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                <text>&lt;h4&gt;This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time.&amp;nbsp;&lt;/h4&gt;&#13;
Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway.&lt;br /&gt;&lt;br /&gt;Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (&lt;em&gt;The Speeches of Charles Dickens&lt;/em&gt; [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in &lt;em&gt;The Dickensian&lt;/em&gt;;&lt;sup&gt;&lt;a href="#fn1" id="ref1"&gt;1&lt;/a&gt;&lt;/sup&gt; there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled.&lt;br /&gt;&lt;br /&gt;Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884:&lt;br /&gt;&#13;
&lt;blockquote&gt;[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel &lt;span&gt;–&lt;/span&gt; he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (&lt;em&gt;Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America&lt;/em&gt;, pp. 273-74)&lt;/blockquote&gt;&#13;
However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like &lt;em&gt;The Times&lt;/em&gt;. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say).&lt;br /&gt;&lt;br /&gt;Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points.&lt;br /&gt;&lt;br /&gt;Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens.&lt;br /&gt;&lt;br /&gt;&lt;sup id="fn1"&gt;1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', &lt;em&gt;The Dickensian&lt;/em&gt; 85.418 (1989): pp. 66-80. &lt;a href="#ref1" title="Jump back to footnote 1 in the text."&gt;↩&lt;/a&gt;&lt;/sup&gt;</text>
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                <text>Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods</text>
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            <text>&lt;p&gt;&lt;span data-contrast="auto"&gt;As his speech, he said, was in the report which he had presented to the chairman, he would not be able to renew the gratification which the learned gentleman, the seconder of the amendment, said he felt at hearing his speeches. He regarded, moreover, the complaint of the lamentable deficiency of their funds, after the astounding and unanswered statement made by Mr. Dilke of their financial resources, as about the most bitterly ironical thing which the human mind could conceive of that society.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span data-contrast="auto"&gt;The honourable gentleman who had moved the amendment had appeared, in common with other gentlemen who had addressed the meeting, to approach the proposal entirely in the character of a lender; but let him approach it in the character of a borrower, and put the question to them as a matter of feeling, whether they could not conceive the case of a high-spirited literary man, who would refuse to apply for a gift of money but who would be willing to come to the Fund for a loan to assist him in his difficulties. The noble lord had said, ‘Oh! he can regard it as a loan, and can pay it back again in the form of a donation.’ But, he would ask, was there a man in that room, who, having received a loan of, say, a hundred pounds, would have the audacity to put down his name in the list of subscribers as a donor to the society of one hundred pounds, when he repaid it? The suggestion was founded on a perfect misconception of the literary character and honour of the country which it was amazing to hear from such lips.&lt;/span&gt;&lt;/p&gt;</text>
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            <text>&lt;span data-contrast="auto" xml:lang="EN-GB" lang="EN-GB" class="TextRun SCXW266286389 BCX0"&gt;&lt;span class="NormalTextRun SCXW266286389 BCX0"&gt;A gentleman in the room interrupted to say that it was understood that Chateaubriand had done so. DICKENS.&lt;/span&gt;&lt;span class="NormalTextRun SCXW266286389 BCX0"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span data-contrast="none" xml:lang="EN-US" lang="EN-US" class="TextRun SCXW266286389 BCX0"&gt;&lt;span class="NormalTextRun SCXW266286389 BCX0" data-ccp-charstyle="normaltextrun" data-ccp-charstyle-defn="{&amp;quot;ObjectId&amp;quot;:&amp;quot;a910b0d7-d005-48fc-ba31-8678fc05619c|36&amp;quot;,&amp;quot;ClassId&amp;quot;:1073872969,&amp;quot;Properties&amp;quot;:[201342446,&amp;quot;1&amp;quot;,201342447,&amp;quot;5&amp;quot;,201342448,&amp;quot;1&amp;quot;,201342449,&amp;quot;1&amp;quot;,469777841,&amp;quot;Aptos&amp;quot;,469777842,&amp;quot;&amp;quot;,469777843,&amp;quot;Aptos&amp;quot;,469777844,&amp;quot;Aptos&amp;quot;,201341986,&amp;quot;1&amp;quot;,469769226,&amp;quot;Aptos&amp;quot;,268442635,&amp;quot;22&amp;quot;,469775450,&amp;quot;normaltextrun&amp;quot;,201340122,&amp;quot;1&amp;quot;,134233614,&amp;quot;true&amp;quot;,469778129,&amp;quot;normaltextrun&amp;quot;,335572020,&amp;quot;1&amp;quot;,469778324,&amp;quot;Default Paragraph Font&amp;quot;]}"&gt;– &lt;/span&gt;&lt;/span&gt;&lt;span data-contrast="auto" xml:lang="EN-GB" lang="EN-GB" class="TextRun SCXW266286389 BCX0"&gt;&lt;span class="NormalTextRun SCXW266286389 BCX0"&gt;Then he did extremely wrong. JOHN MURRAY.&lt;/span&gt;&lt;span class="NormalTextRun SCXW266286389 BCX0"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span data-contrast="none" xml:lang="EN-US" lang="EN-US" class="TextRun SCXW266286389 BCX0"&gt;&lt;span class="NormalTextRun SCXW266286389 BCX0" data-ccp-charstyle="normaltextrun"&gt;– &lt;/span&gt;&lt;/span&gt;&lt;span data-contrast="auto" xml:lang="EN-GB" lang="EN-GB" class="TextRun SCXW266286389 BCX0"&gt;&lt;span class="NormalTextRun SCXW266286389 BCX0"&gt;I would do so, too.&lt;br /&gt;DICKENS&lt;/span&gt;&lt;/span&gt;&lt;span data-contrast="none" xml:lang="EN-US" lang="EN-US" class="TextRun SCXW266286389 BCX0"&gt;&lt;span class="NormalTextRun SCXW266286389 BCX0" data-ccp-charstyle="Heading 1 Char"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span data-contrast="none" xml:lang="EN-US" lang="EN-US" class="TextRun SCXW266286389 BCX0"&gt;&lt;span class="NormalTextRun SCXW266286389 BCX0" data-ccp-charstyle="normaltextrun"&gt;– &lt;/span&gt;&lt;/span&gt;&lt;span data-contrast="auto" xml:lang="EN-GB" lang="EN-GB" class="TextRun SCXW266286389 BCX0"&gt;&lt;span class="NormalTextRun SCXW266286389 BCX0"&gt;Then you would be extremely wrong, likewise.&lt;/span&gt;&lt;/span&gt;</text>
