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                <text>&lt;h4&gt;This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time.&amp;nbsp;&lt;/h4&gt;&#13;
Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway.&lt;br /&gt;&lt;br /&gt;Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (&lt;em&gt;The Speeches of Charles Dickens&lt;/em&gt; [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in &lt;em&gt;The Dickensian&lt;/em&gt;;&lt;sup&gt;&lt;a href="#fn1" id="ref1"&gt;1&lt;/a&gt;&lt;/sup&gt; there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled.&lt;br /&gt;&lt;br /&gt;Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884:&lt;br /&gt;&#13;
&lt;blockquote&gt;[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel &lt;span&gt;–&lt;/span&gt; he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (&lt;em&gt;Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America&lt;/em&gt;, pp. 273-74)&lt;/blockquote&gt;&#13;
However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like &lt;em&gt;The Times&lt;/em&gt;. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say).&lt;br /&gt;&lt;br /&gt;Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points.&lt;br /&gt;&lt;br /&gt;Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens.&lt;br /&gt;&lt;br /&gt;&lt;sup id="fn1"&gt;1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', &lt;em&gt;The Dickensian&lt;/em&gt; 85.418 (1989): pp. 66-80. &lt;a href="#ref1" title="Jump back to footnote 1 in the text."&gt;↩&lt;/a&gt;&lt;/sup&gt;</text>
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                <text>Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods</text>
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        <description>Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any &amp;nbsp; (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.</description>
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            <text>Gentlemen, After all you have already heard, and have so rapturously received, I assure you that not even the warmth of your kind welcome would embolden me to hope to interest you if I had not full confidence in the subject I have to offer to your notice. But my reliance on the strength of this appeal to you is so strong that I am rather encouraged than daunted by the brightness of the track on which I have to throw my little shadow. Gentlemen, as it seems to me, there are three great requisites essential to the perfect realization of a scene so unusual and so splendid as that in which we are now assembled. The first, and I may say most difficult requisite, is a man possessing that strong hold on the general remembrance, that indisputable claim on the general regard and esteem, which is possessed by my dear and much valued friend, our guest. The second requisite is the presence of a body of entertainers, a great multitude of hosts as cheerful and good humoured – under, I am sorry to say, some personal inconvenience – as warm-hearted and as nobly in earnest, as those whom I have the privilege of addressing. The third, and certainly not the least of these requisites, is a president who, less by his social position which he may claim by inheritance, or by his fortune which may have been adventitiously won, and may again be accidentally lost, than by his comprehensive genius, shall fitly represent the best part of him to whom honour is done, and the best part of those who unite in the doing of it. Such a president I think we have found in our chairman of tonight, and I need scarcely add that our chairman's health is the toast I have to propose to you. Many of those who now hear me were present, I dare say, at that memorable scene of Wednesday night last, when the great vision which had been a delight and a lesson, and, I dare say, very often to many of us – I know I can speak for myself – a support and a comfort, and which for many years has improved and charmed us, and to which we look back in elevated relief from the labours of our lives, faded from our sight for ever. I will not stop to inquire whether our guest may or may not have looked forward through rather too long a period for us, to some remote and distant time when he might possibly bear some far-off likeness to a certain Spanish archbishop whom our old friend Gil Blas once served. Nor will I stop to inquire whether it was a reasonable disposition in the audience of Wednesday night to seize upon the words: And I have bought Golden opinions from all sorts of people Which would be worn now in their newest gloss, Not cast aside so soon –  but I will venture to intimate what has, in my own mind, mainly connected that occasion with the present. When I looked round on the vast assemblage, and observed the huge pit hushed into stillness on the rising of the curtain, and that mighty surging gallery, where men in their shirt sleeves had been striking out their arms