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                <text>&lt;h4&gt;This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time.&amp;nbsp;&lt;/h4&gt;&#13;
Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway.&lt;br /&gt;&lt;br /&gt;Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (&lt;em&gt;The Speeches of Charles Dickens&lt;/em&gt; [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in &lt;em&gt;The Dickensian&lt;/em&gt;;&lt;sup&gt;&lt;a href="#fn1" id="ref1"&gt;1&lt;/a&gt;&lt;/sup&gt; there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled.&lt;br /&gt;&lt;br /&gt;Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884:&lt;br /&gt;&#13;
&lt;blockquote&gt;[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel &lt;span&gt;–&lt;/span&gt; he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (&lt;em&gt;Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America&lt;/em&gt;, pp. 273-74)&lt;/blockquote&gt;&#13;
However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like &lt;em&gt;The Times&lt;/em&gt;. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say).&lt;br /&gt;&lt;br /&gt;Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points.&lt;br /&gt;&lt;br /&gt;Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens.&lt;br /&gt;&lt;br /&gt;&lt;sup id="fn1"&gt;1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', &lt;em&gt;The Dickensian&lt;/em&gt; 85.418 (1989): pp. 66-80. &lt;a href="#ref1" title="Jump back to footnote 1 in the text."&gt;↩&lt;/a&gt;&lt;/sup&gt;</text>
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                <text>Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods</text>
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            <text>Princess's Theatre</text>
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        <description>Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.</description>
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            <text>18580721</text>
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        <description>Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any &amp;nbsp; (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.</description>
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            <text>Ladies and Gentlemen, I think I may venture to congratulate you beforehand on the pleasant circumstance that the movers and seconders of the resolutions which will be submitted to you will probably have very little to say. Through the Report which you have heard read, and through the comprehensive address of the chai-man, the cause which brings us together has been so very clearly stated to you, that it can stand in need of very little, if of any further exposition. But, as I have the honour to move the first resolution which this handsome gift, and the vigorous action which must be taken upon it, necessitate, I think I shall only give expression to what is uppermost in the general mind here, if I venture to remark that, many as the parts are in which Mr. Kean has distinguished himself on these boards, he has never appeared in one in which the large spirit of an artist, the feeling of a man, and the grace of a gentleman, have been more admirably blended than in this day’s faithful adherence to the calling of which he is a prosperous ornament, and in this day’s manly advocacy of its cause. Ladies and gentlemen, the resolution entrusted to me is: That the Report of the Provisional Committee be adopted, and that this meeting joyfully accepts, and gratefully acknowledges, the gift of five acres of land referred to in the said Report. It is manifest, I take it, that we are all agreed upon this acceptance and acknowledgement, and that we all know very well that this generous gift can inspire but one sentiment in the breast of every lover of the dramatic art. As it is far too often forgotten by those who are indebted to it for many a restorative flight out of this working-day world, that the silks, and velvets, and elegant costumes of its professors must be every night exchanged for the hideous coats and waistcoats of the present day, in which we have now the honour and misfortune of appearing before you, so, when we do meet with a nature so considerably generous as this donor’s, and we do find an interest in the real life and struggles of the people who have delighted it – so very spontaneous and so very liberal – we have nothing to do but to accept and to admire; we have no duty left but to ‘take the goods the gods provide us’ , and to make the best and the most of them. Ladies and gentlemen, allow me to remark, that in this mode of turning a good gift to the highest account, lies the truest gratitude. In reference to this, I could not but reflect, whilst Mr. Kean was speaking, that in an hour or two from this time, the spot upon which we are now assembled will be transformed into the scene of a crafty and cruel bond. I know that, in a few hours hence, the Grand Canal of Venice will flow, with picturesque fidelity, on the very spot I now stand dryshod, and that ‘the quality of mercy’ will be beautifully stated to the Venetian Council by a learned young Doctor from Padua, upon these very boards on which we now enlarge upon the quality of charity and sympathy. Knowing this, it came into my mind to consider how different the real bond of today from the ideal bond of tonight. – Now, all generosity, all forbearance, all forgetfulness of little jealousies and unworthy divisions, all united action for the general good; then, all selfishness, all malignity, all cruelty, all revenge, and all evil. – Now all good; then a bond to be broken within the compass of a few – three or four – swiftly passing hours; now a bond to be valid and of good effect generations hence. Ladies and gentlemen, of the execution and delivery of this bond, between this generous gentleman on the one hand, and the united members of a too often and too long disunited art upon the other, be you the witnesses. Do you attest of everything that is liberal and free in spirit, that is ‘so nominated in the bond’, and of everything that is grudging, self-seeking, unjust, or unfair, that it is by no sophistry ever to be found there. I beg to move the resolution which I have already had the pleasure of reading.</text>
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              <text>Meeting for the Foundation of a Dramatic College</text>
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              <text>Speech at the Meeting for the Foundation of a Dramatic College (21 July 1858).</text>
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              <text>1858-07-21</text>
