles. <em>Sketches by Boz</em> (1839). <em>Dickens Search.</em> Eds. Emily Bell and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1839-Sketches_by_Boz">https://www.dickenssearch.com/short-stories/1839-Sketches_by_Boz</a>.
Relation
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Table of Contents and Relation to Previous <em>Sketches.<br /></em><br />*An asterisk marks where titles were altered, usually in punctuation, from their appearance in <em>Sketches by Boz, </em>First Series (1836) and Second Series (1837) published by John Macrone. Note that, due to Dickens's efforts to include both the First Series and Second Series in one organised volume, placement and/or pagination is different for a given story or sketch in the 1839 Chapman and Hall new edition (one volume) in contrast to the previous editions. Only 'The Tuggs's at Ramsgate' is included in a <em>Sketches</em> edition for the first time, not having been in the 1836 and 1837 editions.<br />
<ul>
<li><em>Seven Sketches From Our Parish.</em>
<ul>
<li>Chap. I. 'The Beadle<span>—The Parish Engine—The Schoolmaster', pp. 3-8. Originally </span><a href="http://dickenssearch.com/admin/items/show/43">'<em>Sketches of London</em>, No. IV, The Parish'</a></li>
<li>Chap. II. 'The Curate<span>—The Old Lady—The Half-Pay Captain',* pp. 9-14. Orig. </span><a href="http://dickenssearch.com/admin/items/show/51">'<em>Sketches of London</em>, No. XII, Our Parish' (I)</a></li>
<li>Chap. III. 'The Four Sisters', pp. 15-20. Orig. <a href="http://dickenssearch.com/admin/items/show/53">'<em>Sketches of London</em>, No. XIV, Our Parish' (II)</a></li>
<li>Chap. IV. 'The Election for Beadle', pp. 21-28. Orig. <a href="http://dickenssearch.com/admin/items/show/55">'<em>Sketches of London</em>, No. XVI, Our Parish' (III)</a></li>
<li>Chap. V. 'The Broker's Man', pp. 29-38. Orig. <a href="http://dickenssearch.com/admin/items/show/57">'<em>Sketches of London</em>, No. XVIII, Our Parish' (IV)</a> </li>
<li>Chap. VI. 'The Ladies' Societies', pp. 39-44. Orig. <a href="http://dickenssearch.com/admin/items/show/59">'<em>Sketches of London</em>, No. XX, Our Parish' (V)</a></li>
<li>'Our Next-Door Neighbour',* pp. 45-54. Orig. <a href="http://dickenssearch.com/admin/items/show/167">'Our Next-Door Neighbours'</a>.</li>
</ul>
</li>
</ul>
<ul>
<li><em>Scenes</em>.
<ul>
<li>'The Streets by Morning', pp. 55-60. Originally <a href="http://dickenssearch.com/admin/items/show/56">'Sketches of London, No. XVII, The Streets—Morning'</a>.</li>
<li>'The Streets by Night', pp. 61-66. Orig. <a href="http://dickenssearch.com/admin/items/show/106">'Scenes and Characters, No. 12, The Streets at Night'</a>.</li>
<li>'Shops and their Tenants',* pp. 67-71. Orig. <a href="http://dickenssearch.com/admin/items/show/id/221">'<em>Street Sketches</em>, No. II, Shops and their Tenants'</a>.</li>
<li>'Scotland Yard',* pp. 72-76. Orig. <a href="http://dickenssearch.com/admin/items/show/138">New Series, No. 2, 'Scotland Yard'</a>.</li>
<li>'Seven Dials', pp. 77-81. Orig. <a href="http://dickenssearch.com/admin/items/show/64">'Scenes and Characters, No. 1, Seven Dials'</a>.</li>
<li>'Meditations in Monmouth-Street', pp. 82-88. Orig. <a href="http://dickenssearch.com/admin/items/show/137">New Series, No. 1, 'Meditations in Monmouth-Street'</a>.</li>