like strong swimmers, – when I saw that boisterous human flood become still water in a moment, and remain so from the opening to the end of the play, it suggested to me something besides the trustworthiness of the English crowd, and the delusion under which those labour who are apt to disparage and malign it: it suggested to me, that in meeting here tonight, we undertook to represent something of the all-pervading feeling of that crowd through all its intermediate degrees, from the full-dressed lady, with her diamonds sparkling upon her breast in the proscenium-box, to the half-undressed gentleman, who bides his time to take some refreshment in the back row of the gallery. And I consider, gentlemen, that no one who could possibly be placed in this Chair could so well head that comprehensive representation, and could so well give the crowning grace to our festivities as one whose comprehensive genius has in his various works embraced them all, and who has in his dramatic genius, enchanted and enthralled them all at once. Gentlemen, it is not for me here to recall, after what you have heard this night, what I have seen and known in bygone times of Mr. Macready's management, and of the strong friendship of Sir Bulwer Lytton for him, of the association of his pen with his earliest successes, or of Mr. Macready's zealous and untiring services; but it may be permitted to me to say what, in any public mention of him I can never repress, that in the path we both tread I have uniformly found him from the first the most generous of men; quick to encourage, slow to disparage, ever anxious to assert the order of which he is so great an ornament; never condescending to shuffle it off, and leave it outside state rooms, as a Mussulman might leave his slippers outside a mosque. There is a popular prejudice, a kind of superstition, to the effect that authors are not a particularly united body, that they are not invariably and inseparably attached to each other. I am afraid I must concede half a grain or so of truth to that superstition; but this I know, that there can hardly be, that there hardly can have been, among the followers of literature, a man of more high standing further above those little grudging jealousies, which do sometimes disparage its brightness, than Sir Edward Bulwer Lytton. And I have the strongest reason just at present to bear my testimony to his great consideration for those evils which are sometimes unfortunately attendant upon it, though not on him. For, in conjunction with some other gentlemen now present, I have just embarked in a design with Sir Bulwer Lytton, to smooth the rugged way of young labourers, both in literature and the fine arts, and to soften, but by no eleemosynary means, the declining years of meritorious age. And if that project prosper, as I hope it will, and as I know it ought, it will one day be an honour in England where it is now a reproach; originating in his sympathies, being brought into operation by his activity, and endowed from the very cradle by his generosity. There are many among you who will have each his own favourite reason for drinking our chairman’s health, resting his claim probably upon some of his diversified success. According to the nature of your reading, some of you will connect him with prose, others will connect him with poetry. One will connect him with comedy, and another with the romantic passions of the stage, and his assertion of worthy ambition and earnest struggles against those twin gaolers of the human heart Low birth and iron fortune. Again, another's taste will lead him to the contemplation of Rienzi, and the streets of Rome; another's to the rebuilt and repeopled streets of Pompeii; another's to the touching history of the fireside where the Caxton family learned how to discipline their natures and tame their wild hopes down. But however various their feelings and reasons may be, I am sure that with one accord each will help the other, and all will swell the greeting, with which I shall now propose to you ‘The Health of our Chairman, Sir Edward Bulwer Lytton’.</text>
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              <text>Banquet in Honour of William Macready's Farewell Performance</text>
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              <text>Dickens, Charles</text>
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              <text>Dickens, Charles. 'Speech at the Banquet in Honour of William Macready's Farewell Performance' (1 March 1851). &lt;em&gt;Dickens Search&lt;/em&gt;&lt;span&gt;. Eds. Emily Middleton and Lydia Craig. Accessed [date]. &lt;/span&gt;&lt;a href="https://dickenssearch.com/speeches/1851-03-01_Speech_Banquet-in-Honour-of-William-Macready"&gt;https://dickenssearch.com/speeches/1851-03-01_Speech_Banquet-in-Honour-of-William-Macready&lt;/a&gt;&lt;span&gt;.&lt;/span&gt;</text>