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              <text>Dickens, Charles. 'Speech at the Meeting for the Foundation of a Dramatic College' (21 July 1858). &lt;em&gt;Dickens Search&lt;/em&gt;&lt;span&gt;. Eds. Emily Middleton and Lydia Craig. Accessed [date]. &lt;/span&gt;&lt;a href="https://dickenssearch.com/speeches/1858-07-21_Speech_Meeting-for-the-Foundation-of-a-Dramatic-College"&gt;https://dickenssearch.com/speeches/1858-07-21_Speech_Meeting-for-the-Foundation-of-a-Dramatic-College&lt;/a&gt;&lt;span&gt;.&lt;/span&gt;</text>
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              <text>&lt;p&gt;&lt;span data-contrast="none"&gt;Ladies and Gentlemen, I think I may venture to congratulate you beforehand on the pleasant circumstance that the movers and seconders of the resolutions which will be submitted to you will probably have very little to say. Through the Report which you have heard read, and through the comprehensive address of the chai-man, the cause which brings us together has been so very clearly stated to you, that it can stand in need of very little, if of any further exposition. But, as I have the honour to move the first resolution which this handsome gift, and the vigorous action which must be taken upon it, necessitate, I think I shall only give expression to what is uppermost in the general mind here, if I venture to remark that, many as the parts are in which Mr. Kean has distinguished himself on these boards, he has never appeared in one in which the &lt;/span&gt;&lt;span data-ccp-props="{&amp;quot;201341983&amp;quot;:0,&amp;quot;335559739&amp;quot;:0,&amp;quot;335559740&amp;quot;:276}"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span data-contrast="none"&gt;large spirit of an artist, the feeling of a man, and the grace of a gentleman, have been more admirably blended than in this day’s faithful adherence to the calling of which he is a prosperous ornament, and in this day's manly advocacy of its cause.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span data-contrast="none"&gt;Ladies and gentlemen, the resolution entrusted to me is:&amp;nbsp;&lt;/span&gt;&lt;span data-ccp-props="{&amp;quot;201341983&amp;quot;:0,&amp;quot;335557856&amp;quot;:16777215,&amp;quot;335559739&amp;quot;:0,&amp;quot;335559740&amp;quot;:276}"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span data-contrast="none"&gt;That the Report of the Provisional Committee be adopted, and that this meeting joyfully accepts, and gratefully acknowledges, the gift of five acres of land referred to in the said Report.&lt;/span&gt;&lt;span data-ccp-props="{&amp;quot;201341983&amp;quot;:0,&amp;quot;335557856&amp;quot;:16777215,&amp;quot;335559739&amp;quot;:0,&amp;quot;335559740&amp;quot;:276}"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span data-contrast="none"&gt;It is manifest, I take it, that we are all agreed upon this acceptance and acknowledgement, and that we all know very well that this generous gift can inspire but one sentiment in the breast of every lover of the dramatic art. As it is far too often forgotten by those who are indebted to it for many a restorative flight out of this working-day world, that the silks, and velvets, and elegant costumes of its professors must be every night exchanged for the hideous coats and waistcoats of the present day, in which we have now the honour and misfortune of appearing before you, so, when we do meet with a nature so considerably generous as this donor's, and we do find an interest in the real life and struggles of the people who have delighted it &lt;/span&gt;&lt;span data-contrast="none"&gt;– &lt;/span&gt;&lt;span data-contrast="none"&gt;so very spontaneous and so very liberal &lt;/span&gt;&lt;span data-contrast="none"&gt;– &lt;/span&gt;&lt;span data-contrast="none"&gt;we have nothing to do but to accept and to admire; we have no duty left but to ‘take the goods the gods provide us’ , and to make the best and the most of them. Ladies and gentlemen, allow me to remark, that in this mode of turning a good gift to the highest account, lies the truest gratitude.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span data-contrast="none"&gt;In reference to this, I could not but reflect, whilst Mr. Kean was speaking, that in an hour or two from this time, the spot upon which we are now assembled will be transformed into the scene of a crafty and cruel bond. I know that, in a few hours hence, the Grand Canal of Venice will flow, with picturesque fidelity, on the very spot I now stand dryshod, and that ‘the quality of mercy’ will be beautifully stated to the Venetian Council by a learned young Doctor from Padua, upon these very boards on which we now enlarge upon the quality of charity and sympathy. Knowing this, it came into my mind to consider how different the real bond of today from the ideal bond of tonight. &lt;/span&gt;&lt;span data-contrast="none"&gt;– &lt;/span&gt;&lt;span data-contrast="none"&gt;Now, all generosity, all forbearance, all forgetfulness of little jealousies and unworthy divisions, all united action for the general good; then, all selfishness, all &lt;/span&gt;&lt;span data-ccp-props="{&amp;quot;201341983&amp;quot;:0,&amp;quot;335557856&amp;quot;:16777215,&amp;quot;335559739&amp;quot;:0,&amp;quot;335559740&amp;quot;:276}"&gt;&amp;nbsp;&lt;/span&gt;&lt;span data-contrast="none"&gt;malignity, all cruelty, all revenge, and all evil. &lt;/span&gt;&lt;span data-contrast="none"&gt;– &lt;/span&gt;&lt;span data-contrast="none"&gt;Now all good; then a bond to be broken within the compass of a few &lt;/span&gt;&lt;span data-contrast="none"&gt;– &lt;/span&gt;&lt;span data-contrast="none"&gt;three or four &lt;/span&gt;&lt;span data-contrast="none"&gt;– &lt;/span&gt;&lt;span data-contrast="none"&gt;swiftly passing hours; now a bond to be valid and of good effect generations hence.&amp;nbsp;&lt;/span&gt;&lt;span data-ccp-props="{&amp;quot;201341983&amp;quot;:0,&amp;quot;335557856&amp;quot;:16777215,&amp;quot;335559739&amp;quot;:0,&amp;quot;335559740&amp;quot;:276}"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span data-contrast="none"&gt;Ladies and gentlemen, of the execution and delivery of this bond, between this generous gentleman on the one hand, and the united members of a too often and too long disunited art upon the other, be you the witnesses. Do you attest of everything that is liberal and free in spirit, that is ‘so nominated in the bond’, and of everything that is grudging, self-seeking, unjust, or unfair, that it is by no sophistry ever to be found there. I beg to move the resolution which I have already had the pleasure of reading.&lt;/span&gt;&lt;/p&gt;</text>
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