<li>'Hackney-Coach Stands', pp. 89-93. Orig. <a href="http://dickenssearch.com/admin/items/show/40">'<em>Sketches of London</em>, No.I. Hackney-Coach Stands'</a>. </li>
<li>'Doctors' Commons', pp. 94-99. Orig. <a href="http://dickenssearch.com/admin/items/show/139">'New Series, No. 3, 'Doctors' Commons'</a>.</li>
<li>'London Recreations', pp. 100-105. Orig. <a href="http://dickenssearch.com/admin/items/show/45">'<em>Sketches of London</em>, No. VI, London Recreations'</a>.</li>
<li>'The River', pp. 106-112. Orig. <a href="http://dickenssearch.com/admin/items/show/52">'<em>Sketches of London</em>, No. XIII, The River'</a>. </li>
<li>'Astley's', pp. 113-119. Orig. <a href="http://dickenssearch.com/admin/items/show/50">'<em>Sketches of London</em>, No. XI, Astley's'</a>.</li>
<li>'Greenwich Fair', pp. 120-128. Orig. <a href="http://dickenssearch.com/admin/items/show/48">'<em>Sketches of London</em>, No. IX, Greenwich Fair'</a>. </li>
<li>'Private Theatres', pp. 129-135. Orig. <a href="http://dickenssearch.com/admin/items/show/58">'<em>Sketches of London</em>, No. XIX, Private Theatres'</a>.</li>
<li>'Vauxhall-Gardens by Day',* pp. 136-140. Orig. <a href="http://dickenssearch.com/admin/items/show/166">New Series No. 4, 'Vauxhall-Gardens by Day'.</a></li>
<li>'Early Coaches', pp. 141-147. Orig. <a href="http://dickenssearch.com/admin/items/show/42">'<em>Sketches of London</em>, No. III, Early Coaches'</a>.</li>
<li>'Omnibuses', pp. 148-152. Orig. <a href="http://dickenssearch.com/admin/items/show/id/223">'<em>Street Sketches</em>, No. I, Omnibuses'</a>.</li>
<li>'The Last Cab Driver, and the First Omnibus Cad',* pp. 153-162. Orig. <a href="http://dickenssearch.com/admin/items/show/87">'Scenes and Characters, No. 6, Some Account of an Omnibus Cad'</a>.</li>
<li>'A Parliamentary Sketch'*, pp. 163-174. Orig. <a href="http://dickenssearch.com/admin/items/show/44">'Sketches of London, No. V, The House'</a> and <a href="http://dickenssearch.com/admin/items/show/47">'Sketches of London, No. VIII, Bellamy's'</a>.</li>
<li>'Public Dinners', pp. 175-180. Orig. <a href="http://dickenssearch.com/admin/items/show/46">'<em>Sketches of London</em>, No. VII, Public Dinners'</a>. </li>
<li>'The First of May', pp. 181-188. Orig. <a href="http://dickenssearch.com/admin/items/show/165">'A Little Talk about Spring and the Sweeps'</a>.</li>
<li>'Brokers' and Marine-Store Shops', pp. 189-193. Orig. <a href="http://dickenssearch.com/admin/items/show/220">'<em>Street Sketches</em>, No. V, 'Brokers and Marine Store Shops'</a>.</li>
<li>'Gin-Shops', pp. 194-199. Orig. <a href="http://dickenssearch.com/admin/items/show/41">'<em>Sketches of London</em>, No. II, Gin Shops'</a>. </li>
<li>'The Pawnbroker's Shop', pp. 200-207. Orig. <a href="http://dickenssearch.com/admin/items/show/54">'<em>Sketches of London</em>, No. XV, The Pawnbrokers' Shop'</a>.</li>
<li>'Criminal Courts', pp. 208-217. Orig. <a href="http://dickenssearch.com/admin/items/show/160">'Street Sketches. No. III. The Old Bailey'</a>.</li>
<li>'A Visit to Newgate', 218-228. Orig. <a href="http://dickenssearch.com/admin/items/show/213">'A Visit to Newgate'</a> (<em>Sketches by Boz, </em>Vol.1, 1836).</li>
</ul>
</li>
</ul>
<ul>
<li><em>Characters</em>.