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              <text>&lt;p&gt;&lt;span data-contrast="none"&gt;Gentlemen, After all you have already heard, and have so rapturously received, I assure you that not even the warmth of your kind welcome would embolden me to hope to interest you if I had not full confidence in the subject I have to offer to your notice. But my reliance on the strength of this appeal to you is so strong that I am rather encouraged than daunted by the brightness of the track on which I have to throw my little shadow.&lt;/span&gt;&lt;span data-ccp-props="{&amp;quot;201341983&amp;quot;:0,&amp;quot;335559739&amp;quot;:0,&amp;quot;335559740&amp;quot;:276}"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span data-contrast="none"&gt;Gentlemen, as it seems to me, there are three great requisites essential to the perfect realization of a scene so unusual and so splendid as that in which we are now assembled. The first, and I may say most difficult requisite, is a man possessing that strong hold on the general remembrance, that indisputable claim on the general regard and esteem, which is possessed by my dear and much valued friend, our guest. The second requisite is the presence of a body of entertainers, a great multitude of hosts as cheerful and good humoured &lt;/span&gt;&lt;span data-contrast="none"&gt;– &lt;/span&gt;&lt;span data-contrast="none"&gt;under, I am sorry to say, some personal inconvenience &lt;/span&gt;&lt;span data-contrast="none"&gt;– &lt;/span&gt;&lt;span data-contrast="none"&gt;as &lt;/span&gt;&lt;span data-contrast="none"&gt;warm-hearted and as nobly in earnest, as those whom I have the privilege of addressing. The third, and certainly not the least of these requisites, is a president who, less by his social position which he may claim by inheritance, or by his fortune which may have been adventitiously won, and may again be accidentally lost, than by his comprehensive genius, shall fitly represent the best part of him to whom honour is done, and the best part of those who unite in the doing of it. Such a president I think we have found in our chairman of tonight, and I need scarcely add that our chairman's health is the toast I have to propose to you.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span data-contrast="none"&gt;Many of those who now hear me were present, I dare say, at that memorable scene of Wednesday night last, when the great vision which had been a delight and a lesson, and, I dare say, very often to many of us &lt;/span&gt;&lt;span data-contrast="none"&gt;– &lt;/span&gt;&lt;span data-contrast="none"&gt;I know I can speak for myself &lt;/span&gt;&lt;span data-contrast="none"&gt;– &lt;/span&gt;&lt;span data-contrast="none"&gt;a support and a comfort, and which for many years has improved and charmed us, and to which we look back in elevated relief from the labours of our lives, faded from our sight for ever. I will not stop to inquire whether our guest may or may not have looked forward through rather too long a period for us, to some remote and distant time when he might possibly bear some far-off likeness to a certain Spanish archbishop whom our old friend Gil Blas once served. Nor will I stop to inquire whether it was a reasonable disposition in the audience of Wednesday night to seize upon the words: And I have bought&amp;nbsp;&lt;/span&gt;&lt;span data-ccp-props="{&amp;quot;201341983&amp;quot;:0,&amp;quot;335559739&amp;quot;:0,&amp;quot;335559740&amp;quot;:276}"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span data-contrast="none"&gt;Golden opinions from all sorts of people&amp;nbsp;&lt;/span&gt;&lt;span data-ccp-props="{&amp;quot;201341983&amp;quot;:0,&amp;quot;335559739&amp;quot;:0,&amp;quot;335559740&amp;quot;:276}"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span data-contrast="none"&gt;Which would be worn now in their newest gloss,&lt;/span&gt;&lt;span data-ccp-props="{&amp;quot;201341983&amp;quot;:0,&amp;quot;335559739&amp;quot;:0,&amp;quot;335559740&amp;quot;:276}"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span data-contrast="none"&gt;Not cast aside so soon &lt;/span&gt;&lt;span data-contrast="none"&gt;– &lt;/span&gt;&lt;span data-ccp-props="{&amp;quot;201341983&amp;quot;:0,&amp;quot;335559739&amp;quot;:0,&amp;quot;335559740&amp;quot;:276}"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span data-contrast="none"&gt;but I will venture to intimate what has, in my own mind, mainly connected that occasion with the present. When I looked round on the vast assemblage, and observed the huge pit hushed into stillness on the rising of the curtain, and that mighty surging gallery, where men in their shirt sleeves had been striking out their arms like strong swimmers, &lt;/span&gt;&lt;span data-contrast="none"&gt;– &lt;/span&gt;&lt;span data-contrast="none"&gt;when I saw that boisterous human flood become still water in a moment, and remain so from the opening to