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            <text>&lt;p&gt;&lt;span data-contrast="auto"&gt;With respect to the proposal of the Committee to establish a place for the reunion of literary men, it had been objected by one honourable gentleman that the Athenaeum and other clubs already existed, to which literary men might resort. Why, there was also a fine building known as the London Tavern, which was equally open and accessible to literary men. But did they think that Mr. Bathe, the respectable and enterprising owner of that establishment, would keep his house open for such a purpose? The accommodation proposed to be provided by the committee was of a character suited to the requirements of persons who were altogether unable to avail themselves of privileges such as those to which he had referred. It had been said that the committee wished to take a very large proportion of the £30,000 belonging to the Fund, and appropriate it to other purposes. Nothing of the sort was intended; and the committee had expressly stated in their report that the funds required would be supplied by those persons who would avail themselves of the privilege of the proposed new institution. The object of the literary institution was to induce literary men at home and abroad to take a greater interest in the society, and in case of success the committee anticipated that the increased interest would ensure a corresponding increase in contributions to the Literary Fund; and they proposed that the experiment should first be made on a very small scale, and at almost nominal expense, and then, if unfortunately they should fail in exciting among the profession an increased interest in the objects of the institution, and so did not gain an accession of subscribers, no possible harm would have been done, and the project need not be carried any further. Mr. Milnes had asked the advocates of the scheme why they did not found such a society as they wanted; but they might just as reasonably ask him, and the other conductors of that institution, why this was not done by them as they had their £30,000 of reserved fund, their £200 a year, with which to fulfil these original intentions of the founders that they now altogether blinked.&lt;/span&gt;&lt;span data-ccp-props="{&amp;quot;201341983&amp;quot;:0,&amp;quot;335559739&amp;quot;:0,&amp;quot;335559740&amp;quot;:276}"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span data-contrast="auto"&gt;He would ask any gentleman present to consider whether the Literary Fund was capable of an extended interest among Literary men? Let him look around the room, and, &lt;/span&gt;&lt;span data-contrast="none"&gt;– &lt;/span&gt;&lt;span data-contrast="auto"&gt;he said it without any disrespect &lt;/span&gt;&lt;span data-contrast="none"&gt;– a&lt;/span&gt;&lt;span data-contrast="auto"&gt;t the representatives of Literature on the platform, and ask himself whether he could not imagine a better representation of Literature, brought together under the name of the Literary Fund. The alterations proposed in the report, in the mode of assisting literary men, were suggested by literary men animated with a feeling in favour of their art, who desired to do it good; and actuated also by an earnest desire to rouse up this slumbering society and make it do more for Literature than it had ever yet done, or was likely to do, if left to itself. They knew well that being awakened was, at all time, and under any circumstances, an extremely disagreeable process. &lt;/span&gt;&lt;span data-contrast="none"&gt;– &lt;/span&gt;&lt;span data-contrast="auto"&gt;They all knew this, for they objected to it every day of their lives.But beyond all question the Literary Fund had overslept itself by a great number of years, and it was absolutely necessary to knock it up; and, please God, they would get it out of bed by some means or other.&amp;nbsp;&lt;/span&gt;&lt;span data-ccp-props="{&amp;quot;201341983&amp;quot;:0,&amp;quot;335559739&amp;quot;:0,&amp;quot;335559740&amp;quot;:276}"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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            <text>Royal Literary Fund</text>
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        <description>Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.</description>
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            <text>18550616</text>
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              <text>Royal Literary Fund Special General Meeting 1855</text>
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              <text>Speech at the Royal Literary Fund Special General Meeting (16 June 1855).</text>
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              <text>Dickens, Charles</text>
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              <text>1855-06-16</text>
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              <text>Dickens, Charles. 'Speech at the Royal Literary Fund Special General Meeting' (16 June 1855). &lt;em&gt;Dickens Search&lt;/em&gt;&lt;span&gt;. Eds. Emily Middleton and Lydia Craig. Accessed [date]. &lt;/span&gt;&lt;a href="https://dickenssearch.com/speeches/1855-06-16_Speech_Royal-Literary-Fund-Special-General-Meeting"&gt;https://dickenssearch.com/speeches/1855-06-16_Speech_Royal-Literary-Fund-Special-General-Meeting&lt;/a&gt;&lt;span&gt;.&lt;/span&gt;</text>
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