<ul>
<li>'Thoughts about People', pp. 229-233. Orig. <a href="http://dickenssearch.com/admin/items/show/49">'<em>Sketches of London</em>, No. X, Thoughts About People'</a>. </li>
<li>'A Christmas Dinner', pp. 234-238. Orig. <a href="http://dickenssearch.com/admin/items/show/104">'<em>Scenes and Characters</em>, No. 10, Christmas Festivities'</a>. </li>
<li>'The New Year', pp. 239-244. Orig. <a href="http://dickenssearch.com/admin/items/show/105">'Scenes and Characters, No. 11, The New Year'</a>.</li>
<li>'Miss Evans and the Eagle', pp. 245-249. Orig. <a href="http://dickenssearch.com/admin/items/show/65">'<em>Scenes and Characters,</em> No.2, Miss Evans and "The Eagle"'</a>.</li>
<li>'The Parlour Orator', pp. 250-254. Orig. <a href="http://dickenssearch.com/admin/items/show/103">'Scenes and Characters, No. 9, The Parlour'</a>. </li>
<li>'The Hospital Patient', pp. 255-259. Orig. <a href="http://dickenssearch.com/admin/items/show/219">'The Hospital Patient'</a>. </li>
<li>'Misplaced Attachment of Mr. John Dounce', pp. 260-266. Orig. <a href="http://dickenssearch.com/admin/items/show/68">'Scenes and Characters, No. 5, Love and Oysters'</a>.</li>
<li>'The Mistaken Milliner (A Tale of Ambition)',* pp. 267-273. Orig. <a href="http://dickenssearch.com/admin/items/show/101">'Scenes and Characters, No. 7, The Vocal Dressmaker'</a>.</li>
<li>'The Dancing Academy', pp. 274-280. Orig. <a href="http://dickenssearch.com/admin/items/show/66">'<em>Scenes and Characters</em>, No. 3, The Dancing Academy'</a>.</li>
<li>'Shabby-genteel People', pp. 281-285. Orig. <a href="http://dickenssearch.com/admin/items/show/id/222">'<em>Street Sketches</em>, No. IV, Shabby-genteel People'</a>.</li>
<li>'Making a Night of It', pp. 286-291. Orig. <a href="http://dickenssearch.com/admin/items/show/67">'Scenes and Characters, No. 4, Making a Night of It'</a>.</li>
<li>'The Prisoners' Van', pp. 292-296. Orig. <a href="http://dickenssearch.com/admin/items/show/102">'<em>Scenes and Characters</em>, No. 9, The Prisoners' Van'</a>.</li>
</ul>
</li>
</ul>
<ul>
<li><em>Tales.</em>
<ul>
<li>‘The Boarding-House’, * pp. 297-334. Orig. <a href="http://dickenssearch.com/admin/short-stories/1834-05-The_Boarding_House_No1">'The Boarding-House No.1'</a> and <a href="http://dickenssearch.com/admin/short-stories/1834-08-The_Boarding_House_No2">'The Boarding-House No.2'</a>.</li>
<li>'Mr. Minns and His Cousin', pp. 335-345. Orig. <a href="http://dickenssearch.com/admin/items/show/39">'A Dinner at Poplar Walk'</a>.</li>
<li><strong>'Sentiment', pp. 346-357. Orig. 'Sentiment'.</strong></li>
<li>‘The Tuggs’s at Ramsgate’, pp. 358-377. Orig. <a href="http://dickenssearch.com/admin/short-stories/1836-The_Tuggss_at_Ramgate">'The Tuggs's at Ramgate'</a>.</li>
<li>'Horatio Sparkins', pp. 111-141. Orig. <a href="http://dickenssearch.com/admin/items/show/132">'Horatio Sparkins'</a>.</li>
<li>'The Black Veil', pp. 396-407. Orig. ‘The Black Veil’ (<em>Sketches by Boz</em>, 1836).</li>
<li>'The Steam Excursion', pp. 408-430. Orig. <a href="http://dickenssearch.com/admin/items/show/149">'The Steam Excursion'</a>.</li>
<li>'The Great Winglebury Duel', pp. 431-448. Orig. <a href="http://dickenssearch.com/admin/items/show/213">‘The Great Winglebury Duel’</a> (<em>Sketches by Boz</em>, Vol.2, 1836).</li>
<li>'Mrs. Joseph Porter', pp. 449-459. Orig. <a href="http://dickenssearch.com/admin/items/show/133">'Mrs. Joseph Porter, "Over the Way"'</a>. </li>
<li>‘Passage in the Life of Mr. Watkins Tottle’,* pp. 460-496. Orig. <a href="http://dickenssearch.com/admin/items/show/150">'Passage in the Life of Mr. Watkins Tottle. Chapter the First'</a> and <a href="http://dickenssearch.com/admin/items/show/151">'Passage in the Life of Mr. Watkins Tottle. Chapter the Second'</a>.</li>
<li>'The Bloomsbury Christening', pp. 497-514. Orig. <a href="http://dickenssearch.com/admin/short-stories/1834-04-The_Bloomsbury_Christening">'The Bloomsbury Christening'</a>. </li>
<li>‘The Drunkard’s Death’, pp. 515-525. Orig. <a href="http://dickenssearch.com/admin/items/show/159">‘The Drunkard’s Death’</a> (<em>Sketches by Boz,</em> 1837).</li>
</ul>
</li>
</ul>
Rights
Information about rights held in and over the resource
Public domain, Google-digitised