the end of the play, it suggested to me something besides the trustworthiness of the English crowd, and the delusion under which those labour who are apt to disparage and malign it: it suggested to me, that in meeting here tonight, we undertook to represent something of the all-pervading feeling of that crowd through all its intermediate degrees, from the full-dressed lady, with her diamonds sparkling upon her breast in the proscenium-box, to the half-undressed gentleman, who bides his time to take some refreshment in the back row of the gallery. And I consider, gentlemen, that no one who could possibly be placed in this Chair could so well head that comprehensive representation, and could so well give the crowning grace to our festivities as one whose comprehensive genius has in his various works embraced them all, and who has in his dramatic genius, enchanted and enthralled them all at once.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span data-contrast="none"&gt;Gentlemen, it is not for me here to recall, after what you have heard this night, what I have seen and known in bygone times of Mr. Macready's management, and of the strong friendship of Sir Bulwer Lytton for him, of the association of his pen with his earliest successes, or of Mr. Macready's zealous and untiring services; but it may be permitted to me to say what, in any public mention of him I can never repress, that in the path we both tread I have uniformly found him from the first the most generous of men; quick to encourage, slow to disparage, ever anxious to assert the order of which he is so great an ornament; never condescending to shuffle it off, and leave it outside state rooms, as a Mussulman might leave his slippers outside a mosque. There is a popular prejudice, a kind of superstition, to the effect that authors are not a particularly united body, that they are not invariably and inseparably attached to each other.&amp;nbsp; I am afraid I must concede half a grain or so of truth to that superstition; but this I know, that there can hardly be, that there hardly can have been, among the followers of literature, a man of more high standing further above those little grudging jealousies, which do sometimes disparage its brightness, than Sir Edward Bulwer Lytton.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span data-contrast="none"&gt;And I have the strongest reason just at present to bear my testimony to his great consideration for those evils which are sometimes unfortunately attendant upon it, though not on him. For, in conjunction with some other gentlemen now present, I have just embarked in a design with Sir Bulwer Lytton, to smooth the rugged way of young labourers, both in literature and the fine arts, and to soften, but by no eleemosynary means, the declining years of meritorious age. And if that project prosper, as I hope it will, and as I know it ought, it will one day be an honour in England where it is now a reproach; originating in his sympathies, being brought into operation by his activity, and endowed from the very cradle by his generosity. There are many among you who will have each his own favourite reason for drinking our chairman’s health, resting his claim probably upon some of his diversified success. According to the nature of your reading, some of you will connect him with prose, others will connect him with poetry. One will connect him with comedy, and another with the romantic passions of the stage, and his assertion of worthy ambition and earnest struggles against&amp;nbsp;&lt;/span&gt;&lt;span data-ccp-props="{&amp;quot;201341983&amp;quot;:0,&amp;quot;335559739&amp;quot;:0,&amp;quot;335559740&amp;quot;:276}"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span data-contrast="none"&gt;those twin gaolers of the human heart&amp;nbsp;&lt;/span&gt;&lt;span data-ccp-props="{&amp;quot;201341983&amp;quot;:0,&amp;quot;335559739&amp;quot;:0,&amp;quot;335559740&amp;quot;:276}"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span data-contrast="none"&gt;Low birth and iron fortune.&lt;/span&gt;&lt;span data-ccp-props="{&amp;quot;201341983&amp;quot;:0,&amp;quot;335559739&amp;quot;:0,&amp;quot;335559740&amp;quot;:276}"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span data-contrast="none"&gt;Again, another's taste will lead him to the contemplation of Rienzi, and the streets of Rome; another's to the rebuilt and repeopled streets of Pompeii; another's to the touching history of the fireside where the Caxton family learned how to discipline their natures and tame their wild hopes down. But however various their feelings and reasons may be, I am sure that with one accord each will help the other, and all will swell the greeting, with which I shall now propose to you ‘The Health of our Chairman, Sir Edward Bulwer Lytton’.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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